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bluegekk0 · 1 year

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Finally decided to work on the designs for all the side characters in the FPK AU, mostly residents of Dirtmouth as that's where the main portion of the AU takes place

Here's the full height chart including the FPK family members (note: this has been updated with newer designs, so some things are slightly changed)

(short bios for each of the au characters under the cut)

Vyrm (alternate spelling of "Wyrm") - once the king of Hallownest, now a simple resident of Dirtmouth tormented by the guilt of his past actions and his own emotional trauma. Following the return of the infection, he disappeared in a self-manifested realm where he hibernated for years until he was woken up by Little Ghost. He roamed around Hallownest post hibernation, until he was found by Hornet and taken to Dirtmouth, where he reunited with Holly and Grimm, the latter of whom he would start a relationship with. He embraces his instincts by hunting animals and eating raw meat, though he is far from a dangerous beast. He owns a small workshop from which he creates new inventions and plans for Dirtmouth's renovations.

Grimm - the exiled god of nightmares and The Radiance’s brother. Following his banishment from The Higher Plane, he formed the Troupe with whom he would travel around the world in search of pleasures. Although he has a certain fondness for the mortals, he spent hundreds of years feeling loneliness, unable to find love due to his immortality, until he met Vyrm. They became close friends, though they were not able to confess their love and start a relationship until after Vyrm’s hibernation. Grimm and his Troupe now permanently reside in Dirtmouth, from which they travel to other kingdoms to perform their shows, and to fulfil The Nightmare King’s ritual needed to maintain his physical form. He drinks blood to prolong the lifespan of each physical body, and he has a fondness for fruits.

Hornet - the beloved daughter of Vyrm and the Deepnest queen Herrah. She grew up showered with her father’s love and formed a very close bond with him. Unfortunately, following her father's disappearance, she was forced to spend years all on her own, which turned her bitter and difficult to approach. She now struggles with anger issues and intense fear of getting attached, but deep down she cares a lot about her family. She moved to Dirtmouth following the end of the infection, though she still frequently patrols Hallownest.

Holly - the king's pure vessel born with the mission to contain The Radiance. After the plan's failure and the return of the infection, they were freed from the Radiance's grasp following her defeat at the hands of the void entity. They were taken to Dirtmouth by Hornet, and then nursed back to health by Grimm per Hornet’s request. With their arm missing and their body weakened, they are unable to hold their nail, instead they focus on more relaxing activities to pass their time. They wear a prosthetic arm made from scrap by their father.

Lewk - Vyrm and Grimm's son, hatched from an egg laid by Grimm. He’s surrounded by love from both of his parents, though with his growing curiosity about everything around him, he finds great interest in joining Hornet on her patrols, as well as in Ogrim’s cooking. He’s still discovering new things about the world and himself.

Milo and Asta - twins, the newest addition to the family. Milo, the little boy with pale skin, is weak and sickly, and spends most of the day sleeping. Asta is stronger than her brother and a lot more curious about the world, though the two are still very young and need constant care from their dads and the rest of the family.

Zote - a self proclaimed knight of great renown, in reality a lonely young bug living in a world of delusions. He was rejected by his hometown and his family, and so he traveled until he reached Hallownest. After the end of the infection, he found himself “adopted” by Vyrm’s family, and although he still remains his mean and egoistical self, he secretly appreciates the fact that they accepted him as one of their own. Holly is his best friend who most often drags him out of sticky situations.

Ogrim - one of the great knights of the Pale King, the last one that remained in Hallownest, best friends with Vyrm and a close friend of the family. Found by Hornet following Vyrm's return from hibernation, and invited to live in Dirtmouth alongside them. Leaving his duty as the knight behind, he put away his armor in favor of more comfortable clothing. He eventually embraced his long forgotten hobby of cooking and opened a small diner in the town. Liked by everyone thanks to his contagious optimism and supportive attitude.

Brumm - Grimm's right-hand man and trusted friend. Runs the Troupe in Grimm's absence and assists him during the rituals, and in his spare time directs the Troupe's music crew. Joined the Troupe after Grimm invited him, following the tragic death of Brumm's family. Used to have one-sided feelings for Grimm, but holds no ill will towards Vyrm, and later becomes his friend following a Grimmkin's attempt at the latter's life. Friends with Divine and on very good terms with Ogrim.

Divine - Grimm's closest friend and drinking partner, responsible for the Troupe's costumes. Friends with Brumm, "auntie Divine" to Grimm's children whom she often looks after. Once a Lady from a distant land, she was invited to the Troupe following a war that destroyed her home. Has a particular interest in shiny objects, loves jewellery and fancy clothes. Rarely seen outside her tent, usually seen planning the next troupe performance, she dislikes being disturbed.

The White Lady - the queen of Hallownest, Vyrm's wife before their separation. Cold and emotionally distant, often comes off as self-absorbed. She was blind to Vyrm's needs during their time together, and ended up neglecting and hurting him. Before the marriage, she was the Lady of the Queen's Gardens Mansion. Tormented by the guilt of her part in the vessel plan, she imprisoned herself in the Queen's Gardens. Vyrm's return from the hibernation inspired her to free herself from her bindings, and she now resides in her old Mansion. She is occasionally visited by Vyrm and tries to remain on good terms despite their past. In a constant quarrel with Grimm whom she finds irritating, but holds no grudge towards over his relationship with Wyrm.

Bretta - a young writer and a hopeless romantic, friends with Holly, Zote and Hornet, whom she has a crush on. Once infatuated by Zote, she eventually saw through his lies, but ultimately forgave him. Shares an interest in plushie sewing with Holly. Sees Grimm as an inspiration for her writing, and finds Vyrm to be a bit unpleasant due to his love for raw meat, though she admires his work.

Iselda - Cornifer's wife and the owner of the cartography shop. In the past she used to be a fighter, now she enjoys a quiet life with her husband and eventually starts joining him on his adventures. A close friend of Vyrm after helping him with his wounds following the Grimmkin incident. Very fond of Holly, who enjoys helping her around the shop. On good terms with Quirrel, dislikes Lemm.

Cornifer - Iselda's husband, co-owns the cartography shop. Frequently travels around Hallownest, mapping each location thoroughly. Close friends with Vyrm, whom he enjoys discussing the Hallownest architecture with, and who helps him find secret locations and passages throughout the kingdom. Shares his wife's dislike for Lemm.

Elderbug - the town's elder, good friends with Quirrel. Keeps the flower given to him by Little Ghost by his side at all times. Pessimistic and often quite grumpy, isn't fond of public displays of affection, which Grimm and Vyrm are notoriously guilty of. Following the renovation of Dirtmouth and its return to its former glory, he becomes an especially respected figure to the town.

Tiso - an arrogant troublemaker and Hornet's self-proclaimed rival. Lives in the City of Tears but frequently visits Dirtmouth to challenge hornet. Planned to fight in the Colosseum but changed his mind last minute out of cowardice, is extremely sensitive about this subject and reacts with anger anytime it's brought up. Disliked by Zote and Hornet, and by Elderbug for causing trouble in the town.

Quirrel - a curious wanderer and once an apprentice to Monomon the Teacher, tasked with protecting her dreamer mask. Holding the mask halted his aging process, and after her death, he aged visibly. With no purpose left, he planted his nail by the Blue Lake, but continued his life of wandering and exploration until he reached Dirtmouth, where he would become a teacher to the town's youth. Is on friendly terms with Elderbug, Iselda and Lemm, as well as Wyrm's family.

Lemm - owner of the relic shop in the City of Tears. Following the end of the infection and the city's consequent revival, he became a respected shop owner, which made him quite wealthy. His bigger competitor is Sly, who left Dirtmouth behind and moved to the city in hopes of becoming rich. After Vyrm's return, he quickly realized his true identity, and began pestering him about his past in hopes of learning more about the kingdom, until Grimm stepped in and threatened to kill him unless he stayed away. Very abrasive, refuses to accept that Vyrm wants to leave his old life behind and disrespects his wishes to be call him by his chosen name. Friends with Quirrel, disliked by Vyrm, Iselda and Cornifer, hated by Grimm.

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alwaysoutofpaper · 18 days

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everyone say hi to Pancake :) nude vers under the cut lol

Ch-petta is part of a species of sophont whose home planet has been destroyed for at least 300 years - accounts vary. they were some of the earliest to reach space, though that was far before the destruction of their planet. they were the first to make contact with humans.

they make their homes in space stations and occupied planets willing to harbor them, and are a protected species due to low population. they are the founders of one of the largest intergalactic coalitions, whose aim is, for the most part, conservation - they are not, however, responsible for marking their species as protected. that was humanity. it goes without saying, they are quite welcome on earth.

in case you're wondering, i WILL be drawing more of these guys, because their anatomy i fear needs some explaining lmao

#my art #digital art #character design #original character #original species #spec bio #speculative biology #spec evo #worldbuilding #xenobiology #rausliers #paper aliens

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weirdozjunkary · 28 days

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Finally I finished this, and yes, She and Sonic are (theoretically) cousins in MVA, and yes, most of the gang adore her.

#art #fanart #illustration #character bio #sonic au #mva au #hatsune miku

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yellosnacc · 6 months

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Welcome to a long one.

The Ciwan empire is the fastest-growing sloman power ever since the war of continents and the first to discover a form of gunpowder (thanks to their enemies being uniima lls who have been using it long before).

But even with that advantage (among slomen), the Ciwan armies are iconic for a different reason. That being the Kuiqua-trained units that Sun-cutters come from.

These units have traditionally existed for hundreds of years but are slowly just becoming a symbol for show because of the political and battling changes in the world. However, you will still see them from time to time ripping people to pieces.

Just like the majority of sloman military groups the unit relies on intense teamwork, they need constant communication and preplanned routes to deal with the opposing strategy.

The simplified average scene might look something like this:

In one unit of 30 members, three strikers (Sun-cutters) make a plan with their scholars and commanding Fire-catchers (Seconds leaders). After getting to the war zone they wait for their window in which some members spy or communicate with deeper army spies. When they know their target and best strategy they get in. The strikers use hand gestures, clicks, or whistles to save energy while the Seconds forward the orders to the rest with "ground's" (war language), wooden whistles see more use in very large units. Many times, however, often just seeing the movement of the sun-cutters is enough for the whole group to act.

Strikers will sometimes wait behind their heavies (Beasts) if their force isn't necessary (units can be as few as 5 members or as many as 50, the two extremes work very differently). Once the situation calls for it, they bullet their targets, often stabbing talons first and tearing muscles in a swift motion. This may happen multiple times as other unit members engage in direct battle with the target/s or disarm them with specialized tools. Kuiqua units both kill and capture, having healing supplies on their heavies if they need to make sure their target doesn't bleed out (or their own soldiers).

All members of the Kuiquan unit are priests of different levels but all are priests of the dead (ones that speak for their ancestors rather than gods). It's believed lands conquered with these soldiers present will flourish with life. Many former battlegrounds have turned into gardens and crop fields (hopefully they don't keep this up when landmines are invented).

To the image. What you see is a small variety of soldiers. Beasts and fire-catchers have other names and features in their armor that they are known for based on all their roles that can often switch between fights. Only Sun-cutters truly have one name.

Fire-catchers are also sometimes strikers in training and may move up if they prove themselves. Though, more often Sun-cutters rise from the ranks of regular taloned soldiers with enough talent.

As mentioned in the image, Sun-cutters tend to be very prideful. Their helmets are an impractical mess that pushes their ears forward. A Ciwan Sloman's ears are very important to them and if they are damaged it's a career-ending event. Still, almost no strikers bind their ears, not wanting to be shamed for cowardness.

an ex-striker

here is the whole picture if you prefer it big

Btw, Kuiqua is the city Neal lives in. He has met or been arranged to meet these units multiple times since Neal himself is stuck classified as a fancy soldier. They are also not uncommon around temples, small talk is required.

Thank you for reading this far! Next I must answer the questions of biology. This has taken me 50 000 years.

#art #speculative biology #artists on tumblr #digital art #artwork #worldbuilding #speculative evolution #spec bio #sloman culture #slomen #fantasy culture #alien culture #character design #illustration #sloman military

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sillysiluriforme · 3 months

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you are NOT JAMES BOND. you are NOT A GIRLBOSS. you are A 16 YR OLD BEING ABUSED BY THE DEEP STATE

#silu's art #miraculous ladybug #mlb fanart #mlb la terreur au #lila rossi #mlb redesign #mlb au #character bio

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carouselunique · 7 months

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Meet Ditzy Doo’s little chickadee, Dinky Doo! Absolutely the most precious little filly on the block! (According to Ditzy, who might be biased…)

She is the leader of the Cutie Quest! Three blankflanks in her class who are searching for their cutie marks! (Our Cutie Mark Crusaders for this AU!)

Bonus: Ditzy and Dinky together!

#my art #dinky doo #ditzy doo #my little pony friendship is magic #mlpfim #mlp fim #mlp g4 #my little pony #mlp #apple bloom #cutie mark crusaders #swap six #side stars AU #for the bios I'm tagging their rough equivalent characters but I won't do that everytime it's for reference!

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cenvast · 22 days

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"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?

I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.

Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.

The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.

On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.

For example, he drunkenly buys Izutsumi for her — without considering how she'll have to raise this child — and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.

Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.

While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.

Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."

Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.

As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.

The other Nakamoto household members also internalize its sexist, classist power dynamics.

For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.

Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.

It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.

Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.

But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?

The short answer is absolutely not.

Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.

Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.

Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.

Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.

Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.

Toshiro's relationship with eating food — the prevailing metaphor of the series — also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)

But he cannot and does not avoid consuming food forever.

Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction — things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.

Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.

Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.

Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.

Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.

Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.

But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.

A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.

Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3

#toshiro nakamoto #maizuru #hien #toshitsugu nakamoto #falin touden #izutsumi #inutade #benichidori #shuro #dungeon meshi #dunmeshi meta #dunmeshi analysis #quite literally free my girls #i got so sad after finding that parallel between maizuru and hien both saying their feelings don't matter #reading maizuru's character bio and how she's a brilliant woman #but she's stuck w toshiro's dad like #i'm toshitsugu's number one hater he better watch out #also thinking about how toshiro looked up to maizuru not even his own parents until he found out about maizuru and his dads relationship #that's devastating bro #im entering my clickbait title era LOL i was told my prev titles were too academia pilled and boring sounding #i think i want to write about izutsumi's and inutade's relationships w gender next #delicious in dungeon #dunmeshi #*mine #*meta

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