#charles halton
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Charles Halton, Lyda Roberti, Tom Dugan, Jack Haley, Rosina Lawrence, Mischa Auer, Patsy Kelly, Stan Laurel and Oliver Hardy on the set of Pick a Star (1937)
#Stan Laurel#Oliver Hardy#Patsy Kelly#Rosina Lawrence#Jack Haley#Mischa Auer#Tom Dugan#Lyda Roberti#Charles Halton#Laurel and Hardy#Pick a Star#1937#1930s#features#movies
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Midnight Manhunt (1945) William C. Thomas
July 12th 2024
#midnight manhunt#1945#william c. thomas#ann savage#william gargan#leo gorcey#george zucco#charles halton#don beddoe#paul hurst#cheeze it corpse#cheezit the corpse#hard to handle#one dangerous night#one exciting night#shake hands with murder
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June Storey-Charles Halton "Dance Hall" 1941, de Irving Pichel.
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Here are 10 things you should know about Charles Halton, born 147 years ago today. The prolific character enjoyed a career in theatre, movies and TV that spanned more than 60 years.
#Charles Halton#old movies#silent movies#character actors#classic film#classic movies#classic Hollywood#Golden Age of Hollywood#classic Broadway#classic TV#classic television
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Dr. Cyclops | Episode 437
New Post has been published on https://esonetwork.com/dr-cyclops-episode-437/
Dr. Cyclops | Episode 437
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Jim discusses a classic sci-fi film from 1940 – “Dr. Cyclops, ” starring Albert Dekker. Janice Logan, Thomas Coley, Charles Halton, and directed by Ernest B. Schoedsack, for producers Merian C. Cooper and Dale Van Every. A reclusive scientist with a laboratory laboratory deep in the Amazon jungle invites three scientists to assist. Upon discovering a horrific secret, they are subjected to experiments involving radiation. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.
#1940 Sci-Fi Classic#Albert Dekker. Janice Logan#and directed by ErnestB. Schoedsack#Charles Halton#Dale Van Every#Dr. Cyclops#ESO Network#geek podcast#Geek Talk#Jim Adams#Merian C. Cooper#Monster Attack!#nerd podcast#nerd talk#Pitchblend experiments#Shrinking people#The ESO Network#Thomas Coley
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Bad movie I have In Old California 1942
#In Old California#John Wayne#Binnie Barnes#Albert Dekker#Helen Parrish#Patsy Kelly#Edgar Kennedy#Dick Purcell#Harry Shannon#Charles Halton#Emmett Lynn#Robert McKenzie#Milton Kibbee#Paul Sutton#Anne O'Neal#Richard Alexander#Jessie Arnold#Hooper Atchley#Sam Bernard#Stanley Blystone#John Bose#Rudy Bowman#Ed Brady#Frank Brownlee#Roy Bucko#Nora Bush#Zeke Canova#Horace B. Carpenter#Jack Carr#Chester Conklin
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Clássico inovador: "O delírio de um sábio" (Dr. Cyclops, 1940)
#Dr. Cyclops#40's movies#classic movies#sci fi#Ernest B. Schoedsack#Albert Dekker#mad scientist#Janice Logan#Thomas Coley#Charles Halton#Victor Kilian#William Wilkerson#Frank Reicher#Paul Fix#Youtube
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Midnight Manhunt
Midnight Manhunt – a dead gangster, worth $5,000 dead or alive, is ffound dead in a wax museum. And it’s a case of who’s got the body! The murderer? The reporter? Her reporter boyfriend? The office boy? Continue reading Midnight Manhunt
#1945#Ann Savage#Ben Welden#Charles Halton#Don Beddoe#Edgar Dearing#George E. Stone#George Zucco#Leo Gorcey#Paul Harvey#Paul Hurst#William Gargan
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Why is it that if a man kisses another man's wife, he's seducing her?
And why is it that if Dorothy kisses another woman's husband, she's betraying her own husband?
#bet your life 1948#dorothy granger#leon errol#leon and dorothy#suzi crandall#phil warren#charles halton
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baby ( me ) has a new theme & new muse page , soooo i thought this was the perfect time to post a plotting call for those who might be interested in writing with me ! if you want threads with someone who will bombard you with messages abt headcanons ( i have never shut up once i fear ) , musings ( i am constantly spamming @girlzstupid ) , and create graphics for our characters ( photoshop & i are best friends !! ) — then look no further ! below the cut you'll find a list of wanted faceclaims , opposites , & plots that i would love to do ! if anything catches your eye please give this post a like and i'll message you ! this is for mutuals & non mutuals , so feel free to like this even if we have threads / plots happening already !
faceclaims i’d love to play / play against !
males : pedro pascal , joe keery , christopher briney , drew starkey , jonathan daviss , rudy pankow , alex fitzalan , dylan o’brien , nick robinson , jacob elordi , damson idris , archie renaux , manny jacinto , keith powers , charles melton , aron piper , michael cimino , paul mescal , harris dickinson , evan mock , vinnie hacker , nicholas galitzine , xolo mariduena , michael evans behling , mat barzal , devin craig , & steven yeun
females : jennie , aisha potter , havana rose liu , zendaya , rachel sennott , ayo edebiri , amandla stenberg , madison bailey , maia reficco , jamilla strand , leah halton , madelyn cline , greta onieogou , simone ashley , jenna ortega , lola tung , mikey madison , ryan destiny , cindy kimberly , savannah lee smith , christina nadin , nailea devora , keke palmer , coco jones , laura harrier , dua lipa , & halle bailey
this list isn’t exhaustive & it’s almost one hundred percent missing some of my faves !!!
plots i’d love to do !
tropes i love : fake dating , slow burn of any and every kind , friends to lovers ( bonus points if they’re childhood friends ) , hateships , opposites attract , and more than anything i love ANGST !!!!!
relationship dynamics i die for : high school sweethearts who fall out of love and then find their way to each other again , a rockstar and their significant other , siblings’ best friend , divorced couples who slowly fall in love again ( bonus points if they have to coparent !! ) , and on that note toxic married couples who should be divorced but can’t help but live for each other , hitman and their target ( or mr & mrs smith <3 ) , aggressive hockey player and someone who patches them up , exes who are so in love with each other it ruins them but try to remain friends because their lives are so intertwined , roommates with unspoken feelings ( and yes i’m talking nick and jess from new girl levels on tension ) , i’m getting married but i can’t go through with it because i’m still in love with you , newlyweds , new parents ( i will take fluff or angst !! ) , secret relationships , power couples !!! we have lost the art of creating power couples !!!! , bodyguard and their client duhhhh , evil women and soft men , snotty rich girl & the southern boy with soft eyes and rough hands , friends with benefits who are DEFINITELY more than friends , & sorry to be problematic but any variation of a cheating plot ( we slept together & now i’m marrying your sibling , bandmates who are sharing a girlfriend , i come back to you every time i have a fight w my significant other , etc etc . )
some verse ideas : apartment !!! townhouse !!! condos !!! i don’t care i just crave roommates in a little intertwined universe !!! up next , scream !!! getting to plan out the ghostface , the dynamics between the survivors . . . just think about it okay . . . on the topic of spooky things a couple who disappears before their wedding day and leaves clues to their close friends !!! next , this one is a little niche but a gen v !!! it doesn’t have to be related to the boys , i just want superhero college antics !!! a band ( or group of bands ) going on tour !!! beachy tsitp inspired found family !!!! literally any kind of reality tv show !! could be love island , could be big brother , even jersey shore okay !! i just love reality tv !!! something inspired the bear !! i just want coworkers working in a high stakes restaurant environment !!! anddd lastly !!! a bunch of fresh faces on the acting scene starring a new tv show ??? bonus points if it’s a crime or medical drama <33 listen something about writing fiction within fiction speaks to my little theatre kid heart !!
now here’s where bambi begs for things : if someone doesn’t man up and give me more sibling plots & platonic plots i will literally explode , i want to headcanon family traditions ! i want joey & chandler level brotps ! someone please anyone !!! with that i am almost craving more f / f & m / m ships !!! literally any of the plots i have above and make them gay ! please please please !!! lastly , i will literally give you my left kidney if you give me historical plots , thank youuu !!!
lastly anything from this tag !
if you made it this far , thank you !!! i hope something here caught your eye and i look forward to plotting with you soon !!!
#indie rp#indie smut rp#indie bi rp#open rp#open indie rp#plotting call#* ── ♡ 𝐌𝐈𝐒𝐂 . ⁞ shut up bambi.#( listen i don't even really know what to tag this LMAO )#( but i wasn't joking when i said this was my year of writing & making better friends w my mutuals !!! )
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Dread by the Decade: Stranger on the Third Floor
👻 You can support me on Ko-Fi! ❤️
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★★★½
Plot: After his testimony leads to a man being sentenced to death, a reporter and his fiancée are haunted by the possibility that a mistake was made.
Review: Arguably the first film noir ever made, this movie is emotionally and stylistically evocative, albeit hamstrung by its too-short runtime.
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Year: 1940 Genre: Psychological Horror, Crime Thriller Country: United States Language: English Runtime: 1 hour 4 minutes
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Director: Boris Ingster Writers: Frank Partos, Nathanael West Cinematographer: Nicholas Musuraca Editor: Harry Marker Composer: Roy Webb Cast: John McGuire, Margaret Tallichet, Charles Halton, Charles Waldron, Elisha Cook, Jr., Peter Lorre
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Story: 3/5 - Despite well rounded characters and a compelling central question, this story ends a bit too abruptly for it to breathe.
Performances: 4/5 - McGuire and Tallichet have great chemistry, and Halton is great as Mike's unbearable neighbor, but Lorre is criminally underused.
Cinematography: 4.5/5 - Gorgeous nods to expressionism. The nightmare sequence's cinematography is hypnotic.
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Editing: 4.5/5 - Very stylistic. Especially shines during the nightmare sequence.
Music: 3.5/5 - Fitting, if not the most memorable
Sets: 4/5 - Limited but believable. Made surreal well during Mike's nightmare.
Costumes, Hair, & Make-Up: 4/5
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Trigger Warnings:
Brief but graphic discussion of violence (dialogue-only)
Mild misogyny
Ableist portrayal of a mentally ill person
#Stranger on the Third Floor#Boris Ingster#American#psychological horror#crime thriller#Dread by the Decade#review
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Ray Milland and Carole Lombard in Mr. & Mrs. Smith (Alfred Hitchcock, 1941)
Cast: Carole Lombard, Robert Montgomery, Gene Raymond, Jack Carson, Philip Merivale, Lucile Watson, William Tracy, Charles Halton, Esther Dale. Screenplay: Norman Krasna. Cinematography: Harry Stradling Sr.. Art direction: Van Nest Polglase, Albert S. D'Agostino. Film editing: William Hamilton. Music: Edward Ward.
If Alfred Hitchcock's name were not attached to Mr. & Mrs. Smith, would we remember it at all today? Perhaps as one of the last films of Carole Lombard -- it was the last released before her death in January 1942, though the posthumously released To Be or Not to Be (Ernst Lubitsch, 1942) was the last one she completed filming. Or perhaps as one of the lesser examples of the romantic/screwball comedy genre that flourished in the 1930s and '40s. But even hardcore Hitchcockians find it difficult to fit it into the director's canon. Hitchcock had said he wanted to work with Lombard, and when Lombard liked Norman Krasna's story and screenplay, the teaming was put into play. Lombard and Robert Montgomery play Ann and David Smith, who discover that their three-year-old marriage is invalid, owing to a legal technicality. Complications ensue, especially when David doesn't rush into remarriage as quickly as Ann likes. She kicks him out of the apartment, and then his law partner, Jeff Custer (Gene Raymond), makes a play for her affections. Lombard is very much at home in this kind of comedy, and Montgomery is good at it too. The weak link is Raymond, who has the kind of role, the "other man" patsy, at which actors like Ralph Bellamy in The Awful Truth (Leo McCarey, 1937) and His Girl Friday (Howard Hawks, 1940) and John Howard in The Philadelphia Story (George Cukor, 1940) excelled. Raymond plays his part with a pinched, rather prissy manner that hardly sits well with the fact that he's supposed to have been the best fullback at the University of Alabama. In fact, the character seems to have been coded as latently gay: Witness Lombard's reaction when Ann learns that he decorated his own very tasteful apartment. Much of the film skirts around matters forbidden by the Production Code, including whether the now-unmarried Smiths should sleep together, which a director like Lubitsch or Hawks would have treated with more wit and finesse than Hitchcock does. This was only his third film made in Hollywood, and it was his first with a completely American setting; the first two, Rebecca (1940) and Foreign Correspondent (1940), were set in Europe and England. His unfamiliarity with American idiom shows up particularly in his treatment of the Alabama football jock Jeff and his parents (Philip Merivale and Lucile Watson), proper Southerners who are shocked at the suggestion that Ann has been sleeping with David. But whenever Hitchcock is working with Lombard and Montgomery, especially using Lombard's great gift for uninhibited physical comedy, the movie comes to fitful life.
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Angel (Ernst Lubitsch, 1937) Cast: Marlene Dietrich, Herbert Marshall, Melvyn Douglas, Edward Everett Horton, Ernest Cossart, Laura Hope Crews, Herbert Mundin, Dennie Moore. Screenplay: Samson Raphaelson, Guy Bolton, Russell G. Medcraft, based on a play by Melchior Lengyel. Cinematography: Charles Lang. Art direction: Hans Dreier, Robert Usher. Film editing: William Shea. Costume design: Travis Banton. Music: Friedrich Hollaender.
In Ernst Lubitsch’s Angel, you can almost feel the Production Code censors breathing hotly down the director’s neck, driving some of the oxygen out of the room. What’s meant to be a light and airy sophisticated comedy, like for example Lubitsch’s pre-Code masterpiece Trouble in Paradise (1932), often feels starchy and coy. The emigrée grand duchess played by Laura Hope Crews is clearly a high-class procuress and her “salon” a very upscale brothel that enables a “fling” by Lady Maria Barker (Marlene Dietrich) with a curiously naïve Anthony Halton (Melvyn Douglas). Their affair never seems to get consummated, although there are the usual narrative jumps when the relationship comes to the boiling point. And of course the Code’s aversion to divorce and abhorrence of any sign that adulterers might get away with it unpunished means that the film must end with Lady Maria and Sir Frederick (Herbert Marshall) happily reconciled. We’re used to such evasions in Hollywood movies of the 1930s through the 1950s, but it’s a little depressing to see them stifle Lubitsch’s usually sublime naughtiness. Sometimes it feels as if Dietrich is to blame: She never really strikes sparks with either Douglas or Marshall – certainly not the way Greta Garbo does with Douglas in Ninotchka (1939) or Miriam Hopkins with Marshall in Trouble in Paradise. But lovers of Lubitsch have plenty to enjoy in Angel, chiefly the way the director subverts expectations. When Sir Frederick invites Halton, an old war buddy, to dine with him and his wife, who neither man knows is the “Angel” Halton met in Paris and has been rhapsodizing about ever since, we expect a big explosion, especially when the husband points out his wife’s picture to her lover. But just as Halton is about to look at the photograph, Lubitsch cuts. We don’t see the awkward encounter between wife and lover we expect when she comes downstairs to meet the guest. Instead, we pick up with them later and realize that both have exerted exceptional self-control at the meeting. And we don’t see the three of them at the dinner table; instead, Lubitsch takes us into the kitchen, where the servants are wondering why neither Lady Maria nor Mr. Halton has touched their food. Lubitsch leaves to our imagination scenes that other directors would have milked shamelessly. In another example, at their first encounter Maria and Halton are in a Parisian park at night, and after he proclaims his love for her he spots an old woman selling violets. He goes to buy the flowers, but Lubitsch holds the camera on the old woman, whose expressions tell us what’s going on: Maria has chosen the moment to disappear and we hear Halton calling out “Angel!” in his pursuit of her. The flower seller sighs and picks up the dropped bouquet, dusts it off, and puts it back with the other flowers, then turns and walks away. Similarly, Lubitsch doesn’t linger on the reconciliation scene between Maria and Frederick: They simply walk out the door, headed for Vienna and what we hope is a revived marriage. In the end, these “Lubitsch touches” aren’t quite enough to lift Angel out of the middle tier of the director’s films, but they constitute its saving grace notes.
gifs from gingerastaire
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Lewis Carroll Memoriais famosos
Nome original Charles Lutwidge Dodgson Nascimento 27 jan 1832
Daresbury, Halton Unitary Authority, Cheshire, England
Óbito14 jan 1898 (idade 65 anos)
Guildford, Guildford Borough, Surrey, England
Sepultamento
Guildford Cemetery
Guildford, Guildford Borough, Surrey, England
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Home for Sale - 13 Charles Street, Halton Hills, ON L7G 2Z1 Virtual Tour: http://13charles.com/
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Stranger on the Third Floor | Boris Ingster | 1940
Margaret Tallichet, John McGuire, Ethel Griffies, Charles Waldron, Elisha Cook Jr., Charles Halton
#Margaret Tallichet#John McGuire#Ethel Griffies#Charles Waldron#Elisha Cook Jr.#Charles Halton#Boris Ingster#Stranger on the Third Floor#1940#Noirvember
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