#can't recommend it enough! | Explore Tumblr posts and blogs

faislittlewhiteraven · 8 months ago

Text

Been having some ISaT tech level and timeline (as in 'when backstory things happened') thoughts and want to ramble a bit:

Tech

ISaT's setting is based on your classic sword and sorcery fantasy JRPG so its easy to assume that tech wise everything is 'fantasy medieval' and call it a day but consider:

Body Craft is at bare minimum is magic sex changing surgery (earliest known equivent in our world dating to 1930) that any old person can learn to do safely on themselves in only a few months, and more likely has many many broader applications like regular old surgery, the 'combat healing' Mira and Sif use, etc.

Cameras and photos are rare enough that Odile comments on it (namely she's happy the group get a photo in the House due to them being 'so rare') yet are also common enough that everyone in the party knows about them and doesn't question the existence of a camera beyond being surprised that the mirror was one. (In our world cameras date back to the 19th century, with the earliest manufacturing of them being in 1839).

Printing presses and ways to make plenty of paper to feed those presses given absolutely everyone in this game can read, expects everyone else to know how to, and both mass produced book series and newspapers are a thing. (Note: Printing presses have existed since waaaay back but it's the mass paper manufacturing that makes newspapers and The Cursing of Chateu Castle possible that really has my eyebrows raised here, especially since neither Siffrin or Odile find either odd in any way, indicating such things are common everywhere, and while newspapers have been around since 1604 in our world, mass produced fantasy books didn't really take off until the start of the 20th century).

Food production and storage: despite being in the middle of a national disaster that almost certainly cut off trade networks and access to most suppliers for literal months now, Bonnie, a small child, is able to easily get their hands on fresh Pineapple, curry ingredients (for samosa), potatoes, plantains etc with no issues or anyone commenting on this being unusual or lucky. Oh and the only character who even brings up the concept of potential starvation is the Fishing One, and only in a sort of 'we're not at risk now but sooner or later...' kinda way due to noticing that the fish they fish up for fun are disappearing and likely being frozen. So yeah, that heavily implies Vaugarde has very good food storage tech/Craft (possibly better than ours), and likely also good food production and harvesting tech/skills also.

The Island's incredible knowledge of the stars: while the oldest known orrery in our world is dated from around 205 to 87 BC (ancient Greek, earth centric model), the fact Sif -who would've learnt this as a child/teen- is so very certain that stars are big balls of fire made up of gas is interesting as that's something our world couldn't prove the theory of until around the 1900s (note: it'd been theorized a LONG time but Sif talks like its complete facts to them . Additionally the earliest existing record of a telescope in our world dates to a 1608 patent and we see one of those in game.

Post posting EDIT: A wonderful user qds-place pointed out that Mirabelle has anti-anxiety medication in her room. This is in both ISaT and SAaP and though we're not sure what form the medication takes (pills? Valium? Megitech esc Craft boosters???) the fact they specifically have 'anti anxiety' medication at all (as opposed to idk dragging Mira off and drugging her through the gills) is kind of impressive and if it IS modern anti anxiety pills those could be as recent in creation as the 1950s! So um. Some high levels of tech implied in chemistry there <3

So... yeah. All this, plus the fact that the highest tech implied area, The Island, literally specialised in the study/Craft of turning wishes into reality (for a long enough time period that Wish Craft is culturally so ingrained in the King and Sif that they do it without thinking and it seems intertwined with their nation's religion) has been completely erased from memory to the point anything heavily associated with them has been forgotten, and also we only ever see Dormont aka a little village well away from the cities, it's not hard to conclude that you can basically justify giving the ISaT world any level of tech you want, so long as you lock any of the truly 'setting breaking' stuff like planes and rockets behind The Island's forgetting curse (I would've said trains too but thinking about it trains were invented in 1802 so it's honestly easy to imagine that they totally exist in the ISaT setting/Vaugarde but aren't ever on screen because rail is way too dangerous to consider using while the Curse is active and potentially time freezing things on the tracks).

Side note: We know absolutely nothing about Vaugarde's transport system but as a fan of fantasy RPGs it is honestly a travesty I have yet to see a fic that has flying dragons/wyverns or other fantasy mounts in setting. Like, ok yes, the party would probably have wanted to use those but maybe they don't like the Curse and fled? Maybe the King's Curse targeted them first? Maybe all their handlers dropped the heroes off in Dormont and said 'Well Saviors it's been fun, but well me and Scales here are off to Poteria until things wrap up so best of luck to you' before buggering off?

This isn't really a serious complaint just. Me reminding myself/potentially other fanwork writers out there that there's a lot about the setting we just don't know about and limiting all travel to walking, horse drawn carriage and boat is not actually required. (Also please mix up travelling to the Island. Boats are a wonderful classic and have great thematic vibes for Sif's original leaving of the Island but like. Imagine the sheer in-universe wtf of the memories of The Island suddenly coming back and people on the north coast suddenly realising there's a massive bridge, subway or underwater tunnel leading there that everyone just forgot about - potentially filled with all kinds of Sadnesses that need taking down. Or Warp Panels in a House of Change, idk XD).

Timeline

Canon notes first:

Bonnie is a preteen (8 to 12), Mira and Isa are in their early to mid 20s (with Isa slightly older), Sif is late 20s to 30, and Odile is 40+ Nille is stated to be around 18 to 20.

Siffrin ran away from home when they were a teenager (13 to 17? 18?) and this is heavily implied to be when the Island was Forgotten.

Bonnie (in ISaT specifically*) says that Nille told them that when it happened all the adults were talking about it, hence why they think The Island is close to their village. *In Start Again a Prologue, Bonnie says that they themself remember the adults talking about the Island disappearing, which er. Is a bit impossible given they likely weren't even born yet when that happened but that can be explained away by AU differences, InsertDisc5 still finalising details between SAaP and ISaT, and/or OG Siffrin having been in the loops so long they weren't actually listening when Bonnie was talking and just 'scripted' in their head something 'close enough' to what Bonnie was saying to get the idea (note: mentioned that idea before in my post here on the differences between the House and King in Start Again vs In Stars and Time for anyone curious so er please feel free to give that a read if you haven't already).

Odile mentions remembering 'when it happened' as well and has been 'travelling for years'.

The King 'appeared out of nowhere' sometime in his adulthood, and lived in the city of Corbeaux for a few years before he became the King.

The King became the King as was freezing people in time long enough before his attack on the House of Dormont that everyone inside knew he was coming, there were a wall's worth of newspaper articles about him, and everyone was expecting Euphrasie to defeat him.

Mirabelle's quest began 'almost a year ago' and Sif lost their eye 'recently'.

Thoughts on the above:

Calculating when The Island was forgotten:

Sif being mid 20s to 30 and having run away from home as a teen means that The Island has to have been forgotten somewhere between 9 to 17 years ago with nine only possible if he ran away at age 17 and is only age 26 now, and seventeen being the far opposite if he ran at age 13 and is currently 30.

To narrow down the timeline: Given Sif ran away from home because he 'didn't want to eat his veggies' and 'just wanted to scare [his] parents a little bit' it's probably safe to assume Siffrin was likely on the younger end of the teen spectrum (teens run off all the time sure but with loving parents and over veggies? That screams 'kid who has not yet learned that freaking out the parents will get their ass grounded and/or yelled at a LOT and is therefore best saved for doing fun forbidden stuff that ideally the parents will never find out about' XD) Additionally given Siffrin can't remember his age/birthday etc but Isabeau outright says near the beginning of the game "But you're older than most of the people here?" meaning Sif must be visibly older than Isa or Mira, so he's probably closer to 30 than not.

Those alone would imply the Island likely disappeared closer to the '17 years ago' side of things BUT Nille (tops 20 years old) told Bonnie that "[the Island's disappearance] was all the adults would talk about for ages" and kids usually can't remember anything prior to 4 years of age so with that in mind...

I'd say The Island most likely disappeared between 13 to 16 years ago.

Nille stuff:

This is more a general mention but. Nille is tops 20 years old. Bonnie is between 8 and 12 and doesn't remember their parents at all.

This means Nille ran away with Bonnie and gained emancipation and custody of Bonnie (if Vaugarde has formalised that kind of legal stuff) while she was at most 12 years old herself and could have in theory been as young as 6..!

Regardless, it's very likely the original home situation was that bad, Nille deserves a ton of credit for raising Bonnie as well as she has and I'd say it's very VERY likely she had a lot of help from villagers in Bambosche and/or the local House of Change in doing so. ...But also Bonnie is very adamantly 'my sister and village' and not 'my sister and [specific names who live with us]' so there's clearly by the time Bonnie was 4 or so they were living in their own place so... Yeah. Lotta drive for independence there too it seems (so the party might have more trouble adopting Nille into their group post ISaT than Bonnie might expect).

King stuff:

Already an adult 13 to 16 years ago so at bare minimum 33. Given his vibe probably much older though.

Newspapers get printed pretty quick though for there to be so much speculation and research done into his background so quick, either Vaugarde has some form of fast messaging system (something like a Chappe telegraph on top of the Houses of Change? Odile I think does mention that they'll have a message sent to let Nille know they'll be returning Bonnie...) or the King was freezing stuff for IDK around a month or two before reaching Dormont? Alas can't find out how long it takes to walk across all of France out very easily (I'm sure the numbers are out there but my brain is pudding rn) but if we had those numbers we could probably make some guesstimates based off the rough sketched map of Vaugarde InsertDisk5 did... Which I would link but apparently the tumblr post I had it linked on has been deleted???? 'wails at this very unhappy development'

Mira's journey and Sif's eye:

We really don't know a lot but almost a year ago gives us somewhere around 9 to 11 months to spread the journey out along and after eye removal surgery the patient can out and about as soon as 2 to 6 weeks after, maybe sooner with magic healing (though full recovery/growing used to the changed spacial awareness -which Sif clearly does not have- probably can't be sped up and takes around 3 to 6 months) so um. I'd guestimate Sif's eye injury is really recent; like two months ago tops recent. ...Which sorta explains a lot of why Bonnie is not dealing with it right now and also why the others might be trying to avoid bringing it up (since Sif clearly loves avoiding the issue but they haven't yet realised that maybe they really should bring it up even if it annoys them anyway?)

Odile with some Ka Bue speculation:

When it comes to The Island, how did Odile, presumably living in Ka Bue at the time, remember 'when it happened'? Was the Island well known enough even on the other side of the world that it's disappearance made waves? Or was Odile herself or someone she's close to paying attention to the region? (Like maybe her dad or a friend is/was into politics or trade, keeping up with overseas news and got concerned it could happen to Ka Bue? I'd say 'I remember when it happened' line implies it was more immediate knowledge than being informed by a messenger much later though...)

As for Odile's 'years of travel' I have to wonder, what's left behind for her in Ka Bue? She brings up going back there quite a bit, might just miss home and possibly her father if he's still alive, but given it took her years to get here for something so personal rather than idk 'materially rewarding' I think Odile might have some kinda family estate or something back in Ka Bue... Something she wasn't worried about potentially losing while far away, but solid enough to want to return to, beyond her father who she'd definitely want to see again if he's still around. (...But given how open she is to chilling about Vaugarde a few more months with the others, I really don't think he is alive, since well, given their respective ages and travel between Vaugarde and Ka Bue apparently taking years, there'd definitely an uncomfortably high chance of him passing away while she's gone and that seems like the thing that'd stress Odile out so... Yeah. Probably got an estate in Ka Bue she'd like to take the Family to visit/possibly sell off if she decides she'd like to live with them in Vaugarde so... Just my off the cuff headcanoning here and hoping that gives others ideas or something).

---

Anyway that's all the ramble I've got in me so... yeah! Hope this was interesting and useful for those needing a bit of a 'possible tech'/timeline calcs breakdown for the Island + a few more vague things and um. Probably will post a long winding ramble about my attempt at a ISaT Selkie AU fic I've been working on next <3 (Not to be confused with looped-140-and-counting's already existing and quite wonderful Selkie Siffrin AU which already has a completed oneshot fic, a snippet of sequel, two snippets of prequel/Sif flashbacking and I believe a comic too, all of which I highly recommend <3)

#isat #isat spoilers #useful notes #in stars and time #speculation ramble #isat timeline notes #hope some of my isat fans out there find this useful for their fanworks <3 #I know its pretty basic stuff but I find having things laid out clearly handy for working out backstory and what to change in AUs so yeah =#i link interesting things. read selkie sif fic rec plz #isat nille #isat siffrin #isat bonnie #start again a prologue mention! (sorry there's not more than that XD)#thinking too hard about what I can and can't get away with in the big beautiful void that is 'left open to speculation' worldbuilding <3 #the forgotten island allows so many shenanigans people are not taking enough advantage of and I will call this out XD #also isat features a surprising amount of 'more modern-ish' tech or magitech that can basically do the same or better so like #Also had way too much fun wiki walking and going 'ohhh that's more recent than I thought. Cool!' and would highly recommend it #please ramble back to me your own random thoughts and notes as I love them even if I'm never sure as whether or not (or how) I should reply

150 notes · View notes

ghost-proofbaby · 1 year ago

Text

SO SCARLET (IT WAS MAROON)

CHAPTER FOUR: CASTLES CRUMBLING

AND HERE I SIT ALONE, BEHIND WALLS OF REGRET. FALLING DOWN LIKE PROMISES I NEVER KEPT.

☆ pairings: rockstar!eddie munson x fem!reader

☆ warnings: no use of y/n, strong language, angst, mentions of RUMORS of workplace sex scandal, minors dni

☆ WC: 5.4K+

☆ A/N: if you would like to listen to the song that eddie is recording at the end - it is an actual, real life song. :-) it is called "blood sport" by sleep token (one of my favorite bands i get to see live next week!!), and i highly recommend listening to it during your reading. especially the latter half of this chapter.

thank you to my love @hellfire--cult for the divider!

masterlist

“Alright, so – anyone care to fill me in on what the Hell that was?”

Matt stands like a disapproving father figure as the band lines up opposite of him just outside the building. Eddie had hoped nothing would be mentioned until they were in the car, but the driver was clearly running a few minutes late.

Three of the boys glance at each other, worried expressions immediately giving up the hoax even as Eddie only shrugs and says, “What do you mean?”

“Cut the shit, Munson,” Matt had never appeared so livid, so undone by irritation. His usual patience with Eddie is nonexistent, “What’s going on between you and that girl? Is she a past groupie?”

The insinuation gets a scoff out of Gareth. Jeff side-eyes him in warning, but Eddie couldn’t care less, “No, she’s not a past groupie. This was the first time I’d ever-”

“Don’t lie to me,” Matt points an accusatory finger at Eddie, narrowing his eyes, “I am your manager. If you have any unsavory connections with that girl, I need to know so I can decide if we need someone else to organize the event. We are not having another repeat of the Lewinsky scandal.”

“I knew it! I fucking knew you called it that, too!” Gareth cheers, but he’s quieted by one look from their furious manager.

The Lewinsky scandal had been their code-word for when the tabloids had become convinced that Eddie was fucking an assistant at the label. A girl had even come forward and claimed to have had sexual relations with Eddie, and he had taken heat for it for a full month before the buzzing novelty worn off.

Eddie had only spoken three words to the girl. No, thank you when she’d offered him a mug of coffee during a late night at the studio. He wishes now he’d been less polite.

And he also finds himself wishing that’s all this was. He wishes you were just another scandal, another terrible rumor spread around. If all the accusations between you two were false, if all the hatred was based on misconstrued circumstances, it would be so much easier. He can talk himself out of that. He can confess to those sins and get off with no more than the order of one hail mary from Matt.

But you? The reality of all that had happened, both all those years ago and just thirty minutes ago? He can’t find the words. They choke him up, unwilling to leave the cavern of his chest and enter the world, just like all the songs gathering dust as demos.

“It’s not going to be another Lewinsky scandal,” Eddie scowls, feet shuffling against the concrete below him. Can’t be another Lewinsky scandal if she wants nothing to do with me anymore, “Maybe she just doesn’t like me. I am allegedly a very polarizing public figu-”

The car pulls up, and Matt is quick to grab Eddie’s shoulder before glaring at the boys, “Get in, I’m not finished with our polarizing public figure yet.”

Grant and Gareth only let out low whistles, following instruction without lingering as they clamber into the back row of seats in the SUV. Jeff takes his time, though, going as far to pause beside Eddie and place a hand on his back.

“Just tell him the truth, Eds.”

It’s the final nail in his coffin. Eddie is cursing Jeff’s retreating figure as he climbs into the vehicle and shuts the door, leaving him alone with Matt.

“Explain,” Matt demands, “Now.”

Eddie’s eyes focus on a gaping crack in the sidewalk, jagged and uneven, right down the center.

He has two options. He could continue to lie, insist he knows nothing about you until Matt just gets bored of not being offered the truth. Or he could admit it all, reveal the muse behind the art he had been fiercely protecting over these last few months. Every line, every chord, every broken note that had left his lungs during those witching hours in the studio.

On one hand, it’ll rip away the opportunity that has been offered to him on a silver platter – the opportunity for closure. Selfish, bloody closure that neither of you had gotten, it seemed. But on the other hand, it might grant him some sympathy. Matt, the label, the producers – they had all grown tired of the dance Eddie led them in every time they’d inquire about the music. But if Matt knew-

It’s a dead end trail of thought. He knows he won’t admit to the worst of his atrocities he’s committed. No scandal, no late night ending with him in handcuffs, no fraudulent headline is going to compare to what he did to you. What you did to him.

It’s a little too late for damage control, anyways.

“I went to high school with her,” the lie works well enough, easing some of Matt’s frustration, “I was just shocked to see her. All of us were shocked to see her. No big deal.”

Eddie knows the people around him have come to learn that they must pick and choose the battles they engage in with him. And he can see that decision flash across Matt’s face as he decides that this is not a battle necessary to the war.

“Alright. But if you’re lying to me-“

“I’m not lying.”

“If you are, that’ll be one of my last straws, Munson.”

It won’t be. Eddie knows it won’t be. Everyone, every single goddamn person in this world it seems, is capable of giving Eddie Munson unlimited chances — except you. You, it seemed, were the only person who had come to their senses.

You always were smarter than people gave you credit for.

—

“Run the track again.”

They’d spent a few hours in the studio already. It was an odd hour for them to be haunting the space, more used to visiting in the dead of night rather than the middle of a weekday, but it was down to the wire now. Vocals needed to be recorded, instrumentals fine-tuned, tracks properly mastered. Eddie could no longer hide in the night when it came to recording the haunting melodies stained with the blood of his past — no matter how wrong it felt to see a sliver of sunlight breaking through one of the windows, just through the top of the blackout curtains.

“I really think that was the one, man-“ the producer starts, probably just tired after repeatedly running in circles with Eddie’s perfectionism.

He doesn’t care. He’s paying them, they can stand to let him re-record as many times as necessary to satisfy Eddie, “Run it again.”

The silence only continues to buzz in Eddie’s headphones. He’s ready to cuss out the producer as he angrily shoves them down, off his ears and hanging loosely around his neck, the wire a leash as he whips to face the one-way glass wall. The lights are off at the main board, guaranteeing that they can see Eddie but Eddie can’t see them.

Until suddenly, the light comes back on, and the reason for the absence of the repeated track Eddie had requested becomes obvious.

Gareth.

He stands at the center of it all, a few paces from the seated producer with a deep scowl on his face.

“What the fuck?” Eddie says, mouth just close enough to the mic for them to catch his overflowing annoyance, “I said-“

“We heard what you said, Eddie,” Gareth interrupts, his voice just loud enough to be faintly heard even as the headphones curl around the nape of Eddie’s neck, “But I need to talk to you.”

It’s the strictest tone that Gareth has used on their lead singer in an unfathomably measure of time. Probably because it’s the most words he’s said to Eddie in a very long time, as well.

Eddie finally removes the headphones, hanging them carelessly on the mic stand and moving towards the door — surprisingly, without putting up a resistance.

The control room is warmer than the fairly large area that served as a ‘booth’. Smaller, as well. Cramped with a low couch and one too many chairs available to trip over, the control board spanses the entire wall that holds the oversized window into the recording room. A plethora of small lights twinkle like stars, and numerous switches that Eddie had come to know better than the back of his hand alternate positions to guarantee the clearest sound. Only Gareth and the producer occupy the room, the rest of the band having taken off around the fifth time Eddie had requested a redo of his vocal tracking.

“This better be good,” Eddie complains, furrowing his brows, agitated at the interruption.

But Gareth shows no remorse, “We need to talk.”

“Yeah, you said that already.”

“We need to talk,” Gareth repeats, eyes flickering to the poor soul still seated at the controls, “Alone.”

Eddie hardly has to open his mouth, the man jumping out of his seat the moment the lead singer flicks his wrist to signal for him to leave.

Whatever Gareth was about to say had to be important, and it’s that thought rather than the difference in temperatures that has sweat building on Eddie’s brows.

Is he about to quit the band? Is he about to tell me he’s had enough? Maybe he’s done with my bullshit — I would be.

“Speak, Emerson,” Eddie flatly insists, grabbing a small water bottle out of one of the mini fridges in the room before he throws himself onto the worn leather of the couch, “And make it quick. We’re on a time limit, you kno-“

“We’ve gotta talk about her, man.”

Her as in you.

For a moment, Gareth sounds like a friend again. He’s dropped all the persistent perturbation he’s taken to defending himself with when it comes to Eddie, his voice pleading as he stands before the distant man. All the rueful power plays that had developed over the last year vanish. It’s just Eddie and Gareth, bandmates who started out in the latter’s garage in some small Indiana town. Not Eddie Munson, infamous rockstar with a chip on his shoulder. Not Gareth Emerson, passionate drummer overshadowed by the ego of his lead singer. Just Eddie and Gareth.

“We all know you didn’t tell Matt the truth.”

“I did tell him the truth-“

“Not the whole truth, then. There’s no way he’d let it slide if he knew that she was your ex-girlfriend.”

The defiance vacates Eddie’s body quickly. He doesn’t even attempt to prowl his mind for a quick quip in response. All he does at the words is drop his shoulders, the defeat creeping up on him as he deflates.

Ex-girlfriend. The title feels so pitiful to truly describe what you were to him.

But to be fair, even when he had been in your good graces, girlfriend had also never felt significant enough.

“Did-“ Gareth starts after a beat of silence, noting the way Eddie couldn’t quite hide his wounds on the topic, “What did you guys talk about? When you went after her, what did she say?”

“Nothing important.”

Eddie turns into a shell, a zombie as he stares straight ahead and tries to compartmentalize. That always worked; with meetings, with arguments, with lectures. Even before the fame, it worked.

It doesn’t work quite as quickly when it comes to you. His brain, it seems, is incapable of uncrossing all the wires you twist within his brain.

“You two were alone for, what, ten minutes? And you’re telling me she didn’t say anything important?”

“What the fuck is there to say?” Eddie laughs soullessly, “Oh, hey, stranger! Remember me? The guy you up and left without a word?”

“Yes!” Gareth shouts unexpectedly, “Yes, that’s exactly what you should have done! She left. Not just you, but all of us. We never even really knew why. And now- what? Are we just supposed to pretend we don’t know her?”

Eddie knew why. She’d never had to say it, and that was the issue. He always thought about all the answers he swore he craved, and always let every question he claimed to have haunt him during the waking hours. But when the day turned to night, when he was left to nothing but his own devices in a dark and empty apartment during the witching hours, he knew. The question of why had been answered since the first phone call cut short with you during that goddamn tour.

The songs knew, too. He supposes it had been an arrogant assumption to believe the band had read into his lyrics and put the pieces together.

“That’s exactly what we’re going to do,” Eddie nearly whispers, throat tightening and fighting him on the words. It’s the opposite of what he wants and needs — but it’s what you want and what you need. And so he plays the messenger, even as it kills him, “We are going to completely disregard my past with her. We are going to treat this entire situation as professionally as possible. I’m talking the full nine yards: you will not mention the fact that we know her, you will not question her about anything from the past, and you will not, under any circumstances, ask her why.”

His own set of rules he’d privately set for himself in his own mind during the car ride over.

Gareth squints his eyes in disbelief, “You’ve got to be fucking kidding me. Are you serious?”

“Deathly so.”

“This isn’t just about your past with her,” the boy nearly passes, starts to reach up to tug on his hair before he thinks better of it, “This is about the way she left all of us. Not just you. She was a friend to all of us. She was the one who taught me how to tape my drums when I’d bust a hole in them, she was the one who helped us design our first merch, she was the only person any of us would let be in the room during practices. And not just the band stuff, either,” Eddie watches tears form in Gareth’s eyes, “She was the only one who had the patience to help me with my fucking math homework back in school, man. She was the one who nearly curb stomped Jason Carver the week he sent Grant home with a black eye. She was the first person Jeff called when his parents broke news of their divorce, for fucks sake. Not me, not you, not any of us — her,” Gareth’s breaths come out as pants as he stops his pacing and stands before Eddie. The tears continue to lace his bottom lash line as he heaved silently at the end of his rant, his pained expression completely unexpected to Eddie.

This is the part Eddie chooses to forget. He’ll let himself swim in the memory of you late at night, he’ll indulge in vices that always amplify his pain rather than succeeding in his attempt to numb it, he’ll stare down the mirror each morning and curse the reflection he finds with all the blame in the world he is capable of holding in the palms of his hands. But in all the ruptures of his own old scars, he fails to consider that he is not the only one burdened with loss.

They all lost you. When Eddie lost you, so did the band. You’d become a ghost to more than just your abandoned lover — you’d become a tired haunt to boys you’d known, boys you’d befriended and burrowed your way into the lives of, just as well.

“She was our friend,” Gareth chokes out, fists curling at his sides, “Jesus Christ, I- I get it. She was everything to you. Whatever. But she meant a lot to the rest of us, too. Whatever happened wasn’t just some isolated event — you two didn’t just hurt each other. You set off whatever bomb erased her from our lives, but it left the rest of us with some damage, too. Don’t forget that.”

This is the part where Eddie should apologize. This is the part where, once upon a blissful time, he would have said his repentance.

He doesn’t.

“I don’t care how hurt anyone is,” he lowly responds, eyes unable to meet Gareth’s any longer, “I’ve told you the rules, we’re going to follow them. End of discussion.”

Gareth throws back his head, and Eddie winces at his scoff, “She’s not your fucking property, Eddie! She isn’t solely yours to keep or whatever the fuck you think you’re doing!”

Eddie can’t even deny the action of keeping you. All the demos, all the songs laid to the grave because he couldn’t stomach the thought of releasing them for others to experience.

But that’s not what this was. This, the cataclysm that was sending Gareth to finally release all this pent up frustration, was him following your rules. You’d made your wishes for this project very clear, and he needed to at least try to respect them. They all did.

So he takes on the role of the bad guy. He lets them paint him as the villain if it means no red will stain your ledger.

“Oh, I think she’s made it very clear that she isn’t mine,” the mask slips on far too easily for Eddie. Cool demeanor, compartmentalizing. Not you, but his emotions towards his friends, if he could even still call them that. His bandmates that he had once seen as brothers. “Doesn’t change what I said. Don’t push it, Emerson, or there’ll be Hell to pay.”

“What are you going to do? Disappear on us?” Eddie finally looks back up to meet Gareth’s fiery gaze as he spits out hateful words, “Hate to break it to you, but you already left this band behind two years ago. And if you ask me, you should start leaving the vanishing act to her. At least she doesn’t make us pay for her mistakes.”

Eddie is by no means done with the conversation, more than willing to continue fighting with Gareth, but the other boy clearly feels differently. He leaves his words hanging in the air as he spins away, storming out of the door, the air in the studio now several degrees hotter now with the irate fuel of the fight.

It was all a blood sport. All of it. It didn’t matter if Eddie was fighting with the band, the management, with you. It was all bloody and fruitless, and it all left him the same awful type of hollow in the end.

He stares blankly at the wall as he makes a silent decision.

By the time the producer has timidly returned to the room, Eddie has already set up his laptop to connect to the studio's system, prepped so that any recording would automatically copy into his personal hard drive. A way for him to listen and ruminate in the privacy of his own apartment.

The sheet music torn from his notebook already lays at the table besides the entrance to the booth.

“Do you… want to run the track again?” the man, the stranger, asks. He clearly heard the fight. Eddie and Gareth hadn’t been exactly quiet in their screaming match. At least, Gareth hadn’t been.

Is it really a screaming match if only one side fights back?

“I want to lay a new track,” Eddie’s voice is deadpan as he clicks a few buttons, finalizing everything. He only needs the man to click record, “A raw piano and vocal demo. We can add the rest of the band later.”

“I-“

One look from Eddie, hardly passed over his shoulder with a glimmer of unbridled determination, and the man quiets as he takes his seat.

Eddie storms into the booth without another word, fist curled around the page of lyrics and terribly hand-drawn music clefts.

She isn’t yours to keep.

Eddie was aware of that. Painfully, painfully aware. But it had never been about his claim to you.

Gareth was right. Eddie never wanted to own you. Keeping you, however, had been something he should have taken more care with.

The chill of the small room to record in does little to lessen the flames eating Eddie up as he bypasses the assembly of various instruments all crowded in the space. Gareth’s drum set, Jeff’s guitar, Grant’s bass — he storms right past them, eyes locked on the grand piano in the fair corner. It took up the most space, far too large to have been forced to be contained within this compact room.

Eddie drags the mic from where it had been stationed previously with him, quickly and recklessly resetting it at the piano.

Once he’s seated on the bench, crumpled pages thrown up onto the music desk of the piano and headphones snug over his ears again, the producer finally clicks on his mic to speak.

“Hey, uh… Does this demo have a name by chance? Or do you just want to label it as an unknown for now?”

It certainly does have a name.

“Blood Sport,” Eddie spits out. “Just name the file Blood Sport.”

The hum that would indicate to Eddie when those on the other side of that glass window were speaking clicks off, and he takes it as his cue.

He’d written the song a while before. There were some gaps in the lyrics, some notes he’d played with on his personal piano scribbled over and never replaced. He’d never played it in its entirety before.

It starts slow. His fingers hold the ivory keys delicately, arranging for the first opening notes as if he were slotting his knuckles against your own for the first time over again.

She isn’t yours to solely keep.

Were you ever his to keep, ever?

Even the ivory keys of the Steinway are more solid than you ever were. You were nothing more than water, than blood, destined to slip between Eddie’s fingers. He never stood a chance in having you, in holding you, in keeping you.

Not just now, but before all the blood shed, as well. He should have recognized Cassandra’s curse the first day he looked into your eyes. He should have known the twist in his stomach was only Fate sinking its claws into the two of you.

A tale fit for a Shakespearean stage — a tragedy always meant to be.

“I want to roll the numbers, I want to feel my stars align again.”

Eddie’s voice is soft to match the steady beat of piano notes that emit from the crooked curl of his hand against the keys. A soft thump, a gentle lull. And instead of losing himself in the music, he finds himself wrapped up in one of the many memories he’d chosen to lock away for the last two years.

Something was off.

Eddie’s stomach had twisted with anxiety of something being wrong for weeks. You stopped answering his calls, his texts, every form of connection with him. But as he stood in front of the door to your shared apartment, the bile rose even higher in his throat.

He smelt the decay of what he had done before his key had even entered the lock.

“Would you invite me again? Won’t you pay for your arrogance? Won’t you show me your weakness?”

You were never his to keep.

His voice nearly cracks as he approaches the first chorus, not finding the strength behind the vocals he’d always envisioned for the song.

The click of the door opening echoed through the apartment. It felt empty the moment he’d crossed the threshold – you could have just been tucked away in the bedroom, or even in the bathroom, but he knew.

You hadn’t been returning his phone calls. You hadn’t been returning his texts. He knew something had happened, something had changed. Irreversible damage had been done, and he would now have to face the mess he’d created to return home to.

“I made loving you a blood sport.”

He repeats the line until it rings in his head, over and over. Until he swears the words could crack his bones, and the stars that will show in the night sky will do nothing but mock him for the self-inflicted pain.

At first, he convinced himself you just weren’t home. You’d gone to the store or to see friends. You’d be home soon enough and then, the two of you could scream at each other all you wanted. You were angry with him, rightfully so, but he’d rather you yell and scrap with him than the alternative. He didn’t care. Because he was here, back in the flesh and willing to take any and all cruel words you had sharpened for him. The two of you would fight, yes, but at least that meant there was still something there worth fighting for.

After the first three hours, he realized with a sinking stomach that the alternative might just be his reality.

“I want to be forgiven.”

He recalls the look on your face when you’d first seen him today. The fall of your act, the discarding of grace and composure.

The look that told him that he can want all he’s capable of. He can want, he can crave, he can yearn, he can tear himself apart bit by bit with his feeble yet shattering cravings — it won’t change a thing.

You were never his to keep.

After the clock struck the fifth hour of his return, he started his calling.

Over and over and over, he was met with your voicemail. Endless messages spoken and sent alike. Every single one trying to be gentle as they inquired where you were. Letting you know he was back. Going as far as to ask you if the two of you could talk.

He wanted to fight. He wanted to fight, because it meant you still saw something worthy within him.

But even more than Eddie wanted a fight, he wanted you to come home. He wanted you to be there, to welcome him into your safety and remind him he was human again. It was selfish – he was so goddamn selfish – but he needed to feel your skin against his and remind him that he was still a person beneath it all. Beneath the demand, beneath the unwarranted adoration from strangers, beneath all the fractures the sudden traction had left him with – he was still a breathing, living person. He was still your person.

Eddie’s fingers begin to slam against the keys with increasing urgency as his chest heaves out with every syllable. Repeating, and repeating, and repeating the chorus as if it changes a single thing. He loses himself in it all; in the music ringing in his ears and the memories now drowning him as he confesses all his sins to the microphone.

You never came home.

There was no fight, and after the hours reached double digits right along with his ignored phone calls, he had to accept the truth.

You weren’t just at a friend’s, or the store. You were gone. Truly, truly gone.

The drawers once filled with your belongings were vacant. The smell of your perfume was nothing more than a whisper across the pillows. Eddie scoured the entire apartment for signs of you, turning every single piece of furniture over looking for clues. He never thought to check the counter until he’d already ruined the space, terrorizing it in a frenzy before his eyes landed on the letter and the key.

He had approached them both hesitantly. All his denial drained from his body, like the blood pumping through his veins, as his fingers pinched that silver key so gingerly.

A past he can never return to. A home he will never hold the key to again.

The joints of his fingers ache and his lungs begin to burn for all that he lost — all that they all lost — because of him. His own foolishness, his own downfall. He did this.

The aftermath is blurry.

He read the first few words of your letter before promptly crumbling it with his tortured fist, knowing exactly what it said without needing to fully swallow all the words just yet.

He never fully read the letter. He skimmed it, a week later, but not that night.

Then came the flashes of the pain. The way he’d swung his fists at air and menial objects alike. A vase holding wilted carnations met its demise on the kitchen floor, a hole in the wall appeared that he later had to patch up, one of the coffee tables ended up across the living room with a leg splintered half off.

He never dropped the key.

Even as he dropped to his knees in the center of the broken glass, bleeding shins to match his bruising knuckles, he still held that small piece of silver fiercely. He pressed it so tightly, dug it so deeply into his palm that it later left a scar. And not even the way he had grabbed at the broken glass surrounding him had the capability to mar it away as he let it slice his skin, crying out, hopeless and devastated.

You were gone. He had lost you, and he had been arrogant enough to never even notice it.

“You say it doesn’t matter.”

The headphones had long since slipped off his head, and he makes no move to adjust them. He hadn’t even noticed that his body had begun to fall forward and curl into the piano until he’s weakly choking out the final lyric that he hadn’t even written down onto the page.

He hadn’t noticed the tears falling, either.

What were meant to be gasps for air as his fingers fly across the keys in a haunting melody are only sobs. Cries of pain as he no longer can see mere inches ahead of him, a scar of the center of his palm stinging as if brand new, his heart and head pounding in sync. He isn’t even sure if the producer he’s forgotten the name of is still recording. He lets the sobs slip out as he continues to play.

He can’t quite end the song yet. The moment he does, he’s terrified of the version of him that he will have to face once more. All those surface blemishes from the beginning of the end had run deeper beneath his skin. He was nothing more than rubble and fractures now, splintered every which way until he had become unrecognizable. When he looked in the mirror, all he could see was a creature of destruction.

“You set off whatever bomb erased her from our lives, but it left the rest of us with some damage, too. Don’t forget that,” Gareth’s voice echoes in the silence beginning to gather between the notes.

Another wrecked sob leaves Eddie as he finally finishes off the melody, playing entirely unaffected up until that point. Reality crashes down. His body shakes, shoulders hunched as his forehead connects against the freezing wood of the piano and he pinches his eyes shut tightly enough to be left in total blackness.

He couldn’t play another note if his life depended upon it.

The memory fades with the final note before his head rattles with a new image. The smile, the grimace, you had offered him before you two parted ways today. An effort at professionalism that Eddie had seen right through.

Pain. That’s what had twitched in the corners of your mouth. The same pain, if not worse, as the one that now radiated through every atom of Eddie’s broken figure on the piano bench.

He can’t fix it. Not your pain, not Gareth’s pain, not his own pain. The time for damage control, for sincere apologies and any reconciliation has passed. Just like watered-down blood through his fingertips.

Eddie hopes that the producer has had half the mind to stop the recording when he stands and slams the drumset behind him into the wall. Destructive, just as he had been the night he returned to an empty apartment. Just as he had been when he’d been the one to rot and wither away all that you two had once held between you.

They can replace the drum set. Surely, he has a person for that.

eddie's taglist: @capricornrisingsstuff @thisisktrying @hideoutside @vol2eddie @corrcdedcoffin @ches-86 @alovesongtheywrote @its-not-rain @feralchaospixie @cheesypuffkins87 @thebook-hobbit @babez-a-licious @eddies-acousticguitar @gagasbee @d64d-n0t-sl66p1ng @aysheashea @kellsck @cosmorant @billyhvrgrove-main @micheledawn1975 @eddiesxangel @siriuslysmoking @witchwolflea @tlclick73 @magicalchocolatecheesecake @mizzfizz @nanaminswhore @mikiepeach @ali-r3n

join my taglist!

#ghost's writing #eddie munson #maroon #eddie munson x reader #eddie munson angst #rockstar eddie munson #eddie munson x you #eddie munson fic #finally long enough tag lists to separate lol #voila! corroded coffin is sleep token! wahoo!#i recommend everyone listen to the discography of that band #just sayin #(dial tone is the only non sleep token song that is canon here)#i just can't let go of the death grip i have on that song when it comes to this fic #it was either gonna be catch your breath sleep token or bad omens #and sleep token captures the yearning #Spotify

415 notes · View notes