#can I really create any tags?

[pparamnesiaa]

“I think I showed up late..”

Oh! Uh, hello…! My name is Sky! And this is my introduction post, I guess…

• I’ve been in Tumblr for a while… Not long, but a while, stalking, lurking, observing the DST community from a distance until I could pounce on my prey… which is now I suppose.

• This account will be mainly DST because I joined in for… the fanart, nothing else I SWEAR (lies). Although I do have other major interests and stuff, like ponies… ponies…

• Maybe a half roleplay account?? Or oc info?? It’s a self insert by the way guys I KNOW. Also art account probably. :’D

• I am a HARDCORE Wilson fan I am so sorry. Yes I only came here for Wilson fanart, truth be told. Don’t ask me about any ships containing him I will stare at you ominously.

• My strawpage is a stark contrast from this account but for the sake of information about me, here it is.

“Bye, for now? I think…?”

[raycatzdraws]

ribbonwood

[lapinposts]

how it feels to read people on this site criticize death of the outsider

[uhbasicallyjustmilex]

it does something incomprehensible to my little writer’s soul whenever alex articulates a phenomenon of the writing process i’ve always picked up on and then goes on to describe it in exactly the same way

[smoshingatut]

I'm kinda tired of dungeon meshi fans blatantly misinterpreting Kabru's goals, motivations, and character so they can ship him with Laios...like obviously it's awesome if you enjoy Laikabu but can you nooot twist Kabru's intentions for involving himself with the guy who constantly triggers his monster trauma and pisses him off so bad he gets brain damage so that he turns into "the guy who wants to suck Laios's dick" as his entire character? I've even seen people cut off Kabru's words to make it seem like he is admiring Laios because it would disrupt that narrative

[kacievvbbbb]

Truly from the depths of my struggling heart. Viva La Vida by Coldplay belongs to one Toshinori Yagi aka the one and only All Might.

Coldplay should just sign over the rights of the song at this point promptly too.

[vimbry]

"likes don't do anything" they do

"there's no algorithm" there is

"well nobody uses the for you tab" I do

"reblog all art and fics you see" there's no thought put into that. if this does work on people, then it's just pity engagement borne out of guilt rather than genuine interest, which is arguably worse than having none, because it's totally hollow.

[qcomicsy]

Lately I've only been wishing to grab a comic about my favorite character and just have a genuinely good time reading it.

[carefulfears]

hey babes :) i'd love to hear your input if you're so inclined: to this day i chew on the question how and who mulder would be after the show's finale. what would be his natural progression, a way to grow and be content? fatherhood sure, but would he ever be just that - not a seeker, finder, investigator ...? it's "all he's ever known" and scully's "put it in a book" in iwtb rings hollow to me, like a reduction; folding that complicated person into a tiny box, neat like that abhorrent house of hers in the revival. do either of them really know what's best for the other? duchovny said they'll always be out there searching, it's their purpose. many fans would disagree, would see them domesticated, give them their happy ending; how would that look for either of them? and how for them together? any thoughts? :)

hey baby. i was scrolling my jackson tag looking for revival posts i've written in the past that may help me collect my thoughts on this, and found an old tag that just said "they have to be monster hunting or baby raising they can't just hang out," which seems so fitting lol. and i do love this about them...that they always want to be searching, or building, and how it turns into creating. it turns into desire, even for things that don't make sense.

mulder is always motivated by something very clear, something defined in the very beginning, "nothing else matters to me." and scully is always clearly defined by faith in it, "i didn't believe you, but i followed you." and one of the difficulties of this model is that it can't stay forever. it's like duchovny joking that he thought signing on for the pilot would be easy, that logistically the show would never last, because you can't search forever. you can't hide forever. eventually, there have to be answers. there have to be findings, there have to be conclusions.

and i think that's where they run into that trouble you're describing circa2008 ("this is who i am. it's who i have always been. it's who i was before i met you. it's what i do. it's everything i know." / "so write it down. put it in a book.") and the way that it's almost...cruel. "put it in a book" is a little mean. "it's who i was before i met you." is a little threatening. i don't think scully has ever looked so purely exhausted as she does throughout this film, and she ends up staying in the end.

and it's scary because they're not searching, they're not creating. they're not allowed to. when he starts up again, obsessively looking for the missing fbi agents, she tries to knock him back by invoking his sister. how she's dead and he can't find her and she has been through "too many years" watching him try. (a little mean, a little scary, a little threatening).

he can't find his sister, that investigation is long over, and he's not allowed to look for their son. which he describes in that movie to her as "an emptiness." my latest frustration around here is this indignance that scully would never leave, she's too "ride or die," she's a doctor, she's loyal. it feels extremely unkind to expect her to suffocate in a haunted house, a situation that we have no idea the lengths of except for the few days we saw, because she's dutiful. because she's starbuck.

and he can't put it in a book. fans want the same exact thing that they argue over in that scene. they want the "happy ending" and domesticity that you reference, and they explain by saying he could write. he could teach. he could stay home with the baby. you ask if mulder and scully know what's best for each other, and i think when they do it scares them. they don't want to say it out loud. other times, they don't know what to do with each other any more than i know what to put on them, by writing this. they know that they want to be searching. building. creating. but they don't always have something to look for, and it's hard to build from a haunted house with empty rooms.

there's this moment in the last finale that always rings incredibly sad to me, when mulder is racing around looking for jackson, and scully is anxious back at the house on the phone, saying "find him." and mulder says "i'm gonna find him. i am tired of looking at him on video."

and he sounds pissed off, like a dad with a teenager in trouble (running away with lottery money?? lol), but it's that last line that just guts me. it really makes you remember that we saw this kid as a baby throughout season 9, scully spent the first year of his life with him, she even got to talk to him at the gas station. mulder got infant photos. emails. security footage.

and in founder's mutation when scully asks if mulder thinks about him, he says "i feel like i've had to put that behind me." scully says that she hates herself.

there's this one moment of show-stopping relief in the finale when mulder makes it to jackson. and he says "i know it must seem strange to you. but i've been looking for you forever."

he was supposed to stop, supposed to put it all behind him, but that's not how mulder works. and even in the end, they haven't quite made it. they have what amount to maybe shaky beginnings.

i don't know what it looks like in the "after," if they are able to go home and build something, the way i'd like them to. the duchovny quote you reference is "there is no such thing as that story ever ending. those characters are forever searching. that's what they do. even if we're not watching them, they're out there."

and i think that's hopeful. i think that's nature. i think that's light in dark places, like chris carter says.

[shannonsketches]

something something foils moving in opposite directions Goku's always happy to seek and fight stronger opponents because he spent most of his life being the strongest guy in the room and Vegeta wants to be the strongest/is always exhausted to find stronger opponents because he spent most of his life having to navigate his survival around the whims of the strongest guy in the universe room and so Goku has a foundation of safety and stability and so spends his time craving challenge and adventure and Vegeta has a foundation of challenge and adventure and spends his time craving safety and stability and the overlaid section of their venn diagram is that the only way they know how acquire and maintain those things is through battle

[admiral-arelami]

AITA If My Favorite Character is a Fascist?

Uh oh. The Fascsplainers are at it again. Yes, we know what fascism is, thx.

[sunbunnyyy]

i know i just got here, but seeing all of the laughably bad takes from both sides of the spectrum is convincing me that no, i don’t actually need to be on social media again.

[teeth-cable]

Have you seen The Amazing Digital Circus yet?

If so, what's your opinion on it?

I LOVE TADC! It’s my favorite indie show at the moment! There’s just so much I like about it but my main ones are

1. The setting and execution being unique. A horror-like project taking place in an late 90s/early 2000s digital game is not a new idea and same goes with characters being stuck in a purgatory however it’s how the artists reinvent those idea that makes it new. The digital Circus made its own aesthetic that makes it stand out from other projects with similar concepts and designs. When I first watched the pilot, one of many things that stuck out to me was how new the story ideas felt. I couldn’t think of any other pieces of media similar to TADC beside for surface-level comparisons. The TADC created its own aesthetic and knows what it wants to be and I like it!

2. Soundtrack. Speaks for itself, the soundtrack for the pilot is so good especially Your New Home. That song is very catchy and emotional too. It has such a unique melody, everytime you hear the first few notes you instantly recognize it. It does a great job highlighting the dread and existentialism crisis of Pomni’s situation. I recommend to give it a listen if you haven’t.

3. The characters dynamics. I just love how the characters interact with each other. The majority of the jokes comes from characters’ interactions and dynamics and how well everyone plays off of each other. The best example is Jax with everyone, Jax is a funny jerk who likes bullying his peers. It’s funny to see what creative ways Jax will bully the other people whether it’s being sarcastic and making quips at them, or though goofy pranks and how the characters react because of their contrast in personality. Every character beside Jax is openly stressed or worried in someway while Jax, at first seem like a chill layback dude.

4. The characters differences. I adored the differences between each character from how they talk to their poses. After watching HH and HB, I learned to have an appreciation for character differences. It’s just refreshing to see characters allowed to be different instead of the same tired reused tropes and repeating the same type of dialogue again for every character.

5. Mystery and lore. There is so much to explore in the pilot, it’s make you wanting more. When going in to watch the pilot, I made the mistake of thinking the series will be predictable. I didn’t see how they could make this premise work because by the end of it, Pomni will go insane but then I watched the pilot and was speechless. The pilot does a good job setting up questions for the audience to ask. If Caine lied about the exit, what are other things did he lied about? How long has the cast been stuck in the circus? Who are these people? Are they previous game developers? Who were they in their previous lives? What is the company’s motivation to create the headset? What are the abstractions in game? Are they viruses to the game program? Who were the former cast? What horrors has Kinger seen to be as paranoid and easily frighten as he is now? Do the abstractions still have a consciousness? You just want to find out more about the lore to solve the many mysteries in the show. I find it impressive Gooseworx was able to stir up the theorists because they have admitted in an ask, there are already theories floating around that are almost right about the show.

One problem I did have for the pilot were the scenes containing the Gloink Queen. The pacing of the pilot was fine until we got to her then it was slow. I feel it dragged longer than it needed too but beside that, my issues for the pilot ends.

I can’t speak for the fandom on other platforms but the tumblr one is great! Most of the time everyone is being respectful towards each other and I love seeing what creative theories, AU, fanfics, and art the fans created. The only people causing drama are the anti-shippers, and it’s just dumb. All of the cast are adults, if age gaps ships makes people uncomfortable, that’s valid but they shouldn’t make it into other people’s problems. Gooseworx themselves admitted they don’t care for romance and they don’t want fans in the fandom getting harassed over shipping.

Overall despite what issues I had for the pilot and fandom, they’re overshadowed by the positives and I can’t wait to see the full show and the fandom’s growth.

[decarbry]

question: we see yabureme's red eye on both sides of his face, but in the mirror comic, there's only one eye. does this mean it zips around his face as needed (please say yes I need this)

Yes! There is one on his face that is always present (even if it's closed) and can move around as necessary! I have a few more notes here too!

[sparky-is-spiders]

tell me about the Jon Isolation AU!

This ask carried me through microeconomics homework, econometrics lab, microeconomics class, econometrics class, AND worries about Big Future Assignments! So thank you very much <3

This is a fun one cause I actually have the first draft of the first part written!! It's basically a version of one of my favorite personal Jon plotlines where he moves into the Archives and has no social support system. Desperately in need of a rewrite to sand away the rough edges tho lmao.

Alright I won't lie: this AU was born when I was thinking about creating an Archivist, and why it wouldn't work if you just stuck someone in a room, made them read a bunch of statements, and then dropped 14 marks on them (because that would be much easier, faster, and more efficient than what happened in the podcast, but that's not what Elias did). And then I (world's most normal Jon enjoyer) thought about Elias doing that to Jon. And then, I (and I cannot stress this enough: world's MOST NORMAL Jon enjoyer) started thinking about. The most reasonable. Effective. Low-effort. Jon kidnapping plot. And then I wrote about 5k words. And then I left those to languish in the WIP folder, just like Elias leaving Jon to languish in the basement Archives.

In hindsight, it's also a spiritual precursor to my vampire JE fics. Like. Same basic setup.

Huh.

(Believe it or not I'm actually even more of a freak about Jon NOW.)

Just to be clear, warning for:

Unhealthy relationships (I mean it's JE lmao)

Dubcon captivity?? I guess?? Like Jon agrees but Elias manipulates the scenario and Jon is. Not super happy about the situation.

Anyway the plotline is: Gertrude is missing (how mysterious and worrying!) and Elias needs himself a "temporary" Archivist to take care of the Archives until either she returns or until it becomes clear that he needs an official replacement. Jon is a very hardworking institute employee with a dedication to research and a knack for organization (autism requires everything be Sorted). Elias (who only wants to help Jon realize his full potential and has no ulterior motives whatsoever) decides that to promote him to the position. For career development reasons!

Jon:

Wants to prove that they are an asset to the institute and that they are up for the task.

Is hoping they can maybe be promoted to Head Archivist? Like Elias implied might happen if they did a good job?

Maybe. Possibly. Potentially. Fancies Elias a tiny bit.

Would appreciate the opportunity to do his own research on the statements there without their supervisor asking why they're so invested in statements involving Lietners and spiders.

Hypothetically wants Elias to praise them and validate them and respect them and profess his undying love for them make them employee of the month.

So. Obviously. They agree.

The thing is, it's only temporary, and Elias doesn't want to disrupt the other departments too much, you see, and surely Jon can handle a little tidying all by themselves? And obviously Jon can't say no to that! Haven't they always sort of wanted to not have to deal with annoying coworkers constantly chattering and bothering them and demanding their attention? Haven't they always wanted to work by themselves and be responsible for their own tasks? And Elias makes it sound like such an inconvenience to hire additional hands. Besides, Gerturde managed just fine without. Surely they can do this by themselves. Surely it will be fine.

It goes from there. The Archives are, obviously, a much bigger disaster than Elias had let on. But Elias expects Jon to handle it and handle it they shall. They just need to work harder. Come in early. Stay late. Miss lunch, sometimes. Work while they eat. It will be fine. What would Elias think if they asked for help? If they essentially admitted that they couldn't live up to his expectations? And other people would disrupt their ability to work. Might ask questions about any areas of interest they try to focus on.

They come in earlier and earlier. They stay later and later. Elias stops by occasionally to congratulate them on what a good job they're doing. To commend them on their dedication. So they have to keep it up. Can't slack off. They had friends before, sort of. Tim and Sasha were nice to talk to occasionally. But now Jon doesn't work near them, can't talk to them as much. Doesn't have time to get drinks with them after work, doesn't have the energy to answer their increasingly sporadic texts. Jon doesn't speak to much of anyone these days. It's fine though. It's fine it's fine it's fine.

There's something about the quiet stillness of the Archives. The echoing silence of the rest of the institute in those few moments Jon spends there in those long, lonely halls (not lifeless, per se, but lonely). There's some deep ache inside of them. It feels almost hollow, but it feels like home, too.

Elias is there, sometimes. To tell Jon how proud he is, how well they're doing. He likes to show up in the moments when Jon's thinking about leaving, maybe to eat in the cafeteria, maybe to stop by Sasha's desk... but that's probably paranoia. How would he know?

Every night, it feels so difficult to leave. Every night, Jon worries that Gertrude will come back and take the job from them, that Elias will find a replacement, that they'll lose their Archives. It's ridiculous, they know it, but it doesn't change the impulse to stay as long as possible. To prove to Elias that this is where they belong. It is an itch deep in their soul.

They think someone might be going through their desk. Something is watching them. It doesn't feel safe, leaving the Archives unattended over night.

(The Archives need an Archivist. The vacuum needs to be filled, and there is a perfect candidate right here, visiting them every day. Of course Jon is feeling the pull.)

And then it's been months, and Gertrude just hasn't been found, and Jon's done such a very good job, and it would be much easier if Jon would just... continue what they were doing? And if they think the work might be too much they can always ask for assistants, of course.

The itching in their soul soothes when they sign the contract. They try not to think about it.

Aaaaand that's about it as far as detailed plot goes. I do have some ideas for later on that are less well defined?

On the angstier side of things:

Things get easier when Jon is made Archivist officially. He feels more comfortable leaving at night, but he still spends a lot of time there. So many secrets, so little time.

He's paranoid. He knows something is up, that he might be in danger, that he's being watched... he can't involve anyone else. Not if he can't trust them, not if they might be in danger too.

Some of it is also the wearing effect of isolation. It's very easy to see other people as a threat or disturbance or unknown variable if you spend so much time alone.

He's looking into Gertrude's disappearance too. What did she know? What happened to her? Is he in danger too?

He can't trust Elias. He knows it. And it's so stupid that he's still maybe in love with him, just a bit.

Months pass. Relationships have surely withered and atrophied from Jon's absence. He still spends some time at his flat, but it's the Archives that feel like home.

And then, one night, the shadows in his flat come alive. Reaching ink-slick hands out to grasp him and pull him in.

It follows him. Shadows reaching with a dozen hungry hands as he races for the institute. Out of walls, street posts, parked cars. One catches on his side, and the flesh tears like paper.

It was midnight when he left. It was almost daybreak when he arrived at the Archives. He knows he's safe as soon as he crosses the threshold.

From there, I'm not sure what happens next. Tempted to say Elias was there waiting for him (I think the formatting maybe implies more continuity than there is there, how much Jon knows by the time he has to leave his flat behind is... debatable). Maybe Elias comes in to visit him and pretends to be shocked and worried about all the very unexpected blood. Maybe Jon has to phone him, begging for help because he can't go to the hospital (he knows it'll come back, the next time he's left alone in the dark), and really, who else does he have that will believe him?

Elias stays with him, tends to his injuries, spends his nights in the Archives with Jon. It's Jon who begs to stay in the Archives. Who needs the safety. The surety. Maybe Elias suggests that he stay there forever. Maybe he doesn't have to.

On the much goofier side of things: I do have an idea of them (once Jon is healed) going to Ikea to pick out some furniture. I'm thinking maybe Jon would know about the Eye, just for some fun bickering over picking out furniture or assembling a dresser or whatever. Idk, I just really like the idea of JE making the Archives into a cozy little home for Jon, somewhere he can comfortably live forever <3.

Jon has a lot of complicated feelings about the Archives and living in them and being the Archivist. Maybe he even tries to leave and go back to living a normal life. Maybe the reaching shadows break that idea for him forever. Either way, one way or another, he will learn that there is no point and there is no freedom in trying.

Despite this AU's beginnings, I don't know if Elias is working towards some big ritual. Maybe he just wants a perfect Archivist to keep in his basement forever.

And. I mean. Can you really blame him??

Not sure if JE ever become like. Official Romantic Partners. But Jon is Elias' Archivist and Elias is Jon's Watcher and that's kind of the same thing, really.

(Maybe they can have some sort of binding ritual ceremony at some point. As a Treat.)

Okay that's. God this has been a bit of a ramble, huh? Anyway I hoped you enjoyed hearing about this AU. I did get excited to take another crack at it while writing this! At the same time, however, I recently saw a post about Love that annoyed me a bit and which has made me think about the Subway Monster AU (and how those two concepts are connected is a WHOLE other story lmao) so we'll see which I end up doing (the answer might be neither for a while. I have. Big Graduation Responsibility due Oct. 1st). But yeah anyway thank you again for the ask! It was fun rambling, and actually really nice to sit down and Think about my AU lol.

[maingh0st]

This is just curiosity if anyone else notices this. People say that the TFOTA fandom holds no toxicity but I don’t think that’s the case. We just don’t have ship-wars. But have you noticed that a good amount of the fandom has a holier than thou attitude on how you’re supposed to enjoy the fandom? I admit I dislike wren and have been open about it in the past, But I noticed that the fandom will defend her and call you names for stating your dislike of her and being rude to you than do the same thing you’re doing with a character they love but do it with Taryn or another character they dislike, and hate noticing that they’re doing the same thing and call you names for stating that. I also noticed that some fans will call you names and be rude to you for having a different opinion on the next faerie book. Say the fandom is not for you for not liking things they like, and call you toxic for not having the same headcanons as them or not liking the same thing as them and being open about it. It’s especially bad on Reddit. But it can be bad on tumblr or any platform that has them do the same actions but say you’re the toxic one for not liking things they like. I’m curious if you’ve noticed that

hi! I'm really sorry you've had those experiences. honestly, I'm pretty new to tfota tumblr, and I don't engage with the fandom anywhere else (you mentioned reddit), so I've had less time to pick up on behaviors like that. I don't know if I'm lucky, or if I've just cultivated a pretty chill group of followers and accounts that I follow, but my time here has been pretty lacking in toxicity (& if people seem like they're trying to be inflammatory, I usually try not to engage)

in general, fandom lives in this really interesting intersection between entertainment (so we get the "let people like what they like; it doesn't matter" crowd) and truth/meaning (so we get the "stories reflect your ethics & our world & therefore shouldn't just be mindlessly enjoyed" crowd). I'm just a person yapping on the internet, but if I had to take a stab at where a lot of fandom toxicity comes from, it's in the clash between those two ideas. everyone has the right to form their own opinions and preferences for the media they consume, and yet at the same time, we often want to have conversations about what those stories mean & whether their themes are good reflections of our real world.

but if a character is your favorite babygirl who can do no wrong & you see someone criticizing their actions (or, alternatively, if you're deeply disturbed by the themes in a story & see someone ranking it as one of their favorite books), it can feel personal. we can forget that the individual behind that account is a whole person with life experiences that form their perspectives & whose opinions are no less valuable than our own.

I'm sorry you've experienced name calling and gatekeeping; that's really unfair. fandom is for everyone (just don't cause harm), and people are allowed to have differing opinions. I wish open & respectful conversations were more common than they are, but they do exist, and that's why I'm still here—I've had so much fun jabbering with people (who often have different perspectives on the books we read!) because I learn from them. I hope you're able to find that comfortable niche here, too.