#carnatic classical music

[theparanoid]

Rudra - Illusory Enlightenment

From The Album: Brahmavidya: Immortal I (2011)

[Death Metal, Carnatic Classical Music, Black Metal, South Asian Folk Music]

[beejacademy]

Happy to join the Carnatic Music School in Singapore

Your hard work is not only enough to complete carnatic music quickly. For sure, you have to follow some smart work to achieve your goal in a short time. That’s why we advise you to join the Carnatic Music School in Singapore.

Here, our staff is very helpful to bring your dreams to come true through excellent training. For this, they have appointed lots of professional Carnatic music teachers in Singapore to give first-rate coaching at a low price.

If you utilize the opportunity then you can become a super singer.

[spardhalearnings]

Benefits of Carnatic music classes

Introduction

Carnatic music is an ancient form of classical music that originated in South India. The classes offered here will teach you the basics of this style, and give you the opportunity to hone your skills so that you can enjoy performances by professional musicians.

Benefits of Carnatic music classes

Music has always been an integral part of Indian culture, and one of the most popular forms of music is Carnatic music. Carnatic music is a classical form of music that is played on the violin, flute, and mridangam (a type of drum).

There are many benefits to taking Carnatic music classes. First, they can improve your stamina and coordination. Second, they can help you develop your musical skills. Third, they can teach you about Indian classical poetry and culture. And finally, they can help you learn how to read and play sheet music.

Conclusion

Carnatic music classes offer an excellent opportunity to learn about South Indian classical music. In these classes, you will be exposed to the different ragas and talas that are used in Carnatic music, as well as the various lyrics and melody lines that are common in this type of music. These classes can provide you with a deep understanding of Carnatic music, which can help you appreciate it more on your own later on. If you're interested in taking up Carnatic music lessons, be sure to check out our selection of courses and find one that's perfect for you!

[pebblegalaxy]

Exploring the Intricacies of Indian Classical Music: A Journey Through Time and Tradition

Exploring the Intricacies of Indian Classical Music: A Journey Through Time and Tradition #IndianClassicalMusic #MusicTraditions #HindustaniMusic #CarnaticMusic #RaviShankar #BhimsenJoshi #MSSubbulakshmi #AllauddinKhan #MusicLandmarks #MusicalHeritage

Indian classical music is a rich tapestry of melodies, rhythms, and emotions that has evolved over thousands of years. Rooted in ancient scriptures and traditions, this musical form transcends boundaries and offers a window into the cultural heritage of India. In this extensive exploration, we delve into the nuances of Indian classical music, tracing its origins, understanding its structure, and…

[dustedmagazine]

Amirtha Kidambi's Elder Ones — New Monuments (We Jazz)

The great DC artist, audio scholar and activist Thomas Stanley once described Sun Ra’s concept of the Alter Destiny as “a small chunk of language, a key unlocking large powers and capacities that will allow us to realize sustainable futures that are not subordinate to the same imperial regime that fucked up our planet in the first place. History is the plantation, abolitionist Ra reminds us, and it is time to break loose from these chains and leave.” This is a particularly resonant message today, in an era of late capitalism, deteriorating institutions and genocidal warfare. Yet, the inevitable future promised to us by this seemingly unending quagmire presents a sense of stability in its repetition of failures that enables many of its subjects to cling to its promise even as we further careen into the abyss. Amirtha Kidambi is not one of those people, and in the five years since her previous release with her group Elder Ones — a period marked by the pandemic, the George Floyd protests, and a rapidly-encroaching American fascism — her resolve has only been strengthened. Their record New Monuments is a battle cry for building not a better future, but a different future entirely, one free from the ghosts of colonialism and imperialism.

Kidambi has a background in both new music and DIY, and navigating these disparate worlds has informed her unique approach to improvised music. This is on full display on the opening track “Third Space,” on which Kidambi sings with punk-inflected energy while maintaining complete control and authority over her vocals. The track takes its name from influential postcolonial theorist Homi K. Bhabha’s concept of a liminal space in which, in the context of colonial ambivalence, different cultures interact with each other. The (very) basic gist of this theory is that, in post-colonial society,  culture is constantly moving, never one singular thing and never the property of any singular people. In turn, on this track, and the album as a whole, Kidambi defies any essentialized notion of “Indian music” or Indian jazz (which has become yet another needlessly limiting genre term in this “spiritual jazz” era), and not just by invoking Bhabha. From the moment the record kicks off, new agey world music treacle is left behind on another planet entirely.

On this record, Kidambi is backed by a top group of New York improvisers, including Elder Ones mainstay Matt Nelson on soprano saxophone alongside cellist Lester St. Louis, known for his work in the late Jaimie Branch’s Fly or Die group, and Jason Nazary, frequent collaborator of Darius Jones and one half of Jaimie Branch’s Anteloper group. Rounding out the quintet is Eva Lawitts, whose propulsive basswork pushes the multi-part compositions on the album forward. On album centerpiece “Farmer’s Day” the band balances a modal, in-the-pocket groove with loose improvisation, with a particularly dazzling solo from Nazary showing off his impressive and dynamic range as a percussionist. After this solo, the song slows to a crawl as Kidambi invokes the now-yearslong protest movement of Indian farmers against a series of bills designed to weaken working farmers and benefit corporations: “We work from cradle to grave / conditioned like a slave.” This is protest music, as clear in its radical intentions as it can be, but the Elder Ones find plenty of room for beauty in struggle. This is especially true on the title track, which has a synth line that, if isolated, would call to mind the devotional music Alice Coltrane recorded in the 80s. Kidambi asks “in the end is history always doomed to repeat?” The answer she arrives at for this unanswerable question is to “build new monuments to new futures,” an affirmation of the Alter Destiny. Though the struggle is neverending, these new futures are still well within our capabilities. All it takes is a level of fearlessness, something Amirtha Kidambi has shown in spades on this record.

by Levi Dayan

[sreepadamangaraj]

Rara venu Gopabala is a beautiful song set in Bilahari Raagam. It is a wonderful and simple melody. The lyrics praise Lord Krishna, his wonderful qualities and request him to come to our world and spread cheer. This is my first recording with my Son Arjun! I have mixed some electronic beats and a warm synth pad to keep the song contemporary. Hope you like our rendition of this wonderful song. Watch this beautiful video, Rara Venu Gopabala Carnatic Fusion By Arjun Mohan and Karthik Mohan.

[yellowochreoilpastel]

Tyagaraja

Marugelara is a celebration of the omnipresence of Lord Rama and thus an introduction to the idea of Adwaita Vedanta. Tyagaraja was not only a great musician, but also a marvelous philosopher. His krithis showcase Bhakti Yoga, which Swami Vivekananda defines as love as a form of devotion towards God.

[whatrasudeep]

Something about hymns to the literal war god being composed to such mellow and peaceful ragas scratches a very particular itch in my brain.

Like yes Karthikeya is the God of War but he is a child God. Write him lullaby sounding kritis 🥹🥹

[pavansughosh]

TalaGroove

Metronome, Carnatic Video lessons, polyRhythm

[bhagavanbhakthi]

Udupi Hindu Ancient Musical Melody

[theparanoid]

Rudra - Hymns From The Blazing Chariot

From The Album: Brahmavidya: Transcendental I (2009)

[Death Metal, Folk Metal, Black Metal, Carnatic Classical Music, South Asian Folk Music]

[cosmicrhetoric]

newest addition to the ever expanding hot brown girl summer mix

[spardhalearnings]

What Musical Instruments are needed in Online Carnatic Music Classes

In order to learn through online Carnatic music classes, you will need a few specific musical instruments. In this article, we'll introduce you to the most essential Carnatic instruments and tell you a little bit about each one.

What is Carnatic Music?

Carnatic music is a form of classical music that originated in southern India. It is characterized by its use of gamaka (ornamentation), swara (melodic notes), and tala (rhythmic cycles). Carnatic music is often performed by a solo musician, accompanied by one or more percussionists.

In order to perform online carnatic music lessons, you will need a few musical instruments. Firstly, you will need a way to produce sound. This can be accomplished with an instrument such as a violin, veena, flute, or mridangam. You will also need something to provide accompaniment, such as a tanpura or ghatam. Finally, you will need a way to keep time, such as a metronome or tabla.

With these few simple tools, you can begin learning and performing carnatic music online!

The Different Instruments Used in Online Carnatic Music Classes

Carnatic music is a form of Indian classical music that is traditionally performed in South India. The music is based on a system of ragas (melodic scales) and talas (rhythmic cycles), and it is usually improvised by the performer.

There are a variety of instruments used in Carnatic music, each with its own unique role in the music. The most important instrument in Carnatic music is the voice, which is used to sing the melodic line. Other popular Carnatic instruments include the violin, mridangam (a type of drum), ghatam (a percussion instrument), and flute.

How to Choose the Right Instrument for You

When it comes to choosing the right musical instrument for you, there are a few things you need to take into account. What kind of online music class do you want to take? Are you looking for an instrument that is easy to learn, or one that will challenge you and help you grow as a musician? Do you have a budget in mind?

These are all important questions to ask yourself before making a purchase. With so many different instruments on the market, it can be hard to know where to start. But don't worry, we're here to help!

Conclusion

Carnatic music is a complex and beautiful art form, and it can be enjoyed even if you don't have any experience with playing musical instruments. However, if you want to truly appreciate the intricacies of Carnatic music, it's worth learning to play at least one of the instruments used in this style of music. The good news is that thanks to online resources, it's easier than ever to learn how to play Carnatic music on your own. So what are you waiting for? Start exploring this fascinating genre today!

[srivageeshwarischoolofmusic]

Top Indian Classical Music Classes | Sri Vageeshwari

At SVSM, delve into the nuances of Indian classical music with customized lessons personal style, and pace of learning—more at https://srivageeshwari.com.