#calix quan | Explore Tumblr posts and blogs

lipsyncforyourlife · 3 years ago

Text

Lady Camden Talks 'Ships & Trips + "An Extra Special Episode" Recap (Issue #11)

The RuPaul's Drag Race Official Newsletter

In this week’s Drag Race newsletter, we recap “An Extra Special Episode,” break down the LaLaPaRuZa lip-sync by lip-sync, and share an exclusive interview with Lady Camden. Don’t forget to subscribe so you can stay tuned for all of the latest Drag Race updates!

If Snatch Game was a “nuclear fallout” (per Bosco), then this week’s “An Extra Special Episode” welcomed us to Drag Race’s post-apocalypse, a dystopian hellscape where warrior queens must go head-to-head in a LaLaPaRuZa gauntlet, armed with little more than pads, heels, and (hopefully) some rhythm. With only DeJa Skye safe from a sashay, the seven remaining queens knew their lives places in the competition were on the line, and a sense of dread hung over the proceedings. One slip, one missed word could be all it takes to send them packing. My name’s Cameron Scheetz, and I’ll be your guide as we revisit each nail-biting lip-sync battle. Let’s get ready to rumble!

The Set-Up

In the Snatch Game aftermath, the Werk Room was filled with drama, chaos, confusion and madness: What does RuPaul have in store for them? Will they be lip-syncing as a group? As individuals? And just how many queens will be sent home by episode’s end? DeJa—with no direct stake in the LaLaPaRuZa—tried to lighten the mood, but that didn’t stop Daya Betty from expressing her frustration with the whole ordeal. “No offense,” as she said again and again, though it’s clear she and a few of the other queens were feeling nervous about the possibility of going head-to-head against proven Lip-Sync Assassins Jasmine and Jorgeous.

The tense mood carried over to the next day as the queens prepared for the unknown. Discussion turned to the eclectic group’s differing performance styles, hinting at some possible triumphs and hiccups to come. The more theatrically minded Willow wanted to avoid “club music,” while Angeria shared she prefers the classic “park and bark” method for ballads. Even before the lip-syncs began, Bosco was in her head about it, having internalized the collective flop of a Snatch Game. And Jorgeous, well, she knew she didn’t have much to worry about.

On the MainStage, Ru was flanked by Michelle Visage, Carson Kressley, and Ross Matthews, who—without any critiques this week—were largely there for claps and gasps. The newest Pit Crew member, Calix (a.k.a. Calixto Quan) entered stage right with a “golden hopper” full of balls, and Ru laid out the rules: After a series of six lip-syncs, one queen would sashay away. If you win your lip-sync, you’re safe, but if you lose, you’d have to lip-sync again until only two remain. A queen would be selected at random from the hopper, and—the gag—she would pick her competitor. But—the double-gag—the competitor would get to choose which song they lip-sync to from a predetermined list. It was game time, and everyone was on edge… except for DeJa who to watch from the safety of the Werk Room couches, drink in hand.

Round 1

Jasmine Kennedie vs. Daya Betty

Dancing diva Jasmine’s name was drawn first, so she confidently selected Daya as her opponent, bringing to head a fiery sibling rivalry that’s been threatening to explode most of the season. Of course, Jasmine didn’t yet know that Daya would have the advantage of song choice, and Aretha Franklin’s “Respect” was a wise one, putting the two on more of a level playing field. During the lip-sync, Jasmine whipped, kicked, and shablam’d across the stage, but Daya kept her focus front and center, giving the impression it was her show. And, indeed, it was, claiming the win and establishing a precedent for the episode: More than stunts and fancy footwork, the LaLaPaRuZa is all about who can best key into the emotion of the song. Jasmine was beat but not defeated, and, backstage, Daya shared with DeJa just how badass she felt after “slaying the giant.”

Willow Pill vs. Bosco

Ever the strategist, Willow chose her competitor based on who was most likely to also go for the one song she wanted: Luther Vandross’ “Never Too Much.” Bosco unknowingly played right into her hand, but revealed the track’s one of her karaoke favorites, so no sweat. Given that we’d yet to see either of these queens in a competitive lip-sync on the show, this match-up was one of the biggest question marks of the night, and ultimately both proved they could hold their own on the main stage. Bosco brought the burlesque energy, but Willow’s performance—carefully calculated to get bigger and funnier as the song went on—nabbed the win.

Jorgeous vs. Angeria Paris VanMicheals vs. Lady Camden

That left us with one steamy three-way at the end of Round 1, with a trio of queens who have all previously won Lip Syncs—that is, counting Angie’s Talent Show number from the second premiere. The girls were shocked that Jorgeous went with Sasha Fierce track “Radio” (that’s two Beyoncé songs in one season now! We’re so lucky!) over JLo, but the uptempo number is well-suited to her talents. Actually, it was well-suited to everyone’s talents, and the entire performance was a blast, a “hot-ass f*cking girl group,” as Ru said. “If only Seduction could do that.” Ultimately, Jorgeous reigned supreme, death-dropping and ghost-punching her way to safety. Are you surprised, America?

Round 2

Lady Camden vs. Bosco

At the top of Round 2, nerves were setting in, especially for Bosco once trained dancer Lady Camden picked her for the lip-sync face-off. Her game plan? Opt for En Vogue’s “Don’t Let Go,” the slower song, so that the ballerina couldn’t rely on her moves. (And perhaps it didn’t help that Lady looked like “a giant, neon-pink skunk.”) But one thing Bosco forgot is that Lady Camden is also a trained actor, and the queen really left it all on the stage. Plus, can we give a shout-out to that breath-taking shot with the close-up of Lady’s face and Bosco in the background? STUNNING. The girls watching from the Werk Room were getting all hot and bothered, and she clearly worked her magic on Ru, too, snagging the win and some much needed hugs.

Angeria Paris VanMicheals vs. Jamine Kennedie

Once again, Jasmine found herself lip-syncing against one of her biggest support systems in the competition, and the tears were flowing before these two even hit the stage. But that didn’t stop either queen from bringing it to this semi-final lip-sync, set to Jennifer Lopez’s “Love Don’t Cost A Thing.” It’s a fierce fight, with Jasmine’s spirited choreo and Angie’s old school stage presence, but the latter scored the win, once again highlighting how well-rounded a competitor “The Southern Belle from ATL” is. I also wanted to take a moment to appreciate the commentary from the peanut gallery—debating who deserves the win and who needs to stay in the competition—which was especially fun when you consider this was the first time they’ve been able to watch their sisters compete head-on, instead of standing behind them during the usual LSFYLs.

Round 3

Bosco vs. Jamine Kennedie

After a grueling LaLaPaRuZa, it all came down to this one. The song? The sexy, summery “Swept Away” from Ru’s favorite, Diana Ross. Exhaustion had certainly set in at this point—Bosco very much in her head after the two prior lip-sync defeats, and Jasmine with tears still running down her cheek. But the two jumped right into action as the number started, splaying themselves on the stage to channel the sensual energy of its spoken-word opening. Jasmine’s approach was more campy and playful than her usual dancing tricks, and that element of surprise went over well with the judges, but it was hard to deny what Bosco was serving. The queen busted out all of her stripper moves, dropping jaws with her t**nt-forward choreography. When the song ended you could practically see the steam heat rising off the stage—that was a fight! The girls in the Werk Room were left guessing, but ultimately Bosco lives to slay another day, energized and with something to prove.

That, of course, meant Jasmine Kennedie’s fate was left to the Drag Gods, the color of her candy bar determining whether she would stay or go. Sadly, it’s chocolate once again. Dubbed “Mouth Almighty,” the young queen became the easy punching bag of the season, but I’ve been so impressed with her composure and maturity throughout, taking it all in stride, remaining positive and enthusiastic through the very end. It’s probably safe to say this Drag Race experience has changed Jasmine’s life, and I just feel so lucky we got to watch along as she blossomed into her truest, fullest self—I can’t wait to see what she does next! And she walks off the stage, she leaves us with one hell of a closer: “Oh this, y’all? Is just the exit line.”

Burning Questions

Math Time

Like Bosco, I consider myself a Numbers Queen, so you better believe I’m doing the math to figure out how the rest of the season might play out. Let’s run through it: This was the 11th episode of a 16-episode season—once you factor in a likely reunion episode and a grand finale, that means there are just three competitive episodes left. So it should stand that there are still three eliminations to be made from our seven remaining queens, leaving us with a final four. But–and it’s a big but—the golden bar is still in play, which could throw things out of whack. So what does it all mean? I have no clue! But I think we can assume the show still has some surprises in store for us.

Next Week: Voulez-Vous Drag?

It’s curtains up on the Season 14 Rusical, Moulin Ru!, directed by none other than America’s Sweetheart, Leslie Jordan (who last appeared on Season 5 as a Guest Judge, but has only become more of a household name since). As the teaser shows, the numbers are looking positively Lady Marmalade-esque, and I can’t help but wonder how much the Rusical will map onto the story of Bad Luhrmann’s Moulin Rouge!. What we do know is that there’s a central character named Saltine—a reference to Nicole Kidman’s character, Satine—that Bosco will stop at nothing to get. Will she get her way? Also, the stunning, talented, and stunningly talented Andra Day stops by to Guest Judge! Gitchie, Gitchie, ya-ya, da-da!

The Other Half Of The Story

You know the drill: If you’re not watching Untucked, well, you’re missing out, babe! Let’s shout out a few of the most notable moments from this week’s episode.

For the first time this season, Untucked took place after the elimination, so the girls knew Jasmine had sashayed away. There’s a lot of love for her in this group, but the queens seemed to agree it was her time to go—at least according to track record, as she was the only one without a win.

Bosco has gifted us all with a new phrase that I challenge you all to slip into your daily lives: Sean Icon-nery. Brilliant.

At one point, DeJa asked Daya how she’s feeling now since she’s been “so unfiltered with her opinions.” Angeria expressed that Daya’s frustrations can come off as very pointed and unwarranted, and the queen owned up to her irritations. Still, she’s tired of being seen as Bitter Betty just because she’s often the only one to speak what’s on her mind, so Bosco offered some validation, sharing how much she appreciates it as (1) someone who processes things more internally and (2) someone who lives for the drama.

The big takeaway is that, after these last two weeks, it’s feeling like any of the remaining queens has a shot at the crown. Everyone’s had at least one win, everyone’s had their highs and lows, and now we’ve seen proof that all seven of them can hold their own in a competitive lip-sync. Hell, even Jorgeous said she’s nervous now that she knows how well her sisters can turn it out on stage… although she immediately undercut that in her confessional, saying it was just a joke. Tricky, tricky!!

And finally, we said our goodbyes to Jasmine as she packed up her luggage. As she put it, she’s finally graduated from drag college, diploma in hand. With a new set of sisters and a new sense of herself, Jasmine’s eager to re-introduce herself to the world, committed to starting therapy and her transition. We’re so proud of you, Jasmine!

The Serve-ey w/ Lady Camden

Each week, we’ll get to learn more about one of the queens of season 14 when they take our brief questionnaire, a.k.a. The Serve-ey. They’ll all get the same six questions, and then we’ll throw in one final “wildcard” question just for fun. This week: From Camden Town to California, it’s the charming Lady Camden!

1. In keeping with the season promo’s board game theme: What was your favorite game growing up and why?

Oh, if that includes video games, I used to be a really big fan of Crash Bandicoot, which I don’t even know if that’s still out and about, or if that’s just like a ‘90s kid thing. But I love Crash Bandicoot and also Lara Croft, Tomb Raider. So I would say those two were my two go-to’s, but I don’t know what that says about me. [Laughs.] Like, there’s a little bit of goofiness and stupidness, and then maybe some adventure as well, you know?

Yeah, there are adventure elements to both—I think they’d both be considered versions of a “platform” in that there’s a lot of running and jumping in these limited spaces.

I used to get so frustrated though. If I was stuck on a level, I would just go to the dinner table so mad and they’d be like, “What is wrong with you?” I’d be like, “I just can’t get past this level; it’s so annoying! It’s the bane of my existence right now!” And they’d say, “It’s a game; you need to get over it.” I’d just get so mad and so competitive.

2. How would you say the city you’re from helped define your drag?

It’s funny, my story is so not simple and straightforward that people are like, “So wait, where are you from?” And sometimes I’m like, “I don’t know!” [Laughs.]

I think that, as a kid—I’m sure people are probably sick of me telling the story—my dad used to run a nightclub in Camden Town. And so that was his life, he was a general manager of this club, and my mom was a fashion designer, and she was selling stuff at the Sunday markets at the club. And so the two of them met at this club, and I just remember a lot of my childhood time being spent waiting for my dad to get off work, hanging out in Camden Town, and rollerblading on the dance floor a lot when it was empty. I was just seeing a lot of the crazy fashion and music and nightlife and live-music-venue vibe that was going on. There was a lot of excitement in Camden Town around the mid-to-late ‘90s, a lot of color, a lot of vibrance, and nothing was very serious. So I feel like that kind of fantasy element definitely played into who I am as a drag queen, because I am a very nostalgic person. And I feel like I hold on to those kinds of memories a lot. I think of the joy that I had as a kid, just kind of dancing around Camden. And so I feel like I like to play around with that a lot, and I think that’s why I have this fantasy element, or this theatrical kind of loudness in my drag—that’s from Camden Town, for sure.

And then I think San Francisco helped me kind of go, “Okay, I don’t really fit into certain other forms or styles of drag.” But SF was the place that taught me that that’s what’s going to get you gigs—the fact that you are different and unique as something that people haven’t really seen as much of. And I don’t know if Sacramento inspired me in any specific way; I think it just gave me a place to live where I could afford to be able to do drag a little bit easier during the pandemic. So I feel like Sacramento saved me in the pandemic, for sure.

I definitely see how that all adds up. It’s interesting to me because you are such a nimble queen who can really move, but I like how big and structural your drag can be at times. It almost feels like those elements would be at odds, but you synthesize them really well.

I think when I first started to get really creative with drag, when I first started out, I would do these kind of ambitious head pieces, or things where there was always something involving wire to give it structure. I remember the first time I performed at what is now my home bar, I did this Marie Antoinette look I was so proud of—it was a Goodwill wedding dress that I hitched up and made it a slutty Marie Antoinette, and I gave it this wire head-frame thing. And, again, it’s so impossible to move in, so impossible to navigate crowds and clubs. And so the fact that I’m a dancer is sometimes not conducive to my ideas, because I’m like, “I want to be this big, floating, piece of art!” And then it’s like, “Okay, well, I can’t move in that. I guess I’ll just take a pretty photo and not bring it to the club.” I think the dancing lends itself to the theatrical-ness of that, and it’s something I didn’t really realize until I did Drag Race—that I am theatrical—because people kept telling me. So, you know, I guess I am! [Laughs.] Ballet is the world where movement lives in the same space as something like a big set piece, or a big headpiece, you know?

3. With this season’s candy bar twist, I’m curious: If you were a piece of candy, what kind would you be?

Well, I’m sure that everyone says Skittles, or something cute. But I was thinking about a chocolate bar that I just loved as a kid—I don’t even know if that says anything about me—but there’s a candy bar called Curly Wurly that Cadbury’s makes. It’s kind of a thin bar, but it’s two little chocolate pieces that kind of do this [does a criss-crossing motion with fingers.]. And then there’s toffee inside, and it’s coated with milk chocolate. And I just remember it’s kind of light, but I liked the name Curly Wurly. So as the little ginger, curly kid, I was like, “It’s me!” And I would like to freeze them and then bite them because then they would be hard, the toffee would feel like hard caramel or something. So Curly Wurly for me!

4. What can you tell us about your “confessional” interview look? How did you decide what to wear? What do you think it says about your style out of drag?

I wish I could say, “Oh, you know, I sat around, sketched it out, brainstormed it with designers and we all collectively decided on this.” But the reality of getting ready for Drag Race is that there’s a huge bundle of things to get ready for. And so I [had a few] different looks, just to see what would happen, and then you consider how things look on the set with color and flashing lights and stuff. I thought [the red was] probably the worst color for me to wear as a redhead with, like, white skin—I don’t feel like red is the most flattering. But I kind of like this sort of Madeline, school girl vibe. I kind of love to, when I’m in drag, feel whatever it is, you know, sexy or colorful or fun. But then sometimes, as a boy, I like to feel like a cute little boarding school schoolboy—I don’t know if that’s weird. [Laughs.] And then I had this other look that I wore in the Werk Room—that was the Sailor Moon-inspired shirt. It was between those two for me; I just wanted something cute. And maybe the nostalgia plays into it as well, because I did go to a boarding school for a little bit. I kind of loved the school uniforms at boarding school even though everyone hated them, I always thought they were kind of cute. I thought I looked very put-together in a school uniform, you know?

5. What’s a fun fact you can share about one of your season 14 sisters that might surprise the fans?

I’m sure I have something good, but I’m a bit of a scatterbrain. I don’t know if it’s a fun fact, but Angeria and I talk on the phone for at least two hours every time we talk. We talk a lot on the phone. But I’m trying to think of something else…

No, I think that’s a great one. So, let me ask you this: There’s definitely a corner of the internet that ‘ships you two—I think there’s a few different names for it, but I’ve seen “Camgeria.” It’s very, very sweet, but I wondered if you’ve been surprised by the reaction to it.

You know, it’s so funny, I had to ask my friend, “What does ‘shipping mean?” I kept seeing ‘shipping on Twitter, and so I found out what it means.

But I just have so much love for Angie—I almost just called her Camgeria! [Laughs.] And we do just talk a lot. You know, I think we got close on the show because there’s just a lot of—not bullshit, but there’s a lot of stuff going on in your brain when you’re on a show like that. You’re just trying to navigate being yourself, but also being amazing and making everyone fall in love with you. And then also win, you know? It’s like, that’s a lot of things to navigate, mentally. I feel like, with Angie, I really felt that was a bit of a break from everything whenever I talked with her. I was like, “Okay, she’s just another regular person that’s goofy like me.”

And I think the fact that I could make her laugh gave me a lot of confidence—even if I wasn’t that funny! Like, my Snatch Game, before we went to go do it, she was cackling at everything I said in the Werk Room. So I had this confidence, like, “Oh my god, I’m going to kill it! I’m gonna win!” [Laughs.] So I just love spending time with her. I make her laugh and she makes me laugh. I just feel like we’re so “chalk and cheese,” we’re so opposite in so many ways, that I think that’s why we get along really well. And, yeah, I guess we have chemistry!

I think your energies are very complimentary—you bounce off of each other really well.

We just genuinely find each other funny, that’s what it is. None of it is put on. I find everything that she says funny because her cadence and everything and the way she talks is so opposite to me. Being awkward and British, it’s like the total opposite.

6. Here’s a chance to shout out another drag performer, designer, hair & makeup artist, etc… who really helped inspire you or prepare you for your journey on Drag Race.

I would say a small handful of Bay Area, San Francisco, Sacramento designers and wig stylists definitely helped me out with this—with not asking me any questions as to why. You know, just nodding their head and going, “Oh, you want 12 wigs? Okay, no problem! Not gonna ask any questions. Okay, you need 20 pairs of nails? Okay, sure, that’s not a problem!”

And I would say the one designer that has helped me the most has probably been Kip Yanaga, also known as Kipper Snacks. She is a San Francisco designer, a beautiful Trans performer, and I feel like she is so over me at this point. [Laughs.] Like, I just sent her a message and I was like, “Please swing by for—” and she was like, “Yes.” I feel like I’m just bugging the shit out of her, so we have to give her a shout-out: Kipper Snacks on Instagram. I tag her in an all of the looks, and I’m wearing a look of hers in [this most recent] episode. She was the first designer that made anything for me that was custom. I used to wear Goodwill shit up until that point, just rhinestoned or whatever. And I remember the first show that I did at Hamburger Mary’s, I showed up with two new, custom-made leotards, a little peplum skirt. And I just felt like a superstar. I was like, “I’m a drag queen, bitch!” So yeah, Kipper Snacks is definitely the person that we have to give a shout out to.

7. Wildcard: Your love of The Spice Girls has been well-documented on the show already, but I was hoping you could share your origin story with them. When and why did you first fall in love and want to spice up your life?

I feel like, when I turned that Girl Power look on the runway, I’m sure that people were like, “Okay, we get it: You want to be part of The Spice Girls.” [Laughs.] And a lot of UK queens are the same, too, so I’m sure they were like, “You’re not a Spice Girl—I’m a Spice Girl!”

But I think they were this group of girls that made me feel like it was okay to be really camp, and loud, and fearless, and really, really girly. You know, I think that that was sort of my little piece of something that I can indulge myself in as a little, not-knowing-it-yet gay boy. I just knew I loved pink, and I loved like feminine things, and playing with my Barbies, but I had to hide them away. And I wanted to play dress up! And the other moms of the girls that I would hang out with would be like, “You can’t go onto the playground like that. You can’t let the other boys see.” So The Spice Girls was a little thing that I could worship that just made me feel like each five of those girls possessed something kind of powerful, kind of fearless. And the other part that I loved about it was that they weren’t the same; I loved that. It was a message to me that you don’t have to look like the girl sitting next to you, or the boy sitting next to you, to be accepted into a group. You don’t have to be like that—you just have to own your little slice.

Plus, also, I think it was my mom’s friend, she went to Blockbuster when it was still open—that’s how old I am—and they these cardboard cutouts, sometimes, of like a movie that was coming out or whatever. And it must have been around the time that Spice World came out and maybe that was going on. So she must have stolen the Baby Spice cut-out and then put it in my room. And so I woke up one morning to Baby Spice just like, [throws up a peace sign], standing next to my bed and I was like, “Oh my god!!”

So, was Baby your favorite then?

I would say Baby, yeah. But, you know, I think it depends on the mood of your week. Sometimes you’re a little bit scary, sometimes you’re a little bit posh if you don’t want to talk to anyone. I think there’s room for everyone to kind of dip their toe into each, depending on their mood. But I would say Baby Spice is the one that I wanted to be. Because she was just the girliest, and I just felt like I was being pushed in a direction as a kid to not be girly.

I’m around the same age as you, so everything you’re saying really tracks for me. I remember, when they got really big, publicly I felt like I had to say, “I don’t listen to them.” But privately, I loved it all.

I think I knew I shouldn’t like them—and I got bullied relentlessly in school for many things. I was, you know, feminine looking, feminine sounding, I wore glasses, I had asthma, I had long curly hair. And my name was Rex, so already people were like, “That rhymes with sex!” And then I was just in love with The Spice Girls and Britney Spears, obviously—like any gay boy in the late ‘90s or early 2000s. I think there was something about them that made me feel like I could be proud of liking a band like that, because they were so, “We don’t give a fuck!” Something about that made me less embarrassed to like these things kinds of thing, you know?

BONUS: And I have to ask one extra question of you because I noticed something recently and it got some attention on Twitter: In the season promo teaser, on the board game set, there’s a moment where you trip and fall. Was that an intentional reference to your chaps runway, or just a funny coincidence?

It’s so funny you say that because I even had the mustache cane as well! And the mustache thing was something that I had prepared, so, for me, it was like—I wanted to do a nod to the Monopoly man. And it felt like it was just a secret little wink to any mega-fan that’s into it. Which I know that people clocked that because they were just like, “Oh my god!” And I love to kind of tease and trick people or whatever.

And the falling thing is interesting because, when you’re on set, things move around, things get shifted because of X, Y, and Z schedules, and people coming in and out. Of course, we had to film not only the promo, but also the RuVeal as well, so things got moved around. And so the script got flipped a bit and I wasn’t originally supposed to do the falling—it was supposed to be somebody else and they had a different idea for me. But then they said, “Oh, would you want to do the fall?” And in my mind I was like, “Yes, I want to do it!” They didn’t know, but I knew in my brain, “This is so sickening!“ And the director was like—you know, I didn’t have to [fall] much—and he was like, “Wow, you’re so good at falling!” I was like, “… Thanks.” [Laughs.] And a lot of the girls had not seen it before either. None of them had—I think they knew it happened, but they’re all backstage getting ready to go on, or having just been on. No one actually saw it. So it was kind of my own little secret.

Gagatrondra! It's The Tweets Of The Week

We wrap up every newsletter with a rundown of some of our favorite reaction tweets of the week, so use #DragRace and you may find yourself here!

belles❤️‍🔥

@jaidasmallz

deja this episode… #dragrace https://t.co/YxjO8QaGap

8:23 PM - 18 Mar 2022

Loïc (Follow The LGBT+ Path) ✞

@Ecaille14

#DragRace Bosco and Willow lipsyncing against each other: https://t.co/H33SLbKVsI

8:39 PM - 18 Mar 2022

el 🧷 #TEAMDAYA

@el_bettyy

thank u to whichever camera man gave us this #DragRace https://t.co/0DjVyjUaCK

9:12 PM - 18 Mar 2022

ᴍx. ɢᴀʀʏ 🌹 (𝘁𝗵𝗲𝘆/𝘁𝗵𝗲𝗺)

@thegaryfuqua

Jasmine waiting to pack up her stuff while the other girls do Untucked #DragRace #DragRaceClubhaus https://t.co/BGidAMyGID

9:46 PM - 18 Mar 2022

Want More?

Who better to join Monét X Change on The Pit Stop this week than The Reverend Doctor Silky Nutmeg Ganache? Our favorite “Barbie Girl” has a blast with Monét as they discuss an eventful Lip-Sync LaLaPaRuZa.

The Pit Stop S14 E11 | Monét X Change & Silky Ganache Wanna LaLa | RuPaul’s Drag Race

And then, for the first time in a few weeks, we get a new Whatcha Packin’! Michelle Visage is joined by Jasmine Kennedie to discuss how the New York queen’s life has changed since Drag Race and take a peek at some fantastic unused looks.

Whatcha Packin’ | S14 E11 | RuPaul’s Drag Race

#RuPaul's Drag Race #Newsletter #An Extra Special Episode #Lady Camden #Crash Bandicoot #Lara Croft #Tomb Raider #PlayStation

1 note · View note