#celenza

[headgehug]

why does he just get hotter every year. also i Need to make this

[ferrell-foster]

Violence, force are not the answers they may seem

Seven hundred years seems so long ago. A man named Petrarch lived in this time and longed to go to Rome, and finally he made the trip. Petrarch arrived in Italy by ship some 67 kilometers northwest of Rome and wrote letters. Biographer Christopher S. Celenza says, “Clearly awed by the natural beauty, he [Petrarch] first described the hills, groves and springs with which he was surrounded.” The…

[white-chalk-sapphomet]

tried to make that one frankie celenza recipe for spam pineapple sliders but idk if I'm loving them. Maybe it's just the great value bread not holding up to the kings hawaiian rolls.

[iamkenlee-blog]

"Pedro Laurenz - No me extrana"

지난주 수요일 모처에서 여성 한 분께 부탁해 쁘락띠까를 진행. 중간에 '당연하지(=No me extraña)'란 곡이 나옴.

todotango.com에서 확인하니 알베르또 쎌렌싸(Alberto Celenza)와 안또니오 로마노(Antonio Romano) 공동 작곡, 작사는 까를로스 바르(Carlos Bahr)란 인물이 한 거로 나옴.

tango.info에 갔더니 뻬드로 라우렌스(Pedro Laurenz) 악단은 1940년, 후안 다리엔쏘(Juan D'Arienzo) 악단 1958년 녹음한 게 있다고 한다.

밀롱가에선 다리엔쏘보다 라우렌스 악단 연주를 더 자주 들은 거 같다. 그날따라 클라이막스에서 반도네온이 연주하는 거 들으며 문득 '손가락에서 불나겠네'란 생각이 스침. 어쩌면 땅고 곡을 통틀어 가장 빠른 속주가 아닐지? 애초에 반도네온으로 이 정도로 빠르게 연주하는 게 가능하다는 게 경이롭다 느꼈는데 그 답이 '탱고 스토리, 우리를 춤추게 한 위대한 악단들' 134쪽에 나와 있었다.

-=-=-=-=-=-=-=-=-=-=-=-=-=-=- 반도네온 연주자들이 이렇게 하는 데는 두 가지 이유가 있다. 첫째로 반도네온은 바이소닉이다. 즉, 하나의 버튼으로 바람통을 열 때와 닫을 때 다른 음을 낸다. 결국 바람통 열 때와 닫을 때의 키보드를 각각 다 익혀야 하는 어려움이 있다. 물론 연주자 들은 어느 정도까지는 각각의 다른 키보드 운지법을 익혀 사용한다. 연주자들이 바람통을 닫으면서 연주하는 경우가 많지 않은 또 다른 이유는 바람통을 닫으면서 연주할 때는 열면서 연주할 때와 똑같은 음색을 내기가 훨씬 어렵기 때문이다.

라우렌쓰 악단의 반도네온 바리아씨온을 들어보면 라우렌쓰는 바람통 열고 닫기 를 멈춤없이 자유롭게 연결하며 양방향 키보드를 모두 사용해 연주하는 것처럼 들린다. 왜냐하면 위에서 얘기한 것처럼 한쪽 방향만으로 바람통을 쓴다고 보기에는 상당히 긴 프레이즈를 멈추지 않고 이어서 연주하기 때문이다. 이처럼 숨이 넘어갈 것 같은 느낌을 주는 연주를 들으면 흥분의 도가니에 빠질 수밖에 없다. -=-=-=-=-=-=-=-=-=-=-=-=-=-=-

[zadigo]

Guarda "2022 oroscopo indiano 3 (by Fabio Celenza)" su YouTube

[ghoul-haunted]

Angelo Poliziano's Lamia: Text, Translation, and Introductory Studies Christopher S. Celenza

[rickmoya]

The recipe and cooking writer discourse says to crack on a flat surface. Their line of argument says that going on the edge of a bowl or using a utensil brings with it:

jagged pieces of shell ending up in your egg

the possibility of a broken yolk

pushing bacteria, e.g., from the outside of the shell into the part you're about to eat

Examples: Sohla El-Waylly The Kitchn Better Homes and Gardens Alton Brown said it in his first egg show, but I can't find that free online Cook's Illustrated now actually claims you should use another egg, which is ... convex!

I always did it on the edge of the bowl before, but have converted to the counter since. Yeah, it's sometimes annoying, but I take solace in watching Kenji Lopez-Alt (a professional cook and recipe developer) often have to re-crack his own egg. Yeah, it can be messy, but a quick wipe fixes it, or just get a plate.

(I've recently discovered that for me, holding the egg perpendicular to my body rather than parallel makes a cleaner crack and easier separation.)

* editing to add more culinarian advice as I encounter it

Jose Andres

Frankie Celenza

can u guys rb this n add how you crack your eggs in the tags? i thought cracking them in the sinks’s edge is universal until i saw my friend cracking an egg on the counter instead and it was so pervese and diabolical

[wengyan]

Week 5: Digital Community and Fandom

Hi, welcome to my blog! In this blog, I’ll be talking about the Digital Community, specifically Fandom. 

As we all know in today’s society, being in a fandom is like having an ‘identity’ in a specific community. One of the biggest fandoms we know is from K-pop. Each K-pop boy/girl groups are known to have its fandom with a name and specially made lightstick merchandise for fans to use as a form of support during music shows and concerts. This ‘identity’ gives people a sense of belonging within the community. I am also part of the K-pop fandom of boy groups like NCT and Seventeen. 

Social media plays an important and huge role in fandoms. According to Celenza (2022), popular social media sites like Twitter, Instagram, and TikTok allow fandoms to come together, interact, communicate, and exchange information with one another to keep everyone informed about events and updates related to their particular fandom community on these various platforms. Moreover, it is also essential for idols to engage with their fans through social media because this is one of the ways for them to interact with their fans and maintain parasocial relationships. For example, the K-pop group NCT used to do ‘Menpa’ (which stands for ‘mention party’) where they would tweet something and reply to fans’ comments. This is one way to keep fans attached and engaged so that they would not feel like their support is one-sided or unreciprocated. 

With fans’ loyalty, companies use this as an opportunity to boost their revenue and sales. K-pop album comes with CDs, photobooks, photocards and other inclusions. Over the years, photocards have become a huge sensation. Now, ‘What exactly is a photocard?’ you may ask. It is a selfie of the idol printed on a card and fans can carry it with them anywhere, everywhere.

Photocard comes randomly in the album so we would not know which members are given until the album is unboxed. Mainly because of this, fans no longer purchase music albums for the CD but rather the photocard itself and they would purchase plenty of albums to try their luck in pulling their desired photocard. Fans would also trade photocards with other fans online or physically in order to obtain their desired photocard. In addition, fans would create trends with photocards where they showcase their photocard collections. 

Overall, the essential structure and changes that have been evolving within society have resulted in the dramatic and expressive change in fan behavior. Fans have gained more power and rights in regards to the culture within this digital media age evolution. (Fiorella 2023) According to Liao (2021), fans now have more influence, as seen by two factors: first, they are actively creating and sharing their own original content online, and second, they have more channels for interaction with the entertainment industry.

References

Celenza, P 2022, How fandom communities on social media can create positive change. - Debating Communities and Networks XIII, Debating Communities and Networks XIII - This is the official conference site for the Debating Communities and Networks 13 Conference 2022, viewed 15 May 2024, <https://networkconference.netstudies.org/2022/csm/256/how-fandom-communities-on-social-media-can-create-positive-change/>.

Fiorella, G 2023, The Social and Technological Evolution of Fandoms Through New Media and Mass Communication, TwoTwoOne.NYC, viewed 15 May 2024, <https://twotwoone.nyc/the-social-and-technological-evolution-of-fandoms-through-new-media-and-mass-communication/>.

Liao, Z 2021, Fan Culture under the Influence of Media Development, SCIRP, viewed 15 May 2024, <https://www.scirp.org/journal/paperinformation?paperid=113688>.

[f0xd13-blog]

Those people were not jewish!! Mussolini was a fascist and he forbi everyhing black and gypsy

[pietroalviti]

Ceccano, un tessuto riabilitante vince Engineyourmind

Ieri si è conclusa la seconda edizione di EngineYourMind Hackathon. La gara è stata vinta dal team Frogs, composto da: Ramon Casalese, Mirko De Santis, Giorgio Salomone, Maria Celenza e Sara Vinci. L’idea presentata dai ragazzi prende il nome di Physia, il primo tessuto sostenibile, con lo scopo di progredire nella riabilitazione motoria. Attraverso dei sensori di movimento programmati e…

[lamilanomagazine]

Chieti: 5.300.00 di euro per la manutenzione straordinaria delle strade dell'area interna Basso Sangro - Trigno

Chieti: 5.300.00 di euro per la manutenzione straordinaria delle strade dell'area interna Basso Sangro - Trigno. Le opere di manutenzione sono principalmente lavori come la riasfaltatura di alcuni tratti, installazione di nuovi guardrail, sistema di raccolta delle acque, nuova segnaletica finalizzati al miglioramento della sicurezza delle strade provinciali e di alcune strade intercomunali importanti per assicurare il collegamento tra i Comuni dell’area Basso Sangro-Trigno e le strade provinciali. I lavori sono stati già ultimati per quanto riguarda il miglioramento delle condizioni di sicurezza sulla SP 155 Colledimezzo-Borrello, nel tratto Rosello-intersezione con SP 225 e SP 169 (325.180 euro). Sono stati avviati inoltre i lavori sulla strada intercomunale dei Comuni di Fallo, Civitaluparella, Montelapiano e Montebello sul Sangro di collegamento con la SP 147 e la SP 132 (466.000 euro) e sulla strada intercomunale ex Consorzio Bonifica di comunicazione tra i Comuni di Colledimacine, Montenerodomo e Pizzoferrato e di collegamento con le SP 107 e SP 166 (467.000 euro). Sono stati inoltre affidati i lavori sulla SP 155 Torricella-Villa Santa Maria e le strade intercomunali a servizio dei Comuni di Montebello sul Sangro, Pennadomo e Villa Santa Maria e di collegamento con le SP 133 e 135 (536.000 euro). Gli altri interventi previsti nel piano riguardano la SP 155 Colledimezzo-Borrello nel tratto Colledimezzo-Roio del Sangro (447.000 euro); la SP 125 Lama dei Peligni-Palena (446.000 euro); la SP 203 Celenza-Fondo Valle Trigno e la SP 192 Palmoli-Fondo Valle Trigno (323.400 euro); la SP 133 Torricella-Villa Santa Maria nel tratto corrispondente al bivio di Collezingaro/Pennadomo, la SP 225 Sangritana 2 e la SP 119 Sangritana nel tratto Pietraferrazzana-Colledimezzo (485.000 euro); la SP 202 Torrebruna-Fondo Valle Trigno (330.000 euro); la SP 164 Quadri-Stazione di Palena e SP 166 Valle del Sole e SP 107 Peligna (483.000 euro); interventi di miglioramento delle condizioni di sicurezza saranno inoltre realizzati lungo la SP 162 Carpineto Sinello-Castiglion Messer Marino, la SP 152 Castiglione Messer Marino-Crocetta di Colledimezzo e la SP 198 Castiglione Messer Marino-Castelguidone (980.000 euro). “La Provincia di Chieti è attenta e puntuale nel rispondere alle istanze che provengono dai Sindaci e dai cittadini dei 104 Comuni: la costa, la collina, la montagna sono un unico cuore pulsante per cui gli uffici e la nostra amministrazione lavorano ogni giorno con l’obiettivo di dare risposte concrete. Questo piano di 5.300.000 euro rivolto al miglioramento della viabilità dell’area interna Basso Sangro-Trigno è un segno tangibile della nostra attenzione. Ringrazio gli uffici che hanno reso cantierabili questi interventi fondamentali per il nostro territorio”, commenta il Presidente della Provincia di Chieti Francesco Menna. “Le aree interne sono al centro dell’azione amministrativa che portiamo avanti, nell’interesse di tutto il territorio provinciale. Grazie al proficuo confronto con i Sindaci del territorio avviato nel 2021 è stato possibile realizzare questo piano, in cui sono ricomprese anche strade intercomunali importanti per il collegamento con le strade provinciali”, conclude il consigliere delegato all’attuazione del programma di governo Arturo Scopino.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[rideretremando]

Guarda "L'intervista esclusiva ad Elon Musk (secondo Fabio Celenza)" su YouTube

[f-a-n-g-s-s-s]

Episode 2: Gas Stove versus Electric Stove

Chef: Practitioner

“Lobbyists make this affair a dangerous matter. There are so many leftist people pleading for an end to the gas stove, because they say it contributes to saving the environment, but ask them what difference it makes in terms of governmental supervision and most of them won’t have an answer at all. There is the importance of a complete governmental oversight on one side, and the right to a good dinner experience on the other. I’m not a biologist nor am I a geologist so I can’t say much about what this means to the environment.”

“That was a fragment of our Regentesse in the tenth episode of “The Supervisor”,” echo the words of Frankie Celenza on camera on a stage. “A great part of our audience has asked us the same question: What type of stove should I own as practitioner chef? The economic transition of the Desideratum Years allows us to switch either way once: gas or electric?”

Reflexive propaganda like this is extremely important for Portfolio Year. The type of stove, a sub-topic on the greater subject of home energy supply, that is selected this year must be serving hot dishes from Orientation Year onwards. The Judicial Branche is on top of this right now. It is January and the people are registering advanced general data about their assets derived from their RSVP.

“The board of Omnidroid International has done a tasting experiment, and all of us concluded that some dishes their flavors only reach their optimal conditions when prepared on a gas stove. Wok technique used on a gas stove cannot be mimicked by the electric stove. In the end, this controversy is all about the techniques that you personally use as a chef.”

Looked at alternatively, the opportunity to improve the isolation materials in the funding of homes is accompanied by the switch to an electric stove. The opportunity to renovate the constructive layout of a home is accompanied by the switch to a gas stove. The people who made the switch to electric with isolation before DY0 are lucky to enjoy the loophole that allows for the change of the constructive layout after partial improvements to home isolation. (It’s a waste of energy writing legislation that prohibits this potential waste of resources.)

“To assist you in your decision making process, I’d say the key is in your routines. If you prepare Asian food often, you’re missing out if you don’t have a gas stove. If you spend a lot of time out of the house as a chef, an electric stove could be enough.”

Chef: Illuminatus

Somehow I’ve become so accustomed to the occasional stares from the diner guests from whom my throne is located at the other side of the podium. This is a new batch of contractors. No familiar faces.

“Why do you shower for three hours every day? It is x = c every time. You do this while you have not gone to sports practice since the beginning of the new season.” Spoken words echo from speakers.

High heels playfully stride up and down the stairs that go across the catwalk towards the podium in between the guests and I. The highly skilled AI waitresses carry five serving trays at once.

“I carry much responsibility at work. I’m high maintenance,” is the reply.

There are three sets of sliding doors to pass through for guests to enter the diner. They only open after phone or bank card NFC, which first takes care of fully automated AI valet, is scanned outside. Next there is the AI wardrobe and lockers where phone, wallet and car keys are stored, the key to the locker also serves for the ability to leave the diner to visit the atelier (if an appointment has been made beforehand) and nightclub perks. There are no phones allowed past the second door.

“Holy shit. You did not know that “x = 0” is the collective aim and not “x = c”? We all do so much planning to serve our needs with mathematical precision, inclusive of whatever you call being high maintenance. Fifteen hours of unexpected hot water usage is highly preventable.”

From the sliding doors to the seating for diner guests, a booth is passed with the only escalators in all of Narcifilii. One goes up. The other goes down. Opening suit buttons to take a seat.

“Sorry I’m late.”

Chef: Illuminatus Intelligens

Revisiting the island that has not seen a sign of life in two decades is one of the scariest things I’ve done in a long time. (Circumstances to me more unpredictable than usual.) Gardening was our first objective. Before opening the eyes of the AI versions of what used to be the board members of Omnidroid International, we wanted to make sure that their surroundings are similar to the imagery they process, identifying with the mortal versions of themselves on first set-up.

Oddly enough these are some of the things that we have looked forward to from the beginning. We had a lot of fun. The games we made to acquaint these AI citizens with their responsibilities, putting things in context, was a very enlightening experience. It suited the ritual that followed so well.

We laughed. We cried. We danced together. The effects of the Killer Fuet feeling increasingly personal. It used to be relatively easy to be indifferent when we perform The Ritual, but this one went over so many years of collaboration, I could not help but shed a tear after it was all over. Now we are on our way back to the Third Reich together with the new AI citizens. Two down, four more to go.

[ghoul-haunted]

Angelo Poliziano’s Lamia: Text, Translation, and Introductory Studies Christopher S. Celenza