#cesare siepi

[bobdobalina]

Album cover to Wolfgang Amadeus Mozart, Don Giovanni, starring Cesare Siepi with the Vienna Philharmonic Orchestra conducted by Josef Krips. Recorded June 1955, released on Decca Records (LXT 5103, 5104. 5105, 5106).

Artist/designer unknown

[mariodelmonaco108]

MARIO del MONACO

nei panni di Don Alvaro ne VERDI *La Forza del Destino* con Renata Tebaldi, Giulietta Simionato, Ettore Bastianini, Cesare Siepi e Fernando Corena.

Copyright ©️ LONDON (DECCA) Records.

[4operalove]

Cesare Siepi as Boris Godunov

[love4lyric]

María Callas, Mario del Monaco, Giulietta Simionato, Nicola Zaccaria, Cesare Siepi, Dir Maestro Antonino Votto, Teatro alla Scala di Milano, 1955; Metropolitan Opera House NY, 1956. Color by Einar Jason Russo on Facebook; Edition & Collage: Luz Butron Soprano LBS 23.

[iloveopera9]

María Callas, Mario del Monaco, Giulietta Simionato, Cesare Siepi, Nicola Zaccaria; Maestro ANTONINO VOTTO, Dir; Teatro alla Scala di Milano, 1955; Metropolitan Opera House NY, 1956.

[princesssarisa]

Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

[callas23]

MARÍA CALLAS, CESARE SIEPI e Gianni Raimondi ne DONIZETTI's Anna Bolena, Teatro alla Scala di Milano, 1957, 1958. Archivio Classical Revival ALT. Colore per Luz Butron Soprano, LBS 23 ALT

[newyorkthegoldenage]

Rudolf Bing, general manager of the Metropolitan Opera, center, and singers who starred in a refurbished, re-costumed and shortened version of La Forza del Destino to open the Met's 68th season, November 10, 1952. Holding a backstage confab after the final curtain are Cesare Siepi, bass; Zinka Milanov, soprano; Bing; Richard Tucker, tenor, and Leonard Warren, baritone.

Photo: Tom Fitzsimmons for the AP

[unevaguedeprintemps]

.

Esiste un chiostro segreto a Roma, (Chiostro di Santa Maria sopra Minerva).

realizzato nel 1200 dai frati domenicani quando si insediarono nella basilica di Santa Maria sopra Minerva.

Francesco Nappi, Giovanni Battista Ruggeri, Cesare Torelli, Giovanni Valesio, Giuseppe Puglia e altri artisti ignoti realizzarono gli affreschi delle arcate del chiostro, su commissione del vescovo Andrea Fernandez de Cordoba nei primi anni del Seicento.

Entrandovi sembra di passare in un’altra dimensione: dalla frenesia di Piazza della Minerva e del vicinissimo Pantheon, si arriva in un luogo di assoluto silenzio, meditazione e preghiera. Un giardino curatissimo al centro, con le palme più alte di Roma e siepi magnifiche tra le quali una da cui spunta la statua di un leone, una fontana con le tartarughe, tanti fiori e qualche gattino che si stiracchia al sole.

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liguriaday.it

[widevibratobitch]

what/who is your fav don giovanni. mine is muti with shimell. but no one beats siepi in acting. kwicien maybe

ohhhhhhh bless you for asking me this <3333 under the cut so as not to spam

i gotta say, I have a soft spot for Mariusz Kwiecień (he was my very first Don Giovanni, actually - that Met 2011 production was the very thing that got me into opera in the first place!), he's definitely THE best 21st century Don Giovanni to me. Acting-wise he's absolutely breathtaking and even if he cannot compare vocally with the old giants like Siepi I'd say he was pretty decent (i'm so weak for him singing that one ✨andiam✨ in La ci darem la mano in falsetto - he always does it and my legs always turn to jelly in that moment). Saw him perform it live only once and that was the moment i truly understood what the word katharsis meant. fucking CHILLS.

I really, really love Samuel Ramey (especially when paired up with young Furlanetto!). That hair, the little earring, that insane stage presence and energy. Also I don't think I've ever heard another rendition of Fin ch'han dal vino that would be as precise as his. It's a devilishly difficult aria, especially when done in the proper tempo, there is quite literally no space to breathe, it's insane - god knows I'm not an easy listener and bitching about opera singers is my personal hobby; but in the case of this one aria I am very forgiving and I usually just expect the singer to fuck it up with no hard feelings from me - but Ramey doesn't miss a single note!

And of course, of course - Cesare Siepi. I think he's the most legendary Don Giovanni and no wonder really. He's amazing, simple as that.

There are many good Giovannis out there, but those free are my personal favourites - though bonus points for... Bryn Terfel. I'm not a huge fan of his singing but that dude can act. Not to be a mean bitch lol but he obviously wouldn't be anyone's first choice (definitely not mine) for a character like Don Giovanni appearance-wise. AND YET - he somehow makes it work... chapeau bas (talking about that Met DG under Levine - say what you want about Levine, I hate that bitch as much as the next person, but he's one of my favourite conductors for both Mozart and Verdi... yikes).

if we're talking specific recordings... I don't have a perfect one, I'll always find something that I'd change, whether it be tempo or a singer. But yeah, I'm also really fond of that Muti recording! The tempi are insane sometimes, some are even faster than what I'd set myself and that's honestly impressive, brave and so so sexy of Muti fr. I think if I had to choose just one recording, that would be it. The cast is also good, especially the ladies. Vaness as Elvira (she's absolutely stunning, also as Anna with the amazing Jerry Hadley in that one Met Recording - also with Ramey and Furlanetto - she's THE soprano for all Mozart roles for me, her Fiordiligi and Vitellia are also legendary), Studer as Anna and I really like the Zerlina, I'm so tired of squeaky meowing Zerlinas like Battle and the whole gang...

Another two I like, though perhaps more for the singers than the conducting itself, are the one with Ramey as Giovanni, Furlanetto as Leporello, Agnes Baltsa as Elvira and Gösta Winbergh as Ottavio under Karajan and one with Sherrill Milnes as Giovanni, Walter Berry as Leporello and Żylis-Gara as Elvira under Böhm. I generally tend to concentrate on the singers more and only really notice the conducting when it's so awful that I just can't look past it lol

wow, that was long, weird, who would have thought that you'd get a long answer from me to a Don Giovanni related question huh

[musikundkunst7]

Giuseppe di Stefano

With his family

PIPPO

With PAVAROTTI, COSSUTTA, SOLTI & MILNES

With CESARE SIEPI

With FERRUCCIO TAGLIAVINI

Playing 🎻

PIPPO

PIPPO

PIPPO

PIPPO

[4operalove]

CESARE SIEPI as Don GIOVANNI (MOZART)

[iloveopera9]

MARÍA CALLAS, MARIO del MONACO, GIULIETTA SIMIONATO & CESARE SIEPI ne BELLINI *Norma*; Dir. M. ANTONINO VOTTO; Teatro alla Scala di Milano, 1955.

[desertosullaterra]

Mefistofele is underrated

[princesssarisa]

The Top 40 Most Popular Operas, Part 1 (#1 through #10)

A quick guide for newcomers to the genre, with links to online video recordings of complete performances with English subtitles.

Mozart's Die Zauberflöte (The Magic Flute) (Wolfgang Amadeus Mozart)

The most frequently performed opera worldwide: Mozart's fascinating, philosophical fairy tale opera, which appeals to both children and adults.

San Francisco Opera, 2010 (Piotr Beczala, Dina Kuznetsoca, Christopher Maltman, Erika Miklosa, Georg Zeppenfeld; conducted by Donald Runnicles)

Verdi's La Traviata

Tragic romance with social commentary, based on Alexandre Dumas fils' novel The Lady of the Camellias, which was also the basis for the classic 1936 Greta Garbo film Camille.

Los Angeles Opera, 2006 (Renée Fleming, Rolando Villazon, Renato Bruson; conducted by James Conlon)

Bizet's Carmen

The fiery tragedy of a seductive, free-spirited Spanish Romani woman and her loves, with some of opera's most iconic music.

Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann, Ildebrando d'Arcancelo, Norah Ansellem; conducted by Antonio Pappano)

Puccini's La Bohéme

Relatable slice-of-life romance that blends comedy and tragedy. The inspiration for the popular musical RENT.

Studio film, 1965 (Mirella Freni, Gianni Raimondi, Rolando Panerai, Adriana Martino; conducted by Herbert von Karajan)

Mozart's Le Nozze di Figaro (The Marriage of Figaro)

The best loved of Mozart's Italian operas, a great comedy of class conflict and sexual intrigue.

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt, Marie-Ange Todorovich; conducted by Bernard Haitink)

Puccini's Tosca

Political intrigue, lust, and bloodshed amid the splendor of Rome – some call it a "shabby little shocker," others call it thrilling.

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato)

Mozart's Don Giovanni

Arguably the greatest retelling of the legend of Don Juan, with comedy, drama, and Mozart's glorious music.

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Anton Dermota, Lisa della Casa, Erna Berger, Walter Berry Deszö Ernster; conducted by Wilhelm Furtwängler)

Puccini's Madama Butterfly

Puccini's iconic "Japanese tragedy." Controversial from a racial standpoint, but a tearjerker nonetheless, and the inspiration for the musical Miss Saigon.

Feature film, 1995 (Ying Huang, Richard Troxell, Ning Liang, Richard Cowan; conducted by James Conlon)

Rossini's Il Barbiere di Siviglia (The Barber of Seville)

The lighter and more madcap prequel to The Marriage of Figaro, known as the quintessential comic opera.

Vienna State Opera, 2019 (Rafael Fingerlos, Juan Diego Flórez, Margarita Gritskova, Paolo Rumetz, Sorin Coliban; conducted by Evelino Pidò)

Verdi's Rigoletto

A richly melodic tragedy of a hunchbacked jester, his daughter, a lecherous duke, and a self-fulfilling curse.

Studio film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; conducted by Riccardo Chailly)