#c. babette + echo

[hxlcycnx]

❛  here, let me help you.  ❜ (echo for anyone)

“oh, thanks sweetheart.” babette charmed, batting her eyelashes flirtatiously as she turned around and pulled her hair aside, revealing the clasp at the top of her performance outfit. all the other dancers were long gone by now. she didn’t know who the other was, but she was glad she was around. “awful mischievous of you to be poking around backstage, but i guess i can let it slide. consider it a token of my appreciation.”

[voodonxt]

I N T R O D U C I N G

[ Luka Sabbat, cis male, he/him. ] ✧･ﾟ is that [ Jean-Baptiste Facilier] who just stumbled into town? rumour has it that they’re the [ 26 ] year old child of [ Dr. Facilier ] from [ Princess and the Frog ]. i’ve also heard that they’re [ helpful ] but [ mischievous ] and have [ 2 ] sibling(s). i could almost swear i heard [ I Put A Spell On You by Screamin’ Jay Hawkins ] playing when they appeared. [ Echo (21m), EST, he/him/they/them. ]

:･ﾟ✧:･ﾟ✧ B A S I C S ✧:･ﾟ full name: Jean-Baptiste Facilier ✧:･ﾟ nicknames: ✧: J or JB･ﾟ sexuality: bisexual ✧:･ﾟ occupation: shaman and holistic healer ✧*:･ﾟ star signs: : Scorpio

･ﾟ✧:･ﾟ✧ A P P E A R A N C E ✧:･ﾟ height: 6'3" ✧:･ﾟ eyes: Hazel (Brown with little flecks of green) ✧:･ﾟ hair: Black ✧:･ﾟ tattoos: A tiki style mask on his right shoulder that looks suspiciously like his father, a hand holding fanned out tarot cards with skulls on the back positioned on his left forearm, and scattered tattoos of needles that make him look like a voodoo doll ✧:･ﾟ other distinguishing features: he has the same type of mustache as his father, but a distinguishing soul patch ✧:･ﾟ style: he is drawn to the eccentric styles like his father, but enjoys less fanciful outfits such as leather. He loves jewelry and wears multiple rings on each hand at any given moment, he has necklaces (usually wears 3 or so).

･ﾟ✧:･ﾟ✧ P E R S O N A L I T Y ✧:･ﾟ traits: helpful, mischievous, flamboyant (much like his father), and passionate ✧:･ﾟ aesthetics: shaman stuff, accupuncture needles, tiki masks, voodoo dolls ✧:･ﾟ secret talent: He is actually quite a great singer and guitar player:･ﾟ dislikes: being called "witch doctor" due to his dad's transgressions, prefers the term shaman or holistic healer ✧:･ﾟ fears: being associated with his father's misdeeds and rats ✧:･ﾟ hobbies: dancing, singing, guitar, and reading ✧*:･ﾟ quirks: pulls his ear when he is nervous (some may think its a holistic medicine thing, but hes just uncomfortable), he loves an outlandish story even if he knows it isn't true.

･ﾟ✧:･ﾟ✧ F A M I L Y ✧:･ﾟ mother: Babette Delacroix ✧:･ﾟ father: Dr. Facilier ✧:･ﾟ siblings: Calliope (Half-Sister), open sibling ✧:･ﾟ pets: Eastern Hognose Snake (named Boudreaux) ✧*:･ﾟ notable close relatives: Dr. Facilier, Calliope, open sibling, his maternal aunt Dorothy Delacroix (surrogate mother)

:･ﾟ✧:･ﾟ✧ B I O G R A P H Y

bio warning: mental illness, death

Jean-Baptiste Facilier doesn't know a lot about his mother other than she was the one who named him, and that shortly after his birth, she was admitted to an asylum. According to his aunt Dorothy, she always babbled about how a Shadow Man was coming to take her baby away. Shortly after she was admitted, she died of unknown reasons in the hospital. So he never really got the chance to know her for himself. Though aside from all of that, he had a normal childhood. His aunt Dorothy gave him an education from home and taught him many things, ranging from sewing and arithmatic to dance and reading. He never really had questions about his father until he entered his teen years. His aunt had never met the man, and the only clue he had to go on was his given last name. It had to belong to his father right.

When JB was seventeen, he finally went out to seek his father, which he did. He didn't quite like the man his father was, but he wasn't surprised to see how dastardly the doctor was given the fact that he was absent through his life. Regardless he worked to build a relationship with his father and his half-sister, Calliope. As it turns out, Calliope was pulling a con of her own against their father. Though Jean-Baptiste could see right through it, he wasn't about to blow the whistle on her. The doctor along with Calliope gladly taught him about the other side, before he disappeared once again into the night. All that remained were whispers in the streets of a shadow man. J wondered if maybe that was who his mother rambled about. Maybe she wasn't crazy after all. Maybe his father let JB find him.

It didn't take long for Jean-Baptiste to realize that he wanted to use his newfound skills to help people rather than trick and deceive. He received an education in medicine and used his skills along with the knowledge he gained to become a holistic healer. He decided to return to his father's old shop after his education only to find that his half-sister was now running it. He decided to take her up on an offer to work there with her. Using his skills to heal peoples' minds, bodies, and spirits.

[citoyenneangele]

Films about the Paris Commune

Sur les traces de Maxime Lisbonne, le D'Artagnan de la Commune Par Jacques Swirn, socio-historien, Marcel Cerf, historien. Durée : 27  minutes;  réalisateur : Margueritte, Jacqueline; auteur : Cerf,  Claudine; producteur : CNDP. 1983, France.-

L'émeute sur la barricade Le premier film sur la Commune de Paris intitulé (durée 4 minutes). Réalisatrice Alice Guy, 1906-

La Commune (Paris 1871) Film de Peter Watkins coproduction La Sept ARTE, 13 Production, Musée d'Orsay, France 2000 durée 5h45

 La Commune Film de Ken Mc Mullen coproduction ARTE, France/Grande-Bretagne 1990 durée 1h30.-

Les Aubes de Paris Real. Grigori Rochal, 1936, URSS, 1 H 42.-

La Commune Réal. Armand Guerra, 1914, France, 13 minutes.

La Barricade du Point du Jour, Réal. René Richon, 1977,couleur, 1 H 50.

Le Destin de Rossel, Réal. Jean Prat, 1966, noir et blanc, 1 H 25. Partie

- Le Festin de Babette, Réal. Gabriel Axel, 1987, couleur, Danemark, 1 H 39.-

Héros et martyrs de la Commune, Réal. F. Loupatine, URSS, 1921.-

Jaroslav Dombrowski Réal. Bohdan Poreba, URSS, 1975, couleur, 2 H 12. Russian Polish

 1871, Réal. Ken Mc Kullen, Grande Bretagne 1990, couleur, 1 H 40.-

 Louis Rossel et la Commune de Paris, Réal. Serge Moatti, 1977, couleur, 1 H 43. Trailer

La Nouvelle Babylone Réal. Grégori Kozintsev et Léonid Trauberg, 1929, muet, URSS, 1 H 23.-

La Pipe du Communard Réal. C Mardjanov, 1929, URSS, muet, 49 minutes.-

La Semaine sanglante, Réal Joël Farges, 1976, couleur 53 minutes.-

Une Journée au Luxembourg, Réal. Jean Baronnet, 1993, couleur, 50 minute-

Actualités Gaumont :    - 1911 : 40me anniversaire ;    - 1936 : la manifestation au mur ;    - Mai 1945.-

A l'Assaut du ciel, Réal. Jean Péré, 1962, noir et blanc, 19 minutes.- L'Année terrible, Réal. Claude Santelli, 1984, couleur, 2 H 06.-

La Commune de 1871 Réal. Cécile Clairval et Olivier Ricard, 1971, noir et blanc, 1 H 16.-

La commune de Paris 1871 (54 minutes) un documentaire réalisé en 2004 par Medhi Lallaoui.-

La Commune de Paris Réal. Robert Menegoz, 1951, noir et blanc, 26 minutes.- Les Communards cassette vidéo de 52 mn, réalisée par Léon Rabinowicz, disponible chez les Amis de la Commune.

- La Commune, Louise Michel et nous, Réal. Michèle Gard, 1972, noir et blanc, 45 minutes.-

 Mémoire Commune, Réal Patrick Poitevin, 1978, couleur, 1 H 20.-

L'œuvre législative de la Commune, Réal. Claude Tertrais, 1986, couleur, 27 minutes.-

 Paris au temps des cerises, Réal. Jacques Darribehaude et Jean Desvilles, 1965, noir et blanc, 28 minutes.-

Les grandes batailles du passé - Paris (1871), la semaine sanglante Réal. Jean-Pierre Gallo, 1976, couleur, 56 minutes.-

Si on avait su, Réal Stanislas Choko, 1976, couleur, 13 minutes.-

 Un solo funèbre, la Commune de Paris, Réal Jacques Cogniaux, 1971, noir et blanc, 1 H 41.-

Le temps des cerises, la Commune et les livres, Réal Robert Lombaerts, 1971, noir et blanc, 45 minutes.-

La IIIme République ; les premières années, Réal. Daniel Lander, 1970, noir et blanc, 1 H 07.-

Le Voile écarlate de Paris, Réal. Marlen Khoutsiev, URSS, 1971, couleur, 1 H 19.

Henri Guillemin raconte la Commune, documentaire en 13 épisodes de la TSR, 1971.

Louise Michel, Solveig Anspach, France, 2010

Les Damnés de la Commune, de Raphaël Meyssan, film d’animation, 2021.

Rives d'exil, de Céline Léger, court-métrage, 2021.

Die Tage der Commune (DDR, 1966) (le video malheureusement n’est plus disponible, mais il y a une version audio en allemand de 1949 et de 1977)

Nederlaget, Norvège, 1966

Pour la France - Animation Short Film 2019 - GOBELINS

Comme un echo , 2011

That Little Flame, vimeo on demand

La Boîte Noire, 2020, vimeo on demand 

Les déportés de la Commune, 1982

Bas les coeurs

28 mai 1871, l'ordre règne à Paris

[hypnoviralized]

There is no deadly virus, there is a deadly agenda.

Vaccine was not cread for the virus but the virus was created for the vaccine. Vaccines souldn't be called vaccines. Vaccines are not the solution. Vaccine propaganda is mostly polar opposite to truth.

Pseudo-science, i.e. science as a religion that seeks to impose itself today by force and by marketing, is defended by the learned ass of the University Discourse, which unwittingly nourishes such a passion for ignorance - attested by his diplomas with guaranteed content in methodology, statistics, evaluations, modelling, precaution, systems... - that he is ready to knowingly disguise the truth, to close his eyes and plug his ears, just to justify his impostor rationality, not wanting to know, what? that logic always has a hole in it, that truth emerges from oblivion as the fall of knowledge, that the barred subject of the unconscious touches the real insofar as it is the grain of sand of enunciation. Manipulation and persuasion give rise to all sorts of linguistic approximations, and thus to logical inconsistency. ... One of the frauds on words consists in focusing attention on the side effects of a vaccine, and in swallowing the idea of binarism "for or against" (provax vs antivax) so as not to question the fundamentally unhealthy nature of the "vaccine solution." (Lacan, Us and the Real)

People who believe that vaccination is the answer to all the questions of human health also believe that you should be repeatedly vaccinated from the day you are born until the day you die. This new 'vaccine' does nothing of the kind as it is meant to reprogram your DNA in order to make you into a little, organic, self-contained vaccine producing system. The outcome, health or sickness, has nothing to do with immunity as your immune system functions by itself and at its best, traditionally, vaccines seek to hijack this system and then take credit for it, claiming that if you live and flourish, it is because of the vaccine and if you sicken and die, it is because of underlying conditions or a defect in your immune system. It's a coin toss and the odds are cooked: heads the vaccine wins (and gets the credit), tails you lose (and the vaccine manufacturer is indemnified by law against any liability). Note that this was one thing when this was a decision between yourself and your doctor, a decision that could be made in an informed, medical fashion. Now it is mandated for everyone, irrespective of physiological differences and underlying conditions. These are poor odds but this has been true of all vaccines since day one. The result of a rather grand Public Relations project, quite as Bruno Latour cautiously but precisely characterized Pasteur's efforts in his book on The Pasteurization of France. Read about it, there is a lot to read, in the literature on vaccines, in bacteriology, epidemiology, public health, especially public health, sociology, anthropology, even, albeit rarely, in philosophy of science, if you still can given that at this moment, access to all such research is increasingly limited. We have entered the world of Orwellian Truthspeak, not as a fiction but a condition of research and thinking. (Babette Babich)

The neo-liberal ideology that serves our democracies merely conceals the establishment of a world state that governs only by the law of numbers and holds all decision-making power. Madness is no longer revealed by a historical figure, it is spreading everywhere, always under the rule of happiness for all, as Huxley had predicted. The so-called Covid health crisis is a testament to the incredibly rapid evolution of technological power and the transfer of knowledge it has put into computer systems. The government simply followed the directives of a scientific council relying solely on computational assessments. Let us note some echoes of the current situation with the setting up by the revolutionary government in 1793 of a committee of public salvation and a committee of general security and surveillance. We are vaccinated while ignoring the concept of immunity, which only reinforces the imaginary power of the self, and finally we continue to hope for a life free of all evil in total servitude to the diktat of science. The TV news only talks about numbers without any other clinical consideration. To get an idea of this manipulation, it is necessary to know that the clinical file of a patient entering the hospital in the sixties required three hours of examination by the extern in charge. To speak of co-morbidities as if they could be summed up in a few accidental anomalies, such as obesity or hypertension, is such medical insanity that it can only come from health administrators using cold statistics that assimilate human nature to an ethology, not to say a zoology. The major symbol of the cross, which has served many societies, including our own, for centuries, has disappeared in favour of an apple, whose meaning has been reversed to represent the new gospel of "Carpe diem", whatever the price. (René Gandolfi, doctor)

Immunity, Infectious Disease, and Vacc*nation - Raymond Obomsawin [2011, Running time: 1:29] Life Science Seminars International: "Why do vaccines pose serious physical, mental, and behavioral dangers in humans? Get a historical overview of human attempts to create immunity artificially via vacc*nation and explore the issues surrounding these artificial attempts to protect human health." Dr. Obomsawin uses a series of graphic tables to dramatically challenge the widely held assumption that vacc*nes have historically benefited humanity throughout the world. (Bio: Raymond Obomsawin has served as Director National Office of Health Development – National Indian Brotherhood (AFN); and Founding Chairman – NIB’s National Commission Inquiry on Indian Health; Executive Director in the California Rural Indian Health Board; Supervisor of Native Curriculum – Government of the Yukon Territory; and Evaluation Manager – Department of Indian and Northern Affairs Canada. His most recent post in the Canadian public service was as Senior Advisor on Cultures, Knowledge Systems, Local Ownership and Ethnicities at the Canadian International Development Agency. He is currently engaged with government funding as Senior Researcher relative to establishing a Public Sector Policy on Traditional Medicine in Canada. https://amazingdiscoveries.tv/media/1467/371-immunity-infectious-disease-and-vaccination/

C-19 Pandemia: Quo vadis, homo sapiens? https://www.geertvandenbossche.org/post/c-19-pandemia-quo-vadis-homo-sapiens

image. Christian Dubuis Santini