#cause i'm lost

[sceletaflores]

Not Patrick being booted off your ribbon 🎀 it truly is a sad day for the Patrick girlies 😭😭😭😭😭😭😭😭😭

babe i have absolutely no idea what this means lol

[lotus-pear]

mourning black and the death of ideals

[ofswordsandpens]

I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3

[clouvu]

Save me french yuri... Save me

[shmorp-mcdurgen]

Whatever dude

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[ummmmandy]

[collophora]

"Let's fix this drawing" *redraw the whole thing*

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[areyoudoingthis]

more than one person asked so i'm making a post about it. i use this program to download torrents (it's safe, no viruses or ads, i've been torrenting for years). and this is the website where i found the ridiculously hd version of ofmd. just type "our flag means death s01" in the searchbar at the top. for s2 you might have to search episode by episode, so "our flag means death s02e01" and so on (i don't know if the season has been uploaded in a single torrent yet, it hadn't been when i downloaded it). then just click the little red magnet symbol that looks like a big U, and it'll ask you if you want to open the link with qbitorrent. click yes, pick a folder to save the episodes in your computer, and have fun (the higher the green number next to the episodes is on the website, the faster the link will download, so if a link doesn't work just pick another one). you can always ask if you get stuck somewhere, i don't mind!

oh btw 2160p is the highest definition available right now so aim for those links, I'll leave them seeding forever

[seance]

INTERVIEW WITH THE VAMPIRE ❧ i bet on losing dogs.

[heliomanteia]

Kind of adding on to my previous analysis bit about Davrin's arc, but I'm gonna say I'm concerned about media literacy within the DA fandom if Davrin's arc was hard to comprehend for people.

A little rant-like so I'm putting this under the cut:

VG has a strong and consistent narration that is mirrored or reflected within each companion's quest line: it's all about the bigger picture of personal choices and regrets and change and the inevitability of alteration and the need to live with the consequences — it is also somewhat about mortality and carpe diem. Pretty much every companion's line has something to do with death, coping, trauma, fear, and a big and important personal choice that would alter them as a person — it's always a "neither is better" choice and it calls upon your personal judgement to be made. There's room for criticizing the necessity of the black-and-white nature of some choices (i.e. Taash's culture question, for example) but overall they all have a consistent and equally important narrative line.

Claims that Davrin's arc is about Assan are actually hilarious. I assume people saying that have never in their life encountered a story where the main character had an animal companion, or just less sentient companion, that reflected their personality or some of their inner conflict. You know, the staple Disney/fantasy trope. This is an incredibly common narrative tool, it's bizarre to me that people saw that Assan has a lot of screen time and immediately assumed it's no longer about Davrin just because of that. I guess I could say it's not particularly shocking to me that DA fandom of all places had an issue of keeping their focus on a Black man's story. Moving on.

As for the claims that Davrin's arc is about Isseya, I'm a little shocked that was even a talking point. Because just as "animal companion reflecting the character's struggle" is a narrative tool that's up there among the ten most frequently used in media, "antagonist that reflects the main character's pathway in an inverted, perverted manner" is just as frequently applied. In fact, it's concerning that people missed Davrin vs. Isseya mirroring in the game based around the concept of recognition through the other and mirrors of self (Solas vs. Rook). I think it's safe to say that if someone did not catch anything about Davrin's arc and how it's entirely about him, I don't trust their general opinion on DATV overall. Because they're fucking stupid/didn't pay attention.

I don't think it's any surprise that at certain points VG gets a little too exposition-heavy, because apparently just giving people a good storyline with consistent and repetitive narrative that breaches the same narrative points but reflects it differently depending on the character it's about is not enough? Some people will be given the most direct mirror narration there could be without spoon-feeding it and they will still miss the whole fucking point? I'm not shocked that a large bit of "criticism" on VG writing/narrative/what was kept and what was omitted from being mentioned has been genuinely shit. And has consistently offered "fixtures" that would just make the stable narrative of VG a mess without a main theme.

Anyways, Davrin's storyline is very directly about him in every aspect mentioned; every person within his story reflects back on him and fleshes him out.

[sillyfudgemonkeys]

[deimcs]

WYLL approves of valiant acts of defending the innocent or the defenceless, and appreciates kindness towards children. Peaceful, but decisive actions resonate with him, and those that take a genuine interest in him and the struggles he faces are also well-liked by him.

[dapper-lil-arts]

Was makin a muscle study for fun and it wound up being that sunset shimmer anthro design I made because I'm delusional. good times. And of course I got carried away and didn't stop there

Twilight is ready.

[nellasbookplanet]

Okay but I'm going a bit insane about the growing disconnect of "maybe we're meant to harness it"/"maybe we're meant to fight it". They both thought they were on the same page when they said it, when actually they were on polar opposite ends of the same spectrum. Imogen meant "I never plan to give in to this power even if part of me wants to, I will continue fighting it, but it’s a comfort knowing there’s someone who understands the temptation and who I know won't judge and will still love me and understand if I ultimately fail and give in". Meanwhile to Laudna it meant "I've been in this struggle for longer than I can remember and I don’t know if I can do it much longer. I don’t know if I want to. I don’t know if I even should, or if giving in would be better for all of us because I'm a lost cause. You understand this about me and won't judge as I inevitably am doomed by the narrative, and you won't demand of me that I fight an inherent part of myself, even if it’s destroying me". And Imogen is finally catching on to this disconnect, is realizing that to Laudna their connection isn’t just understanding but an excuse, not too different from Lilliana. And, desperate of losing Laudna to power just like she did her mother, she says, 'if you let me go, I'm gone', meanwhile Laudna is going 'all I can do for you is die and let you go to lift you up' and both of them are going 'why are you so upset about this. i love you'.