#cathedral elevations

[carlando]

my exam scores r between my prof and GOD

[nightynightghoul]

I have so many thoughts about the ghouls and the ministry.

So this is my take on what the abbey/ministry looks like + a lot of my own worldbuilding. (I made this in Inkarnate, which is meant for dnd maps and stuff.)

Be warned that this is like 2000+ words of what my head has come up with. So under the cut it goes.

I based it on actual abbeys. I've been to like two monk ones and a few convents where I live and abroad and this is what I came up with. I also attended a catholic nun school for a good while, so many of the things here are actually from my memories...

From what I've seen, abbeys are usually isolated and at least partially self-sufficient. Even when they happen to be in the middle of cities. The smaller ones are like a square corridor surrounding a courtyard and the bigger ones have many buildings with that pattern.

I'm not sure where this would be located, maybe Sweden, maybe the US. But since I Imagine the ministry being so old, it wouldn't fit in the US, since there aren't buildings this old or with this architecture.

I also read up on how abbeys work to bulk up the lore in this map and what goes on in the buildings.

So strap in because this will be long.

The biggest building in the abbey is the Grand Church (Ghurch), I headcannon that they have this very big beautiful sorta gothic style cathedral in the abbey grounds, since religious live does kinda go around services and all that. Them having this pretty church would also mean that there's no need for a chapel?

I also think ghouls are not summoned in the church proper but rather from a permanent circle/well. So there's the Summoning Well beside the church. They probably made it that way because it would be dangerous to have any sibling walking in there.

To the other side, there's a sacristy and a Papal Office. The sacristy is where Papa would have his ceremonial robes with his mitre and stuff. I also think it works as storage for service supplies. Things like incense, books, all the plates, cups, and things they would use.

Then the papal office would be the actual workplace for the current papa. Big ol wooden desk with lots of bookshelves, a sofa, probably one of those fancy liquor carts?

There's also a mausoleum close to the church. I mean, I needed a place to keep Nihil's corpse… But it'd be pretty useful to keep the memory of siblings that pass away in the abbey.

Under that are the Clerical buildings. I imagine that when people say “the ministry” it's the Clergy Offices they're talking about. Since most siblings/clergy spend their time within the abbey, it only seems logical to separate living spaces from working spaces to keep people moving and changing environments.

Since I also believe these buildings are super old then the most sought after and fancy offices and quarters would be on the ground floor (no elevator and all that). Which means Imperator probably has her office on the ground floor here along the past Papas and older clergy members.

The living quarters would be much the same in that Imperator, the Papas and now Copia have their rooms here. This building probably has a common room but most have their own kitchenette. Since it's such an old building, the interiors of the rooms have probably been remodelled many times. But it being built out of stone also means it's cold inside all the time.

Both buildings are inside a walled garden. I head cannon that way back, like a couple hundred years back the ministry didn't have a very good grasp of ghoul summoning, and they were sometimes more aggressive or feral than what they are now. (It's probably more of a case that in the olden times, clergy treated ghouls like shit, so they had more reasons to lash out and or kill someone) So they kept some of the abbey's buildings behind tall rock walls and wrought iron gates to add a little more protection. Since it's hardly necessary today, the gates stay open, but the walls are still there.

Then down the path there's the chapter house. What is a chapter house I hear you ask. It's the place where the people that live in the abbey talk and manage non religious things related to abbey life. So this would probably be where poor Aether get's relocated to do taxes and where other mundane office tasks are done. So accounting, admin work, grounds keeping and “housekeeping” are all located here.

Across from it is the Seminary. A seminary proper is like priest school, they go and study for a few years I think, and then they come out priests. But I imagine that in this case it's like a college/university thing, where siblings have Latin classes, horticulture, demonology etc... There's probably some teachers offices here and several classrooms raging in size from auditorium to 3 chairs and a letter sized whiteboard. It for sure has a pretty foyer thing. Imagine groups of siblings sitting around before or after classes, complaining how they thought Terzo's basic Latin class would be a breeze, but it's actual hell. This building has one of those pretty inner courtyards, fountain and all. I'd like to think some classes can be held there, like outside but not outside, you know?

Beside the Seminary, there's a school/nursery. I think couples that have children within the ministry can have the option to move into a bigger space together within the siblings quarters and their children will have a regular secular education until they are old enough to choose satanism or something else. The nursery part takes care of the babies and ghoul kits during the day or while the parents are busy.

I think joining the ministry and becoming a sibling is not something that happens easily or quickly. The same way, nuns spend a few years being novices before actually dressing and having the same responsibilities as their elders. Hence, the Novices Quarters. They are still part of the abbey's daily life, but they have to attend more classes at the seminary and are just a bit more separated from ghouls than regular siblings. Since they probably want to make sure they are really devout and prepared before seeing and interacting with an actual demon. Out of all the siblings and clergy, Novices would probably be closer to being actually “recluse” since in my head there's no way they can freely explore the abbey without accidentally running into a ghoul or walking in to a ritual or seeing things that shouldn't just yet.

In front of it are the workshops. I've seen some people headcannon that the ghouls not only have “jobs” in their downtime and retirement but also hobbies. Like fire, ghouls probably frequent the forge in the workshops or blow glass. Earth ghouls can maybe take the prettiest wood here to be turned into furniture. Ghouls and siblings would work together here to repair and maintain the abbey's physical structure.

Down the path there's the main storehouse. Pretty central in relation to the other buldings. It has 2 floors and a basement. That way they can keep everything, from ageing cheeses and wines to office supplies and staples.

Across the path there's the sibling's Infirmary. I definitely wanted to keep the ghouls and siblings apart in this case. Mainly, because if the building are so old, and they were protected by walls and gates, ghouls would most likely not be trusted to be left in the same building as sick and defenseless siblings. But I think that nowadays ghoul medical staff like Omega, Aether and Phantom work in between the “sibling” infirmary and the “ghoul” infirmary with no trouble. But ghouls do prefer to stay in their own infirmary, since it's closer to the dens.

The siblings quarters surround “Mother's garden” or “Lilith's garden”, both wings share a common room but since the buildings are so old they were built to segregate women from men. Hence, the two quarters wings, two office building and two distinct baths. This separation is ignored nowadays. One, people can have other genders. Two, the “sisters” side has been remodelled to accommodate families.

Like I mentioned when describing the siblings infirmary, there's also a ghoul infirmary. Much smaller and closer to the dens, this infirmary does not have much regarding sophisticated equipment. But it's rather used for minor injuries and easy to fix things. Although the second floor does have Omega's office and private rooms for ghouls. Like Dew (not me making a whole building to be able to imagine @littlemoon-beam fics and headcannons about Dewdrop) who's a frequent flyer of the infirmary.

Of course there has to be an outdoor space of recreation, so I made a “central” plaza with benches and a fountain in the middle (Is this where a high, zooted of his ass Rain has been seen naked? naaaah. Surely not). I called it “All hedonist's fountain” because I can and because it's a nice mirror to things called “All saints whatever”.

Behind the ghoul's infirmary, there's a huge stone wall and gate. That would be the dens. Since I headcannon that there are more ghouls than just the band ghouls, they also need a place to live. Hence, the “General quarters” of the dens, there's also the “band quarters” separated from it. They both share a common room, but they're not directly connected to it, and both buildings have their own little common room. I think the band quarters was the first building made to house ghouls and that's why it has it's own kitchen.

There's also the ghouls workrooms. I think this is where they would have a rehearsal room and other offices.

“Father's gardens”, “Lucifer's gardens” or more recently “Primo's gardens” are within the den's stone walls. (I like to think Primo keeps them all pretty for the ghouls). It has a little pond in it too, no fish though. Blame hungry water ghouls for that.

Across the dens there's the Library. When I was in school, that was the biggest, grandest, most secular place there was and I loved it. So I made this library huge. I separated it into two wings connected by a hall. The only difference between both wings is that the east wing houses all the older books, and it probably has a “restricted” section that only higher clergy members have access to. Maybe for the better, since they wouldn't want a curious sibling trying to summon lord Leviathan and pissing him off.

In the middle of the wings there's the scribes hall. I'd like to think that when people write ghouls working in the library this would be the place. They would probably have book binding equipment, scribes tables, the whole thing. All to maintain the old books in a usable state and register new information the clergy learns from hell.

By the library's east wing, there's "The observatory". Again included because my head needed a scenario and location for the quints to watch the stars. I'd say its a fairly tall tower with a glass dome, some furniture, some books, maybe a desk and telescopes.

There is of course a mess hall. I imagne a big kitchen on one side and a cafeteria like thing where most have their meals, or at least they can go get them to take to another place in the abbey.

Beside it there's a pretty herb garden, animal pastures, some crops, a barn, granary , mill and the greenhouses. I think it was @mac-and-thefox who came up with the idea of there being a farm like think within the abbey and my mind just ran with it. (Do correct me if I'm worng there).

Now there's only one more man made bulding in the map and that would be "Mountain's greenhouse". A true staple for ghost fanfics. It probably was a run down space abandoned by groundskeeping but Mountain wanted privacy + plants and everyone agreed he could do whatever with the little building. Not that Imperator needs to know that Mountain grows weed and hellish plants inside...

The whole eastern side of the abbey is flaked by a forest (ghouls need to have hunting grounds people.) In it there's Mountain's greenhouse, a small rocky hill "Starry hill" and under it a small grotto. More like a hole the water made within the stone, so it's now a tiny cave.

Of course I had to have "The Lake", or else this map would not fit any fanfic involving Rain and Dew. There's a small stream that crosses the abbey and ends up at the lake. Most siblings know to stay away.

The "Southern Clearing". A little clearing full of clover and flowers, a nice place for siblings to celebrate the solstices and equinoxes.

Finally, just beside the Summoning well there's a rocky hill with an old wrought iron door closing it off. I headcannon there are indeed tunnels and crypts running under the abbey but they're closed off now since they're dangerous. Doesn't mean the ghouls don't have a way to go in and out but it's still dangerous for humans. I think the more elusive ghouls, like Special and Cowbell stay here because they want the isolation. There absolutely are old abbandoned torture and sacrifice rooms down here. But modern siblings don't need to know that. (Also, I very much think old ghouls before Nihil and way back were not only not treated nicely or fairly but straight up chained or tortured sometimes. (I'm still in the air on the fact that Imperator knows this and threatens misbehaving ghouls with that along with banishment.)

[st-alastors-confessional]

Alright miscreants,

I’m closing asks for now while I catch up on the multitude of confessions I’ve received.

Y’all are so sinful, it’s almost impressive.

I didn’t think this silly side blog would get so popular it’s kinda hot. So thank you for all the wonderful interactions I’ve had thus far!

In the meantime, here’s a scrap of meat for y’all the gnaw on…

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Warnings: NSFW RadioApple

Minors DO NOT INTERACT

Saint Alastor and the King of Hell against the wall of his Confessional. Angry sexual tension, Alastors Shadow, tentacles, choking, restraining, power dynamics, sacrilegious as fuck without actually fucking lmao

Enjoy your food ❤️

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

St Alastors grip tightens around Lucifers waist as he pins him against the outside of his Confessional. A new found anger boils beneath his skin, expertly masked by his perpetual smile and steady hands. The cross that hangs around his neck presses harshly into the King’s chest as he leans in closer.

Lucifer hisses through gritted teeth, his nails clawing lines up the dark wood behind him.

“You wouldn’t dare.” the King speaks evenly, challenging his own restraint by not simply charging St. Alastor into the opposite wall and succumbing to his own desires. Instead he remains still, gaze unwavering, feet planted firmly, biting back the unholy hunger he suffered for this man of the cloth.

It’d been weeks since the Saint had returned Lucifers letters or so much as offered a glance in his direction- even his ridiculous grin seemed strained when entering rooms now. Lucifer had started to believe he’d previously been too forward and offended the Saint, or worse: He’d been forgotten about entirely.

In any case, the reasoning behind the Saints cool shoulder was unknown to Lucifer and it hurt him more than he cared to admit. So one night, after a glass of whiskey and an impulsive thought, he marched up the cathedral stairs and confronted St. Alastor directly.

Fury pooled in his gut again.

He is the King of Hell and he will not be treated as a passing thought.

His hands shook and curled into fists, readying himself to slam them into St. Alastors chest, but he stills. The temperature in the room drops, a sudden iciness creeps up his spine. Each shuttered breath is released as white plumes between them.

The heat of St. Alastors body against his is interrupted by a coolness that first coils itself beneath Lucifers shirt, up his torso, and around his wrists without tangible force behind it. Before he can act, his hands are thrown up and pinned tightly above his head.

A shadowed figure stretches out from the darkness and cascades up the wall Lucifer is pressed into. It looms ominously, silently behind him, sharpened by the candlelight of the surrounding room, and arches down beside the Kings head with a snarl. Its talon-like nails run up Lucifers elevated arms, clasp around his wrists, and pull ever so slowly upwards. Lucifers feet gradually lose contact with the floor as he’s dragged up the wall by the unseen force, until he’s eye level with the holy man.

Lucifer shivers as he realises his predicament: He’s trapped between St. Alastor and his shadow.

The Saints eyes are lidded, mouth parted. "Oh, Your Highness,” his demonic voice chuckles softly in Lucifers ear, “Sinners like yourself are not worthy of the holy ground on which this cathedral stands. Do you seek exhalation?" The tendril beneath the Kings shirt, long and thick, travels above his collar and wraps itself around his throat, eliciting a moan as it constricts. A thin line of red slick trails from St. Alastors smile, down his chin, and drips onto the white of his collar, "Show me how you plead, Your Majesty."

The wall groans as St. Alastor leans in firmer still, his mouth inches away from Lucifers. He runs a calculated hand over the shadow-like tentacle encircling The Kings neck, twirls the tail end around his arm and playfully tugs. A soft threat: You are at my mercy.

"P-please. Your... Your Holiness." Lucifers broken words are squeezed out of him. The shadow that grips his wrists squeezes tighter, seemingly displeased by the answer.

“Oh, you'll have to do better than that, Sire." he responds lowly, “You’d be wise not to waste my time.”

"I-" Lucifer strains against the pressure on his throat, "I’ve come to confess."

“Mmm.” St. Alastors long tongue snakes out from between his razor-sharp teeth and licks a slow, wet line across Lucifers exposed collarbone, “Good boy.” he murmurs, “And what do you wish to tell me?”

“I fucking hate you.”

[bluginkgo]

Ep 8 Thoughts and Details Part 1

Some thoughts and details I had while watching ep8, and some parallels I found. And yes, I had to split this into 2 parts because Tumblr said "fack you, you can only upload 30 images :P"

Spoilers, duh

Already starting strong, the song that plays through the radio is "Cyn's theme" if you will, that is heard all the way back in ep5 (time stamp about 2:34)

Ep8 showcasing the first teaser image that was released on Liam's channel. Quite bittersweet, in a good way.

Well, uh, Uzi is a true god now XD She's got the AS that was originally in Cyn as well, double powerful and double traumatized/damaged OC!

"A How-to guide of overcoming the existential dread evoked by murdering innocent sentient robots capable of emotion and independent thought. Real life JCJ engineer testimonies. Thought provoking analysis of life and the benefit of being the apex predator. Insanely philosophical advice such as, 'Get over it,' 'Shut up and keep working,' 'Do you want a job or not.'"

Bleh >:P The fact that the AS is still playful is something a bit silly to me, in a funny way. Despite it being the god of the universe- almost- it has a silly side to it.

The amount of times there were cuss words either almost said/implicated made me so happy and burst out laughing one too many times XD

I've seen some people mention how the reunion between Uzi and Nori was unsatisfactory. In my opinion? It was perfect. The awkward feeling of meeting someone you should have known your entire life, all the while trying to the world was perfectly translated here. The silliness that Uzi inherited from Nori shines here. But most of all, N's kindness shines through Uzi. I think if Uzi was still her angsty rebellious teen like she was back at the beginning of the series, she would have not had as nice of a reunion with Nori as she did now.

Omg, you have no idea how happy I was in this scene. The animation, VAs, the DETAIL- ALL OF IT was so amazing! N looks so silly and goober-y <:3 Another thing I took notice later on was the timing. It's not really stated how much time it took for Uzi to go from falling down the AS hole to being punted into space. But assuming about minutes, that implies N facking booked it. The moment he got tossed out of the cathedral with the keys, he absolutely booked it to the ship without evening thinking whether Uzi was alive or not. He needed to see the evidence for himself. He didn't give up on and assume that Uzi was gone.

Recently one of the animators posted the scenes they worked on, giving us a clearer view of expressions. The work done by Xoriak was amazing and really pushed the expressions on these characters to the limit. What used to be Uzi's anger, quickly melts into relief an sadness as she realizes that N didn't give up on her in this scene. While she sacrificed herself, N did not accept her possible death as the only answer. No, he chose to look for her, and he would have done the same with V had the elevator not been blocked off.

This made me happy too. N has grown so much from who he was in the pilot. He used to be the push over that made friends with rocks, that accepted any order from the higher ups and didn't dare question any rebuttals. Now? Now he's confident enough to even voice the fact that he was mad about what Uzi did.

Give me like- giv- give me a second- LKJD;OIADKNVKVNAKDJF;OIWAEJFANVKJASDJFAOIWEFNAKJSDBV For the longest time my hyperfixation has been BONKS. Evident enough with what I've drawn (looks back at the 4-5 bonk drawings I've made). The fact that I got to see them bonk in canon made my sad sorry soul ascend into the upper plane of existence XD Oh and "die man bit-"

I grew up watching Studio Ghibli, so to see this moment- of NUzi falling and holding hands, of course my brain said- YOYOYOYO LOOK LOOK THEY'RE SO CUTE-

The moment of respite, the hug, the tail wrap around and the quick release from Uzi's part after having a heart to heart- it was all so perfectly beautiful ;w; NOT TO MENTION THE MUSIC, as usual AJ DiSpirito absolutely delivered. I REQUIRE THAT MUSIC TO BE PLAYING LOUDLY IN MY EARS 24/7 PLEASE AND THANK YOU AJ.

"I owe you 1 spaceship" -N

Couple things:

It's funny how J just either gave the ship up without a fight, or N was so stupidly fast that J couldn't even do anything about him taking it XD

N is an absolute machine at speed drawing XD

"I'm FINE, and calm, and GO AWAY." J is the embodiment of the entire work force TwT Couldn't help but say "same, honey, same ;w;"

Excuse me while I just- ITS VVVVVVVVV SHE CAME BACK OH MY GOSH- passes out On a more serious note, I've seen plenty of people mention that if V came back, her sacrifice would be for nothing. I don't think so. V came such a long way and grew to be more kind and honest thanks to her interactions with N, Uzi, Lizzy, and even her "death." It shows, because she chose to side with Uzi and N, and they all fought together in an amazing dance.

There were many moments in the episode that were a bit "slower" pace as many have put. That these moments took away from the intensity that was supposed to be in the episode. I don't think so. These moments are needed not just for the comedy part of it, but to give our brains to rest. To take a second, process the fighting we just saw, and be ready for more action. This is often used in Studio Ghibli movies, where after heavy action, it is followed by moments of quiet serenity to give you time to let the events sink in.

This, this right here TwT CRIES. These three have been together, hanging out, figuring out the eldritch mysteries- of course they'd pick up habits from each other. From N becoming more confident with himself and allowing himself to be mad at someone. To Uzi picking up on V's crawling on the ceiling habit. To V picking up Uzi's "bite me."

The amount of hand holding that was in this episode gave me enough serotonin for a life time. And the way that N always ended up wrapping his tail around Uzi, be it a hug or a cool pose. All of my NUzi hyperfixations are becoming canon and making me go FERAL.

Something that is interesting and always comes back to us, is the AS's interest and fixation on N. The way I have always seen it was Cyn was the reason for it. The AS tends to take something from the host and amplify it ten fold. For Uzi's case the perfect example was when she felt anxious or upset. Ep4 and ep7 are great examples of that. For Cyn's case it would seem that she got attached to N after she entered the mansion as a Solver host. The AS probably took that thought and amplified it to unhealthy amounts.

Oh.MY.GOD. THESE GOOBERS SEND HELP THEY'RE TRYING TO KILL ME WITH HOW CUTE THEY ARE. N first attempts to protect Uzi, and she says "nuh uh" and covers his hand instead. This. This right here. It's far too beautiful TwT

Great frame, but uh, how the fack are we able to see the AS symbol? XD Cause uh like, her face has a split for the nose section still and all of a sudden it just... went away? XD Don't get me wrong, the animation is TOP NOTCH in these last episodes, but silly little moments like this- where it's super tense and scary, but after a rewatch it just seems silly.

When I first saw this I figured "oh shit, it's ep7 all over again, they're gonna be obliterated." The demonic screams I let out were a bit embarrassing to say the least XD

This little shit. She's just playing with them, and she knows it. This entire fight was nothing more than a little game for her. Like a cat playing with a mouse before killing it.

In this scene you can actually hear the first notes of Eternal Dream, but in a super distorted way, much like it sounded in ep6 (timestamp about 15:30)

Alright, Ginkgo what now, why include this blurry frame of nothing? I really admire Cyn's VA. Fitzy has always done an amazing job at making my favorite character- Cyn- the creepy silly goober that she is. So of course I would have watched and unwillingly memorized laugh takes that Fitzy also shared. One of which was here (time stamp of about 0:47. The laughs are similar, and most likely reused from ep7 takes that never made it into ep7 but carried over to ep8. Just a fun little detail I noticed.

OMFG LMAO AAHAHAHHAHAHAHAHAHAHHAHAHHAHAHAHHA THE WAY I BAWLED THE FIRST TIME I HEARD IT XD

Split second frame but I see it. I SEE IT V. SHE COVERED UP N'S CORE TwT Despite all of the comments she made, despite all of the things she did, she still cared for him. And the entire show, her entire character growth shows that. She didn't run in that moment- she could have much like she did from Cynessa mere seconds ago, but she stayed, and tried to protect N too.

OMG BAHAHAHAHAHAHHAHAHHAHAHAHA YESSS UZI XD

The entire fighting scene between Uzi, Cynessa and J was so amazing. As usual, AJ DiSpirito did an AMAZING job with the songs, but more so the fact that Uzi is able to hold her own against J and Cynessa, that just amazes me. She has always been strong, but seeing it in battle made me appreciate it all that much more. Another thing about this episode, it seemed like the animators didn't particularly try to hide anything sneaky. All of the glitched sections (ex: Uzi's visor after she at the AS) were code that general population is unable to read/decipher- unless someone with an actual expertise tells me otherwise, I can only assume its code of her CPU functions- once again, remember, I know next to nothing about computers and that language TwT But the moments that were evident were these- they were even changed to BLUE. From the pilot time, everything was sneaky. I mean from the way the Murder Drones logo switched briefly into the AS symbol, to N's waking up having administration "CYN" written on his visor upon reboot. All of that was sneaky details put in for us to hunt down. This time around, it didn't feel much of like a hunt and more like silly easter eggs.

Wanna see the rest of it? Yeah, here's part 2 because Tumblr doesn't like more than 30 images per post TwT

[blueiscoool]

Rome is Building an Eight-Story Underground Museum – But Treasures Keep Getting in the way

Rome, as it’s often said, wasn’t built in a day. And nowhere is that more evident than its state-of-the-art Metro Line C, an ambitious project meant to help relieve the Italian capital’s renowned traffic hellscape and celebrate its rich archeological history with a unique-in-the-world underground museum.

The €700 million line ($757.7 million) was originally envisioned for the Catholic Jubilee of 2000 as a vital link between Rome’s San Giovanni Cathedral and Vatican City’s St. Peter’s Basilica, making it easier for visiting pilgrims to collect indulgences by walking through the churches’ holy doors. Rome’s major basilicas open their holy doors only during Jubilee years, allowing Catholics from all over the world to make pilgrimages to the city to walk through them, symbolizing an openness to receive mercy and reconciliation.

But the 2000 dream never happened, thanks to a series of problems ranging from a corruption scandal in the city government and the sheer number of archeological objects – 40,000 in all, from petrified peach pits to pottery and vases and even the walls and mosaics of Emperor Hadrian’s 2,000-year-old military barracks – found with each shovel full of dirt during the initial preparations.

Now the hope is to have the line’s showcase Piazza Venezia stop, featuring an eight-story underground museum, ready in 10 years, according to engineer Andrea Sciotti, who is in charge of the metro museum complex. This will allow them to open around the Jubilee of 2033, which will mark 2,000 years since the death of Jesus Christ.

“It’s true, 10 years seems like a long time, but we aren’t just dealing with the engineering issues,” Sciotti said inside the construction site. “This station will be judged as the most beautiful in the world … we don’t have to rely on museum items being brought in, the museum station is in its original context in ancient Rome.”

Displayed where they were found:

During the initial phases of work carried out in the last five years, Sciotti said all of the artifacts were removed from the site for restoration. Each will be placed exactly where it was found inside the metro museum, which is being dug some 85 meters (280 feet) deep, encompassing eight stories below the modern city of Rome.

Over the millennia the modern city has been built over covered ruins. Only around 10% of ancient Rome has been excavated, with the rest still buried some nine meters (30 feet) below the current city, according to Rome’s tourist bureau. The city dates back to the stone age and construction work is notoriously hampered by the discovery of ruins that are too plentiful to even excavate and are often reburied to preserve them. Even simple infrastructure work, like sewage repairs, have to be attended by archeologists who have the power to stop the work if something is found.

There will be 27 escalators, six elevators and 66,000 square meters of archeological exhibit space. Ancient walls found during excavations will be placed “in situ” in the modern station and the ancient Via Flaminia that ran through the ancient city to the nearby Roman Forum and Colosseum.

The station’s three main entrances will connect the three museums around the square: the Vittoriano, the Palazzo Venezia and the outdoor ruins of the Roman Forum anchored by the Colosseum at the far end, which has its own metro station that will also feature museum and exhibit space.

Several of the archeological sites will have access points from inside the metro museum, meaning commuters and tourists alike can exit the station by rambling through historically significant ruins like Hadrian’s Auditorium, which was discovered when the initial archeological investigation into the project started and was meant to be the location of the station entrance. Since then, they moved the site and excavated the ruins, which are currently only visible looking down from street level.

‘Top down’ excavation system:

To secure the site as they dig, engineers are using a “top down” excavation system, which has never been used in Italy but was an integral part of the Jubilee line in London. Cross walls and diaphragms are being buried deep into the soil to form the perimeter of the underground complex, with the dirt taken out recycled and enhanced to be used in the building materials, Sciotti said.

The train tunnels themselves are not the issue since they will be more than 100 feet below ground.

The Venezia station museum stop is not the only treasure on the new line. In 2016, archeologists working on the site of the Porta Metronia (previously known as the Ambra Aradam) station found a 39-room complex that spanned more than 9,700 square feet that has been incorporated into the underground station, which will open by the end of 2024. In 2025, the new Colosseo-Fori station, complete with a four-level underground museum to showcase artifacts including 25 archaic wells unearthed when it was built, will also open after activation tests, meant to begin in October, are completed.

The entire 26-kilometer C-line will be Italy’s first fully automated driver-less subway system and will reduce road traffic by 400,000 vehicles a day, meaning CO2 emissions will be reduced by some 310,000 tonnes a year, according to the WeBuild group, which is the main contractor for the project.

The original plans from the 2000 Jubilee have been modified to eliminate several stations in the historical center that would have simply been too difficult to excavate.

By Barbie Nadeau.

[slaymybreathaway]

Batwife (Bruce Wayne x Reader)

"The Batman" 2022

Warnings: mentions of nudity

Word Count: 776

Masterlist

"The city's favourite couple are saying 'I do' this morning at Gotham Cathedral. Billionaire Bruce Wayne and Oscar Winning actress Y/n L/n made their first public appearance as a couple nearly 3 years ago at the premier of y/n's movie The Gravedigger," one reporter said.

Every news station in the city waited impatiently outside the cathedral for them to emerge. It was the event of the decade, the closest Gotham would ever get to a royal wedding.

Just then, the newlyweds emerged from the Church. Y/n was wearing a simple silk wedding dress with colourful flowers adorned on the lace sleeves that covered her arms. Bruce was looking sharp in a black suit. The handkerchief tucked neatly in his breast pocket was a bright yellow. Many fans speculate that the burst of colour was added by his new wife, the actress being famous for her making block colours fashionable again.

As soon as the doors of the Cathedral were opened, they were bombarded with flashing cameras and intrusive questions.

"Y/n, many speculate you are marrying for money," one particularly pushy reporter asked.

Bruce tried to get his new wife to ignore this statement but y/n turned around and spoke straight into his microphone. "I'm more than capable of making my own money, thank you," she said and followed her husband into the wedding car.

♡ 5 years later ♡

Y/n Wayne sat in living room watching, no studying the news. Every night she did the same, waiting for the headline she dreaded 'Masked Vigilante Found Dead'. Thankfully it hasn't happened yet.

Then, Alfred brought her a cup of coffee. "Here, I assume you won't go to sleep until Master Bruce comes home," he smiled slightly.

"Am I that readable?" she asked and took the cup "Anyways will you tell me when he does get home, please?"

Alfred agreed and y/n went back to watching the news.

An hour later, y/n was on the verge of falling asleep when Alfred came back in. "Master Bruce has arrived," he announced.

Y/n yawned. She got up, put on her robe and got in the elevator down to what her husband called the 'bat-cave' but she referred to it as the glorified basment.

When the elevator stopped y/n could see Bruce writing down the nights events.

"Dear Diary, it's Halloween today and I had to dress up like a bat. All the other kids made fun of me and stole my candy," she joked and walked over to him.

Bruce smiled "I told you not to wait around for me anymore honey," He closed his notebook and brought her face to kiss him.

She watched as he took out his camera contact lenses and placed them on the scanner.

Y/n knew that he wouldn't listen to her properly while watching the footage of tonight so she decided to mess with him.

"I went to a Halloween party tonight,"

"Mhm, that's nice honey. What did you wear?" he asked, not really caring about the answer.

"Barely anything," y/n whispered in his ear.

No reaction whatsoever came from Bruce's face, he replied with another automated answer "Great, hope you didn't get too cold,"

Y/n crossed her arms in frustration. "You should've came. To the party, I mean. If I attend another social event alone people will start to rumour your death,"

"Well, it seems like crime never ends in this city," he said, his head still stuck in the monitors.

"Yeah but marriages do," y/n mumbled.

Bruce broke out of his trance and turned to face his wife. "What?"

Y/n's expression broke into a smile. "The fact that I had to mention divorce for my husband to even make eye contact with me,"

He sighed "I'm sorry, my love. It's just, this thing," he gestures to the screen.

"Maybe I can help?" y/n asked, already knowing the answer. Bruce didn't want her involved in the whole 'Batman' thing because she worries enough about him without her knowing the amount of danger he really is in.

"C'mon, with most women, if their husband stayed out half the night and comes back with eye makeup on then he's cheating. My situation is... A little different. Just, please let me help you," she looked up at him pleadingly.

He sighed. "Alright come here," he wrapped his arms around his wife as he showed her the 'He lies still' card.

[artthatgivesmefeelings]

Peter Paul Rubens (Flemish, 1577-1640) Elevation of the Cross, three-panel altarpiece center, 1610 Cathedral of Our Lady, Antwerp

[yomogi-mogi-mochi]

Unnecessarily Convoluted Analysis of TWST Dorm Architecture

Putting that Art History degree to use 💪 I am getting my Masters in art history, so I am like semi qualified?? to do this. Tried my best with some of the dorms since some don't have an explicit cultural/architectural parallel irl. And obviously lots of liberties taken since I'm sure the people at Disney were not going for historical accuracy

Masterlist here

Much of this analysis can from my Spolia fic (Malleus x Light Fae MC)

Diasmonia: Early Gothic

Gothic- but early gothic. It's got a few flying buttresses, indicative of technology in later gothic movements- but in combination to the lower ceilings (lower than later gothic), fewer levels (celestory, triforium, doric columns, and shorter windows makes me think it's early gothic (more towards Norman architecture/Sens Cathedral), because it's a lot simpler and less technologically developed than high gothic (larger windows, rose windows, higher and pointier style, flying buttresses, more decorative stuff like Corinthian columns and stained glass). Still, I think the Fae would be been more concerned with its structural integrity against the waves of time- therefore gargoyles become a very prominent symbol in protecting this eternity and preservation of architecture since it basically prevents rain/weather from eating away at the building.

There's some interesting symbolism with Malleus' fixation with gargoyles, but I'm sure you can make that connection on your own based on what's out in Chapter 7 and how he reacts to both Lilia's and MC'S impending goodbyes.

Gothic was actually a term used by the French to demean the style, since it was seen as more 'savage' and 'lower' than classical architecture- which is symmetrical, solid, and values very literal and realistic (albeit idealized) characterization. Gothic architecture in contrast is a lot more airy, focuses on light and windows, and values more allegorical representations, which is why it resonated so well with the religious ruler and monarchies because they were able to not-so-subtly point to their influence and power in every single way without it being in your face all the time.

Because of this very stank contrast, it was labeled as "gothic" because people were criticizing it to be "savage" and "unkept". The goths were painted this way because they were mainly responsible for Rome's downfall, leading to the dark ages. Regardless of the French ruthlessly roasting the goths, this type of design flourished after the dark ages because technology was beginning to be advanced once more, and materials were more readily available.

My theory would be that the fae began to first develop this architecture because they had the advantage of magic, but then the humans were influenced by it- which leads them to high gothic (Noble Bell College), as well as Baroque and Rococo architecture (like the Pomefiore dorm). The Fae kept their style of early gothic since they didn't really see a point in changing much- maybe just more decorative gargoyles called grotesque as a symbol of the Fae's gratitude in their protection against time.

Also the hallways have what are almost like ribbed vaults which was one of the primary and first symbols of gothic architecture because they allowed more weight to be distributed to the vaults, and therefore allow for bigger windows.

Another distict characteristics in gothic architecture are clearly defined elevations.

Traditionally, they will have the celestial at the top, then gallery, then the main arcade (especially as we get into the later gothic periods and buildings get even taller and taller). Of course Disney isn't completely accurate with these things, but it seems that they're sort of going for that vibe, as many things end up being as our contemporary notions of historical design often creates a vague iconography of things that is often a copy of a copy of a copy of the original medium.

However I do think the intention to mimic the original design is still there overall, and combined with many of the other elements such as the prevalence of pointed arches that are a symbol of gothic architecture, and the sheer number of windows that were allowed originally due to the technological advances of the gothic era (and of course Malleus' own obsession with gargoyles), I think it would make sense to categorize this is like "gothic adjacent".

If I were to redesign the diasmonia dorm however, I would definitely begin by fixing the exterior- but I think they were referencing Malificent's tower in the Disney movie than any sort of historical accuracy lol. You win some, you lose some.

Pomefiore: Rococo with a touch of Art Noveau

Very obviously modeled after French Rococo architecture- the illustration of the hallways of Pomefiore dorm are almost exactly like the Palace of Versailles

It is definitely a toned down version- but pretty spot on, right? When I first saw the Pomefiore dorm I immediately Googled a picture of the Palace of Versailles cause I knew I saw it somewhere. Autistic spidey senses at it again.

Honestly wish they went more all out with the chandeliers, and had painted ceilings on the dorm colors- but I feel like they got the general vibes right. It feels closer to Romanesque with its simplicity but it still holds an aura of decadence and frivolity that I like. Very rich, extravagant like it's members (maybe not so much Epel lol)

Elements of Art noveau in the furniture (the peacock chair) and the embroidery of the uniforms.

Also, the peacock chair sort of reminds me of James McNeill Whistler's Peacock Room. He was an American impressionist that was sort of the forefront of art nouveau, since impressionism was one of the mainstream movements that really began the explosion of Japanese inspired design that is also used in Art Nouveau aesthetic.

(Vil would definitely have this room if he could)

The carpet in the room reminds me of William Morris' designs, and just art nouveau in general.

As far as I can tell, the exterior is based on a variety of German castle styles from 13th century Romanesque styles, to 18th century Neo-Gothic styles. Which is coincidentally what a lot of the castles on Disneyland are based off of.

Everything is very florial, Corinthian, and extravagant. I love it. It's very baroque, I dig it.

Scarabia

Please don't come for me I'm not as well versed in Non-Asian and Non-Western architecture except for religious architecture in Turkey and Jerusalem so I'm gonna try my best with this one

So I think it mixes a lot of the icons we think of in association to Arabic architecture like domes, pointed/ogee (rounded, then pointed)/multifoil (multiple curves) arches, and ornate floral designs that derive from the use of calligraphy in Islamic structures (as iconography, or pictures depicting the faces and bodies of religious figures were not allowed).

And I think all those tiny buildings resemble Minarets, or tall towers built adjacent to mosques where the muezzin can issue the call to prayer. But the artists were probably like "hm. Not enough. How do we make it more arabic??" And of course the contemporary orientalist perspectives that dominate the artistic realm made they go "quick just add a bunch of domes"

I think Kalim's room and the lounge in particular best shows the general "airiness" that parallels Islamic acthicture (ie the Sheikh Zayed Grand Mosque on UAE)

Open air courtyards are also a characteristic element of Islam architecture, which you can see with the areal view of the dorm, and also makes sense with Kalim's unique magic.

Jali window designs (the intricate gold metal covers on the arches) are also popular on Islamic architecture

The Haga Sophia in particular has been described to have a dome "suspended by the heavens", as the section connecting the building and the dome is made entirely of arches that allows the sunlight from the heavens to pour inside the building. Though the haga Sophia is a very special case, as it was occupied by varying religions with different architectural styles at certain periods- I think it's also a good representation of our contemporary prototype of Arabian architecture that makes up the final design of the dorm.

Ignihyde: Classical Greek

Looks like it's modeled after the Parthenon, which was built during the Classical period on Greece where Athens was flourishing as a center of mathematics, technology, and architecture. These are sentiments which becomes reflected in the Renaissance afterwards, such as symmetry and a very systemic way of approaching things. I think it fits perfectly with this dorm, since they're the "tech geeks" of NRC

It's got your pediment, your doric columns (would have preferred ionic columns but whatever Disney), your arcades. Pretty straight forward unlike the actual movie it's based off of lol (Hercules has so so many mythological inconsistencies. Like why are you talking about Achilles in the movie??? Trojan was hasn't even happened babe stop manifesting that shit)

I think the symmetry and order of Classical Greek design goes well with the overall futuristic look Ignihyde and the Island of Woe are going for. Pretty clever, Disney.

Heartslabyul: Tudor Revival Style

Though Alice in Wonderland is set in the later 19th century, I think the Tudorian Revival style than began in the beginning of the 20th century just shortly later fits best.

Turdorian revival style is characterized through half timbering, which is like the timber panels you see on the surface of the building; oriel windows (windows that jut out); mock battlements; and courtyards.

The Tudorian revival style also takes elements from Elizabethan era architecture and perpendicular gothic architecture, hence the long gallery and the tudorian four point arch)

The glass panes in the lounge leaves me to believe it's sort of like a glass house where part of the house is sort of like a greenhouse. This is characteristic of Victorian glasshouses that rose with the availability of timber, paint, and brick and the popularity of botany in the Victorian era propelled by botanical imports from British colonies. Architecrs like Joseph Paxton were also known for his opus magnum- the Crystal Palace, which held the Great Exhibition of 1851 (kind of like a world expo with the theme of industry and art) also popularize the movement- and was a significant sign of wealth, as glass and window taxes were especially high. But in the later century when iron and steel frame construction was advanced, people could be built out of iron and window panes, so they could be assembled easily, and also afforded by middle class citizens.

So it's basically a mix of Elizabethan and Victorian revival styles (tudorian and gothic), which is in theme with the Victorian period the original media is set in, albeit taking inspiration from styles little later in the period.

Savanaclaw:

Again- I am blind when it comes to Non-Asian/Non-Western architecture- but this one was kinda confusing cause it really doesn't have any architectural cohesivity??? Like it's just got a general "jungle vibe" which I'm not surprised at because Disney is infamous for glossing over non-white cultures and kind of just simplifying them into a "general vibe" which wow yikes my guy

Kind of reminds me of Mese Verde, which are structures made directly within a cliffside, or the Great Mosque of Djenné and the African Heritage house in Kenya which have very smoothed, natural designs that blend into the environment

What I could gather from my research and my juicy autistic brain, savannas are regularly subjected to wild fires- so a lot of the heavy, rocky architecture and interior style makes sense, opposed to one made of wood (which are mostly in the inside of the structure, besides the roof which I imagine is less likely to catch on fire). Much of the building seems also to be directly carved within natural rock formations- a very functional use of the resources around you- very savannaclaw!

The textiles in each of the dorm members' rooms resemble Kente fabric, a style of hand weaving from Ghana, originally reserved for royalty but now commonly worn for ceremonial occasions and such. Also unlike other African textiles styles, it's strictly a male practice. I think it would make sense for Sunset Savanna, a place where women are highly respected and perhaps take on more political and military positions- leaving largely men to the practice of textile making (both are honorable acts- not comparing the two). There aren't distinguished aesthetic styles of textiles that differentiate each weaving from another- rather, it is divided by technique and region- so this is not like a definite connection, just thought it was interesting to includle

Textiles seem to occupy the only decorative role in the entire dorm- so perhaps there is significant cultural significance? Maybe there is a certain region that's known for their practices? Or is weaving a symbol of adulthood or growth and therefore is why they're hung up in each of the dorm member's rooms with the exception of Ruggie, who may not have had the socioeconomic privilege of making one? Or does the practice vary across species? Much to speculate 🤔

Octavinelle: Art Deco and Art Nouveau

Saved this one for last because oh boy I don't even know where to start with this. Obviously the design is very creative and I love it, but there's a lot less historical elements I can use to analyze the style, kind of like the Savanah claw exterior.

But it leans towards the art deco style, which is most fitting for the business dorm I think.

Elements of Art deco like geometric aspects of design, thematic and aesthetic consistency, and decorative/geometric windows are seen throughout the dorm interior and exterior

But I think the art nouveau elements are also there too, with the cheeky sea-themed elements that use natural shapes and icons into the architecture, design, and surfaces of the dorm.

Otherwise, not much else to say about this dorm 🤷 it's not really based in anything historical but there are bits and pieces of art nouveau and art deco in there, but I definitely wish they would lean more into the art deco elements since I think it would go well with the general themes of the dorm values.

So uh, yeah. Told you it would be convoluted.

Feel free to add and or correct!

[newyorkthegoldenage]

Lucille Corcos, Morningside Park, Cathedral of St. John the Divine, 1928. Oil on canvas and masonite.

Corcos paints what appears to be the northern part Central Park from an elevated view looking northwest. The artist used a restricted palette of warm browns and grays with heavy outlines. She was a leading modern American primitivist who has had numerous museum shows, including the Whitney Biennial.

Photo & text: 1st Dibs

[snow-lavender]

silly little predictions as the finale approaches. so i can either say "ha! i called it!" or "man i was dumb huh"

fenris is going to ascend. i am like 98 percent certain. he's been having the same changes to the body and elevated senses/boost in powers that centross was having pre-cathedral, and that it's implied casus had pre-ascension. those changes coming on their own also points to him becoming a full-fledged minor god and not a patron, i think. i am so expecting a fakeout death cutting to ascension today. but then again, i was about this certain about wolf being delta's husk, so that goes to show how much i know

with a similar level of certainty, ven is 100% dying today. quixis said themself what his future was. the end of his story was already written, and it wasn't retconned by quixis, just put on hold. combine that with cc!ven's recent tumblr posts? yeah, sorry wet bird nation, that twink ain't seeing tomorrow

something will happen to take icarus out of the equation by the end. either they die, or some multiversal shenanigans pull them out of the world, or, in an absolute best case scenario, they leave town to start life over elsewhere. i am also expecting a final conversation between violet and icarus because, if i'm being real, not paying off the main thing that's been motivating them this entire arc would just kind of be bad writing?

i think there'll be some sort of nod to a bit of momboo's consciousness still remaining in the world. like, she's gone but her love isn't type of thing. very bittersweeet.

i think there'll be some sort of rosemary-style post credits wedding. either ghaae's or jerry and kai's.

also expecting rae to ascend but like that's been so foreshadowed is it even a prediction at this point?

i legit have not clue what'll happen to ocie. god do i want her to see a long and happy life with her loved ones, but honestly from where we are now i can see it going either way.

a few characters i do think are going to see a happy ending: ari (come on please she's earned it), aax (though not without some losses of some kind) fenris, cas, easton and bruin, i think rae's will toe the line between bittersweet and happy?

so yeah. those are my thoughts. come back in roughly four hours to see how right i wasn't.

[roseofhybrids]

Hi! I really like your feral creatures au, and I think it’s neat and cute!

Tho I have a question, do N and Uzi play fight with one another? And if so do they somehow rope Doll into it?

(also a hc that I had a while ago was that adult DDs would use their wings to scoop little ones up to travel faster or avoid danger tho depending on their age, their tails would stick out (plus DDs and SDs would lay on their children like mama hens would with their chicks).

So when I saw your AU, I immediately thought of it (the wing hc)—.

Tho idk how you see the two, if this makes you uncomfy I apologize, I hope you have a good day/night! ^^

@thestarfoman The two definitely would play fight similar to how dogs and cats do. Wrestling, tug of war, chase, (probably some bird and batlike games as well) anything to pass the time in the cathedral

As for Doll...

She usually requires some "convincing" before she'll join in. Luckily, there's plenty of rubble lying around that are the perfect size for smacking someone in the back of the head with

As for wing scooping. Since N and Uzi are both able to fully fly, they probably wouldn't have a need to do it with each other. But I could certainly see them doing it with Doll, much to her chagrin.

As for how I see the two, I'm trying to keep things as canon compliant as possible up till episode 6's end. So they're as close as they are in canon. That being said, in the feral forms, their memories are a bit fuzzy and rough around the edges. It's a bit like being in a dream. There's a bunch of weird things are going on, but you just accept it all and only think to question any of it upon waking up. So, while their past events together (meeting at the spire, going to camp, holding hands as they approached the elevator) are buried. They still know this is a familiar person that they like being around.

This is also why feral Uzi still isn't a fan of Doll. She'd probably maul her if a certain someone let her

[jjimjil-bang]

delirious elevator door at the bullocks wilshire building in DTLA, a cathedral of commerce for the automobile age

[beesmygod]

hmmm still getting whipped by magrit. i slapped tree sentinel's bald head and cleared a few catacombs, but those bosses are really easy. i found a walking cathedral, a really long elevator underground, and a treasure chest that teleported me to god knows where. i met a wolfman lol. i helped some dope clear out his castle but i think he died or smth. there was a huge dead dog guy in his front yard. i met iron arms alexander. i beat the shit of anastasia tarnished-eater. i went back to the wheat thesher and it got me a few more times

[brittle-doughie]

What If: In Your Name

About time I tried one of these Baker or Creator type of deals

You were bringing new cookies to your kingdom by the day. Just bring them into the world and then…allow them to do whatever they wished. You had no wishes to eat them, it was just a hobby to create whatever cookies you can and let them spend their days peacefully in your kingdom.

Who’d knew that by doing that, you’d have essentially a religion being made out of bakers like you. Every visit to this place belonging to the group, the St. Pastry Order, has had these cookies waiting for you. Being a human, you towered over the little cookies, requiring an elevated spot around your waist area to be created.

Every visit was went as usual, you’d emerge before them, then one of these cookies would approach you…

before crumbling a part of their bodies to offer to you, wishing that they’re delectable enough to have the whole piece be eaten entirely.

The Order member would watch you in anticipation as you brought the piece to your mouth and would shiver as you bit into it. Witches did they wish they could offer more to you…

Reverend Mother Cookie would be quick to remind the other members that having their pieces be accepted and eaten was an honor of the highest regard, an honor you never should take for granted.

These offerings were their biggest way of showing their appreciation for you and want to appease you in any way possible. The slightest refusal or hesitation will greatly offend the Reverend Mother and other members of the Order, but fortunately they never had a cookie hesitate at the opportunity

In fact, everyone seemed almost eager to be the cookie chosen to feed you, to nourish you with themselves. If they didn’t learn the means of self-control, they’d likely be shoving the offering to your hand and plead for you to eat it.

Err…you didn’t want to be rude and reject the offerings, so you reluctantly ate the pieces of the cookie given to you as you could see the offerer’s face brighten up at the notion you enjoyed their flavor.

What you say goes. What you say and your opinions matter more above all else. Objections were, of course, met with scrutiny.

Slander and the questioning of your righteousness was met with immediate hostility from Reverend and the Order members. They could send certain cookies to help straighten out the nonbelievers. If it wasn’t the Reverend Mother, then Shadow Sister Cookie was carrying out your will.

Reverend Mother Cookie was the only cookie among the rest that had the means to guarantee that you’ll visit the cathedral and she would invite you to return back once the offerings were over.

She wanted to personally display her levels of devotion by cracking off whole limbs like an arm to offer to you. For you see, the cookies who are giving offerings are not allowed to offer more then the Reverend Mother does. Nobody will ever surpass the devotion she has for you. Her Beloved Baker

[bluginkgo]

Episode 7 Teaser is out and it gave me too many crack theories

Well, after finally getting my head wrapped around the entire teaser- which took literal hours to process how amazing it all looked- I think I finally found the ability to put it into words.

Spoilers, duh and uh lots of words, so sorry

This'll be somewhat frame by frame crack down as well as crack theories that came to me while spending time looking at the red images too long that gave me a headache - anyways

As many have mentioned this before, V's corpse is gone, and only a sentinel's tail remains on the ground to the right. Although I wish to believe that V made it out alive, that hope is quickly dwindling. Although there is a small possibility that V somehow won the fight (perhaps with outside help such as J) and dragged herself away (based off of the splatter on the ground) I more so think that she turned into an eldritch V. That or perhaps has been mauled by the sentinels, and the body was dragged off. Although, I can not wait for Liam to prove me wrong about this theory (I hope he proves me wrong, cause I miss V ;w;)

The ground looking hall seems to be where the gang will enter right after exiting the elevator. Alongside this, it seems that the moment with N is also here (based on the background). Now, as for the look that N gives. It goes from worried and slightly scared to harsh concern (in my opinion, feel free to take that thought and yeet it as far as you wish ^_^). Something made him worry in a way that also slightly flared his anger. Two theories:

He saw something ahead of them, and this is the more likely possibility, because that tunnel gives way to the cave that N seems to have been dragged into from the teaser from November.

2. Uzi might have said something that made him more concerned. There is a figure that moves behind N, but it is very hard to see as to who it is- my guess it's Tessa, making Uzi the only candidate to possibly to walk in front of them.

Then we get to see this hole.

Possibility (also a bit wacky and highly unlikely): The entity will finally be revealed, that is, the center of the absolute solver. Something I noticed with the design of the absolute solver is that we get to see its limbs, but never the main body. It is always hiding somewhere, be it in the ceiling or the walls. Of course, there are also the eldritch forms we saw of Cyn, but in my opinion, it feels more like another limb. Now, with J's huge form, I'm a little more inclined to believe that's what it looks like as the main body. Holo spooky snake crab like.

Not to be dramatic, but... Core collapse, which made me chuckle. Because despite all hell breaking loose in these last couple episodes, Murder Drones still manages to sneak in tiny jokes like this. Oh, and I can't forget the dog too! XD

Something I still cannot grasp my head around is what is going on with the environment around the cathedral?? It's raining, but it's in a cave- ok can be sorta explained that it acts like a stalactite... but then what is going on with the vortex around the building? My current theory: uhhh... robo-satan, that is all.

A lot of scenes with humans and in a clear view (i.e. not like a video tape). This might suggest a flashback as many have already mentioned it. However, who, how, and why is there a flashback? Well, there is one crack theory I came up with. This is what Uzi is seeing. She is an absolute solver host, and it has been seen on multiple occasions that absolute solver has a hivemind, so it can easily show its hosts whatever memories its previous hosts had.

These next scenes I believe to be in the progression as shown.

@/haastera (don't want to bother them with a tag) also pointed this out, that these scenes may be back to back, based off of the lamp that is off to Uzi's left. However, what the heck would cause Uzi to snap like she did in ep4?

Uzi saw something in the tape that made her upset, the possibility of N killing Nori. Cons in that theory: N killed Nori post core collapse, and there would not be any evidence of it.

The tape had something that was similar to zombie drones tape that was marked "Don't show this to drones, they will not like it." Something in the tape may have forced boot the solver string in Uzi, and she was powerless to stop it. Cons: @bloodywolfwings mentioned to me that the reflection in Uzi's visor seems to be a door instead of a screen. So there's also the 50% chance that these two scenes are not even related.

MA'AM YOU PUT THAT SWORD AWAY, UZI HAS IT BAD ENOUGH MA'AM- in all seriousness, this is a 50/50 shot once again. Maybe Tessa is attempting to get rid of Uzi while N is gone. The opposite end of that is Tessa is attempting to help Uzi, perhaps an enemy that Uzi did not sense behind her.

These two scenes are related, I believe- the claw is hard to see behind the cross, but it is there, and not to mention that Dr. Chambers is wearing a camera on his head. However, there's more to it after I stared at it for a while. The absolute solver claw appears to be burning and glitching, this is only seen with DDs and solver drones when they are exposed to the sun. Perhaps the humans were slowly getting better at controlling the absolute solver, with some sort of power equivalent to the sun. But in the end, their efforts were useless, seeing as Nori still destroyed everything there.

We have seen these two scenes already, so not much to dissect here. Just NUzi being NUzi :3 while all hell breaks loose

This scene had me so confused at first.

I could not figure out what was going on with the cars. Cars are outside, our gang is in a cathedral, what happened- That's it. This is outside. And as many have already mentioned this, there are drones in the background so far identified as Lizzy and perhaps Thad. (I say perhaps Thad because my dumb brain won't let go of the idea that the drone on the left is Khan. Look, my brain said 'I think I see a mustache' and now I can't unsee it.) Either way, this is outside and the gravity has decided to take a break (as RedMage put it in the nuzi discord server). It seems that the gang will do something, or something drastic will happen (perhaps a second core collapse) that will cause the gravity of copper-9 to become unstable. So maybe the episode will end with the possibility that copper-9 is about to collapse like Earth did, as the gang tries to stop that event from happening.

Ahem, allow me a second of: FERAL N FERAL N FERAL N FERAL N- ok, I'm done for now. As many have pointed out, this may be the moment that N killed Nori, and Uzi might have to relive through that experience as the absolute solver shows Uzi everything that has happened up until now. His smile is not the one we've seen up until now when he's in his murder drone mode, but more of a smirk. Another theory I came up with is that when Uzi becomes possessed by the absolute solver, perhaps by default, N does too. Uzi is now N's admin, and if the admin is corrupted, there is nothing to keep N's solver string in his ai from fully corrupting him. However, there's a hole here.

The X on the visor generally means that there is a string in the drone's core is faulty and not functioning. This is because when the solver string attempts to take possession of the DDs, the admin program switches it to false and gives the faulty os string sign on the visors. That has to mean the admin program is still up and running, which pushes the theory of this scene being a flashback of N killing Nori, more likely.

Uzi's eye has burst, it seems, just like Yeva's. So now the question is, why does it do that? Doll also covered her eye, perhaps to conceal the damage that is already there. Theory: this happens because the solver inside of the drones is constantly attempting to get out of the host. It has been seen that it does destroy the bodies from ep5. And it seems that the red goop is what Uzi's attempting to hold back on her eye. It might be oil, but what makes me believe otherwise is the fact that it doesn't look liquid-like enough. Granted, that scene is literally 1 second, so the movement that may be there is really hard to grasp.

Doll HAS MADE A RETURN! And she's fighting someone with knives is what it seems like. Thoughts on who it might be? Literally, anyone in the gang, there is not much to go off of here. But to dissect it further, it could be like this:

Uzi- because she teamed up with Tessa and a DD, and it seems like Doll and the gang have separate goals, which upsets Doll and causes the fight.

N- another DD that had caused a lot of pain and suffering for WD when they first arrived to copper-9. So why not get rid of him as well while she's at it.

Tessa- the main character that seems to be very suspicious about every action. We know very little about her, and even more so what happened to her post gala massacre. Perhaps Tessa discloses the idea of killing every drone that is on the list of the drones experimented on. This will include Yeva and, therefore, Doll.

Now as for THIS.

That is a drone, for certain, now as to who it is, is really hard to guess. There is clearly a helmet on the drone, so it kinda narrows it down. Routes:

This is part of a flashback:

Nori or Yeva- one of the stronger solver drones that needed a better way of controlling/containing them. Backed up by the balconies/cat walks that are on the corners of the screen.

Some other poor drones- An even crazier idea of mine would be that the people were, in fact, worshipping the absolute solver. This is what happens to the heretics. Either that, or this was some sick way of worshipping the solver.

This is real-life time: Doll is the number 1 candidate, how she got to be like this, though... there are some possibilities.

Doll's solver form is taking control/form.

Uzi and Doll had a fight (consciously or not, solver might have forced a fight), with this being the outcome.

It's late for me. The amount of crack theories that have been bouncing around in my head is unreal. More than half of them are probably most likely wrong. Once again, take all of my theories and yeet them into the stratosphere if you wish ^_^ These will be mostly here just to come back to and see how wrong I was about everything.

[laspocelliere]

Day One: Steer

“A moment, Lord Commander.”

The Archbishop sat in his imposing seat, features cut sharp in unflinching light. His hands were gnarled where they gripped his staff, and his back was gracelessly curled forwards and away from the rigid straight back of his intricately carved chair. Still, his eyes were bright, and alive, and studying the young knight in front of him with a sharpness that defied his age and spoke only to his experience. His time as Archbishop, a knight; all that came before, and all that would come after.

Before him, Aymeric stood straight shouldered and wary. It was a familiar stance to him, one that never failed to make him feel small and insignificant, regardless of what accomplishments he could now put to his name. In an instant, standing alone before the holy seat of the Archbishop, he was a schoolboy again, ready for his reprimand after stealing strawberries and cream from the summer kitchens.

Summer was a distant memory. Guilt, meanwhile, lingered.

“I want to speak to you,” the Archbishop continued, his worn hands tightening thoughtfully on the decorative staff he held. “Alone.”

Behind where Aymeric stood, the Heavens’ Ward had already left the cavernous room, shoulders and faces set hard with the heavy mantles bestowed upon them by their Archbishop. They had gleamed, bright and clean in the shining winter light, assembled around the table with strong, well-worn purpose. It took a not insignificant amount of Aymeric’s resolve to hold onto that same feeling, to remind himself that he had every right to be there that they did. Remembering, like a mantra, the blood and toil it had taken to claw his way into his current position, regardless of his birth, or the rumours there within. He had never been able to stand together with his fellow knights – not really – and so he stopped trying. He stood apart, untouchable and climbing, setting himself intentionally separate so that no one could again claim that he didn’t fit. Pulling the title of Lord Commander around him like a mantle, his solitude was intentional, and purposeful.

Yet under the Archbishop’s ice blue eyes, a needling discomfort worried somewhere behind his ribs, insistent and sharp for its unfamiliar newness. 

How quickly would you find me wanting, if you knew how small I become in his gaze?

Would it change anything?

Will it change everything?

Her eyes – sharp, and calculating, and endless, and sad, and beautiful, beautiful, beautiful – haunted him, even as he stood still and silent, hand on his blade, waiting for instruction.

The Archbishop waited, examining him in silence before letting out a long, heavy sigh. 

Below, Aymeric’s spine snapped that much more into place, every vertebrae aching under the weight. Found wanting once more.

“You hold a unique position within Ishgard’s walls, my son,” the elderly patriarch began, his expression unreadable in its calm conviction. “As Lord Commander, you are tasked with steering her people and her military might forwards towards victory and prosperity. The Dravarian conflict grows bloodier by the day, and you have been elevated to your place in order to protect the peace and continued future of our holy order, and our gods-ordained purpose.”

With one hand, the Archbishop tilted his heavy staff lightly in Aymeric’s direction. “That ring you wear is not a mere ceremony, nor symbol. It is a reminder of your duty to your people, and your country.”

When Aymeric looked up, the Archbishop’s mouth was pressed into a firm, knowing line. “Do not,” the elderly leader said, his voice low and final in the echoing chamber, “let your head be turned away from that duty. Regardless of the form that distraction may take.”

Out in the snow-swept city, streets and spires away, the Warrior of Light turned to look towards the looming cathedral of the Pillars above, as though her name had been whispered in the wind.