#carriageworks

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[seniouesbabes]

Lily Maymac 🌸🍒💋🌸 👜👝 @coach #InMyTabby #CoachNY #CoachAustralia

[dougwallen]

Sydney Contemporary 2024 preview for Broadsheet

[stokescroftarchive]

Item No: 115

Item Name: Carrigeworks and Westmoreland House- All Welcome

Description: Flyer advertising a drop in session about the redevelopment

Box Name: July 2018 on

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[optikes]

Jamie North (born 1971)  Australian

Succession (2016)   cement, steel, steel slag, coal ash, oyster shell, organic matter, Australian native plant species    dimensions variable                    installed for the 20th Biennale of Sydney

www.jamienorth.com

www.sarahcottiergallery.com/ 

[camtot]

Their shows are all sold out, sorry guys

But! This bowl and many other things will be at my next market on the 19-20th of October at Carriageworks, come see them there 🎸

[toydreamer]

Australia Day 1: Sydney 🇦🇺

- The Big Design Market @ Carriageworks

- University of Sydney

- Bondi to Coogee Boardwalk (3hrs)

Legs be dead af and severe food coma but worth it Cus I finally get to see Bondi in person after watching all the lifeguard series 🥹👌🏻📸✨

[tom-isaacs]

Telepathy - Joyce Hinterding & David Haines

“Telepathy (2008) was an installation commission by the collaborative team of David Haines and Joyce Hinterding. The commissioning process was initiated by Performance Space’s former Associate Director, Sally Breen, as part of a suite of new works by NSW-based artists, made specifically for the cavernous CarriageWorks environment and in relation to its history, former uses and present-day conversion. Haines and Hinterding responded to the visually layered, light-filled, busy and echoic building by considering a space for darkness, silence and solitude: an anechoic chamber. Though it is located at a nexus for Sydney’s railway network, surrounded by vibrations, speed and electricity, Telepathy is an environment created for the purpose of channelling energy inwardly, for slowing down and shutting out all other sounds aside from the voice and the mind of the self. It is a space for the individual, sheltered within a reverberant environment and a dazzling, high-chroma, monolithic object that houses a non-objective purpose and potential for experience.” (source)

[shesnake]

William Yang is of course the coolest dude of all time he almost single-handedly preserved this city's queer history post-AIDS through his photography but also I will never forget the time I was sitting behind him in the audience at a carriageworks panel about lgbt spaces in Sydney and he was playing solitaire on his phone

[qnewsau]

Pet Shop Boys planning first Australian tour in years

New Post has been published on https://qnews.com.au/pet-shop-boys-plan-first-australian-tour-in-a-decade/

Pet Shop Boys planning first Australian tour in years

British music icons the Pet Shop Boys have shared that they’re planning an Australia tour – hopefully – for next year.

Neil Tennant and Chris Lowe went on The Project to talk about new album Nonetheless, their 15th studio album, out today.

Neil said, “We’re planning to do a tour in Australia. I think maybe next year.”

But he quickly added, ‘What I should say is we’re in discussion about coming to Australia next year.”

The Pet Shop Boys have been touring their Dreamworld: The Greatest Hits Live tour around Europe.

The concert was also filmed and released in cinemas globally – including Australia – earlier in the year.

Neil and Chris haven’t performed in Australia since 2014. They performed a pair of shows at Carriageworks during that year’s Vivid Sydney event.

Their last full-scale tour was in 1994. The boys returned for a festival in 2007 and a Sydney New Year’s Eve show in 2011.

The @petshopboys may be international superstars, but they still have time for Aussie TV, and they tell us why they love Ja’Mie from Summer Heights High. pic.twitter.com/JZsWY4bLxh

— The Project (@theprojecttv) April 25, 2024

Pet Shop Boys on Troye Sivan and All of Us Strangers

Elsewhere in the interview, the Pet Shop Boys also gave a big shoutout to Aussie singer-songwriter Troye Sivan.

“I really like his album [Something To Give Each Other],” Neil told The Project.

“Last year, it was the pop album I listened to most.”

The boys also gave their thoughts on two high-profile projects that have used their music recently.

Andrew Haigh’s tearjerking All of Us Strangers and Emerald Fennell’s wild Saltburn both use Pet Shop Boys songs in pivotal scenes.

“There’s a sort of tradition with us – which these two films aren’t in, happily – where a director will want to use It’s A Sin to establish you’re in a gay club in America in the late 80s. It’s a bit corny, that, and reductive maybe.

“In Saltburn, they sing Rent and it’s part of the plot.

“In All Of Us Strangers, [Andrew Scott’s character] is with his family. It’s Christmas 1987 and Always On My Mind is number one and we’re even on the television in the scene.

“It’s an incredible moment of togetherness for them, and it’s a great use of the two songs in both films.”

Neil also said All of Us Strangers director Andrew Haigh would direct their next music video.

“The visuals on that are going to be incredible,” he said.

Pet Shop Boys’ new album Nonetheless

Pet Shop Boys’ new album Nonetheless follows their 2020 album, Hotspot. The new record is the boys’ first after returning to their ‘80s-era label Parlophone.

“We wanted this album to be a celebration of the unique and diverse emotions that make us human,” Neil and Chris explain.

“From the more dance-orientated tracks to the raw poignancy of the introspective ballads, with their beautiful string arrangements, each track tells a story and contributes to the overall narrative of the album.”

“It was great to work with James Ford, who we think has brought new elements to our music.

“James has dared to make us a bit more minimal at times and the final result is a record we’re very proud of.”

For the latest LGBTIQA+ Sister Girl and Brother Boy news, entertainment, community stories in Australia, visit qnews.com.au. Check out our latest magazines or find us on Facebook, Twitter, Instagram and YouTube.

[highendhoney]

Dyspnea show during Afterpay Australian Fashion Week 2022 Resort '23 Collections at Carriageworks on May 12, 2022, in Sydney, Australia. 

[seniouesbabes]

Lily Maymac 🌸💋🍒🌸 Angel’s aboard @coach 🥰 @ashleighuynh

[collarbonesband]

2013 was a busy year for Collarbones. We played about 40 shows that year alone.

We brought in 2013 by supporting Unknown Mortal Orchestra and Midnight Juggernauts on the central coast of NSW.

Made a quick stop at Sugar Mountain where we were broadcast on Boiler Room and played amongst Dirty Projectors, ESG, HTRK and Laurel Halo.

Travis played the Space Jam theme song at the Big Day Out silent disco with Animal Collective in Adelaide.

We then rigorously toured with Jessie Ware, Clubfeet, Chela and How to Dress Well.

Russell Crowe came to the Jessie Ware show after making friends with her on Twitter. She was an immaculate performer.

That guy Chris Lilley was at the Clubfeet show for some reason. Who invited him?

There was a party with Van She hosted by the Australian idol Rob Mills. Rob came up to Travis and stressed that Collarbones should be bigger than Frank Ocean.

We played at the Australian Museum amongst dinosaur fossils and News Corp did a photoshoot with us. Succession, eat your heart out!

The rigour continued as we did the rounds yet again with PVT, Dappled Cities and Owl Eyes.

Following that, we played Vivid, the Freemason’s Hall with Kaytranada, Carriageworks with The Presets, stopping off at Strawberry Fields. We were destitute but felt so rich.

At the very end of 2013, we were asked to play with one of our favourite overseas bands, Deerhunter.

They’ve been nothing but extremely lovely each time we have interacted.

2013 was capped off by us receiving this glowing review of our Deerhunter support slot. Those 40 shows paid off!

What a year it was.

[stokescroftarchive]

Item No: 16

Item Name: Carriageworks planning objection template

Description: A letter template for people to register their objection to the Carriageworks project

Box Name: January 2015 >

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[theoriesanddocuments]

Katharina Grosse (German b. 1961). This artist is remarkably flexible in terms of scale, as can be seen in this series of increasingly larger works culminating in enormous swaths of white and orange paint sprayed across the side of a multistory factory building in Philadelphia. 

Untitled 2015. Acrylic on canvas, 94 1/2 x 152 3/4 inches. Source.

Double Floor Painting 2004. Acrylic on wall, bookshelf, and canvases; 22’ 3 3/4” x 124’ 8”. Kunsthallen Brandts Klædefabrik, Odense, Denmark. Source.

The Horse Trotted Another Couple of Meters, Then it Stopped 2018. Acrylic on fabric, 393 3/4 x 1811 x 590 1/2 inches. Carriageworks, Sydney, Australia. Source.

psychylustro—The Warehouse 2014. Acrylic on wall and various objects, 68’ 10 7/8” x 475’ 8 3/4”. Philadelphia, Pennsylvania. Source.

[camtot]

If anyone’s near Sydney I’m going to be at the Finders Keepers market at Carriageworks from the 3-5th of a May next weekend, come say hi and check out everything I’ve been making for it :)