#carti gratuite

[asistenta-virtuala]

Libris: Reduceri si transport gratuit la cartile scriitorului Milan Kundera

Luna aceasta, te poți bucura de reduceri și transport gratuit (la unele cărți) ale scriitorului Milan Kundera. Alte lucrări de referință ale lui Kundera includ "Insuportabila ușurătate a ființei" , "Identitate", "Jocul" , "Neînțelegerea"  și multe altele.

Luna aceasta, te poți bucura de reduceri și transport gratuit (la unele cărți) ale scriitorului Milan Kundera. Milan Kundera este un cunoscut scriitor ceh, considerat unul dintre cei mai importanți autori ai literaturii contemporane și este recunoscut pentru stilul său distinctiv și abordarea sa profundă asupra subiectelor umane. Este cunoscut pentru scrierile sale filozofice, introspective și…

[hopernicus]

Daruri de Craciun la "Litera 13"!

Daruri de Craciun la “Litera 13”!

Venind parca in intampinarea unor secrete dorinti pe care mi le am tot hranit interior, dar pe care nu i le am impartasit niciodata, prietenul si respectatul om de cultura Mihai Vintila, iata ca vine cu un frumis dar in apropierea sarbatorilor si deschizand rafturile editurii sale InfoEst ne ofera gratis o parte din cartile ce au primit girul sau. UN DAR DE ZILE MARI SI DE CARE AR TREBUI SA…

[cristinagherghel]

Scrie cartea vieții tale: Dacă vrei cu adevărat, poți! Pentru visătorii ...

[drugastraian]

Carti beletristica - transport gratuit la orice comanda ❤️

https://www.librex.ro/carti-beletristica/

[valorificat]

Vanzarea cartilor catre anticariate care cumpara carti la kg vs. platforme online

De cativa ani incoace, in anumite conditii, unii comercianti ofera un serviciu de preluare a cartilor in functie de greutate. In urma unor experiente de succes cu haine si vesela second-hand la kilogram, acum sunt incluse si cartile. Printre cei mai cunoscuti achizitori care cumpara carti la kg se numara si Cumpar Carti, un anticariat care cumpara carti din toate domeniile.

Vanzari catre anticariate care cumpara carti sau prin platforme online de profil?

Unele persoane au atat de multe carti in biblioteca pe care considera ca nu le vor mai citi niciodata, incat ajung sa decida sa le vanda pe toate sau o parte dintre acestea. Din momentul in care iau aceasta decizie incep sa caute cea mai buna solutie pentru o tranzactie buna pentru ei. Anticariat de carti sau platforme online?

Dincolo de faptul ca achizitioneaza carti din toate domeniile, acest anticariat care cumpara carti din toata tara le ofera un avantaj considerabil clientilor sai, prin faptul ca se deplaseaza acolo unde le sunt solicitate serviciile fara sa perceapa taxe. De fapt, toate ingredientele care sunt incluse in serviciul oferit de Cumpar Carti sunt gratuite: deplasarea la domiciliul clientului, evaluarea cartilor si preluarea cartilor.

Pretul pe care il propune CumparCarti.ro este corect, iar negocierea face parte din tranzatie. Practic, achizitorii acestui anticariat sunt onesti si deschisi la tranzactii care sa multumeasca vanzatorii de carte. 

Cumpar carti la kg | anticariat care cumpara carti | CumparCarti.ro

Pe de alta parte, in prezent exista platforme online care fac achizitii de carti, dar nu este usor ca persoanele interesate de astfel de servicii sa le gaseasca pe cele mai bune. In plus, in cazul in care se alege o platforma, munca celui care are de vandut mai multe carti este considerabila, deoarece trebuie sa le sorteze si sa le urce ulterior pe site-uri. Avantajul acestor platforme este ca sunt specializate in carti second-hand. Cu toate acestea, desi vanzatorul nu trebuie sa plateasca taxe sau abonamente, trebuie spus ca preturile de rascumparare oferite de potentialii clienti sunt relativ mici.

Concluzia pune in evidenta beneficiile superioare ale unui anticariat care cumpara carti, beneficii care promoveaza o tranzactie corecta, fara efort!

[crazy-deals]

Zilele Copiilor cu reduceri de pana la -40%, Carnetele CADOU si Transport GRATUIT*! Alege-i carticelele

In perioada 01 - 05 iunie 2023 profita de reduceri de pana la -40%, Carnetele Cadou oferite la comenzile care contin o carte din categoria Carti pentru Copii ori Manuale si Transport Gratuit la orice comanda de peste 50 lei cu livrare in Romania pe Libris. Nu uita! De fiecare data când cumperi online sa cauți pe Crazy-Deals.ro ce promoții sau cupoane reducere Libris sunt Active pentru a fi la zi cele mai mari reduceri si discount-uri posibile. Read the full article

[stiridinromania]

Concurs national de eseuri si povesti grafice organizat de Asociatia "Toti pentru bine"pentru copiii cu varste intre 5 si 11 ani

Asociatia "Toti pentru bine" organizeaza in perioada 10 ianuarie- 28 februarie 2023 prima editie a concursului national de eseuri si povesti grafice destinat copiilor cu varste intre 5 si 11 ani. Romania, Ianuarie 2023 Copiii cu varste cuprinse intre 5 si 11 ani sunt invitati sa participe la concursul de eseuri si povesti grafice cu tema " Eu am superputeri! Eu pot face lumea un loc si mai bun!". Lucrarile constand in 3 ilustratii realizate la dimensiunea A4, pentru categoria de varsta 5- 6 ani, compuneri in 50- 100 cuvinte insotite de 2 ilustratii, pentru categoria de varsta 7-9 ani, respectiv povesti scurte in 350 cuvinte insotite de 1 ilustratie, pentru categoria de varsta 10- 11 ani, pot fi inscrise in competitie pana la data de 15 Februarie 2023. Toate proiectele vor fi evaluate de un juriu format din specialisti in domeniul literaturii pentru copii si artisti ilustratori, iar castigatorii vor fi anuntati public pe pagina oficiala de facebook a Asociatiei "Toti pentru bine" in data de 28 Februarie 2023. Asociatia "Toti pentru bine" ofera castigatorilor 9 PREMII , cate 3 (TREI) premii pentru fiecare categorie de varsta, constand in seturi LEGO si seturi creative si de artizanat Jack in the box. Regulamentul oficial al concursului si mai multe informatii sunt disponibile pe site-ul oficial al Asociatiei "Toti pentru bine" si pe paginile oficiale de social media. Claudia Lazar Groza, scriitoare pentru copii- a terminat Liceul Teoretic Ion Barbu din Bucuresti, urmand Facultatea de Biologie, Master si apoi un doctorat pe Biodegradarea obiectelor de patrimoniu. In 2009 a participat la un curs de scriere creativa. Asa a aparut prima sa poveste „Tobias elefantelul colorat”, in 2011 la editura Aramis. Azi are un numar de 9 carti si numeroase proiecte online de scriere creativa si ateliere de biologie distractiva. Alina Sirbu, scriitoare, Art Terapeut, Facilitator de workshop-uri pentru companii, femei si copii, Consultant in relatii umane, consilier de cariera- creaza de aproape 5 ani carti, calendare, CD-uri pentru mame si copii, poezii, povesti si ghicitori si, avand experienta in corporatii imbinata de formarea in Art Therapy, sustine programe de consiliere vocationala si diverse ateliere. Luiza Cipriana, profesor, scriitor, designer de interior si om pasionat de nutritie si sanatate- a publicat pana in prezent 4 carti pentru copii, povesti care cuceresc prin emotii, senzatii, gust si culoare, dar mai ales prin descoperirea puterii imense a imaginatiei. Bianca V. Ionescu, artist ilustrator- deseneaza iubirea si povesti in culori de peste 10 ani si sustine ateliere de desen si pictura pentru copii, realizand pana in prezent ilustratii pentru zeci de carti pentru copii, printre care "La drum cu Lola si Molda"- de Luiza Cipriana, colectia "Rici Arici" si "Poveste cu Mos Ene si Domnul Somn"- de Iuliana Sosu. Asociatia "Toti pentru bine" a fost infiintata in Iunie 2022 si organizeaza, sustine si desfasoara cursuri, ateliere si evenimente educative, creative si recreative pentru copiii din mediul rural, comunitati mici si categorii defavorizate. Este partener in programul "Ajutor pentru elevi" si ofera copiilor inscrisi in acest program cursuri gratuite de codare si programare, grafica asistata de computer, webdesign, engleza si ateliere de dezvoltare emotionala, STEM si artizanat. "Am pornit la drum cu convingerea ca mintile si manutele pe care le implicam acum in activitati educative, creative si recreative vor putea construi, in viitor, o societate mai buna. Cred cu tarie ca fiecare copil, indiferent de mediul in care traieste, poate deveni cea mai buna versiune a sa daca are acces simplu, la indemana, la cursuri si ateliere create cu scopul dezvoltarii educationale si emotionale a acestuia"- Andreea Anghel, Presedinte, membru fondator Asociatia "Toti pentru bine" 8 Ianuarie 2023, Romania, Bucuresti Read the full article

[lgbt-romanian-teens]

Carti pdf gratuite(cu, despre si pentru lesbiene)-va rog sa nu dati reblog!

https://www.dropbox.com/sh/rvs4yqrua7xvgrj/AAD6bCcli48Q95ydG1XQs1tka?dl=0

https://www.dropbox.com/sh/0p0xv4a6ne2vlrv/AACO0uQJW9kAstPJsMFol63Qa?dl=0

[opartedinmine]

Calea mântuirii - ​Charles Spurgeon

Calea mântuirii – ​Charles Spurgeon

Ce este Evanghelia? Care este mesajul ei? Cum poate fi omul mântuit? Pe ce cale? Și odată ce suntem informați cu privire la mesajul Evangheliei, cum ni-l putem însuși așa încât să beneficiem de el? „Esența Evangheliei este răscumpărarea, iar esența răscumpărării este jertfa substitutivă a lui Hristos. Cei care predică acest adevăr, predică Evanghelia, orice alte greșeli ar face; dar cei care nu…

[officialromaniantranslatiuni]

elefant.ro: daca achizitionezi 4 carti, 2 le platesti si 2 sunt gratuite, daca iei 8 carti, 4 le platesti si 4 sunt gratuite, daca iei 12, 6 cu bani si 6 gratis si daca iei 16, 8 sunt cu bani si 8 pe gratis

eu, cu 4 carti in cos si ioc reducere: umm...

eu, cu 8 carti in cos si doar 2 la reducere: mi se pare mie sau voi nu stiti sa calculati?

[curcubeuinculori9]

[asistenta-virtuala]

Litera: Xmas in july - REDUCERI de până la -70%

În săptămâna 3-9 iulie, pe Litera are loc Xmas in july, o campanie în cadrul căreia vei beneficia de REDUCERI DE PÂNĂ LA -70% la mii de bestselleruri. Transportul este gratuit la comenzi peste 149 lei. Iată câteva titluri cu cele mai mari reduceri: 1. Doua carti si o vacanta, Autor: Emily Henry -70%, „Cititorii se vor îndrăgosti cu siguranță de această poveste romantică duioasă și…

[deadcactuswalking]

REVIEWING THE CHARTS: 15/05/2021 (Coldplay, J. Cole, Trippie Redd & Playboi Carti)

I’m awful at predicting this chart, I really am, but most of that is probably down to how I only make vague predictions at the end of each episode without even considering most releases that’ll actually chart. Let’s just say I didn’t expect nine new arrivals this week. At the top, however, little has changed as the absolutely huge “Body” by Russ Millions and Tion Wayne with a remix featuring whoever the hell is spending its second week at #1. The rest of the chart, however, gets a bit more interesting. Welcome back to REVIEWING THE CHARTS.

Rundown

The biggest story to effect the chart this week is of course 2021’s BRIT Awards happening this Tuesday, which I’m sure boosted a lot of songs during the mid-week. I also actually covered the awards show on that day if you’re curious, with some of my observations, predictions and opinions. We can very clear see – or hear, for that matter – the impact of the BRIT Awards in this week’s chart, as it did cause a lot of gains and new arrivals that shook up the chart right in the middle of the tracking week. Firstly, we do have some drop-outs from the UK Top 75, which is what I cover, only one of them, “Paradise” by MEDUZA and Dermot Kennedy, being all that important given it was a top five hit but we do have a handful that lasted five or more weeks or peaked in the top 40, like “Medicine” by James Arthur flopping embarrassingly, “Addicted” by Jorja Smith dropping out to prepare for the rebound next week given her album release and “Solid” by Young Stoner Life, Young Thug and Gunna featuring Drake.

Speaking of Drake, he also provides the singular returning entry as “Wants and Needs” featuring Lil Baby is proving to be the actual hit from that three-pack from March, coming back to #65. Scaling down the chart, we also have some notable losses, songs that dropped at least five spots on this week’s chart. Those that fell include “Your Power” by Billie Eilish dropping harshly to #15 off of the debut, as well as “Your Love (9PM)” by ATB, Topic and A7S at #18, “Confetti” by Little Mix to #21 off of the return (with Saweetie, the artist quite literally solely the reason it’s had this second wind, still bizarrely left without a credit by the UK Singles Chart), “My Head & My Heart” by Ava Max at #27, “Titanium” by Dave at #31, “Wellerman” by Nathan Evans and remixed by 220 KID and Billen Ted (yes, THEY’RE credited) at #36, “Patience” by KSI featuring YUNGBLUD and Polo G at #42, “Heartbreak Anniversary” by Giveon at #44, “We’re Good” by Dua Lipa at #47, “Way Too Long” by Nathan Dawe, Anne-Marie and MoStack at #49, “Head & Heart” by Joel Corry and MNEK at #51, “Beautiful Mistakes” by Maroon 5 and Megan Thee Stallion at #55, “Don’t Play” by Anne-Marie, KSI and Digital Farm Animals at #56, “Calling My Phone” by Lil Tjay and 6LACK at #59, “Commitment Issues” by Central Cee at #67, “You” by Regard, Troye Sivan and Tate McRae at #69, “Get Out My Head” by Shane Codd at #70, “Hold On” by Justin Bieber getting ACR’d at #71, “Streets” by Doja Cat at #73 and finally, “6 for 6” by Central Cee at #75.

Filling up the room for those losses, however, are the gains, always a tad more interesting, as the songs that rose at least five spots on this week’s chart – or make their first appearance in the top 40, 20 or 10 – are usually having the BRITs to thank to some capacity. The climbers include “Summer 91 (Looking Back)” giving Noizu his first top 40 hit at #31 (and I’ll admit, the song is growing on me), Griff also getting her first with “Black Hole” at #35 thanks to her win and performance at the BRITs, “WITHOUT YOU” by The Kid LAROI rebounding to #13 thanks to that once-again uncredited remix with Miley Cyrus and finally, entering the top 10 for the first time is “Anywhere Away from Here” by Rag’n’Bone Man and P!nk at #9, getting the boost from a perfect trifecta of gains: Rag’n’Bone Man released his album on Friday then on Tuesday had the closing performance of this song at the BRIT Awards with additional vocals from the Lewisham and Greenwich NHS choir, who are also now appearing on a new release of the song the day after, prompting a whole lot of sales, of which I assume and hope are going to charity. It’s Rag’n’Bone Man’s third top 10 hit, P!nk’s 21st(!) and interestingly enough, the NHS choir’s second top 10 hit as they had the Christmas #1 back in 2015. With all of that out of the way, I suppose it’s time to get to our varied array of new arrivals.

NEW ARRIVALS

#74 – “Dick” – Starboi3 featuring Doja Cat

Produced by Nius and SoFLY

This week is kind of a weird week if that wasn’t immediately obvious as our new arrivals are kind of all over the place, starting with... well, I think I could say less about the song than the title does. Starboi3 is this SoundCloud rapper from New Jersey who made a song with Doja back in 2019 – I assume she was more accessible for features back then –and it didn’t blow up at all, really, giving Starboi3 some additional traction but not until 2020, in which Doja Cat got her #1 hit and TikTok picked up this explicit single as a new sound. Sadly – or thankfully – the song was never released officially onto streaming until very recently, meaning, surely, the hype’s over by now? The answer to that is no, as it’s climbing up charts in both the UK and the Bubbling Under in the US... so there’s got to be something good about this song, right? Well, no. Not at all. Of course, that is subjective, but I do question your sanity if you’re honestly enjoying this unlikeable nobody shout “Dick!” over a basic, no-melody trap instrumental with heavy 808s not too dissimilar to drill, before going into a beyond basic chorus and verse about, well, you can guess, with rhymes sounding either like an awful freestyle or a kid with a rhyming dictionary. “She not with him tonight, she not with Jim tonight”? Of course, that’s in the post-chorus because if there’s one thing this song needs, it’s a freaking post-chorus. I also don’t think Starboi3 realises that making her scream for her parents is quite the opposite of sexy – or even raunchy and mindless, as it’s actually just creepy and terrifying. Speaking of terrifying, Doja Cat is here and not even she can add a less basic flow with a verse that just ends up going in one ear and out the other, even if I do like the seductive backing vocals that at least try to make this not a slow, joyless slog. However, I do NOT like the Pickle Rick reference. To be fair, this was 2019, but also to be fair, never reference that again, I am begging you. This is a disaster on all fronts and probably one of the worst tracks I’ve had to review in this series. Good start!

#64 – “Freaks” – Surf Curse

Produced by Surf Curse

This new song is actually even older, being released initially as a deep cut from this Nevada duo’s 2013 album. As you’ll probably tell, this is charting off of people streaming after hearing the song on TikTok and, I mean, at least the song’s actually good this time, careening off of a clearly surf-inspired clean riff surrounded by some basic drumming and a good bassline. It’s not great as it does feel increasingly basic as I said, almost like one of those local bands that don’t get much national attention or traction but do play some gigs and get some love at those places, to the point where it’s kind of big if they play shows outside of their region... which makes sense because that is exactly what they are. This is just some band from Reno but here it is charting on the UK Singles Chart and while it’s here, I should say whilst there’s not much here to discuss given how minimal it is, Nick Rattigan’s vocals are fittingly desperate for the theme of social alienation and particularly rejection as it’s pretty obvious he’s aiming venom at himself for a bad break-up, although given the sound and tone of the song, probably his first, with that double meaning of the mantra in the outro, “I won’t wake up this time”, potentially being a crushing line for someone in similar circumstances. That’s not me, exactly, so this doesn’t hit, but I’m glad that Machine Gun Kelly song from last week got replaced with some actually decent alternative rock on the chart. I hope this does well.

#60 – “One Day” – Lovejoy

Produced by Cameron Nesbitt

“One Day” is the biggest track from new English rock band Lovejoy’s debut EP, Are You Alright?, and whilst I was planning on not mentioning the fact that the band is fronted by Minecraft YouTuber Wilbur Soot, that is the only reason it’s charting – and he’s charted with “Your New Boyfriend” a couple months back, a song that I actually kind of liked. It’s also immediately obvious in the writing that this comes from an Internet personality, with some not-so-well-woven detail and increasingly gratuitous self-awareness that eventually cycles back and ends up as seeming like they have none at all... okay, like most indie bands but that’s beside the point. This happens to be Wilbur’s least favourite song on the release – one that I haven’t listened to because even if I’m not too old for mindless pop music, Minecraft YouTuber alt-rock may be where I draw the line – and I can completely understand the distaste for this given that it starts with the line, “Why’d you have to kill my cat?” I also have some qualms with the song sonically as it may be the most derivative rock single I’ve heard on this series, given how obviously it rips from indie rock bands of the 2000s, with an oddly clean mix that doesn’t exactly fit the obvious stream-of-consciousness lyrics and Wilbur’s erratic delivery. Also, there’s a whole lot of trumpet on this song, which I guess is a surprise, but that doesn’t make up for a drummer who can clearly play very well but has to chaotically play over a song with practically no groove. I do like that second chorus in how it builds up to a somewhat anti-climactic guitar solo but as a full song I do not really get the appeal of this that I don’t get out of other post-punk revival bands from decades back who are still pumping out music. This isn’t bad – I swear, don’t dox me – but I just want something more compelling from this. I will always be glad regardless of the quality that we have more rock on the chart, though, even if this’ll be gone by next week.

#57 – “It’s a sin” – Years & Years and Elton John

Produced by Stuart Price and the Pet Shop Boys

One of my favourite performance from the BRIT Awards this year was Olly Alexander of Years & Years sharing the stage with the iconic Elton John to cover Pet Shop Boys’ “It’s a Sin” which had renewed interest from last year as it was the namesake for a hit TV series about HIV/AIDS, for which this fittingly played a role and has kind of been recontextualised as a gay anthem, which makes complete sense if you look at its lyrics about the Church telling Neil Tennant “how to be”. It’s also one of the Pet Shop Boys’ most camp and theatrical songs, so giving it to Years & Years and Elton John to cover for the BRIT Awards make all too much sense. No, they’re not able to live up to the theatricality of the original, especially if Alexander’s vocals are going to be this clearly manipulated at points, but with Elton John’s piano laying a perfect foundation for the rising intensity of the track, we do get a sense of that original melodrama, with the synth-work and house groove coming in before Elton John’s voice, sounding smokier and wiser with age, and in my opinion, more compelling as a vocalist, especially if they’re both going to sell this song with the most convicted of deliveries. I don’t think a cover could ever live up to that original iconic track but if anyone’s going to get close, it’s Elton John. Expect this to rise next week.

#50 – “Never Left” – Lil Tecca

Produced by ThankYouWill, Taz Taylor and Cxdy

I’ll always be annoyed that Lil Tecca blew up as a rapper instead of a producer, as I don’t think this guy has any likeability or charisma about his flow, cadence or delivery, and that’s only after you get over how dry and whiny his voice can get. However, he can make some great and incredibly infectious beats for other rappers, including a song I see becoming a hit soon in SoFaygo’s “Knock Knock”, which I will bet on at least making the Billboard Hot 100 if not the UK Singles Chart. It’s unbelievably catchy. With that said, Tecca is here in the form of some SoundCloud raps over a boring synth pluck and vaguely tropical Internet Money trap beat, sounding and flowing way too much like Gunna for his own benefit, or Gunna’s benefit, if we’re honest, as this shows how easily he can be replaced. I usually don’t write off this type of rap and will absolutely defend it, but this song isn’t even catchy or unique. I mean, I don’t like “Ransom” either but at least it was kind of fun and I still know the lines in the chorus a couple years later. I’ll forget all about this by next week if it doesn’t stick around. At least he shouts out Chief Keef. God, I hope he charts sometime, that’d be funny.

#45 – “All I Know So Far” – P!nk

Produced by Greg Kurstin

So, P!nk is back but not with a studio album, rather an upcoming live album in which the two new, original songs are about or featuring her daughter. This is the second single from said album and is probably coasting off her appearance at the BRITs in terms of a relatively high chart debut. I’ve never been that big a fan of P!nk but she has her classics, none of which are in the past 15 years but that’s beside the point. This single in particular is an acoustic ballad dedicated to her daughter in which P!nk provides a rapid intensity alongside pretty great-sounding acoustic guitars, pounding drums and strings that sells the content about empowering yourself, with some nice lyrical detail about always being yourself, basically, which would come off as cliché and preachy if it weren’t for some oddly specific lyrics in those verses and the chorus that basically just tell her daughter that despite the fact the world will constantly try to crack down on her and everything she does much like life does to anyone but especially women, she should stand up for herself and what she believes in. However, none of that cuts deep when she’s being raised by a millionaire, huh? There’s little Hell to be put through when you’re born with a silver spoon, huh, Willow? Regardless, this isn’t a bad pop song and its content isn’t as misguided as it is just sang by the wrong singer, although I’d find it hard to get a singer with as much rasp and wisdom in the mainstream to sell this as convincingly as P!nk does – vocally, not lyrically. This is a couple steps above that last single, “Cover Me in Sunshine” at least, which was just insidious. Next.

#32 – “Miss the Rage” – Trippie Redd featuring Playboi Carti

Produced by Loesoe

Okay, so all of our last three new arrivals are in the top 40 and we start with... o-okay, well, it’s 2021, anything can and will chart and I should know this by now, but it’s still surprising to see a song by these two guys debut so high, especially since Whole Lotta Red produced absolutely no charting hits in the UK outside of “@ MEH”, which doesn’t really count. This is Trippie’s highest-charting song ever in the UK that isn’t fronted by KSI, so I guess streaming must have been that good – also, the charts are still weak. For what it’s worth, I do like both Trippie and Carti to their respective extents, and I am aware that this is only as big as it was because of the hype from the leak, which also featured Mario Judah, and that in itself was a big song but it took years for Carti’s feature to be cleared by the label, as is infamously true for much of Carti’s work and even his last official collaboration with Trippie that was actually deleted after release. I’m still hoping on an official release for his verse on Yung Lean’s “Yayo”, but whilst we have this instead, I might as well talk about it and... Well, let me explain to you what I see as the appeal of these two rappers. That appeal is, mostly, that they don’t rap even though they both very much can. Trippie yells, moans, growls, screams and spends most of his work singing in his typical raspy, venomous voice, whilst Playboi Cart spits and coughs his way through substance-less ad-libs to the point where any actual wordplay or lyrical detail gets you excited for that brief moment. In this song, Trippie and Carti don’t eschew the typical role of a rapper and both just... rap normally, which would not be a complaint if they weren’t so bland in that role, which is the whole point of their unique, phlegm-filled deliveries in the first place. As a result, this song just ends up feeling empty, even if this awfully-mixed, bass-boosted beat with some lovely distorted video-game synths and hardly audible trap skitters does go incredibly hard. Don’t get me wrong: this is still catchy and Trippie flows very well over a beat that sounds made for him and Carti. Hell, Carti has grown on me so much recently that my fondness for this might just be me eating anything he releases up. With that said, he’s the worst part of the song as his baby-voice style emphasises how lacking this song is in just anything. I do like the wordplay at the tail-end of the verse as, yes, that happens, perhaps not as iconic as some of his other oddly profound or clever lines on his last record but at least it’s something. At least this is some interesting American trap, unlike...

#25 – “i n t e r l u d e” – J. Cole

Produced by J. Cole, Tommy Parker and T-Minus

The pandemic has affected the music industry to the point where big-name rappers release album interludes as lead singles. Said album has songs shorter than this interlude, with most of its dull filler feeling like additional interludes, quite unbefitting for such a big and hyped-up album from Cole which frankly is just another boring addition to an already consistently dull catalogue. I’m just not interested in what Cole has to say because he’s never been likeable and I feel like there’s better rappers that bridge the gap between old and new like how Cole sees himself as doing, the “MIDDLE CHILD”, perhaps, like, you know, Drake? If we want to go for a more direct comparison from lesser-known rappers, the direct comparison I use for this new record is Aminé’s latest, also made up of a variation of trap bangers featuring massive, charting names versus introspective, conscious lyrics, yet Aminé is an interesting character with quotable lyrics that aren’t embarrassing, knows how to write an actual hook and whilst he also brings on both classic and modern features, he’s never out-done by them, creating an actual bridge rather than just some guy who thinks he can write his own role in the industry and culture without his own music backing his case. Unfortunately for me, it works – every freaking time – largely because of his continually loyal fanbase but also a general public interest in the guy that I do not understand, especially when more than a decade into his career, he’s still pushing out mediocre projects. He cuts his album’s length by a ton and still ends up with a bloated record. I barely need to talk about the track itself, right? Even if it has as much structure and effort put into it as his normal songs do, it’s labelled quite literally as an interlude. Sigh, well, in this interlude, Jermaine raps over a drowned-out soul sample and admittedly, sticks to the topic of reminiscing on where he came from, the violence in Fayetteville, a similar violence of which was what killed Nipsey Hussle, who he compares amongst Pimp C and Jesus as they all died at 33. Cole himself is 36 so I guess for once he doesn’t think he’s Jesus. It took him a while to realise.

#12 – “Higher Power” – Coldplay

Produced by Max Martin, Oscar Holter and Bill Rahko

I assumed this would debut at #3 until the BRIT Awards performance gave it a boost to debut at the top but I guess everyone else had the same opinion of that awful opening performance as I did, because here it is at #12. Well, that doesn’t matter, right? Coldplay’s last album similarly underperformed... but at least that time, they had a genuinely ambitious album for once in their careers with some genuine experimentation and themes I did not expect to come out of Coldplay. It was a better album but not an accessible one, with its only pop single being a bittersweet anti-war anthem which trivialises bombing in the Middle East to onomatopoeia. It’s a great song but it wasn’t going anywhere, so it’s no surprise that their next lead single is a soulless synth-pop track produced by Max Martin. Admittedly, the synth tone in the intro is kind of unique in all its nasal 80s nostalgia, but, man, I thought we moved past just rehashing for a hit, Coldplay. This is pretty obviously just a crap attempt at being “Blinding Lights” which trades in its machine-gun loco-motive drum pattern for one that is a lot more stiff, and its iconic, memorable lyrics for a forgettable set of love-struck laziness. Oh, yeah, and Chris Martin is far from the Weeknd both in the studio and live at the BRIT Awards – seriously, dude sounded half-alive. This isn’t offensive, just a bore that is clearly a desperate label move ready for when they can tour again, and if their last record proved anything it was that Coldplay seemed like they were finally above that.

Conclusion

Well, that’s our week – again, a questionable one at best and kind of a bad one at worst. Either way, this is a strange array of songs and I do like how the UK Singles Chart subverts everything you’d expect of it so often that chaos becomes the trend, even if not all of it is any good. I guess Best of the Week goes to “Freaks” by Surf Curse, with an Honourable Mention to Elton John’s cover of “It’s a sin” with Years & Years. Surprisingly enough, J. Cole actually doesn’t get Worst of the Week as the album gets a lot worse than that interlude, so he gets a Dishonourable Mention alongside Starboi3’s “Dick” being crowned Worst of the Week, and honestly probably Worst of the Year so far, not that I’m keeping track of that. Here’s this week’s top 10:

What’s coming next week? More J. Cole, Olivia Rodrigo’s newest single and probably – and hopefully – some album tracks from Jorja Smith and Nicki Minaj. For now, though, thanks for reading. It’s a big week next week, and I’ll see you then!

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Renunțarea la cărțile vechi poate fi o sarcină dificilă pentru mulți, dar este adesea necesară pentru a face loc noilor cărți sau pentru a elibera spațiul din bibliotecă. În acest articol, vom explora câțiva pași pe care îi poți urma pentru a renunța la cărțile vechi într-un mod responsabil și conștient.

Revizuiți și evaluați biblioteca personală

Primul pas pentru a renunța la cărțile vechi este să revizuim și să evaluăm biblioteca personală. Treceți în revistă cărțile pe care le aveți și gândiți-vă la cât de mult le-ați folosit sau le veți folosi în viitor. Gândiți-vă la interesele și preferințele actuale și decideți care cărți nu se mai potrivesc cu acestea.

Acest pas va fi mai ușor dacă aveți un criteriu clar în minte, cum ar fi "păstrează doar cărțile citite în ultimii 5 ani" sau "păstrează doar cărțile care au o valoare emoțională sau sentimentală semnificativă".

Creați o selecție a cărților de păstrat

După ce ați revizuit biblioteca personală, creați o selecție a cărților pe care doriți să le păstrați. Acest lucru va include cărțile care vă sunt dragi, pe care le citiți frecvent sau pe care le considerați valoroase din punct de vedere sentimental.

Gândiți-vă la spațiul disponibil în bibliotecă și prioritizați cărțile pe care doriți să le păstrați în funcție de importanța lor pentru dumneavoastră.

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Participați la târguri de carte

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Reciclați cărțile vechi

Dacă cărțile vechi sunt într-o stare degradată și nu mai pot fi donate sau vândute catre un anticariat, de exemplu anticariatul Achizitii-Carti.ro, o opțiune responsabilă este reciclarea lor. Verificați cu autoritățile locale sau cu centrele de reciclare din zona dumneavoastră pentru a afla cum să reciclați cărțile. Unele centre de reciclare pot colecta și recicla hârtia din cărți.

Digitalizează cărțile vechi

În ultimii ani, popularitatea cărților digitale a crescut semnificativ. Dacă aveți cărți vechi pe care nu doriți să le păstrați în format fizic, puteți să le digitalizați prin scanare. Acest lucru vă va permite să le păstrați în format electronic și să le accesați de pe dispozitivele digitale, cum ar fi tableta sau smartphone-ul. Asigurați-vă că respectați regulile privind drepturile de autor în ceea ce privește distribuirea cărților digitale.

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În concluzie, renunțarea la cărțile vechi implică o evaluare atentă, o selecție conștientă și o luare în considerare a opțiunilor de donare, vânzare sau reciclare. Daca doriti sa le vindeti, puteti lua in considerare anunturi de tipul “cumpar carti vechi” postate de anticariatul Achizitii-Carti.ro

Este important să alegeți opțiunile care vă satisfac interesul și care sunt în concordanță cu valorile dumneavoastră. Prin urmarea acestor pași, puteți elibera spațiu în bibliotecă și puteți contribui la accesul la cărți pentru alții.

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Pe Libris ai CUPON de -20% la ORICE iti doresti! Carti, Jocuri, eBooks, Accesorii si Transport Gratuit la comenzi peste 50 lei cu livrare in Romania. Afla codul si adaugă-l in cos! Profita si tu si foloseste cuponul la ORICE iti doresti Libris! Conditii folosire cupon reducere Libris: - cuponul este activ si se poate folosii pana in data de 02.03.2023 - cuponul nu poate fi cumulat cu alte cupoane Libris - Codul este case sensitive. - Este necesara inserarea exact in forma prezentata, cu litere mari. Reducerea oferita prin aplicarea cuponului nu se cumuleaza cu alte reduceri existente pe site. - Se aplica reducerea cea mai mare. Read the full article