I GOT TICKETS TO SEE CHARLIE AT COMIC CON!!!!! ᗡ:
I'm gonna get to get an autographed photo with him and go to panels and I'm so excited asdgdhd :>
Do you have any tips on how not to freak out during the photo op?
OH MY GOD I'M SO EXCITED FOR YOU YESSSSSS! Like LOOK, I've met celebs before, big names and small, at cons and signings and stuff. Most of them are really cool about it. But Charlie was by far the nicest, most genuine celeb I've had the pleasure of meeting. So you're in good hands here.
Sexy... sexy hands *heavy breathing*
Some tips that helped, some of which I got from other Daredevil fans here who'd met him before me!
The biggest one is try to prepare for the photo op to go FAST and for that sudden moment you're right up there with him, cause you'll easily get flustered otherwise. When they were taking me and @wonderlandmind4 through the op, we had maybe twenty seconds. It went: come in, say hi and introduce yourself (he asks your name quite frequently which is lovely), you set up the photo real quick if it's anything other than arms around shoulders (this is when I was like, 'can you hold the other end of this up to your chest?' with the red thread I'd made, and others quickly explained all the poses for their pics), they take the photo, then he shakes your hand (this is where I said, 'thank you SO much Charlie), he usually thanks you for coming by name (I got lucky and got a, 'and you as well my dear, have a lovely day' after I thanked him, FUCKING. SWOON.) , and you're out. So basically the speed can absolutely throw you, because you basically come around the corner and BOOM, he's right there, shaking your hand, smiling at you, and holy shit does he make genuine eye contact which is absolutely capable of stunning you up close. Like, I'd been warned and I still had to fight a momentary burst of white noise in my brain.
If you're going to say something here about loving his work or what Daredevil means to you (other than just, 'oh my god this is awesome' or something), I'd try to pick something short and impactful, but fast. A sentence, maybe two when you're introducing yourself is all you'll have time for, so make it count. Don't be afraid to write it out and then edit it down until it's just right. "Hi, I'm *insert name*, I'm so happy I finally get to meet you." Or "Hi, I'm *insert name*, your work has meant a lot to me, thank you for doing this." Something like that. Quicky funny lines would also probably go down just fine. The important part to know is while he does the best he can, the con itself is running this and they're usually trying to move you through like cattle, so he's limited in how much time he can spend with each person before he's gotta run off to a panel. So if what you've got is short, that'll help you be ready.
Practice, practice, practice. Practice what you're going to say if you need to. Make sure you can run through it on instinct to minimize chances of forgetting what to say or do. And if you have a certain way you want to look, practice that, too. My picture is fucking hilarious to me and fam because while I got through my practiced line about asking him to hold the red thread, I completely forgot how I was going to pose or how I'd planned to smile, and my entire fam knew what had happened the second they saw my absolutely over the moon goofy smile and the way I clearly forgot what to do with the hand I didn't have over his shoulder. Which I wound up liking cause it's a very genuine photo, but some people want something a bit more controlled LOL.
And lastly, because it's worth a repeat: just know that he really does try to make this go well. He's incredibly genuine and nice, and I honestly think he works to make himself very approachable, likely because he knows a lot of us are nervous as hell. One of my friends at the con (who, hilariously, I didn't know was there and who didn't know I was there until he saw me in Charlie's autograph line - I didn't see his message asking if that was me until later) where I met Charlie, was in a REALLY long line for one of the other actors who wound up staying late to sign. He said Charlie stayed just as late to make sure absolutely everyone who'd bought an autograph ticket got their autograph since the con had been kinda disorganized and there were a lot of people still in line. And nobody I've talked to who's met him has ever had a bad experience with him. So just keep reminding yourself of that. <3
So basically yeah, that's what I've got, and he's now my favorite celeb I've ever met, and it was an incredibly positive experience both in the photo op and at the autograph table. You've got nothing to worry about. Just practice, be ready for the speed, and take a deep breath.
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The worst thing is Cellbit being back is not gonna fix anything, It's just gonna numb his pain and he's gonna ignore it to focus on whatever Cellbit needs (not Cellbit's fault)
He never fully processed his grief for Bobby, he never had time cause Cellbit started the regret arc the next day after he woke up and all his focus went into that, and while I repeat this is not Cellbit fault, Roier does have this unhealthy habit of leaving everything for Cellbit, even himself
And even if when Cellbit comes back there's nothing going on with him and Roier doesn't feel the need to push his feelings and stuff aside for him (which let's be honest it's not gonna happen cause it's Cellbit and he is gonna rp the hell out of this, king shit)
Roier is not suddenly gonna feel happy and is going to fix his relationship with Pepito cause the trauma is still gonna be there, his feelings of abandonment are still gonna be there, his fear of attachment is still gonna be there, the fact that Cellbit decided to stay is still gonna be there, the body of his death son is still gonna be there, the feeling that he is a family destroyer is still gonna be there.
Contrary to popular belief love doesn't fix everything, now Cellbit does make Roier happy and having him back will probably be a good thing for his spirit, but the problems Roier feels are not because of Cellbit, him disappearing only made it worst, but they are problems that have been there since the second week of the island and they are feelings Roier can't push inside anymore, they are coming out unfortunately at the sacrifice of a child who definitely doesn't deserve it. This are not Cellbit problems, this are Roier problems and only Roier can fix them
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picking top 10 tmbg songs is still hard, but I do think "I love you for psychological reasons" Has to be up there. I loveee these descriptions of trying to rationalise the concept of attraction, I was completely into it from the opening lines of "lately I've taken to vacantly making repetitive movements, mistakenly seen as improvements," the rhymes in general are extremely satisfying, and I'm a hugeee sucker for love and romance and such being approached in this more subtle, slightly repressed, scientifically-minded manner.
I love that it's a take on the song "I love you for sentimental reasons" (nat king cole best version btw), which was written about the surface emotion of being in love, while this tries to dig into the chemical reasons of - why? why do our brains fall in love the way that they do? but at the same time, it seems as though narrator doesn't want to overanalyse the experience too much and almost spoil the magic of affection. that's why they don't want to get into the reasons. maybe they're afraid that if they pick it apart too much, they'll lose that attraction, so they pull back.
in some ways, it feels like a counterpart to the insecurity of "she's an angel," whose neurotic narrator sounds like they're in a perpetual state of waiting for the other shoe to drop in a good relationship, because their partner is just too damn perfect to the point of deifying them. like, how could she Possibly be with Me?? this woman's an angel?? is this a mistake, do they know she's missing? also god I just now realised as I was writing this - that song's entire theme is a deconstruction of sappy pick-up lines like "did it hurt when you fell from heaven / heaven must be missing an angel" isn't it. sorry, talking about "psychological reasons" kinda got away from me here.
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there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front
how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes
all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).
it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?
why can't laios take things seriously for once?
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I get why Heart doesn't talk. I'm hard of hearing. I'm not deaf, I just can't hear super well and it will continue to get progressively worse. I'm also loud af because of that. I've had people I'm out with shush me in public places because of it and, I get why they do it because everybody doesn't want to hear me yell, but it still sucks. Because I love to talk.
So for Heart, whose parents have completely removed him from society, most likely due to misplaced shame at his condition, there's a huge chance they haven't let him talk since. He probably did try to keep talking at first and I'm guessing they shut it down because he couldn't control his volume and tone. And now he just doesn't.
Which is a whole other level of heartbreaking to me. Deaf people do not owe it to anyone to speak. But people who had hearing, for an extended period of time and not just the first few years of life, are used to talking. That's how we've been raised to communicate since birth basically. And so when people take that away because we're too loud? It hurts. So much.
I don't think he'll start talking again, nor do I think he needs to. But the fact that he doesn't, when he was hearing and speaking for 12 years, and how it was most likely a choice made for him to not "embarrass" his parents? Or make them feel guilty he got sick? And how his parents also didn't even bother to learn sign either? It's just devastating to me.
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