#canon pronouns. (and yes i've had this once before actually but it's been so long since i've been in the v*ltron fandom that i forgot ig)

[quarks-pussy]

harry kim for the ask game i need to know your thoughts

(ask game)

Ok so apparently when you were deactivated that one time, your ask disappeared from my inbox and I wasn't notified about the ask again when you came back so I totally missed this message for over a month. Oops 😅

Anyway! Harry time.

Stan twitter: I don't know. I'm not sure Harry would have one tbh, imo Harry would be far more likely to just support Tom's (thoroughly unsuccessful) Bruce Springsteen stan account on main. If we're going with the "Paris and Archer have vicious drama over Bruce Springsteen" continuity, Harry is absolutely jumping in the trenches to defend Tom's opinions despite not even being into Bruce Springsteen.

Weirdest kink: I unironically believe Harry is out there exploring the final frontier by sexualising being stuck in/changed by the delta quadrant. "Came back wrong" is erotic to Harry. And self sacrifice ofc. Also a bit of a mommy/authority kink that only developed after getting mommy issues from Janeway

Corner store: Nothing. Depending on how and where you imagine this corner store, Harry is either there to scoop out some intel from the locals or to keep Tom company while he's browsing the magazines.

And I know it's been a while but if ppl wanna send more asks for the ask game, feel free to, tho I might take a long time to answer them, sorry

[shima-draws]

Tell us about the AU! I know you want to!!

WAUGHHH. AGHHH. OKAY. OKAY SO. I've been watching one of my favorite content creators play through the DLC. Early on in the playthrough he was tossing around theories and said "Maybe KIERAN is Ogerpon??" and that gave me a BRILLIANT THOUGHT.

Ogerpon Kieran AU.......

I've already thought of a very long and complex backstory for this LOL but to simplify it. Before the ogre and its human companion came to Kitakami, said companion was actually living a very happy life with his child. However, they were caught up in the midst of a great war that ended up taking the child's life. The man was so overcome with grief that it summoned a great being (I'm thinking Xerneas), who blessed his dead child with new life. And that child was reborn as Ogerpon!! So kinda like how children who get lost in the woods and die are reborn as Phantump.

Fast forward to many many years later. A long chain of events leads to Carmine's grandfather's...father (so, her great-grandpa?) meeting Ogerpon and vowing to make it a new mask, a mystical and powerful mask that could grant wishes. Sadly, Carmine's great-grandpa wasn't able to complete the mask before he died. This project was eventually picked up by Carmine's father (and I have a whole other thing about him but I'm not gonna get into it right now lol). Carmine's father forms a very close bond with Ogerpon as he continues to gather materials to finish the wish mask. He expresses his desire for Ogerpon to finally be able to walk among the villagers with its name cleared, and for Ogerpon to meet his only daughter. He leaves for a journey to find the last material for the mask...and never returns 😔

Carmine's grandfather has a whole complex about the wish mask, but after seeing both his father and his son dedicate so much time and care into completing it, he takes the last material, imbued with the hopes and dreams of his family, and finally finishes the mask. When he presents it to Ogerpon, Ogerpon dons the mask and its wish is granted...it becomes human :") So it becomes Kieran, basically!! Kieran's wish was to be able to say thank you to all of the generations of mask makers that had helped him, and. To be part of their family 🥺 What he doesn't know is that his wish to be human stems from the fact that he already was human, once. But he doesn't remember his life before he was reborn as a Pokemon.

So, Carmine's grandfather happily accepts Kieran and his desire, and takes him home to live with him and Carmine. Note that Kieran is probably around 5-6 at the time, so he's BABY. And Carmine is only about a year or two older. She isn't sure what to think about suddenly getting a new brother, but she's happy to have someone to boss around lmao.

And once a year, during the festival of masks, Kieran lets his facade fall and wanders around as Ogerpon again. Just to keep in touch with his roots haha

So obviously with Kieran being Ogerpon the events of the DLC will play out differently than canon. Kieran slyly compliments the ogre in front of the player and mentions that maybe it's just misunderstood. He's been trying for a while to change the villagers' minds about what happened to him and the Loyal Three all those years ago, but it hasn't been going...too well lol. So when the player shows up, and things start to shift, Kieran gets really excited bc he realizes he finally might be able to clear his name :")

Is this AU silly and dumb as hell? Yes. Does it not really make sense with canon and is full of plot holes? Yes. Am I brainrotting over it anyway? Also yes.

Take a little edit I did of Kieran's official art to fit what I had in mind for the AU ;) I wanted to draw it but I'm at work rn lmao RIP

ALSO LITTLE DOODLE OF THE BOY

ALSO bc of Ogerpon's original gender Kieran probably goes by he/they pronouns in the AU

[heredis-sanguinis]

𝘒𝘕𝘖𝘞𝘐𝘕𝘎 𝘠𝘖𝘜𝘙 𝘗𝘈𝘙𝘛𝘕𝘌𝘙 𝘞𝘌𝘓𝘓 𝘊𝘈𝘕 𝘗𝘖𝘛𝘌𝘕𝘛𝘐𝘈𝘓𝘓𝘠 𝘔𝘈𝘒𝘌 𝘞𝘙𝘐𝘛𝘐𝘕𝘎 𝘛𝘖𝘎𝘌𝘛𝘏𝘌𝘙 𝘈 𝘓𝘖𝘛 𝘌𝘈𝘚𝘐𝘌𝘙.

Name: Cella

Pronouns: She/Her

Preference of communication: I prefer Discord. Tumblr's IM system is spotty as hell and most of the times does not update for me. Especially on mobile, which is where I'm at most of my days, because of my work schedule being all over the place. I'm willing to exchange Discord handles if people ask for it.

Name of muse(s): Active: Vladimir, Vayne (In process of re-making blog theme and sorting out archives) Inactive: Kalista, Karthus, Thresh, Illaoi, Swain, Veigar, Scarlet (LoL OC), Emperor Mateus (FFII), WoL (FFXIV OC), Erza Scarlet (Fairy Tail)

Experience / How long (Months/Years?): Oh man, I lost track of that stuff. I've been in the League rpc since before the lore reboot, back when we still had summoners and the Institute of War and the single circular-like continent. And before that I've been in other fandoms. I'd say, including ttrpg rping I've been at this game for over 20 years now (yes I am OLD) I've used Tumblr, Skype, Discord, MSN Messenger, PlayByWeb among others as mediums.

Best experience: I can go over the various specific threads and interactions that are close to my heart. But I really think that the lasting friendships I've build with past and present partners to be my best experiences. To meet so many different flavours of people, with their own lives and interests and stories, and become a part of their life (and vice versa) is what matters more to me than whatever rp-ing does.

RP pet peeves / dealbreakers: I'd like to think that I'm fairly easy-going as a writing partner. But, like anyone, I do have some lines I do not cross. Aged-up canon muses are a big no-no for me. I've had horrible and unpleasant experiences both personally and in fandoms with those. i.e. Annie is a child and someone rp-ing a young adult version of her just creeps me out, because obvious reasons are obvious. I adhere very strictly to the canon ages of canon characters, especially since Riot gave us an actual timeline to work with, or at least moderately accurately deduct dates with.

As far as pet peeves there is actually only one I can think of right now, my muses not being taken seriously and being ridiculed and made silly or memed at. This has happened to Vlad a few times and I just hard-pull the plug on interactions if it happens. He's a 1500+ year old homicidal tactical-thinking bloodmage, who is bored out of his mind most of the time. The fact he may crack a joke or two, or act aloof at times, does not mean he will not turn your muse inside out when insulted. This does not mean, in any way, he is unavailable for more casual interactions, but there is a very fine line between casual talk dare I say banter and downright memeing on him, and pushing him around. Luckily this has not happened in a long while, but it is something I can be sensitive on.

Muse preferences fluff, angst or smut: Angst > fluff > smut; though it can change depending on vibe and muses. Smut is something I rarely post publicly or write with someone else. I become extremely self-aware of my writing and over-analyse each and every word to the point it can take literal weeks until I come up with a reply that I do not want to gouge my eyes out at. Angst works wonders for my singular brain cell that thrives on it. Fluff is something that does not often happen, especially with my selection of muses. But it can be nice every once in a while.

Plots of memes: I can work with both. I don't mind plotting at all, but I prefer to not plot every little step out of an interaction between two muses. I like to be surprised by a partner's muse's reaction or response. And it feels a lot more natural, because there is always a certain level of compromises when it comes to plotting. Memes are a perfect ice-breaker as opposed to a first-meeting interaction (because let's face it, those can be pretty boring if it falls down to 'hi my name is x, who are you?') It makes us writers think out of the box slightly to have our dumbass children play together.

Long or short replies: It depends on the setting for the interaction. But I try to at least go for several paragraphs to give my partner something to work with and also offer development for both muses and give insight into mine's thoughts and actions. I'll never expect to be matched in length and will never fault someone for this either.

Best time to write: Since I work in three different shifts, which alternates per week, my activity hours shift a lot. So my 'best time' to write also changes. It mainly depends on a mood to write, especially with a manchild like Vlad as a muse.

Are you like your muse(s)?: Somewhat? I share some interests and personality qualities with my muses, for sure. But I wouldn't say I am a lot like them per se.

Tagged by: @blackrosesmatron Tagging: Anyone that hasn't done this yet and wants to do it. Consider yourself tagged!

[thiswaycomessomethingwicked]

for the quiet night in ask: how did Grima make his way into your heart? And why do you ship him with Eomer? I've been meaning to inquire about this for long hehe (also I love your theme! think this is the first time I see it)

I am so sorry, you’re getting an ESSAY. 

I’ve been wanting to talk about my Grima feels FOR SO LONG. 

HE SNAKED HIS WAY INTO MY HEART. 

Um, tl;dr I have a soft spot for the bad guys who clearly have a complicated history with those they are opposing and I think Eomer/Grima have a fun opposites-attract dynamic and I love a good redemption story. 

I don’t touch on literacy and Grima in this because that’s strictly the films and it’s worthy of it’s own post entirely. 

-

I’m trying to think best how to break this all out, because it gets a bit long and rambly. I’m using both book and films for this, as a note. Since I tend to mash up different aspects of those Grima’s in my head, give the guy some eyebrows, and call it a day. 

So, first off, his history. Now, we don’t really have anything to go on in canon here. All we know, in both book and film, is that Grima “was once a man of Rohan” (ROTK). In the book, Gandalf says: “This here, is a snake. To slay it [Grima] would be just. But it was not always as it is now. Once it was a man, and it did you service in its fashion.” 

Grima evidently has served Rohan for some years at this point. We know that Theoden’s enchantment/possession began three years prior to TTT. In the books there is no possession. Theoden’s enchantment relies on the powers of words and their suggestions. Something Tolkien was well aware of carrying great weight and import in Anglo-Saxon culture. You tell a man he is old and infirm, he will become old and infirm. 

I understand why Jackson went the possession route - explaining Anglo-Saxon engagement with galdorcraeft/witchcraft and the power of words etc. and how that influenced the development of Rohan in the span of like 7 minutes of screen time wasn’t happening. Possession works for the same purpose, but in a language the modern audience is familiar with - especially in visual mediums. Grima is circa 40 when TTT happens, same age as Boromir for reference. So, let’s say he’s been an advisor for 10/12 years at this point. He has therefore been a good servant of the king longer than he’s been a traitor. 

Hence, the outreach. And, in Brad Dourif’s wonderful acting, Grima’s clear desire to go home to his king. In the book it’s more subtle. Grima chucks the palantir out the window at Orthanc and it’s stated that he wasn’t sure who he was aiming for, Saruman or Gandalf, because he couldn’t decide who he hated more. 

Honestly? Legit. I would also hate the guy who reduced me to “it” pronouns. But maybe that’s my gender identity stuff playing up ;) 

(Granted, in the full quote Gandalf reverts back to “he”, for context. And I’ve said this before, in another post, that it makes sense for Gandalf and as a writer, I agree with Tolkien’s decisions for that scene.)

Now, for some speculation. Not that I haven’t spilled a tonne already. MORE SPECULATION. This time bringing you long term effects of bullying and never having loving relationships modelled for you! Because LOTR, at the end of the day, is all about trauma and how maybe not to deal with it. 

So - motives. 

We know Saruman’s motives. Indeed, he tells them to us in FOTRK: “[to] have power, power to order all things as we will, for that good which only the Wise can see” and to achieve “the high and ultimate purpose: Knowledge, Rule, Order; all the things that we have so far striven in vain to accomplish, hindered rather than helped by our weak or idle friends.”

Great. Super straight forward. And from the man’s own mouth. 

Grima’s though, always come to us second hand. In the books it’s Gandalf telling us (Gandalf can mind read, so yes, maybe he is accurate). In the films, it’s Eomer guestimating. 

But Grima never actually tells us, himself, what his motives are. 

(a quick aside: if some dude is shoving me up against a pole and threatening me, and I hear someone walking by, of course I’m going to look over at them and it by no means indicates my desire to shag that person. Now, of course, we know from other scenes this is the case. I’m just saying. It’s natural to look over at the person walking by while you’re being jumped by the Third Marshal of the Mark who is twice your size. anyway.) 

So what are his driving forces for treason? What made him go to this point of no return then keep going even when people offered him a way back. 

It is important to note that his treason required him to forswear his oath to his liege lord. I don’t know how to convey what a big deal that would have been, in modern terms. But it would have been huge. Forswearing/reneging on oaths was a massive cultural taboo in Anglo-saxon [AS] England (and general, early medieval Europe). 

And, as Rohan is based on AS England (I forget if Tolkien was cagey about this. He was sometimes a dumb shit and coy about things so was like “noooo it’s not STRICTLY AS England….but it’s clearly AS England with more horses and a light dusting of vikings and the Danelaw”), we can assume it carried as much weight for them as it did for the historical people. 

(Indeed, it’s implied, if not directly stated, in the text what a big deal oath breaking is. Don’t say “oath breaking” too loud or the Silmarillion fandom will come out of the woodwork)

The big takeaway: BIG DEAL TO FORSWEAR YOUR OATH. 

And he did it! Which is why I don’t buy the “it was because of Eowyn and like some nice jewels.” You don’t betray your country, you don’t forswear your oath to your king, simply because you’re hot on the king’s niece and Saruman might give you a raise. 

And, as a liege man to Theoden, he was part of Theoden’s household so would have eaten, worked with, lived with everyone else in the household (Eomer, until he becomes Third Marshal; Eowyn; Hama; Theoden’s guards etc.) 

So, you live with these people, eat with them, drink with them, spend all your time with them, for circa 10 years then you do a bunk and betray them? Something happened. I suspect it was years and years of things happening. 

Overall, I think it to be a combination of things. As is usually the case for these sorts of crimes. In this case, a nice mix of fear, desperation, greed, resentment, anger and desire. 

Fear/Desperation: So, to Grima’s mind the world is ending. Why wouldn’t he think this? Hell, even the Wisest and the Fairest (i.e. wizards & elves) think it’s ending. Why wouldn’t this poor bloke from some small country nearby to Mordor not think it an existential threat to an unimaginable degree? 

Grima is sat here in Rohan looking at Mordor going "oh fuck" then who are the leaders left? Denethor (slightly bonkers) and Theoden (past his prime and lacklustre, like his father and grandfather). 

This is not a man with a strong moral fiber. Or...any moral fiber, let’s be real. He does not have the fortitude to stick it out through hopeless situations. And it would have been hopeless to his eyes. And those around him (see: Eomer’s do not trust to hope… Sure Saruman was a problem, but he wasn’t just talking about the white wizard).  

Gandalf’s plan, which none of these people were ever wholly aware of, was a goddamn Hail Mary pass and it worked. Barely, but it did. NO ONE had reason to believe it would, though. And those are people in the know. Not someone like Grima who has no fucking clue what Gandalf et al is up to. He sees Gandalf then like … Nazgul torture him on the planes of Rohan (Unfinished Tales). He sees Gandalf then bad things happen. 

Lathspell indeed. 

Greed & Desire: I don’t think I need to go into these ones too much. They’re pretty self explanatory. Grima and Black Phillip hung out and the goat asked Grima if he wanted to live deliciously and Grima, like any normal person, said: um, yes please? Also, Eowyn was around being badass, beautiful and untouchable. 

Resentment/Anger: Alright, more probing in the dark. I suspect, for one reason or another (and these reasons would vary depending if you’re looking at books or movies), he was someone who was always treated as other/differently, teased, picked on, isolated, overlooked, doesn’t measure up to Rohan’s military ideal of masculinity. All of which creates an underlying resentment issue.

And nothing festers quite like resentment. 

On top of that, I also suspect he was always told he was a snake/untrustworthy/not worthy etc. and if you're told something enough, and you don't have anything or anyone else telling you the opposite, there is a strong chance you become that thing.

It's a chicken and egg: the face you wear to the world tells the world how to treat you; the world tells you what you are and that is how you shape your face.

THEN you add in Saruman. Who is clearly, in the text, abusive. Which, if there were any inferiority/bullied etc. issues that are informing Grima’s actions, Saruman is just going to amplify it. 

“You are a traitor because you’re a snake, and you’re a snake because you’re spineless, weak, nothing more than a creature that crawls on its stomach on the ground. Snakes are bad, evil things. Which is all you’ve ever been. Barely deserving of the good treatment I give you etc.” <-- all of which is basically a summary of what Saruman has been saying to him for a few years at this point (in the book, it’s only tangentially implied in the movies). 

So Grima sort of morphed himself into what he believed himself to be, fuelled by that perversity resentment causes: Oh you think I’m a snake? I’ll be the best goddamn most poisonous snake you ever did see. Just watch me. 

He is trapped in this situation. A hutch to trammel some wild thing in. 

Which leads me to an interesting point that I think gets lost sometimes: Narratively, he and Eowyn are similar in what they are experiencing. Isolation, being overlooked, misunderstood/misrepresented, don't fit into societal roles and expectations etc. They just go in very different directions in how they respond to it.

I think that's why, in the film, it was smart to have her give pause and listen to him because what he's saying resonates. He is, in some ways, speaking as much for himself as her. But then, of course, he's also just trying to shit disturb and make mischief so of course, at the end of the day, any sympathy he is attempting to convey is laced with poison.

I do wonder, too, if he's the first person to see her fear and her frustrations and acknowledges them out loud. Which is powerful. To have someone see you. Damn shame it's Grima. Still, Eowyn (in the film) paused and listened for a reason.

-

A brief aside on my idle, ill founded thoughts on gender and Rohan: 

One of the reasons I think Eowyn and Grima go in diverging directions, is that Eowyn is performing masculinity, in her society's accepted interpretation of it. Masculinity, in Middle Earth, is clearly the norm. And in Rohan, it’s a very particular iteration of military-focused masculinity that is idealized (you can bet, men who killed like 10 orcs were awarded places in court above Grima who served as advisor for like ten years but hasn’t killed an orc ever).

Eowyn’s desire to live/perform this more masculine ideal caters to the subconscious thing of “Masculinity is Natural Neutral Ideal” so of course you would want to be more like A Man. Whereas Grima is the opposite, not performing masculinity according to Rohan's accepted view of it.

And gods, in Anglo-Saxon culture (therefore, Rohan’s, most likely. I see no evidence to the contrary) is that a difficult position to find yourself in. Back in AS England, being called argr, unmanly, or to be accused of ergri, unmanliness, was one of the worst insults you could throw at a man (indeed, some laws said you could kill a man in retaliation for calling you such things). I would bet my shirt that people used such insults about Grima in this world. Which is all kinds of messed up.

-

Now, my interest in him is my general love for a good redemption arc for the most hopeless of characters. It’s why I struggle to call Boromir’s arc, when he’s written as living, a redemption arc. Because I don’t know he has much to redeem himself for. In his own mind, sure, yes, but externally? Not in my view, at least. He has things he’s done wrong and needs to make amends for. But that’s different from redemption.

Grima, on the other hand, is one whose walk-back from evil would be a full on redemption arc. And I like it because he’s not nice, he’s not pleasant. He will never be nice or pleasant or cheerful. But learning how to love and be a good person doesn’t require niceness. 

Saruman could be plenty nice. Sauron could be plenty nice. Look what they turned out to be.

And in my writing, I do hope I’m treading that line between creating an understanding of who Grima is without Kylo-Ren-ing him. Or, woobiefying him, as the old parlance was. That’s the line I’m really aiming for. I want people to not hate him. I want them to understand him. Oh, still condemn him, still judge him, disagree with him, acknowledge and know he did bad things and isn’t a nice person. But the end game is to add some understanding and nuance.

Shades of grey.

Also I’m a sucker for challenging redemptions.

--

Why Eomer/Grima? 

Because I am an agent of chaos. 

More seriously, I was never overly taken with the Grima/Eowyn approach, personally, which is obviously popular (um...within the Grima world), and closer to canon. There are some beautifully written fics and art out there for the two of them, so if you’re into that. The creators in that nook of fandom are top notch.

I always liked the drastic opposite of Grima and Eomer. As I noted above, Grima and Eowyn are two sides of the same coin. Both bitter and resentful and trapped. And that’s a lot of fun to play with, and i get it. But for me, I love a good strong contrast of personalities in my pairings. (If that uh … isn’t readily apparent.)

I think both Eomer and Grima would have a lot to teach each other and in some really interesting ways that neither would expect. I can see both getting under each other’s skin in that way where you’re sort of always thinking about them.

Grima is also someone who has had very little love in his life (I suspect he wants it, he just doesn’t know how to give or receive it). Eomer is someone who has lost a lot of people (parents, quasi-uncle for a few years there. I think it’s why he’s so controlling over Eowyn. Didn’t want to lose her). And I think there’s something in there where they could help each other grow. But I’m a sucker for some beauty to be there, in the end. Some hope.

Mostly, though, I think it boils down to their dynamic and the angst potential. Eomer is this brash, forthright, fiery third marshal of the mark who may or may not think things through. Big of heart, dumb of ass. Then there’s Grima who is quiet and reserved, cynical, critical, always has a plan or five, gets by via his wits etc. Lots of fun potential there.