#carmilla fan fiction

[enbylestat]

Vampride 2024

A violinist becomes hostage of a Lelio and Flaminia.

"Hope" is a thing with feathers.

Where did you get those eyes, mon cher?

Always on the margins.

To define is to limit.

Allons-y Chér(ie).

Full collection here.

[laurikarauchscat]

I am not "missing the point" of the character.

I know it's there. I acknowledged it ages ago. It's beautiful.

What I'm doing right now is shamelessly mutating it to suit my own needs.

Because I can.

[beevean]

the hallmark of Peak Fiction is shoehorning a very serious conversation about a very serious past conflict in an unrelated scene, in the form of snarky banter played for laughs, so that the writer can pretend they listen to audience feedback, while not needing to fully think of addressing the issue and fully sweeping it under the rug because it would be inconvenient to paint the involved characters as dumbasses/vile. Bonus points if it literally goes nowhere and it can be removed from the scene without affecting the flow of the dialogue.

And if it makes me want to eat my own bones because I feel the urge to beat the involved characters to death with a nailed bat, that's just a plus :)

[tremordusk]

Love, Flesh and Bone Chapter 4

“The man’s foaming at the mouth, Mama.” Clara remains perched above the body of a dead man. His corpse already looted of necessities and thrown to the side in the squabble.

“Leave him, mija.” Carmilla slings her gun to her back. “We need to travel up north.”

“And go where?” Odette lifts her foot over another dead body, clutching the weapon tight to her chest.

“There’s nowhere left to go.”

“There is,” Carmilla responds. “We just have to keep looking for it.”

“MOM, LOOK OUT-“

Carmilla steps to the side just in time as the angel thrusts her spear at Carmilla’s chest. Carmilla finds herself spinning out of the angel’s vision for but a moment. Another angel plops down into the alley- Carmilla’s route for escape was growing narrower and narrower.

[majorshatterandhare]

[ID: two screencaps of tags from dark mode

First Image: tags from ×-caliber reading “#guys it's called UNRELIABLE NARRATING all caps: unreliable narrating] # shes NOT [all caps: not] evil #jonny just views her in a certain light" Second Image: tags from ceaseless-ramblerand x-caliber.

Tags from ceaseless-rambler read "#this is such a hard fucking poll because do you love her or hate her' the answer is YES [all caps: yes] #she's great but the fucking morality switch destroys me every time i think about it because. morality switch. what the fuck. #but also. gestures wildly in her direction. you understand? #doctor carmilla #the mechanisms."

Tags from x-caliber read '#prev has a great elaboration actually #bevause i answered thinking only about the unreliable narration that made people think she's evil #but i didn't actually think as far about her ACTIONS [all caps: actions] #now i do think that she had good intentions with the morality switch #that doesn't make it any less fucked up however"

End ID]

Okay in regards to this poll I'm going to do some Doc Carmilla analysis because I don't like having back and forth conversations in tags. This is long, I couldn't really find a way to cut it down

The biggest thing that fucks me up about her is Brian's morality switch. The concept of a morality switch at all is horrifying to me, taking that control away from someone. Brian's about page on the mechanisms website says the reasoning was because Doctor Carmilla found it "amusing" which. Makes me hate it even more. @x-ca1iber pointed out the fact that Jonny is an unreliable narrator, which is a good point. However, I doubt Jonny wrote everyone's bio and I don't think either morality mode would really let Brian lie about it, lying is wrong and I can't come up with ends that would justify it. Brian could be wrong about reasoning, of course, but I'm not sure why he would be. Because a lot of that second half is speculation, *please* let me know if there's anything to agree or disagree with any of it.

The two other things that make me not willing to chalk all of anti-Doctor Carmilla sentiment up to unreliable narration and character misinterpretation are the end of this video and near the end of Lashings. The first video shows Jonny cut the music and, sounding somewhat frantic, ask Carmilla what she's going to do about being thrown out the airlock. When she doesn't respond, he backs away and accuses her of planning something. This is something that isn't attributable to unreliable narration because the premise there isn't that it's a retelling but an actual event occurring. Also, the way Jonny is on edge, expecting her to do something but not knowing what/when and having to just kind of act like it's fine really makes me read it as a bad relationship for him. The end of the Lashings performance shows Nastya stressed about various other things and Doctor Carmilla coming up behind her and hugging her. Nastya visibly tenses and remains as such for the entire interaction. I've seen people argue that this was due to the aforementioned various other things, and it could very much be that! This is definitely my least compelling piece of evidence. But it's worth noting that Doctor Carmilla doesn't back off from the hug and remains sort of in Nastya's face until Nastya steps away. The situation is either Nastya being generally uncomfortable with physical contact at that moment (or in general) and Carmilla not caring, or Nastya being distrustful of her in general. Either way doesn't reflect well on their relationship.

None of this is to say that I think she's trying to cause them harm. She does see them as her kids, in her own way. The only other close relationship she had that I'm aware of is Lorelai (please let me know if you have any more information on this! I'm always open to corrections) and that wasn't exactly healthy. She could very well not know any other way to treat them, and I really do think she meant well. The problem with meaning well is that is doesn't change the ramifications of your actions. The best of intentions don't change the fact that you hurt people. This is, in my opinion, especially prominent in parental figures, which she is.

That is all about her as a person, though. As a character? She's fantastic. Trans lesbian vampire scientist with dubious ethics? Great!!! And all of the things I just talked about that make me dislike her as a person make me love her as a character. That disparity is what makes it really hard to answer the poll I linked at the beginning, because holy fuck morality switch but I love her as a character

Tags that inspired this under the cut

[whosavaidkher]

I kinda have a fan fiction idea if u want to use it where it's carmilla x fem!reader and the reader is a powerful overlord who can use their singing abilities as their powers, and carmilla had never heard the reader sing, and eventually catches the reader singing while doing something (idk like washing dishes) and just simply watches in amazement as the reader has no idea until the end (also I love ur fanfics!!! 💖💖💖)

A/N: OMG OMG OMG I luv this request sm!!! I have a oc who has similar powers to this and it's so cool! It's giving The Dazzlings from Equestria Girls vibes! Okay, I'll stop yapping now 😭 Hope u enjoy! <333

Voice Of A Angel

After a long meeting with the Overlords, you had walked home, Carmilla went the other way since she had to talk to another Overlord. As you walked through Hell, some sinner grabbed you and pinned you against the wall aggressively. "Hey get off of me! " you tried to protest. "Hey, bitch! I know you have money, give me some or you-" The sinner said until you opened your mouth and started to sing a tune. "𝑶𝒐𝒉, 𝑶𝒐𝒐𝒉..." You softly hummed a tune with a slight smirk on your face as the sinner passed out and his eyes went completely blank. As you pushed him off of you, all you heard behind you was a soft voice, Carmillas voice. "Mi Vida..? What happened?" Carmilla said, lying about not seeing you use your powers. "Oh nothing! Just some sinner, let's head home now!" You say chuckling nervously as the two of you walk back home. After you two head home and get ready for bed. As you get in bed, Carmilla wraps her arms around you and you lay in her arms. "You have the most gorgeous voice, cariño" Carmilla whispers as your eyes widen in embarrassment. "W-What!?" You say nervously and shocked, did your wife know your powers now!? "Yes, I heard and saw it all.. I must say, you have the voice of a angel, Amor." Carmilla says with a soft laugh and smile. "Do you, think I'm a monster..?" You say nervously and quietly. "Of course not, you'll never be a monster to me." Carmilla says soothingly as she gently caresses your waist, making you fall asleep.

[am-i-the-asshole-official]

aita for calling my roommate crazy?

I (28f) live with 2 other people, a former college roommate who I’m pretty close with (29f) and 2nd roommate (28nb) who we both met when we moved in together 2 years ago.

Let me start this out by saying, this isn’t a fandom aita, it’s going to sound a bit weird at first, but bear with me.

I have a medical condition (relevant later) which stopped most of my bones from maturing past puberty (growth plates closing, cartilage not hardening into bones, ect.), so my skeleton is basically stuck somewhere between 13-19, (I look about 17-19, but the last time I tried to buy hard cider, the cashier thought I was 14, so that’s how young I can look). I also have very pale skin (unrelated to my disorder, just a ginger), and (related to my disorder) lack some liver enzymes so I need eat meat or I get sick (the same reason why cats need to eat meat), I ended up in the ER when I lived with my vegan sister for a week and ate the same veggie diet as her.

Trouble is, Roommate 2 is really into conspiracy theories and other fringe stuff. Nothing alt-right or anything, just like, (for example) they fully bought into that Mermaids: the body found show, and wouldn’t be dissuaded, even when Roommate 1 googled it and showed them solid proof that it was fictional. Wholeheartedly believes the US government preformed 9/11, does alternative medicine (homeopathy, ect), wishes there were ���all natural’ vaccines (still isn’t an anti-vaccer though, just needs to be persuaded that Bill Gates didn’t put microchips in them).

Anyway, Roommate 1 and I have a recurring joke that I’m a vampire because of the meat thing and the pale thing and the not aging thing. Roommate 2 overheard us and laughed, but weirdly. She kinda joked along with us, but she seemed...odd. About a week later, they start asking me stuff about being a vampire. But they seemed friendly and not nervous then and I was hoping they were just joking and I also sincerely thought they were just asking me about how vampires work on one of my shows (I’m a big fan of Carmilla and the Originals), so I tried to explain, but I cited each show when I’m explaining a thing. This continued for several weeks, but getting worse and more weird every time, eventually culminating about 2 and a half months later into them asking me more stuff about life as a vampire and I really realised that they were serious. Bear in mind, Roommate 1 and I were trying to be very clear that we don’t believe in vampires this whole time because we both know how Roommate 2 is about this. As a result, this was the first time I really registered that they seriously seemed to genuinely believe I was a vampire. I firmly told them that I am not a vampire and that vampires aren’t real, they’re fun to joke about, but they aren’t real. They implored me ‘to be straight with them about being a vampire,’ and that ‘I could trust them,’ and I’m ashamed to say, I kinda freaked out at this point, cuz I was afraid that they would be scared of me and maybe try to hurt me, since they seemed kinda unstable because of this.

This is where I think I was an asshole, I am usually very sensitive to mental health issues. I have some c-PTSD myself and there are a lot of mental health issues in my family (unfortunately, I think some history with my own mentally ill father may have made me react this way, since he has very similar issues to Roommate 2 (vaccines, alternate medicines, specifically involving me in his delusions) and I had a very bad experience in my early teens where he thought I was a demon and ‘sent to destroy him’). Anyway, I got very upset and I yelled at them, I told them they were completely crazy and needed to get mental help and said I thought Roommate 1 and I needed to move out because they might try to stake my heart or something. I feel really bad for calling them crazy, especially because Roommate 2 has some very mental health issues and words like crazy make light of and stigmatise that and I’m very big into not blaming people for their mental health problems, but this was very triggering and in this moment I was very distresssed.

So, aita, all things considered here? I’m still gonna feel like the asshole no matter what, since mental health problems aren’t to be taken lightly or blamed on the person, but I’m curious what the internet thinks.

What are these acronyms?

[tyrantisterror]

A Dozen Or So Great Vampire Ladies

Ok, so, on a mostly unrelated post the topic of good vampire ladies came up, and @bisexualdaikaiju suggested/challenged me to do a top 10 vampire women list. As a self-professed lover of vampire women, it felt like a challenge I couldn't back down from. But it is kind of challenging, for two kind of contradictory reasons.

First, while there are MANY female vampires in fiction, most of them feel like afterthoughts, getting far less characterization than their male counterparts, who more often than not are the star villains of the show. When these supporting lady vampires do get something to do, it's generally the same role: make their human lovers sad when they rise from the dead as a monster that has to be killed, an emotional beat that is often undercut by a lot of these vampire women not getting much characterization to endear them to us before they died. Everyone wants to have the Lucy Westerna plot beat from Dracula but they don't want to do the work that Bram did to make Lucy lovable. The lady vamps who get to step out of Lucy's shadow are rare - but that just makes them all the more wonderful.

The second problem is that, since this is an obsession of mine that few seem to share (there are lots of vampire fans, but man do the boy vamps get to hog the spotlight among them), I've done a lot of scattered thinking about it and I just know I'm bound to forget at least one excellent lady vampire character that should be here. And whittling it down to ten, and trying to rank them? That's too hard! My thoughts are too mercurial to do that reliably in a way I don't forget!

So instead here's a list of, like, a dozen or so lady vampires that I think are just fucking stellar, many of which I think break the mold of what pop culture makes us expect lady vampires to be. It is not ranked - I love all these characters more or less equally, and think it's a lot more interesting to see how they take their archetype in different directions than to figure out which one is "best" of the lot.

Carmilla Karnstein

I'm going to start with the most famous literary female vampire, Mircalla Karnstein from Carmilla. I think she might be the first vampire to have an unhealthy obsession with using anagrams of her real name as aliases, though I'm sure now that I've typed that someone will find an earlier example to school me. She's also the one who popularized the idea of lady vampires being extremely sapphic, with an arguably genuine romantic affection for her female victims. She's got well-deserved clout, basically, and like Dracula has been adapted countless times and reinterpreted in some excellent ways. My favorite screen Carmilla is Ingrid Pitt's take, which captures her fierceness, passion, and tragic nature so well.

2. Amy from Fright Night

Ok, we're having one Lucy Westerna knockoff on this list, but as Lucy knockoffs go, Amy is one of the best. It actually helps that she spends 90% of her movie as a human, because we get to know and love her so much before she turns monstrous. And once she does...

It is pants-shittingly terrifying. I will never stop raving about the vampire designs in this movie - they made their "game faces" so fucking monstrous and I feel like in a better world this would be the standard ever since, especially since they still gave the vampires pathos while making them so ghastly when they've got their feeding faces on.

3. Drusilla

Buffy the Vampire Slayer had a bunch of vampire characters, and to its credit they did a decent job of making the ladies just as distinct as the gents. Harmony and Darla could both have made this list, but my favorite was always Drusilla, who was so traumatized before she became a vampire that it kind of overwhelms the demon spirit inside her. Like, bare minimum thing to make a lady vampire more interesting than 90% of other female vampires in fiction: give her at least one personality trait, preferably an interesting one, outside of being a vampire. Drusilla's fun, and she survives the entire series after dumping her boyfriend to be a single female vampire. Good for her.

4. Ruby from Scary Godmother

Ok look I am a fake Scary Godmother fan but kudos to the artist of the books for making a lady vampire who's very clearly of the nosferatu mold and is also explicitly benign and sweet. A+ vampire lady character design. I hope it doesn't awaken anything in me.

5. Nadja

What We Do in the Shadows is excellent at finding new takes on vampires in general - it even made me actually like Psychic Vampires as a concept, a feat I thought was impossible - but goddamn do I love Nadja specifically. She's got a distinct personality as vampire ladies go, being very confident and self-assured while also being a complete fucking goober (it is a comedy, after all). She's perfectly capable of being terrifying AND hilarious, often at the same time. A vampire girl failure, in the parlance of our site. I love her.

6. Lady Dimitrescu

I know that she's apparently only in a fourth of the game, but it's still pretty great that Resident Evil 8 decided its mascot villain - its equivalent of the Tyrant, G, Nemesis, etc. - would be the hottest woman I've ever seen a milf an 8 foot tall lady vampire. She's not dainty and willowy like most lady vamps in fiction - not an ambush hunter - but rather HUGE and capable of tossing a human around like a rag doll. She's a physical powerhouse and she looks fine feminine while doing it. Despite being an unabashed blood-sucking monster, she still has enough depth and complexity to have important relationships (like a genuine love for her "giant mass of hive mind flies" daughters), and also she gets to have an awesome transformation into a fungal vampire dragon, which is rad as hell. Also goddamn, her fashion sense is immaculate.

7. Hecate from Hellboy

"Hey, she's not a vampire! She's a goddess! That doesn't count!" Fuck you, my list, my rules. Hecate posits herself as the progenitor and mother of vampires, she drinks blood, and her main form in the comic is as a sicknasty lamia version of the iron maiden used by Elizabeth fucking Bathory, if she doesn't count as a vampire, nothing should. She is the concept of a vampire amped up to maximum capacity, a major mythological figure and an awesome villain.

...also I lowkey shipped her and Hellboy when I was a teenager. They could have made it work!

8 - 12. Carmilla and her girl squad from Castlevania

I suppose I could have counted Castlevania's Carmilla as an adaptation of Miss Karnstein - they're both basted out of Styria, both sapphic, and it's clear she's meant to be an adaptation of the former, just as the Dracula of this show is meant to be a take on Bram's famous vampire. But ultimately they're VERY different characters in the grand scheme of things - Castlevania's Carmilla has none of the tenderness and vulnerability of her literary counterpart, instead being full of barely restrained fury. She is an excellent villain, complex enough to be interesting but thoroughly despicable enough to make it VERY satisfying when she bites it.

I also love her girl posse... in concept, at least. They've all got great designs and the groundwork of interesting characters, but of the the three, only Lenore, the waifish redhead, gets to do much of note. The two on the edges kind of just show up for a few scenes and then bail before the plot catches up to them, doing very little of note - though at least the big hunky one gets one of the coolest fight scenes in the whole show.

Back to Lenore though - she gets a really nice character arc, and manages to become one of the few sympathetic vampires in the series (while still doing a lot of monstrous shit - she is not a defanged vampire by any stretch). I think her death scene is one of the most moving moments in the series finale.

13. Seras Victoria

A good female vampire has at least one non-vampire part of her personality, right? Ok, so, Seras is:

the muscle in almost every scene she is, which is to say, the one absolutely beating the shit out of people while her allies run for cover

the perky henchman/morality pet of one of history's greatest monsters

the sole ray of sunshine in cast of edgy, cigar-chomping grizzled mercnaries and antiheroes she's been pressganged into fighting alongside

the victim of some HIDEOUS trauma even before her vampirization

the protege of a wise master who gets a full hero's journey arc, taking up his mantle at the end of the series

Like, I love her. She's the secret protagonist of Hellsing. She's got layers like an onion. The scene where she killed Zora Blitz reminded me why I love anime.

(yeah it's the TFS version fuck you)

14. Youko Shiragami

My Monster Secret is not a horror manga. It is a romantic comedy about a bunch of idiots trying to keep painfully obvious secrets hidden and succeeding only because almost everyone around them is as dumb as they are, just in very different ways. It is a manga where an entire chapter can be summarized as "all the characters race to get the last McRib, using their various supernatural abilities to try and cheat their way to the front of the pack." It is one of the funniest and most heart-warming stories I have ever read, one of my favorite romances of all time, and an excellent piece of long form story-telling.

One of the two main characters is Youko Shiragami, a vampire girl who can't let anyone know she's a vampire or else her dad will pull her out of school. She desperately wants to have a normal life with friends and, like, school shenanigans, but her fear of people uncovering her secret and hating her is so immense that she's been isolating herself from everyone, accidentally torturing herself by being close to what she wants but unable to actually have it.

At least, until Kuromine, the other main character of the story, discovers her secret while trying to ask her out on a date. He ends up promising to keep her secret, and the two of them form a real friendship that blossoms into a very sweet romance, where Youko gets to display all her incongruous personality traits that go against what you'd expect of vampires - namely, that she's kind of a ditz, with an unrefined style of speech and a complete inability to be suave and seductive. She's a sweet, flaky goofball with a big heart, who just happens to drink blood and tan really quickly in the sunlight. There is no other vampire like her, and the world is richer for her being in it.

15. Marceline, the Vampire Queen

This list isn't ranked, but if it was, I'd put Marceline at the top. I think she is not only the most unique and deeply characterized lady vampire in fiction, but ranks right up there with Dracula in how she redefines the idea of what a vampire can be. Like, look at the forms she takes!

There are DOZENS of different monstrous shapes Marceline takes during Adventure Time's 9+ seasons of television, and any one of them would be a superb and memorable vampire on its own. And she's ALL of them. Just on a design standpoint, she is a standout. I think only Dracula himself could compete.

But she also explores what the concept of what a vampire is in ways no other vampire in fiction can, in part because of the unique nature of Adventure Time's setting. In a world where humans are an extreme minority and most people are weird monsters, a vampire isn't that odd, so we get to explore what being a vampire means divorced from the comparison to "normal" human beings. There's the expected tragedy to Marceline, of course - she's a 16 year old who has been stuck in that adolescent state for hundreds of years, and much of her character arc over the show (including the magnificent vampire-centric storyline, "Stakes") focuses on the horror of being stuck in that transitional state, not quite a child but not quite an adult. Marceline struggles to mature, to understand herself and others, and her vampirism both keeps her distant from reaching those goals but also gives her a lot of time to figure out how to approach them when the opportunity arirves. Marceline goes from one of the most immature and selfish characters in the show to perhaps the most emotionally intelligent, blossoming into a sensitive and thoughtful person she could never have been without first becoming a creature that seems so inherently opposed to ever having those traits.

And she did it all in a children's show where she was rarely if ever allowed to actually drink blood - a problem the writers got around by having her suck the red color out of things, which is right up there with the Joker Venom from BTAS in terms of genius ideas spawned by children's show censorship.

Marceline is the GOAT.

[hekateinhell]

I was wondering what your thoughts are on this. A lot of people see a vampire biting (without consent) a metaphor for rape. Like when Lestat is turned and the ball scene. Armand was seemingly attempting a hook-up. He's maybe using mind control because Lestat is somewhat incoherent. He's terrified because it reminds him of Magus. He calls it an unforgivable lie. Where do you think this metaphor ends? Do they (metaphorically) rape mortals when they kill them or is that different? Thanks！

Hi! 🖤

So I think it's going to be a two-part response here because it's an interesting question and I want to do it justice. Now, this is what Lestat says in TVL:

I wanted him [Armand] to beg. I wanted him to give me that powerful voice full of lies and cunning, the voice that had made me believe for one pure and dazzling instant that I was alive and free and in the state of grace again. Damnable, unforgivable lie. Lie I'd never forget for as long as I walked the earth.

This is the unforgivable lie! The illusion Armand created that let Lestat believe with his whole heart and soul "I [Lestat] could get away this time. I had another chance. The wheel had turned full round", but of course it wasn't real, and that's what hurt Lestat the most.

That being said, let's address the metaphor because it comes often enough in VC. Usually between two vampires — the most explicit examples would be Armand saying he wants to rape David in TVA, and Lestat ruminating over the violence of his creation (which mirrors David's) in Blood Canticle:

[...] immortals who think they want the Dark Blood perish infinitely more easily than those of us who never asked for it. Perhaps the anger of the rape carries us through for centuries.

Your question was: "Do vampires metaphorically rape mortals when they kill them?" and I would have to say, yes, they do!

Because when we're thinking about metaphors, allegories, and the different ways that language is used, it's so important to put it into context or we're going to lose the nuance completely. I discussed this with my friend @somevagrantchild, who's not just an obsessive Anne Rice fan but also someone who's been studying vampire media for a very long time, and they made some excellent points in response to your question that I'm going to directly quote below!*

They are violating and taking from the mortals without consent; it’s a general vampire allegory for all vampires since the beginning of time. Anything not consensual = rape. If a vampire hypnotizes a human to drink from them so that the human enjoys it, it’s still rape.

No human ever consents to be killed. Even like the suicidal people Armand draws to him still aren’t consenting. They don’t have enough knowledge to consent, killing a suicidal person doesn’t make it consensual. The only way would be if the human was like, “I understand you are a vampire, please kill me sir.” The consenting to death would be seeking out the vampire themselves and making the conscious choice; suicide means deciding when you die. If they’re suicidal but haven’t killed themselves yet, then killing them before they make that choice is still violating them.

Rape especially applies to vampires (more than other types of non consensual murder) because of the intimacy of it, the way they’re violating that person's inner self by drawing out their memories and private feelings, also the bodily fluids going from one body into another (as opposed to stabbing someone and their blood just spilling on the floor).

Examples in literature: At the very beginning of vampire fiction with Lord Ruthven seducing innocent maidens; Dracula just snuck in their room and attacked while they were asleep in bed but Ruthven was seducing them personally, and all adaptations of Dracula have him being much more seductive. Carmilla, too, sneaking into Laura’s bed and feeding on her breasts in the middle of the night. The whole penetrative aspect makes the rape metaphor more applicable than it is to other types of murder/violence.

*touched up for grammar and continuity from Discord.

Hope that answers your question and thank you so much @somevagrantchild for lending me your brain for this one! I want to devour it. ♥️

[steampunkishfoxes]

Clara Carmine headcanons

Note: I'm new to the fan content scene on Tumblr, still figuring things out! I’m going to be making headcanons based on different fictional characters I adore, from different franchises/fandoms!

Clara Carmine is the daughter of Carmilla Carmine, one of the overlords in the series Hazbin Hotel on Amazon Prime. She’s one of my favourite characters and I wanted to dedicate my first headcanon post to her! Clara only has about 10-15 seconds of screen time, and one spoken line, but I adore her!

NSFW/SFW, Mature themes: discussion of death, discussion of cartels, discussions of weapons and violence, discussion of murder and a planned attack on a family, family themes, sexuality, pronouns, discussions of blood.

PERSONALITY HEADCANONS.

The following headcanons discuss what I think she would’ve been like on earth and what she’s like in hell.

-Clara is the younger of the two sisters, about 18 years of age physically, her soul is around 25 years old.

-She identifies as a demigirl, with she/they pronouns.

-She used to struggle a lot with her sexuality, she never really saw the fun in boys, but never paid attention to girls either. With help from her sister she found out she was lesbian around the age of 16 on earth.

-She looks a lot like her father, but her personality is more like her mother.

-Fluent in English, Spanish and French, though she’s attempted to learn Portuguese too.

-She’s fiercely protective over Odette, when the two were in school on earth Clara was always the one who stood up for her older sister when she was bullied.

-She hasn’t lost her confidence after finding herself in hell. She isn’t afraid to fight any demon that hurts her sister or mother, but doesn’t often get the chance to fight because of Carmilla’s protective and motherly nature.

-In the Carmine weapons business she takes the role of delivery girl alongside her sister Odette.

-In her free time she plays music, she has a customised guitar she uses to write and record her own song covers- this girl can SING!

-She’s very active on Sinstagram, posting music covers for any listening ear.

-Clara owns one soul, a lackey from the cartel she worked for on earth, who came to the Carmines for protection.

ROOM HEADCANONS.

Because every demon needs a safe place to call home, these are the headcanons I have for Clara’s room in the Carmine Mansion, down in hell!

-Clara’s room has slate blue walls and is covered with posters and pictures, most of them depicting her family. She has a large family picture of her, her mother and sister in front of their business on her ceiling above her bed, so she can look up at it every night.

-She has a queen sized bed with matte royal blue covers and a lot of pillows.

-She has a wolf plushie, affectionately named Wolfie, which she’s had since she was 2 years old. Wolfie has a top hat and bowtie.

!!MATURE THEMES AHEAD!!: discussion of death, discussion of cartels, discussions of weapons and violence, discussion of murder and a planned attack on a family.

The following headcanons discuss the surroundings of Clara’s death.

Family headcanon: Carmilla’s ex husband left her shortly after Clara’s birth, leaving her with two young daughters in a broken city in Mexico. Carmilla entered the weapons business, working for a well known and dangerous cartel. She started out delivering weapons but learned how to make them for a bigger payout. As her daughters grew up, she took bigger, more risky jobs to be able to protect them. One night a rival gang broke into their house and killed the family in cold blood.

-Clara was the first of Carmilla’s daughters to find out about her mother’s secret job, finding her making weapons in the garage when she was about 12 years old. Carmilla asked her to stay silent, but Clara told her older sister immediately.

-She was also the first to enter the family business, stealing a package Carmilla was supposed to deliver to the cartel. Clara delivered it instead and used the money she earned to buy her mother a birthday present. Carmilla told her not to do that, but reluctantly let Clara help with simple, risk free deliveries. Clara was 15.

-Clara befriended one of the cartel members, a bodyguard.

-Clara was the first one to die in the attack. When she was 19, her mother and sister were asleep after watching a movie. Clara was dozing off when she was startled wide awake by pounding on the door.

-Before she could even open it, the door was kicked open, hitting her in the head. She fell, her and her family were quickly grabbed and restrained.

-Clara was dizzy from the hit and confused, she vaguely heard shouting and crying.

-The last thing she saw as a human was her family, her mother’s and sister's faces as she was shot in the chest, the first death in the Carmine home invasion. Clara was 18 when she died.

-Clara’s cause of death was determined to be blunt force trauma to the head, and a fatal shot to the heart.

-She hides the shot mark under her shirt, ashamed of the moment she let her guard down.

LIKES/DISLIKES HEADCANONS.

Foods, colours, animals, and everything in between!

-Food: Anything spicy is a big hit! She hates bland and boring food and will often add peppers or some kind of hot sauce for that perfect kick with every meal! Except for breakfast, she’ll never try cereal with hot sauce again.

-Colours: Black, dark shades of green and blue. She’s not a fan of red, reminding her of the blood she saw on her hands when she died.

-Animals: Wolves, wolves, WOLVES! She loves any canine but mostly wolves! They remind her of how fiercely protective she is over her family! She doesn’t like birds, they creep her out.

-Music: Besides her own music, she loves music from her heritage! Flamenco, salsa, she’ll listen and sing along to it all! Classical music is a BORE though, it always makes her so sleepy.

-Movies: She was never huge on movies, but when she was little, she always watched the movie Balto, dreaming of snow. She hates movies with blood, it reminds her of her own weakness.

-A weird collection she has: Heart shaped stuff! If she’s out in the city and she sees a cool rock shaped vaguely like a heart, she’ll pocket it and show it to her family at home, some of her hearts are questionable, but she loves it all!

-A guilty pleasure: Watching the sunset from her balcony. It’s quiet and simple, she’s loved it since she was a kid.

-Her biggest fear: Being unable to try and protect her family, like when she died. She can’t handle the weak, pathetic feeling, she may have panic attacks when thinking about it.

CHARACTER HEADCANONS

How does Clara fall into the ensemble of hell? Who would she bond with, and who would she hate?

-Who from the entire cast would she hate the most?

The Vees, mainly Velvette, because of how she treats her mother.

-If she met the Hazbin Hotel staff and inhabitants, who would she bond with?

Vaggie, both are strong souls with a tragic past!

-Who would she most likely have a song with? About what?

With her mother and sister, a song about protecting each other no matter what, almost like an “Out for love” reprise

Thank you for reading all the way through!! I’m planning on making way more headcanons in the future! Feel free to ask for specific characters/headcanons in the comments!

A list of future projects:

-Odette Carmine

-Carmilla Carmine

-Zestial Morde

-Lute

-Adam

[spookycathymorshaw]

If you're looking for me, I'm hiding from blood-starved Gothic literature fans.

[hershelchocolate]

Okay oddly specific question but @ the mechs fans out there is there. Any canonical information on Carmilla? Asking for a friend (the friend is me I do not have the time to go through all the fiction please help)

[claudeleine]

what would you say your favorite books are from this year? and you would recommend?

ooooo! i think i've read about 24 books this year, and rn i'm reading the vampire armand and the only good indians by stephen graham jones<3 liking both so far!

the hacienda by isabel canas - if you liked mexican gothic, this is a similar haunted house type story, and tbh i liked it more. also the author is a pnw local so <3 i also liked her book vampires of el norte, but i zoomedddd thru this one

the adventures of amina al-sirafi by shannon chakraborty - specifically the audio book though, there are a lot of asides where the narrators are speaking to ppl in the room with them, so it works better if it's like they're telling u the story rather than u reading what they wrote down if that makes sense. the narrators are also just phenomenal

martyr! by kaveh akbar - this book was just beautiful

near to the wild heart by clarice lispector - another beautiful book, i just love her writing style

legendborn and bloodmarked by tracy deonn - a phenomenal low fantasy book, and honestly if the publishing industry wasn't terrible to black women, especially in the fantasy genre, this could easily have been adjusted to be adult fiction/fantasy

starve acre by andrew michael hurley - we love gothic folk horror, it was like the prologue to a horror story but falls just between the chaos. it's a quick read, u could knock it out in a day probably

silver nitrate by silvia moreno-garcia - it takes a bit for the action to get going, but i really liked how well u get to know the two mcs and it really strengthened the story when shit starts hitting the fan. this is the 2nd or 3rd book i've read by this author and i'm not totally sure how i feel about her endings, but i did like this ending more than mexican gothic, which fully knocked that book down from 5 stars to 4 for me lol

carmilla by j. sheridan le fanu - but specifically only the version annotated by carmen maria machado

[beevean]

I offer another angle to explain why I hate the Lenector subplot: Lenore and N!Hector drag each other down.

And not in that fun "they make each other worse" way, not as people - as characters. The ways they're both badly written influence each other. And it's hard to see where the problem starts: I don't care about Lenore being a manipulative #girlboss because I don't care about N!Hector's fate in S3, and I don't care about N!Hector in S3 because he was watered down to make Lenore look good (as in, a hot #girlboss to masturbate on).

N!Hector is not a character one can root for in S3. And it's not because he's "evil": after all, fans are quick to cheer for N!Isaac when he kills innocents and defiles their corpses for petty reasons. It's because not only N!Isaac is forcibly made to be the coolest strongest most powerful character in the show, but because the dude has at least solid motivations and reacts to events around him. <- writing so peak i'm forced to appreciate the very basics of writing

N!Hector has lost all of that. In S2, there was a conflict between his morbid goal of turning humans into livestock for vampires, and his principles that made him recoil at N!Dracula's actual plan of mass slaughter. He was evil, but he was also lied to by N!Dracula through no fault of his own, and there was an unique dissonance between his terrible goals and his complete lack of malice. It at least made sense that he'd listen to Carmilla, up to a certain point. By then, I still wanted to follow his journey. I wanted to see him grow, I wanted to see him challenged, I wanted to see him learn empathy for humans. (well, I would have wanted to, if I wasn't spoiled lol. you get what I mean)

In S3? What's the point? What does he want? What does he fear? What does he feel?

Characters going through hell and coming out reshaped, for better or for worse, is the bread and butter of fiction. The CV games themselves have put some of their protagonists through the ringer: Leon lost everyone he held dear in one night in LoI, Shanoa discovered she had been groomed to resurrect Dracula in OoE, and Hector himself suffered a lifetime of abuse, watched Rosaly die in front of him, and then discovered that all of that pain was so that he could become Dracula's vessel in CoD. The thing is that, I care about these characters. They have personalities, a past, relationships, and I want them to succeed. I want them to be happy. Their suffering is a tool through which they show what they're made of.

Hell, it's not just the heroes: Isaac in CoD also has gone through hell. I don't want him to succeed because his happiness is tied to Hector's suffering, but at least I feel bad for what he had to endure, and I feel bad that he died even though it was partially due to his actions: he is both a cruel antagonist and a tragic victim whose tragedy is believable but not a full excuse. He's a compelling, fleshed out character, not to mention charismatic because he has one hell of a personality lol.

N!Hector has nothing. The story itself is just making this character suffer, in a humiliated, undignified way... but not to break him and reshape him into something different. It's just torture for the sake of torture. It's to laugh at him, because he's stupid and that's what he gets for being stupid. It's to find him pathetic when Lenore puts him on a leash: the point is not how disgusting she is, the point is that he's a cute puppy, who barely reacts to this humiliation so that you viewer are not distracted from the kink. It's to shake your head when he can barely have an edge in the interrogation with Lenore, even when he could give some more personal answers like "I followed Dracula because he accepted me and gave me a reason to live", because the point is to make him look dumb and easily malleable. It's to facepalm when Lenore tricks him into having sex so that he can be coaxed into pledging loyalty to her, because he can't even see the very blatant way she lies to him - and it's his fault for being so impossibly dumb.

What does he want? He mentions that he wants to be free, but in the same breath he says that he wouldn't be able to survive on his own, so it's not a goal he fully believes in. He still says that he wants to put humans in cages, to which Lenore says "oh it's what we want to do too", so... N!Hector's goal matches with Lenore's? Then where is the conflict? As I said in the past, Lenore didn't need to resort to rape by deception to tie him down: N!Hector already trusted Lenore and would have worked for her, at the very least, especially if she kept pretending to care about him and improving his life conditions gradually. Morally, he hasn't even begun the process of changing - and, of course, he never does. He is stagnating. He's not interesting.

(this isn't even negative character development. For N!Hector, it would have been, for example, convincing himself that everyone deserves to die, and him becoming more violent and bitter towards the people who hurt him. This could have been one of his developments in S4, even if tragic. We don't even get that. The "development" he has is that he let Lenore kill herself instead of forcing her to live like he did with his pets, which is. so fucked up i can't even put it into words.)

Hell, I even realized recently: the fucking ring would have made much more sense if N!Hector actually showed signs of rebellion, because the way she described it, the ring's only purpose is to prevent rebellion, not to force him to work! If the issue was that Striga was considering hiring mercenaries and that would have made N!Hector useless, the ring doesn't solve jackshit about it, because if he wanted to he could have starved himself to death and the ring wouldn't have hurt him! The ring only solves the issue of N!Hector potentially using his Night Creatures to harm or kill the sisters! Which it's a moot point because he has been shown to be nothing but docile after Lenore beat him into submission precisely to make him docile, and he clearly was on his way to be convinced to peacefully work for the council! If he got convinced that he would be living the best life as Styria's Forgemaster, taken care of by Lenore who at least treated him well, not lied to like Dracula did, and doing what he wanted to do which is forging and working to enslave mankind (remember, he shows no growth in this), he wouldn't have hurt anyone! Lenore saw with her eyes how pliant he is, and in S4 she even calls his ill-thought attempt to threaten her "half-hearted at best"! She got the idea to butter N!Hector up to make him trust her and work with them willingly, and not through torture, and it was going all too smoothly - and then she broke that trust by deceiving him and playing with his feelings in a much worse way than Carmilla did, and realistically, N!Hector shouldn't have wanted nothing more to do with her in S4, let alone work for her! But if he was shown having at least signs of aggression, defiancy or doubts, vulnerable to Lenore's "kind" acts but still wary enough of his situation taking too long to be convinced, then the ring would have been a good solution to "tame" him! Lenore raping N!Hector into slavery would have been more justified and not come off as a vile gratuitous OOC act if he had showed a personality!!

i'm calm.

Anyway. My point is, there is no conflict between these two characters, even though Lenore is clearly the real antagonist. The conflict of Styria's story in S3 is watching this snake deliberately play with N!Hector's feelings for no reason other than sadism and a power trip. And the conclusion we're meant to reach is "wow he sure is a dumbass, he deserved to be enslaved".

Unlike in CoD, N!Hector's life is so miserable, and his conditions so suffocating, that I wouldn't have felt anything if N!Isaac actually killed him. Who cares? No one cares about this character. Least of all the writer. I don't care if he succeeds or not, because he has nothing to succeed in; and I don't care if he suffers, because he doesn't even care, and has nothing to live for. It's literary bullying.

So this brings me to Lenore. If Lenore's whole thing in S3 is that she's such an amazing manipulative bitch who gets her way through deceit and subtle abuse, but she's effectively deceiving a bag of meat... I'm not impressed.

Oh, I hate her, because her actions are disgusting and poorly match what she's supposed to be, which is the selfishly kind diplomat who finds power in taking care of lesser creatures. She doesn't come off as her own archetype, because she is too smug, too happy to force herself on N!Hector in a sexual way (the collar, the ring), and her first scene shows she's just like Carmilla in that she easily resorts to excessive violence to prove she's not weak. So, while this is yet another instance of bad writing, in-universe she also comes off a a raging hypocrite (further proved in S4 where the writing and voice acting imply that Lenore sunned herself because she didn't like the idea of being in the same gilded cage she had put N!Hector in, which makes her look cowardly and pathetic). But she's not fun to hate in the same way Isaac is when he forces Hector to watch Rosaly's execution in PtR. She's bullying a shell of a person. She is weaving uncomfortable lies to a manchild who is not even trying to put up a mental protest to her manipulations. Why should I care? She is getting her way so easily, not because she's that good (she's really no better than Carmilla, who in-universe failed) but because N!Hector doesn't have enough personality to challenge her; and if she succeeds, N!Hector would either be okay with it, or if he's not... well, he'd deserve it for being stupid, according to the show's logic.

Lenore in S3 exists solely to further prove the general message of that season: trust is for fools, and fools deserve to be punished. She is a plot device moved around like a puppet to serve that general message, and on top of that her creepy actions are painted as titillating... well, as long as you either want to be dominated by a pretty woman (which explains the great amount of male fans simping for her) or you want to dominate a pretty failure of a man. Which I don't. Because I have no reason to care about N!Hector, let alone find his sexual humiliation hot.

Do you see the problem here? Lenore cannot shine of her own because N!Hector is not written well; but since she only exists to bully him, she doesn't come off well either, despite her concept being brilliant and actually interesting and deserving of being fleshed out more organically without turning her into four characters clumsily stitched together.

And of course, as you have noticed, I have only talked about S3 so far. What's the point of even talking about S4? It completely destroyed everything S3 set up. Lenore has lost everything that made her allegedly cool in that season, being reduced to a whiny brat who feels so alone and unwanted and cries about it to the man she raped by deception. N!Hector mildly sasses her back and listens to her woes, but doesn't seem to care at all about what Lenore did to him, both positive (being put in a giant gilded cage where he can't be killed and being given some sort of authority) and negative (the mocking, deception and rape). They have chemistry now, a positive chemistry made of mutual respect, but it comes out of nowhere and it clashes with their past.

I don't care that now Lenore feels sorry about her life, because she crossed the moral event horizon and now she doesn't get to regress into being a poor little girl who only wanted to do diplomacy 🥺. I don't care that N!Hector freed himself and tricked everyone in the castle, because his "badass" actions were all for the purpose of bringing Dracula back, which is proof that all the suffering he went through was for nothing - he didn't learn that putting humans in a cage was bad, and now he seems to want back the madman who planned to kill everyone out of personal atonement (plus, he only freed himself from working for Carmilla, Striga and Morana: he still chooses to live with Lenore, so effectively still tying himself to the woman who forcibly tied him to her). He's even worse now, he has regressed for no sensible reason: I still don't want him to succeed. And I don't care that N!Hector has found the strength to let Lenore go, a contrast with how he used to resurrect animals to have loyal companions, because I don't even know why he'd grow to love her. The story wants me to believe his love for Lenore is pure and organic, and not the result of breaking from horrible abuse and accepting the scraps of something barely resembling kindness. As if S3 never happened.

And if S3 never happened... why should I care about these characters and that story?

(funnily enough, I could make a similar post about N!Alucard in S3 and S4. I also don't care about his grief, because he was a cunt to N!Trevor and his own similar trauma. I don't care about the Japanese not-twins raping him, because it's so out of nowhere that it only feels like gratuituous shock factor. I don't care about N!Alucard apparently falling down the same path as Dracula, because he gets better after one episode. His story in S3 - well, what little can be considered a story - is also "trust is for fools, and fools gets punished", although at least N!Alucard isn't painted as a dumbass for trusting these two plot devices, and at least he kills them before he can forgive them. but basically my point is that this writing is bad.)

[bangelbagle]

HAZBIN HOTELˏˋ°•*⁀➷

MALES

AlASTOR

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VALENTINO

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VOX

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HUSK

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ZESTIAL

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ADAM

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LUCIFER

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𐙚 Little Angel

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ANGEL DUST

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Sir Pentous

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FEMALES

CHARLIE

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VAGGIE

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VELVETTE

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NIFFTY

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CARMILLA

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ROSIE

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LUTE

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Lilith

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[mothmage]

Only now saw your pinned post and I NEED YOU TO RECOMMEND ME FIVE BOOKS RIGHT NOW 🤯💖😎🖤

oh my god what kind of books??!! genre??!! my top five favorite fiction books (i think VC fans would like most or all of these, actually):

Carmilla - Sheridan le Fanu (short, lesbian vampire, Dracula's blueprint, we all know this one) (this doesn't count as one of the five, but it's obligatory)

Perfume, the Story of a Murderer - Patrick Süskind (descriptive and evocative writing, weird and gross, guy with the most sensitive nose in the world, this WILL change the way you think about smell and scent, also murder, i first read this years ago and genuinely still think about it once a week)

Sing, Unburied, Sing - Jesmyn Ward (new southern gothic, ghost story but the ghost may or may not even be real, the horror is the intergenerational trauma, the prison industrial complex, and race in the american south - Ward is reinventing the genre right now, and i'm following every new release like a dog at her heels)

The White Castle - Orhan Pamuk (17th c science and understanding of the world, huge huge intrigue about identity and personhood and individuality, who am i and who are you and who are we type questions -- this one did send me into a psychosis episode the last time i read it, but would still 10/10 recommend if you arent me)

Nightbitch - Rachel Yoder (descriptive in kind of a gross way that im obsessed with. reality-unreality is a little blurry, but this is like...gnawing chewing going feral except it's kind of literal for the main character. good for her except it's not in a toxic feminism way it's in a really weird way. good for her. bark)

This is How You Lose the Time War - Max Gladstone and Amal El-Mohtar (tbh still not sure what this one is about, something something dystopian future time machine battle, it doesn't even matter. this is the most romantic love story i've ever read, and the writing is like. this rewrote my brain. epistolary so it's all in letters. it's so confusing but if you accept that the relationship is the whole point and the actual war is the background, it's like...breathtaking)

ok this is actually six seven, but also Gods of Tango - Carolina de Robertis (ambiguously butch/transmasc/transman main character, but this is about MUSIC. italian violinist in early 1900s argentina. some crazy messed up relationships. music!!! music!!! this is the most "music above all else" character i've ever read in my life)