#chevillon

[spockvarietyhour]

[vinhosemsegredo]

Nuits à Babette

Comida e arte chegaram ao ápice na história do cinema em 1987 com“A festa de Babette”, que levou o oscar de melhor filme estrangeiro daquele ano e consagrou a literatura de Isak Dinesen, classificada por um crítico do NY Times como “delicada como um cristal de Veneza”. Numa vila puritana, cercada de preconceitos, Babette resolve gastar todo o dinheiro ganho em um prêmio em uma noite para os…

[saintdizier]

ChiFouMi, festival familial de spectacle vivant, pose pour la deuxième fois ses valises à Chevillon les 26 et 27 juillet prochains. Ce rendez-vous est proposé par la compagnie « L’Art ou l’Être » en partenariat avec le Grand Saint-Dizier, Der & Vallées et la commune de Chevillon. 🥁

[mynonsenseistingling]

CHEVILLON THRAX "HAMMER DRILL"

[ot9000]

Château Lestage Chevillon Médoc 2016 France - Médoc, Bordeaux

[dijonbeaune]

Nuits-Saint-Georges : le casting du salon des vignerons (2/5)

Les 9 et 10 mars, une trentaine de vignerons seront présents au salon des vignerons « Les Nuits au Grand Jour », en marge de la 63e Vente des vins des Hospices de Nuits. Portrait de ces domaines viticoles attachés à l’appellation Nuits-Saint-Georges. Épisode 2. Bertrand Chevillon, gérant du domaine Robert Chevillon. © Pearl of Burgundy 🍇 Domaine Robert Chevillon 🍇 Nuits leur colle à la peau. À…

[wraithsoutlaws]

NUMBER 9 FOR THE SOFT OTP what would they wear to a merc wedding

9.) Write about your ship getting dressed up in fancy outfits together. (tagging @nightcxty for requesting the same prompt <3)

cw: mentions of gore (of course)

Dagger patted down the pockets of the dead man before he ripped off his shirt. He frowned at the half pack of cigarettes he found in the breast pocket of the silken jacket–leave it to a corpocunt to smoke menthol. He plucked one out and lit it anyway. With a sigh of smoke, he slid into the button down he’d pulled from the corpse. The fabric was stiff from a fresh dry clean and was probably the nicest thing he’d worn since his Sunday best at eight years old. He remembered why he hated it. The waistcoat wasn’t any better, delicate pinstripes elongating an already lanky form. He cinched the buttons with bloody fingers. Any attempt at cleaning the smear of red against the brass made it worse, but it was hard to see beneath the garish stain where he’d plunged the knife into the man anyway. Dry cleaning wouldn’t fix that one. 

The jacket was the only piece which had miraculously survived without blood, and he elected to leave it with the dead man–a compromise for taking the tie. He couldn’t believe he remembered how to fix it, fingers working on memory as he delicately slid the knot to his throat. His mama would be proud. It almost brought a smile to his lips.

“You look like an asshole,” Dum Dum’s voice chimed like static from behind him.

He turned to find him half dressed. He’d managed alright with the pants, but his shirt was missing and he had knotted the tie around his waist like a belt. 

“It’s supposed to go around your neck, dipshit.” 

“Nah. Felt like it was choking.”

Dagger took a drag from his cigarette, studying him with a raised brow. “And the shirt?”

“Fucking straightjacket.”

“Jesus christ.”

“Well what about you?” Dum Dum said, gesturing to the stain seeping into the fabric of his clothes. “You got blood all over.”

“He was a gusher. Couldn’t be helped.”

“You could’ve shot him like I did.” He gestured back to the second body only a few feet away face down in a puddle of it’s own gray matter. The alleyway where they stood would soon be flooded with a cadre of pigs and corp security. They couldn’t linger much longer, and they wouldn't. They were on a time crunch anyway. 

Dagger finally ripped his knife from the husk below him, flipping it idly between his fingers. A bullet. He scoffed.

“I’m stuck in these damn clothes, ain’t I at least entitled to some fun?” He threw the cigarette down into a pool of blood and picked the abandoned jacket up from the ground. “‘Least wear this. Not fair I’m the only one suffering.”

Dum Dum growled, but swung the jacket on anyway. The fabric pulled tight over his chrome and it’s sleek edges looked out of place sitting against scarred flesh, but Dagger decided it was an improvement upon the last owner. Cold eyes scanned him and almost warmed. He felt a spotlight reflected back at him as Dum Dum met his gaze with a smile that matched his own.

Neither of them wanted to say it, but it was true.

They looked good.

Sirens bounced off the distant walls of the city like a countdown and they took their cue to head back toward the car parked down the block.

“We’ll burn ‘em after the party,” Dagger mentioned at the passenger’s side door. He took one more look at Dum Dum as they slid into his chevillon, committing the image to memory. He had no doubt they clothes would look even better on the floor.

Dum Dum’s grin said the same.

[skubri30]

CHEVILLON - Haute Marne

Tout fout le camp - Saison 2

[cyberspacenette]

Chevillon Thrax "Fire Fang"

[noirapocalypto]

4, 15, 27, 28 for Salem <33

Thank you, bestie! 🥰🤗

[CP2077 OC Asks]

4. what tarot card from the major arcana would you associate with them?

I really don't want to be cliche but I've always associated the Death card with Salem.

Upright: transformation, endings, change, transition, letting go, release Reversed: fear of change, repeating negative patterns, resisting change, stagnancy, decay

It pretty much tells Salem's entire story. It starts with the reversed meanings, Salem stuck in a toxic cycle of bad habits and his inability to let go of his grief and trauma. He's slowly killing himself and he was prepared to let it happen.

However, one thing led to another, by chance or by fate, and his story slowly transitions to the upright meanings. He seeks help in his own Salem way, he's allowing himself to heal and he's cutting out the toxic elements of his life. Salem learned to let go of his pain and learned to accept change for the better. The chapter of his sadness is closed, and a new story, one that's happy, warm and full of love, begins.

15. what is their preferred vehicle or transportation of choice?

Salem drives a blacked out Chevillon Thrax. Sleek and yet subtle. No other flash or pizzazz to it. Very Salem. His other means, would be flight via his raven form. 🤭Boy loves to stretch his wings out from time to time.

27. have they ever had run ins with the badges?

He has, yes! There's actually some deep lore to this that I never really got a chance to go furthur into detail. 😅 Long story short, Salem does have a criminal record--mostly consisting of misdemeanors such as resisting arrest, DUI's, disorderly conduct, aggravated assault and drug possession. There was also an incident where he was charged with 'inciting a riot' during one of his shows when things got a little to chaotic (might have borrowed this from Ghostemane 🤭)

There's also a big one that's much more serious and that jump starts Salem's recovery arc. Around 2075 or so, Salem hit rock bottom. He was at his darkest and decided to go on a bender. The details are kinda foggy since I'm still working this out. But what ends up happening is that Salem, heavily under the influence, very publicly and loudly wrecked havoc in Night City which resulted in a stand off between himself and the NCPD. One of the final charges was 'evading arrest in a stolen vehicle', just to give a glimpse of what went down. Cue some law shit and some possible outside help, but the final sentence was court mandated rehab, along with probation and community service (since it was argued that Salem committed his crimes while under great personal stress and was not in his right mind). Which is how Salem finds his way to rehab because he sure as heck wouldn't have done it himself.

Like I said, still working out the wrinkles in this one 🤭But it is a big part of his story.

28. are they quick to help a stranger in need or do they prefer to stay out of other peoples business?

It depends. Salem prefers to mind his business and stay in his lane. He's a bit self-centered like this, especially during his bad years. However, if there is an element of danger, such as if the stranger is about to be harmed or hurt in some way, he will instinctively step in. He does have a soft spot for father figures though, so if he see's a father in need of help, or if someone is trying to help their dad, he's a bit more likely to willingly offer his assistance.

[chez-mimich]

LO SCORSO ANNO È ANDATA COSÌ…

Secondo il credo di François Truffaut, “Tre film al giorno, tre libri alla settimana, dei dischi di grande musica faranno la mia felicità fino alla fine dei miei giorni”, e come dargli torto? Tenendo conto che però i ritmi di Truffaut sono certamente inarrivabili, ne condivido di certo la filosofia. Quest’anno è andata così, però ho la pessima abitudine di non annotare i dischi che ascolto, ecco un buon proposito per il 2023.

ANNO 2022

"Tullio Pericoli: Frammenti", Palazzo Reale Milano, 02.01.22

“Il Mito di Venezia da Hayez alla Biennale” Castello di Novara, 09.01.22

“Tania Bruguera, la verità anche a scapito del mondo” Pac Milano, 15.01.22

“Ciò che si trova solo in Baudelaire” di Roberto Calasso, 12.01.22

“François Berthoud, Hyperillustrations”, Fondazione Sozzani, 22.01.22

“Annientare” di Miche Houellebecq, 23.01.22

"Ennio" di Giuseppe Tornatore, 02.02.22

“Grand Tour, sogno d’Italia da Venezia a Pompei”, Gallerie d’Italia Milano, 04.02.22

“Irreversible Entanglements”, Spazio Nova, Novara Jazz, 06.02.22

"Il capo perfetto" di Fernando Leo de Aranoa, 19.02.22

"Gabriele Boggio Ferraris Quartet" Taste of jazz, 24.02.22

"Chris Pitsiokos & Mulhouse Ensemble", Spazio Nova, 26.02.22

"Gabriele Boggio Ferraris Quartet". Opificio, 25.02.22

"A-Septic W/Vladimir Tarasov". Spazio Nova, 07.03.22

"Belfast" di Kenneth Branagh, 09.03.22

"Flee" di Jonas Poher Rasmussen, 13.03.22

“Chris Pitsiokos and Mulohouse Ensemble”, spazio Nova, 15.03.22

“Limes: la Russia cambia il mondo”, 20.03.22

Francesco Chiapperini: “On the Bare Rocks and Glaciers”, Taste of Jazz Opificio, 28.03.22

“Barry’s Trio”, spazio Nova, 03.04.22

“I Defunti” di Manu Larcenet e Daniel Casanave, 03.04.22

Gustave Flaubert: "Due racconti giovanili" a cura di Chiara Pasetti

Steve Mc.Queen: "Sunshine State", Pirelli Hangar Bicocca, 10.04.22

"Kris Ruhs: Heroes" Fondazione Sozzani, 16.04.22

"Steve Harries. Octopus" Fondazione Sozzani, 16.04.22

Anicka Yi: "Metaspore" Pirelli Hangar Bicocca, 19.04.22

"Bruce Weber wearing Kris Rhus Jewelry" Fondazione Sozzani, 16.04.22

"Tra due mondi" di Emmanuel Carrère, 16.04.22

"Concerto Passio 2022" Cappella Musicale del Duomo di Novara, 23.04.22

"Finale a sorpresa" di Mariano Cohn e Gastòn Duprat, 24.04.22

Elmgreen & Dragset: "Useless Bodies?", Fondazione Prada, 10.05.22

Haruki Murakami: "Gli assalti alle panetterie", 12.05.22

“Nostalgia” di Mario Martone, 29.05.22

“C’era una volta la DDR” di Anna Funder, 10.05.22

“Jazz Notes” di Giuseppe Cardoni, Opificio Novara Jazz 02.06.22

Daniele Cavallanti: “World of Music” di Daniele Cavallanrti Opificio Novara Jazz 02.06.22

“Stilnòva

Lisen Rylander Löve & Mirko Pedrotti + Biennoise, Nòva, 03.06.22

Lisen Rylander Löve “solo”, Mulino Vecchio di Bellinzago, 04.06.22

“Trio Korr”, Doneda, Grossi, Monico, Mezzomerico, 04.06.22

“Mynd”, Museo civico di Oleggio, 04.06.22

“We3” Barriera Albertina, 07.06.22

“Collocutor”: Church of Sound, Basilica di San Gaudenzio, 07.06.22

Tor Yttredal & Roberto Bonati, Museo Faraggiana, 08.06.22

Banda Filarmonica Oleggio e Roberto Mandarini, Broletto, 08.06.22

Shingai, Broletto, 09.06.22

Simone Alessandrini, “Storytellers” Mura rimane, 10.06.22

“L.U.M.E.” Lisbon Underground Musci Ensemble, Broletto, 10.06.22

Peter Evans “solo”, Basilica di San Gaudenzio 11.06.22

Alberto Braida “solo”, Casa Bossi, 11.06.22

Tom Arthurs & Giovanna Pessi, Giardino Palazzo Natta, 11.06.22

“ACRE” con Ermanno Baron e Peter Evans

Theon Cross, “Soundsystem Setup”, Broletto, 11.06.22

Kit Downes “solo”, Chiesa di San Giovanni Decollato, 12.06.22

“Erios Junior Orchestra”, Broletto, 12.06.22

Bruno Chevillon “solo”, Galleria Giannoni, 12.06.22

“Archipelagos” con Francesca Remigi, Parco dei Bambini, 12.06.22

“She’s Analog” Chiostro della Caninica, 12.06.22

“Orchestre Tout Puissant Marcel Duchamp”, Broletto, 12.06.22

“Artivismo” di Vincenzo Trione, 13.06.22

“Sotto gli occhi dell’Agnello” di Roberto Calasso, 20.06.22

“Album D’Annunzio” a cura di Annamaria Andreoli, 30.6.22

“Paris s’il vous plaît” di Eleonora Marangoni, 08.07.22

“Il costume femminile” di Georges Vigarello, 13.07.22

“Zero Gravity” di Woody Allen, 16.07.22

“La figlia unica” di Abraham B. Yehoshua, 19.07.22

“Non date a Cesare quel che è di Dio” di Claudio Balzaretti, 01.08.22

“Di notte, davanti alla parete con l’ombra degli alberi” di Peter Handke, 10.08.22

“Chris Ware” Centre Pompidou, 20.08.22

“Tatiana Trouvé, le grand atlas de la désorientation” Centre Pompidou 20.08.22

“Le reste est ombre: Pedro Costa, Rui Chafes, Paulo Nozolino” Centre Pompidou, 20.08.22

“Shirely Jaffesi, un américaine à Paris”. Centre Pompidou, 20.08.22

“Simon Hantaï: l’exposition du Centanaire”, Fondation Vuitton, 21.08.22

“La Couleurs en fugue”, Fondation Vuitton, 21.08.22

“Un seconde d’etérnité” Bourse de Commerce Paris, 21.08.22

“Allemagne/Anée 1920/Auguste Sander”, Centre Pompidou, 22.08.22

“Mirdidingkinghati Sally Gabory” Fondation Cartier Paris, 23.08.22

“Jean Painlevé: les pieds dans l’eau”, Jeu de Paume Paris, 23.08.22

“Les mondes Surrealiste de Elsa Schiaparelli” Musée des Arts Decoratifs Paris, 24.08.22

"Maison Dior", Parigi, 25.08.22

"Non date a Cesare quel che è di Dio" di Claudio Balzaretti, 31.08.22

"I miei giorni alla libreria Morisaki" di Satoshi Yagisawa, 05.09.22

"Il signore delle formiche" di Gianni Amelio, 11.09.22

"Un occidente prigioniero" di Milano Kundera, 20.09.22

"Chris Ware: la bande dessinée réinventée", 22.09.22

"Maigret" di Patrice Leconte, 23.09.22

"Remix the Cinema" Nu Arts and Community, 28.09.22

"Arsenal Ensmble: Nosferatu" Nu Arts and Community, 28.09.22

Gli instabili vaganti: "Lokdown Memory", Broletto Arts and Community, 29.09.22

"Elisabetta Consonni: Il secondo paradosso di Zenone", 29.09.22

"Sofia Donato, piano solo" Giardino Faraggiana Nu Arts and Community, 30.09.22

"Dove è più profondo"" Chiesa di Sant'Agostino, Nu Arts and Communite, 30.09.22

Ghenadie Rodani fisarmonica solo, canonica, Nu Arts and Community, 01.10.22

"As I was moving ahead occasionally I saw brief glimpses of beauty" di Jonas Mekas, Nu Arts and Community, 02.10.22

Joan Thiele, Nova, Arts and Community, 01.10.22

"Omar Soulyman" Nu Arts and community, 28.09.22

Ivan Ronda, organo. Festival di musica sacra. Basilica di San Gaudenzio, 09.10.22

"Unknown Unknows" Triennale di Milano, 15.10.22

"Il corridoio rosso" AA.VV., Catalogo mostra Triennale di Milano, 17.10.22

"Unknown Unknows" catalogo mostra Triennale di Milano, 20.10.22

"L'occasione fa il ladro" di Gioacchino Rossini, Teatro Coccia, 29.10.22

"La stranezza" di Roberto Andò, 30.10.22

"Il crogiolo" di Arthur Miller, regia di Filippo Dini, Teatro Strehler, 4.11.22

"Swinging Stravinsky" di Biagio Bagini, 7.11.22

"Ardenza" di Daniela de felice, 9.11.22

Anna Bassy, Nova, Nj Weekender Fall Editions, 12.11.22

Andrea Passenger, dj set, Nj Weekender Fall Editions, 12.11.22

Rosa Brunelo (e Tamara Osborne Collocato" Nòva Nj Weekender Fall Editions, 12.11.22

Dayakoda in solo, Nçva, Nj Weekender Fall Editions, 12.11.22

Jeff Parker solo, Nçva Nj Weekender Fall Editions, 13.11.22

Nicola Conte, Dj Set, Nçva, Nj Weekender Fall Editions, 13.11.22

Kahlil 'El Zara Quartet, Nova, Nj Weekender Fall Editions, 13.11.22

"Eros e Thanatos" Ilia Kim, piano. Conservatorio Cantelli-Amici della Musica, 14.11.22

"Tutta un'esistenza" Ivana Francisci, piano e Susanna Rigacci soprano, Conservatorio Cantelli-Amici della Musica, 22.11.22

"Lo stato delle cose" di Chiara Alessi", 23.11.22

“Recycling Beauty”, Fondazione Prada Milano, 03.12.22

Il fotografo Léon Herschritt, 09.12.22

“La Russia di Putin” di Anna Politkovskaja, 11.12.22

“Le otto montagne” di Felix Van Groeningen e Charlotte Vandermeersch, 26.12.22

“Bosch, un altro Rinascimento”, Palazzo Reale Milano, 30.12.22

“The Fabelmans” di Steven Spielberg, 31.12.22

[spockvarietyhour]

Chevillon Emperor

[burlveneer-music]

Mário Costa Quartet - Chromosome

In the very beginning of 2023, it is time for Mário Costa’s sophomore take on his more personal and authorial project. The new album is titled Chromossome, named after Costa’s rigorous and custom-made writing, considering the DNA of each one of the musicians that he carefully handpicked for the project. Listening to Chromossome it is easy to be enticed by that acute detail of compositions thought as a means to explore each performer’s qualities, enhancing the genius of these captivating and staggering nine tracks. If we keep in mind that Cuong Vu’s trumpet can be found in Bill Frisell, Pat Metheny, David Bowie or Laurie Anderson’s projects, that Bruno Chevillon’s double bass is an habitué in bands lead by Louis Sclavis, Michel Portal or Daniel Humair, and that Benoît Delbecq’s piano has found its way into the music of such diverse protagonists as Evan Parker, Mark Turner or Mary Halvorson, we may get a pale idea of the musical gathering that is taking place here. But only a pale idea because the music that is born out of this four brilliant and very different personalities is greater than the sum of its parts. Each track that Mário Costa offers his accomplices feels like a red carpet for them to explore on, creating the ideal context for a miraculous musical response. And having said that, it is still so little a description. Only music can truly speak for the bewilderment and the creativity outburst that unfolds from Chromossome. Mário Costa - drums, electronics & composition Cuong Vu - trumpet Benoît Delbecq - piano, synths & samplers Bruno Chevillon - doublebass

[fabricegueno]

LE DISQUE from fabrice gueno on Vimeo.

En Grande Pompe – conte - Théâtre d'objet et jeux d'ombres - Tout public à partir de 3 ans (Récit inventé grâce à mon amour inconditionnel de la littérature jeunesse)

Ecriture et interprétation : Françoise Chevillon Régie son et lumière : Fabrice Guéno Musiques : Julien Brevet Images : Fabrice Guéno Création 2024 – la famille Cartophille – Co-production Agence Crocodile – la ville de Rezé en partenariat avec le service culturel et la médiathèque Diderot.

« En Grande Pompe » est un conte.

La mère de la famille Cartophille romance combien elle aime faire tourner en bourrique la banalité. Elle aime manger, oui et après avoir boulotté tout ce qu'il y avait dans le frigo, elle aime se ruer sur la bibliothèque et Gloups ! Une fois les mots, les images dévorés, avalés jusqu'à la couverture, un jus d'histoire coulerait sur son menton, dégoulinerait sur le tourne-disque, sous le guéridon, derrière l'abat-jour...

Dans son boudoir, la mère reçoit une horde d'héroïnes et de héros derrière les bibelots, sous le tapis... Ils sont tous là ! Le spectateur est à l'affût. Des personnages surgissent, des sentiments s'entremêlent, un souvenir s'envole, des peurs, des frissons, des merveilles. Tout apparaît, disparaît, file dans une rythme trépident. C'est la vie, c'est la fête, à la tombée de la nuit jusqu'à l'aurore. Il était une nuit sans sommeil.

Ici Edmonde Cartophille jongle avec les mots et les objets pour conter quelques bonnes histoires de l'enfance, du sommeil, des peurs, des joies, de l'amour toujours, des fantômes, des monstres, du noir, des loups, des princesses, la vie en grande pompe.

En grande pompe est une veillée burlesque jusqu'au lever du jour. Et on l'a pas vu passée cette nuit là !

Vous verrez par ordre d'apparition : Edmonde Cartophille, la mère et conteuse de la famille, une tourne-disque et une dinette, Kiki, le chien de la voisine, Belle sans Sébastien, King Kong, Pomelo, Wonder Woman, les voisins pas contents, l'enfant, sa mère vite fait (figurante, dit une phrase), des monstres, un abat-jour, la nuit, trois fantômes, deux boîtes à biscuit, le noir, plusieurs loups, plusieurs scies, des pastilles Pulmoll, une grosse toque en poil, des petites bêtes percluses de froid, un brigadier en grève, la petite souris n'est pas venue cette nuit là, rien à voir avec cette histoire, une princesse... qui rote, quelques princes pas très courageux, un crapaud rutilant, trois petits tanks, Un cœur, des bulles de savon et une boule à facette.

[saintdizier]

Les idées de sorties du week-end ! 💡

🎲 ChiFouMi, festival familial : vendredi 26 et samedi 27 juillet, Chevillon

🍻 La Guinguette mobile : vendredi 26 juillet, dès 18h, Maizières

🎬 Fête du cinéma : samedi 27 juillet, dès 18h, Salle des fêtes de Droyes

🎹 Concert Orgue et Voix : samedi 27 juillet, 18h, Église Notre-Dame, Saint-Dizier

🎺 Brag'Art de rue : samedi 27 juillet, dès 19h, Terrasses du Centre-Ville, Saint-Dizier

🎬 Fête du cinéma : dimanche 28 juillet, dès 11h, Salle des fêtes de Droyes

🎶 La Manufacture Sonore : dimanche 28 juillet, de 14h à 18h, Place des Petites Halles, Saint-Dizier

🌳 Les Dimanches de l'Abbaye : dimanche 28 juillet, de 14h à 19h, Abbaye de Trois-Fontaines

🖼️ Héritages (exposition) : du mercredi au dimanche, de 13h30 à 17h30, Musée de Saint-Dizier

⛲ Metallurgic Park : du mardi au dimanche, de 14h30 à 18h30, Dommartin-le-Franc

🇮🇹 Exposition immersive "Venise révélée" : du mercredi au dimanche, de 10h à 12h et de 14h à 18h30, MUSE Saint-Dizier

Encore un week-end où #ilnesepassejamaisrienasaintdizier

[thewineauctionroom]

New Post has been published on https://wineauctionroom.com/report-on-autumn-live-auction-announcing-single-vendor-auction-starting-april-17/

Report on Autumn Live Auction & Announcing Single Vendor Auction Starting April 17

What an auction we had last week! Thanks everyone who came to the salesroom and/or participated online to make our auction another success. 

  We had a strong lineup of First Growth Bordeaux in this auction and quite few big lots with 12-bottle lot of 2003 Chateau Rothschild selling for $14100, followed by 12-bottle lot of 1995 Chateau Mouton Rothschild at $9165. 2008 Chateau Mouton Rothschild reached $963.5, while 2005 Chateau La Mission Haut-Brion sold for $893, both 1994 Chateau Latour and 2005 Chateau Angelus sold for $846. 2003 Chateau Pavie scored $564, 2005 Chateau L’Evangile reached $470 while 2009 Chateau Pontet-Canet sold for $423; 2009 Chateau Lynch Bages sold for $305.5, from the same vintage, 2009 Chateau Haut-Bailly closely followed at $293.75.

Few other highlights of Bordeaux blends from home, 2013 Destiny Bay Magna Praemia scored $376 while its vintage 2010 Mystae sold for $258.5; both 1986 The Antipodean magnum and 2013 Church Road Tom sold for $235, while 2009 Church Road Tom sold for $188. 2010 Stonyridge Vineyard Larose sold for $211.5, and 2010 Puriri Hills Pope followed at $176.25.

Legendary “Lala’s” led the charge for Rhone, with 2003 E. Guigal La Mouline scoring $1010.5 followed by 2003 E. Guigal La Landonne at $987 and 2003 E. Guigal La Turque sold for $893. Syrah/Shiraz from the globe did equally well, 2008 Penfolds Grange Bin 95 reached $822.5, 2002 Clarendon Hills Astralis scored $470 and 1998 Jim Barry Armagh sold for $352.5; both 2008 and 2009 Craggy Range Le Sol reached $164.5, 2018 Te Mata Estate Bullnose Syrah sold for $94.

Burgundy and Pinots have been delivering very solid performance in past two years. 2001 Domaine Jean GrivotVosne Romanee Les Beaux Monts 1er Cru sold for $446.5, 2007 Domaine Anne Gros Echezeaux Les Loachausses Grand Cru sold for $411.25, 2005 Domaine Robert Chevillon NuitsSt Georges Les St Georges 1er Cr sold for $376 while 2020 Domaine Dujac Puligny-Montrachet Les Folatieres 1er Cru reached $352.5.

Italy’s been showing the fastest growth among Country of Origins in past three years, making it one of the best regions to buy in for better return on investment. 2005 Masseto Tenuta dell’Ornellaia took the highest hammer win in this region at $1175, 2008 Tenuta San Guido Sassicaia sold for $481.75 while 2006 Marchesi Antinori Tignanello sold for$293.75.

Some other highlights worth mentioning are, 1989 Chateau d’Yquem sold for $893; 1995 Dom Perignon Vintage Brut sold for $481.75 while 1983 Bollinger La Grande Annee Vintage Brut scored $376; 2021 Egon Muller ScharzhofbergerRiesling Spatlese sold for $411.25, and 2017 Felton Road Block 6 Chardonnay scored $152.75.

All prices include Buyers Premium but exclude GST.

Our sincere thanks again to everyone who participated in this Live auction either in saleroom physically or via online and phone bids. Please feel free to give us feedback if there’s anything we could do to make it an even better experience for you.

Our next auction will be a special Single Vendor Online Auction from April 17. Collected by an environmental scientist with a profound passion for wine, this auction is a tribute to his unwavering commitment to excellence, both in the world of wine and in the preservation of our precious natural heritage. Don’t miss this wonderful collection of New Zealand and Australian table wines available online from 12pm April 17 to 7pm April 21, subscribe to our newsletter to keep yourself in the loop.