#catcher Patrick

[queenmabcreates]

It’s that time of year! 💙⚾️🖤

[chemevan]

the oldmanification of pre hiatus fall out boy

[itshardtosayidowhenidont]

let's hear it for america's suitehearts!!! 🎠🎪⭐️

[loycspotting]

At my job, we're allowed to wear Halloween costumes throughout the month of October!

It'd be a shame if I didn't dress up as at least ONE Ewan McGregor character.

Obi-Wan is probably the only genuine costumey character, but in the very likely event that I can't find the materials to do his outfit, I need a backup.

Can you guys help me brainstorm costumes to put together?

[captain-cookie]

the guys ever

[highendphsrs]

Folie à Deux + Americas Suitehearts + Name Drops (sort of)

[fobarchiveteam]

A recent uncovering of: The America's Suitehearts Music Video Artist!

The music video for America's Suitehearts has always been a standout in FOB's discography of music videos for its maximalist presentation and perfectly overstimulating visuals. We at the Archive were interesting in learning who created the visuals; was it a team, or just one person? Did the animators also do the artwork and set design? After a long search, we found out the artist is named Serge Gay Jr. and he is now credited correctly on the IMDb page for the music video! We started our search by recognizing that the artstyle in America's Suitehearts looked identical to the one in the music video for Anthony Green's "Dear Child". Using a trial subscription to IMDb Pro (Yes, it's a real thing,) we were able to view the now defunct production company attached to the music video: Refused TV. We then found Refused TV's old Tumblr blog, and scrolled until we found a post confirming they also worked on America's Suitehearts, and Serge's name was also listed! If you don't believe that, just head over to Serge's website yourself and view his "FILMS" section, where he lists both music videos as projects he's done. It also lists Scrambled Visual, another defunct company, as the VFX artists, so they likely did all of the animation work on his artwork. Details like this might not seem very important to the casual fan, and they probably aren't. However, not only should artists be credited properly for the work they do, but perusing this search also lead us to learning more about Serge and really falling in love with his whole body of work.

P.S. Please don't run to contact him about this on our behalf. We don't know if he would want to be bothered about this and we want to remain respectful researchers!

SERGE GAY JR'S WEBSITE

[saveferris]

lets hear it

[wentzsmatchacup]

The Suitehearts!!!! <333

These are my Suitehearts designs. I love them so dearly <3 I ended up doing little doodles of them in the blank spaces but that was after I took these pictures lol. Also don’t mind how smudged they are AAAAAA THEMMMM

[weallpartyatybcpatricksfuneral]

I love coming up with music video ideas for songs that don't have music videos and lately the one I've been thinking about is 20 Dollar Nosebleed/West Coast Smoker as a combined video.

20 Dollar Nosebleed:

- Fall out Boy reprising their roles as the characters in 'America's Suitehearts' and putting on a show inside of a theater (which looks like the theater that's on the cover of From Under The Cork Tree)

- (doing this ONLY because he sings in the song) featuring Brendon Urie, who I don't put much thought into but I think would be wearing the outfit he wore in the 'I Write Sins...' music video

-starts out with just Patrick on stage, playing the piano and singing the intro. Eventually Brendon walks out during his part. Both Patrick and Brendon have physical strings attached to their bodies like puppets.

- Brendon does a little dance during the first chorus-- but he moves in a very stiff and unnatural way, as if being controlled (spoiler: they all are)

- when the chorus hits the curtain behind them pulls back to reveal the other members of Fall Out Boy, each one mounted on their own little pedestal and having strings attached to them as well. As they play their instruments, they also move stiffly, but less like puppets and more like animatronics.

-the second verse shows Pete looking at the strings on him then following his eyes up to the ceiling. Up on the rafters are a group of five well dressed, executive looking people. Unlike the characters on stage and those in the audience, the Executives are not made into a caricature of themselves and instead look the most "normal". Each executive controls the strings of one of the band members. Pete starts struggling to get free during the line "the man who would be king/the man who would be king"

-When Brendons second verse hits, Patrick stands up and walks to him, and during the chorus the two have a dance together: the dance is, like the rest of their movements, stiff. Every now and then it will cut to a shot of one of the Executives moving their hands like a puppeteer. The Executives are smiling, clearly having fun manipulating Fall Out Boy, while the guys all look like they are suffering some sort of pain each time the Executives jerk at the strings.

-during this, there are occasional shots to the audience. Everyone is dressed in an eccentric way, and holding a camera. Everyone is taking pictures of the band.

- during the "ba ba ba Benzedrine, my my my Benzedrine" part, it shows the Executives forcefully jerking Joe, Andy, and Pete around as they all struggle to get free from their strings while still playing their instruments. Patrick and Brendon are subject to this as well, both of them showing clear signs of pain but forcing themselves to smile through it as the cameras flash in their faces.

- during "the rest of the proof is on the television, on the-", Patrick walks to the edge of the stage and has his picture taken by an audience member. Patrick looks to be in anguish, and when he finishes his line, he is aggressively jerked away and back towards Brendon. There's a shot of an Executive grinning. The two finish their final chorus, Patrick sits back down at the piano and Brendon walks back to the side of the stage he entered on. The lights dim, and (what should be) the final shot is of Patrick smiling as he says "Have you ever wanted to disappear?"

- the curtains begin to roll down, but Pete finally breaks his strings off and hops onto Patrick's piano, takes the mic, and starts reciting the poem at the end. The audience lowers their cameras, horrified that Pete is acting of his own accord.

- As Pete talks to the audience, Andy, Joe, and Patrick take their strings off as well. During the line "always thought I'd float away", Pete rubs the Mr. Sandman makeup off of his mouth with his sleeve. Patrick gets his guitar from the side of the stage. Andy removes his green shirt and Joe turns up the amps. The Executives are freaking out, not understanding how Pete could have escaped.

- Pete delivers the last line as he stares up at the Executives. Roll the intro of West Coast Smoker. Many members of the audience drop their cameras and cover their ears.

West Coast Smoker:

- pete quickly puts the mic onto the stand for Patrick, and picks up his bass. Like Pete, Patrick removes his lip makeup as well.

- As Patrick sings the opening lines, there are a few shots of the Executives looking horrified and not knowing what to do to get Fall Out Boy back under their control. Joe and Pete move closer to the front of the stage and away from their pedestals from earlier. Both are moving around in a much more natural way. Andy is headbanging while he drums (which he was not doing during 20 Dollar Nosebleed). Patrick is moving to the beat of the song as well, but he is not dancing like he did with Brendon.

- The chorus hits as Joe screams "oh hell yes!" before doing his signature spin move. Patrick sings the next lines. More cuts to the audience. All of them have gotten rid of their cameras and now watch in shock and horror as the band is finally free and performing how they want to perform. Shot of the Executives running off their platform up on the rafters to somewhere off screen.

- when the second verse hits, Pete moves closer to Patrick like how he does on stage in a real life Fall Out Boy show. Pete whispers the line "and that's all that should matter to you" (or is it "and as always I'm not addicted to you"? I hear this line in the song but the lyrics say it's the first way) in Patrick's ear. Some members of the audience turn away at this part.

- during the second verse, it cuts to the Executives hastily walking down a hallway. They each hold a spool of red threads: their goal is to get Fall Out Boy back under their control. The two who were controlling Patrick and Pete hold makeup brushes and some face paint containers. Cut back to the stage. Andy, Joe, and Pete are having the time of their lives: they're headbanging, thrashing around, Joe is spinning and Pete is doing his jump spin move. They are all smiling.

- second chorus hits and Patrick is moving more so than he was the first. He's thrashing around more and singing enthusiastically (unlike in 20 Dollar Nosebleed, where he looks more hesitant to sing)

-afterthe chorus, the doors of the theater are flung open and every audience member turns to watch as the Executives make their way towards the stage, angry and scowling. Cut to Joe, who looks pissed off, then to Patrick, who is frowns, and finally to Pete who scowls.

"Knock Once for the father" -- shot of Patrick aggressively playing his guitar

"Twice for the son"-- Andy beating the drums hard

"Three times for the holy ghost" -- Joe riffing on his guitar.

- during the "I'm a nervous wreck!" screams, Pete fully let's loose and runs around his side the stage, smiling as the Executives watch in horror as he knocks equipment over and breaks part of the stage. After his screaming, Joe follows suit and also beings to break stuff and knock things over. It's total choas as Patrick sings the end of the song, gleefully holding his middle finger up to one of the Executives with a makeup brush in their hands.

- the video cuts to black after the final line "Three Times for the Holy Ghost" but the final scene is Fall Out Boy standing on a partially destroyed stage, smiling.

My idea is that it's meant to comment on fame (like all of Folie does). In the first half of the video, the boys are playing literal caricatures of themselves on stage. They're also being physically controlled by the Executives, who are literally meant to represent record label executives but also represent toxic fan and celebrity culture as well as what people expect Fall Out Boy to act like. Patrick and Brendon -- the lead singers of their bands-- are constantly the ones focused on by the audience. They're the main subjects of the photos. They're being controlled like puppets and gawked at like zoo animals. Andy, Joe, and Pete are placed onto a pedestal and do not move from it until Pete's poem when they free themselves. They move more like animatronics during the first part of 20$Nosebleed but are eventually jerked around like puppets too. All of them are suffering pain from this: you can see it clearly written on their faces, but they have to keep smiling and keep the show going-- Patrick and Brendon especially.

I have more analysis for this but this was so much to type so I'm definitely putting it in a 2nd post later

[modernlovez]

Let’s hear it for America’s Suitehearts!

[feddy-34]

HOLY MOTHER OF GOD PATRICK BAILEY

[mystic-maniac]

Woah hey what if I post art here??? 🤯😳

Anyways here are some suiteheart sillies for your viewing pleasure because that music video has been my only personality trait for the past week or so

you could’ve knocked me out with a feather 💫

[ra3theemo]

i made these gehehehewhe

it made mr sandman look wacky asf but i made everyone in americas suitehearts

[thejoyofviolentmovement]

New Video: High. Shares Swooning and Rousingly Anthemic "Catcher"

New Video: High. Shares Swooning and Rousingly Anthemic "Catcher" @Highasfuckband @kaninerecords @bighasslemedia @knzdvs

Boonton, NJ-based shoegazers High. can trace their origins back to 2021 when Christian Castan (vocals, guitar) and Bridget Bakie (bass, vocals) met while playing across the Garden State’s DIY and college circuit, building Bakie’s reputation as “The Queen of The Quarter Note” and Castan’s profile as an unforgettable guitarist. After the pair played in a band together, they longed fora project that…

[docwombat]

i cannot BELIEVE that patrick bailey did not win the gold glove i am IN TEARS......