#can't believe they shot me twice by starting with will wood
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south-of-sane · 7 months ago
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The Happy Firs :3
Oh you're a queer kid? what's your fav music artist? and don't say...
will wood
will wood and the tapeworms
Tally hall
Miracle musical
mitski
jackstuber
joe hawley
that handsome devil
chonny jash
tom leher
ghost and pals
maretu
6arelyhuman
odetari
penelope scott
rio romeo
cuarteto de nos
riki musso
santiago tavella
laufey
taylor swift
radiohead
marina
weezer
the beatles
tv girl
billie ellish
milk in the microwave
bo burnham
fish in a birdcage
toby fox
lemon demon
sarah and the safe word
asteria
artic monkeys
they might be giants
my chemical romance
green day
gorillaz
ado
melanie martinez
the strokes
evanecense
glass animals
soddiken
the scary jokes
whatever Your favorite martian was smoking
tyler, the creator
the crane wives
the living tombstone
cavetown
mindless self indulgance
the orion experience
hamilton (yeah ik its a musical)
heathers (yeah ik its a musical x2)
ride the cyclone (YEAH IK ITS A MUSICAL x3)
steam powered giraffe
kiuko (i dont remember how its spelled)
21 pilots
Sir Chloe
hazbin hotel soundtrack
paparrapa the rapper soundtrack
sonic soundtrack
or the omori soundtrack
edit: just to make clear that i don't know every queer band on existence
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llycaons · 1 year ago
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ep18 (1/2): in which wwx manipulates and lies to his friends and family (lovingly)
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forgot this. he can just fly around catching birds. no wonder it's so easy to camp
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I feel like birthdays really only crop up in american tv in the context of little kids. it's something children do.
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xy twirling his hair as he walks away 😭 can your believe ppl still ship them after he murdered SL's entire family
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this was such a good change for the show to make bc 1. this introduces the idea of bssr really naturally and 2. it gives wwx another interaction with SL, which is emotionally significant later for both us and the characters
also they need to slip in his backstory and all of its parallels to wx somehow and waiting until yi city is way too late
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oh cool I love a t/n
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wwx making it a mystical quest bound in ceremony and ritual to prevent jc from suspecting or asking too many questions, and to control his actions. ugh
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that post abt jc hero-worshipping wwx continues to baffle me. in fact this is the only time we ever see jc so eager to follow wwx's directions and do what he says
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'let her do anything' she is a grown woman she can gather herbs if she wants and what authority do you have to stop her 😭
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this smile after he convinces jc about his plan is so haunting. you can see he's sxcited and then the smile fades and he just looks...resigned? fucking misery
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yanqing warriors! when wwx mentions jyl leaving soon, wen qing freezes and doesn't say anything for a few seconds. what can it mean hmm?
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I don't think jc would have accepted the core if he knew what wwx planned, which is why wwx kept it secret. one of the reasons
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this is kind of manipulative no? not in a way to hurt her just to get her to agree with his plan. and maybe he means it too. maybe he would have done with without the debt of the jiangs held over his head. we'll never know
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drugging you sister. sir!
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I think it's really funny when wwx insults jc sorry I always will. he deserves to at least a little
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first shot of wwx looking like a little mousie with his threabare pillow and jc a raging little brat. very similar to the first shot of the show! wwx bleeding and suicidal, and jc stalking over to finish the job. but in that scene and this one, we see there's more to the story
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im going to fucking isekai myself into cql universe for the sole purpose of cuddling this child
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you know I was so excited for jfm to say that. like go jfm! the haters were wrong about you! you love and protect at least one child under your care!
and then it IMMEDIATELY cuts to wwx hours later freezing because jfm told him 'jc is a good kid' and then he LEFT HIM THERE AND WENT TO BED
FUCK HIM FUCK HIM FUCK HIM. USELESS BASTARD. YOU ARE THE PROBLEM HERE
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ugh it's not cool to hate on a 9 year old esp since he's lonely and neglected by his dad but he's such a brat
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her parents and sect are so useless this preteen girl has to go out into the woods at like 1 am to find her new brother
wwx's first instinct was to find a tree to climb. dogs can't climb trees, but how many trees were in yiling for him to learn to climb? hmm
wwx falling is such a theme and jyl being the only one besides lwj to ever try to catch him....ough. his two lights indeed
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jyl also actually explains why jc is upset rather than just telling him he'll be fine
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HALF A DAY??!! hasn't he suffered enough. mein gott
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and of course now she has to parent her two baby brothers one of whom is very traumatized and newly adopted and the other is very socially inept and clumsy so he came out to help and now he's BLEEDING. if I was her I would have carried so much resentment as an adult oops her parents are dead so I guess she can't even if she wanted to
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YOU WILL SAY IT CRYING SOMEDAY
it's significant that (iirc) jc never says he's sorry in the main timeline. only twice in the story - here and at the very end. a lot of people consider the finale the end of their relationship, but I prefer to see it as a reset. a renewal. they're starting again. jc is crying and he's sorry for hurting wwx, and wwx forgives him because he's a nice kid and because he does care about him. and they can start from there, even if things will be different
they don't have jyl anymore, but everything's come out between them. they can coexist on equal footing. wwx has someone who protects him. jc doesn't resent him so much. all his anger is spent. he feels bad. they won't be what they were before, but I like to think they'll at least have some of the brotherhood they once did
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jc also crying in his sleep with this flashback. lot of sleep crying these days
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wheeler-things · 2 years ago
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Finally crawled my way through s1e1 in my slow rewatch, and there were a few things I found interesting enough to write about.
I can't believe this is long enough to require a table of contents, but... Topics covered in this unnecessarily long analysis (I'm incapable of brevity, sorry) of The Vanishing of Will Byers: - Unidentified Stalker Camera Angles - Concerning Details Around Mike (and Nancy... and Karen) - Mike's Eyes
You know... I didn't originally plan for this to just be About the Wheelers, but it's probably not a surprise because I love this terrible family. These aren't All the points I could make about the episode (by far), but these are the most coherent ones at the moment.
Unidentified Stalker Camera Angles
There are a number of stalker-y camera angles used in this episode, and because I'm interested in what they could imply, I wanted to include them all, but Tumblr's 30 image limit is hampering me, so I'm only going to focus on the ones where I couldn't determine, from context, the identity of the observer (though I will hazard a guess). In this episode, the only characters that I noticed being framed this way without an obvious observing party were Mike/the Party with Mike (one scene, and one shot), Will (one shot), and Nancy (one scene).
1-- Nancy at School
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^ Steve and Nancy in the bathroom is a little more borderline than the others in this set, in my opinion (just because it lacks the same busy clutter in the foreground which makes it seem less like the perspective of someone looking on). I included it because it felt creepy in the context of the previous two shots, in a way that I felt was distinct from the other camera angles in the scene.
2-- Mike and the Party in the Basement
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^ This is another borderline angle for me, but the panning shot that came from something close to this angle sold it for me. Even though the whole Party is visible, Mike's pretty clearly the focal point.
3-- Mike and the Party in the Basement, Panning Shot
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^ Everything about this creeps me out.
4-- Will in the Basement
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^ This makes some sense, because Will is the one kidnapped, but whatever's watching him seems to be looking from nearly the same spot as whatever was watching the whole Party/possibly Mike earlier.
5-- Mike and the Party in the Woods
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^ Creepy!!
OKAY.
So, whatever's watching in 1 is clearly stalking Nancy. She's the common denominator in all three shots.
Whatever's watching in 2, 3, and 4 is almost certainly the same thing, because all three shots are angled from such similar positions. There's an incredibly helpful angle from the other side of the dnd table which comes up twice and which very clearly shows that there is nothing actually watching the boys from that position in the room, which suggests that whatever's doing the watching is from the UD or is possibly watching from the mindscape like El can. Or else it's something more metaphorical, like the room having been bugged by the government (though I actually find that less plausible than something supernatural, at this point in s1).
Mike appears to be the focus in 2, and the focus at the start of 3. Because we don't know of any reason for something or someone to be stalking Mike at this point in time, this is a potential connection between whatever's watching in 1 and in 2-4.
If the same thing IS the stalker in 1-4, then it's incredibly concerning to me that it saw Mike interacting with the people he cares for most in the world (at this point in time), seemingly selects Mike's favourite from the group (given that 4 is focused on Will and Will is later abducted), then (presumably) steals Will away to the UD, AND then also... sees Nancy interacting with the people she cares for most in the world (at this point in time-- side note, but GOD that's a sad thing to write, since Steve JUST started dating her here... someone give Nancy more actual friends in s5), and then just days later, her favourite, Barb, is stolen away to the UD. It's just... a big coincidence, is all.
The way the panning shot in 3 moves from being focused on Mike with (most of) the Party blocked out, to focused on the Party with Mike blocked out, to focused on the Party with Mike's head separated from his body via the placement of the railing in the shot? It feels deeply sinister to me (also... not liking remembering the fact that the dnd game at the end of s1 culminates with the Thessalhydra having its heads cut off... not liking remembering the fact that technically Mike's character doesn't play a role in that kill... I have some thoughts on this but I think they're outside the scope of this already bloated post, but hhhhh).
5 is also a panning shot, but it seems to be mostly focused on Mike with Lucas and Dustin apparently incidentally. I think it stands to reason that the thing watching Mike here is almost certainly the thing that was watching him the night before (and presumably also the thing that took Will).
Mike might have some ability to sense the thing looking at him, because after 5, while Lucas and Dustin are bickering about whether they should head home or not, Mike claims he hears something and looks to the left (where the watcher is presumably situated). However, El is to the boys' right, so any sounds she might be making should be coming from that direction. This could be nothing, but given that s2 subtly implied that Mike might(?) be able to see/sense El (sometimes) when she approaches him in the mindscape... it's interesting.
Also, I suspect the watcher is Henry. Like, assuming I'm right that the Demogorgon in Mike's game foreshadows Henry, then when Will says that the Demogorgon got him in the game, it also foreshadows Henry "getting" him. And if Henry took Will, then we can presume that Henry was the thing watching Will in 4, and if the thing in 4 was the same as 1-3... then it's been Henry this whole time.
I also think it's really interesting that: - Around the time of 3, Mike says "wait a minute", looks to his left (towards the watcher), then asks "do you hear that? That sound?", before revealing the Demogorgon - Just after 5, Mike is looking firmly off towards the left (towards the watcher), demands that Dustin "shut up", then asks "do you guys hear that?" (Dustin and Lucas do not agree that they heard anything so it's possible Mike is noticing something the other two are not), before El is revealed a) it's the parallels between these scenes for me, jeez b) something something the boys use the word "Demogorgon" for the UD Demo even though the dnd Demo actually foreshadows Henry, something something s1 Lucas wonders if El might really be the monster, s4 Mike unintentionally makes El think she really is the monster, something something in both instances the real monster was Henry (and the system/world that built him into what he became) all along
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^ Mike, entirely focused in the direction of stalking camera angle 5, starting long before any discernible sounds of life in either direction, to the audience or other boys
Concerning Details Around Mike (and Nancy... and Karen)
1-- For obvious reasons, I can't get a good screenshot of it, but Mike is blinking a lot and has sort of a weird, pained expression when he's in the background of the shot where Dustin is saying that there's something "wrong" with Nancy. I wouldn't bring it up at all, except that it reminds me a lot of that one shot where Mike was blinking and had a pained look on his face while he and Dustin spoke about their difficulties in finding someone to sub in for Lucas at Hellfire. Given the ways people have interpreted that scene, I just find it interesting that it seems like something similar may have been happening as far back as s1e1.
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^ The best screenshot I can get to show what I'm talking about
Also, everything about the "it was a seven" scene is... kind of scary with regard to Mike? I'll get to his eyes in the next part, but Dustin and Lucas bike away and Will stays behind. Mike doesn't seem to notice Will at all, looking so far away from him that the camera from Will's perspective can't see his face. Mike slowly turns towards Will, with his eyes closed, and then, as they open, he asks, "huh?" Like he was distracted or off in his own world or had his attention on something we can't see (unless he was THAT entranced in watching Lucas and Dustin bike away).
Will clarifies that the roll was a seven, and that the Demogorgon got him, and Mike? Just kind of stares at Will in silence? His expression is more confused than anything? I generally take this to suggest that this level of honesty with Mike is actually out of character for Will (at this point in the story), that this is an odd action on Will's part and Mike doesn't know how to respond to it, because this may be the very first moment of Will's crush/the first moment when it subconsciously pushed Will to treat Mike specially as compared to his friends (which, yes, if my read on that is accurate, does mean that this whole thing has been Will's incredibly angsty love story-- also, it's a fun twist on "love at first sight" because obviously it's not Mike and Will's first sight of each other, but it is the audience's first sight of the two of them alone-- also also don't tell me Will "let's stop by Vegas and use El's powers to rig the slot machines look at me I'm grinning like this is the happiest I've been all season, just thinking about doing crime" Byers would be above not disclosing a bad dnd roll... but I digress), but given the rest of all of the scene... I just think it's interesting how little of a response Mike gives here. He doesn't even say goodbye or respond at all when Will decides to leave.
Then, as Will bikes away, Mike stands stalk still, seeming to stare down at his feet. He doesn't watch Will bike away, but the flickering lights draw his attention.
This doesn't necessarily mean anything (and even if it does, there are a bunch of different interpretations), but I do find it potentially concerning, so it's a point I'll keep in mind while doing the rest of my rewatch, just to see if it fits into a bigger pattern, or if it's just first episode coincidences which happen to line up with some future events.
2-- Mike looks over his left shoulder/to his left side a LOT in this episode. He does it when introducing the Demogorgon, he does it again when looking at the flickering light, and again when he thinks he hears something while looking for Will in the woods (despite the fact that any sounds El is making should be coming from the right). And outside of this episode... Will (almost) always sits on Mike's left. When Mike's face is lit so that shadows cover half of it (to my memory, at least), it's often the left side of his face that's illuminated. Mike spends basically all of s4 with a literal arrow over his heart pointing left, which, yes, is the direction where Will usually stands, but also... I don't know. I feel like there might be something here, but I haven't put my finger on it.
3-- During the scene where Mike is DMing, Mike is regularly framed in front of the basement door's shuttered window. It's very dark, shadowy, and cool-toned. Nearly black.
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^ Mike in front of the shadowed window
Yet, when Dustin's framed in front of this same window, it's pretty consistently brighter/lighter. So the shadows are a Mike thing.
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^ Dustin in front of the same door-- the light varies significantly but is reliably brighter/bigger, even at its dimmest, than when Mike sits in front of it
Moreover, Mike is ALSO framed in front of a weird dark shadowy-blue square from his closeup angle as well? The door to the bathroom is open behind him, so we can assume it's part of the bathroom?
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^ The weird blue shape behind Mike
Based on what we see of the bathroom later in s1, I'm pretty sure this is the bathroom mirror? Which means that throughout this scene, Mike is framed against a) a particularly dark window/doorway to another world the outside and b) a weirdly dark blue/shadowed mirror world.
It's giving UD vibes, is all I'm saying, so the fact that it's pretty specific to Mike is interesting to me.
In the same vein, when Karen opens the basement door to interrupt Mike, she is framed against a dark blue wall and in front of a mirror.
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^ Karen gets similar framing, Mike takes over in her place in the same framing
In the scene with Nancy in the bathroom with Steve, she is also depicted next to a mirror (the colours reflected in the mirror are all slightly more blue/cool than the actual colours of the room, as well, but it's quite subtle).
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^ All the pale colours in the mirror are just slightly more blue than in the real world
4-- There's something wrong with the Wheelers' TV. The show makes a point of showing this. My question is... why? No, really. What is causing this TV to snow?
In real life, it would likely just be that the rabbit ears had gotten messed up (hence Ted fussing with them), but in ST, glitching electronics almost always mean that someone or something supernatural is around/occurring. But the lights aren't flickering, which is pretty unusual.
As I noted previously, I do believe that Henry was watching the Wheeler house from the UD that night. However, I think Ted gives us a clue that this may not be Henry's doing when he calls the TV a "piece of junk". He doesn't seem to be curious or even surprised, just resigned and annoyed. This implies that the TV glitches like this regularly. Which, again, in the real world would, would be largely meaningless. But this is a show where malfunctioning electronics are not random, and this scene could have accomplished the same surface level character building by having Ted on his recliner, distracted by watching his show, so obviously the malfunctioning TV is in some way relevant. So, it's important, and we can infer that it happens regularly enough for Ted to be resigned to it.
If it's Henry's presence that's causing this glitch, then that implies that Henry watches the Wheelers often enough for Ted to be used to this issue. Which is terrifying. But as far as we know, there's nothing special about the Wheelers (even though all three of their kids have been involved in/connected to/able to engage with the UD since the first season... even though Mike can come up with successful plans with what seems to be ease while everyone else struggles, and Nancy can hit a perfect bullseye the first time she ever holds a gun, and Holly ALWAYS notices when there's something supernatural going on... even though the Wheelers are deeply invested in their facade of perfect normalcy even though we still have no idea what Karen and possibly Ted are actually scared of should it crumble... even though, and I cannot say this enough, there's something WRONG with the Wheelers), so there's theoretically no reason for Henry to be watching them that closely/that often.
Additionally, when we first see the TV, the picture is snowed out but you can see a bit of it, and the audio is distorted but potentially understandable. Then, Mike asks his dad to override Karen's insistence that the game must end. Ted refuses to do so, clearly more interested in fixing the TV than in getting involved in Mike's drama. Mike is visibly more frustrated by this answer, and as the screen cuts away from the TV, the audio clearly becomes more distorted (unfortunately, there's no shot of the screen, so it's difficult to confirm exactly how bad the visuals got).
If the TV is being influenced by something supernatural, then the question at hand is, why did it suddenly get worse?
There isn't a good reason for Henry to have made it worse. In fact, assuming that the unknown stalker from the weird camera angles is him, then we know he's currently watching Will, not the Wheelers.
I don't have a good answer here. I think it's possible that if s5 does go into some amount of time travel and flickergate is a thing (in some capacity), then this could be tied into that?
But I will note that if I'm right about Henry having been watching Mike and Nancy throughout this episode, then it stands to reason that there's some reason why he's interested in them, specifically.
Holly's (presumably) asleep and not involved in this. Nancy is having what appears (when Dustin approaches her) to be a pleasant conversation with Barb. Ted's annoyed, but it seems mild and it's a reaction to the TV not working. The only people showing signs of actual anger/frustration in this house, at this time, are Mike and Karen. I don't really know if it means anything (it's not like either of their noses are visibly bleeding or anything like that), I just think it's interesting.
Mike's Eyes
So, I've discussed Mike's eyes during the first dnd session in this episode at length, and the full dissection can be found in this post, but I'll cover the basics here for context.
Essentially, during his introductory scene (where Mike is foreshadowing all of the main UD antagonists from s1-s4), Mike's eyes appear black rather than brown, and often reflect no light at all. I'll add an example here, but I included way more in the linked post. It's consistent enough that I found it creepy upon noticing it.
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^ Example of Mike's flat black eyes
As a result of noticing that, though, I made sure to keep an eye on Mike's eyes throughout the rest of the episode (and plan to do so during the rest of my rewatch), just because I'm curious to see if there are any consistent themes that crop up.
When Karen calls down to tell Mike it's time for everyone to go home, his eyes are difficult to see in detail due to the distance between him and the camera, but upon zooming in they finally appear to be brown, and this is consistent with the fact that they are clearly brown and reflecting light normally when Mike goes upstairs to argue with his parents.
Mike isn't close enough to the camera to get a usable read on his eye colour until he's alone with Will. But once we get it... boy is it interesting.
For context, Will's eyes are also clearly visible during this scene. They are obviously hazel, and reflect quite a lot of light. In fact, as the scene goes along, if there is any change to the appearance of Will's eyes at all, they're getting brighter and more clear (something something THIS is the very beginning of Will's crush on Mike, the first moment when Will acted differently around Mike than he would have with any other friend).
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^ Will's eyes during the "it was a seven" scene
But Mike's eyes? They go on a journey. So, to start with, Mike's looking away from the camera. When he opens his eyes fully, they are shadowed (obviously) but clearly brown and reflecting a very small amount of light. Then, Will clarifies that he's talking about the roll and the light is gone from Mike's (still brown) eyes. And then Will says that the Demogorgon got him, and Mike's eyes are now reflecting no light and appear black. They stay black and lightless as Mike remains silent and Will bikes away. At that point, Mike looks over towards the lights, and his eyes are clearly brown/are back to reflecting light the way that Will's did under the same lighting.
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^ Mike's "it was a seven" eye journey in chronological order
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^ From when Mike is radioing Lucas about going out to search for Will, showing that Mike's eyes can look brown/reflect light normally even in the basement at night (though to be fair, he is now sitting in a different seat than the night before)
Just for fun...
Here's Mike's heartbroken expression when he sees that his barb about Nancy dismissing the danger Will was in/implicitly blaming Will for their situation because she wanted to see Steve turned out to actually be true :)
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^ It hurts my heart every time I see it (also, yeah, his visible eye does look a bit black and flat here, but the camera's too far from his face for me to get a good read, and I don't have any other shots from the same lighting to compare, so it didn't make it into the above section)
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balmasedas · 4 years ago
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desperado / druglord!javier peña au. 
chapter one.
summary: reader is a dea agent. violence has arisen in the streets of colombia and she's determined to bring javier peña to justice. things take an abrupt turn when, instead of her finding him, he finds her and realizes they got much more interest in each other than just drug-related topics. 
warnings: only +18. overall, this is smut so smutty. canon violence. detailed warnings in every chapter. spanish traductions are in the notes, though for the sake of non-spanish speakers, spanish dialogues will be minimal and not relevant to the plot.
word count: 2.5k.
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You throw your sweater in the backseat of your car before exiting it. In the morning, you had dug through your boxed-up winter clothes after shivering in your shirt-sleeves as soon as you got out of your department. Now, the temperature has risen to the seventies and you give yourself a clap in the back for deciding to wear something decent underneath. Spring in Colombia is a nightmare.
The crime scene is packed with local police and DEA agents. There are no civilian spectators this time, they know better than sticking their noses in the Medellin's cartel businesses.
Upon your arrival, you don’t need to identify yourself to the uniformed men guarding the perimeter. They know you well by then. You are the only female in the team that has to deal with these kinds of situations —gruesome, gut-churning, dirty shit. Not a very much "lady-like" job, some would express. For that, you have earned yourself the title of a gritty woman. Maybe because you were gritty, maybe because you were a woman.
Sometimes, though, you find yourself wondering why you turned down some run-of-the-mill desk job back in Virginia. It would’ve been a dull routine, for sure — hideous, even; but gossiping about some flash romance between two co-workers is less taxing than having to witness five rotting corpses at first daylight. 
"Jesus Christ," you lift your sunglasses to your head. Your partner, esteemed, weary agent Steve Murphy, turns around at the sound of your voice. 
“You’re up early.” he asserts, with a raised eyebrow. 
You purse your lips. “Had a bad night. Ran out of whisky at one am.” 
Not even Hugo, or Hughie for his gringo friends, could help you. You forgot that his daughter would be celebrating her birthday and his all-night store would be closed until the next morning. Normally, you would own an arsenal of alcohol, but it has been an abnormal week and a hell of a night —starting with the spiral of violence that has arisen in the streets of Medellin.
"Well, look at the bright side: your stomach is empty," Murphy mumbles.
Looking at the bodies in front of you, you can’t agree more: their hands are tied-up to the oxidated wire behind them, hanging by their arms. They are barefoot and scantily clad. There is a visible gunshot wound in all of their front heads, some flies are already hovering around the open flesh. A quick death to eternal torture, you suppose.
"When did you get the call?" you inquire.
He fiddles with his wristwatch. "About two hours ago." you only hum in response, keeping your eyes in front of you and paying no mind to Steve who only grows impatient at your silence. "You think this was Peña's job?" he adds.
You nod in denial. "If it was, it doesn't make sense." Not one bit. "Peña works underground, quiet, like a sneaky rat. I'd even say they're more well-behaved than most cartels. So why do this?"
Why such a declaration of violence? Why draw even more attention from the authorities? 
"Maybe he decided to toughen his punishments?” You scoff at his remark.
“He can do that without half the city knowing it. A ditch is much more subtle than a monument to death blocks from the US embassy.” 
Murphy smirks. “Seems that you have given it a thought before, Sarchie.” you narrow your eyes. He knows you hate that nickname. Your tendencies to boss him around had brought you consequences: the unofficial title of a Sargeant. Sarchie, shortened and friendly.
“Killing someone? Yes, you. Multiple times a day.” you put your sunglasses back on and walk away. The forensic police won’t be there until the next half hour, at least, and you are too disquiet to wait around. Plus, your stomach is growling, but Steve doesn’t need to know that. “We’re gonna need their names, I’ll see what I can find. You have a little chat with the coroner and see if they can speed up the autopsy. The sooner the better, ok?” you spot the smirk on his face. You know what he’s thinking. You shut your car's door and point a finger at him through the window. A clear warning sign in your eyes. “Shut the fuck up and do it.”
(,,,)
Happy hour. You give up on the investigation and stop off at ‘Chiquita’, a popular local bar near your place. The prices are cheap, the drinks aren’t that good but they do the job. The place is crowded — hot couples with wet, glowing skin grinding against each other. Happy or horny or both. You take a mental note to have some fun later. 
As you sip at your bourbon and crack your peanuts, you let yourself dwell on what you found out about your case. You finally got the names of your five guys. For that, much research wasn’t needed: All of them had their IDs in their pockets and they were exactly who you feared they were: no ones. No ties to any big names, no official involvement in any cartel — at the most, a few minor possession charges. As for weeks, your few clues have led to nowhere and the enigma surrounding the Medellin cartel seems to worsen with every minute that passes by.
You hate mysteries. Colombia’s full of them. 
You take your second bourbon in one smooth shot and ask for another. You grab a colombian peso from your wallet and slide it across the wood. Your eyes stop at the picture of your parents that you carry around. It’s tiny and worn, just like your relationship with them. They haven’t heard from you in weeks, a fair deal, if anyone asked. They don’t have to deal with their fucked up daughter and you can focus on your work filled with dead ends and a ghost that haunts you while you’re awake: Javier Peña.
“¹Qué tomas, preciosa?” a velvety voice caresses your ears. A pleasant smile breaks quietly over your lips. Just in time.
You turn your head to the side. The stranger, with chocolate-skin and inviting eyes, is waiting for an answer. You tap your fingers against the glass.
"Bourbon," you say. "²Pero no me vendría mal un trago más." he grins and holds up two fingers to the barman. He sits at the empty seat beside you, he’s exuberating confidence. He’s offered you the bait and you'd taken it.
"³Algo más que se te ofrezca?"
You look him in the eyes. You know how the story goes from there. It isn’t any different than the one from last night, or the night before. As an apex predator, he's out for something to satisfy his hunger. He won't go home without reaching his goal and you're desperate enough to let him.
"⁴Sí. Hay algo más que puedes hacer por mi."
(,,,)
The fucking cat on the window has been staring straight into your eyes for the last fifteen minutes. Matias, the guy you've met hours before, is too focused on you to notice the awkward presence of the animal, so you don't bother shooing it away. 
He's enjoying himself, pounding into you in a symphony of lust bites and moans. But the sound of skin on skin doesn't match the intensity of your passion for this encounter.
It's not that his performance was terrible, it was just... soft. So soft, too soft. From the sweet nothings, he gasps on your ear to the gentleness of his grip on your hip. 
You aren't a sweet girl. If you were sweet, you wouldn't have traveled all the way down to Colombia to participate in the war on drugs. If you were fond of delicateness, you would've stayed inside and touched yourself to a Cristina Peri Rossi novel instead of searching for strangers at bars.
You don't like to believe you are a special case. On the contrary, you assume your attitude is the rule and not the exception. Not a hell of a woman, but a woman made of hell – waking up already worried about the hours ahead of you. How could you not? Your life is as wide and empty as the sky. Unstable, unpredictable. Anything can happen. A good meaningless fuck is the only moment you allow yourself to feel something — someone. By then, the detachment that gets you through the day disappears and raw feral emotion takes its place. 
You are addicted. It's like a drug, but worse. Drugs don't have feelings, people do.
You’d grabbed Matias' hand and wrapped it around your neck a few times but your request had been ignored; you’d even pushed his ass against your body so you could get closer to a feral touch, but he had insisted on something more caring and delicate. 
And delicacy just won't do. 
So, after a few tries, you give up. You lay still, under his heating body, dead eyes directed at your window. No emotion whatsoever, no release. Like a numb, stiff sex doll, rooting for his satisfaction. Forgotten until next time.
“⁵Donde?” he blurts in your ear. You evaluate your options quickly. 
“⁶Adentro.” Any other place would demandsñ more attention. By then, he would be aware of your passivity and asking too many questions. You don't answer questions, you make them.
His body tenses and trembles. You feel heat dripping between your legs but it doesn't come from you. He leaves a few small pecks on your neck — thankfully, the last ones for the night. Matias breathes over you for a few seconds before he gets off. You stare at the roof in silence, and when he asks if you finished, you simply nod.
You can't grasp what he says under his breath after you ask him, as nice as possible, to leave. What he does or doesn't vocalize, it doesn't matter. You won't be repeating with him. You never fucked the same person twice. 
Once you hear the front door shut, still resting on your bare skin, you lit a cigarette. The room is void of artificial light, and the cat is still in the same place, with his silhouette contoured by the gleam of the moon.
"Sneaky bastard." you chuckle, then get up from the bed and slowly approach it.
You stop at the wooded frame of the window, maintaining your distance. Not too close to scare him or him to scare you. He isn't a friendly guy. He isn't even yours — just a grumpy cat that stops by your department too often demanding some food. You tried to get him to come inside before, but all you had won from your offers were a couple of scratches. Nonetheless, the cat has seen more of you than many people have. So, even though you renegade from him, you found yourself inevitably attached. He's the closest thing to a family, after Murphy, of course. But Murphy hasn't seen you on your worst, yet.
"Hope you see the same shit I see." you grimace and shake your head. "Not like that, I mean... I should choose better who to fuck with. And they should choose better too." the cat remains silent –obviously– and you keep talking. "You could make yourself useful and spook them away before I have to." he meows, you roll your eyes and decide to leave him alone. "Then again, I could do it myself if I told them I hold long conversations with the stray cat that lives in my window."
You choose to take a bath and call it a night. You glide through the living room, though before you can reach the bathroom something stops you. There's a noise outside, some glass breaking down on the streets. You can ignore it, conflict isn't a foreign subject in Colombia, especially at late hours. But then it repeats itself a second time, and the third bugs you too much for you not to grab your night robe and take a look at it from your window.
The only light pole is out of order; there's not a soul in sight; music can be heard from afar. You see nothing out of place until you do.
Your car is parked across the street. All four windows have been smashed, the tires are flat. You barely waste time cursing before you flee out of your place. You thought the night couldn’t get worse but the world has a disturbing obsession with testing your patience. 
Once you take a step outside and approach your damaged car, you’re not sure where your chills are coming from. Perhaps, because of the unfriendly weather or maybe because you’re suddenly aware of how idiotic was your decision to go outside. 
Everything inside your vehicle is left untouched. There weren't objects of value anyways. You find no logical reason for someone wanting to wreck a car just because —yours, of them all.
Big red warning signs color your mind. Your eyes scan your surroundings with speed. It's a dark, lonely dessert. You're now sure that what happened isn't some random event. The victim could've been to another person, but you weren't just another person.
"⁷Discúlpeme, señorita." a voice throws yourself far from the source. You reach for your gun just to find nothing there. Damn you. "⁸Está bien?" you look at the man. An old man that, at first glance, doesn't represent a threat. His voice is gentle, his voice is tinted with a caring voice. You lower your defenses, just a bit, not enough to stay around.
"⁹Sí." you mutter.
Slowly, you walk back to your apartment. Old man glues his eyes to your form and you don't take your own off from his'. Before reaching the sidewalk, you trip with something. Your back collides against a car and you're ready to apologize when the owner exits it there’s not a sign of rage in his face. On the contrary, his stare is blank and his mouth doesn’t even twitch.
Bad news.
You intend to run, but another guy blocks your passage and two more appear at each side of you. You turn over to ask the old man for help, but he’s gone along with your last piece of hope. Can’t blame him, you would’ve escaped too if you had the chance. However, you can’t and the smartest thing to do is acknowledge it and work from it. 
You stay still thinking it will persuade them to opt for gentle treatment. 
How naive of you. 
A set of fingers dig into your arms, another one grabs you by the neck and lowers your head as they drag you into their car. Guarded by two of them who sit at your sides, a dark cloth bag is placed over your head and your wrists are restricted with a zip tie. 
All you have left now is your hearing, you pick up a few things: the engine roaring, the tires burning on the asphalt as you speed off, some spanish words thrown in the air. Nothing substantial, nothing of use.
You sit in silence and wait for the worst.
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blackcherrykiss · 4 years ago
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BLOOD BOUNDARIES - Enhypen OT7 Fanfic (ch.7)
[CH.1] [CH.2] [CH.3] [CH.4] [CH.5] [CH.6] previous chapters
[CH.8.] next chapter (unavailable, check back or follow for updates!)
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You fell into a distrustful panic that night now that knew the screams of the woods were also where Jungwon and his friends lived. You weren't sure if you should be scared for those group of boys or be scared of them. You'd be lying to yourself if you tried to believe it was only a coincidence the boys had a place in the forest of violent cries.
You questioned your sanity, were they murderers? Was that their dirty secret?
Your conclusions were endlessly dark, repeating themselves countlessly. You had never wanted to sleep away your thoughts more than ever. Eventually, you got exhausted from your thoughts. It was mentally draining to try and tear apart the possibilities of the situation, you didn't have enough evidence to be so sure. You lay in a cold sweat as you drifted off into a deep but horrible sleep.
You dreamt in full awareness. The boys with blood spilling down their hands and onto their swan white clothes. A red mess everywhere on the cream walls of an orphanage that overflowed with rays of a full moon. Although you were scared of what you were witnessing, you could not wake up even if your life depended on it. It seemed as if the dream had sped up your sleep as you woke in what felt like a few seconds. Calmly, you awoke in the misty autumn morning in a crushed up pile of blankets. You sit up to peel your wispy curtains away from the window to get a good look at the dark forest that steamed with a muddy blue fog. All of the memories of Jungwon yelling at you for just being near the woods flooded your brain as you stared. This time you were determined to search deep into that forest and get to the bottom of its mysteries as it called out to you.
"Y/N I think you're going to be late for your first class." Nana knocked before bursting into your room in full uniform, not a wrinkle on her shirt.
"Y-you're already ready? What time is it?!" You glanced back and forth between your pyjamas and uniform that draped over a random stool as you were too lazy to fold nicely the night before.
"We didn't want to wake you... So we went ahead thinking you'd come down eventually." She yanked you out of bed, gripping your forearms tightly before backing out the door, "Don't be late! We promised we'd keep out of detention this year!"
Within a blink of an eye, you slip into your uniform, slinking your arms through the holes of your blouse and adjusting your legs to be cover by your ashy plaid skirt. With your bag and binder in hand, you sprinted across your campus to the gymnasium where you found yourself arriving, everyone already in the proper athletic attire.
"You're late."  Your health teacher grit her teeth in visible disappointment. Your teacher knew how unlike you it was to be late as your classmate's eyes followed your every movement.
"P-pardon me." You clawed your fingers through your bedhead, speeding to the change room, nervous she'd assign you detention.
You let out the deep breath you were holding in as you got into the empty locker room, frustrated at yourself for waking up so late. You can't help but feel upset that you let your thoughts get the best of you and ruin your perfect attendance. Truly you were ashamed but began to see no point in continuing to rush the pace at which your day was running.
The locker room door opens and you see Kyungeun peep herself inside, "Y/N? You alright?"
You pull your boxy shirt flat down, zipping and tying every spot on your tracksuit jacket, "Yeah, sorry rough morning..."
"No worries, I just said that I had to go to the bathroom but I really just wanted to check on you." She had a motherly sound to her voice which comforted your bad start to the day. Perhaps she was in a good enough mood for you to ask her briefly about her relationship with Sunghoon.
"Kyungeun, I think I need to just clear the air... I saw you with Sunghoon in the library." You tilted your head in regret as to whether or not you were starting off the conversation in the right direction.
"Y-you saw us???" Her face drained to an unrealistic hue, "Lord... Sunghoon will kill me if he finds out you know."
"Stop! What do you mean? He'll kill you? Is it because I know that you two are dating?"
"NO! Nevermind then!" She cut you off right after the question mark in your voice. She looked rather relieved at your response which could only mean their relationship was much different than you had presumed. "I just can't tell you about our relationship I'm s-sorry it's between just us two."
"So then it's okay for him to flirt with my roommate?"
"No? Are you serious right now ?!" Kyungeun panicked.
"So you are dating?" You gave a smug smile.
"It's not that..." She was visibly frustrated not being able to describe herself in words, "I'll tell you this, I'm bound to him..." She ran her index finger along the reddened gash on her neck  He's blackmailing me."
"So you're like his pet?" You held in your laughter, you knew you should be more serious but you had no other way of trying to help Kyungeun express the gist of her relationship.
"I'll tell you another day...  Let's just go before the teacher gets mad at you for taking so long to change."
...
After your class full of advanced leg exercises and mediocrely fun games, you got halted by your gym teacher, "Y/N can we speak about how tardy you were today?"
You got fearful of her sentencing you detention, freezing up from your heel upwards, "I'm so sorry, I just had a lot going on last night..."
"Sweetie, I know this is your first late in my class but unfortunately the school does not tolerate tardiness in the way I believe it should be." She tapped her chin a few times, "I have no other choice but to send you to detention but it'll just be a half-hour at lunch." You felt better that it wasn't for a full hour or two after school but you were still dreading the idea.
"Can't you just let me off the hook? I promise it'll never happen again" You pleaded desperately.
"I'm afraid I cannot... If the other teachers or students knew you didn't get sent to detention I could get into trouble for giving you 'special treatment'. I know you didn't mean to love but I cannot afford to lose my job so I'll see you then." She patted one of your shoulders, giving it a little squeeze to cheer you up.
"I understand..." You nod with your head that already hung low.
"It's in the English room down the hall, there is usually only a few students there. Some familiar faces."
...
That rest of your morning would only pull through faster as you got some weird anxiety over walking into the detention room. You could not concentrate at all in the class you had before lunch. You felt as if you were too good for the detention group of kids, but here you were about to join those you criticized. Karma.
"Make sure to answer the questions 8-16 on page 300, you have the rest of the class to do so. Any questions?" Your physics teacher stood with his hands balled up behind his back.
Realizing you had no physics book in your bag after triple checking, you shot your arm up in distress, "ME! I forgot my textbook today... I was in a rush this morning." You faked a polite laugh with the expectation your teacher would have a spare.
"I'm afraid I don't have an extra, anyone willing to share?" The teacher lifted his head to scan the class.
"I could share." Jaeyun winked making your face recoil
"Perfect! You'll probably have to move your stuff to his seat then." Your teacher suggested.
With a thick coat of disappointment, you pulled a chair up to Jaeyun's desk to which he kneed you annoyingly.
Within just a few seconds of settling down, you complained "How the hell am I supposed to write? There is no space... Desks are made for ONE person."
"Okay then don't use my textbook and fall behind" He sneered.
"Wait wait, I just had the greatest idea Jaeyun." He gave you puppy eyes when you said his name, "What if you look for half the answers I do the other half then exchange?" You whispered so the teacher could hear.
"I can't trust you make good answers though..." He jokingly sighed.
"HEY! Okay or work together for every question to get it done twice as fast? Oh wait but then I'll be the one carrying the team... Bummer..." You stretched the corners of your mouth until your lips disappeared.
"I honestly don't feel like doing work so lose-lose." He pouted and rolled his eyes.
"Same... I can't even focus, I'm having a rough morning..." You openly admitted, "I got sent to detention for being late in my first class."
"Detention? Didn't think you were the type." Jaeyun had an unexpectedly sweet giggle which contrasted with his lower tone voice, "Heeseung and Sunghoon get sent often, surprised they aren't kicked out of the school."
"They get sent often?!" Your voice rose to which you quickly quieted down to avoid trouble, "Will I see them there?"
"Why? Looking forward to going now?" Jaeyun whispered with a grin, causing you to scoff.
"As if..." A sudden idea coming to mind, "Say Jaeyun... About the party... Heard you guys have a place in the woods...?" You became aware that you could pry some information out of him that would help you when searching the woods that night.
"Yeah, we do... We don't normally tell people about it." He said casually yet still with some sort of caution.
"So why tell us then?"
"Haven't had any visitors in a while..." Jaeyun toyed with his mechanical pencil, using the plastic part to trace around his lips, "Awfully interested aren't you?" He seemed to have caught on to your intentions, shifting the mood of the conversation around in a full 180.
Suddenly the dream you had earlier slipped into mind, causing you to sit in growing discomfort, "What do you want from my friends and I?"
"Nothing sweetheart... We're more interested in you than your dormmates. You look like someone we know." He laughed like a psycho and it creeped you out how the two of you were just poking lighthearted jokes to something much darker and mysterious, "I know you're afraid of us, you know far more than most girls." His voice dropped to a whisper as he watched the teacher behind you to make sure he didn't see the both of you slacking.
"Kyungeun knows your secrets too she said she'll tell me."
"She's acting like we don't know her secrets." Jaeyun closed his textbook, "Y/N just remember this, Kyungeun is half as bad as we are and half as pure as you are."
"Alright class, that's it for today's class. This textbook assignment won't be due until Friday have a good lunch." The teacher interrupted, causing your conversation with Jaeyun to end on a hanging note.
"Good luck with detention."Jaeyun hushed in your ear.
_______________
p.s, i changed the cover lol don’t make fun of my photoshop skills!
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Feral Fatality
(Part 3)
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Last update for now! I hit a wall and so...I need to shift direction, make way for my requests (up til now I merely wrote one word) so gonna forget this one for the time being and push this deep under every article I have in the works—
Anyways, some fluff before I disappear *insert peace out and fade meme*
Pairing: Jason Voorhees x Fem!Reader
Word count: 1.6k
Warnings: Nothing extreme, a little blood only.
The masked killer gave you one shook of his head before he took off.
Saving you... for last?
Why weren't you afraid? Hell, you are going insane.
You looked down at the corpse under you. Time to clean up the mess, no one would want a rotting bitch on their doorstep.
Standing up, you decided to drag the body into the woods, maybe an animal would be happy to eat her flesh.
Huh, you were taking everything so well.
-
After you left her body a good distance away from your cabin, you went back to wash up, the red liquid on your skin was beginning to itch. You took off your clothing, the blood on your them was hopefully still removable, you wouldn't want to throw them away if you can help it.
Your thoughts strayed to that of earlier. You killed someone. You killed Betty.
And it felt good. Euphoric, even.
You never thought you could end someone's life, one of many that wanted you dead too.
"It was self-defense..." you assured. They intended to kill you anyway, the food they served for you was possibly poisoned. Even a fool would notice how suspicious they acted.
Not to mention Eloiza declared it straight to my face.
Then again, she would still die with the murderer out for her blood, it's just that I ended her myself.
Everyone's probably dead by now.
You stared at your hands– your palms, swollen from gripping your murder weapon.
"...Jason Voorhees. I wonder if he'll kill me too..."
You trailed off as your head drooped, your previous high fading out as your limbs felt heavy. Wobbling your way to your bed, gravity did its thing and you fell on the soft sheets and blacked out, the distant ringing of screams but a mere lullaby to you.
The ever-rising sun warmed your slumbering form as its rays peeked through the gaps of the window, stirring you into consciousness.
You groaned, rolling away from the prickles of their heat, wanting to get more sleep from last night's events...
Last night?
You shot up, rubbing your grogginess away as the thoughts of the past evening came rushing in. You couldn't believe it. Or did you? Did you really do it?
Was it all a dream??
You brought your hand to your right cheek, the action so sudden that you smacked yourself, instantly regretting it when you felt like you've just planted your face on nails.
"God fucking—" You clenched your teeth and squeezed your eyes shut, muffling your scream. Little tears threatened to pour out so you looked up to keep them in. When the pain numbed down, you exhaled and panted hoarsely.
Well, damn me if it was a dream, that fucking hurt!
A gurgling noise.
Right, I didn't eat anything for dinner.
You sighed, time to take care of your business before anything else! You could eat a whole stallion with the way your stomach grumbled. You stood up and plodded to the cupboards where you kept your food. Unfortunately, you didn't have a horse at hand, and you doubt you could even kill such a beautiful animal, so some easy-to-open corned beef would have to do. Maybe two-three cans would sate your hunger.
Knock, knock.
"Yeah, yeah, wait a bit, I'm opening dinner... breakfast. Dinkfast or breakner? Mm." You responded nonchalantly, still lethargic from both the pain and exhaustion. You pulled on the ring of the can. And it resisted like a lil shit. Three more tries and it didn't budge. You slammed it down the table, huffing.
Easy-open my ass!
Knock, knock.
Yeah, right, the door. You moved to grab the knob and whipped it open. Your face met with a broad chest, a bluish, dark gray shirt stained with what looked like dried blood and dirt. Slowly trailing up, you froze as you met two blue orbs staring down at you from behind a hockey mask. Your jaw dropped.
The silence dragged on for who knows how long before you broke away and fumbled. Absolutely lost, you did what a totally sane person would do.
You stepped aside and invited him in.
"I, uh, come in then, Mr...Voorhees." You uttered, your eyes unblinking as you looked anywhere than at the killer who took careful steps into the cabin.
——
Jason trudged to the cabin you resided few hours after he finished cleaning up the mess. Ten meters away and muffled words followed by a silent scream reached his ears. Five large strides and he was at your doorstep, coming to a halt and contemplating on barging in and scaring you even more, or knocking.
Knocking seems to be the calmer option, although he was concerned if you were hurt again. He doesn't know why he's feeling such...emotions towards you, technically a trespasser but different...
A minute passed before he knocked, twice. You answered something about eating and made-up words. He knocked again after he heard you slam something down and huff. Before he knew it you opened your door and stared. You were a lot shorter up close, craning your neck up to meet him.
You looked at each other for a while, before you moved out of the way to let him in. Even going as far as calling him Mr. Voorhees, which baffled him. So you knew who he was. If so, why didn't you leave or scream at him? That and a bunch of questions ran around his head.
He needs answers.
——
You stood to his left, facing his side as you felt awkward. You were in a room with a mass murderer, a legend. What's more, you were the one who let him in. You pinched the sleeve of your navy blue jacket from behind as you rocked on your feet. Was he here to end your life? No, no wait, if he wanted that he could have done it when you were asleep. You're pretty sure he could break down the door and crush you with it and you would never wake up again. Same as just now but he...he knocked? What will you even do if he decides to carry out the task now? You were, by no means, fit to fight back. You can't even open a fucking easy-open can! He could snap you like a twig any second now.
You waited, resigning to your fate and wishing you were reincarnated as a rock in your next life.
"..."
Well, nothing happened. He just stood there, unmoving as he faced the opposite wall.
A grumble and he whipped his head to you, making you flinch. Curse your stomach for being such a whiny shit. But you couldn't resist your hunger anymore, you need to eat. Moving a step at a time around him, you took hold of the can and pulled, swearing when it didn't budge. You were gonna die at this rate, if not by the killer behind you then by fucking starvation.
You felt a finger poke your shoulder, not even a flinch as you were too frustrated to care at the moment. You turned around to face the man, he was looking at the can you were holding.
"Oh, uh, I haven't eaten anything? The damn can just won't let me have what's inside." Since when did you talk this much?
He gestured, his gloved palm exposed, as if waiting for you to give him the can.
You placed it in his hand. With one tug, ONE TUG, of his finger it opened. It looked like he just touched it and the lid gave away. You huffed in disbelief as he handed it over to you with two fingers. You grabbed a spoon from the drawer and started wolfing down the contents. If you were gonna die might as well be full.
When it was empty, you glanced at the other can on the table, untouched. You looked back and forth a couple of times between the man and at it. You guessed he understood since he silently picked up the can and opened it for you. The corned beef ended in your stomach seconds later.
You set the last can down, only to pick them all up and dumped them inside a garbage bag you set up yesterday. Grabbing your tumbler from beside the sink, you took large sips from it.
Wiping your mouth with the sleeve of your hoodie, you walked past him and went to sit on the bed. He followed you. You stared at the one who murdered everybody else, standing in the middle of the cabin.
"..."
"So...Am I supposed to die now?" you asked. You sneaked a glance at the machete in his holster.
He didn't give you any response, but he stepped closer until he was in front of you. You didn't look up.
The man raised his hand, and you shut your eyes, expecting the worst— only hoping it was painless and quick.
You almost jerked when you felt his hand on your head.
But what surprised you was how gentle it was, no pressure at all, not even close to a killing move. Then you realized...
He's...he's patting my head.
His hand...wasn't cold nor warm, but the way he did it was akin to petting a little animal; stroking the top of your head so softly you sniffled. This made him stop and step away from you, his hands waving— hovering around you it was practically comical.
"N-No, I'm alright," you answered his silent question. "It's just...I've never been patted like that before and I...It was nice."
You've been subjected to abuse and degradation most of your life that a gesture, one that meant no harm or malice, made you cry. You wiped away the wetness of your eyes before you looked at him.
"Thank you, Mr. Voorhees. I actually wouldn't mind if you kill me, but I guess you won't...?"
He gave you a soft grunt in reply, and you giggled.
The man patted your head once more, before he made his way out of the cabin, closing the door quietly behind him.
You let out a quiet breath. Jason Voorhees simply appeared on your doorstep, helped you with your food, patted your head, and walked out without a word.
It's crazy and it wasn't a dream— if the throbbing on your cheek was any indication.
You're happy though. More than happy to be alive.
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ruffianbc · 5 years ago
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SO. My beloved shippers. You wanted some RadioShow shit? Now take it!
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I was recently asked how I would describe this couple or they relationships? Well, I answer - half-sided sadistic bromance through mutual hatred. Shortly - like killing dance. I THINK (and this is headcanon) they both know how to dance swing (THIS IS THE BEST DANCE ON THE DAMN PLANET) and I can't leave you without thematic music ~~~
So, for this art - Music: The Correspondents - Fear & Delight
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Now let's talk about music. I created a small playlist on my youtube channel and I want to share it with you:
https://www.youtube.com/playlist?list=PLI9Ha7CzBO8x5lMTTYevHnpWRsyKUBE61
Alastor, Husk, neutral
Fear and Delight
How far would you go?
FMLYHM
Burn
Kiss me you animal
Animal I have become
Exit Strategy
White noise
Play with fire
Paranoid
Everything black
Whispers in the dark
Enemies
Dangerous
My sweet prince
Gift for you
And big thanks to @norikodblackcat (CatCalls on AO3) for fanfiction! They really inspired me. For this art I chose (or this song chose me earlier I DON'T KNOW) - Music: Burn the ballroom - Kiss me you animal
BONUS:
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Now it's headcanons time!
I put everything in my head in one big pile, so I'm sorry about this big mess)
in life, Al wasn't be a "social person" at all, but he was very well developed acting skills. People saw him as he wanted them to see him and because he was so masterful in his bloody affairs without consequences for himself, but with a public resonance nevertheless.
in hell, Alastor just wildly pumped communication skills, because he can directly persuade anyone to his side and make a deal. And of course he's a good judge of character.
demon Al and human Al are somewhat different personalities. I believe that in hell he became the embodiment of a directly violent and bloodthirsty spirit, and also became more unpredictable and (here it is difficult to apply the word "mad", because he is though insane, but extremely smart and calculating bastard). In life, Alastor was twice or even three times more stable.
when people go to hell, they remember their life as if it were a dream. That eventually begins to be forgotten. Someone immediately, someone very slowly, and someone then catches flashbacks.
as a child, Husker really wanted to be a magician when he was growing up in a casino and in the midst of all this environment. But life has created a great fucking joke with him, he didn't shy away from fraud and in general his youth shook him well so, and by maturity he became a really tough man. As a result, his demonic form actually mocks him.
when Husker gets drunk, everything goes according to two scenarios: either he becomes even more angry and irritated and in the end someone may not count his teeth, or he begins to entertain himself with his favorite things with genuine enthusiasm, which does not always lead to good. When Alastor gets drunk, it gets fucked up (like drunk driving, which is one of the most harmless things he does).
Niffty may be the only one whom Husker has ever had a warm feeling for and a sense of "fatherly care," though she may give him a real head start on some issues.
Alastor is a fucking troll over 9000000+ level. And even though he considers showing emotion to be a weakness, he really REALLY likes to bring Husker out on these very emotions, because it's a hell of a lot of fun to watch. By the way, Niffty had learned from Alastor the habit of constantly smiling. She sometimes tries to copy his habits.
I don't know how about in the canon, but I think Alastor and Niffty have known each other longer than Alastor and Husker. And also, I'm thinking about the part that Niffty and Husker made a deal with Alastor and got their powers through it. All three of them have the same auras. However, Husk could be initially with a considerable level of strength and it's unlikely that he was persuaded the first time.
Alastor doesn't recognize the personal space of others AT ALL. But God forbid you to touch him without warning/approval.
Husk also has a reflex to sudden touches. He had been used to this feature of Alastor for a long time, but thanks to the war, he still couldn't shake the urge to grab something sharp in the unpredictable course of events.
of weapons, Husk has a clear preference for firearms. Actually, another thanks to war, he can use anything as a weapon.
well, only Husk and Niffty must have seen Alastor in a rage a couple of times and survived.
Alastor and Mimzy were good friends in life, and Mimzy was hopelessly in love with him until Alastor killed her under the influence of circumstances.
after one nasty fight, Alastor had to get out of the woods in blood-spattered clothes. The dogs were set on him, and during the chase one of the hunters mistook his silhouette for a deer. The result is a bullet in his head.
in the old years, Husker was drunk enough to hold a trophy gun to his head several times, genuinely hating his life. But the final shot never came.
my friend thought that in the Husk's family could be Russian-speaking people, and it is interesting headcanon.
Husker's tail works like a cat's, which sometimes gets him in trouble and annoys him.
during aggression, he can make a whole set of sounds of growling and hissing, and the tail moves from side to side.
he purrs, and it makes him MAD TOO.
well, he can lick himself, but almost never resorted to it, as he considers it disgustingan and unworthy occupation. And fur very very long dries up after washing.
for Alastor to start using obscene language, a real fucking thing has to happen.
Alastor is asexual and childfree, in modern terms.
although Husker is always challenging Alastor most of the time, sometimes this crazy deer scares him and he would be happy to never mess with Al in his life. Alastor knows this and it gives him pleasure to watch what is happening. I would also call him an energy vampire.
in general, if Alastor begins to be interested in some person, it sometimes turns into an unhealthy interest, which is also FUCKING scary.
Husker usually keeps a certain level of alcohol in his system at all times, because otherwise stress, flashbacks, migraines and apathy the size of hell begin to fall on him.
Husk hates his fur. HATES. And those damn wings, like he didn't have enough fur and shit.
Baxter is still a good companion and interlocutor for him, but sometimes they can just and correctly say each other to fuck off.
Sometimes Baxter even feels sorry for Husk that he has to go through so much shit, from FUCKING fur to having any dealings with Alastor.
posttraumatic syndrome. Just two words, and how much sense.
very defensive, just like I said, Husk is clearly not inferior to Alastor in this.
these triple have been dealing with each other so long that Husk and Niffty can read a HUNDRED expressions of Alastor's smile. Or more.
Like that: "oh fuck he's got right corner of his mouth at 45 degrees"; "run?"; "run."
A LOT OF LETTERS. Thanks to those who reached the end. I hope you enjoy it!
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revchainsaw · 3 years ago
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Bumblebee (2018)
Good Evening worshippers, and welcome! Today the Cult of Cult goes a little more mainstream than usual. It's been a while since i've tackled a big Hollywood superhero film. But I do believe that these sorts of films will be remembered fondly my small groups of people in the future, especially the smaller films that are being overshadowed by the big bad MCU, films like 2018s Bumblebee.
The Messsage
Bumblebee was originally released as a prequel to the Transformers franchise that had started all the way back in 2007. However, reboots had really hit the market as a way to breath new life into struggling franchises, and the Transformers series had already gone to just about every absurd extreme you could imagine. No changes were made to the movie as it was released, but with it's more childish and heartfelt tone, and a new aesthetic that was softer, smoother, and all around just generally more pleasing to the eye, I think it was a wise choice to rebrand Bumblebee as a new beginning.
Our story is of two friends from two very different worlds and how they came together. Our first character is Bumblebee, then known as B- number sign/it doesn't really matter. Not yet Bumblebee is a soldier set with securing a safe location for the Autobots to regroup and make their home as they suffer a pretty serious defeat on cybertron at the hands of the tyrannical Decepticons. Optimus Prime, here again voiced by Peter Cullen and looking so much more like himself, assigns this task to Bumblebee promising him that they will meet him there when the time comes. Then Optimus fucks off for the rest of the run time making way for our little hero.
Bumblebee lands on Earth and is immediately set upon by John Cena and his military goon squad. It probably would have been wise for Bumblebee to avoid John Cena but in his defense, he couldn't see him. Hardy har har. In his attempt to flee his voice box is damaged, he seeks sanctuary by taking the form of a run down little VW bug, and suffers from amnesia.
Then we have Charlie. Charlie is not like other girls. She likes cars, all the retro music, which wasn't retro when the movie takes place, so I'm supposed to just think she's a rocker but it kinda seems like she'll listen to just about anything. I think in 2018 liking Motorhead and The Smiths (who are used ad nauseum in this movie) is perfectly common, but I feel like in the 80s that was a much different and much older attitude to take.
Anyway Charlie's poor family lives in a super fucking nice house and are poor because the dialogue keeps insisting they are so it must be true despite all the shit they have that actually poor people would sell blood and teeth to attain, but hell, this is Hollywood and Hollywood poor is like regular people upper middle class. Charlies family is so poor that instead of giving her a one time graduation/birthday present to buy a part for a car she already has, they just give her a moped, She also spends all her time at a pull apart where the manager (who might be her uncle that wasn't super clear) is willing to just give her a Volkswagen so I don't understand why she didn't already have the project car up and running. Whatever, it's a plot contrivance. All you need to know is that Charlie is tenacious and hard around the edges cuz her dad is dead and she's not yet mature enough to process that in a healthy way. Maybe her character arch will teach her to let others in, we'll have to find out.
There's also a wacky nerd named Memo, and some bad guys, and John Cena. They are all also pretty archetypal and contrived and don't really do anything of note that isn't just filling a beat that this kind of movie needs to walk. Charlie starts Bumblebee up, discovers he's a robot and the two begin to bond. Charlie learns to make a friend, and bumblebee is learning about himself. They get into hijinks and get revenge on a bully girl who makes Regina George look like a saint, she pretty much only picks on Charlie exclusively for having a dead dad.
The moment Bumblebee is woken back up, some technology goof em up that both he and Charlie are unaware of brings two Decepticon baddies into the picture. I don't remember their names, but since I love The Venture Brothers let's say they can be "Jet Boy and Jet Girl". Jet Boy and Jet Girl are sometimes cars, sometimes various flying military vehicles, and they make friends with the deep state and plan to get all the adrenochrome from all the orphans, or just to go find Bumblebee and beat his ass good cuz their bad guys. Let me tell y'all though, Jet Boy and Jet Girl are so bad that they don't even care that the government is listening when they reveal that they are planning on bringing a Decepticon Invasion and after they rough up Bumblebee real good they are going to destroy all life on this planet. So they start by killing a military scientist.
John Cena is after Bumblebee and he's homies with Jet Boy and Jet Girl until the military scientist butt dials him and he hears the evil plan. John Cena goes from heel to face and helps Bumblebee and Charlie save the day. It's a giant CG clusterfuck climax a la any superhero film in the last 10 years and I basically stopped watching. BumbleBee pulls a Hellraiser on Jet Boy, and then he hits Jet Girl with a freaking boat. Charlie uses her diving skills do dive down and save him, but he's a Giant Robot and he was okay and it was literally pointless for her to to except as a way to show that her character has completed her arch by doing the thing that was representative of her connection with her lost father.
Bumblebee turns into the Camaro from the first movie, meets up with Optimus prime, and the stage is set for this prequel to squeeze more prequels out. So it wasn't very creative, but was it bad? Let's find out.
Please Stand to receive the Benediction.
Best Aspect: Transform the Franchise
Bumblebee was directed by Travis Knight of Laika fame and it shows. This movie marks a stylistic change in the transformers franchise, as in it doesn't look like utter dog shit, but it also represents in many ways a tonal shift. It does hold on to a lot of gross sleaze that has unfortunately been forcibly jammed into the DNA of the franchise but it also attempts to be a more heartfelt entry. The characters of Bumblebee might all be sort of a waste of time, but at least they are doing something with emotions, even if the emotions of the characters are only explored as deeply as a children's cartoon I'm glad they are there. In the previous installments the only thing the characters did between running from action piece to seizure inducing action piece was drool over underage girls like a bunch of chimpanzees at the facility where they test experimental E.D. meds. It was nice to see that at least somewhat tampered. This transformers movie feels more like it's for kids and young teenagers, and strangely that more friendly tone makes for a much less juvenile product.
Worst Aspect: Remember I Love the 80s from the 2000s
I hope you really like Stranger Things. I do, but because Stranger Things was so successful it' s going to be everywhere. Not true Stranger Things just 80s nostalgia porn. This 80s nostalgia is going to be forced on you whether you like it or not, and it's not going to be fun. It's gonna be in your shows, in your music, in your Sunday like Bacon in 2010. It's that or Marvel Franchise Brand Whedonisms. Bumblebee is that brave movie that says, "Why not both?" It would seem fitting that a property as quintessentially 80s as Transformers should feel completely comfortable doing a period piece set in the 80's but it's so fucking half hearted it's depressing. It wasn't done to appreciate the roots of the IP, it was done to cash in on a trend and it feels it. All they did was throw up a date and insufferably force an 80s soundtrack down your throat as if that was enough to convince you that this movie needed to be set during this time. Other than that you could have told me this film was set in 2007 and I couldn't tell you any different.
Best Character: Charlie's an Angel
I liked Charlie. Sure her Arc is predictable, her taste is dumb, and she isn't exactly a master of her own destiny to any degree. But at least she is a woman in a transformers movie who's got something going on. Sure she's defined entirely by grief, but that sure is better than pretending that being able to work on cars is a feminist character trait instead of a weird fetish thing. They certainly do that thing with Charlie, but at least it's not the only thing they throw at the wall. Bumblebee is by no means out of the woods in this department, but it garners a lot of goodwill for trying. Like a racist uncle who just started his journey out of ignorance, but hasn't yet realized he has to stop asking mortifying questions to the barista at Starbucks. Okay, maybe that's an extreme metaphor. I'm saying that perhaps Charlie is not a great character but she's a great character for a Transfomers movie.
Worst Character: It's JOOOOHHHNNNN CEEEENA!!!!
Why is John Cena in this movie? I don't hate the guy, but his character seems pointless. You could remove him from the movie completely and replace him with any one of the random military goons at any point and it changes nothing. What was with that dumb salute at the end? It seems like they put him in this movie in post and it was just to pump up cast list. I wish he was given anything to work with. I can't remember his characters name, and it's not like John Cena did a bad job, I was just annoyed every time they kept giving him hero shots. I felt like I was watching a trailer for a different movie.
Best Actor: Optimal Primo!
Every time Peter Cullen speaks I want to listen. There's a reason they haven't had Chris Pratt or somebody with a bigger name come in and take over the role at this point. He's why the audience keep coming back. Peter Cullen IS Optimus Prime, and there's no changing that. He also wins twice. He's the best actor in the movie AND he's barely in the movie. Good call Peter.
Worst Actor: Mean Girls 2, Meaner and Girlier
I don't want to be cruel so I'm not going to go into to much detail, but there's an actress in this film who's performance is so mustache twirlingly evil and stupid that it ruined my suspension of disbelief when i knew going in that i was about to endure a 2 hour toy commercial about robots that turn into cars. Beldar Conehead was a more convincing human being than Tina.
Best Effect: Goo Be Gone
I really appreciated when the bad guys shot the government nerd into a blast of snot. That was pretty fun for me. Best part of the movie hands down.
Worst Effect: Live Action?
Bumblebee is a cartoon. It's a great looking cartoon but it doesn't sell itself that way. If we were doing a Roger Rabbit thing I'd have no gripes. However, I think CG is just getting worse. I'm criticizing this and it's still lightyears better than the previous entry's on the franchise. No transformation or fight sequence in Bumble Bee had me straining to make sense of what I was looking at. I think it was a great idea to start using some basic shapes and outlines to these characters, and return somewhat to their 80s designs. But at certain points, especially when there were no humans in the shot, i was pretty convinced I was watching Clone Wars. There may not be anyway around this, as the Transformers concept might not be able to be pulled off in any more effective manner. It's a minor gripe, but I just didn't think it looked like anything other than a very expensive cartoon, and in this franchise that's a compliment, because it least it looked like SOMETHING!
Best Scene: Space Opera
I am not a Transformers fan. I missed the boat on the cartoon as a kid. I would sometimes catch it at friends houses but I was more into Batman, Star Wars, and Ninja Turtles. By the time I came onto the scene the world had moved on to Beast Wars. I did one day arbitrarily decide that my favorite Transformer was Sound Wave. He looked great in this. I am a big fan of the return to form with a lot of the character designs in this. They really did keep the things that worked from the other adaptations, and they are steadily removing the things that didn't. For this reason, the scenes on Cybertron, particularly the battle with Soundwave (i prefer for personal reasons) looked great and were exciting to watch. I remember thinking Cybertron used to look like a Marilyn Manson shot a music video from inside to dumpster. This is so much better.
Worst Scene: Blocking the Box
There's a scene in Bumblebee where Charlie's family decides the best way to save their daughter was to cause a pile up of vehicles in an intersection, and it's pure contrived writing that saved any character in that sequence from being killed in a horrific traffic accident. It was stupid, played for laughs, and it wasn't exciting as much as it was anxiety inducing. I also thought that there was no reason the covert military group covering up extraterrestrial life wouldn't just disappear this family of fucking morons in their little piece of shit car. The logic of the scene was just so childish like, "No they won't hit me, I'm a good person."
Summary
Bumblebee may be remembered fondly in a decade. I think especially if the Transformers franchise were to end here. It didn't get the publicity of the other films, and that really is a shame. For my money, this was the best Transformers movie so far. I was very tempted to give Bumblebee a C, it does just enough to right what was wrong from the other movies to make me appreciate all that work. This movie has heart, and if you are at all into Transformers then l think you should see it. It's still pretty stupid, and pretty basic. It's not offering anything new to the genre, and it feels like a commercial for more movies. I really wish we could just get movies that want to tell a story. I thought it over and decided that it wasn't fair not to grade Bumblebee on it's own merits. Bumblebee is substantially better than the films that preceded it, but that's not saying a lot, when the films that preceded it are joyless exercises in self abuse.
Overall Grade: D
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accioxreparo · 4 years ago
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i've listened to "you & me" at least 5 times today and i can't stop thinking about george x reader in someone to you because you said it reminds you of them and AHHHHHHHHHHHHHH
CECE OH MY GOD I HAVE BEEN THINKING ABOUT THIS ALL DAY LONG YESTERDAY AND TODAY!!!!
Legit while I was working on that last fic I posted last night and literally all that kept popping into my head was George x reader in STY so have these cute little hc’s about them because ily!!!!
***
It had never really occurred to George to give you a nickname
you were always just ‘Y/N’ to him and he didn’t really think there was any need to call you anything else
it happened during your fourth year and while he himself isn’t able to pinpoint where ‘my love’ came from, Fred remembers clearly
you’d been spending more time than ever with Oliver, especially considering he’d given in and officially had McGonagall make you his assistant captain instead of just saying it
not to mention the fact that Alicia was out for at least a couple months after a particularly bad fall and you were in charge of helping Katie catch up on all the formations  
It’s late, nearing curfew, and the typical sound of you and Oliver bickering can be heard the moment the portrait hole cracks open 
“Regretting trying out yet?” Fred smirks as he sees the dead tired, and frankly annoyed, look on Katie’s face. She falls onto one of the armchairs and her voice comes out muffled. “I’m getting there.”
George, however, has his eyes trained on you and Oliver arguing. It was a sight everybody was used to but it looks different now. It sounds different too. 
“Babe, I’m telling you, that maneuver is never going to work.” “Of course it will. Give me three practices and I will have Angelina and Katie perfecting these moves.” “I’ll give you half of one to give it a try.” “Two?” “One, final offer.” “You’re so difficult.” “Whatever you say, babe.” “Don’t call me that.” 
The second Oliver leaves the Common Room George is standing to move next to where you had sat on the floor nearest the large windows without a second thought. He stares at you for a few moments before finally shaking out of his small trance
“When did that happen?” You frown at the question and lean your head on his shoulder just as you have hundreds of times before. “When did what happen?” 
“He means when did Wood start calling you ‘babe’?” Fred interrupts and sits in front of the two of you without hesitation, leaning back on his hands with a smirk. “Is there something we should know about?” 
“I’m offended you’d even think so,” Your nose scrunches a bit and you drop your gloves on the floor beside you. “You’d have to ask him that. Hate it though. Doesn’t suit me. Not from him anyway.” 
And that statement is the one that gets stuck in George’s head and he doesn’t quite know why. Doesn’t suit me, not from him.
Honestly, he doesn’t even know he’s doing it, it just kinda happens without meaning to 
“Hand me those ingredients over there, please, dear?” “Did you catch what Binns said, honey? May or may not have fallen asleep during the lecture again.” “Hogsmeade tomorrow, angel?” 
Most of the time you roll your eyes but don’t say much about it. That is until he breaks out a new one. The last new one. 
“What do you think, my love?” George looks up from where he’d been looking over some of their newest footage only to find you staring at your Charms homework intently
He can read you like a book. The name had caught you off guard and he’s finally gotten a reaction out of you. It’s only confirmed when your head shoots up to look at him. “Sorry, uh, what happened?” 
George tries his hardest not to smile so instead he goes back to the screen in front of him “I asked what you thought about Fred and I making these videos a weekly thing, my love.” 
“I, uh,” You clear your throat, finally managing to look him in the eyes again. “I think it’s, think it’s worth a shot.”
He looks at you once more and gives a nod, “Good.”
A week passes and George has successfully managed to work ‘my love’ into every conversation he has with you, probably enjoying your reaction just a bit too much 
especially when he overhears you scolding Oliver for the nicknames again
“I’ve figured it out,” Fred announces one day after watching you walk away from them with Katie again. “You were jealous.” 
“About what exactly?” George is only half paying attention but the next words that leave Fred’s mouth have him doing a double take. “Of Y/N and Oliver spending so much time together.”
George is silent for just a little bit too long.
“Don’t be ridiculous.” He finally says, putting down the thing he’d been working on and glaring at Fred. “Why would I be jealous?” 
“Well I don’t know, Georgie, why are people usually jealous of their friends being close with other people?” 
“Do you ever say anything how it is?” “Do you ever acknowledge anything without deflecting?” 
They stare at each other for a second before George shakes his head and looks at his parchment again. “You’re reading too much into it. Y/N’s done the same thing with Ginny, Mione, and Luna for as long as she’s known them. Started doing it with Harry too. The nicknames mean nothing.” 
Fred knows better than to push any further. He does, however, feel a bit obligated to mention the conversation he’d overheard you having earlier in the Great Hall. “She’s got a date this weekend.” 
George doesn’t look up again but he does stop and put his full attention on the sudden change in topic. “With who?” “Alex Creswell.” “Why?”
He rolls his eyes when Fred laughs at his reaction, finally looking up at him again. “I didn’t know Y/N even knew him.” “They’re partners in Arithmancy apparently.” 
Fred watched closely as George seemed to silently work out what it was he’d just been told. When he couldn’t easily figure out what his thoughts were he asked “What do you think, then?” “About what?” “The date, obviously.” “What am I supposed to think?” 
He lets out a groan and lets his head fall backward before quickly changing the subject, figuring the topic wasn’t going to turn out to be as interesting as he thought
You don’t notice any of the whispers and George doesn’t either
Not when he runs into the Great Hall a couple months later alongside Fred shouting, “You will never guess what happened, my love!” 
Or when the Celestial Ball is held and you both go with other people but you’re constantly by each other’s sides anyway “C’mon, darling, you love this song!” “But, my love, I’m tired.”
Not even when the twins hit their first big milestone on their channel and you throw them a party in the Room of Requirement. “You, my love, always believed in us.” “Well of course, darling, you know how much I love you guys.”
Nothing ever happens though and after those first few months of George shouting ‘my love’ everywhere you went together, everybody else simply gets used to it. 
You get used to it too and you’ve never thought twice about the nickname, one you don’t even realize he doesn’t use with anybody else
You don’t notice it until the fake dating starts. 
It’s then that you backtrack just as you had all those years ago, nervous about who overhears and what it means. 
That’s the thing, though, really. You’re not sure if it even means anything at all and you’re terrified that you’re thinking about it too much where he isn’t. 
The more things evolve in yours and George’s relationship, your fake relationship, the more confused you get. 
You start to hang on to the words whenever you hear ‘my love’ leave his lips, whenever you see them typed on the screen.
Then the looks become a little too long and the touches a little too soft and one day you shake yourself out of the flurry of thoughts you’d let yourself slip into and convince yourself that it’s all in your head.
George calling you my love has always been normal. It means absolutely nothing different now than it did when he first started using the nickname.
Right?
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katedrakeohd · 4 years ago
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My Own Favorite Dialogue and Why
Drake and Liam may be best friends in TRR canon, but for me the dysfunctional bromance that I've created between Maxwell and Drake is my favorite friendship. For this one from The Lake I loved the angsty/comedy so much I couldn't just select a small part, so I had to post all of it.
From The Lake
Out in the middle of the lake the air is still, the water smooth like glass. It's been an hour since the men cast their fishing lines, and for Maxwell an uneasiness was setting in.
"Are you sure there are fish in this lake?"
Drake looks up from the magazine he's reading, his last bite of sandwich in his hand. "Of course I'm sure. I oversaw the stocking of trout myself."
Maxwell looks down at the half empty can of low alcohol beer in his hand, resenting the lack of buzz he was feeling because of it. "I thought we would have gotten a nibble by now."
Drake shrugs, popping the last piece of his bread crust into his mouth. "You just have to be patient, Max. Sometimes they bite, sometimes they don't."
Maxwell shades his eyes with his hand and gazes off toward the Manor in the distance, it was so tiny and the shoreline seemed so far away. He tried not to imagine how deep and cold the water was beneath them, but it still gnawed at him anyway. He squeezed the backpack between his feet, its contents giving him a slight sense of reassurance.
Drake glanced down at Maxwell's backpack sitting in the belly of the boat. Since leaving the shore he's seen him take out a tube of sunscreen, a granola bar, his mobile phone to take pictures, and repack his sweater when he got too warm. Each time he set it back down there was a strange heavy thump against the wood, and so far it didn't seem to belong to any of the things he'd seen.
Drake shifted his ass on the boat seat, trying to combat the numbness he was feeling. The boat rocked slightly, causing ripples in the water, and for Maxwell to snap at him.
"Hey, man. Don't rock the boat."
Drake rolls his eyes, "Jeez, Max. Paranoid much?"
Max rolls his shoulders, trying to loosen up but he can't, "Seriously, you don't find it creepy? The whole time we've been out on the lake I haven't heard or seen a bird, you'd think there would be some ducks or geese or something."
Drake takes a deep breath and looks around, squints up at the sky, and then looks over to the mountains and trees in the distance. He listens for anything other than the sound of the water lapping at the side of the boat.
 "I suppose it is a little odd. Just yesterday there were lots of geese and ducks paddling along or flying and honking over the lake."
Maxwell lifts and bobs his fishing rod and line in the water. Looking down into the depths he's struck by how it goes from clear to pitch black so quickly. He scoffs and makes a joke, feeling uneasy as the words leave his mouth, "Maybe Gaga ate all the fish, and scared the birds away."
Drake chuckles, "Say, what now? Who or what is Gaga?"
Maxwell's eyes go wide and he looks at Drake with disbelief, "You mean you haven't heard the legend of Gargantua? The monster of Lake Valtoria?"
Drake shakes his head and opens the cooler to get another beer, "You can't be serious, Max. Not every big lake has a monster living in it."
"Trust me, Drake. My house sigil is a giant squid remember? I know my monster legends. How many years have you been stocking the lake, and have you ever caught any of the fish afterwards?"
"As a matter of fact, I caught a fish standing on the dock yesterday. So I know there are fish in the lake." Drake insists as he opens his beer and takes a long swallow, wiping his mouth on his sleeve.
"Ok, well what about the lack of birds?"
Drake sets his beer down with a sigh, scrubbing his forehead with his hands and then raking them back through his hair, "So, now you think some monster is yanking ducks down into the water from underneath?"
Maxwell shrugs, "You never know. Maybe Gaga has a taste for water fowl and fish?"
"Now you're just sounding crazy, Max."
Maxwell shifts forward in his seat, causing his pack to fall forward and make another thump, Drake looks at it again and frowns. Maxwell points an indignant, angry finger at Drake. "Don't you dare call me crazy!"
"You're the one talking about lake monsters, when there's probably some logical reason to explain everything." 
Maxwell picks up his backpack again and hugs it in his lap, his hand finds the weighty item from the outside and shifts it carefully. Drake looks at him suspiciously, "Max?"
"What?" he asks, nervously.
"What's in your backpack?"
Maxwell shrugs, "You know, just the usual 'day out on the lake' sorta stuff."
Drake's eyes narrow, "Why don't I believe you?"
Maxwell hugs the backpack a little tighter to himself, he tries to avoid looking at Drake. Off in the near distance, behind Drake, there's an odd rippling splash on the surface of the lake. Maxwell gasps, trying to swallow the sudden fear constricting his throat.
"Why won't you believe me when I say there's something creepy about this lake?" Maxwell croaks out, pointing over Drake's shoulder.
Drake sighs, turning in his seat to see what Maxwell's pointing at. "I don't see anything."
"There..there was a ripple and a splash on the water. Like..like something big moved it."
When Drake turns back around Maxwell has his hand buried in the backpack, fishing for something. "Max, what are you doing?"
Maxwell's eyes are wide and he's scanning the surface of the lake for more movement. "Ssshh, Gaga will hear you."
Drake frowns with concern and then sits up straighter in the boat to look around again.
"It was probably just a big fish, Max," he says quietly. "Maybe we're finally going to catch something."
A breeze ripples the surface of the lake, and the boat tugs at its anchor line. Maxwell jumps when their fishing rods shift as well. He jerks his hand out of his bag and pulls out an antique pistol.
Drake braces his foot against the end of his fishing rod and puts his hands up and waves them back and forth frantically. He looks at Maxwell and can't believe what he's seeing, "What the Fuck?! You brought a gun on a fishing trip?! Put..that...away."
Maxwell breathes rapidly as he searches the water, swinging the antique firearm from his home's armory back and forth. "It..it was Bertrand's idea. Remember his bachelor party all those years ago, when we met up with that bear, he insisted I take it with me." 
He imitates his brother's voice as he quotes him, "No Beaumont will ever go out adventuring in the wilderness again without protection."
Drake ducks as Maxwell swings the gun back in his direction, "Seriously, Max! You know how I feel about guns. I've already been shot twice, and I'll be damned if I'll let you shoot me by accident while we're fishing."
Maxwell's hand shakes as he continues to look around nervously. Drake reaches forward with fear grinding at his stomach, he pleads with him quietly.."Max....just hand over the gun, okay? We'll pull up the anchor and just go back to shore. We don't have to fish anymore."
Nodding, Maxwell loosens his grip on the weapon as Drake wraps his hand around the barrel. Something splashes the water nearby, making Maxwell jump, causing them both to let go and drop the gun. It hits the bottom of the boat and fires. Drake screams out in pain as the bullet tears through the side of his rubber boot and lodges in the wood of the boat beside him. Water starts to trickle in, and warm blood starts to run down into his boot.
Drake yanks his boot off and pulls his foot up onto the seat and clamps his hands around his bleeding calf. "What the fuck?!" he screams, glaring at Maxwell angrily. 
Maxwell picks up the gun from the bottom of the boat and throws it overboard. "I..I'm so sorry Drake!"
Drake leans to the side, his hand shaking as he gets his pocket knife out of his back pocket. Maxwell panics and chops at Drake's wrist with his hand, causing him to drop it when Drake pries the blade free. 
"What are you doing?!" Drake barks at him with surprise and reaches for his knife again, it's now wet from the lake water pooling in the bottom of the boat.
Maxwell folds his hands over his chest, feeling embarrassment flooding his face with heat, "Oh..oh my God, I thought you were going to stab me with it, or something."
Drake grumbles as he cuts open the bottom of his bloody pant leg below the knee with the blade, "There's still time. Now either get with hauling up that fucking anchor, or calling for help before we sink goddamnit!"
Maxwell trips over the drink cooler, and soggy picnic basket as he stands up, trying to pull the anchor rope up out of the water. It won't budge, and his efforts are now causing him to rock the boat side to side dangerously. 
Drake curses to himself as he cuts a strip of denim and wraps it around his bleeding leg tightly. "Careful now, Max."
Both fishing rods teeter into the water and disappear. Drake keeps a close eye on the oars, praying they don't go next. Maxwell tries again to pull the anchor up by the rope but the nylon burns at his hands and he hisses in pain and then lets go. He stumbles back to where he was sitting and flops down heavily, wiping his sore palms on his thighs.
"I...I ca..can't. What the ..heck..did you..anchor...us to?"
Drake rinses his bloody hands in the lake, and then dries them on the sleeves of his denim shirt. "Ok then, I'll try the anchor and you try calling or texting for help."
 He cuts strips from his denim sleeves and then wraps his hands for padding. Wincing in pain he swings his leg over to straddle his seat and then reaches for the anchor rope.
Maxwell holds up his phone trying to find bars of service, "You've gotta be kidding me! Oh, wait there's a blip. I'll try sending a text to see if I can get through. Who should I try?"
Drake grunts as the rope finally starts to come up out of the water, but it was a lot heavier than it should be. Sweat bloomed on his brow and stung at his eyes, he swiped his face against his shoulder, "Preston... is standing by..in case of emergencies."
"What's his number?"
Drake rhymes off his number and grits his teeth, pulling the wet rope inch by inch into the boat. The burn in his calf muscle is intense and he wonders what ancient dirty projectile that antique pistol was loaded with. He could see Maxwell frowning down at his phone. 
"Well, did you get through?"
He shrugs, "I sent it, but don't know if it went anywhere."
Drake looks down into the water, wondering what his anchor could be tangled around to make it so heavy. He pauses to catch his breath, and feels the rope vibrate in his hands and then go still. It's almost as if something rubbed up against it and then moved on. His heart starts hammering in his chest and cold fear creeps into his gut. His throat goes dry as he takes a deep breath and drops the rope back into the water. He didn't want to see what was down there anymore. Maxwell was still trying to send panicked texts to anyone who could receive them.
"Fuck it," Drake mutters and uses his knife to cut the anchor free. 
The nylon rope floats on the surface of the water for a few seconds and then disappears into the darkness as if it were yanked. Drake jumps back with surprise and then watches, holding his breath, not wanting to believe what he was seeing. Several feet down at the deepest point that was reached by sunlight, where the clearest water went dark, an even darker shape slowly sank beneath the boat and then disappeared.
............
I've written many first time moments for Drake and (MC) Kate in various timelines and stories. But it wasn't until I started writing "What Happens in Paris.." from Kate's point of view that I found my favorite passionately charged moment between them. Feeding off the emotional evening with Drake that included Liam's second bachelor party and the never have I ever scenes, I found a way to push Drake over the edge and succumb to the mutual attraction between them.
From What Happens in Paris..
"Uh, Darling?  What do you think you're doing? You know we can't..." he says, although the look in his eyes betrays the way he really feels.
"We can't what, Drake?" I say, stepping away from the door and pressing my body up against his. He's still holding onto my hands, and now our faces are so close I can feel his breath on my cheek. 
"Darling…" he warns, as I flex my hands out of his grasp and undo the next button of his shirt. It's such a tease how he's already left the top button undone for me. My thumbs push the material aside and I slide my hands in. He takes a sharp breath in when I touch him, and I feel his chest rise and fall along with the rapid beating of his heart.
I pop another button out of its hole, and lean in to kiss his throat as my hands continue to explore his chest, tugging his shirt out of the waist of his pants. He hasn't stopped me yet, and I look up at the darkness in his eyes and the pained expression on his face. 
"Kiss me, Drake." I plead. "I know you want to."
Cupping my head in his hands, he tilts my chin up and leans in. I close my eyes. But instead of feeling his lips on mine he plants kisses along my jawline and I hear his voice rasp in my ear, hitching with desire, "And if I want to.. do more than kiss you?"
I gasp, bunching the fabric of his shirt in my fists as his nose traces the shell of my ear, and his stubble bristles against my cheek. "Ye -..."
But my reply is swallowed up by his mouth as it captures mine, and he presses me up against the door.
His kisses are hungry and I struggle for breath as he grabs my wrists again and pins them up above my head. His knee parts my thighs and I can feel how hard he is underneath his jeans.
When he finally releases my mouth, and presses his forehead against mine we're both panting. "Tell me.. to stop," he groans between breaths.
....
Drake is my favorite Choices character and thus he's the one I abuse and make suffer the most. 🤣 This next dialogue is from Cordonia 1885 between Drake and a hotel employee when they share a "holy/what the f*ck" moment that confounds them both.
Because of the grisly, graphic nature of this vampire fic I will just post a link and you can read it if you want. Cordonia 1885 - Chapter One
...
There are so many other favorite scenes/dialogue that this post could go on forever..LOL
Thanks @dcbbw for the tag, it's been so much fun to revisit some of my older stuff and experience it again. I look forward to next week's Monday Funday prompt.
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i-run-with-a-wolfpack · 5 years ago
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I Can't Help But Wait
Embry/OC, mature rating
4 - Tying the Knot (part 1 of 2)
Embry's POV - 
"Where are you going?" I whispered, my throat raspy from just waking up.
I opened one eye when I felt Nicolle wriggling in my arms. "Go back to sleep," she laughed and lifted my arm off of her. "I have to open the store today."
"Five more minutes," I groaned as my hands snaked around her waist and dragged her body back to mine. "Please?"
Nicolle sighed deeply. "You do this every morning."
I shifted my body on top of hers, nestling between her thighs and pushing her t-shirt up to kiss her stomach. "It's because you're always trying to leave me."
"I have to work," she breathed as she buried her fingers in my hair and pulled me up to her eye level.
"Call off. We can spend the day together," I begged shamelessly. "I need you." 
I kissed the tip of her chin when she arched her back and her head pressed into the pillow. "Not today," she whimpered.
I pushed my hips forward, shoving my rock-hard morning wood between her legs. I woke up needy and wanting her badly… pretty much like every morning for the last six months.
Too bad we were both dressed and this morning was like every morning since that night on the couch. She said no. Her face said it all. She still wasn't ready. I was tired of that look, tired of her not trusting me. I didn't know why we hadn't had sex yet. She moved in with me months ago and it didn't make a difference. 
The answer was always no.
Even when I kissed her neck in that special spot she liked, the answer was no. Even when we both were completely naked and I was hovering outside her wet warmth, the answer was no. 
We had both become pretty skilled in getting each other off every other single way, but I had never been inside her and it was killing me.
"I could," she offered as she slipped her hand inside my boxer briefs. 
I pulled her wrist before she could grip me, clenching my jaw out of pure frustration. I rolled off of her and stared up at the ceiling. "You should get ready. You don't want to be late for work," I sighed, never making eye contact.
"Embry," she whined as she rolled onto her side to face me, "you know I love you, right?"
I sucked in a deep breath and pressed a kiss to her forehead before climbing out of bed. "I should get up too. Paul needs me early today," I told her before padding off to the bathroom and taking a cold shower. 
As I was finishing my shower, Nicolle came in to brush her teeth. I yanked a towel off the rack and began drying my body. The fact that she never took her eyes off of me, didn't go unnoticed. Attraction wasn't the issue. I removed the towel from my head to find her openly staring at my body.  Most days I would have made a smartass comment and tried to get her back into bed, but today I just didn't have the heart.
I was starting to lose hope that she would ever want me the way I wanted her. 
I left Nicolle standing there as I stomped to my dresser and found some clothes for the day. I pulled on some boxer briefs and a pair of work jeans before sitting on the edge of my bed with a pair of socks in my hand. I felt the bed dip ever so slightly as Nicolle sat next to me. "Are you mad?" she whispered as her fingers shifted through my still damp hair.
"Of course not," I huffed. I snatched a t-shirt from the closet and set off for the kitchen.
Truth was, I was mad. I wanted more. It had been nearly a year since I walked into that bookstore and my whole life got turned upside down. I had done everything in my power to show Nicolle my love for her. We were compatible in every way.
Except for sex.
"Do you want coffee?" she asked when she found me packing my lunch. 
"I don't care."
Once my food was packed securely in the cooler I take to work, I began toasting some bread. My shoulders were tense as I stood at the counter waiting. 
"Here."
I looked over to find a full thermos of coffee sitting beside my lunch box. I watched as she poured her own cup into a travel mug and added her favorite creamer. "Ready?"
I nodded as I buttered the toast and handed her half before making our way out to our Jeep. 
"What are we doing this weekend?" she asked happily.
A sense of dread took over as I remembered exactly where I was supposed to be this weekend. "Well...I'm supposed to go to this thing, but...we could skip it."
"A thing?" Nicolle laughed as she finished her toast and sipped her coffee. "Could you be more specific?"
I ran a hand through my hair and shrugged my shoulders. "It's a wedding...on Saturday." 
Nicolle gasped. "Really? Oh that sounds so fun! Don't you wanna go?"
"You want to?" I replied skeptically. I had been avoiding asking her for quite some time. And although I know most girls loved weddings, somehow I didn't think she would want to attend this particular one.
"I'd love to," Nicolle gushed, going on to recall the last wedding she had been to. "Is it a pack member?"
"Yeah...it's Brady."
"Oh."
"But like a I said, we could skip it," I offered weekly.
"You mean, I could skip it and you could go alone?"
I reached for her hand and held it in mine. "No...I mean if you don't want to go then neither of us will."
Nicolle glanced down at our intertwined fingers and sighed. "Why do I always get the feeling you don't want me around your friends?"
I pulled up to the bookstore and put my Jeep in park. "That isn't true. Those guys get rowdy when we are all together. And it will be worse since they're drinking. I just wanted to spare you."
"Okay," she replied quietly. "I better go."
I pulled on her hand and waited for her to make eye contact. "I'm sorry. I'm sorry for being an ass this morning and not asking you to go to this wedding. Will you go with me? We can dance and you can meet some more of my friends."
She shrugged and turned away from me, but I never let her hand go. "Please, honey. Let me make it up to you."
When I leaned over and pressed kisses to her neck, she finally relented. "Fine. But you're not leaving me much time to get a dress."
"Go today," I suggested, slipping my debit card into her purse and smiling brightly at her.  "Call Kim or Emily and go after work."
Her face brightened a little and she kissed me goodbye. I watched her open the store and throw a little kiss to me before I drove off.
When I arrived at Brady's, the rest of the crew was already there and Paul didn't waste any time giving me shit for being late. I tuned him out as I got busy with my portion of the landscaping task.  The house turned out amazing and with these extra touches, it would be perfect for Saturday.
But their lawn was the least of my worries. As I watched Brady's fiancée flutter about the backyard, ironing out more last minute details, I wondered if inviting Nicolle to this wedding was really the best idea.
Nicolle's POV - 
"So what are you really afraid of?"
I sighed as I sifted through another rack of dresses in the third store we had been in. "Who said I was afraid?"
Kim sighed and slammed her hand onto her jutted hip. "Who are you fooling? I know you. You're scared of...something, but I don't know what."
I continued to browse as she continued to scold me. "Embry is perfect. He loves you. You guys are living together. He's been so patient with you. So what's the problem?"
I sighed again as we made our way back out to the sidewalk and onto another dress shop. We had been looking for an hour with no success. I was beginning to lose hope completely. "The problem is me," I whispered. "I just...don't want him to be disappointed."
Kim laughed. "I'm pretty sure you could just lay there and he would be thrilled." I looked up to see her wiggling her eyebrows and I couldn't help but laugh at her.
"Come on! Guys expect things and he's not a virgin."
"He's not?" Kim scoffed dramatically. "I can't believe it!"
"Shut up!" I scowled, playfully beating her with a hanger. "There is just a lot of expectation there. What if I'm terrible? What if I can't...you know...get him off?" I whispered.
"Girl, please," she groaned. "You already said you guys have been messing around for months. Has he ever complained about what you've done so far?"
"No...but…"
"No buts," Kim insisted as we wandered over to the lingerie section. "You know that boy is butt crazy in love with you, you're sexy as hell, you're only lacking confidence."
I raised my gaze to find her holding up a sexy teddy with garters and stockings. I shot her a look but she only shoved it at me more insistently. I lifted the panty to find the center part was open. "What the…"
"Their crotchless," she retorted happily. "You like it?"
"Ummm... maybe in another color?" I smiled weakly.
The next few days went by quickly. After my talks with Kim during our shopping trip, I made up my mind that after the wedding, I would stop being afraid and give myself to Embry. Just the thought of it had me so nervous and excited. I tried not to worry about his expectations and just concentrated on being happy with the man I was made for. 
When we arrived at the wedding, I noticed how jittery Embry was. I hoped it wasn't because I was finally going to meet all his friends. Or that he was embarrassed of me for some reason. I hooked my arm around his bicep as he guided me to the backyard and I took in all the beautiful decor. "This is so pretty," I gushed. I loved all the twinkling fairy lights, pale pink roses, and all the tiny details.
"You guys made it!" Seth exclaimed as he wrapped me in a huge hug. I had only met him twice before but his bubbly attitude was infectious. He released me and gave Embry a handshake/bro hug that had me giggling. "I really thought you wouldn't come, since…"
"Yeah, I decided to bring my girl out and meet the rest of the pack," Embry interrupted before Seth could finish his thought.
I saw the pair exchanging glances before soft music began to play and Seth excused himself. "He's one of the groomsmen," Embry explained as we found our seats.
"How come you're not in the wedding?" I asked quietly as the procession began.
Embry shrugged, distractedly glancing around. "Me and Brady aren't that close. He's got Collin and Seth standing up with him. That's all he needs." 
Embry's reasoning made sense, but it still bothered me how nervous he was acting. My mind wandered off thinking what could be bothering him. I didn't want to ask or start an argument, especially today of all days. It's not like Embry knew what I had planned for later or what I was wearing under my new dress.
"You look really beautiful, Nicolle."
I was fiddling with my hands in my lap when Embry wrapped an arm around me, his other hand covering mine and intertwining our fingers. "That dress is really something."
I leaned over to whisper into his ear, "I can't wait for you to take it off later."
I cupped my hand around his jaw and held his gaze. "No more waiting. I'm ready, Embry."
His Adam's apple bobbed in his throat a few times and I think he forgot to breathe. He pulled me close and buried his nose in my hair. "Do you mean it?" 
I nodded and pressed a kiss under his ear. "Later. I promise. But you have to dance with me, okay?"
Embry gave me one more squeeze before he released me and we stood to watch the bride come down the aisle.  I held Embry's arm tightly, feeling so elated that I thought I might drift away.
The service was beautiful. They had a wonderful mix of traditional as well as Quilete customs. I loved weddings and this one was especially romantic. Secretly I couldn't wait to be swaying in Embry's arms later under the twinkle lights. 
"So do you, Brady Fuller, take this woman to be your lawfully wedded wife…"
I smiled up at Embry, seeing the tenseness in his jaw and his laser focus. Suddenly I was back to wondering what had him so on edge.
"And do you, Casey Waters, take this man…"
My stomach twisted at the mention of her name. That name I had seen on the medicine bottle in Embry's bathroom six months ago. The name his packmates were so careful not to mention in my presence. The name of the woman who's shadow I had been living in for months. 
Embry turned to look at me, his expression full of remorse. When he reached for my face, I twisted away from him and rushed away, luckily not making too much of a scene because we were seated at the end of the aisle and the wedding party processing back down the aisle had everyone's attention.
I blinked back tears as I rushed to the reception area in search of a drink. "Can I get you something to drink?" the guy behind the bar inquired. "White wine?"
"That sounds amazing," I grumbled as he began to pour.
"You okay?"
I took my wine and stumbled away from my prying cousin. "Go away, Kim. I'm in no mood to talk."
"He should have told you," she sighed as we sat around a large fire pit.
I stared at the flames as she continued to talk to me, finally giving up and wandering back to her boyfriend. I stood up to get a refill on my wine, but stopped when I caught a sight that made my stomach turn. 
"You know they're just friends now, right?"
I looked over to find the groom himself standing next to me. He had his eyes trained on his new bride and my boyfriend. "I don't really know anything, Brady. I didn't know you were getting married until a few days ago. I didn't know you were with...her. I was completely blindsided."
"Well, I know we haven't met before, but I know lots about you, Nicolle."
"You do?"
He turned to face me as I looked up at him. He smiled brightly as he held his hand out. "I'm Brady. It's nice to meet you, Nicolle."
I laughed as I shook his hand. "I don't mean to be rude, but…" I paused as I glanced over at Embry and saw him hugging Casey. "Doesn't that bother you?"
Brady released my hand and shook his head. "It did. But it doesn't anymore."
"Why not? What if they got back together?"
Brady chuckled lightly as he wrapped his arm loosely around my shoulder. "They won't."
"How can you be so sure?"
He leaned a little closer and sighed. "Because he loves you."
….
"I was hoping we would get a chance to talk."
I looked over my shoulder and saw Casey gazing out at the dance floor. All the guys had a beer in their hands and were singing, "Sexy and I Know It." She stepped up next to me and I couldn't help but be jealous of her dark hair and flawless skin.
"Congratulations. I met Brady. He's really nice."
The wide smile on her face when I mentioned Brady was unmistakable. "Embry is a good guy, too. Are you guys arguing?"
I shrugged and suddenly felt ashamed that I had been keeping my distance from him all night. And I wasn't sure I wanted her to know why I was mad. "He just kept some things from me. But we'll work it out."
She nodded and looked around. "This will be you and Embry soon. Has he asked you to marry him yet?"
I blinked back a few tears and shook my head. "We're not...really there yet. Maybe someday."
"I'm glad he has you."
"You are?" I scoffed. "Why?"
"Embry felt really guilty when we broke up. I didn't handle it as well as I could. I always knew what I had with him was temporary, but when he imprinted on you, I thought my world was coming to an end."
I faced her now, suddenly feeling guilty for the pain they both went through just so Embry and I could be together. "But you found Brady."
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scarlettkat86 · 6 years ago
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Counting Sheep
**don't read if you don't want fluff/smut, recreational drug use/alcohol**
@naromoreau and @youre-my-boshaw-baby I finally finished this thing.
Liz opened the door to the Spread Eagle, immediately ambushed and bear hugged by Nick. "Goddamn, you beautiful son of a bitch. I ain't never seen anything like that before. Good to have you back in one piece kiddo, I was beginning to worry."
"Glad to be back too Nick, I could really use a stiff drink or 5." Liz groans as she takes a set at the bar.
"Hey, nice to have you back. Anything you want, on the house tonight." says Mary May.
"No need to do that, I'll have a double shot of whiskey, neat."
"I insist, after all you gave us something we never thought we'd never have again, hope."
Amber liquid filled her glass, the rich, smoky undertones working to sooth her aches and pains away. It seemed like everyone had shown up to celebrate taking down the youngest Seed brother.
Looking around, all of her friends looked so happy, and that made her smile. _Like it or not, this was the right thing to do. _
There was only one person she was hoping to see, and would be lying if she said she wasn't disappointed that he wasn't the first one to welcome her back. Loud voices carried from the back corner of the bar.
"Now i'm a gamblin man and I'll bet you a twenty and some uh, some woods porn, that you can't even hit the board Hurkie."
"When the hell did you find woods porn man!? You're on amigo. Hey everybody, watch this!" Liz watched as Hurk chugged an entire bottle of vodka, then started spinning around in circles. A small crowd had formed, rooting him on. This looked like a disaster waiting to happen. Taking another moment to watch Sharky, she smiled sadly. _I should just go drag him back to my place, let him know he's what keeps me going. Probably not gonna get any time with him tonight anyway, too many people, too much noise. _
A huff from her side brought her attention back. "Gross, are you over here eyefuckin Sharky?"
Liz nearly choked on her drink, "What?! I-I, no, the fuck Jess?"
"Hey you're the one too distracted to hear me. Still can't believe yall haven't- never mind, I'd rather not think about it."
"Not my fault your mind is in the gutter."
"Whatever. I'm shit at small talk, but I wanted to say i'm glad you're back. Those Seed fuckers have a way with gettin in your head, be glad you haven't caught Jacob's attention yet."
Liz shook her head and smiled.
Yeah I'd rather not catch any attention, yet here I am...
"Bless your heart. Careful now Jess, that almost sounded like you care. Listen, you're my best friend, but I can see you're itchin to get out of here, so go on, before I change my mind."
That makes Jess snort.
"Asshole. I ain't gotta be told twice, 'sides, I got better shit to do then watch you watch that idiot. Take care Liz, I'll see ya in the Whitetails."
She stared at the empty glass sat on the counter before her. Walking behind the bar, Liz grabs a bottle of North Fork whiskey and heads for the door.
*Sharky's POV
He'd seen her walk through the door. Damn if she wasn't the most beautiful sight he'd ever seen. Not cuz she was beautiful, she is, but cuz he'd been worried sick the last few days of radio silence. He'd been pissed that she didn't take him with her, but it was her call, Nick deserved to help her take down that fuckface more than any one of her friends. Still didn't stop his stomach from twisting in knots every night that passed without a word from them. He wants to go kiss her, hold her, tell her how much he realizes now that he's in love with her. She's got a crowd though, and it's only been a couple months since she'd shown up in his life, unsure of how she'd react to a declaration of love, so he stays rooted in place. He's drinking, placing a bet he's seriously gonna regret if he loses. Glancing over again he sees her heading out the front door. *
Standing at the river's edge just outside of Falls End, Liz felt like she could breathe again. She barely escaped the Spread Eagle, so many thank yous she lost count.
Rummaging through her bag, she was relieved to find the baggie she was searching for. "Deal with the devil ain't so bad when he leaves a little lettuce to get by on." Liz laughs at her dumbass joke.
_Really have jumped from upholding the law to breaking it, guess a little weed is nothing when you think about it. _
Lost in her own thoughts she didn't notice someone had followed her.
Walking up from behind, Sharky grabs Liz by her waist. Startled Liz grabs her knife and yelps in surprise when she realizes who it is. "Fuck, Sharky, don't sneak up on me like that! I could've killed you!!" Taken aback by the knife to his throat Sharky swallows. "Shit, not like you to not notice someone tailing you chicka. You mind uh, putting the knife away because i'm not really into that sorta thing." Putting the knife back in its holster Liz laughs and tries to slow her racing heart. Sharky looks down and presses his lips to hers, soft and sweet. She slowly breaks the kiss and sits down.
"Hell yeah, some grass and party liquor, you tryin to impress me shorty, cuz it's workin."
He laughs and rolls the joint neat, tight as he can and seals it with his tongue.
Once they've smoked the whole thing, Sharky takes her hand in his. "Ya know, i'm glad you're back in one piece, things wouldn't be the same without ya." He wants to say that's an understatement, that he don't think he would be able to go forward without her, but he just stands up and pulls her to her feet, "Now allow me to be the gentleman that I am, and escort you back to the party inside."
"You think you can just, drive me back to my place? I'd rather just have you with me for the night."
"That sounds a million times better than finding out if I still own the only woods porn in all of Hope county. "
Opening the door to her house, Liz heads for the kitchen, she pulls out a metal tin with a few blunts already packed. "Damn johnny law, you been holding out on me!" While Sharky lights one up, she mixing a couple drinks. "I've had a couple bad influences. Now pass it over."
The smoke filled her lungs, slowly turning her limbs to jelly and clearing her mind. Sharky slowly walks to her phone, picking out some music. "Boshaw, I swear I am in no mood for disco music."
"Relax Izzy, I've got something a little different picked out."
A slow sensual beat fills the room, and Sharky looks at her with a hunger in his eyes. He grabs her by the waist and starts to rock her side to side to the beat. The lyrics start and he's singing in her ear, "tonight, I've got nothing on my mind but you..." kissing her lips then down her neck,
"don't you take a bow at the last curtain call.. thinking you're nobody's nothing after all..."
Biting her lip and suppressing a moan, she slides her hands under his hoodie, slowly pulling it off. "Fuck Izzy, i'm tryin to be a gentleman here, but you're makin me hard." He says, voice hoarse and shaky.
"I know. I need you Sharks." she says with a smile, as she turns her back to his chest and grinds into him, slowly moving side to side with the music, discarding her own shirt along the way.
He takes a hold of her full hips, pressing himself against her. With one hand he follows the curve from her hips, over the softness of her stomach and the swell of her breast, finally putting a hand on her throat fingers brushing the side of her jawline. His other hands fingers sliding between her thighs. All she could feel was the heat that spread through her, a half sob of pleasure escaping her lips. It had been a year since she felt a touch not her own.
"Bedroom, now" she whispered to him, discarding her pants along the way.
Sharky pushes her to the bed suddenly and pulls her panties off. The sight of her made his mouth water. Soft dark curls in a neat strip. He blew a hot breath and she gasped. Then his tongue replaced his breath, precise swipes parting her folds and latching onto her clit. She looked down into his eyes, a silent plea to make her cum. He held eye contact and alternated between quick flicks of his tongue and circular motions, sliding a finger inside her core.
"Damn Izzy you taste so good, wanna make you cum."
She was teetering on edge already, each nerve on fire, legs tingling, and just when she thought she would finally find sweet release, he'd pull back and lick up her juices. Sliding two fingers inside easily now, he curled upwards to find her bundle of nerves, and closed his mouth around her clit and sucked. He could feel her beginning to pulse around his fingers, back arching, head flung back, "Look at me Iz, I wanna see you."
That sent her over the edge, locking eyes with him again, she felt pure bliss as she came around his fingers. Lapping up the rest of her juices he moved up her body, stopping to tease each nipple on the way, finally kissing her lips. The taste of herself on his lips sent another wave of pleasure through her body and mind. "I need to feel you Sharky, please.."
The neediness in her voice making him even harder. He unfastened his pants, pulling them off. She felt him spring free, sliding the head of his cock up and down her folds, then lines himself up with her entrance, filling her excruciatingly slow. She's already clenching around him, a perfect fit, slightly thicker than she's used to, but he feels like heaven. He can't hold back and slams in to the hilt, causing them both to moan in sync. Pulling out to thrust back in lazily again and again, Sharky is running his hands down her body, one taking place on her clit.
“I'm not gonna last long babe, fuck. You're so tight and wet." Biting her bottom lip she nods her head, "Me either, just fuck me." She wraps her legs around him, pulling him in closer as he picks up pace. They're both panting, moaning curses, as their bodies match rhythm. She can feel him twitch and knows he's close, so she slides her hand down between their bodies and takes over her clit. He pulls her leg over his shoulder changing angles, hitting that perfect bundle over and over. White hot pleasure tingles every inch of her body, and she's crying out his name like the most beautiful melody ever heard. He's not far behind, pulling out at the last possible second. He growls an almost animalistic sound, hot spurts of his cum coat her inner thigh and stomach. Sharky rolls off her, grabbing a shirt to clean up the mess, then pulls her into his arms, kissing the nape of her neck. "I love you Lizbeth." She's quiet for a minute and he's praying to whatever god, monkey jesus, whatever, that he hasn't fucked this up. Then she's looking up at him, smiling the most brilliant smile, "I love you too Sharks. Always."
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