#caleb ; sous un ciel d'azur au milieu de l'éte

[kaianqelic]

[ Hold ]

hold ; sender reaches out to hold receiver’s hand.

The touch is warm; familiar. It's enough to draw her attention away from the book she'd been reading, but she's not even upset about it in the slightest. Instead, her first instinct is to give his hand a squeeze, as if there's simply nothing in her to refuse it.

Yet when she looks up at him next, her head tilts to the side— "What, felt lonely?" She teases, despite the way she'd hold onto him anyway. "Mm, I was supposed to be reading... But alright, shoot. Penny for your thoughts?"

[kaianqelic]

[ 𝐃𝐈𝐒𝐇 ]

dish ; sender cooks receiver their favourite meal.

She leans by the doorway, arms crossed, watching—and she could pretend to be upset that she'd totally slept through her alarm; she could pretend to blame him for it, for all that she tends to do, anyway... but where's the use of that, when the smell of food cooking could cheer her up in seconds?

She walks over to peek out from behind him, "So this is what you woke up early for, huh? Tsk, tsk, sneaakyyyy, you!"

"...Hehe. Is it all for me?"

[kaianqelic]

noun ; kai·ah me·i /ˈkaɪ.ə/ /'meɪ/ — kaia; pure; to rejoice; — mei; plum; beautiful; bright; bud, sprout; — of a joyful and beautiful life.

l&ds-based rp blog. admin/muse 21+. gmt+8. in the process of moving from @kaiarchived. please read through the carrd before interacting. see also: thread tracker / prompts. tags & verses under the cut.

admin: @sunmerberrie / other rps: @mikiquette (mc/self-insert), @thomasicism (canon)

— TAGS & VERSES ;

Please refer to the following for the tags that will be used on the blogs, including current ships/verses. Note that this section of the carrd explains Kaia's lore!

[ GENERAL ]

about kaia — of the muse out of character — behind the cloud. ooc suggestive posts — cw. suggestive. explicit posts — cw. explicit. queued posts — queue'lque chose reblogs — encore (reblog) prompts — la rêverie (prompts) answered — lire dans mon coeur… (inbox) roleplay — j’écris ton nom thoughts — s'endormir dans un rêve sans fin (musings) moments posts — mots doux (moments) main verse — la vie en rose secondary verse — le coeur a ses raisons royal au verse — emmenè-moi

[ MAIN VERSES ]

la vie en rose. kaia’s main storyline verse follows the tag “la vie en rose”. this is the storyline most in-tune with her character development in relation to canon in-game events, and closely follows her modified lore. in this verse, kaia follows a developing relationship with xavier.

le coeur a ses raisons. this is a secondary verse where kaia falls for neither of the main leads. specifically, this verse revolves around her relationship with jeremiah. usually included under this verse are interactions with other ocs whose main verses/primary ships also involve xavier.

NOTE : For new threads, la vie en rose is the default verse being roleplayed, unless something else was mutually potted beforehand. Any roleplay interaction under either of the tags above will automatically follow their respective specifications. Each roleplay interaction will be tagged with a personal character label (lines taken from French media, usually poetry). If none of the tags above are added to the interaction, the personal character label will serve as its own verse tag.

[ CHARACTER TAGS ]

CALEB — caleb ; sous un ciel d'azur au milieu de l'éte — under an azure sky in the middle of summer, 'Eden Sentimental (I)' by Stéphen Moysan — main verse; platonic

GREYSON — grey ; la courbe de tes yeux fait le tour de mon coeur — the curve of your eyes trace a path on my heart, 'La Courbe de tes Yeux' by Paul Éluard — greyson as her primary care physician; developing relationship

JEREMIAH — miah ; nous allons fleurir les beaux pissenlits d'or — we will make lovely golden dandelions blossom, 'Triste, Triste' by Jules Laforgue — secondary verse; dating.

LUKE & KIERAN — luke ; ton amour mon éveil—, kieran ; ta douceur en soirée—, l&k ; —et toi pour le reste de mes jours. — your love my awakening, your sweetness in the evening, and you for the rest of my days, 'L'autopsie du verbe (II)' by Stéphen Moysan — oblivious in love; developing relationship

RAFAYEL — rafa ; dis que c'est par amour que ton coeur l'a choisie — say that it is out of love that your heart has chosen it, 'Quand le fil de ma vie' by Marceline Desbordes-Valmore — exes to lovers trope

SYLUS — sy ; de ces pleurs je fais—un parfum d’ambre et de miel — from these tears I make—a fragrance of amber and of honey, 'La tombe dit à la rose' by Victor Hugo. —

XAVIER — xavi ; morte la nuit—la mémoire des étoiles brûle — when night has died—the stars’ memory keeps burning, 'Morte la Nuit' by Claire Malroux — main verse; dating

YVONNE — yv ; dans la foule je t’ai vue — in the crowd i saw you, 'Air Vif' by Paul Éluard — friends to lovers; developing relationship

ZAYNE — zayne ; car j'ai vécu de vous attendre — for i have lived for waiting for you — 'Les Pas' by Paul Valéry — friends to lovers; developing relationship

AZALEA — lea ; refroidi sous ce soleil joyeux — cooled under the merry sun, 'Soleils Couchants' by Victor Hugo — best friends to lovers; developing relationship.

CHESHIRE — chesh ; dit le chat—nous sommes tous fous ici —said the cat—we’re all mad here, 'Alice in Wonderland' by Lewis Carroll — main verse; platonic; cheshire as 'jess'

DOLASACH — dola ; où l’amour à longs flots nous verse le bonheur — when love pours forth huge floods of happiness, 'Le Lac' by Alphonse de Lamartine — main verse; platonic

EMAH — emah ; dans la nuit éternelle emportés sans retour — into the eternal night carried away without return, 'Le Lac' by Alphonse de Lamartine — black cat x golden retriever; developing relationship.

LILY — lily ; et le soleil plus brûlant qu’aujourd’hui — and the sun burned brighter than today, 'Les Feuilles Mortes' by Jacques Prévert — secondary verse; platonic; coworkers

MAEVE — mae ; n'emportez que l'espérance — take only hope, 'Bon Voyage' by Henri-Frédéric Amiel — main verse; exes to best friends; platonic

MORGAN — mora ; tout vous sourit — everything smiles at you, 'Les Rêveurs Amoureux d'une Étoile' by Clément Michaëls — developing relationship

STAR — star ; voyez valser les mondes — see the worlds waltz, 'Étoiles' by Théophil Gautier — main verse; platonic

[kaianqelic]

"Ah, well, that's..." Her words get caught in her throat at the gentle motion, and something tells her to pull away... but she doesn't. After all, it's just Caleb being Caleb, right? She masks her uncertainty with a laugh. "That's also 'cause you'd read me happy stories all the time! But I'm not the little girl who'd cry at sadder endings anymore, there's a sort of beauty sometimes when things don't end well, wouldn't you think so too?"

She glances back at the book, her hand pulling from him to show him the cover. "Only been re-reading a couple of classics lately, it's nice to revisit them from time to time. This one's Pride and Prejudice!"

[ Hold ]

hold ; sender reaches out to hold receiver’s hand.

The touch is warm; familiar. It's enough to draw her attention away from the book she'd been reading, but she's not even upset about it in the slightest. Instead, her first instinct is to give his hand a squeeze, as if there's simply nothing in her to refuse it.

Yet when she looks up at him next, her head tilts to the side— "What, felt lonely?" She teases, despite the way she'd hold onto him anyway. "Mm, I was supposed to be reading... But alright, shoot. Penny for your thoughts?"

[kaianqelic]

"Wh- Heyyy!" She immediately scrunches her nose at the mess he'd made of her hair and hastily reaches up to pat down her bed head, as if there was really any salvaging it at this point. She makes a face, sticking her tongue out at him, and jumps up to try and reach his hair to return the favor. "Ugh, you're just! Too tall! It's not fair!"

And though she could bring herself to resign and actually go wash up, she doesn't miss the opportunity to flick some water at him as she sits back down.

"Oh, right! D'you have any plans today? I was thinking of asking your help for a little something... Since, you know. I'm kinda a disaster in the kitchen, and all..."

[ 𝐃𝐈𝐒𝐇 ]

dish ; sender cooks receiver their favourite meal.

She leans by the doorway, arms crossed, watching—and she could pretend to be upset that she'd totally slept through her alarm; she could pretend to blame him for it, for all that she tends to do, anyway... but where's the use of that, when the smell of food cooking could cheer her up in seconds?

She walks over to peek out from behind him, "So this is what you woke up early for, huh? Tsk, tsk, sneaakyyyy, you!"

"...Hehe. Is it all for me?"