I didn't know that Fitzcarraldo Editions have a podcast (but they do!). Anyway, I highly recommend this conversation between Helen Charman and Jacqueline Rose. For context, the date of publication of the podcast is February 14, but the conversation took place just after South Africa's presentation to the International Court of Justice, January 11, 2024.
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Original codenote description:
アニマル柄カジュアルStyle ❤️
ジャケット/GILFY アニマル柄切替えトップス/d.i.a. ショーパン/d.i.a. ベルト/Diavlo タイツ/しまむら ファ-ブーツ/charman 星ピアス/忘れた クロスチェーンネックレス/LIPSERVICE イニシャルリング/REDARK 時計/JAGURA
Brands mentioned [Jacket: GILFY, Top: d.i.a., Shorts: d.i.a., Belt: Diavlo, Tights: Shimamura, Boots: Charman, Necklace: LIP SERVICE, Ring: RED ARK, Watch: JAGURA]
Originally posted 5/9/2012
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Charman. My cat tax to @faerunsbest 😁 He's my old man (almost 10).
And here's Dill Pickles aka Pickles aka mouse killer (he's not a year old yet)
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Killer Heat Trailer
Detective Nick Bali is hired to investigate the "accidental" death of a young man from a rich family in Greece.
Killer Heat stars Joseph Gordon-Levitt (Nick Bali), Shailene Woodley (Penelope Vardakis), and Richard Madden (Leo Vardakis and Elias "Leonidas" Vardakis). Philippe Lacôte directs from a screenplay by Matt Charman and Roberto Bentivegna. The film is based on Jo Nesbø's "The Jealousy Man."
Killer Heat streams on Prime Video on September 26, 2024.
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No Man's Land Asian Edition (2000)
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Olafur Eliasson: The Weather Project, Edited by Susan May, Texts by Olafur Eliasson, Jane Burton, Helen Charman, Brian Gray, Sophie Harrowes, Jacques Herzog, Bruno Latour, Doreen Massey, Susan May, Israel Rosenfield, Nicholas Serota, and Dominic Willsdon, Design by Chris Rehberger, Tate Publishing, London 2003 [Exhibition: Turbine Hall, Tate Modern, London, October 16, 2003 – March 21, 2004]
(on the way of Art Books & Ephemera)
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Being so densely woven into history like this can have a calcifying effect on a poet and their work, particularly if they become well known. But Mayer never really did cross over into what we might call the mainstream, although in the last decade or so the reissue of her earlier work has helped to bring her astonishing oeuvre into clearer focus. Mostly, though, it's true that she abided by the advice she gave to her students, quoted a lot in the period after her death, to 'work your ass off to change the language, and never get famous'. She was committed to the practice of writing and to the dissemination of poetry to people who wanted to read it. What she did get - or, rather, what her work got - was known and loved, passed between teachers, students, friends, and lovers, often via the facsimiles of her books available for free online. This was certainly how I found her work, a PDF of an old library book sent to me by a friend, with someone else's notes and doodles still faintly visible in the margins. I'm thinking here, too, of how many people I know or know of in different places who have made a habit of gathering together on Midwinter Day to read "Midwinter Day" (1978) from start to finish, to move through that formally extraordinary - sometimes formally frustrating - document of one ordinary day together.
Helen Charman, from her essay “On Berndatte Mayer | A Celebration”, published in Poetry Review, Spring 2023
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