#character's bio

[virgogeminiposts]

Princess Rhaenys Targaryen

Rhaenys Targaryen Velaryon Daughter of Prince Aemon Targaryen & Lady Jocelyn Baratheon Wife of Lord Corlys "The Sea Snake" Velaryon Mother of Laena & Laenor Velaryon Former heir of the then heir to the throne Prince Aemon Lady of Driftmark & High Tide Born in 74 AC Dragon: Meleys

Fic timeline: From 101 AC - tba

FC: Eva Green

(pictures taken from pinterest, none mine, rights to the owners/editors.)

[sillysiluriforme]

featuring @wisteriasymphony 's moodboard

[gnarlyghost]

Ghost of the Stone Forest

[lazylittledragon]

requested closeups of the steddie tinder profiles

[sirsketchedoodle]

Winx Redesign done!

[bakahimesama]

Reference Sheet

For my own ease of use, I'm compiling all of the infographics about the main five Redspring has posted so far into one place, and I've decided to share.

Character Bios

Relationship Charts

Character Bios pt 2/Monster Silhouettes

Flowers

Character Lore

Stat Charts

[yellowvixen]

[brightgoat]

ALRIGHT JOJO FANS, I HOPE WE LIKE READING- Because if we wanna understand some important mechanics in Standverse AU, better give these a look.

That's right I've given each Stand their own personality, we're going deep diving into the characters here-

STAND DESIGN LINEUP HERE

[beastwhimsy]

a sophont species for a worldbuilding project I'm working on that involves an alternate earth timeline with different outcomes in terms of extinction events!!!! they're BIG. like horse sized big. more under the cut!

PLEASE DONT REPOST WITHOUT PERMISSION!!! ASK ME!!!!

these guys are super intelligent. they usually wear apparel but for the sake of having a clear reference image, I haven't included them here!!! they have complex societies which are more sophisticated than most arthropod social systems while still containing some common roles such as biological queens and workers. these guys have some of the most powerful workers unions you'll ever see I promise. their colours and patterns can vary (usually from orange through to blue-purple). females are more iridescent, but there are no gender roles aside from the queen so that isn't too important to them. they prefer an upright stance like the one shown here, however often it is useful to Get Horizontal With It, especially for tunnels and fast running.

[filurig]

närsi in her working uniform - ive mentioned it when i posted her first, but she works in the sartrill defense force, the Sartrill Tirsekki (more specifically in the Rau-Tirsekki, the division for basilisks). and yes her wings look different bcs ive been pondering a bit of an anatomical revamp of basilisk wings... so they can have silly hands. Yey. more rambles under cut

in most basilisk communities it's not seen as indecent to not wear clothes really, as they don't really need to. but in many communities it is a fun decorative element they like engaging in and clothes may often be seen as more associated with certain events or social positions. bcs of their anatomy most clothes however extend to chest/neckpieces, hats and legpieces as it can be a struggle and a hinderance to put on stuff below the arms as their wing membrane stretches from their arms to about halfway downt he tail.

the basilisks in the Tirsekki have their own division as they are usually delegated to special reconaissance roles separate from the rest of the order, who are usually trained in more typical forms of defensive and offensive combat. the subdivision has their own leader/trainers who are usually basilisks themselves as they know their own abilities best, rather than a harpy. their shapeshifting is obviously a huge part of their work, and scouting/surveillance is their most common form of work. sometimes they are called to stuff that involves combat however too.

the sartrill tirsekki formed as a revival of an older defensive order, the kaskin tirsekki. kaskin was a crakam town that fell due to human discovery and attack, and the crakam that formed sartrill were the fleeing survivors from that siege

[cenvast]

"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?

I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.

Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.

The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.

On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.

For example, he drunkenly buys Izutsumi for her — without considering how she'll have to raise this child — and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.

Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.

While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.

Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."

Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.

As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.

The other Nakamoto household members also internalize its sexist, classist power dynamics.

For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.

Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.

It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.

Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.

But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?

The short answer is absolutely not.

Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.

Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.

Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.

Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.

Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.

Toshiro's relationship with eating food — the prevailing metaphor of the series — also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)

But he cannot and does not avoid consuming food forever.

Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction — things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.

Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.

Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.

Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.

Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.

Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.

But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.

A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.

Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3

[sillysiluriforme]

you are NOT JAMES BOND. you are NOT A GIRLBOSS. you are A 16 YR OLD BEING ABUSED BY THE DEEP STATE

[gnarlyghost]

Dragonriders

[colorful-horses]

galactica outfit swaps for art fight (characters here)

[sirsketchedoodle]

Winx Redesign WIP

[bluegekk0]

Finally decided to work on the designs for all the side characters in the FPK AU, mostly residents of Dirtmouth as that's where the main portion of the AU takes place

Here's the full height chart including the FPK family members

(short bios for each of the characters under the cut)

Vyrm (alternate spelling of "Wyrm") - once the king of Hallownest, now a simple resident of Dirtmouth tormented by the guilt of his past actions and his own emotional trauma. Following the return of the infection, he disappeared in a self-manifested realm where he hibernated for years until he was woken up by Little Ghost. He woke up without his powers and completely alone, which forced him to hunt animals for food in order to survive. That was until he was found by Hornet and taken to Dirtmouth, where he reunited with Holly and Grimm, who would later become his partner and husband. He embraces his instincts by hunting animals and eating raw meat, though he is far from a dangerous beast. He owns a small tinkerer's shop in Dirtmouth, where he sells his creations.

Grimm - the exiled god of nightmares, banished from Godhome by his sister, The Radiance many years ago. A very alluring type with a past of promiscuous endeavors. He travels with his Troupe to perform and complete rituals, through which he replaces his physical body. He spent hundreds of years feeling loneliness, unable to find love due to his immortality, until he met Vyrm. They became close friends, though they were not able to confess their love and start a relationship until after Vyrm’s hibernation. Grimm and his Troupe now permanently reside in Dirtmouth, from which they travel to other kingdoms to perform their shows and the ritual. He drinks blood to prolong the lifespan of each physical body, and he has a fondness for fruits.

Hornet - the beloved daughter of Vyrm and the Deepnest queen Herrah. She grew up showered with her father’s love and formed a very close bond with him. Unfortunately, following her father's disappearance, she was forced to spend years all on her own, which turned her bitter and difficult to approach. She now struggles with anger issues and intense fear of getting attached, but deep down she cares a lot about her family. She moved to Dirtmouth following the end of the infection and now works as a hunter and gatherer..

Holly - the child of Vyrm and The White Lady, and the only known surviving vessel. A very gentle soul who finds joy in art of many forms. Now that The Radiance is gone, they enjoy a quiet and peaceful life living in the Vyrm family home in Dirtmouth. With their arm missing and their body weakened, they are unable to hold their nail, instead they focus on more relaxing activities to pass their time. They wear a prosthetic arm made by their father.

Lewk - Vyrm and Grimm's first child, a very curious and kind pup who attends Dirtmouth's school and constantly looks for ways to help others. Unlike his siblings, he shares some physical traits with the Grimmchild form of Grimm's ritual cycle, which is how he got his wings.

Milo and Asta - twins, the newest addition to the family. Milo, technically the youngest member of the family, is weak and sickly compared to his twin sister, struggling to keep up with his peers, which makes him very grumpy. Asta is stronger than her brother, full of energy and mischief, though underneath all of that there is a very compassionate individual who is very protective of her little brother.

Zote - a self proclaimed knight of great renown, in reality a lonely young bug living in a world of delusions. He was rejected by his hometown and his family, and so he traveled until he reached Hallownest. After the end of the infection, he found himself “adopted” by Vyrm’s family, and is on a slow journey of becoming less arrogant and mean.

Ogrim - one of the great knights of the Pale King, the last one that remained in Hallownest, best friends with Vyrm and a close friend of the family. Found by Hornet following Vyrm's return from hibernation, and invited to live in Dirtmouth alongside them. Leaving his duty as the knight behind, he put away his armor in favor of more comfortable clothing. He eventually embraced his long forgotten hobby of cooking and opened a small diner in the town. Liked by everyone thanks to his contagious optimism and supportive attitude.

Brumm - Grimm's right-hand man and trusted friend. Runs the Troupe in Grimm's absence and assists him during the rituals, and in his spare time directs the Troupe's music crew. He is a quiet individual focused on his job. In the past he had one-sided feelings for Grimm, now years later his eyes are set on one of the Nailmaster brothers, Mato.

Divine - Grimm's closest friend, she and her team are responsible for the costumes in the Troupe, and later also clothes for the Dirtmouth community. Once a lady from a distant land, she was invited to the Troupe following a war that destroyed her home. She's chatty and glamorous, and loves advising Vyrm on romantic matters.

The White Lady - Vyrm's former life and once the Queen of Hallownest. Cold and emotionally distant, often comes off as self-absorbed. She was blind to Vyrm's needs during their time together, and ended up neglecting and hurting him. Before the marriage, she was the Lady of the Queen's Gardens Mansion, and this is where she resides following the end of the infection. Years spent in the cocoon made her reflect on her past behavior, and while her interactions with Vyrm these days are rare, she puts effort into being more thoughtful towards him and his family.

Mato - one of the Nailmaster brothers, he got attached to Ghost of Hallownest after briefly teaching them. Following the end of the infection, he traveled from the Howling Cliffs to Dirtmouth to find out what happened to them, and after discovering that the town was now full of life, he began visiting it more often.

Bretta - a young writer and a hopeless romantic, she used to be infatuated by Zote before finding out he was full of lies, though she ended up forgiving him. She writes short stories and poems under an alias, and shares Holly's interest in plush sewing. She has a crush on Hornet, and finds both her and Grimm to be very inspiring to write about.

Iselda - the owner of Dirtmouth's cartography shop, Cornifer's wife. She is a close friend of Vyrm after helping treat his wounds following the Grimmkin incident. After the end of the infection, she began joining her husband on his map marking adventures. She can be a little intimidating, at times she sounds perpetually annoyed, but she always proves to be very caring about others.

Cornifer - Iselda's husband, co-owns the cartography shop. Frequently travels around Hallownest, mapping each location thoroughly. He is good friends with Vyrm, whom he enjoys discussing the Hallownest architecture and geography with. He's extremely detail focused which sometimes makes him miss the bigger picture, though he more than makes up for it with his very approachable personality.

Elderbug - one of the older residents of the town and a respected figure. He's very pessimistic and grumpy, and is especially annoyed by public displays of affection, suggesting that something in his past might have made him sensitive to it. He can usually be found in the town centre or in his little garden.

Tiso - an arrogant troublemaker and Hornet's self-proclaimed rival. Lives in the City of Tears but frequently visits Dirtmouth to challenge her to fights. He planned to battle in the Colosseum but changed his mind last minute out of cowardice. He's extremely sensitive about this subject and reacts with anger anytime it's brought up.

Quirrel - a curious wanderer and once an apprentice to Monomon the Teacher, tasked with protecting her dreamer mask. Holding the mask halted his aging process, and after her death, he aged visibly. With no purpose left, he planted his nail by the Blue Lake, but continued his life of wandering and exploration until he reached Dirtmouth, where he would become a teacher to the town's youth. He's very patient and understanding, though he can be a little absent-minded, likely due to his age and his struggles with memory.

Lemm - owner of the relic shop in the City of Tears. Following the end of the infection and the city's consequent revival, he became a respected shop owner, which made him quite wealthy. After Vyrm's return, he quickly realized his true identity, and began pestering him about his past in hopes of learning more about the kingdom, until Grimm's threats stopped him. He's very abrasive and unpleasant, though his passion for history and the relics in his possession is remarkable.

Lurien - the last of the Dreamers, who managed to survive after Ghost of Hallownest chose to unite the void and become the Shade Lord before reaching his spire. He holds the position of the highest authority in the City of Tears, willing to do anything to bring it back to its former glory and reclaim all of its districts from the criminals that plague it since the end of the infection. He struck a deal with Grimm, thanks to which he is able to keep the criminal population in check.