#character: til the end of the line

[buckrogers]

I know for a fact that MCU Bucky spends hours a day at his computer arguing with people who claim Sam isn't Captain America.

[muninnhuginn]

Writers tag game

Prompt: share some writing

Thanks for the tag, @miyamiwu!

So, I'll be honest, I don't actually have any WIPs I'm intending to do anything with, but I have some oldish abandoned stuff I managed to relocate. It's back from 2021 so in my Untamed era and this bit was specifically set during Fatal Journey*:

Nie Huaisang woke blearily, cold seeping into his clothes from the floor. It was dark and it took several seconds to remember where he was. He could hear the muffled sounds of clanging and voices. As he lifted his head off the ground, they slowly resolved themselves into the clash of swords and yelling. [...] He didn't know what to do. What would his brother do? Xichen-ge? San-ge? He had his flute with him– he could try Cleansing. This was what it was for, right? Before he could doubt himself further, he started playing, pouring all the qi he could muster into the tune. He'd practised for hours the night before, long after San-ge had left, but despite that, he hadn't truly thought then that he'd need to play so soon. Was that so naïve of him? As he watched, Da-ge began to slow in his movements and Nie Huaisang felt himself start to relax. He kept his lips to the flute, trying not to let his relief fool him into making mistakes. Still, he knew he only had to play a little longer and then they could all escape. Him, his brother, his cousin. They could flee far away from the darkness that haunted these halls. And then Nie Zonghui's head hit the floor. He stopped playing.

And then I had this other bit:

He'd messed up. He must have played a wrong note. Maybe he'd misremembered the entire thing? And now Nie Zonghui was dead and his brother - what looked like his brother - was stood, Baxia dripping blood to the floor. [...] The sword was pointed at him. He tried to hold himself steady as he looked down the blade. Tried to blink away the tears that kept escaping without his permission. He could tell he was failing, unable to stop the trembling, but he forced himself to meet the eyes at the other end of the sword. He couldn't die here. He refused to die here. After all, he was the only family his brother had left.

*(it was meant to be part of a short time travel fic where post-canon characters went back not long before NMJ died. It would've had flashbacks to Fatal Journey interspersed with the "present" up until the point at which future NHS tipped off past NHS about the poisoned music. I actually got as far as figuring out where I wanted all the characters to be at the end of it, but I ran out of motivation pretty quickly so there's only this WIP stuff and the intro part written in the end.)

Ahh not sure who to tag when it comes to writing stuff. I know @roseofcards90 and @floofiestboy write some stuff? And anyone else who sees this who writes, feel free to consider yourself tagged ^^

[agentjazzy]

in the fnaf universe do we think that Funtime Freddy, Glamrock Freddy, Sun, and Moon are all voiced by like.. a vocaloid/voice bank?? where either Afton/Fazbear Entertainment bought a voice bank or they hired an in-universe Kellen Goff to make one? and then modified the original Funtime Freddy voicebank to get more use out of it without spending more money? and just bought/made new voice banks for the other Glamrocks?

or do we think that Afton hired an in-universe Kellen Goff (and other voice actors) to read a script to be programmed into his animatronics, where upon gaining sentience/getting possessed the Funtimes were able to use/build upon their pre-programmed lines with the same thing happening to the Glamrocks, where they gained sentience/became alive and were able to analyze and modify their own voices like AI voices?

or do we think it might be a combination, where Afton specifically hired voice actors for the Funtimes, but by the time Fazbear Entertainment were making the Pizzaplex animatronics, they either re-hired the same guy to keep continuity (Frank Welker is living proof that 50 years is NOTHING if you're a good voice actor) OR did they do the thing with AI voices where they INTENTIONALLY fed all the pre-recorded lines from Funtime Freddy into a program and then fine-tuned the results to get 3 more voices out of that without paying anyone

this is for nothing but my own curiosity bc I started thinking how cool it was that Kellen is the canon Freddy voice, but then I started wondering about the Implications

y'know what, here's a poll, what's YOUR headcanon??

[erytherion]

Why do all the Shining Nikki event plot lines always have to be so tragic?? Do they want my tears this much??

This dress-up game is always so dark LET THEM BE HAPPY SOMETIMES PLEASE!

Every event makes me want to go immediately write fix-it fics so they don’t have to be sad anymore but I also don’t want to undo the development they’ve had so I just sit here like 😭😭😭

[grapecaseschoices]

ocs as a love language

the dear @leirsulien gut punched me tagged me to do this uquiz for my ocs. 

im tagging (no pressure!) @cassiopeiacorvus @roxaro @thelittlestspider @wayhavenots @griffin-wood @karolinarodrigueswrites @sapphic-story @laufire-writes @ice-knife and whoever else wants to (just at me, pls! <3)

andy:  a story that ends in blood

The world has always been unkind, and when you have turned to yourself for comfort you have come face to face with an empty pit which seems to be laughing. You don’t care if it kills you but once you find someone whom you love and who loves you back, you will make sure nothing happens to them. They are yours. You will make a tear in this world and create a new place for you and your love if it comes to that. Because it has always been about love, and it is how it always ends.

kendis:  a story that ends in blood (though when i took it yesterday for them i got: an undoing influence, so i’ll go with that) 

can someone tell you what to do? you have been carrying so much love within you for so long it is starting to turn into anger (why does it matter, all you see is red anyways) and you have been dragging this body through each day and every night you are split open on your bed and it is so so so lonely. if someone were to walk in while you were on your bed that way and they stitched you back in a new way, lining the seams with their love and kisses, you’d probably find this dreary world a little more bearable. you want someone to turn you over and over until you look in the mirror and see yourself looking back at yourself with a gentleness which has been lacking in you since forever.

carmela:  a knife called grief

You have left your house, you have left those people behind, but what are you going to do about the memories which have taken root in you? You can run but not without them. You want someone to sit with you on this cool marble floor while the sun burns everything.You want them to cut your rotten heart and theirs too. You want to sit with it in front of you, let them see you with all your flaws, which haven’t been your fault but you have been made to believe so, and you want them to love you anyways. Because you know you’d do that for them.

val:  violent devotion (though when i fiddled around with other possible answers i got ‘a story that ends with blood’; i think this quiz knows something about my preferred dynamics/themes)

Everyone seems to think you are faithless, but the thing is you haven’t yet found someone who will bring you to your knees and make you raise your head in reverence. This world has stopped bringing you joy, you want more of the divine. You want to dedicate your entire existence to someone; you want to make them realise they are not something terrible, make them see just how much beauty they are bringing to this world. You want to be the only one for them, the only one they have chosen to love. There’s a god shaped pit inside of you and only they can fit in it. And what if they choose to walk away? Didn’t I say this was violent devotion?

[journey-to-the-attic]

So have you heard of that Obey Me: Nightbringer thing?? I saw it on their Twitter and I have no idea what it is but I don't interact with enough people in the fandom to ask

oh yeah, i saw that too! unfortunately i also have no idea what it is, so i can't help you here ^^;

i think i saw someone under it saying it's a prequel game of some sort? but idk if they actually knew or if it's speculation, so keep that in mind

[bisaster-energy]

"it's over now, the music of the night"

[phaedraismyusername]

This year some of my favourite books I read were written by indigenous American authors and I just wanted to shout out a couple that I fell in love with

The Only Good Indians by Stephen Graham Jones

Horror being my second most read genre, I did not think books could still get under my skin the way this one did lol. It follows four Blackfoot men who are seemingly being hunted by a vengeful... something... years after a fateful hunting trip that happened just before they went their separate ways. The horror, the dread, the something... pure nightmare fuel 10/10

Moon of the Crusted Snow by Waubgeshig Rice

An apocalyptic novel following an isolated Anishinaabe community in the far north who lose contact with the outside world. When two of their young men return from their college with dire news, they set about planning on how to survive the winter, but when outsiders follow, lines are drawn in the community that might doom them all. This book is all dread all the time, the use of dreams and the inevitability of conflict weighs heavy til the very end. An excellent apocalypse story if you're into that kind of thing.

My Heart is a Chainsaw by Stephen Graham Jones

This book follows Jade, a deeply troubled mixed race teenager with a shitty homelife who's *obsessed* with slasher movies. When she finds evidence that there's a killer running about her soon-to-be gentrified small town, she weaponises that knowledge to predict what's going to happen next. I don't think this book will work for most people, it's a little stream of consciousness, Jade's head is frequently a very difficult place to be in, but by the last page I had so much love for her as a character and the emotional rollercoaster she's on that I had to mention it here.

Elatsoe by Darcie Little Badger

Taking a bit of a left turn but this charming YA murder mystery really stuck with me this year. Elatsoe is a teenage girl living in an America where myths, monsters, and magic are all real every day occurrences. When her cousin dies mysteriously with no witnesses, she decides to do whatever she can, including using her ability to raise the spirits of dead animals, to solve the case. The worldbuilding was just really fun in this one, but the Native American myths and influence were the shining star for me, and the asexual rep was refreshing to see in a YA book too tbh

Split Tooth by Tanya Tagaq

The audiobook, the audiobook, the audiobook!!!! Also the physical book because formatting and illustrations, but the audiobook!!! Tanya Tagaq is an Inuit throat singer, and this novel is a genre blending of 20 years worth of the authors journal entries, poetry, and short stories, that culminates in a truly unique story about a young girl surviving her teenage years in a small tundra town in the 70s. It is sad and beautiful and hard but an experience like nothing else I read this year.

[lilacgaby]

Yay request open oh oh if youre in Gumi era just having idea can I have more of his domestic fluff like planning on their future life any kind of domestic will do (๑•́ω•̀) 💗💗

title: my heart is yours eternally

pairing: boyfriend-> husband!megumi x girlfriend->wife!reader

summary: megumi thought this life he planned was only one in fairytales, but as he looked at the life he built with you, he knew it was real.

note: i love megumi pls pls pls request him more ( ´ ▽ ` ).｡ｏ♡

"i want a small wedding." he said out of the blue as you two laid in his bed, holding your hand in his and he looked over you. "one that's intimate, i don't mind you choosing the theme or anything."

as you nodded thoughtfully, you entangled your fingers together. "mhm. just for us. and i want you to have a pretty ring too, i think you'd look nice with one in silver."

"you think?" he replied, eyebrow raised.

"i know so. and we can have a huge wedding cake-"

"vanilla."

"yes vanilla, with ice cream too. just for us."

he seemed content with that, smiling softly. until a thought crossed over his mind and he looked down at you with a look in his eye.

"i'll get you a nice ring, i promise. you just need to wait." he said, determined.

"i'll wait for you 'til the end of time, 'gumi."

he flushed and squeezed your hand tighter, he had to get the best for you. he couldn't sleep right if he didn't.

"you want any kids 'gumi?" you asked absentmindedly, not noticing the way he choked on air at the thought. images of you pregnant ran through his mind, his mind spiraling as he failed to find the words.

"megumi?"

"oh, uh.. a brother and a sister. that's all we need."

"sounds good, i wouldn't want our baby to get lonely when we're gone after all."

he felt his mind sputter at the thought of your baby, with features from you and him.

the topic of conversation eventually changed to something different, a show you were watching. as he listened to you recount how happy you were that the characters you hated died, his mind still kept going back to the conversation you had earlier.

he fell asleep holding your hand, images of the life you'd have together running through vividly, like he could almost touch it.

since then, he was determined to make that a reality for the two of you.

he proposed to you on your anniversary, taking every possible note he could about the types of rings you liked before choosing one. as he held you hand in his and slid on the ring, kissing you with only the sunset behind you as witness, he felt truly loved.

the months spent planning your wedding weren't as stressful as you handled it together. finding the perfect venue, small like you both wanted.

going on dates to sample cakes, laughing at megumi's face of disgust. choosing the topper for the cake, opting for two loving bunnies at the top since none of them could get megumi's hair right.

choosing who to invite, megumi 'begrudgingly' inviting his old friends from jujutsu high, and you yours.

him going out with gojo and yuuji to pick the perfect suit, you choosing your dress with your most trusted friends.

walking down the aisle, megumi felt emotional since you were just so gorgeous, he never felt as luck as he did when you were announced husband and wife.

well actually, that's a lie.

when you gifted him a box, full of baby clothes and a stick with two life changing lines on it, he knew you were his good luck charm.

as he promised, he loved you through even your sickness. a lot of foods made you nauseous, so he'd started to learn how to cook because it was exhausting for you.

your bump was bigger than average, not like he'd say it to your face, but it was confirmed when you went to get your ultrasound. twins.

you squinted your eyes at him and jokingly hit him on his shoulder lightly, saying, "this is your fault!"

he only laughed. at your gender reveal, just a small thing between you two, you held hands and cut a cake slice out of the cake. to your surprise, it was blue and pink.

your stomach got huge, at 9 months you just wanted your kids out. megumi would take you out on walks everyday, well just strolls around your house technically, but it was a lot for you.

on day number 3, your water broke. you thought you'd finally feel relieved, but good thing megumi was there because you panicked. he was too but mentally.

as you delivered your babies, the son first, you squeezed his hand for dear life.

when you went home with 2 kids a couple days later, you sleeping as megumi held the two in the rocking chair he'd picked out, he felt like it was a dream.

when you awoke, and he'd matched the features of your son who took after you and your daughter after him, his heart fluttered as he felt his body soar.

this is what love is, and this is what he dreamt of.

[simpjaes]

hiii i really like your writing style and how you portray the characters(?? how do i refer to the members 😭)

i wanted to ask if you would do hyung line reaction to getting walked in on while having sex w their s/o?

like e.g. if heeseung was banging his girl and jake walked in the room to get smth what would be his reaction

hyung line + being walked in on mid-fuck

tags: cucking, masturbation, sunghoon and jay walk in on each other, jake and heeseung walk in on each other.

mdni.

☆ jay:

well, first of all, the doors are LOCKED if jay is balls deep. he likes to take his time, likes to not have to worry about anything else but you and him, and loves the privacy of being the only person who gets to see you so vulnerable and spread out for him. of course, there are rare occasions where the arousal is through the roof and he's lucky he even gets you into his bedroom before dropping to his knees and forcing one of your legs over his shoulder just so he can get his mouth on you. on the rare occasion where Sunghoon does walk in, typically he's going to let out a long, frustrated groan before shooting a look of daggers at his friend. Doesn't change the fact that the image of Jay on his knees with his tongue buried in the pussy of his very pretty and moaning girlfriend is burned into Sunghoon's brain though. Would probably end in hoon trying to walk in on it as often as he can. If not that, would end in hoon fucking his fist in his room simply imagining how good his roommate is probably giving it to you. [disclaimer, i am a whore for jay and i almost wrote him as the opposite. where he 100% hotwifes his girl and loves seeing her get pleasure whenever and however she wants it, even if it's from his own roommate lol.]

★ jake:

jake doesn't notice til you try and tell him to stop. and when you tell him heeseung just walked in, he keeps going. maybe even comments like "so what?" Sometimes he's so into that he's well aware heeseung is being a pervert and still doesn't care. even encouraging you to ignore him, or to simply keep your eyes on him and not on heeseung because he can't bare to stop right now, not with how fucking good your pussy feels. little comments like "shh, just focus on me." or he says nothing at all and fucks into you deeper so you couldn't care less either. heeseung on the other hand, was awkward at first but now genuinely just sits back and enjoys the show. will literally take a seat sometimes and start palming against his pants at how the two of you literally fucking lose your minds enough to not give a shit that he's getting something out of it too. Sometimes he even finds himself wondering what it feels like to be so empty-headed and pussy drunk like Jake always is, so lost in the sauce that he'd allow his roommate to jerk off to his girlfriend getting railed.

☆ sunghoon:

sunghoon shows shame at first when Jay walks in and quickly stutters out an apology. It's an awkward situation, knowing his roommate and best friend is currently seeing him with his girlfriend's legs on his shoulders. He tries to stop, really. His head snaps to Jay in surprise but you'd clench around him so tightly in your own shock that instantly his eyes roll back and he lets out a moan instead of an apology. His hips would move on their own, fucking tightly into you with furrowed brows. He'd be so apologetic about it, as would jay. HOWEVER, jay wouldn't be able to look away. His hand would be on the door knob, he'd be trying to find a way to apologize himself for what he's witnessing, but the words would never come. He would never quite leave. Not until, like, you know, his cock is throbbing and he needs to take care of it before he cums in his pants at the mere image of you snapping your eyes to him mid-moan.

★ heeseung:

Heeseung does not give a fuck who is seeing. If he's fucking you, he's fucking you. Point. Blank. Period. Nothing and no one will stop him from giving you what you need, nor will anything stop him from getting what he needs. So, when Jake fucking prances into his room muttering something about a missing sock, all he can do is sigh in frustration before narrowing his eyes at jake, still thrusting into you while he does it. however, the way you clench upon Jake walking in, and the way you're suddenly moaning a bit louder, heeseung snaps his head back to you. His brow quirks as he processes the new information given to him by your body alone. He smiles, and then he fucks you harder, making deep, whispered comments loud enough for Jake to hear. "Oh? You like that?" and "go on then, spread that pussy for him baby, show him." Jake would find himself in a frenzy of aroused feelings. Shocked, confused, embarrassed, so fucking hard. Like, wow, he's more embarrassed for you than he is for heeseung or himself witnessing each other in a state like this. You really take it too. jake would watch on, seeing all of the things you let heeseung do to with without a single argument. Whatever hole heeseung wants, he gets, and he just fucking shows you off to jake in a way that's like "look what I have, look how pretty she is, look what she lets me to do her." jealousy is an understatement, but hey, at least heeseung lets him full on get his cock out and sometimes even lets him cum on your face.

[neoplatinum]

til' death do us part - part 1 | minatozaki sana

summary: sana minatozaki walks right into your life with a marriage license.

pairing: heiress!sana x reader

themes: arranged marriage au, fluff, angst, tension, lots of elitism, conglomerate power-hungry side characters, implied sex

wc: 5.0k

(series masterlist)

"the minatozaki's are waiting." you stare at the contract in front of you, frustrated at the idea of the family visiting. they sent the contract to you two weeks ago, and you knew that they were expecting a response, as in a signature. but here lays the contract on your coffee table, left to collect dust.

"let them in." you sit up from the couch, adjusting your shirt. you watch the maid let them in, timed steps in the long marble hallway. you hear their presence before you see them. then you see the matriarch of the minatozaki family step into the room. her head held high and proper, like a leader.

she reminds you of your own mother: the sharp tongue, quick judgements, and inability to let go of grudges.

then walks in sana minatozaki, the only heiress of the minatozaki group. she is not a stranger at all, but you havent decided if she is a friend or foe. when you were both younger, annual balls were centered around her. she always took those events in stride, while you enjoyed sticking by your mother's side.

you often remember watching sana dancing with anyone who would ask her; even from afar, you knew she was someone that everyone awed at. they treated her attention like a prize worth attaining.

"hello mrs. minatozaki and ms. minatozaki, please have a seat." you direct them to sit on the opposing couch. "how may i help you?"

they both get situated while you sit by yourself, feeling the weight of the minatozaki power firsthand. you watch your staff rushing to present them with tea, only for the two to dismiss them quickly.

"yes, we sent over a contract earlier last week, please sign it." the matriach points at the contract on your table.

"yes well, it is a marriage contract, a legally binding one. i need time to think it through."

"what is there to think through? you get to marry into the minatozaki group, and solidify your business with the backings of our family, i see no reason that it's empty now."

you frown at that, those were the exact words your own father told you over the phone, you called him immediately after receiving the contract, he told you the same exact thing, ending the call immediately after.

you dont disagree with the benefits, you would just rather marry someone else. someone that you could be in love with, not sana minatozaki.

"mrs. minatozaki, as much as i understand the power and backing of your family. i am rather old-fashioned. i only believe in marriage out of love." you nod solemnly to the older woman.

she lets out a trained laugh and holds her daughter's hands like they're her prize and tool. "love? you don't think that you could love my daughter?"

"mrs. minatozaki, i didn't mean it in that way-"

"so, what way did you mean it? my daughter sana," you say, watching as her daughter stands up from the couch, tall and proud, just like her mother, and smiling at you in that coy smile. "she has a line of suitors far longer than you could imagine; you should reconsider."

"mrs. minatozaki' please if i may-"

she holds her palm up, completely stopping you from speaking. "enough. here's what we're going to do: a three-month commitment. truly court my daughter for three months, and if you can honestly tell me you aren't in love with her, then i won't bother you with this matter for any longer."

"mrs. minatozaki, i think this is a completely archaic idea!" you exclaim, shocked to hear her say these plans. how quick she is to decide for her daughter's life.

"watch your tone. do not forget that your mother and I are well acquainted." she points her finger at you, and in a split second, she's back to that trained smile that is always so unnerving and threatening.

"i'm very sorry mrs. mintatozaki, please forgive my rudeness." you bow deeply at the woman. you return to your trained demeanor, letting mrs. minatozaki run your life for the next three months. who knows what she'll say to your mother if you decline?

both women get up promptly at the matriarch's signal, and you rush to walk them out of the manor. their resounding footsteps echo through the halls. the matriarch continues speaking of the three months of "dating," and you nod at every word in appeasement.

you assist them into their car, and soon they speed away from your manor. leaving you frustrated in your own driveway. by the time the sun has set, you finally return to your room.

--

the thought doesn't bother you anymore, while you were nervous at the idea of the minatozaki's pressing you on this marriage, you had gotten way too swamped with work.

in a week's time since the visit, you were giving a big presentation to shareholders and clientele. countless nights spent languidly going through the motions of collecting data for infographics and reports to extrapolate data. all part of your stressful day job.

a job that you take pride in, to take over the family business. dedicating years of your life to build the rapport needed for your father to put the company in your name.

you begin to wrap up on your final slide, indicating the prosperous quarter that your company has been seeing. beautiful graphics that display profit margins through the roofs. in every chair of that conference room sat a wide smile at your future projections.

"we expect to see a projection of 33% from our previous annual profits, along with more assets, and with the likes of a possible acquisition, this company will continue to flourish. thank you all for today." you conclude your presentation and smile to the many shareholders. they all stand and applaud you; you take a deep bow and shake hands.

the shareholders hound you, all gathered around in suits that costed more than the average house. they only bowed to the sound of money dropping into their pockets. so they push you, push your boundaries of how much you'll let them take.

mr. seki has always been the most persistent, asking for more money than he knew how to spend. so he stands before you, eyes twinkling and his grubby hands rubbing together like he found a gold mine.

you listen to him speak of the golden days with your father, business had little to regulations, making money was easier than breathing, but now he breaths down your neck for bonuses. the words travel in one ear and out the other, he forgets that you were a young child listening in to his discussions with your father.

before you know it, you hear that sharp clicking sound, the sound of sharp hard rubber hitting the tiled floor, you hear heels. short confident steps of a woman, and then you see it through the frosted glass, a womanly figure.

she's walking right into the conference room. then you notice the details: long brunette hair in waves, branded sunglasses atop her nose, a light pink suit adorned with blinding diamonds. behind her are bodyguards that tower over everyone. everyone's conversation stops at the sight of her, she stops right in front of you.

eyes strong and daring, she slips off her glasses and you recognize her, the woman of all your friend's dreams: sana minatozaki. more confident than ever, not being guided by her mother, she smiles that smile that you know your friends swoon over. delicate fingers slip off her glasses as she hands them to her assistant. eyes still focused on yours.

then she does it, grabs ahold of your tie, and slams her lips against yours. and you can hear it faintly, the sound of the shareholders all gasping, drowned out by the sound of your own heartbeat. the searing kiss lasts so long, like a time loop. when she pulls back, you gasp for air, choking and doubling over coughing like you inhaled chili powder. all your presentation material spilling on the ground.

"sorry to cut the festivities short, gentlemen." she bows lightly, an amused smile underlying her sarcasm. "my fiancé and i have things to attend to, i'm sure you know how demanding your wife can be". she giggles at that, letting them all nod, and disperse.

"fiancé?" you cough out, still catching your breath. sana grabs ahold of your hand and drags you out the conference room, and out to the elevators. you watch her two bodyguards at your feet, ready to intervene with broad and thick builds.

they remind you much of your father's bodyguards. but you never wanted them because it just felt so unnatural to be followed by men who protected you.

sana stands before the elevator, and without missing a beat walks in, at the sound of the door opening. you get pulled by the two bodygaurds into the box. now you stand next to a smirking sana and two men who could break your spine ten times over.

you exit into the lobby, all the staff rising to their feet at the sight of you and miss minatozaki. greeting you all, as you rush to follow after sana. you have a sinking feeling if you don't that those two men behind you are going to toss you right into the ocean. right outside of the lobby, is the sight of the signature black marked sedan. a true sign of a minatozaki. like the fortress of a family, this car is far than capable of withstanding a nuke, how true this statement is? you never want to know.

sana is quick to sit herself inside, being guided by her chaffeur. you nod to him before sitting inside, seperated by the middle seat. the door closes and suddenly you feel claustrophobic.

the last time you spoke to sana was years ago, back in law school, you never did like her clique but they were everywhere. so you have interacted with her through case studies and presentations, steering clear of the intimidating minatozaki group. so much for avoiding them, now you're stuck in a car with the exact person you were avoiding all your life.

"mother is furious." she comments, grabbing her heels off her feet, tucking them into a compartment. you stare at her for a while, confused with what she means. "well?"

"miss minatozaki, i thin-"

"sana. just sana please." she corrects you.

"miss sana, please, you cannot barge into my shareholder meetings and attack me like that. that was unacceptable on all levels." you continue. loosening the tie that felt like it was choking you when she grabbed it. you slip it off your neck and into your pocket.

"i thought mother made it clear her expectations. you sign that marriage license, and we're good." she continues to correct you, disregarding your frustrations.

"sana. i apologize but i have been swamped with work, i cannot even begin to think about marriage." you complain.

"work? you marry into the minatozaki group and you'll never lift a finger. those infographics you put together were cute, but the minatozaki's never put themselves through work they can pass off to others. marry in, and we'll find a suitable ceo the second you say so." she is everything you stand against, a figurehead as the ceo is the last thing you want for your budding company.

"i think you are mistaken, miss sana. this company is me, i am this company, that will not change if i marry into the minatozaki group." you don't waver for a second, conviction running through your blood.

she smiles at that, "you are one of those. the ones that are married to their work before anything else." she takes a second to contemplate this thought, what would you bring to the minatozaki group? profit, drama, not a headache that's for sure.

"i'm going to let you in on a secret," she leans her head towards you. "like how you are married to your work, i am married to wealth. doesn't matter if you have a million mistresses, or a thousand bastard babys. as long as you don't smear the minatozaki name, you will fit right in."

"i do not think so miss sana. the minatozaki's are adamant about blood purity, they don't let bastards live." you explain. she smirks at that, you've clearly done your research about the minatozaki clan. "miss sana, please, me marrying into your family would not beneficial to you. i am too concerned with my own self to be a pawn for your clan." you finish, hoping they will let this issue to rest.

"you seem to know a lot about our family for someone who isn't interested marrying in." her eyebrow shoots up and with the snap of a finger, the bodyguard hands her a manila folder through the slit of the window.

"once again, we urge you to sign this. i hope we become lifelong partners, fiancé." she winks and steps out of the car. speaking to the chauffeur, and soon you're being driven by the minatozaki car, another car ready for sana in an instant.

now you're left with a manila folder, weighing heavier than anything else in the world. when you are sit in your armchair with the manila folder, nursing a nice drink to unwind, you finally untie the manila folder. opening the contents, you find the same contract on your coffee table. signed with sana's signature in the bottom, and another paper.

in a written letter from your own father, you nearly crumple the paper in your own hand. the clauses of placing your company in the hands of your father, all shareholder signatures at the bottom. indicating the removal of power. in another line it reads in big bold letters, date sana for three months or your company will be absorbed by your father.

you call up your father.

"father, this is ridiculous, you cannot do this to my company. why are you meddling now?"

"you insolent child, given the opportunity to grow your business, you choose instead to be selfish? i present to you the opportunity of a lifetime: marriage into the minatozaki group. and i've been told you're pushing their patience." his deep voice rumbles into the phone. "my final words are these: you want your company so bad, prove that you are committed to the minatozakis, then i will transfer the power back." he firmly states.

"i don't even have the time, father. my schedule is busy with the new year and final changes with new clientele."

"i've already spoken to your assistant, all work for you the next three months have been transferred to my coo. he will take over for the time being, i trust him to run my own company, so don't you go spouting nonsense about his credibility." you bite your tongue at the sight. how dare your father meddle in your company? one that you built up with your own hands. the only piece of yourself that wasn't controlled by your father.

"do not forget who raised you. i can take everything away." his voice booms through the speakers. he ends the phone call there. and you throw that phone like a baseball, shattering the device into pieces.

--

so you do date sana for three months, finding it absolutely absurd in the beginning. often visiting her wherever she traveled. when she was busy, you would send out bouquets in your absence. you tried your best to date her, devoting time to getting to know her better. she's like you remembered when you were younger, loud rambunctious and had an eye for all things expensive. you spent trips all over the globe within those three months.

it's a strange feeling. letting yourself rest, you can't remember the last time you went on a vacation other than in law school. here you are, lying in a lounge chair on a private beach in santorini. drinking mai tais while you stare into the horizon. confused with your own life right now.

it should've been the merger. you get antsy just at the idea of your father's coo leading the merger, but what can you do. that company is not "yours" right now. while you are trying to enjoy the sight of the bright sun and clear waters, you watch out of the corner of your eye as sana flirts openly with a resort worker.

hand on his bicep, leaning in to show more cleavage, all the while keeping a sultry smile on her face. you're done letting your life be decided for you. you walk over.

"hi honey, how is it going?" you smile towards her, leaning in for a quick kiss. holding her neck in place, as you watch the man walk away. you let her go.

"jealous?" she smirks.

"no. i need answers." you sit down in front of her. "why me?"

"what do you mean why me?" she sips on her cosmopolitan, not provoked by the question.

"why marry me? my father is well known, but we are not a conglomerate group, why do you wish to marry me? i provide nothing to the minatozaki group, it doesn't make sense. there's the watanabe clan, the abe clan, the ito clan. i really don't understand why my family."

"it's not your father or his companies, it's you." she points at you. still sipping her drink. she doesn't skip a beat, no hesitation in her words.

"i hold no power on the world stage, you would be well off marrying any clan." you try reasoning with her, beyond perplexed on why she chose you.

"the watanabe clan are dirty: plagued with dirty lust, the abe clan are ruthless killers, the ito clan has been known to kill their woman. so tell me, how much better off i will be marrying them?" she continues. face hardened.

"i see...they are not as great as their name." you stare at her. less perplexed but definitely confused.

"we all grew up together, all the heirs, i know them better than they know themselves. and i do not like what i see. but you and i didn't speak to each other." she signals for another cosmopolitan, thanking the staff member and digging through her bag. pulling out photos of you two when you were children at the annual balls.

"you are worlds better than all of them combined. i could see it in the way you never vied for my attention. they all were intact dogs, hoping to hump something by the end of the night."

"sorry for the assumptions," you offer. the way she looks away from you, watching the ocean. and letting out a long and heavy sigh. she tucks the photos away. "so, marriage out of convenience? is that all this is?"

"yes." she nods.

you grab the contract from your bag, signing it in front of her. and then placing it in her hands, "to a happy marriage sana minatozaki, i hope you can handle my snoring." you laugh.

she grins at the contract, and tucks it into her bag. "then i hope you can handle my kicking. you groan jokingly and laugh loudly, her joining you.

--

minatozaki weddings were no joke. halls lined with marble pillars with gold accents. dishes made out of the finest and purest porecelin. waiters dressed in their finest, not a single hair out of place. global leaders and their children attending, even if they had no ties to the minatozaki.

the grandiose hall with beautiful mirrors dating centuries ago. recovered artifacts from the edo period, adorning the shelves. the giant minatozaki family crest on the back wall. with long tables lined with wedding gifts. you stand next to sana as the reception procession continues into the night. many notable figures congratulating the marriage. as well as the intricate gifts being handed off to you. each gift being placed and documented by the minatozaki security team.

the minatozakis look happy, wearing traditional kimonos and inviting all the guests to talk about their daughters marriage.

even though the place is filled with laughter and happiness, you can't help but feel like you just entered a loveless marriage. where you are destined to avoid sana, she smiles at everyone, showering in the attention, while you can't wait to get back to work.

--

you had explained to sana you wanted a quiet honeymoon, one that was peaceful and relaxing. so you both went puglia, to enjoy the rich Italian culture and the beautiful greens and blues of the water.

sana spent nearly ever second of the day buying herself clothes while enjoying pestering you. often times dragging you along to carry her bags, and be at her beck and call. she calls it "conditioning for a happy marriage." you had rolled your eyes when you heard it, but you wanted a happy marriage too so you complied.

now you stand in the middle of puglia, taking photos of sana, at her request. for the third time that day.

"how many photos do you need sana?"

"as many as i want. stop talking, more clicking!" you get back to taking photos and letting her enjoy the scenery. it's quite nice being with sana, she may be a bit high maintenance, but she doesn' t overstep when it comes to your boundaries. letting you enjoy your own alone time and venturing through the city alone.

sometimes you bring back flowers or a small gift to her, all of which she happily enjoys with a warm smile.

--

after the honeymoon, its back to the real world. in which your father happily returned the company back to you. the merger had been successful, but you're still catching up on paperwork that only you could sign. in the coming months, sana has moved in.

living together has become a routine. when she moved into your manor, she claimed it was a nice change from her home. you were confused because her house was far more amenities, but you let her move in.

so, every morning and night, you spend time with her, sleeping in the same bed, drinking the same coffee, and sitting at the same dining table. you don't share more than a few words with her, but her presence has become a nice addition to your life.

she's made herself comfortable, her makeup products all lining your sink, heels filling the floor of the closet. her closet so big that she ordered construction to build her own walk-in.

often times you see her out lounging in the sun room doing yoga or pilates. or when she's in a good mood, she'll join you in your study room to do work herself.

she goes out at night frequently, so you make it a habit to stay up until she gets home. you know she's protected and safe with her trained bodyguards and chauffeur.

it just brings you a sense of comfort to bring her inside in case she's unwell. some nights she gets home with love bites all over her body, other nights she comes home drunk falling into your arms. you never comment on it.

she comments on your life first.

"do you...have someone special in your life?" she asks with a glass of wine in hand. you look up from your table, eyeing her in the doorframe.

"no, i'm married to my job." you look back at the work laid out for you, pushing glasses back up the bridge of your nose.

"have you slept with a woman before?" you stop your work, putting the pen down.

"sana, are we asking about each other's sex lives now?"

"well i can be curious, cant i? you always look so proper." she walks in to sit by you.

"well, yes in the past i have." you comment, a little thrown off with the line of questions. she nods her head and gives you her wine, you sip it and place it on the desk. "why do you ask?"

"we've never consummated our marriage, don't you think it's time?" she leans over, eyeing the work on your paper.

"what happened to marriage out of convenience?"

"marriage out of convenience could mean we're sex partners out of convenience," she smirks. she stands up, pushing the paper off to the side. you raise your eyebrow, trying to get her to stop messing with your work.

"sana."

"yes?" she takes the glasses off your face. a coy smile on her lips.

"we don't have to do this."

"i want to. do you?" she stands in your way, eyes trained on yours. a playful smile on her face. you get up to set your mind straight, no way were you sleeping with your non-wife.

"sana, please, you must be drunk." you walk past her, calling out to staff. "hi, could you please assist sana to bed." sana scoffs at you, flipping you off and pushing past the maid.

you return to your desk, eyebrows pushed together and a headache forming. but you can feel that spike in your stomach, you're sexually frustrated.

--

you've been actively avoiding being too close with sana. whenever she circles around, you scoot further away. opting for open spaces where she won't make sexual advances. rejecting her isn't fun either, she gets all pouty about it, but the way she makes you feel lately, has been dangerous. so you try your best to exercise restraint.

in the coming weeks it's harder and harder. some days she visits with your dress shirts tucked into a pencil skirt. walking in like a wet dream into your office. you will yourself to have self control but you can feel it slipping. the way you want to grab her, feel her skin under your fingertips, wanting to wrap around her.

today she manages to get under your skin. "darling, you must be so tired." she slides behind you. and starts massaging your shoulders, pressing the knots away.

you let her, feeling the tension release from your shoulders. her hands move expertly, and soon you feel more relaxed than ever. her hands begin to wander, sliding over your torso and frame. you turn to look at her, playful eyes staring back at you. you pull her into your lap, grabbing her neck for a kiss.

"i think it would be rather impolite of me to have our first time here in my office. maybe later?" you offer, playing with her pencil skirt.

"i don't care where we do it, as long as we do it now." she smirks and plays with your hair. you pull her up and place her atop your desk. walking quickly to close the door and drop the blinds.

she laughs when push her back, back hitting the desk, and then you lean over her. giving her a long kiss, before sliding your hands up her legs.

"come take what yours." she grins. you begin unbuttoning her shirt, hands trailing down until they reach her hips.

you kiss her fervently, moving towards her like a magnet. "yes miss minatozaki."

--

you might have to label yourself a sex addict, maybe a sana minatozaki addict actually. after sleeping with sana, you can't keep your hands off of her. often messaging her and taking days off to be around her.

it's unlike you, so unfocused and nonchalant about work. but you can't help it, sana feels like a drug and you need your supply. so here you are in your study, trying to clean up the smell of sex before your mother-in-law arrives. sana's an absolute vixen and trying to coax you into another round, but you know at any second her mother will walk into the house like its her own.

you spray a scent over top of the room urgently before closing the door behind you. a clingy sana kissing you deeply, trying so very hard to get you in bed with her.

"sana, no. your mother will be here any second." you force yourself to be the bad guy, pulling her arms off of you. to which she flicks your forehead.

"sana!" the sound of her voice booming like it's through a speakerphone. sana immediately tenses up, posture straight like a board.

"hi mother."

"glad to see you still recognize me." her mother chastises her. you watch the two woman, and you stay quiet. letting sana speak to her mother in a hushed tone, while you stand nearby.

it's hard to get a gauge on sana's mother, she's fierce and demanding. you also can't tell if she likes you, she keeps her distance. but you also can't tell if that's a good or bad thing. oftentimes she shows up requesting your presence at her events. but you play the part well as much as you can.

the older woman walks towards your living room, where she was months ago, and requesting you to marry her daughter. now she moves around your home like it's her own.

"now that you two have been happily married, it's important to discuss the next step." she starts. "we need heirs, multiple."

you and sana look at each other in horror.

"sana was the only heir in her generation of minatozaki's, i need you two to produce more than a single heir. to protect the minatozaki clan." she states firmly.

you groan into your hands, horrified at the conversation. and for the first time you see the matriach smile as she shows off photos of sana as a baby, cute as a button.

it does make you wonder about having a little sana running around, so you take the conversation topic in stride. letting the matriarch discuss traditions, schooling, extracurriculars and education to maintain the minatozaki standard.

sana is horrified to hear all this from her mother, but when she leaves, a light bulb turns on in her brain. then she smiles at you in that knowing smile.

"honey, come on, you heard my mother. we have to produce heirs. you know what that means?" then she wiggles her eyebrows as she drags you upstairs.

and you let her.

--

a/n: sana, sana, sana. she's been plaguing my mind recently. hope you enjoyed, proofreading is difficult work so i didn't do it. stay safe and stay healthy everyone!

[dearlyya]

TIL’ WE MEET AGAIN | Young!Silco x Fem!Reader

Chapter One-Persistence; When a coward turns hero.

Warnings; Angst, pre-canon, hurt/comfort, Zaunites, Piltians, revolution, violence, blood, gore, drinking, smoking, gambling, swearing, sex, brothels, drugs, slow burn, the reader is a coward at first, original character (Wynn), strangers to lovers, bittersweet, Old Silco being weirdly sentimental, Jinx being noisy, and major character death.

A/N; I don’t do taglists, sorry. I also want to thank my friend for supporting my writing, proofreading, and character creation of Wynn. Love you, bro.

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Undercity is considered an industrial stain nestled beneath the grand city of Piltover.

With air that hangs heavy, and its people feral. Towering smokestacks belch black smoke into the already smog sky, casting long shadows over the cramped alleyways and buildings. The streets are strewn with discarded scrap metal, chemical waste, and other debris of the relentless production that drives the Undercity's economy. 

The warm green glow of the gas lamps casts an eerie, shimmering light over the buzzing market stalls and their wares. Cautious eyes dart about, gripping the crate tightly, as your knuckles white with tension. You trudge through the damp, uneven cobblestone path. Your heavy boots thud, but the market muffles the sound. Wynn strides ahead of you, his boysenberry hair reflecting the green making his hair almost black.

Both of you carry large, sloshing crates of alcohol that clink and bounce with each jostle from the crowded lane. Your tattered cloak draped your form, the hood pulled low to fight against the season's coldness and obscure your face from the lingering enforcers.

You instinctively glance at the enforcers standing near a stall, their voices raised in angry conversation with the stall’s owner, who appears equally irritated. They are likely issuing citations for illegal imports or contraband. Detailed by the other armored man holding up a list and pointing at the merchandise. However, when the vendor suddenly shoves one of them, you quickly avert your gaze, choosing to ignore the escalating commotion and focus on navigating the crowded marketplace.

Fighting wasn’t something you could do against the enforcers unless you’d want a hefty prison sentence or killed. So, you allow them to conduct their inspections and searches, gritting your teeth if their hands linger on your body for far too long.

You did dream of something better, a fictional land where all is peace and harmony, but that's wishful thinking. Life gave the Undercity people the short end of the stick, so now all you want is to keep your life, provide some aid to wanders, and of course keep the tavern: The Last Drop. Afloat.

Some vendors attempt to grab your attention, but you politely shake your head. Keep your eyes trained on Wynn who glides through the people with ease. You stumble and slip between people straining to keep up with your friend. Cursing under your breath at the fact that you could’ve gotten your supply runner to fetch the cargo, but no. Coins have been getting slimmer and slimmer at the drop. One of the many reasons why your resentment, once directed at the enforcers, began to shift towards the rebels who fought against them. While their cause was just, their tactics often made life even harder for the ordinary citizens of the Undercity. Strikes, protests, and their thievery disrupted supply lines which left families and businesses like yours struggling to make ends meet. Of course, this is only rooted in fear. 

Fear of losing more.

The mines that delve deep into Runeterra. Extracting precious minerals to fuel the insatiable demand. Workers in harsh conditions, their health and safety were often sacrificed for the sake of profit. Stark contrasts the cutting-edge innovation of Piltover ‘coexisting’ with the rampant corruption and exploitation they cause the city below them.

Down in the fissures, where deep cracks in the earth have split open, a treacherous underground network of tunnels and caverns caused by the relentless mining and drilling operations. Was bustling with the activity of workers, faces smeared with grime.

You and your father worked in those mines, and many families did. Your life narrowed down to one moment. A vivid horrible memory. You knew you should’ve put up a fight, and struggled against the enforcers alongside the others. When the tears finally spilled over, streaming down your face in hot, bitter rivulets. You couldn’t help but cower. You remember his body and the way the world seemed to tilt and spin around you.

When you pushed yourself up, letting go of a rusty pickaxe. A strong arm shoved you roughly back to the ground. It sent shockwaves through your malnourished body. Your coal-covered glove scraped against the unforgiving, rocky ground as you trembled uncontrollably, shaking like a frightened animal.

A cacophony of screams and desperate cries pierced everyone's ears like shards of glass. Through ‘The Gray’ smog you saw people–workers–were fighting against the enforcers with a fury born of desperation, their voices raw as they tried to reach your father, who was knelt on the ground, clutching the back of his head. Blood, vivid red against the rocks, drips steadily from his fingers, staining the earth beneath him. A macabre work of art. The sight of it sears itself into your mind, something you still see to this day.

Your wide eyes locked onto your father, drinking in every detail of his face, committing it to memory, as the screams and shouts faded into a distant, muffled hum.

He met your gaze, his expression was steady and calm despite the chaos that raged around you. He's trying so hard not to look frightened, putting on a brave face for your sake. He gulped, and in that tiny gesture, you saw the truth of his fear reflected in his eyes. But there's something else there too, a silent message of love and reassurance that told you that everything will be okay, that he'll protect you no matter what happens to him. 

But the man behind him, the one through the smog, the one who raises his gun high above his shoulder–tells a different story. The gun glints harshly reflecting off the gold on the enforcer. Quick to get to your knees, a firm kick sends you forward along with a harsh boot on your back keeps you in place. You cried out at the pressure, as you squirmed to get closer to your father. 

It's a swift blow, brutally efficient in its execution. The butt of the gun connected with the back of his head with a nauseating crack, and he crumpled to the ground. He fell face-first onto the unforgiving rocks. His body would twitch, but the last sliver of life drained away in an instant. You barely heard the final, choked-off words that he never got to finish. His last confession of "I love you" was stolen away by the cruel hand of fate.

Your breathing gets heavy when you remember, each intact a painful reminder of the life that still flows through your veins, even as everything else feels cold and numb. You shakily grip the case. It takes a special kind of strength, and true courage to stand up despite others bringing you down, to crush your hopes and dreams beneath the weight of their fears and insecurities.

You're not sure what you believe in anymore. That day the foundations of your world were shaken when the very ground beneath your feet shifted and crumbled, leaving you feeling lost and adrift in a sea of uncertainty before you were taken by the hand and brought up to a raft. You’ll always be grateful to Wynn. Though, all you know is that life is rather unfair, especially in the Undercity, and all you want to do is survive. Is that selfish? 

Perhaps you are one of those pushovers.

You were too lost in thought when you got pushed to the side, sending you to your left, and letting go of the crate to catch your fall, gritting your teeth you look up but notice it’s those same enforcers now carrying off that vendor's supplies. The one that shoulder checks you, gives you a look, and even with its helmet on you can tell that they’re testing your reaction. You look down at your crate. It’s open and bottles–thankfully not broken–have rolled out.

Maybe you've always been that way, content to let others make the decisions, to follow the path of least resistance rather than forging your way forward. But with the aftermath of your father's lifeless body that laid before you and the weight of powerlessness bearing down on your shoulders, you can't help but wonder if there isn't more to you than that.

Maybe, deep down, buried beneath the layers of fear and self-doubt, there is a spark of courage waiting to be ignited, a flicker of determination that just needs the right circumstances to flare into life.

You carefully lift each bottle to the crate, ensuring they are securely packed. Reaching for a bottle of scotch, your hand accidentally brushes against its neighbor, sending the bottle rolling away. It clicks and clanks across the cobblestone path before disappearing into the shadows of a nearby alley.

You pause, considering whether to retrieve the wayward bottle, but the risk of Wynn ringing your neck for wasting good money has you sighing. A broke bitch during inflation is someone you don’t want to mess with. You continue to pack the remaining bottles and get back to your feet, crate in arms.

No one notices you entering the alley, with your head hanging low. 

The ground is littered with discarded metal scraps, used needles, and unidentifiable substances. Peering from beneath your hood, you scan the area for any sign of the missing bottle, but your search becomes useless. Instead, you hear labored breathing and pained grunts from further down the narrow way. 

Your breath catches in your throat as you take in the scene before you. The glint of gold and blue uniforms mingles with the tattered red of the man's clothing. The sight is all too familiar. The enforcers’ figures huff up and down, laughing at each other in cruel satisfaction as they rain down blows on the man. Their boots connected with sickening thuds against his bloodied body. You can’t tear your eyes away from them. 

The right circumstance is all someone needs.

“Look at you, pathetic like the rest of those revolutionaries. You’re nothing but a filthy rat scurrying in the gutters and trash of refined people.” One of them coo, tilting their head at the body, you step closer.

You should move on, and let them take this man’s life if need be, so you can slip by unnoticed. It would be far more understandable than helping someone out of the kindness of your heart, but you have never felt such a surge of emotion before. The impending doom that bloomed in your gut yelling in your ear with a booming voice telling you that if you didn’t help this man you’d truly be the vermin that topside thinks you are. You can’t explain it to yourself, all your bitter-laced words and morals clashed when you heard them throwing those humiliating remarks. 

The right circumstance is all she needed.

The enforcers continue to beat him. You don’t think very much, the few thoughts that pass your mind are typically about personal survival, so thinking about beating these men into a pulp like they are with your fellow scum has you dropping the crate and racing towards them. Your heart is in your ears, bile backing up in your throat, as your coat flies off you. The knife you grip sinks into the nearest Piltie. Into their exposed armor between the helmet and chest plate. An honest, lucky blow to the neck.

He yelps, stopping his assault to cradle the wound that spurts blood between his gloved fingers. He staggers away as the other enforcer finally grasps the situation. With your dagger in the side of the other guy's neck, you quickly skimmed around the alley looking for a possible weapon, you spotted the bottle but you weren’t quick enough. The intact enforcer rushed at you and slammed you against the brick wall of a building. Your head hits it roughly dazing you. Your windpipe closes up when the enforcer pushes your throat with his forearm. His metal suit cuffs dig into your skin. You're frantic now. 

Shit–you didn’t think this through. Death was now a concrete possibility, and dying next to the man you tried so hard to save felt like the greatest irony. The pain shooting through your neck grew unbearable, causing tears to well up and cascade down your cheeks, despite the insults being thrown your way.

On this final night alive, you admit to yourself that you might have cared about the revolution after all. Your body was lifted off the ground, dangling up near this blue and gold-clad man. Both of your hands grip his gloves, trying to cause any damage by digging your nails into him. More tears roll. You weren’t crying because your own life was flashing before your eyes, but because you couldn’t save a symbol. A figure of hope.

The enforcer that you stabbed lays slumped against a gross dumpster, his hand weakly clawing at the stab wound in his neck. Crimson blood seeped through his armor, staining it a dark, glistening red. He twitched and spasmed as blood continued to spurt from the exposed injury. Despite everything a pang of guilt flickered in your chest. You had never taken a life before. Your gaze drifted to his neck, and realization dawned on you–your dagger was missing. As you slipped in and out of consciousness, the grip on your neck loosened.

The enforcer collapsed on top of you, pinning you beneath his weight as he sank to the ground his body took you with it. You coughed and gasped, and with a wave of nausea rising in your throat and bobbing pain around it you pushed the body off you. Looking up, you met the gaze of the man you had ‘saved’. He was huffing heavily, his eyes wide and wild mixed with shock on his pale face. 

Drenched in blood, sweat, and sporting bruises all over. His long hair clings to his face, some falling out of the low ponytail. His dark red tunic under a dirty gray cut-off vest. His body quivering on the brink of exhaustion. His gaze was glossy, only fueled by the last dose of adrenaline. With a final stumble, he crumpled to the ground. The knife in hand slipped away as he fell. You stare. Watching him lay defenseless, a newfound courage stirred within you, and for once in your life you know your stance. Now not cowering and licking the boots of those higher than you. You own up to the consequences, yet you still tremble. Your chest rose and fell with the rhythm of your heightened adrenaline as the footsteps of additional enforcers echoed.

You crawl to him, lowering yourself to his chest, and pray you still hear a heartbeat, and you do, it’s faint. Now kneeling, you carefully hoist his right arm over your shoulder, providing support for him to lean on. He was heavy, but his weight wasn’t overwhelming, allowing you to walk slowly with him. It was clear that he needed medical attention, and so did you. You can feel the cold blood dripping down the back of your head and the tight, painful bruise forming around your neck. You aren’t some hero, a normal citizen in a position of life and death—you’ll never become a foundation of hope in your city like in your childhood. 

And she never does. 

Your experience as a kid had given you an edge, as you used to steal from stalls and run away as they tried to chase you. Now, at the age of twenty, you thank your young self for your knowledge of the best shortcuts. It comes in handy when you hide with the unconscious man by your side, evading the enforcers who finally notice their dead brothers. From around the corner, you watch a group of them trek down the main street. You make your dash to the other side, going unnoticed.

“I got you, we’re almost there” Your voice croaks, not sure if you are trying to reassure the blacked-out man or yourself, probably the latter. There's a sign, not from Janna, but from The Last Drop. Dipping into the alley next to the tavern you head around back. Your arm that is wrapped around his slim torso is drying with his blood. More blood pools on your shoulder from his broken nose. You have to prop him up on the wall to open the cellar doors, and you both descend. 

Storage racks and unopened boxes flitter the basement. However, in the corner is a cot and stool. It’s the small medical area that you would use to aid people, usually, it was for small wounds like someone with a busted lip because they got into a fight in the bar.

So, with an injured rebel who hangs on your shoulder, you are well below practice. You manage to push the battered man off you and onto the cot. He slumps halfway off the bed, so you gently roll him back, carefully lifting his legs one by one to fully position him on the cot. Your hands tremble slightly as you work, the adrenaline running thin. 

You run a hand over your hair, feeling the back of your skull. As you bring your hand back to your eyes, you’re met with deep red staining your fingers. Your wound hits you, and you finally grasp the pounding headache you have. You slowly sit on the stool beside the cot.

“Shit” You mutter, your voice barely above a whisper, despite your possible concussion your priority is the very wanted rebel to your left. Take a deep breath to steady yourself and assess him.

His chest heaves in sparse, and uneven breaths through his busted nose. He’s still grasping onto the little energy his body has left to give. You rub up the bridge of your nose. The gravity of harboring a wanted revolutionary is not lost on you. Though at this moment, all that matters is saving his life, and not falling over while doing it. 

You lean onto your elbows while sitting, glancing at the empty bucket and washcloth, getting ready to work.

[kkvqwrites]

Bedside Manner

Reader goes into labor while Simon's away and calls the first person she can think of. The task force (and some other friends in high places) rally around the couple on the most important day of their lives.

Word Count: 2,587

Characters (in order of appearance): fem!Reader (no use of y/n), Capt. John Price, Kyle "Gaz" Garrick, Simon "Ghost" Riley, Johnny "Soap" MacTavish, Kate Laswell

CW: childbirth, hospital setting, medical procedures

A/N: Am I a Ghost girlie? Absolutely. Am I also a sucker for the found family trope? Til I die. This idea wouldn't leave me alone and I'm so glad I stuck with it. I love the way this came out and hope you like it!

"Dear? Everything okay?"

The captain's voice on the other end of the line sounded worried. Both he and Simon had drilled it into you to never hesitate to call Price if you needed anything while your husband was away, but you couldn't help feeling a bit guilty.

"Um, I think so," you began, willing your voice to stay level and upbeat. "I think I just - oof.." Another contraction hit, stealing the air from your lungs. They were coming more consistently now, and hard enough to stop you in your tracks.

This could not be happening.

"What's wrong? Are you alright? Are you hurt?" You could hear movement in the background, him gathering his things to be out the door and on his way to you.

"I'm fine, John. I just didn't know who else to call. I think the baby might be coming?" The words came out pinched as you worked through the tail end of the contraction. The captain swore loudly.

"Stay put, love. I'm on the way - everything will be alright. Want me to stay on the phone with you?"

"No, no, that's fine. Stay safe and I'll see you when you get here." You hung up before he could argue and fuss like a mother hen.

______________________________________________________________

The knock at the door startled you. You looked at the clock - surely that couldn't be John already. The man lived across town. Not trusting yourself to make it to the door, you called out.

"It's open!"

Turns out it wasn't Price, but Gaz, who stepped into your living room and began taking in the scene. It was a sight to be sure: you, doubled over sitting on your yoga ball, rocking back and forth to try to alleviate some of the pressure in your hips, towel around your neck because you were sweating like a pig, ambient white noise filtering through the bluetooth speaker to keep you calm. For all his usual swagger and poise, Gaz looked a bit frightened.

"Kyle, did John call you? I'm so sorry - I'm sure you were busy-"

"Not at all, I rushed over as soon as I got word." The sergeant came to your side and knelt until he was eye level. "The captain's on his way but I was closer. We didn't want you to be alone any longer than necessary."

"You and your task force are worse than a quilting circle." The jab came with a joking smile, but the smile was cut short by the stab of another contraction. At the sight of your face screwing up in pain, Kyle's eyes got big.

"Can I do something? Do you need anything?" He wrung his hands as he fussed, seemingly unsure whether to touch you or whether you'd bite him if he tried. Admittedly, you weren't too sure yourself.

"Need you to reset - the timer." The words came out through clenched teeth as your muscles tensed and screamed. "Contractions - need to time them."

"The timer - right." He sprung into action, undoubtedly happy to have a defined task to accomplish. As he was fiddling with the device, Price stormed through the door, his demeanor all-business.

"Gaz? What's the situation?" The sergeant hopped to attention as if he was at roll call.

"Got here not long ago myself, Cap. Just reset the timer for contractions."

"Where are we at?"

"Thirteen minutes, sir."

The captain turned to you, assessing you from top to bottom. His expression and his voice softened considerably as he spoke.

"Ready to get to the hospital, love?"

"Can't - they told me to wait until they're five minutes apart." The man looked bewildered.

"And just let you sit here and suffer? Not on my watch. Gaz, grab my keys - "

"John," you interrupted. "I already called. They won't admit me yet. We just need to wait it out."

"Nonsense, love. You wait til I get someone's ear over there. Five minutes my arse." He moved to help you stand, but stopped in his tracks as he took in your face, your lip trembling. "Is there something else?" As if on cue, a fat tear rolled down your cheek, the first of its kind since the pains began.

"This isn't supposed to be happening," you squeaked out. "Not for a few more weeks. Simon's supposed to be here."

The men shared a glance, looking stricken. Price leaned down next to you, a broad hand gently squeezing your shoulder. His voice was soft when he spoke, a renewed slowness replacing his prior rushed pace.

"I know, love. I know it's not ideal, and I know you're scared. I know Simon would give anything to be here, that he'd split heaven and earth to be with you right now. But I also know he'd want you and your little one taken care of, yeah? He wouldn't want you to wait."

You nodded, despite more tears threatening. "Doesn't change the fact they won't admit me yet."

The captain's mouth quirked defiantly. "You let me worry about that. Gaz, help her up. I'll drive."

______________________________________________________________

Simon was tired down to his bones, feeling like a wrung out rag after the most recent mission. Despite that, the man was a ball of energy as he hopped off the plane, desperate to get back to you.

"Someone's antsy," Soap drawled, taking a more leisurely pace. He slid his sunglasses on as Simon switched on his cell phone anxiously. "Got somewhere to be, LT?"

"'Matter of fact I do - home." Simon impatiently hiked his duffel bag higher on his shoulder. "See my wife, eat a real meal. Finally build that godforsaken changing table. Who knew a baby needs so much furniture?"

Soap barked a laugh, but Simon tuned him out as he put his phone to his ear. He'd gotten a voicemail from you, and everything else ceased to matter.

"Hey babe, it's me. I'm not sure when you'll get this, and I hate to worry you. I'm sure it's fine. It's just... I've been feeling some contractions-"

Simon didn't hear the rest, nearly dropping his phone as he broke into a run.

______________________________________________________________

True to his word, Price argued with the hospital staff until you were taken up to a room. You were sure he must have pulled rank, threatened to call people, but he refused to let you worry about it.

The ride had been smooth, despite John driving like a bat out of hell. Gaz stayed in the back seat with you, clinging to your hand and fussing. Later, you'd think it was funny how he seemed to need more encouragement and support than he offered, but at that moment very little was funny.

You had been able to stay in denial for an admirably long time. The past few days, you were able to tell yourself it was just Braxton-Hicks contractions, not the real thing. That even when it became evident the real thing was starting, that it wouldn't progress quickly. That even though it was progressing, that Simon would walk in the door just at the right moment and sweep you into the car and off to the hospital and all would be well. Even when your gut told you to pick up the phone and call the captain, you had managed to make yourself believe that you were wrong, that it was a false alarm, that you still had more time.

Now, here you were, connected to monitors and being poked and prodded by nurses. Medical history, allergies, birth plan, you felt like you were in interrogation rather than a patient receiving care. And if it wasn't the nurses it was the two men standing off to the side, one wringing his hands in worry and one watching the nurses like a hawk and barking questions. The contractions were closer to eight minutes apart now, progressing quickly. Now the situation was very real, and as thankful as you were from the support from Price and Gaz, your heart threatened to shatter at the absence of the one person who mattered most.

______________________________________________________________

"Bloody fuckin' hell, no one will answer their phone!" Ghost barked, ready to throw his out the window. He'd had radio silence other than a second voicemail, this one from the Captain:

"Simon, Price here. Just got word from the missus that the baby's on the way. I'm headed there now. I don't want you to worry about a thing, I won't leave her side. I'll update you as I'm able."

"She knew to call the captain; he's probably with her now," Soap offered from the driver's seat. He'd practically had to arm wrestle Simon for the keys, but ended up convincing him that he'd be able to call for updates if he wasn't worried about driving. Silently, he thanked the saints Simon had agreed; who knows what carnage he'd unleash on the roads as worked up as he was.

"He better be, or I'll - not now, Laswell!" Simon rejected the third call from the station chief since landing and tried Price again. He was sure he'd hear about it for skipping debrief and jumping in the car, but right now he couldn't bring himself to give a shit. When Price's phone again went to voicemail, he was about to go nuclear when the car's Bluetooth lit up with Laswell's number.

"Shite; let me answer it LT." Soap pushed the button. "Laswell, it's Soap. Here with Ghost."

"I know," she said impatiently, her voice filling the space. "I've been trying to call all afternoon. I know what's happening and I'm here to help."

"What? How do you know?"

"Price called me as soon as he got word, asked me to find you. Anyway, you're wasting time heading in that direction; there's a lane closure ahead and you're about to be neck deep in traffic. I've mapped an alternate route for you. Take the next left."

The two men looked at each other in confusion before both starting to speak at the same time.

"Left? That takes us the wrong way-" "How do you know where we're at?"

"Boys! Boys, listen," she continued, exasperated. "Don't worry about how I know, just do as I say. We're gonna get you there as fast as possible. Now turn left!"

Soap cut the car to the left, ignoring the indignant honks of other drivers as he began to cut through the city under Laswell's watchful eye.

______________________________________________________________

"The doctor says you'll be ready to start pushing soon. How are you feeling?" The nurse was genuinely trying to be nice, so you bit back on your retort of how the fuck does it look like I'm feeling? My insides are exploding! and instead chose a weak smile and a head nod.

Once the nurse whisked away, Price was back at your side. You could tell by his expression he wanted to give you a pep talk like you were one of his soldiers about to head into battle, but he was searching for the right thing to say. You broke the silence first.

"I'm scared." Your voice sounded small, the words escaping almost of their own volition. The captain took your hand, blessedly avoiding sugarcoating the situation.

"I know. But you're doing great - a real trooper. Even with the needle in the back! Simon's gonna be so proud of you, love. And Gaz and I are gonna be right here. Right Gaz?"

"Right, Cap." The sergeant slid back into the room, cup of ice in hand. While the captain had taken point and begun advocating for you with the hospital staff and asking a million questions, Gaz had been dutifully making sure you were comfortable. Anything from getting you an extra pillow for your back, to helping you tie your hair back, to getting you ice chips since you couldn't have food or drink during labor, he was on it. If either man was uneasy about what was about to happen, they dutifully kept it under wraps and maintained their game faces.

One by one, the care team took up positions around you to get started. Price and Gaz got next to you, each taking one of your hands, ready to offer what support they could. You shamed yourself, one last time, for being ungrateful for their presence. A lot of people give birth with less, you tried to tell yourself. He’d be here if he could. 

 The doctor walked in, donning gloves and getting a quick status update from one of the nurses before meeting your eyes. “Evening, ma’am. We’re going to-” 

Her words were cut off by a commotion in the hall, a door slamming and what sounded like some raised voices. Everyone in the room exchanged confused glances, and Price motioned for Gaz to go investigate. He poked his head out into the hall for only a moment before returning with a big grin.

“You’re not gonna believe who’s here."

Then your husband was in the doorway, and then he was at your side, and suddenly those honey brown eyes drowned out every ounce of pain and fear you’d been holding onto, and that warm, calloused hand took yours, and you were ready.

______________________________________________________________

You would have thought it would be difficult to fall asleep under fluorescent lights, with monitors beeping and staff bustling around. But you had never known tiredness like this, and wanted to take the nurse’s advice and rest while the pain meds were still working their magic. The delivery had been uneventful once the show was on the road, and Simon never left your side, his steady presence grounding and his voice in your ear keeping you calm. Then there she was, a baby girl, the most precious tiny thing you’d ever laid eyes on. You’d stared at her and cried for hours, stroking her tiny hand and welcoming her to the world until you could barely keep your eyes open. And so, with a squeeze of your hand and a kiss on your forehead from Simon, you found yourself drifting off. You were aware, as you floated off, of his slow pacing back and forth with your newborn daughter in his arms, of his whispers to her that were too low for you to hear. Of the guys popping in, as unobtrusively as possible lest the lieutenant tear them limb from limb for disturbing you and the baby, bringing him food and coffee and admiring the bundle of joy.

“Doesn’t look a thing like you, Simon,” said Soap.

“Thank God for that,” he replied.

“You should have seen it, Simon really - needle this long, right in the spine!” Price remarked, not for the first time. “She didn’t even flinch.”

“I’m just glad you made it for the gross stuff,” mumbled Gaz.

“Kyle, you’re in the military. You’ve seen arms and legs blown off.”

“Completely different, Johnny. Not the same at all.”

On and on they bantered, brothers in arms stepping into their role as uncles for your baby girl with delight. One of the last things you heard was Simon, his voice thick with emotion.

“Thank you, all of you, for being here. For today.”

“Oh come off it Simon,” replied the Captain. “These girls mean something to you, so they mean something to us. That’s what a family is. Now quit hogging her and let Uncle John have a turn.”

You wouldn’t remember this conversation when you woke up, wouldn’t be able to articulate where it came from, but you’d carry with you the bone-deep feeling of connection with this little makeshift family forever.

[clottedscream]

um. she haunt on my hill til i house?

finished reading the entire back half of the haunting of hill house by shirley jackson in one sitting overnight instead of sleeping and it had an interesting effect on my brane. thangkfully i thimk im still norgmal though

[image ID: a digital illustration of the character Eleanor Vance from The Haunting Of Hill House by Shirley Jackson, depicted as a pale skinned woman with wild, twisting brown hair colored red by the off-cast light of a bright scarlet sweater. She is depicted in two figures, both ascending a pitch-black iron spiral staircase. The foreground is cloaked by oak leaves and acorns, which dangle upwards as though upside down, and in the background there’s a faint impression of an upside-down tree. Both figures of Eleanor have their heads angled to stare straight at the viewer with almost inhumanly wide eyes- her mouth isn’t visible on either figure. The leftmost figure is near the top of the stairs, climbing with her back mostly turned, while the right hand figure is just peeking up from around the curve at the bottom. The right hand eleanor holds a brandy snifter with one pinky extended- the left hand eleanor holds a white teacup adorned on the inside with scarlet stars. the coloring is chaotic and sketchy, with lots of hatching and scribbled lines giving it an erratic feeling. With the way the foliage hangs upside down around eleanor, it almost gives the impression that she’s walking down along the underside of the staircase, descending rather than ascending. END ID]

[innerslumber]

Me imagining Deadpool abusing the TVA in his third movie to pop in on Steve Rogers during Endgame:

Wade: Hey so, I know you got this plan to go back to the past and stay there because the writers are hacks and they can't even keep their own lore intact but LISTEN, how about you hand me those stones and I'll take care of them for ya.

Steve: *staring bewilderedly at the man in Red and Black who just materialized out of thin air* Uh...do I know you?

Wade: Wade Wilson. HUGE fan. I can do this all day. I'm just a kid from Brooklyn. Til the end of the line. Although that last one isn't gonna be real honest if we let the writers ruin a decade of character development, right? *wriggling fingers* Now let me at them sparkly Josh Brolin Space Kidney Stones.

Steve: Look, I really shouldn't be surprised by anything at this point but this is really important and I can't just hand over-

Wade: You know what else is important? Making sure we keep giving Disney the middle finger despite our inability to stop sucking their tits for content because at the end of the day, we're all victims of capitalism. So just give me the fucking stones, Captain Sexy Ass and not ruin my motivation to finish writing the 300k slow burn best friend soul mate AU Stucky fic that I've been working on for two years. Capiche?

Steve: Uhh...

Wade: *picks up the case with the stones and gives finger guns at a confused Bucky* Buckaroo, just a reminder that the serum shortens refractory periods and Wakanda is reallll nice this time of the year for honeymoon destinations. *Large Obvious Wink*

Bucky: Uhh...

Wade: *random beeping from his toolbelt* Oh gotta go! Have fun! *disappears*

Sam: *giving Steve and Bucky the Stink Eye* How short is your refractory period?

Steve and Bucky: *redfaced*

Bruce: *sighs and walks off to go make a sandwich*

[trainsinanime]

I'm not sure I have anything interesting to say about it, but I am very intrigued by the way The Locked Tomb portrays cavaliers, necromancers and lyctorhood as relationships.

First of all, Necromancer+Cavalier is a metaphor for marriage, that's obvious table stakes. It's explicitly non-romantic (or should be, anyway, in the way the society there has constructed it), but it is intense, highly devoted, starts with a vow, goes "til death do us part" ("one flesh, one end").

In the series Cavalier and Necromancer are a form of gender roles, and they map incredibly well onto the most stereotypical gender roles we have in our society. The Cavalier has stereotypical masculine traits: The fighter, the protector, up on the front lines, physically active. The Necromancer has stereotypical feminine traits: Weak, frail, but whatever the necromantic equivalent of nurturing is, with power over death and life. In the mythology and "gender roles" of the nine houses, necromancy is sort of not quite but still a bit equivalent to "the mystical power of women to bring forth life". And yes, this is all very conservative and cishet-normative and so on.

Of course the books then immediately, from moment one, subvert this on at least three different layers.

The first layer is that the feminine-coded Necromancer is the head of the deadly family in the society, and the masculine-coded Cavalier is the support, the disposable one.

The other layer is that the book distributes the roles of Necromancer and Cavalier basically randomly across the actual genders of the characters. There are male necromancers, female cavaliers, plenty of same-sex pairings and so on.

But the biggest and most important inversion is that when we first meet the nine houses, ten thousand years after a cow-murdering Twitch streamer destroyed the world, nobody actually follows that role assignment to the letter. All the different houses have very different ideas of how Necromancer and Cavalier works in practice.

For example, Abigail Pent and Magnus Quinn are just straight-up married. Their work relationship is romantic, and while that's considered a bit weird by their society, it makes it clear that it can go on like this.

We are actually told that there was something going on in the second house, too, where Judith fell in love with Marta, but there she was gently rebuked and they were just friends instead.

Over in the sixth, Camilla and Palamedes have the inversion of boy necromancer and girl cavalier, but most importantly they have their own very QPR style of relationship that is unique to them and does not fit into either our society's traditional idea of romantic relationship, nor their society's traditional idea of what Necromancer and Cavalier should be like.

The seventh house leans into the frail necromancer/strong protector idea the most, except for [spoilers for the final third of Gideon].

The eighth house leans fully into the idea that the relationship is one-sided, that the cavalier is disposable, and jumps straight off the deep end by making the cavalier genetically bred to be nothing more than a power source.

The third house I've left out so far because, dear god, what even is going on there?

And finally, of course, the ninth, who are technically, strictly speaking, if we're following the metaphor to its logical end, doing a "fake married to lovers" plot.

So with that out of the way, let's look at Lyctorhood. Lyctorhood is fundamentally the final test, the final form of the Necromancer/Cavalier relationship as embedded in that society: The Cavalier has completely dissolved in the marriage, making their "spouse" all-powerful, but ending their own existence. That's the standard of the society as presented to the characters when they discover it, and all of them very quickly have their own ideas about it..

Most characters we know from Canaan House don't actually get that far (and to be fair, I think many of them would not have anything that interesting to say about it), but the ones who do are interesting:

Ianthe is physically repulsed by the idea of healthy relationships, so she has no problem eating Babs for power.

Gideon and Harrow are deeply in love, deeply devoted to each other, and deeply dysfunctional in their own ways, and Harrow manages to find a way to continue a dysfunctional horrible situationship with massive communication issues into Lyctorhood.

Cam and Pal find a different thing entirely, still recognisable as a take on Lyctorhood but also not at all. Instead of one absorbing the other, they fuse into a single new person together, but also in some ways dying in the process.

And it turns out even the older lyctors may not have worked quite as originally designed, with Pyrrha Dve still hanging around in Gideon the First and then finding her own way in Nona the Ninth. Throughout Nona it becomes obvious what was hinted at throughout most of Harrow: Lyctorhood is really just one of many ways for two people to become one. It is not the purest and best form of "one flesh, one end", just the best Johnny Boy could think of. Left to their own devices, we see people left and right figure out new ways to be together as one regardless of what society and God thinks of them.

This is really a key question of the book series: What does it mean for two people to become one? Well, it's up to them, and listening to what God has to say about it is probably not the best way to go. It'll make you end up like Ianthe. Do you want to be Ianthe? Actually don't answer that.