#chartsandgraphs

[musicarenagh]

Charts and Graphs Impresses With "Assume The Position" There’s something delightfully awkward about an album that both scolds you and invites you to dance at the same time, like a stoic librarian suddenly asking you to do the moonwalk across a dusty, authoritarian reading room. That’s precisely where Charts and Graphs’ new release, “Assume the Position”, sets up camp — somewhere between an impromptu interrogation and a sweaty basement party where someone’s uncle just showed off his best robot dance moves. And yet, despite the chaos and provocations, it all makes sense in a way that feels more lived-in than rehearsed, like they’re making complex statements but also want you to shimmy while receiving them. https://open.spotify.com/album/30BuLQCWq8YmYJtr8yfvSQ?si=Lc0JtwewS6K7IyRBRXhcZQ Now, if you’ve heard Charts and Graphs before, maybe you're expecting a kitchen sink of angular guitars and jagged rhythms — the soundtrack for pacing anxiously in a parking lot while you're avoiding a call from your boss. Don’t worry. That feeling is still there. But with “Assume the Position”, things have subtly shifted. Dan, Ross, and Gary channel their usual post-punk ethos but crank up the synths, like Devo’s less-obnoxious cousin hanging out at a Bonfire Night after hearing some slightly eerie Kraftwerk tracks. The result is a sound that’s jagged but also smoother and, with Dan's vocals taking on a more melodic quality, oddly melancholy at times — as if the listener were starting to figure out something profound, only to get distracted by the beat. It all begins with "Memo," a song that sounds as though the frontline of a protest march is suddenly handed a synthesizer. With its critique of modern power systems, digital soullessness, and the infantilizing haze of 21st-century surveillance tech, it somehow feels both deeply rebellious and self-reflective—two ideas that often swim together but rarely manage to hold hands. The song asks more questions than it answers, but isn’t that usually the direction rebellion points toward? It’s simultaneously 1980 and 2080, a sonic anti-anthem for people who've got 42 browser tabs open. [caption id="attachment_57906" align="alignnone" width="825"] Charts and Graphs Impresses With "Assume The Position"[/caption] Oddly enough, "Janeen" steps in like a drunken confession from someone who swears they meant to send a text but never quite finished typing it. There's a longing, sure, but also a strange dissonance in the vocals — almost as though the fixation on specific names ("Janine," "Jenny") is really just a messy metaphor for being overwhelmed by too many choices. The repetition hypnotizes, dragging the listener down into a well of indecision — a spot where yearning meets confusion. It’s half-love letter, half-cry for help set to a click. Then things really heat up with "Pressure Pressure." Cue the impending doom. Ross's bassline hovers, like a storm cloud ready to burst over the most existential office meeting you’ve ever had. There's an urgency to every word, every push from Gary's drums. Pressure doesn’t just pull here — it slams you into furniture, then politely offers tissues afterward. The repetition, the dry energy, it all mounts up into this claustrophobic sigh that makes you question every deadline you’ve ever been given. And maybe, just maybe, that tension in your throat isn't just from the song. [caption id="attachment_57905" align="alignnone" width="799"] Charts and Graphs Impresses With "Assume The Position"[/caption] But it’s not all self-reflective crisis management set to jerky dance grooves. "Physical Specimen" exists in its own cynical, neon-lit plane, as if it’s been spray-painted on the side of a Maserati parked in the backlot of a dilapidated club. There’s a sneering quality here, a critique of materialism that’s less hippie-chiding, more torch-lit parkour escape from a shopping mall. It’s a rebellion against everything shiny, pitched at a frequency that feels half punk-rock, half backhanded compliment to consumerist culture.

And then there’s the quiet rebellion in "Who Watches the Watchmen." It has all the restless, uncertain fidget of someone planning their escape but unwilling to let go of whatever keeps them tethered. There’s frustration here, a boiling, frothing frustration at authority, circumstance—almost as if Dan's vocals are a gut-wrenching spiral of indecision. You can hear the tension pulling at his throat, but it’s Gary's drums that punctuate the overwhelming chaos of "talking overload" — the feeling we all get in the presence of too many leaders and not enough sense. The song ends where it began, stuck between an intent to flee and the resignation of staying put: the Purgatory of Discontent. [caption id="attachment_57904" align="alignnone" width="786"] Charts and Graphs Impresses With "Assume The Position"[/caption] By the end, “Assume the Position” leaves you stranded in the middle of a dance floor, drenched in cynicism and accidentally dancing with your head full of societal critiques. The beauty of this album is that Charts and Graphs don't shove revelation down your throat. Instead, they hand it to you wrapped in a glitchy bassline and tell you, "Here, sort this out." Armed with Dan’s voice zigzagging between accusatory and defeated, Ross’s basslines acting like snarky side notes, and Gary’s percussive outbursts reinforcing it all, it’s hard to leave the album's tension behind even when the last beat drops. Follow Charts and Graphs on Instagram.

[iqonicdesign]

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[yredgeconsulting]

Data Visualization

The process of representing data using popular images, like charts, plots, infographics, and even animations, is known as data visualization. These informational visual displays make difficult data linkages and data-driven insights understandable. YrEdge Consulting can provide you with optimum data visualization solutions, contact us today.

[excelworld]

[davidtimes]

Chart Сenter | Lanteria HR Tutorials

Chart Center is a comprehensive collection of Lanteria HR tutorials that focuses specifically on utilizing the charting capabilities within the HR software. These tutorials provide step-by-step instructions and tips for creating and customizing charts, graphs, and visualizations to analyze HR data effectively. With Chart Center, HR professionals can gain valuable insights, track key metrics, and present data in a visually engaging manner. Enhance your data-driven decision-making and reporting capabilities with Lanteria HR tutorials from Chart Center.

#ChartCenter #LanteriaHR #DataVisualization #HRAnalytics #HRReporting #HRDataAnalysis #ChartsAndGraphs #DataDrivenDecisions #HRMetrics #DataVisualizationTools #LanteriaTutorials

[surekha-bhosale]

Microsoft Excel Training Courses

Microsoft Excel is one of the productivity applications that you should have on your computer along with the word, power-point, and so on. Here we can learn different types of concepts in MS-excel in the online and offline courses in it.

[eddievillanueva]

“Most Important Notes From 3/9” 3/9/22 - #chartsandgraphs #statistics #notes #veryimportant #keyconcepts #drawing #sketchbook #art #artprofessor #artschool #sketch #draw #pen #ink #collage #mixedmedia #mixedmediaart #dailydrawing #drawingoftheday #colorpencil #photooftheday #artofinstagram #artistsofinstagram #nft #nftart #nftartist https://www.instagram.com/p/Ca5few2vFqJ/?utm_medium=tumblr

[dave-columbus]

I’ve been tracking movie data for a one year project. Every new movie from 1 JUN 18 to 1 JUN 19 and whether or not it was shown in my local theatre. . After less than two months the data doesn’t look good. Out of 90 movies released since the first of June, only 20 of them have played my local theatre. That’s really sad to know my choices are that pathetic. . #movierelease #movieoverload #whatsplaying #neversawthatmovie #chart #moviechart #graph #moviegraph #chartsandgraphs

[wutbju]

Those are the average salaries based on BJU’s faculty “ranking” of Assistant Professor, Associate Professor, and Full Professor. 

There is no tenure at BJU, mind you. Everyone is on an as-needed, annual-”contract” basis.

BJU has no contracts, but we have to work with what we’ve got. 

The salaries have not reached the 2014-2015 school year levels yet.

[bone-fork]

I figured it out #animals #eating #food #vegan #carnivore #instaart #digitalart #claws #paws #flowchart #chartsandgraphs #funny #pets #Washington #chickens #cows #cats #dogs #meat #comic #adultswim #cartoonnetwork #Disney #nickelodeon https://www.instagram.com/p/Bv7PoeJBjZw/?utm_source=ig_tumblr_share&igshid=1v711kv5j4oid

[drraptjr]

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A post shared by Dr. Raphael Travis Jr. (@raptjr)

#Repost @rapseminar ・・・ Rap Seminar provides Lyrical Analysis diagnostics, rhyme categorization & quantification, literary technique identification, and a host of other services for underground emcees, labels, and Hip-hop heads. Get at us for more info 📥 #RapStats #LyricalAnalysis #RapAnalytics #LyricalTechniques #ChartsAndGraphs #NewIvyLeague https://www.instagram.com/p/ByaS_e6AbpO/?igshid=qh4v2emma5de

[storysparked]

Stay hungry, stay focused, and have a fintastic day! 📈 😎 @kodyklein with our Fintech T-shirt 📸 @nixja - - - #fintechstartup #fintechday #sharklover #artandtech #techie #softwareengineer #softwareengineers #techstartup #bigtech #datascience #dataanalytics #dataanalyst #chartsandgraphs #datavisualization #dataviz #datavisualisation #uniquegift #uniquegiftideas #sharkselfie #bitcointechnology #bitcoinminning #cryptocoin #techgeeks #datascientist #engineeringtech #visualdesigner #tshirtstyle #graphicdesignerlife #smallbizlife #stevejobsquotes https://instagr.am/p/CZpS5SkPPw3/

[iqonicdesign]

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[atmasphere]

Think this was my favorite election sign of the season #chartsandgraphs (at Metro North - Katonah Train Station)

[rosscatrow]

In this chart each pixel represents one Twitter user, plotted at a position reflecting how many people they are Following, and how many Followers they in turn have. This chart is zoomed in to show only those whose Following/Follower counts are 1000 or fewer.

[juliewolfedesign]

Level 3 systems update #juliewolfedesign #chartsandgraphs #hemphillfinearts #level3 b