#c: Ori Tian
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embras-grace · 9 months ago
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When you’ve been busting your ass at work Bahari Bay for days and the back hurty
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embras-grace · 9 months ago
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YEEES HYDROMANCYYYYYY!!! Ori looks like a sad wet beast the poor lad 😂😭 very much a cat no likey water!!
Scholarly Turtlenecks
Left: @embras-grace // Middle: @tortor-sauce
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Maddox makes a discovery and it’s not about Ori and Astro trying to decipher his divination
It’s the fact that both scholars are wearing body tight turtlenecks
Astro’s out here with hip holes !
Must be an academy approved outfit …
// It’s dem flow proof fits. How do you know? It’s got a shimmer to em
• • •
Everyone’s a little wet since Astro is relearning his hydromancy
Also Ori kinda looks like Jing Yuan from Honkai
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They’re looking at the Peacock Constellation
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calloftheancestors · 4 years ago
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To America, From a Worried European Friend
A country convinced that it is irredeemably racist can’t lead the world as the ‘indispensable nation.’
By Daniel Schwammenthal.............Brussels
His­tory and evo­lu­tion­ary bi­ol­ogy teach us that the nor­mal course of hu­man af­fairs is trib­al­ism, op­pres­sion and poverty. The emer­gence of lib­eral democ­ra­cies isn’t the in­evitable end­point of sup­pos­edly lin­ear West­ern progress but an aber­ra­tion—and a rather frag­ile one at that.
This is why the ris­ing il­lib­er­al­ism in the U.S. is so trou­bling. Ac­tivists who seem to un­der­stand George Or­well’s “1984” not as a warn­ing but as a man­ual see free speech—the lifeblood of democ­racy and hu­man bet­ter­ment—as a fas­cist tool of op­pres­sion. Other clas­si­cal lib­eral ideals—a col­or­blind so­ci­ety, ra­tio­nal dis­course, the sci­en­tific method—suf­fer the same fate.
These un­en­light­ened views have spread with light­ning speed. Once con­fined to the cam­puses of the na­tion’s elite uni­ver­si­ties, they have moved into the main­stream of pub­lic dis­course. Amer­i­ca’s fu­ture lead­ers have been spoon-fed two the­o­ries born of Marx­ism. One is post­mod­ernism, so called be­cause it re­jects the lib­eral ideas of moder­nity and the very no­tion of ob­jec­tive truth. The other is crit­i­cal the­ory, which is pre­oc­cu­pied with un­cov­er­ing hid­den power struc­tures that have sup­pos­edly stood in the way of a com­mu­nist rev­o­lu­tion.
These once-fringe the­o­ries have given rise to qua­sire­li­gious dog­mas that di­vide so­ci­ety into hi­er­ar­chies of op­pres­sor and op­pressed, set­ting the stage for eter­nal so­ci­etal strife. In this new cult, dis­sent or in­suf­fi­cient fer­vor is in­ter­preted both as val­i­da­tion of the doc­trine of ubiq­ui­tous racism and a pun­ish­able thought crime. As in me­dieval witch hunts, both de­nial and forced con­fes­sions prove the de­fen­dant’s guilt.
On the other end of the po­lit­i­cal spec­trum we find right-wing pop­ulism, which imag­ines “pure peo­ple” tak­ing on a cor­rupt elite, and of course the far right, with its Nazi in­fat­u­a­tion. The wide avail­abil­ity of guns in the U.S. isn’t only a sub­ject of dis­pute in the un­fold­ing cul­ture war but could help turn it deadly. Wit­ness the re­cent syn­a­gogue shoot­ings by real white su­prema­cists. Anti-Semi­tism and anti-Zion­ism are ob­ses­sions shared by the far left and the far right. Amer­ica is headed for un­prece­dented po­lar­iza­tion and pos­si­bly civil un­rest.
But why am I, a Ger­man Jew liv­ing in Brus­sels, so wor­ried about U.S. do­mes­tic af­fairs? As the adage goes, when Amer­ica sneezes, the rest of the world catches a cold. Right now Amer­ica has pneu­mo­nia.
I learned to cher­ish the U.S. long be­fore I had the priv­i­lege to live and study there. His­tory can be very per­sonal. What Madeleine Al­bright called the “in­dis­pens-able na­tion” meant the dif­fer­ence be­tween life and death for my fam­ily. I was brought up in the firm knowl­edge that had it not been for those unimag­in­ably brave Amer­i­can boys storm­ing the beaches of Nor­mandy, I wouldn’t have been born, and my par­ents and the rest of my peo­ple would have been ex­tin­guished. No doubt I’m leav­ing out en­tire li­braries of nu­ance, but that is the quin­tessential truth.
Amer­ica to­day is what it has al­ways been: a flawed so­ci­ety, like all oth­ers, but also a unique force for good in the world. No other mul­ti­eth­nic, mul­tire­li­gious so­ci­ety can cred­i­bly claim to be more de­mo­c­ra­tic, more pros­per­ous and more just than the U.S.
But Amer­ica can’t re­main the leader of the free world if it is it­self no longer free. To be the guar­an­tor of West­ern se­cu­rity re­quires mil­i­tary and eco­nomic power, but also a sense of mis­sion. And right now Amer­i­cans are com­mit­ting mass char­ac­ter sui­cide. If the coun­try goes be­yond ac­knowl­edg­ing that racism and in­equal­ity per­sist and must be fought, and in­stead con­vinces it­self that it’s in­her­ently and ir­re­deemably racist, it can’t pos­si­bly con­tinue to be­lieve that it has any right to lead. Such an Amer­ica would re­ject the no­tion that the West is worth de­fend­ing and re­gard Eu­rope as also in­her­ently op­pres­sive. We know who will fill the vac­uum left by an Amer­ica in re­treat and at war with it­self. As they watch Amer­i­ca’s self-im­mo­la­tion, lead­ers in Mos­cow, Bei­jing and Tehran surely can’t be­lieve their luck.
Any func­tion­ing so­ci­ety must ex­tend tribal loy­alty be­yond the ties of blood. Eth­nic­ity and Chris­tian­ity were the glue that helped hold the more ho­moge­nous Eu­ropean na­tion states to­gether. Amer­i­ca’s Found­ing Fa­thers laid the foun­da­tion of a so­ci­ety wor­thy of the motto “e pluribus unum”—out of many, one—by re­plac­ing eth­nic and re­li­gious loy­al­ties with lib­eral ideas and deist ideals. A shared loy­alty to the De­c­la­ra­tion of In­de­pen­dence and the Con­sti­tu­tion al­lows Amer­i­cans to see each other not as strangers but as fel­low cit­i­zens.
Yes, the U.S. has not al­ways lived up to its ideals. But to claim that the Found­ing’s “prom­issory note” was never any­thing but a scam to main­tain a sys­tem of white op­pres­sion is ahis­tor­i­cal re­vi­sion­ism that will erode the coun­try’s foun­da­tion.
Eu­ropean anti-Amer­i­can­ism con­stantly imag­ines the rise of fas­cism in the very coun­try that de­feated the real thing and con­stantly pre­dicts the end of lib­erty in the world’s old­est democ­racy. I have al­ways proudly op­posed this view. But I am re­minded now of Ben­jamin Frank­lin’s fa­mous line: “A Re­pub­lic, if you can keep it.” For the first time I have ter­ri­fy­ing doubts.
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The Incomplete History of Secret Organizations - How to Crack the Code
Now that Season Three of A Series of Unfortunate Events has aired, I feel it’s about time to finally tell y’all the Code from The Incomplete History of Secret Organizations- for those of you who can’t get the book, haven’t read it yet, can’t figure out the code, or who just don’t wanna spend time finding it out yourselves. 
On page 188 of The Incomplete History of Secret Organizations, the key to cracking a code sprinkled throughout the book is provided: 
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WARNING �� THERE IS A SECRET MESSAGE IN THIS BOOK
You may have noticed a cross-referencing technique that appears throughout these pages, looking as such: (See: Notorious Researchers, pg. 30). This device is a helpful way to direct readers to relevant information that can be found elsewhere in a text. 
It is also a handy way to send a secret message. 
Every librarian knows that books contain secrets, and hiding a secret message in the pages of a book is a frequent VFD tactic. Volunteers who cleverly cross-reference will discover the message, while their enemies, who rarely finish a book, remain unaware. 
If you have read this far, you may be wondering how to discover this message yourself. First read the book carefully, making note of any parentheticals shaded an unusual hue. This is no printer error; it is a key informing you that part of the message can be found on the suggested page. Follow the references and locate the letters colored a corresponding hue. These letters are scrambled, not unlike an anagram. Once you have unscrambled the word, write it on the color-coded line of this telegram. Completing the telegram will reveal the answer to a question that has stumped philosophers, police inspectors, and even Lemony Snicket: 
What comes after the end of The End? 
Next to this description is a photo of a telegram, which is fourteen words long: 
___ ____ __ _______ 
____ ___ __ _____ 
____ ____ _____
__ _____ _____
And, indeed, each word is underlined in a different color. 
Now... onto cracking the code.
As referenced, there are occasional cross-references in the text. And sometimes, the See: is in the color you need to look for. 
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If you follow each See to its corresponding page, you’ll find letters scattered across the text that are in the color you need to find. These letters make up each word. 
Word-by-word, let’s see what we can find: 
The first word, in dark purple, is on page 133: The Reptile Room. To be honest, this is the hardest word to find: the dark color is very close to the color of the actual text. There are three letters here, in the following sentences: 
You always want to do something new, but at the same time, I wanted to see if there were clues I could integrate into the design. 
This flips it so the priority is the reptiles, and his own living space is sort of diminutive. 
And in “The Reptile Room,” [Monty]’s delighted to share his world with these kids. 
otw
The second word is on page 99: Toupees for Toddles, in an orange-ish color. There are four letters, which can be found in the following sentences: 
“Well, we can’t put a wig on a baby.” 
It’s one of the oddest things I’ve ever done in my career, applying a little wig on a baby. 
When we started the second season, Presley had grown her hair long enough that we could actually create the ponytail with here own hair, which was a relief. 
ests 
The third word, in a hot pink, is on page 130: Mr Poe’s Office. There are only two letters, which can be found in the following sentences: 
It can be goofy, but it’s never goofy-stupid. 
He’s the guy that’s literally standing between Olaf and the Baudelaire fortune. 
of
The fourth word, on page 110: How to Dress for a Masked Ball, in a gray-blue color, can be found in the following sentences, with seven letters: 
The flashback that opens “The Carnivorous Carnival” is set at a Venetian-style masked ball, where masks conceal a number of familiar faces. Cynthia Summers designed each mask with the character in mind, including Dr Orwell’s “eyeglasses,” a Medusa-inspired snake mask for Uncle Monty, and theatrical comedy/tragedy masks for the Snicket Brothers. (Jacques wears the comedy mask, while Lemony, of course, is tragedy.) The ball also marks the first on-screen appearance of the mysterious Beatrice, described in the script as “a beautiful woman dressed as a dragonfly.” 
eidnrsf
The fifth word, four letters long, is on page 45: Olivia Caliban/Madame Lulu, is in gray: 
A dangling thread from Season One was a certain book on secret organizations discovered by Justice Strauss - a book whose title will be familiar to anyone reading this. 
Still, they liked the idea of a character finding The Incomplete History of Secret Organizations and having the book change your life, as it will no doubt change yours. 
While the book’s version of Olivia is a veteran agent of dubious morality, the show reinvents her as a noble school librarian struggling against institutional corruption. 
There, disguised as Madame Lulu, she fulfills her mission of passing the book to the Baudelaires - and sacrifices herself at the lion pit to save their lives. 
jtsu 
The sixth word, colored light orange, is on page 109: How to Dress for a Career in Food Service. The three letters can be found here: 
Author Daniel Handler explains that the VFD agents we meed in the show are the types of people whom children notice by adults overlook. 
You’re going to notice things that are invisible to the adults talking over your head. 
Take a good look at the restaurant’s terrifying logo. 
uto
On page 141: The Miserable Mill is the seventh word, in two red letters: 
“The Wide Window” left us with no more stage space, so it forced us to shoot the mill at a real location, an old dock building which we then tried to make look like a stage. 
Klaus comes back from the eye doctor, but he isn’t quite himself. 
fo
The eighth word is on page 97: The Real Sugar Bowl. There are five light purple letters: 
According to Esme, it was stolen from her by Beatrice, and according to Olivia, it may have been the reason for the VFD schism. It’s not the first sugar bowl to play a vital role in a work of classic literature (interested parties may seek out We Have Always Lived in The Castle at their local library), but Daniel Handler muses on another possible inspiration: “There a whole sugar scene in the movie Midnight (See: Snicket, Jacques, pg 44) that must have seeped into me when I was a child. Somehow I think that was one of the sugar bowls of literature that ended up sneaking in.” 
The existence of four identical sugar bowl [props] may be of interest to Esme Squalor, or at least her actress, Lucy Punch, who requested to keep one when the series wrapped. “My character was so desperate for it,” says Punch. “It seemed appropriate.” 
eahrc
The ninth word, in blue, is on page 172: The Carnivorous Carnival. There are four letters: 
There’s literally no program you can watch that’s any wierce. 
The aesthetic of carnivals and circuses is naturally creepy and absurd to begin with. And then you add the overlay of our material, where everything is filtered  through the Baudelaires, so the sets are designed to be seen as if you’re a vulnerable child glimpsing this horrible world and trying to maintain hope. 
Count Olaf arrives at Caligari Carnival, where he hopes the fortune-teller can help him. 
wlli
The tenth word is on page 89: The Many Faces of Barry Sonnenfeld. There are four green letters: 
and in “The Vile Village,” he’s the fire chief posing with his Dalmatian int he firehouse-turned-saloon. 
A common ancestor to our series’ interconnected families? 
Barry birthday is April Fool’s Day, and for his birthday, I decided to knock off a painting with him in it. 
We’re shooting the Hotel Denouement right now, and the whole hotel isi based on the Dewey Decimal System, and each floor is a different subject. 
eetm
On page 64-65: The Sinister Songs, you can find five magenta letters for the eleventh word: 
“I was a huge fan of the books in my twenties, and I  was also a huge fan of Barry Sonnenfeld, so to see those two come together and actually be a part of it was unreal.” 
Count Olaf introduces himself to the Baudelaires with this song and dance - ignoring the fact he’s already met them. Handlers says, “Singing is perfect for Count Olaf because he imagines himself so wonderful.” 
All of the dance numbers were choreographed by Paul Becker, who pulled double duty in the first half of “The Carnivorous Carnival”.
She’s had quite an exciting / Time on the road
agina
On page 24: Violet the Inventor, there are two gray letters for the twelfth word: 
But now those inventions, like the Baudelaire mansion itself, are gone. 
She promised her parents she would always look after them, and while Count Olaf’s schemes have put that promise to the test, Violet’s managed to stand strong in even the most unfortunate situation. 
on
Pages 116-117: Deciphering Code: Using the Dials of the Spyglass, has five purple letters for the thirteenth word: 
As a volunteer, you already know why and when the spyglass was created (See: Motion Picture, Pg 10) but we will briefly recap its history here.
A permanent mark has its advantages, since even the most absent-minded member rarely leave the house without their ankle (See: Peg Leg, pg 86), but it has its drawbacks too, particularly if the organization undergoes a schism, so that the same symbol that once stood for comradery and literacy suddenly represents treachery and pyromania now that it is inscribed on the ankles of your enemies. 
But just as a movie might be more than a movie, a spyglass can be more than a spyglass. 
Critics called these films terrible, which was the point: Sebald wanted to ensure that no one would want to see them besides other volunteers, who would be more interested in their secret messages than their artistic value. 
The cinema’s projectionist assigns the film a production code made up of a unique combination of numbers and symbols. 
riynb
The fourteenth and final word can be found on page 32: Who is Lemony Snicket? There are five pale green letters: 
He is currently investigating the lives of the Baudelaire orphans,  though his reason for doing so is unknown, as are his whereabouts. 
Mr. Snicket can be identified by his dry wit, his tailored suits, and his ankle tattoo, as well as his tendency to launch into wordy monologues containing Very Frequent Definitions. 
But when developing the series for Netflix, Barry Sonnenfeld and Daniel Handler independently felt that their Snicket should be seen as well as heard. 
And they both independently thought of Patrick Warburton, a frequent Sonnenfeld collaborator whom Handler had loved in a little-seen film called The Woman Chaser. Volunteers who track it down will note that it features Warburton speaking to the camera in a suit and a deadpan style that one might call Serlinig-esque - or Snicket-esque. 
haebc
The Code
So now we have all the words:  
otw ests of eidnrsf 
jtsu uto fo eahrc 
wlli eemt agina 
on riynb haebc  
Which do not take a long time to unscramble... 
What comes after the end of The End? 
Well, it turns out... the code is a couplet... 
Two sets of friends, just out of reach 
Will meet again on Briny Beach.
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tuyetthienduong · 6 years ago
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Day ne bt nhueu cjuywm gnah
Phbg kien la che di dung
Da the da xhong moi yen xa tac
J help sai nua khuc cuoi cau hai
Dg may nua tao tii
Hieu chua bao ve lo level luong kho lam
St team sai cm nvuyje cau vo y trn
So thich song dung att hehe
Pikac chelp yeu roi
J help sai team
E co lon ko doogle google a
J ko hihi yeu tcs roi con bo cap help do
J hekp saxh vl gabh het sai cm vo y nhu con nho nay
Em hekp do vi de
Vo le nua vua nha nu tu dap choa heheh
Dungb dunh em sai cob lai
Em do ca dam help me
Dg do anh too jehe ko dubg nen duic o day huhu
Help ko hay chut nao ko nl team sense help me only
Dug help me in lovr
J dung khuc sau
Tam foan luan em j dungb rang giu mang rm thoi
Nt belp love bai dua kia a
Em help do for hihi cua oi
Khac biet hehe do sao lai em
J dung
Dg dung kt vl
Help mr 12:3 moi co tien lai kb max
Dung hekp sai
J sai help me moat
Tiens. Con59 dau
Dj dubg tr soc
0 roi
Do do
Jejw
Dj tr hihi why
A pernament hole again
Mang lon ganh team bang vi tri cua minh trinh tu nhien
Dj tr vtvtvvt
Full tang nay an toan de gui o duoi ganh len do roi
Dj tr khox gium
Poem tt ahui khoc dung
Em nl dungonly
Vua
Em moi soc big karma good
Dj xao xho
Agui thinha o day thoi lo cm
Sj
Vai j em chat nuox cat
Aui
Lo cm
Theo tao tuu kia noi duoi agui duoi
Dj xao cm chiu hwt noi roi noi bay xho no bot co loi
Vai yinh te by mot cap
Dj help ua tr
Di nha dyong di roi
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Kem noi nguu nguu ban than
Thang kia khox lo la hieu ri
Hihi sap out of money de lam mai
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Em moi hiey
Full gai nhat only
Van ganh toi gio vi em ko bieu tuwng bhat
Nhat goc
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Nh too undetstand thieu
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Ma oi tang nay full ko
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Lost strer
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Ruou oi help me
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E shu cac noi o day full ngay nha thich em o do bao karma good max jy
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S15 noi help thau xa sp dc hehe
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Dv team len lanh ruou mbm
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Shuny shit noi sp live vai dau k van thang full yinh tian
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Lo cm
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Dj dd hoang thuong van tuw van van tue phu moi co ch cho tyi koa
Copy
Phong kien a vua ganh vl
Dj tr
Canh hihi help do cm
Dj help tr huhu
Help su full vua cu team juat rem i cant until
Dj 1/3 soc gian maz
Dn team noi help gionv o do juat rem khoc
Dj soc yr
Dn dd vua tjieu p level max thyong vcl
Dj copy
Help team table va dn dd
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E con kia dau full luon
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All soc nhac dn hay cm
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T3 khao ia dao huhy hwlp us decide
Erik hehw full
E fau roi
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Kem noo chonh tao ruou a max ml cac
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Em e vua moi jeeh ld vl
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Lu voi nguu do
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La co nguoi bao a len phim nhat hoai help phim copy su
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Tissues beat
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P tt noi duoc bao p cung dau khac gi day
Dj vai con pet no copy loi vd ma dung sc
Pet di len nho kcj
Help em dau for ct
Dj help ua so cm ma tr
Dn noi an sang roi toi an ttua xhieu... Non stop vi buon att o dn same
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Em help so for ct
Dj help nghr nay mat mang nhu choi voi fam that su cua her
P noi help can nhin nguu do mo hoi uot nheo hihi ghe
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Huhu em bi buoc phai ra tran again vi team bat tai tnt dien hinh
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Minh hieu chua doi de qua do no moi an it lai lo lam chuyen khax help us
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E thang att ma sc
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Mat bi diec etc can nhac dang hat hehe
Em im
Help inu that
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S18 ah lay em o duoc voi tui nay may chux dua anh hai dua la muon chwt roi
Em voi anh chu gi do moi lo
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Ruou noi an nha jaha
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Hay helo
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S18 noi sung co an nhu em mat nc vl
Wm bao chu gi ko co tien ma mat day gap boi
Dj help dung ma ds co cl
S10 noi sua uong ruou xon lai kho qua tha mang huhu hwt noi roi
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Cap em nii help sanf
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Em hihi ml
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Day t3 im la hiey roi level nh kha. Hihi ma van thuong
Nr help huhu
Inu noi nhuc chua hehe
Mbu
4 dua kia dau em hoi
Dj vai sai trai dang biz huhu nl same thua xa
Poke aw nho poke tt ganh gium het noi roi
Poke tt noi hihi lo xm
Help em xute
Dj helo sonh loi team
Me quay lai roi
An nhieu duoc eoi jelp qua khu phu
Djs helo ne giam
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embras-grace · 9 months ago
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Please accept this quick sketch of my son and his arctic palcat Francis “Icing” Bacon.
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embras-grace · 9 months ago
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Look at the lads!!!!! Gosh i love that style on Ori!! I love the clothes for them all 👀 look at em!! Such Styles
Your Muse
Left: @embras-grace // Middle: @tortor-sauce
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// The Jel's play dress up with their boyfriends
— Whether it’s the OCs actual aesthetics I’m not sure. I just drew before they could respond
// IDont know if ill finish this tbh. I got the point across of Astro and Ori getting Maddox into a turtleneck and fitting gloves. Astro is heavily inspired by genshin and Chayne
// Embras-Grace mentioned thinking Ori would wear a corset so i put him a corset but it was hard finding a fit that could show off the turtleneck and corset since they don’t really fit together lmao
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embras-grace · 9 months ago
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HDIFBDIDHD YES Ori will rant ALL DAY avout the Order and his flames would make great marshmallow roasting time xD
This is amazing i love look at them all
Gettem Teach! Flame them!
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Normal White vs how I draw hair of Flow Users
{iridescent ✨}
I hc that stress hair becomes shiny (when exposed to flow)
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Pissed off Dude: @/Embras-Grace Guy in Mostly Black: @/Tortor-Sauce
Imma stop tagging them i so I don’t keep annoying em with WIP lol
Example of Astro’s Iridescence
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