#camp truly has become a cult at the end of the titan war
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I headcanon that Athena starts an anti-Percy account after he starts dating Annabeth and Poseidon decides to be like fuck that bitch and makes an pro-Percy account and the mortals are all confused as to why these two accounts are feuding or why they're even based on that former child terrorist from a few years back.
Athena gets Zeus and Ares on her side, Hera doesn't join if only because while it is anti-Percy it is also somewhat pro-Annabeth and like her son, Hera will always have beef with a child. Poseidon gets Triton and the Sea Fam to join his side by simply mentioning how Athena is their competition, Hades joins because it's a good chance to beat Zeus and laugh at him, Aphrodite joins only because it's not slandering her fav ship, Apollo and Hermes think Percy is cool and also join Poseidon in his pro-Percy account. The rest just stay neutral or still haven't decided.
One demigod somehow finds the accounts and tells every camper about them. It's an anonymous decision to join the pro-Percy account (man has been nearly every single being in that camp's crush, he def has a fanclub). After the Giant War, when things calm down, Amphitrite post a video of her, Sally, Paul, Poseidon, and their children+ their SO's having a nice day together with the main focus being Percy ofc. This restarts the silent war between the pro-anti Percy accounts. The Romans are hella confused and slightly terrified with the way every single Greek camper except Percy, who face palmed, took out a device at the same time and started typing.
#pjo#pjo silly headcanons#poseidon just gives me dad who accidentally embarrasses his kids while hyping them up#athena is just a total hater#camp truly has become a cult at the end of the titan war#except its all centered around percy
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Favorite film discoveries of 2019
Every year, my new-to-me favorites list always shocks me in some way. This year, the sheer amount of movies made in the 2010s on display is INSANE by my standards. Of course, most of the modern movies here are throwbacks or tributes to older styles of cinema, so maybe it’s not that shocking in the long run.
Another running trend this year: movies that are old but not as dated as we would wish. Many of the older films here deal with xenophobia and political strife in ways that still feel shockingly prescient today-- the more things change...
ONCE UPON A TIME... IN HOLLYWOOD (DIR. QUENTIN TARANTINO, 2019)
I never thought the day would come where my favorite movie of the year would actually be made after the 1970s, let alone by Quentin Tarantino. Then again, this movie is all about the end of Old Hollywood as well as a big love letter to the 1960s, so maybe it’s not that shocking a state of affairs. I adored this movie, the level of detail, the laidback yet elegaic vibe, the comedy and the relationships between all the characters. It was one of those movies where I loved even the scenes where nothing seems to be happening at all-- I mean, who knew Brad Pitt feeding his dog and watching TV could be entertaining?? But it is and I can't wait to see this one again!
INTENTIONS OF MURDER (DIR. SHOHEI IMAMURA, 1964)
Intentions of Murder has an insane premise, one that runs the risk of being tasteless: a housewife in a miserable, exploitative marriage is raped by a sickly burglar during a home invasion. Even worse, she can’t shake him, as he’s suddenly infatuated and wants her to run away with him to the city. And weirder still: her current existence is so miserable that she’s TEMPTED. While abuse and rape are grim subjects for any story, Intentions is actually about a woman coming into her own and finally standing strong against all these men trying to use her. It’s a weird blend of drama and dark comedy, a truly savage satire on patriarchy and class-snobbery.
JOKER (DIR. TODD PHILLIPS, 2019)
I went into this movie expecting to think it was overhyped and when I first left the theater, I was all ready to say “it’s good but not THAT good.” But it ended up haunting me for weeks afterward, and I found myself thinking about how everything just tied up so well together, from the grotty urban hellscape which serves as the setting to Phoenix’s brilliant performance. It reminded me a lot of A Clockwork Orange in how intimate it lets you get to this violent man while never pretending he is someone to be glamorized or imitated.
SIMON (DIR. MARSHALL BRICKMAN, 1980)
How do I even describe Simon? Alan Arkin is brainwashed by a group of overpaid intellectuals into believing he is descended from an alien toaster. Then he gets a messiah complex and starts gathering disciples as he rails against television, condiment packets, and muzak. It’s a little uneven at times, sure, but the satire is really inspired. The whole thing is like a combination of Mel Brooks, Stanley Kubrick, and Woody Allen’s styles, and it is quite hilarious for those who thrive on cult oddities.
PEEPING TOM (DIR. MICHAEL POWELL, 1960)
Though it came out the same year as Hitchcock’s Psycho and has been nearly as influential for horror cinema, Peeping Tom remains underseen by everyone save for film theorists. And what a shame that is, because this movie is more frightening than Psycho. Sure, that may be because Psycho is so predominant in popular culture and just so influential that it no longer has the same shock value, but there’s something about Peeping Tom that gets under my skin, something sad, even disgusting. I felt dirty after watching it-- and this is 2019!
MIDNIGHT MARY (DIR. WILLIAM WELLMAN, 1933)
Loretta Young got one of her juiciest roles in this pre-code crime drama. Her Mary Martin is more than just a good girl forced into criminal circles-- she’s a complicated creature, compassionate and desperate and lonely and bitter and sensual all at once. This movie is a fast-paced, beautifully filmed ride, cloaked in that Depression-era cynicism that makes pre-code Hollywood of such interest to movie geeks the world over.
WILD BOYS OF THE ROAD (DIR. WILLIAM WELLMAN, 1933)
Wild Boys of the Road is a quintessential Depression-era movie, relentless in its bleakness and rage. That the main characters are all starving kids only looking for work makes their struggles all the harder to watch. William Wellman is quickly becoming one of my favorite directors: his gritty style and compact storytelling are just perfect for a ripped-from-the-headlines drama such as this. And the “happy” ending has one little moment that just knocks any smile you have right off your mug. Absolutely see this.
THE RUSSIANS ARE COMING, THE RUSSIANS ARE COMING (DIR. NORMAN JEWISON, 1966)
Sometimes, when you watch a movie only because a favorite actor is in it, you get subjected to pure trash like Free and Easy (oh, the things I do for Buster Keaton). Other times, you get cute gems like The Russians are Coming, The Russians are Coming, which, as you probably guessed, I mainly sought out for Alan Arkin. But the whole movie is hilarious, the best kind of farce comedy, populated by enjoyable characters and a sweet-tempered humanism that grounds the wackiness. While a little overlong, this movie is quite underrated-- and sadly, its satire of American xenophobia and Cold War panic is not as dated as we would like to believe.
ALL THE PRESIDENT’S MEN (DIR. ALAN J. PAKULA, 1976)
Who knew a political thriller where most people know the twist could be so intense and riveting? It’s about as nonsensical as feeling suspense when you watch a movie about the Titanic and hope the boat won’t sink-- but damn, it’s magical. All the President’s Men is real white-knuckle stuff, with Robert Redford and Dustin Hoffman projecting both youthful excitement and deep panic as they proceed with their investigation. It scarcely seems to have aged at all.
WHISPER OF THE HEART (DIR. YOSHIFUMI KONDOU, 1995)
There’s a scene near the end of Whisper of the Heart where the protagonist Shizuku shows the finished first draft of her fantasy novel to her first reader, the grandpa of one of her schoolmates. She weeps because it isn’t the perfect image she had in her head, despite how hard she worked on it, but the old man tells her that it takes polishing and discipline to make the work come to its full potential. Few movies about artists are so honest about how hard it can be, how unsupportive others can be in their demand that everyone be “practical.” As a writer who struggles to create and constantly doubts herself, this movie spoke strongly to me. I recommend it to any creative person.
THE PHANTOM OF THE PARADISE (DIR. BRIAN DE PALMA, 1976)
I’d been wanting to see this movie since my high school phan days. Holy crap, is it WEIRDER than I could have ever imagined, a true camp masterpiece. I’m shocked it was never tuned into a stage show actually, but then again, we would miss those trippy camera angles and we wouldn’t have Paul Williams as one of the greatest villains of all time.
DUEL (DIR. STEVEN SPIELBERG, 1971)
When people talk about the best movies made in the “Hitchcock without Hitchcock directing” tradition, why is Duel so seldom mentioned? The scene in the cafe, packed with paranoid tension and tense camerawork, alone should qualify it. Duel is most known as the movie which put the young Steven Spielberg on the map. It’s quite different from his later work, grittier and less whimsical for sure. Even the ending seems almost nihilistic, depending on how you view it. But damn, if it isn’t fine filmmaking.
CAROL (DIR. TODD HAYNES, 2015)
This gorgeous throwback to Douglas Sirk melodramas is also one of the best romantic movies I’ve seen in a while. Cate Blanchett and Rooney Mara have the sweetest, tenderest chemistry-- it was like seeing Lauren Bacall and Audrey Hepburn as love interests in a film. Unlike Sirk, there is little in the way of ripe melodrama here-- everything is underplayed, aching, mature. And I can say this is an adaptation that is better than the source book: it just feels so much warmer.
12 ANGRY MEN (DIR. SIDNEY LUMET, 1957
All I can say is that this was every bit equal to the hype. Common movie wisdom says people sitting and talking in a room is going to be boring on film, but movies like 12 Angry Men prove this is not so when you’ve got an excellently tense atmosphere, an inspired script, and a stable of fine actors to work with. Like The Russians are Coming, the Russians are Coming, this movie has not significantly aged-- much to society’s discredit.
A STAR IS BORN (DIR. GEORGE CUKOR, 1954)
Another movie I went into not expecting to love as much as I did. When movies from the 20s or 30s tended to get remakes in the 1950s, I always find them too garish and big, victims of glossy Cinemascope and overlong runtimes. Compared to the lean 1937 classic original, I expected sheer indulgence from this three-hour remake. Instead, I got my heart torn out all over again-- the longer runtime is used well, fleshing out the characters to a greater degree. Judy Garland and James Mason both give what might be the best efforts of their respective careers, and the satire of the celebrity machine remains as relevant and scathing as ever.
BLANCANIEVES (DIR. PABLO BERGER, 2012)
Oh, it feels like this movie was made for me specifically. It’s shot in gorgeous, expressionistic black-and-white. It’s set in the 1920s. It’s a clever adaptation of a classic fairy tale. It’s as funny and charming as it is bittersweet and macabre. Instead of more superhero movies, can we get more neo-silent movies like this? PLEASE?
THE FAVOURITE (DIR. YORGOS LANTHIMOS, 2018)
I’ve heard The Favourite described as a “bitchy lesbian Shakespeare play,” but this description, while a little true in terms of general tone, does not get to the heart of what makes this film brilliant. More than love or sex, this movie is about power-- particularly the corrupting influence of power. And it corrupts not only morals but love itself. Innocents become Machiavellian schemers. Lovers become sadomasochistic enemies. Good intentions turn to poison. This certainly isn’t a happy movie, but it is moving and, strangely enough, also hilarious. I was reminded of the chilly, satirical world of Kubrick’s Barry Lyndon more than once-- and for me, that is not a bad movie to be reminded of.
ON THE WATERFRONT (DIR. ELIA KAZAN, 1954)
Another classic that’s been on my list forever that I was delighted to find worthy of its reputation. It’s a classic tale of redemption and social justice, perfectly acted and shot. While I still prefer A Streetcar Named Desire as far as Kazan is concerned, this might be a better movie in the objective sense. Actually, more than even Brando, Karl Malden is the acting highlight for me-- he plays a priest torn between staying silent or truly speaking for the Gospel by demanding justice for the poor parish he serves. Just brilliant work.
KLUTE (DIR. ALAN J. PAKULA, 1971)
A perfect thriller, just about, and a great example of the “NYC is hell on earth” subgenre of the 1960s and 1970s. Jane Fonda is a revelation: she feels so real, not at all like a starlet trying to seem normal if you know what I mean.
KISS KISS BANG BANG (DIR. SHANE BLACK, 2005)
As far as subversive noir goes, this is the most entertaining. I would put it up there with The Big Lebowski as far as goofy takes on Raymond Chandler are concerned-- I don’t even really know what to make of it, but I laughed my ass off anytime I wasn’t going “WHAT???”
What were your favorite film discoveries in 2019?
#thoughts#peeping tom#simon 1980#kiss kiss bang bang#intentions of murder#once upon a time in hollywood#joker#a star is born#blancanieves#the russians are coming the russians are coming#all the president's men#whisper of the heart#carol#the favourite#12 angry men#klute#the phantom of the paradise#on the waterfront#wild boys of the road#midnight mary#duel
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Name: Fergus Fitzgerald
Age: 18
Faceclaim: KJ Apa
Heritage: Son of Oceanus, Legacy of Venus
Affiliation: Second Cohort Centurion, Member of Cult of Romulus
Status: Retired. Deceased. (previously played by Bah)
Headcanons:
Son of the Ocean, legacy of Luna and somewhat down the line of Lelantus mostly means Fergus biological clock is opposite to day people and that his powers are always stronger from 6PM to 5AM, just like the tides. He is, indeed, ruled by the rising and retreating tides, his mood is deeply connected to the marine weather. Instead of him having power over the Seas, it’s more of a symbiotic relationship. Whereas Fergus bad mood could cause storms, the naturally occurring ones make him cranky and hostile, and so on. Though he has adapted to the Legion’s strict daily schedule, it’s no wonder people think him hostile and sullen most of the day, it’s when his energy is at its lowest, specially between 12 and 4 PM. It’s not uncommon to find Fergus napping during the day between whatever duties he has to tend to. 12AM on Full Moon nights are when his power and energy take him the closest to his Godly heritage as possible and thus when Fergus avoids being anywhere near the Ocean. The fact his personality and mood is so deeply tied with the Sea and its nature, he’s see as an absolute asshole most times, with a fickle personality.
Fergus is a big asshole. Maybe not entirely unwarranted, most times he’s stern, rispid, sullen, hostile and with a bad temperament. He doesn’t talk a lot and solves most of his problems either by himself. Though most people may think it’s just because he’s an asshole, he is one but not out of spite, and simply because he does not know how to deal with people. He wasn’t properly socialized as a child, always focusing on training and being the best he could be, he is great at war and he is excellent at teamwork but he’s God-awful at socialization. He doesn’t know how to read social cues, he doesn’t know how to deal with people’s feelings and emotions, considering he doesn’t know how to deal with his own. Anyone who gets any closer to him soon realizes he doesn’t mean to be a dick but rather he was made out to be one.
Fergus denies his entire heritage from Oceanus – everything else, Luna, Venus, Lelantos, Mars, whatever’s on the Fitzgerald family tree, he’s alright with it, but he’d rather pretend he’s nothing but a long standing legacy than admit he’s the son of a Titan. Not only for the fact he was never officially claimed, plus the fact his father was in the “wrong” side of the second Titan war, but the Ocean is too dangerous to be related to. In an incident as a child, on a temper tantrum he created a small scale tornado, destroyed half of the Fitzgerald estate, killed two dogs and almost drowned some relatives including his mother. Ever since he’s dedicated to control and suppress anything water-related, he despises his water powers and his relationship with the ocean. That can and will eventually lead to something that’ll only cause him harm but so far, he’s living with it.
Biography:
!! TW: BLOOD, TORTURE, CHILD ABUSE !!
A direct descendant of the original Deirdre of Sorrows, the Venus daughter from over 600 years ago whose beauty waged wars among men. She fled the Éire after the conflicts caused over who would wed her and moved to a Roman settlement in England at the time, being guided by her mother. Fergus Fitzgerald followed her suit and later they married.
The Fitzgerald family has been with the Roman group of demigods ever since, though they chose to keep their last name such as not to shed the family’s origins. Some of Deirdre’s grandchildren also returned to Ireland later and part of the family also remains there, including legacies from other gods that were born into the family. They live in a place named Valley of Love, a much smaller version of places like Camp Half-Blood and New Rome. The borders have protective magic and the valley itself was blessed by the goddess of love herself.
The Fitzgerald’s have been actively participant in the formation of New Rome ever since they settled in San Francisco, before that many of the family were part of the civil war against the greeks and such. They are known for being passionate and honest to the point of bluntness in their ways.
Rowan Fitzgerald was the third child of Venus to be born in the direct descending line of the family, being Oleana Fitzgerald’s grandfather and Fergus great-grandfather, he was a Centurion of the First Cohort and known for his beauty. He was considered “a distraction” on the battlefield and used it. The family is well-known for their beauty and while there was mockery among their Roman counterparts in the beginning, it has long delved into most respect and admiration.
Oleana was a prominent centurion of the First Cohort, as harsh as she was pretty, she had a meteoric military career but when turning 21, during war games she was thrown off a tower by accident and that was the end of it. She almost died and while mostly recovered, her spine was fractured in three different points. She had dreams of becoming Praetor and those were crushed along with her spine. While her mother was part of the Roman council, frustrated and angry, Oleana left to Ireland where some of the family remained, to step away for a while.
Bound to a wheelchair, she still had a too-wild spirit and didn’t quite accept set backs. She became a Mixed Martial Arts Instructor, taking her frustration and anger out on her trainees. Trying to find herself again, while her anger started to subdue, she became friends with the homeless man that lived by the sea near the Fitzgerald’s house in Belfast. Their friendship lasted three long years and she never realized he was the ocean Titan. Though most people tended to avoid him, Oleana hadn’t. She wasn’t afraid, nor repulsed. There was no romantic love but there was deep respect between the two of them, forces of their own right. She was set to return to New Rome and decided to tell her “homeless friend” whom she actually was – so he revealed who he truly was as well.
It wasn’t a romance but more an agreement on the parts, they were friends and he could not heal her, but he could give her something to be equally proud of, rather than a career. A powerful child to carry on her family’s legacy and to carry on her dreams. He warned Oleana he was never going to be around and unlikely to ever meet his child and if he did, he had never loved any of his children. To that she didn’t mind, she could love a child for both of them and raise them to be a demigod like New Rome had never seen.
Returning to New Rome, Oleana turned into the political life like most of the women in her family – she gave birth to Deirdre eight months later due to a very complicated and fragile pregnancy. When her child was a year old she also married the daughter of Phoebus Apollo, Dana, who helped her through it all. Together they were set on raising the baby girl as happy and as dutiful as any roman family would. Maybe Dana was the one most responsible for the happy part and Oleana too set on raising a good child.
The demand and expectations were high from the moment the child learned to walk and talk – child of a Titan, legacy of other Gods, from a prominent family, Fergus started to learn how to throw a spear even before he knew how to properly write down his name.
Speaking of names, from age eight he was categoric in the fact he did not like being called a ‘she’ nor appreciated the name ‘Deirdre’. While most of his family deemed it a phase and let go, as long as he was a good soldier, his mothers kept a close eye to make sure he wasn’t going to suffer any more for it.
The moment he went to join the First cohort following on his mothers’ footsteps, Fergus donned the name of his ancestor for the first time. He also desired to be addressed as a male, had his hair cut and presented as such. From then on, his mothers were nothing but supportive as they followed through with even the appropriate paperwork.
Though he only always had the support of his family, Fergus felt he had to prove himself twice now – from the shadow of his mother to the fact he wasn’t biologically male, also going through the fact he was never claimed (technically, even if it was no secret), he was insecure and anxious about his place in the Twelfth Legion, which only made him grow stern on the outside.
It was no surprise to anyone when he became Centurion for the Second Cohort, trained since age five, ten years down the line he was an outstanding legionnaire. Loyal to the legion and his Cohort, stern and with moral standards almost too high to demand from anyone. Fergus set the highest bar for himself and a bar almost as high to everyone else.
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The best movies on Netflix: great films you can watch in Australia right now
http://www.internetunleashed.co.uk/?p=9110 The best movies on Netflix: great films you can watch in Australia right now - http://www.internetunleashed.co.uk/?p=9110 UPDATED: Your Name is one of the true anime masterpieces, and it's just landed on Netflix Australia — find out why you should watch the highest-grossing anime film of all time on page 5!If you're new to Netflix and want to find the best movies to watch, or you're tired of browsing the app for 30 minutes before finding something to watch, you've come to the right place. With thousands of movies at your disposal, it's easy to get stuck in binge-watching mode, but finding the honest-to-goodness best films can be a bit of a hassle.In an effort to determine the best of the best, we've put together a list of the greatest possible films you can watch – curated by TechRadar editors and backed up with ratings from IMDB and Rotten Tomatoes – so that you don't have to sift through the muck. We'll keep this best-of list up to date with the latest movies that are must-watch, so you waste zero screen time searching. Best Netflix TV shows: the top Netflix television series in Australia right now As tech enthusiasts, it's perhaps unsurprising that we're obsessed with science fiction here at TechRadar. From glorious space operas to mind-bending films that make you think, there's something for everyone on our list of the best sci-fi movies on Netflix Australia. Got a Stan account too? These are the best movies on Stan: a list of the top films streaming in Australia now Annihilation If you've seen writer-director Alex Garland's previous sci-fi masterpiece, Ex Machina, you'll know to expect a wild ride with his follow-up, Annihilation. Based on the highly regarded novel of the same name by Jeff VanderMeer, Annihilation follows a group of women who set off on an expedition into an environmental disaster zone where the laws of nature don't apply. Natalie Portman leads the pack as a biologist searching for her missing husband, and she's joined by Tessa Thompson, Jennifer Jason Leigh, Gina Rodriguez and more. Though the film has only just been released in theatres in the US, Australia is lucky enough to be one of the countries getting the film on Netflix right away. Equally brainy and terrifying, Annihilation has all the makings of a modern science fiction classic.IMDB Rating: 7.8, Rotten Tomatoes: 87% Rogue One: A Star Wars story As the first Star Wars anthology film, Rogue One had some pretty lofty expectations to live up to. Rather than try to replicate the formula that made The Force Awakens such a smashing success, director Gareth Edwards delivered a proper war film, one that had more in common with Saving Private Ryan than The Empire Strikes Back. Remember in A New Hope when the Rebellion got its hands on the Death Star plans that would lead to victory at the end of that film? Rogue One is about the group that stole those plans. Yes, it is a Star Wars prequel film, but don't worry – there's no Jar Jar Binks in sight. IMDB Rating: 7.9, Rotten Tomatoes: 85% Edge of Tomorrow A terrific science fiction war film starring Tom Cruise, Edge of Tomorrow plays like a cross between Halo and Groundhog Day, where the Cruiser is thrown directly into an alien war only to die almost immediately and then forced to repeat the day over and over, becoming a little more battle-hardened each time. Joining him is Emily Blunt, playing a tough-as-nails soldier who helps Cruise figure out a way to close this never-ending time loop and end the war for good. Backed by a terrific script and some fine chemistry between Cruise and Blunt, Edge of Tomorrow is a fantastic special effect extravaganza that should please both sci-fi and action fans.IMDB Rating: 7.9, Rotten Tomatoes: 91% District 9 The film that put both director Neill Blomkamp (Elysium) and star Sharlto Copley (Powers) on the international stage, District 9 is an ingenious science fiction Apartheid allegory that puts marooned aliens in South African concentration camps. An anti-alien pencil pusher (Copley) has his whole world turned upside down when he is sprayed with some kind of liquid that is slowly turning him into an alien, and now he has to team up with one of the "prawns" he so despises if he has any hope of turning back to normal. Hilarious, action-packed and filled with flinch-worthy body horror moments, District 9 is an instant classic that rightfully earned a best picture nomination at the Oscars.IMDB Rating: 8.0, Rotten Tomatoes: 90% Midnight Special The kind of smart science fiction film that Steven Spielberg used to make in his 'Close Encounters of the Third Kind' heyday, Midnight Special continually offers a sense of wonder as its story unfolds. Without spoiling too much, the film centres on Roy (Michael Shannon), a father who must protect his special son Alton (Jaeden Lieberher) from both the US government and a cult after it's discovered that the boy has otherworldly powers. Along for the ride are Alton's mother Sarah (Kirsten Dunst) and Roy's close friend Lucas (Joel Edgerton). With surprises around every corner, you never really know where Midnight Special is going, though what you can expect are some truly terrific performances and a mind-blowing finale. Fans of Stranger Things should check this out. IMDB Rating: 6.7, Rotten Tomatoes: 83% Minority Report What if you could prevent murders before they've occurred? More importantly, what would you do if you were due to be sentenced over a murder you haven't committed yet? That is the premise of Steven Spielberg's spectacular sci-fi film, Minority Report. Loosely based on the Philip K. Dick story of the same name, the film sees Tom Cruise play the head of a futuristic 'Precrime' Division tasked with stopping murderers from carrying out their violent actions. They can do this thanks to the psychic abilities of three siblings known as 'Precogs'. But what happens when this trio of soothsayers predicts a murder carried about by Cruise himself? Spoiler alert, he runs! A visually stunning film that's filled with ingenious and forward-thinking technological ideas that will likely become a reality in years to come, Minority Report is intense and action-packed. IMDB Rating: 7.7, Rotten Tomatoes: 90% The Terminator While other films from the same time period have struggled to stay relevant, The Terminator remains as interesting and unique as it was 33 years ago. An undisputed classic of intense, unrelenting action, The Terminator kickstarted the career of uber-director James Cameron, who would go on to direct such classic blockbusters as Aliens, Titanic, Avatar and, of course, Terminator 2L Judgment Day. If you're looking for a retro masterpiece that holds up to modern-day cinema standards, you can stop searching – The Terminator is a must-see for any fan of science fiction, action and horror. IMDB Rating: 8.0, Rotten Tomatoes: 100% Star Wars: The Force Awakens A triumphant return to the screen for the Star Wars franchise, The Force Awakens sees the characters we love from the original trilogy, like Han Solo, Chewbacca and Leia, set off another adventure with a new generation of wonderful characters. Ironically, for a series set among the stars, Director J.J. Abrams brings the franchise back to Earth by dialling down the CGI that hobbled the prequel trilogy – this is a Star Wars movie that uses real locations and sets, as well as puppets and actors in costume, to recreate the spirit of Episodes IV through VI. Featuring thrilling action, incredible special effects and terrific performances, The Force Awakens is the best Star Wars film in over 30 years.IMDB Rating: 8.2, Rotten Tomatoes: 92% Gravity It took an agonising seven years for director Alfonso Cuarón to follow his masterful last film, Children of Men, but what an incredible follow-up! With Gravity, he sure did stick the landing (ahem) and hit this one right out of orbit (I'll let myself out). This nail-bitingly intense film, in which Sandra Bullock's character must use her wits to survive in space after a catastrophic shuttle accident, is a technical marvel – the kind of film that wows even the likes of James Cameron, who called Gravity "the best space film ever done." A perfect marriage of drama and special effects, Gravity is an absolute classic.IMDB Rating: 7.8, Rotten Tomatoes: 96% We all love a good scare (so long as we're safe and sound at the end of it), so with that in mind, we've taken the liberty of shining a spotlight on some of the best horror movies currently streaming on Netflix Australia. These freaky flicks are guaranteed to send shivers down your spine! It Get ready, fright fans — the highest-grossing horror movie of all time has made its way onto Netflix and is bound to make you terrified of clowns all over again. Based on Stephen King's classic novel of the same name, It follows a group of tightly-knit adolescent misfits known as The Losers Club as they investigate an evil force that's been stealing and murdering children in their small town for decades. With its late '80s setting and talented cast of young performers, It is bound to appeal to fans of Netflix's brilliant series Stranger Things (and not just because Finn Wolfhard stars in both). As far as Stephen King adaptations go, it's one of the very best, managing to strike the right balance between horror and heart. Simply put, It is the kind of crowd-pleasing scare film we'd like to see more of. We recommend watching It before the upcoming sequel, which takes place 27 years later and sees the kids all grown up and terrorised by Pennywise the Dancing Clown all over again. IMDB Rating: 7.4, Rotten Tomatoes: 85% Jaws The film that defined the term 'blockbuster', Steven Spielberg's classic fright film Jaws has swam its way onto the the service and is hungry for more viewers to chomp on. When an aggressive great white shark starts eating swimmers in the lead up to Fourth of July weekend, the mayor of a popular tourist destination sets a bounty for the shark's head. The town's sheriff (Roy Scheider), an oceanographer (Richard Dreyfuss) and a shark hunter with a grudge (Robert Shaw) set out on the seas to take it down for good. They're gonna need a bigger boat...IMDB Rating: 8.0, Rotten Tomatoes: 97% It Follows Considered a modern horror classic by many, It Follows sees a young girl (Maika Monroe) terrorised by a sexually-transmitted demon. This terrifying apparition looks different every time and will chase you relentlessly until you either pass it on by sleeping with someone else, or until it catches up to you and finishes you off for good. To make matters worse, if the person you pass it on to dies, it will turn its attention back to you again. Did we mention that it can only be seen by the people that have been 'infected', so your friends won't be able to help as much as they'd like to? Yeah, it kinda sucks. Stylish, atmospheric and with a terrific John Carpenter-inspired synth score, It Follows in an effective horror movie which may suffer a little from a few odd decisions by its characters, but is still well worth watching.IMDB Rating: 6.9, Rotten Tomatoes: 97% The Babysitter One for the horror comedy fans, the Netflix Original film The Babysitter, from director McG (Charlie's Angels), is an energetic and fun flick with some killer one-liners and a star-making performance from Aussie actress Samara Weaving (yes, she's related to Hugo), whom horror fans may remember from her role in the first season of Ash vs Evil Dead. The plot is simple: kid develops a crush on his incredibly cool babysitter, only to find out that she's sadistic, devil-worshipping killer with a group of equally psychotic friends, all of whom are planning to kill him. Though he's a total wimp, he must now fight back in order to survive. Gory and funny in equal measure, The Babysitter is a hell of a time.IMDB Rating: 6.4, Rotten Tomatoes: 71% Evil Dead One of the few horror remakes that fans of the original have embraced, The Evil Dead (2013) takes the outrageous series in an even gorier direction than ever before. Director Fede Alvarez (Don't Breathe) drops the slapstick comedy that was introduced in Evil Dead II, dialling up the gory grossness that made the original film an instant classic among horror fans. Sure, it lacks the winning charisma of Bruce Campbell, whose presence is definitely missed and cannot be replaced the mostly bland cast found here, but the film is still a slime-covered blast that puts its actors through hell regardless – just the way it should be. Groovy. IMDB Rating: 6.5, Rotten Tomatoes: 61% Documentaries offer unprecedented insight into the lives of real people and the extraordinary events that surround them. Fiction is great, but fact truly has the power to move and inspire people like nothing else. With that said, here are some of the best documentaries currently available to stream on Netflix Australia. Tom Petty and the Heartbreakers: Runnin' Down a Dream An epic 4-hour documentary on the classic rock band, Tom Petty and the Heartbreakers, Peter Bogdanovich's all-encompassing opus follows Tom Petty and his band from childhood to 2007 and is packed with candid interviews with the band's members, as well as the people that helped them become who they are. Having tragically passed away at age 66, Tom Petty will forever be remembered as one of the best songwriters in rock and roll, and a pioneering artist for everyone who has come since. If you've only just become aware of Tom Petty following his untimely death and want to know more about his impact on rock music, Runnin' Down a Dream has you covered. IMDB Rating: 8.7, Rotten Tomatoes: 100% Amanda Knox Following the enormous success of its original docu-series Making a Murderer, Netflix has once again returned to the ever-popular 'true crime' well with Amanda Knox. The Netflix Original documentary tells the harrowing story of an American exchange student who spent four years in an Italian prison after being convicted for the murder of her roommate, Meredith Kercher. Forced to endure the prosecution's various character assassination tactics, including public slut-shaming, Knox maintains her innocence at all times, with her appeals eventually reaching Italy's Supreme Court. Amanda Knox is an effective and truly eye-opening documentary that is not to be missed.IMDB Rating: 7.0, Rotten Tomatoes: 85% Rubble Kings Thought the classic '70s film The Warriors was pure make-believe? You'd be surprised how much truth was actually buried under all the crazy costumes. Throughout the decade, the New York City borough known as The Bronx was teeming with gang violence; each gang with its own uniform, its own war-chief and its own piece of turf to fiercely defend against rival gangs – sometimes to the death. Rubble Kings documents this fascinating era, interviewing many of the key players and giving insight into the series of events that would eventually bring peace to The Bronx at the tail end of the tumultuous decade. Fans of The Warriors, The Get Down and Hip-Hop Evolution will adore Rubble Kings. Okay, boppers. It's time to add Rubble Kings to your Netflix queue...IMDB Rating: 7.1, Rotten Tomatoes: 75% We love a good thriller, which is why we've narrowed down some of the best ones that are now available to watch on Netflix Australia. These films will have you on the edge of your seat in suspense, so sit back, try to relax, and enjoy. The Villainess Equal parts Oldboy and La Femme Nikita, The Villainess is a female-driven Korean revenge thriller with the most incredible and original action sequences this side of The Raid — seriously, the first-person knife fights and shootouts in this put Hollywood action movies to shame. Sook-hee (Ok-bin Kim) is apprehended after carrying out a killing spree that leaves dozens of gangsters dead. She's given a choice: train to become a ruthless assassin and receive freedom after ten years, or spend the rest of her life in jail. Obviously, she chooses the former, and before long it becomes clear to her that her rampage was spurned on under false pretences. Now, it's time to make everyone pay for what they did to her.IMDB Rating: 6.7, Rotten Tomatoes: 83% Gerald's Game 2017 has been a great year for Stephen King adaptations (ahem, The Dark Tower aside), and the new Netflix Original film Gerald's Game joins It and 1922 in the upper echelon. In an attempt to rekindle their marriage, Gerald (Bruce Greenwood) and Jessie (Carla Gugino) retreat to a remote lake house. When a sex game goes awry, Jessie is left alone and handcuffed to the bed and must overcome her mounting paranoia and deep, personal demons. Though the film mostly takes place within the one room, Gerald's Game remains thrilling from start to finish. It also features one of the best performances of Gugino's career. IMDB Rating: 6.8, Rotten Tomatoes: 90% Munich Though he's established a rabid fan base due to the success of blockbuster films like Jurassic Park, Jaws and Raiders of the Lost Ark, director Steven Spielberg is arguably in at his best when tackling more grown up fare – films like Schindler's List and Saving Private Ryan can attest to that. However, there is one film in particular that is arguably the most complex and adult of his entire career, and that film is Munich. Based on the real-life tragedy that occurred during the 1972 Munich Summer Olympics, in which the entire Israeli team was taken hostage and then massacred by the Palestinian terrorist group Black September, the film sheds light on Israel's secret retaliation missions. Allegedly, these black ops saw undercover Mossad agents (played here by the likes of Eric Bana, Daniel Craig and Ciarán Hinds) track down and assassinate the men believed responsible in a rather public manner. Rather than take sides in the still ongoing conflict between Israel and Palestine, Spielberg questions the cost of vengeance on the conscience and soul of an entire country, asking whether it ultimately achieves anything other than more bloodshed. A riveting film that does not shy away from the story's more harrowing aspects. IMDB Rating: 7.6, Rotten Tomatoes: 77% Wake in Fright One of the most powerful and harrowing films in Australian cinema history, Wake in Fright forces audiences to take a good hard look at Australia's destructively macho drinking culture. Marooned in a small outback town while he waits for a train to Sydney, schoolteacher John Grant (Gary Bond) stops in at a local pub to pass the time. Sounds innocent enough, right? Unfortunately for John, a chance encounter with a pack of local louts sends him on an incredibly dark odyssey into the Australian heart of darkness. As shocking and menacing as any horror movie, Wake in Fright is an extremely confronting masterpiece that requires a strong stomach.IMDB Rating: 7.7, Rotten Tomatoes: 100% Drive Drive is the film that made it cool to love Ryan Gosling. Based on the novel of the same name by James Sallis, this pulpy thriller is one of the most stylish films of the last decade, having almost single-handedly revived the neon '80s synth-pop scene. Directed by Nicolas Winding Refn (Bronson, Only God Forgives), Drive sees Gosling play a nameless stunt driver who works as a shady wheelman by night. When a job goes horribly wrong, this 'driver' must dispense violent justice to make things right for those he cares for. The film's immense influence can be felt across all forms of media – the video game Hotline Miami, in particular, owes a large debt of gratitude to Drive. A loving ode to the early tough-guy crime movies of Michael Mann, Drive is essential viewing.IMDB Rating: 7.8, Rotten Tomatoes: 93% The Silence of the Lambs Simultaneously terrifying and mesmerising, The Silence of the Lambs is the film that catapulted the fictional character of Dr. Hannibal 'The Cannibal' Lecter to mythic proportions. This brilliantly psychotic serial killer, played with great menace by Sir Anthony Hopkins in the role won him an Oscar, has since gone on be the subject of several films, books and even a fantastic television series. But while his impact on The Silence of the Lambs is huge, the story belongs to Clarice Starling (Jodie Foster), an FBI trainee who is given the task of consulting with the infamous man-eater in an effort to track down a deranged killer that's skinning his victims. Foster's role is less showy but more impressive, played with equal parts determination and vulnerability. We fear for her because we see ourselves in her shoes, but also because we get a real sense of what drives her character, both emotionally and mentally. These characters may have appeared in many other films, but The Silence of the Lambs is still the best by a long stretch. A true masterpiece.IMDB Rating: 8.6, Rotten Tomatoes: 94% We're serious cinephiles here at at TechRadar. It's not all about Star Wars around here – we enjoy a good tear-jerker, too. There are many sensitive drama films streaming on Netflix Australia right, and these are some of the best ones. So grab a hanky and get ready for a heavy night in. Your Name A worldwide phenomenon, Your Name is the highest-grossing anime film of all time — that's right, bigger than any Studio Ghibli film or science fiction blockbuster. That a simple story about a young girl from a rural town switching bodies with a young man from bustling Tokyo hit such a cord with audiences is a testament to the heartfelt writing that helps bring these animated characters to life. Makoto Shinkai's film is the kind that will have you laughing one moment, then crying the next. A joyful and beautiful love story told in a unique and cerebral way, Your Name is one of the true anime masterpieces, sitting alongside the likes of The Girl Who Leapt Through Time, Grave of the Fireflies, Spirited Away and the legendary Akira.IMDB Rating: 8.4, Rotten Tomatoes: 97% Good Time Good Time stars Robert Pattinson in the type of performance that will make you forget all about his involvement in the Twilight saga. We're talking young De Niro good, here. When his mentally-challenged brother is snatched by the police after a bank robbery, Connie (Pattinson) sets out to do anything he can to free his brother before getting sent to the brutal Rikers Island jail complex. This sets off a night that spirals out of control extremely fast. There's pretty much no way of predicting what will happen next. Gritty and grimy, Good Time is an intense film with an incredible soundtrack and fantastic cinematography. One of the best films of 2017. IMDB Rating: 7.4, Rotten Tomatoes: 91% The Revenant The film that finally bagged Leonardo DiCaprio a much-deserved Academy Award, The Revenant is at once a stunning technical achievement and a gut-wrenching tale of survival in the harshest wilderness imaginable. Based on the true story of Hugh Glass (though fudged a little for the sake of added drama), a man who was left for dead by his fur-trapping party after a savage bear attack (amazingly realised here in one of the film's many single-take camera shots). Now, Glass must carry himself across 200 miles of snowy hell to track down down the man who killed his son (that part is made up) and left him to die alone, played here by a mumbly Tom Hardy. A powerful film with incredibly cinematography and exceptional performances, The Revenant is a must-see piece of cinema.MDB Rating: 8.0, Rotten Tomatoes: 80% Full Metal Jacket An astonishing work of immense power, Stanley Kubrick's masterpiece Full Metal Jacket examines man's innate desire to kill, memorably told against the backdrop of the controversial Vietnam War. The film is split in two halves – the first, which is set at boot camp, follows a young recruit who is pushed right over the edge by an abusive drill sergeant. The latter half focuses on a military journalist who watches in horror as Vietnamese people are killed indiscriminately by the soldiers he's following for reasons they don't even understand. Will they make a killing machine out of him, too? Essential viewing for war film aficionados. IMDB Rating: 8.3, Rotten Tomatoes: 95% Lawrence of Arabia (Restored Version) One of the greatest historical epics of all time, Lawrence of Arabia has arrived on Netflix in its recently restored form. Trust us when we say that the film, which won seven Academy Awards including Best Picture, looks even more sublime now than ever before. Desert landscapes are vast and immaculate, skies (and Peter O'Toole's eyes) are the incredibly blue, and close-up detail is off the charts. Still, underneath all the eye candy on display, lies one of the most inspiring war stories of all time, all of which is based on true events in the life of British officer T.E Lawrence, who led the Arab tribes against the Turks in WWI. If you haven't seen Lawrence of Arabia before, we suggest you set aside a weekend (this movie is very, very long) and remedy that as soon as possible. IMDB Rating: 8.3, Rotten Tomatoes: 98% Beasts of No Nation As Netflix's first original movie, Beasts of No Nation had a lot to prove. The VOD scene had traditionally been associated with low budget indies and D-grade horror films, but with Beasts of No Nation, Netflix managed to convince people that high quality (dare I say, Oscar-calibre) films could be streamed at home and shown in theatres at the same time. Directed by Cary Joji Fukunaga (True Detective season 1), Beasts follows the loss of a child soldier's innocence as he's forced to do unspeakable things. The film hits like a sledgehammer, never shying away from the brutality and horror experienced by this young boy (played masterfully by newcomer Abraham Attah). Equally powerful is Idris Elba's portrayal as the boy's remorseless and despicable commander. Though not what you'd call a crowd-pleaser, we hope that Netflix continues to bring us brilliant films like this.IMDB Rating: 7.8, Rotten Tomatoes: 91% Blue is the Warmest Color As soulful as it is erotically-charged, it's not hard to see why Blue is the Warmest Color won the highest prize at the 2013 Cannes Film Festival – its portrayal of two women who fall in love and allow each other to discover their true selves is truly special. Though Emma (Léa Seydoux) is a blue-haired free spirit, Adèle (Adèle Exarchopoulos) doesn't feel comfortable in her own skin. While Adèle's friends initially shun Emma due to her sexuality, she soon realises that Emma is the only person with whom she can express herself openly and bare her soul to. Together, the pair experience the ups and downs of a mature relationship, while also exploring social acceptance and their sexuality. A beautiful masterpiece that will take you on an emotional roller-coaster throughout its lengthy 3-hour running time, Blue is the Warmest Color is a film you won't soon forget. IMDB Rating: 7.8, Rotten Tomatoes: 91% Okja Korean director Bong Joon-ho (The Host, Snowpiercer) is an eclectic filmmaker, and his latest work, Okja, is in a genre all of its own. Is it an adventure film? Is it science fiction? Is it a drama? Is it a fairy tale? Is it satire? The answer is... all of the above. With a style that's somewhere between Spielberg and Miyazaki, the film follows a young Korean girl's quest to rescue her best friend Okja, a super-pig that was created by the multi-national conglomerate Mirando Corporation for the purposes of consumption. Flipping between heartbreaking and joyful at the drop of a hat, Okja is an emotional roller coaster of a film that may well have you reconsidering your dietary choices. IMDB Rating: 7.4, Rotten Tomatoes: 85% Schindler's List This is one of the most affecting movies that you will ever see. Based on the true story of Oskar Schindler, a factory owner who begins to help his Jewish workers during World War II after he sees them persecuted by the Nazi Germans, the movie is a study in brevity. Steven Spielberg manages to find the human stories in the atrocity of WWII without shying away from the true horror of what happened during the conflict. Winner of several Academy Awards, including Best Picture and Best Director, Schindler's List is a film you won't soon forget. IMDB Rating: 8.9, Rotten Tomatoes: 96% Selma A heartfelt and considered look at Martin Luther King Jr's struggle to gain equal voting rights, campaigning in racially-charged Alabama, Selma was one of the finest films of 2014 and was rightly nominated for a Best Picture Oscar as a result. It may have missed out on the top gong, or a Best Director nod for director Ava DuVernay, but David Oyelowo's performance as the civil rights leader is a powerful one, with a supporting cast recreating the inspiring story with great respect. With recent real-life events showing that racial tension is still as prevalent in 2017 as it was in the 1960s, Selma is more relevant than ever. Powerful and moving, Selma is a must see film about courage, determination and the fight for equality among all people, regardless of their colour. IMDB Rating: 7.5, Rotten Tomatoes: 99% Need a good laugh? Netflix Australia is home to some terrific comedies, with a number of hilarious movies ready to stream in an instant. Some are light-hearted, while others are pitch black. With that in mind, there's a comedy for everyone below. Swingers The indie film that made stars out Vince Vaughn and Jon Favreau, Swingers is a hilariously hip film (well, in the '90s it was) about friendship and moving on from a devastating breakup. Stylish and energetic, the film also made Doug Liman (The Bourne Identity, Edge of Tomorrow) one of the most sought-after directors in Hollywood. Worth watching for the hilariously-needy answering machine scene alone. Based on a winning script by Favreau (who would go on to huge success as a director with films like Iron Man and The Jungle Book), the movie is so, so money. IMDB Rating: 7.3, Rotten Tomatoes: 87% Coming to America Perhaps the most charming and endlessly entertaining comedy of Eddie Murphy's career, Coming to America takes the standard 'fish out of water' concept and weaves pure magic with it. Unhappy with the arranged marriage set up by royal parents, Prince Akeem of the wealthy (and fictitious) African nation of Zamunda sets off for America in search of love with help from his squire, Semmi (Arsenio Hall). Before long, Akeem falls for the smart and independent Lisa (Shari Headley), heir to the McDowell's fast food restaurant empire. Insistent that he win her affections with his personality and not his wealth, Akeem and Semmi pretend to be poor and acquire jobs at McDowell's. Now, the pair must contend with Lisa's over-protective father (John Amos) and her jerk boyfriend (Eriq La Salle). Full of heart and bloody hilarious, Coming to America is a comedy classic.IMDB Rating: 7.0, Rotten Tomatoes: 69% Fight Club You know what they say: black comedy is still comedy! While the first rule of Fight Club may be that you shouldn't talk about Fight Club, it's extremely hard to keep quiet about a film as provocative as this. Though its messages are based in extremely dark satire, David Fincher's film is as nihilistic and anarchistic as any major film studio has ever produced. Violent, gross and incendiary, Fight Club sees emasculated males bash each other's faces in to make themselves feel manly once more. While the film's themes are intended in jest (the film is basically Gen X's ultra-dark version of a Marx Brothers comedy), they certainly resonated strongly with certain fans, many of which would go on to start their own fight clubs. Despite being misunderstood by its biggest admirers, Fight Club is one of the must-see films of the late '90s.IMDB Rating: 8.9, Rotten Tomatoes: 79% Hot Fuzz Following the success of their classic rom-zom-com, Shaun of the Dead, director Edgar Wright, star and writer Simon Pegg and co-star Nick Frost teamed up once again to bring their hilarious sensibilities to the buddy-cop movie genre with Hot Fuzz. London super-cop Nicholas Angel (Pegg) is involuntarily transferred to a village in the English countryside for making his superiors look bad by comparison. There, he teams up with dim-witted (but well-meaning) cop Danny Butterman (Nick Frost) and together, the pair uncover a murder conspiracy. If films like Point Break and Bad Boys II are in constant rotation at your place, you absolutely owe it to yourself to grab a Cornetto and watch Hot Fuzz.IMDB Rating: 7.9, Rotten Tomatoes: 91% American Psycho It may look like a thriller, but Just like its main character, American Psycho is something entirely different under the surface. Quite frankly, most people don't expect this film to be as funny and endlessly quotable as it is. Director Mary Harron and co-screenwriter Guinevere Turner did the unthinkable when they took on the job of adapting Bret Easton-Ellis' hugely controversial and largely unfilmable book, American Psycho – they looked beyond the source material's horrendously graphic and seemingly never-ending violence to focus on the scathing satire of the greed-obsessed '80s buried underneath. Christian Bale solidified himself as one of the world's most exciting actors in the role of Patrick Bateman, the Wall Street yuppie with an insatiable lust for blood and dinner reservations. Both shocking and hilarious, American Psycho is a remarkably clever cult classic.IMDB Rating: 7.6, Rotten Tomatoes: 68% Though they live on the other side of the law, we as people tend to be fascinated by criminals. Whether it's the outlaw lifestyles they lead, or the fact that they live those lives on the edge and do things most of us wouldn't dream of, something about their stories makes them cinematic gold. Here are some of the best crime movies now streaming on Netflix Australia. The Wolf of Wall Street The characters in the fact-based film The Wolf of Wall Street may very be completely reprehensible with little-to-no redeeming qualities, but damn if they aren't freakin' hilarious. An adults-only tour through the real-life antics of white collar criminal Jordan Belfort (Leonardo DiCaprio at his most unhinged), the film revels in the excess and debauchery of Wall Street in the 1980s, where thieving yuppies spent millions of dollars on drugs, hookers and extravagant lifestyles they did not earn. While the film's three hour runtime might scare off potential viewers, Martin Scorsese's energetic direction keeps the action moving at a lightning-fast pace. The film was also stars Margot Robbie's in her breakout role, playing Belfort's ever-suffering wife, Naomi. Jonah Hill is also incredibly funny as Belfort's partner in crime, Donnie. If you love Scorsese's classic film Goodfellas, chances are you'll enjoy this just as much. IMDB Rating: 8.2, Rotten Tomatoes: 78% Snatch A rollicking crime caper movie from Lock Stock and Two Smoking Barrels writer and director Guy Ritchie, Snatch takes everything great about that movie and dials it up to 11. Featuring a large cast of colourful cockney crooks, including Jason Statham, Stephen Graham, Dennis Farina, Benicio Del Toro, Vinnie Jones and Brad Pitt (particularly memorable as an unintelligible Gypsy boxer), Snatch flies thick and fast with hilarious quotable lines and energetic performances. Whether they're chasing after a diamond the size of a fist, or betting on illegal bare-knuckle brawls, you can expect these characters to end up getting into all kinds of mischief. IMDB Rating: 8.3, Rotten Tomatoes: 73% City of God If you've blasted your way through both seasons of Narcos and want another South American crime epic to get stuck into, consider City of God as your next destination. Based on true events that took place over three decades in the favelas (slums) of Rio de Janeiro, the film accurately recreates the lively and energetic vibe of Brazil, but also counters it some truly harrowing scenes of devastating violence. In the 'City of God', children brandish firearms and kill each other indiscriminately over petty drug deals. While that might sound like too much to bear, the terrific filmmaking on display from Fernando Meirelles and Kátia Lund will keep you on the edge of your seat, as will the film's authentic performers and compelling story. One of the greatest films of all time, City of God is like Goodfellas scored to a samba beat.IMDB Rating: 8.7, Rotten Tomatoes: 90% Pulp Fiction Perhaps the most influential movie of the 90s, Quentin Tarantino’s Pulp Fiction won the Academy Award for Best Original Screenplay, the big prize at the Cannes Film Festival, and the hearts and minds of an entire pop culture-obsessed generation. Presented as an ingenious crime anthology with three interlocking parts, Pulp Fiction follows two hitmen as they go on a job and experience what may or may not be an act of God, a dinner date with the crime boss' wife which (almost) spirals out of control, and a boxer who accepts money from the aforementioned boss to take a dive, but opts to skip town instead. Violent, audacious and with little concern to the rules of cinema, Pulp Fiction is the kind of whip-smart classic that can be watched at the drop of a hat. The film may have seen its fair share of imitators over the years, but none of that has diluted Pulp Fiction's immense power. IMDB Rating: 8.9, Rotten Tomatoes: 94% Buckle up for some heart-pounding entertainment with some of the most kick-ass action movies now streaming on Netflix Australia. Adrenaline junkies will get a kick out of every one of the brawny movies listed below. The Warriors Set in a heightened version of New York in the dirty 1970s, where the streets are ruled by violent gangs in crazy costumes, The Warriors follows one particular gang (we'll give you one guess as to what they're called) that's framed for the murder of a visionary gang leader during a city-wide midnight summit. Originally meant as a peaceful event, The Warriors must now make it back to their home turf at the other side of the city with every other gang in town out for their blood. Will they survive long enough to prove their innocence? And will the real culprits get what's coming to them? A fantastic piece of '70s pulp, The Warriors is a guaranteed great time. And while its vision of colourful gangs lording over the slums of NYC seems outlandish, it's a lot closer to the reality of the time than most people realise. To learn more about this bygone era, check out the documentary Rubble Kings, which is also streaming on Netflix (read more about it on Page 3). IMDB Rating: 7.7, Rotten Tomatoes: 89% Wonder Woman The DC Cinematic Universe has had a bit of a rough start in its attempts to catch up to competitor Marvel, with films like Batman v Superman and Suicide Squad unable to adequately please both fans and critics. That all changed with Wonder Woman, the first DCU movie to receive universal praise across the board. Perfectly cast as Wonder Woman a.k.a. Diana Prince, Gal Gadot breathes warmth and love into the world's most famous female superhero. Diana is swept into the wars of man when charming pilot Steve Trevor (Chris Pine) crash lands near the hidden island of Themyscira, home of the Amazons. Sensing that WWI is the doing of Ares, the God of War, Diana sets off with Steve into the world of man to end the war (and Ares) once and for all. One of the greatest superhero movies of all time, Wonder Woman is a triumph. Now let's hope we get more DC movies like this...IMDB Rating: 7.5, Rotten Tomatoes: 92% Guardians of the Galaxy Vol. 2 The sequel to Marvel's 2014 phenomenon, Guardians of the Galaxy Vol. 2 finds the intergalactic heroes thrust into another adventure, one that could reveal the identity of Peter Quill's father. Even more spectacular than the first film, Guardians of the Galaxy Vol. 2 continually aims to surprise the audience, with simultaneously keeping its action and comedy levels high. IMDB Rating: 7.8, Rotten Tomatoes: 83% Mad Max: Fury Road The world has gone to hell following a cataclysmic event, plunging headfirst into madness and chaos. All that remains is a wasteland governed by tyrannical men, populated by downtrodden hordes, and hopefully, rescued by mythical heroes. Immortan Joe (Hugh Keays-Byrne) rules with an iron fist, doling out meagre amounts of water to the masses, while keeping a stable of wives for himself to breed future warlords. His most trusted Imperator Furiosa (Charlize Theron) has betrayed him and freed these women from their lives of sexual slavery. Now, the chase is on, as Immortan Joe and his party of warboys set out to retrieve their "property". If Furiosa and co. are to succeed, they’ll need the help of Max Rockatansky (Tom Hardy), a wandering road warrior in search of a cause. Director George Miller has crafted the most dynamic, vibrant and sensational action blockbuster of the decade with Fury Road. it’s an inventive, high-octane kick in the guts to a film industry that has played it safe for far too long. The chases and stunts in this film are unparalleled. Best of all, the film's cut-to-the-chase plot manages to sneak in a powerful and extremely timely rebuttal to patriarchy.IMDB Rating: 8.1, Rotten Tomatoes: 97% Boyka: Undisputed Fight fans raised on the likes of Jean-Claude Van Damme and Donnie Yen are no doubt familiar with Scott Adkins, the British martial arts sensation that has made a name for himself as a heavy in big Hollywood blockbusters (Doctor Strange, The Expendables 2, The Bourne Ultimatum) and as a leading man with a number of franchises under his (black) belt (Ninja 1 & 2, Undisputed 2 & 3). Now, Adkins has returned to what is arguably his best character with Boyka: Undisputed, which has been made available to stream on Netflix for the first time. For those who haven't seen the previous two Adkins entries in the Undisputed series, Boyka is a Russian prison fighter who entered the series as a villain in the second instalment, only to become the hero in the third film. In Boyka: Undisputed, we follow the beastly fighter as he tries to find redemption by helping the wife of a man he accidentally killed in the ring. Come for the phenomenally-staged, CGI-free fight sequences, but stay for the sincere story. IMDB Rating: 7.2, Rotten Tomatoes: N/A Marvel's Doctor Strange Marvel's first cosmic adventure film, Doctor Strange sees the talented surgeon Stephen Strange (Benedict Cumberbatch) turn to the mystical arts in search of a cure for his mangled hands. More arrogant than the usual Marvel superhero (yes, even more so than Tony Stark), Doctor Strange must learn to get over his own ego before he can rise up and be the hero he was born to be. With trippy visuals and mind-bending twists that make the film Inception look tame by comparison, Doctor Strange is both familiar and incredibly unique among the superhero blockbusters that have been released so far. IMDB Rating: 7.6, Rotten Tomatoes: 90% Rambo Living off the grid in Southeast Asia, John Rambo is dragged back on to the battlefield once more when a group of missionaries is taken hostage by despicable war criminals in war-torn Burma. To get them back, he's going to have to blast through an entire army. Kicking the level of gruesome violence up to the extreme, Rambo is not a film for the squeamish. However, if you love the character and enjoy seeing irredeemable baddies get torn apart by 50-caliber machine gun fire and makeshift machetes, this is the movie for you – just don't expect high art (check out the disparity between the IMDB user score and Rotten Tomatoes critic score below).IMDB Rating: 7.1, Rotten Tomatoes: 37% Con Air One of the most entertaining action movies of the '90s, the Nicolas Cage vehicle (in more ways than one) Con Air has been added to Netflix Australia. After spending seven years in jail for accidentally killing a man while protecting his wife, newly paroled ex-con (and former US Ranger) Cameron Poe (Cage) is on a prisoner transport plane heading home to meet his daughter for the first time. Unfortunately for him, this is going to be one bumpy ride, as a group of death row inmates who are also onboard decide to hijack the plane in a last ditch attempt at freedom. Packed with colourful characters and terrific one-liners, Con Air is the kind of brawny action movie they just don't make anymore.IMDB Rating: 6.8, Rotten Tomatoes: 56% Captain America: Civil War Though Marvel Studios films are known for being visually spectacular, action-packed and epic in scope, the real reason audiences around the world have embraced the Marvel Cinematic Universe is because of its characters. While we may have our favourites, we've spent enough time with the likes of Iron Man and Captain America to know what these beloved heroes stand for – they don't always agree with each other, but this dynamic of differing opinions is the key to The Avengers successful. That's all well and good when there's a clear enemy to face, but what happens when these super-powered individuals fall on opposing sides of an issue that strikes at very heart of the team? Answer: friends and teammates will go to war with each other. Easily the Marvel film with the highest emotional stakes to date, Captain America: Civil War is a phenomenal entry in the ongoing Marvel saga, one that provides no easy answers. Neither side is wrong about its stance, yet we know that there will ultimately be only one victor. IMDB Rating: 7.9, Rotten Tomatoes: 90% Django Unchained Quentin Tarantino is loved and revered for his work in American cinema, and lately his takes on classic '70s movies. Like his take on Inglourious Basterds before it, Django Unchained deals with role reversal in a historically controversial time. The story of revenge and justice, Django (played by Jamie Foxx) and Dr. King Schultz (played by Christoph Waltz) set off to hunt down a gang of felons before the ultimate promise of setting Django free. Like other Tarantino films, it doesn't shy away from the grotesque and gory or mind going against the grain, making it easy to recommend and easier to watch time and time again. And, Netflix also provides QT fans with the ability to stream his classic films Inglourious Basterds and Reservoir Dogs.IMDB Rating: 8.5, Rotten Tomatoes: 87% Need some kid-friendly entertainment that will make the whole family happy? We've selected some of the best family movies that Netflix Australia has to offer. Each one of these films is guaranteed to leave you feeling warm and fuzzy. Beauty and the Beast An utterly enchanting and completely magnificent live-action adaptation of one of Disney's most celebrated animated classics, Beauty and the Beast absolutely nails the source material — maybe even betters it in some regards. Much of the praise can be bestowed upon Emma Watson, who plays Belle with grace and warmth. The same can be said about Dan Stevens, who spends the film injecting life into the computer-generated Beast. Luke Evans comes close to stealing the show, though as the vicious and vain Gaston. We're also pleased to report that all of the original film's songs are present and accounted for, so gather the whole family and settle in for a wonderful night singing, laughing and crying. IMDB Rating: 7.3, Rotten Tomatoes: 71% The Lego Batman Movie If you loved Will Arnett's hilarious take on the Caped Crusader in The Lego Movie, you're going to be over the moon to see him take centre stage in his very own block-filled blockbuster! In The Lego Batman Movie, all of the Dark Knight's villains are teaming up to take over Gotham City, and it's up to Batman and his newly adopted sidekick Robin (Michael Cera) to stop them! With an incredible cast of comedic superstars in tow, including Zach Galifianakis as the Joker, Conan O'Brien as The Riddler and Riki Lindhome as Poison Ivy, The Lego Batman Movie keeps the laughs coming for its entire runtime. Quite frankly, it's the best Batman film since The Dark Knight.IMDB Rating: 7.3, Rotten Tomatoes: 91% Moana Having achieved monumental success with its film Frozen, Disney had a lot to live up to with its next major 'Disney Princess' movie, and it still managed to blow away expectations with Moana – a visually stunning tale of an independent free-spirit (played by newcomer Auli'i Cravalho) who sets off on a journey to save her island from a devastating curse indadvertedly set by the selfish demigod, Maui (Dwayne Johnson). Though it follows all the familiar Disney beats that we've come to expect over the years, Moana is well written, wonderfully animated and terrifically acted. You may also find its many catchy songs stuck in your head for days after watching it. IMDB Rating: 7.6, Rotten Tomatoes: 96% Fantastic Mr. Fox Wes Anderson (The Grand Budapest Hotel, Moonrise Kingdom) is a writer/director know for his whimsical and inimitable style, with characters who are fleshed out (regardless of whether they're actually people) and have warmth and heart to spare. With his first foray into family-fare, Fantastic Mr. Fox, the visionary filmmaker succeeded in creating his most accessible film to date. Based on the classic story by Roald Dahl, the film follows a wily fox (played with incredible charm and terrific comedic timing by George Clooney) who bandies together with his family (voiced by Meryl Streep and Jason Schwartzman) and friends (including voice work from regular Wes Anderson collaborator, Bill Murray) to fight off the mean farmers that plan to destroy their homes. Featuring wonderful stop-motion animation, Fantastic Mr. Fox is a heartfelt and hilarious film that's destined to become a family favourite. IMDB Rating: 7.8, Rotten Tomatoes: 93% The Iron Giant Criminally overlooked by audiences upon initial release, The Iron Giant is an animated film that has steadily grown in appreciation over the years, to the point where many traditional animation purists now consider it an undisputed classic. The feature-length debut of director Brad Bird (The Incredibles, Ratatouille, Mission: Impossible – Ghost Protocol), and Set during the 1950s at the height of the 'Red Scare' period of America's history, The Iron Giant tells the story of a lonely boy named Hogarth (Eli Marienthal) who makes a new best friend in an enormous amnesiac robot (Vin Diesel). The robot eventually realises that he was actually built as a weapon, and before long, the authorities find out about him and set out on a quest to destroy the gentle giant. Now the boy and his metallic friend have to protect each other at all costs. A touching film in the tradition of E.T. the Extra-terrestrial, The Iron Giant deserves to be considered as not just a terrific animated film, but as one the greatest films of the '90s, period. IMDB Rating: 8.0, Rotten Tomatoes: 96% Back to the Future A time-travelling classic from director Robert Zemeckis (Forrest Gump) and producer Steven Spielberg (Raiders of the Lost Ark), Back to the Future sees 1980s teenager Marty McFly (Michael J. Fox) race back to the 1950s to ensure that his parents meet during high school and fall in love – he better succeed, because if he fails, he'll be wiped from existence in his current timeline! To do this, he'll need help from Doc Brown (Christopher Lloyd) – an eccentric scientist who's built a working time machine in the form of a DeLorean sports car. A fantastic fish-out-of-water tale that leans heavily on 1950s nostalgia, great performances and terrific visual effects, Back to the Future can be considered a high-watermark from everyone involved.IMDB Rating: 8.5, Rotten Tomatoes: 96% Zootopia More than just a cute movie about talking animals, Disney's Zootopia cleverly sneaks messages about prejudice, tolerance, and even the war on drugs, into its animated take on cop movie procedurals. Though its characters may be bunnies, foxes and other wild animals, the idea of not judging someone by their race (or in this case, species) is more important than ever right now. Gorgeously animated with loveable characters and a hilarious script full of jokes that only adults will get (there's even a Breaking Bad reference at one point), Zootopia continues Disney's streak of incredible animated films. Now bring on Zootopia 2!IMDB Rating: 8.1, Rotten Tomatoes: 98% Source link
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The best movies on Netflix Australia
New Post has been published on https://www.etechwire.com/the-best-movies-on-netflix-australia/
The best movies on Netflix Australia
UPDATED: Your Name is one of the true anime masterpieces, and it’s just landed on Netflix Australia — find out why you should watch the highest-grossing anime film of all time on page 5!
If you’re new to Netflix and want to find the best movies to watch, or you’re tired of browsing the app for 30 minutes before finding something to watch, you’ve come to the right place. With thousands of movies at your disposal, it’s easy to get stuck in binge-watching mode, but finding the honest-to-goodness best films can be a bit of a hassle.
In an effort to determine the best of the best, we’ve put together a list of the greatest possible films you can watch – curated by TechRadar editors and backed up with ratings from IMDB and Rotten Tomatoes – so that you don’t have to sift through the muck. We’ll keep this best-of list up to date with the latest movies that are must-watch, so you waste zero screen time searching.
As tech enthusiasts, it’s perhaps unsurprising that we’re obsessed with science fiction here at TechRadar. From glorious space operas to mind-bending films that make you think, there’s something for everyone on our list of the best sci-fi movies on Netflix Australia.
Annihilation
If you’ve seen writer-director Alex Garland’s previous sci-fi masterpiece, Ex Machina, you’ll know to expect a wild ride with his follow-up, Annihilation. Based on the highly regarded novel of the same name by Jeff VanderMeer, Annihilation follows a group of women who set off on an expedition into an environmental disaster zone where the laws of nature don’t apply. Natalie Portman leads the pack as a biologist searching for her missing husband, and she’s joined by Tessa Thompson, Jennifer Jason Leigh, Gina Rodriguez and more. Though the film has only just been released in theatres in the US, Australia is lucky enough to be one of the countries getting the film on Netflix right away. Equally brainy and terrifying, Annihilation has all the makings of a modern science fiction classic.
IMDB Rating: 7.8, Rotten Tomatoes: 87%
Rogue One: A Star Wars story
As the first Star Wars anthology film, Rogue One had some pretty lofty expectations to live up to. Rather than try to replicate the formula that made The Force Awakens such a smashing success, director Gareth Edwards delivered a proper war film, one that had more in common with Saving Private Ryan than The Empire Strikes Back. Remember in A New Hope when the Rebellion got its hands on the Death Star plans that would lead to victory at the end of that film? Rogue One is about the group that stole those plans. Yes, it is a Star Wars prequel film, but don’t worry – there’s no Jar Jar Binks in sight.
IMDB Rating: 7.9, Rotten Tomatoes: 85%
Edge of Tomorrow
A terrific science fiction war film starring Tom Cruise, Edge of Tomorrow plays like a cross between Halo and Groundhog Day, where the Cruiser is thrown directly into an alien war only to die almost immediately and then forced to repeat the day over and over, becoming a little more battle-hardened each time. Joining him is Emily Blunt, playing a tough-as-nails soldier who helps Cruise figure out a way to close this never-ending time loop and end the war for good. Backed by a terrific script and some fine chemistry between Cruise and Blunt, Edge of Tomorrow is a fantastic special effect extravaganza that should please both sci-fi and action fans.
IMDB Rating: 7.9, Rotten Tomatoes: 91%
District 9
The film that put both director Neill Blomkamp (Elysium) and star Sharlto Copley (Powers) on the international stage, District 9 is an ingenious science fiction Apartheid allegory that puts marooned aliens in South African concentration camps. An anti-alien pencil pusher (Copley) has his whole world turned upside down when he is sprayed with some kind of liquid that is slowly turning him into an alien, and now he has to team up with one of the “prawns” he so despises if he has any hope of turning back to normal. Hilarious, action-packed and filled with flinch-worthy body horror moments, District 9 is an instant classic that rightfully earned a best picture nomination at the Oscars.
IMDB Rating: 8.0, Rotten Tomatoes: 90%
Midnight Special
The kind of smart science fiction film that Steven Spielberg used to make in his ‘Close Encounters of the Third Kind’ heyday, Midnight Special continually offers a sense of wonder as its story unfolds. Without spoiling too much, the film centres on Roy (Michael Shannon), a father who must protect his special son Alton (Jaeden Lieberher) from both the US government and a cult after it’s discovered that the boy has otherworldly powers. Along for the ride are Alton’s mother Sarah (Kirsten Dunst) and Roy’s close friend Lucas (Joel Edgerton). With surprises around every corner, you never really know where Midnight Special is going, though what you can expect are some truly terrific performances and a mind-blowing finale. Fans of Stranger Things should check this out.
IMDB Rating: 6.7, Rotten Tomatoes: 83%
Minority Report
What if you could prevent murders before they’ve occurred? More importantly, what would you do if you were due to be sentenced over a murder you haven’t committed yet? That is the premise of Steven Spielberg’s spectacular sci-fi film, Minority Report. Loosely based on the Philip K. Dick story of the same name, the film sees Tom Cruise play the head of a futuristic ‘Precrime’ Division tasked with stopping murderers from carrying out their violent actions. They can do this thanks to the psychic abilities of three siblings known as ‘Precogs’. But what happens when this trio of soothsayers predicts a murder carried about by Cruise himself? Spoiler alert, he runs! A visually stunning film that’s filled with ingenious and forward-thinking technological ideas that will likely become a reality in years to come, Minority Report is intense and action-packed.
IMDB Rating: 7.7, Rotten Tomatoes: 90%
The Terminator
While other films from the same time period have struggled to stay relevant, The Terminator remains as interesting and unique as it was 33 years ago. An undisputed classic of intense, unrelenting action, The Terminator kickstarted the career of uber-director James Cameron, who would go on to direct such classic blockbusters as Aliens, Titanic, Avatar and, of course, Terminator 2L Judgment Day. If you’re looking for a retro masterpiece that holds up to modern-day cinema standards, you can stop searching – The Terminator is a must-see for any fan of science fiction, action and horror.
IMDB Rating: 8.0, Rotten Tomatoes: 100%
Star Wars: The Force Awakens
A triumphant return to the screen for the Star Wars franchise, The Force Awakens sees the characters we love from the original trilogy, like Han Solo, Chewbacca and Leia, set off another adventure with a new generation of wonderful characters. Ironically, for a series set among the stars, Director J.J. Abrams brings the franchise back to Earth by dialling down the CGI that hobbled the prequel trilogy – this is a Star Wars movie that uses real locations and sets, as well as puppets and actors in costume, to recreate the spirit of Episodes IV through VI. Featuring thrilling action, incredible special effects and terrific performances, The Force Awakens is the best Star Wars film in over 30 years.
IMDB Rating: 8.2, Rotten Tomatoes: 92%
Gravity
It took an agonising seven years for director Alfonso Cuarón to follow his masterful last film, Children of Men, but what an incredible follow-up! With Gravity, he sure did stick the landing (ahem) and hit this one right out of orbit (I’ll let myself out). This nail-bitingly intense film, in which Sandra Bullock’s character must use her wits to survive in space after a catastrophic shuttle accident, is a technical marvel – the kind of film that wows even the likes of James Cameron, who called Gravity “the best space film ever done.” A perfect marriage of drama and special effects, Gravity is an absolute classic.
IMDB Rating: 7.8, Rotten Tomatoes: 96%
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The 10 Best Faces of Anime: 2017 Edition
The human face – one of our species' most entrancing, fascinating traits. Capable of revealing the depths of the bearer's soul or hiding a person's true intentions, the face is the external cradle of emotion, the heart's fairest and yet most complex messenger. Tonight, on NOVA...
Just kidding! You're not here for a deep dive into the nuances of human faces and delicate insights into what the expressions we make say about who we are, what's important to us, and the human psyche – you want some gosh dang goofy anime faces, and I'm here to provide. Good anime faces are one of the medium's greatest treasures, with each new season of anime bringing with it a brand-new set of contenders reaching for the crown of best anime face. Some of these contenders bide their time, breaking out truly stellar faces for a moment of ideal impact, while others seek to make their mark with torrents faces.
Let me tell you, it was no easy task to break down an entire year's worth of quality anime faces to a list of just ten of the best contenders, but I have tried my darndest and present before you the fruits of my labors. You can either read all the reasoning, or just look at the pictures and start yelling in the comments. Your choice! And so, ladies and gentlemen, I present to you the top 10 best faces of 2017 anime!
#10. Aguri Dies (Gamers!, Episode 3)
Gamers! (Pine Jam, Summer 2017) was sneakily good in a lot of ways, feeding us rich material on the smugness of nerd self-deprecation, touching little reflections on romance, and a late bounty of dunks on video games courtesy of my favorite character in the show – Aguri. But there was one area where Gamers! needed no subtlety: its excellent face game. Trying to narrow down the faces from this show was a truly daunting task, but this one wins out for a number of reasons. First, the mismatched combination of heavy, marker-like lines and traditional thinner lines provides an odd contrast that frames Aguri's deformed facial features – her mouth trailing off her face is probably the detail that makes the whole thing work. But the most impressive thing about this face? I don't have the foggiest clue what it was in reaction to, but it still works devoid of any context. In many ways, that's emblematic of what makes silly anime faces great – their ability to stand on their own apart from the context of their show. How about that? Weren't expecting actual analysis on silly anime faces here, were ya!
#9. Jean's Smirk (ACCA, Episode 12)
This shot of Jean Otus from ACCA: 13-Territory Inspection Dept. (Madhouse, Winter 2017), on the other hand, is one of the most context-rich faces in today's list. While those of you who haven't seen ACCA might be able to appreciate the smug upwards tilt of Jean's mouth and his coy eyes, the people who did watch the show have the privilege of appreciating that this smile is the culmination of an entire show's worth of political intrigue, spywork, and plotting. The twist and triumph this one smirk represents gives the audience a sort of deep satisfaction that offers an entirely different sort of appeal from the instant amusement that your typical anime face grants – and that earns it a spot on this list.
#8. Sana's Pout (Alice & Zoroku, Episode 7)
There's your typical anime girl pout, and then there's filling up the entire darn screen with your pouting. Leave it to an actual sulking child, like Sana from Alice & Zoroku (J.C. Staff, Spring 2017), to pull a feat like that off. In fact, Sana pulls a plethora of fantastic faces throughout the duration of Alice & Zoroku, including a ton from my personal favorite anime face genre, then > <. That being said, there's no way a pout this powerful, which conveys both her childishness and her earnest cuteness in one shot, could be anything less than the show's best face – and one of the best of the entire year.
#7. Takao Melts (Tsuredure Children, Episode 3)
What other sort of face are you supposed to make when a pretty girl seems like she's about to confess to your extremely low self-esteem self? It was pretty much all out war in the Tsuredure Children (Studio Gokumi, Summer 2017) camp for this spot on the list, as the show's face game was, frankly, unbelievable – with wobbly mouth smiles, tears by the gallon, blushes so numerous they probably contributed to global warming, moments of shock, embarrassment, and awkwardness galore. But Takao's face here topped them all on two specific strengths. One, his head is very round. Two, the mix of sweat, full-face blush lines, pitch-perfect pink shading, and his huge mouth are a truly phenomenal combination that make it look like he's just about to melt. #relatable.
#6. Todoroki's Rage (My Hero Academia S2, Episode 7)
Todoroki takes a page out of All Might's book as he storms away from Endeavor in this scene from My Hero Academia's second season (BONES, Spring 2017), complete with the intense lines and dark shadows – except, in his case, it's a face chiseled by rage instead of heroism. Pretty much everyone knows about famous BONES animator Yutaka Nakamura's contributions to Todoroki's fight, but the figure behind this epic face is anime character designer and chief animation director Yoshihiko Umakoshi. Although this shot is based on mangaka Kohei Hirokoshi's excellent original drawing, Umakoshi's distinct style still shines through in the inky lines and sharp angles. In the end, the anime version isn't hugely different from the manga version, but it's got just enough extra style to stand all on its own. You can really feel Todoroki's fury!
#5. Drunk Chain (Blood Blockade Battlefront & Beyond, Episode 3)
What's better than a sexy werewolf lady who can crush your heart with her hand while it's still in your body? How about one who can drink you under the table without batting an eye, like Chain Sumeragi from Blood Blockade Battlefront & Beyond (BONES, Fall 2017)? While not the most intricate offering on the list, the simple chibi-like design is actually part of the face's charm. There's a pleasing asymetry to the whole thing, what with the back-and-forth linework of her mouth and the goofy puff of her left cheek. The empty shot glass of otherworldly liquor is just the chaser that makes the face irresistible.
#4. Gabriel's Stare Contest Face (Gabriel Dropout, Episode 10)
I didn't watch Gabriel Dropout (Dogakobo, Winter 2017) myself, but that doesn't mean I'm not familiar with the show's inescapably good face game. The studio behind GabDro, Dogakobo, has made a name for itself doing cartoony comedies with fun animation and great faces, and Gabriel Dropout is just another in a prestigious ouvre that includes cult favorites like Love Lab, widely beloved offerings like Monthly Girls' Nozaki-kun, and transcendent meme shows like Himouto! Umaru-chan, but on faces alone GabDro certainly stands on level ground with the rest of the studio's productions!
#3. Mikasa's Death Glare (Attack on Titan S2, Episode 11)
Can an anime face be just one eye? I'm not sure, but I'm sure as hell not going to argue with Mikasa Ackerman when she's looking at Eren like that! I'm not the biggest fan the show, but this chilling moment from Attack on Titan S2 (Wit Studio, Spring 2017) got my attention in a big way simply because of how much intensity and emotion was packed into a single open eye. The much-discussed makeup animation crew (more on that here) appeared many times during Titan's second season, but I'd argue this moment is their crowning achievement – if only for how impactful and terrifying it is.
#2. Sagiri's Bleh (Eromanga Sensei, Episode 6)
At this point in the list, we're well and truly into meme face territory, with Sagiri's infamous "bleh" face from the middle of Eromanga Sensei (A-1 Pictures, Spring 2017). I didn't watch the show myself, so I have basically no idea what the context is, but as we've discussed with some faces on this list already, many of the best anime faces are accomplished because they can be divorced from their shows. And, in the case of ones like this, they go on to become memes in their own right, ways of expressing emotion and feeling through our computer screens. Ah, for the face of an anime girl that expresses my true heart...
#1. Kazuma Looks Dumb as Hell (Konosuba S2, OP)
As much as it physically pains me not to have an Aqua screencap in this spot, was there ever any doubt that the most memorable anime face of 2017 would be this incredibly goofy Kazuma face from Konosuba S2 (Studio Deen, Winter 2017)? The face was an instant legend among the community as soon as the show aired, and went on to be discussed at length on Twitter, Reddit, and pretty much everywhere else for the entire season. As for the merits of the face itself, the bulging eyes, tiny pupils, streaming tears, garbled mouth, the general upwards slant of everything including Kazuma's hair, and the hilarity of the moment itself all pull together to make the best anime face of 2017.
And with that, I sincerely apologize for the fact that I could not fit more anime faces into this post. As a token of my regret, here is a small album of some of the runners-up that I compiled for you all. With that out of the way, it's time to hear from you guys! What was your favorite anime face of the year, and which anime had the best overall face game? Chime in down there in the comments!
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Isaac eases his compulsive need to write about anime on his blog, Mage in a Barrel. He also sometimes hangs out on Tumblr, where he mainly posts his drawing practice as he seeks to become a renowned idol and robot fanartist. You can follow him on Twitter at @iblessall or on Facebook.
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