#buy road signs

[metamatar]

god it is so humbling to move to a new country even when you know the language

[jankwritten]

Anyone in a silly goofy mood who wants to send me $60 so I can buy a Pokémon game? Jk. Unless 👀

[the-trans-dragon]

Y'know it was REALLY goddamn evil and nefarious that the oil fields gave my mom (a single mom working 3 jobs to raise 2 kids) a single $5,000 check in exchange for her signing a nondisclosure to never complain about them.

Of course we fucking took the money. Even with her working 1 full-time job and 2 part-time jobs, she barely made over $1,000 a month. Of course she took the money. We though about moving but we still couldn't afford it. She was so frugal with it, though. It did give us a sliver of financial security for years.

But goddamn. $5,000 is table scraps to them, and they bought her silence with it because she couldn't refuse the chance to slightly lessen the weight of poverty on her family.

[ioannemos]

boss said i did well at work today again. since it was the eighth straight day of working after weeks of working three days at most and i spent it 99% of it on the line where i Did Not Want To Be, this compliment was a little hard to internalize

[travelroute66]

Munger Moss Motel, Lebanon, Missouri, 2008. Neon in Sepia.

My Route 66 Collections: http://frank-romeo.pixels.com/

"The Fine Art photography of Frank Romeo."

[siena-sevenwits]

.

[sadmemegf]

my brothers group of friends genuinely think they are the best thing that’s happened to weed in the whole world

[precognitor]

   This is for the record absolutely a challenge to teach Tyviel how to read. Once he learns how he will be completely unstoppable.

[signved]

Various Road Safety Signboards on Roads

Road safety signboards provide various signs that can help you with directions. They are used on roads, which is why they are called road safety signboards. These signboards are used everywhere on roads to guide you through the various signs on the roads. This signboard can be of no parking, pedestrian crossing, roadwork signboard, etc. These signs are made up of retro ACP sheets. These road safety boards are designed for any road sign. We can also make other boards as well like gantry boards. You can easily purchase from the manufacturing company Star Lite.

Few Easy Steps of Signboards through Which You Can Save Yourself on the Roads.

While crossing the road make sure that there is a sign of crossing the road because it may lead to various troubles and major accidents can also happen due to the nonpresence of these signs on roads.

The road working signs are very important to put on the roads because if any work is going on the road it is very difficult to identify from the far distance. So to make them aware beforehand through sign boards.

Speed limit warning on roads is very important to follow because people usually move at a very high speed but there are areas where you should know at what speed you have to move so that you can save yourself and others on roads.

U-turn road signs are mostly used to indicate that you cannot go from this side and you have to take a U-turn. These are put in the area where any work is going on or the road is damaged.

No parking signs are used to inform you that you cannot park your vehicle in these areas. These are put in to inform those who park their vehicles anywhere but wherever these signs are there you are restricted to not park there in case you park you have to pay a heavy fine or can be imprisoned.

First aid boxes are very important to have in the time of emergency before it gets too late. So first aid box should be visible at the time of its need. You can easily see them from far distance. These signboards help everyone in the time of emergency.

Stop signs help you to stop in this area and make the pedestrian move easily on the roads. These boards make the driver alert beforehand and they can easily be seen from far distance. These stop signs are very tall and quality-driven.

Road turning sign boards are used where you have to take another road which means you have to change the route and direction where you want to move.

Pedestrian road signboards are used to tell pedestrians that they have to walk from this way. These signs are very commonly used everywhere for the safety of pedestrians on roads. They guide them to not move on the road they have to move in this lane only.

Warning signs are placed to avoid danger these types of signs are usually used on the mountainside because there are chances of landslides and to make people safe before they land in any trouble.

You can visit our website www.signved.com and purchase your road signs now. We can easily provide your products all over India. As a wholesaler and supplier of road safety products. Our products are quality-driven and at very reasonable and affordable prices. Buy road safety signboards now. Contact us.      

[spellshite]

yoooo found a street sign in the trash and I ofc nabbed it right away.

tomorrow i'll clean it up and then try to remove some of the many stickers people have slapped on it because 1) many are ruined and 2) a bunch of 'em are from mtbikers groups and I don't care about them (and are ugly to look at).

then i'll dig up some spare stickers (or draw and print sth), slap them on it and put on my wall under the fake vintage pepsi sign I have.

[lectern-fullcauldron]

things I really appreciate about hermitcraft:

I love that the hermits clubbed together to buy tfc a new pc and monitor in 2020, with a massive screen aimed at combatting his migraines and motion sickness

I love that cubfan has Joe Hills twitch emotes as part of his collection. Joe won't sign a twitch contract and can't have his own emotes, so cub just made some for his subscribers to play with on Joe's streams

I love that Keralis keeps sending computer mice and other gear to the other hermits whenever they mention computer problems (because when you own a hardware company, why wouldn't you be your friends' sugar daddy)

I love that Joe has mentioned that grian will resource gather for other hermits off camera in his free time, just because he can

I love that when iskall talked about his hermitcraft downtime, he said that none of the others tried to force him to make a video, they all just popped in and out, offering his various projects they were working on to see if he wanted to join in

I love that the hermits always have lots of advice for each other - whether it be parenting advice for doc, or just in having worked with mumbo since he was 17 and in sixth form college, of talking about tfc's wisdom (and sometimes we even get to learn about tango's washing machine and international taxes)

I love that hermits will take on infrastructure projects, like netherhubs and railways and roads and enderfarms

I love hermits helping hermits

I love stream weekends

I love that some hermits are dedicated enough to neglect their own bases and spend weeks helping out a friend - particularly Cleo, moving into stress' season six castle and Scarland and more to build diorama after diorama.

I love the dedication that the hermits have, and I appreciate how hard they worked for the king arc, the crossover, and the charity stream.

I love the strength of the community when a charity stream comes around.

I love that hermits will rush across the server or panic log in when someone needs help - killing doc's escaped withers, collecting gear, clearing lava after a tactical log out, turning off farms

I love that they offer each other building advice and redstone help (even if it is just scar and iskall being judgy about block choice)

I love scar's first reaction to ever seeing grian in person was 'you're drowning in fans at this convention, I wish I could help you, but we don't know each other yet'

I love Hypno and Joe singing karaoke at minecon in 2012

I love that they do make a wish hermitcraft guests and hermits who can help will be there

I love shared farms and shared resources, and a hermit flying in unprompted to drop off a shulker of that thing you mentioned you needed for no charge

I love hermitcraft as a community

[rafecameroninterlude]

Rafe visiting sweetheart pogue reader after knowing her better at her little bake shop she works at and they get to talking and she confesses its her absolute dream to open and run her own bake shop and he buys her a little cute shack to start her business off !!! 💕💕

warnings: super sweet fluff, sexual tension that rafe has to force himself not to act on

a/n: this came out longer than i wanted it to, but i loveeee writing for pogue!sweetheart!reader so much, pls send reqs for her if you’d like <3

it was a rather slow day at the icecream shop, so when you heard that little ding! indicating that someone had walked in, you were more than happy to see none other than rafe. “hey!” you chirped, adjusting the pink apron that currently hugged your waist.

“are you the only one working?” he walked up to the counter, your bright smile making his heart beat wildly in his chest. “yeah..” you trailed off, looking over to your manager’s office, “maybe i could ask for a quick break so we could talk?” rafe nodded. “i’d like that.”

he waited until you disappeared before he flipped the ‘open’ sign to ‘closed’ and turned the small lock on the door, so you two could converse without any interruptions. “okay!” you walked back up front. “favorite flavor?” rafe’s mind went blank as you reached for something, your skirt riding up your thighs as you did so.

“uhm- uh, rocky road is good.” you finally grasped the cups you were looking for, beaming at rafe’s response. “i love that one, too! but strawberry cheesecake has been my go to for a while now.” rafe didn’t want to make it obvious that he was staring hard, but he found that it was rather difficult when you were around him.

he couldn’t wrap his head around how someone so sweet and bubbly and charming as you are, could also be so unintentionally sexy at the same time. “rafe?” you snapped him out of his trance, a soft laugh leaving your lips. “here we are.” you walked around the counter, placing the cups of icecream down on a nearby table.

you reached behind you as rafe took a seat, your nails not allowing you to untie the knot you made in the strings of your apron. “what’s wrong?” he looked up at you in confusion. “my apron is a little stuck..” you turned, backing up until you stood been his legs. “can you untie this for me please? i just got my nails done and i did it a bit too tight.”

rafe was going insane. here you were in a mini skirt, potentially giving him a full view of everything that was underneath as you coyly waited for him to ‘help you out’. “sure, yeah-” he cleared his throat, hands coming up to fiddle with the strings that stopped just above the curves of your ass.

once he had it off, you sighed, taking the seat across from him. “where are you coming from?” rafe was still flustered when you took your spoon in your mouth, his eyes following the way your lips wrapped around the damned thing. “work, actually.” he blinked away, zeroing in all his focus elsewhere.

“really? what do you do?” now it was your turn to watch him, the veins on his arms making you lick your lips. “construction. it’s my dad’s business.” you nodded, trying to push the image of rafe all hot and sweaty from working outside, out of your head. “so you’re a handy man?” you teased, unintentionally tapping your foot against his leg.

“i know my way around.” you caught rafe looking at your lips, a shy smile taking over your feautures. “i wish i had those skills, it’d make things so much easier for me.” you raised your eyebrows. “how so?” he leaned forward. “well.. it might sound dumb, but it’s my dream to open my own little bakery. the problem is; i don’t know where to start, i don’t know who i have to get in contact with for licensing and permit stuff, and i definitely don’t know how to install any kind of kitchen appliances.”

rafe thought for a moment.

“do you have a certain location in mind?” he asked. you hummed, shaking your head. “no, i don’t care where it is. i’d just like a bigger space.” rafe nodded. “that doesn’t sound dumb by the way,” you looked up, “i think it’s neat that you want to open up your own business. the entire island will be over the moon once they find out they can get those chocolate chip cookies whenever they want.”

you had never shared that information with anyone, but by the way rafe responded, you were glad it was him that you spilled it to. rafe saw the small flash of sadness pass through your eyes before you shook it off. “one day..” just as you were about to check the time, your manager walk out of her office. “closing shop early today, do you mind helping me out real quick?” without hesitation, you got up from your seat.

“wait for me?” you gave rafe your icecream and apron to go outside with.

“of course.”

-

over the next two weeks, you found yourself by rafe’s side, whether he was following you around while you made sales, or helping you bake, you two seemed to be attached at the hip. “are you working tomorrow?” rafe currently sat on the floor of your camper, leaning against the lace-trimmed cushions of your pull out couch. “nope!” you offered him a spoon of buttercream to taste test, watching as he took his digit in his mouth.

“goddamn, that’s amazing,” rafe gave you a thumbs up, “but anyways— i was asking because i have a surprise for you.” placing the bowl of frosting on the counter, you turned. “oh?” you sat down, his head resting against the side of your knee. “i think you’ll really like it.” rafe kept his eyes down in his lap. “can i guess what it is?” he shook his head, “i won’t tell you if you’re right or wrong.”

sighing in defeat, you and rafe spent the rest of the night decorating cookies and taking turns shuffling songs until he was ready to head back home. “i’ll be here to pick you up in the morning, ‘that sound okay?” he was leaning against your doorframe, your fingertips itching to reach out for him. “mhmm, thank you for all your help today..” you stepped closer, swallowing thickly as he rested a hand in the curve of your neck.

even though rafe wanted to kiss you and feel your lips on his, he settled for a peck on your temple, which you were more than happy to receive. “goodnight, y/n.” he waved before getting in his truck and driving away. locking the door shut, you couldn’t help the pout that graced your lips at your now empty, quiet, camper.

eager to know what rafe wanted to surprise you with, you were quick to get ready for bed, forcing yourself to go to sleep before having to wake up and get ready.

“promise you’re not peeking?” you giggled, your hands resting on top of rafe’s as he guided you to some unknown location. “i promise!” finally, rafe came to a stop, a shiver running down your spine at the feeling of his body pressing against your backside.

“okay, go ahead and open.” you were buzzing with excitement, your mouth falling agape once your vision cleared. there, in front of you sat a perfect little shack, the word ‘sold’ on a red banner adorning the front. you blinked, slightly confused. “this is so cute! did you buy it or something?” rafe nodded, his mouth falling to your ear.

“it’s yours.”

you took a minute to process his words, letting go of a breath that you didn’t know you were holding. “rafe..” he placed his hands on your shoulders, turning you around. “a couple weeks ago you said it was your dream to have your own bakery but you didn’t know where to start, this is your starting point.” your eyes were watering now as you looked up at the man in front of you.

“i don’t think i can accept this.” you laughed, butterflies swarming your tummy when rafe wiped your tears. “you can, and you will.” you couldn’t hold back anymore, throwing your arms around him. rafe wasn’t used to this feeling in his chest, but he knew it felt right.

“it still needs to be renovated, but i talked to my dad and he agreed cameron development will cover everything.” you pulled away, dumbfounded. “i- why?” rafe’s eyebrows knitted in confusion. “why not? you deserve it.” sniffling, you looked back at the shack, already envisioning the place up and running. “i can’t thank you enough, rafe.” you couldn’t believe this was happening, couldn’t believe that rafe, let alone anyone, would do something like this for you.

“we’ll get to that later,” he winked, making you laugh, “should we go pick out a paint color?”

[ellesnorthernstar]

THINGS TO SCRIPT IN YOUR DR:

• high alcohol tolerance. (vomiting and getting blacked out drunk 24/7 is NOT demure.)

• amazing grades, even if you’re low effort. (always get a’s and maybe b’s for no reason. you blink, boom. 100% in pre-calculus).

• ALLERGIES DONT EXIST.

• braces are free, dental insurance is free. you can buy “cute nonmedical braces” off amazon. (very specific but i love braces)

• your phone/electronic never breaks, lags, etc. and is always up to par.

• your desired color iphone exist (pink!).

• for my vapers: you will get the greatest nic buzz no matter how many puffs.

• if you’re going to college in your dr, you’re always winning and receiving scholarships. #loan? #whatsthat?

• everything is handed to you for cheap/free. a car? maybe your dad surprise you with one! an apartment? someone ask if you want it and it’s clean! a concert? some person dropped their ticket and forgot.

• you’re popular but mysterious. (so everybody know you, but don’t really know you. your circle probably small too.)

• you don’t forget anything while on the road/at your destination.

• unlimited funds.

• you always get a job (and keep it too!).

• if you like astrology, script that your natal chart or birthday is different. in fact, make your birthday YOUR desired sign! (for example, 01/01 is a pisces. instead of actuality, a capricorn).

• you don’t have a roommate for college, so the dorm is all yours.

• uber, lyft, and all that stuff is cheap. (they be costing you an arm and a leg just to go down the street 😭)

• being a stem major is easy. (trust me, i feel for stem major shifters)

[justdiptych]

There's a scene in Fallout: New Vegas that I find really interesting in how it uses skill checks in dialogue. A merchant company, the Crimson Caravan, want to buy out one of their rivals, Cassidy Caravans, and they hire the player character to negotiate the deal. The player has likely already met the rival company's owner, Rose of Sharon Cassidy, by this point - in fact, it's entirely possible that she suggested they ask the Crimson Caravan for work in the first place.

Cass is propping up the bar at a truck stop on the border near the game's opening area. She's heard that her caravan has been destroyed in her absence - her employees killed and their wagons burned in an attack on the road - but she can't investigate because of a bureaucratic hold-up. The man in charge of the border post, Ranger Jackson, has halted all commercial traffic across the border because of dangers on the roads - wild animals, bandits, and enemy soldiers - that the authorities are struggling to get under control.

When the player brings the Crimson Caravan's offer to Cass, she refuses on principle. Her business may have effectively been destroyed, but she's too proud and too stubborn to sell her surname for any number of messes of pottage. Convincing her requires that the player employs one of either their Speech or Barter skills - there are two options for each, requiring either moderate or high investments of skill points. Skill and Barter are the game's two Charisma-based skills, and it's not uncommon for them to appear side-by-side like this, but here, they diverge in application.

The easier Speech option is simple - the player just reminds Cass that, if she sells the business, she won't be commercial traffic anymore, so she'll be able to get across the border. She's itching to get on the road again, so this convinces her. (She will ask the player to help Jackson clear the roads for the benefit of her fellow merchants, but this is a very simple quest that they likely already completed hours ago.)

The more challenging Speech check is to tell Cass that there's no way her business can survive, so it's her duty to do the merciful thing - shoot it in the head, bury it, and move on with her life. This, naturally, brings her close to socking the player in the jaw, but she sees the truth in it. She's been holding onto the forlorn hope that there might be something left to save, but she really has lost everything. This bypasses Jackson's quest - she just wants to walk out and not look back.

The Barter options approach things differently - from the Speech options, and from each other. The more challenging one involves making some sport of the offer, challenging Cass to a drinking contest. The player has to supply the booze, and they run the risk of getting embarrassingly drunk if their Endurance stat is too low, but, either way, this will impress Cass enough that she'll sign the contract.

The easier Barter option, though, is, I think, the most interesting. It requires the player to sweeten the deal with their own money - a not insubstantial amount of it, in fact. Cass is still hesitant, though, which allows the player to make a very interesting point. With the money from the Crimson Caravan plus the player's contribution, she'd have enough to restart her business - buy new animals and equipment, hire a new crew, start trading again.

Further, the player can point out that the Crimson Caravan are unlikely to continue using the 'Cassidy Caravans' name after buying it. They're only buying her out to try to monopolise local trade, after all. If they don't use the name, they'll forfeit their rights to it - meaning that Cass can, as she puts it, take their money, give them nothing, and go back to running her business as if the attack never happened.

Cass, naturally, accepts this offer, though she's staggered that the player is so willing to sell out their employers to help her like this. (The player needn't feel any moral misgivings about doing so. A little investigation reveals that the attack on Cass's business was actually engineered by the Crimson Caravan themselves, in collusion with a crime family, in a conspiracy to wipe out their competition.)

I think this entire interaction represents how well New Vegas uses skill checks. Barter, in RPGs, is often a very barebones skill. Its use is letting the player earn more and spend less - as part of an equation determining shop prices, or in dialogue options that boil down to asking for money. It's not uncommon for Speech to be the skill of the peaceful, benevolent diplomat, while Barter is for common mercenaries.

Here, though, the Barter options actually cost more than their Speech equivalents. The player ends up out of pocket for a sizable chunk of change or at least a lot of booze. Instead, the Barter skill represents the character's understanding of common business practices and relevant laws. It allows them to convince Cass to accept a deal by finding a loophole that benefits her more than if she refused.

The equivalent Speech options, meanwhile, are effectively free, but do involve making Cass feel that little bit worse. They emphasise what she's lost, how trapped she is by her circumstances, and convince her to give up and let the Crimson Caravan win. In the long run, this doesn't make a real difference - once she leaves the outpost, she and the player can discover the conspiracy and get their revenge either way - but I think the choice does let the player say something about their character.

Part of the brilliance of this game is how little details, like Cass being stuck at the outpost, tie into other details all across the story. Caravan traffic is halted, in part, because deathclaws have nested near the roads to the north. They've nested there because the local quarry has ceased operations - the noise caused by the digging and blasting had previously scared them off.

The quarry closed down because escaped convicts raided it and stole the workers' stash of mining explosives. The convicts escaped because the government was using them for forced labour on the railroads, and foolishly entrusted them with enough dynamite to stage an uprising, seize control of the prison, and turn it into a fortress and a base of operations for banditry.

Similarly, the threads of Cass's story spread outwards, ultimately affecting the entire future of New California. When she learns that the Crimson Caravan and their allies killed her friends, Cass is furious. She wants to march over there and beat the snot out of the people responsible. The player can convince her to instead settle things legally - get proof of their crimes, pass them on to Ranger Jackson, and hope the justice system gets revenge for her.

If Cass does things her way, the criminals pay with their lives, but their bosses end up better off for it. With their regional execs murdered, the trading companies can claim that the government isn't doing enough to protect them - so, they don't have to support the government's interests, either. They withdraw trade, demand special treatment, and end up making their shortfall everyone's problem.

If the legal option is pursued, though, the evidence becomes blackmail material. The government has the trading companies over a barrel, and that lets them pass stricter trade laws. Given the choice of accepting regulation or facing criminal investigation, the crooked execs choose to stay out of jail. Those responsible for the murders technically avoid justice, but their hopes of a monopoly are dashed - and their superiors are unlikely to be pleased with them having hurt long-term profits so badly.

Cass's story is political and economical all the way through. It's about the influence of wealth on government, and the fundamental injustices of the carceral system. It's about revenge, and reform, and how to hit people where it hurts - their bottom line. And it's about how, sometimes, skills in an RPG aren't about making numbers go up - they're about how a character understands the world around them, and how they can apply that understanding to help someone out of a jam, or help reshape the trade lines of a whole nation.

[alatismeni-theitsa]

"Women only started working very recently so a woman's place is the house-" shut up and feast your eyes at old photos of women from around the world doing physical labor only for them to return home and solely care for 5-10 children and the elderly parents of their husband.

Greek women represent:

These photos show Greek women doing the type of physical labor they would perform more often than not. At the luckiest working conditions for rural women (aka most of the country) they would start working the fields as children and when they got older they would work the same fields with their own babies on their backs.

On the way home from the fields, sometimes the women would carry the wood and the mule would carry the man so he could rest.

Of course, we can talk about the manual labor that is rubbing cloth and metal for hours on end, chopping and carrying wood to light a fire for a large cauldron your size, and stirring it for hours.

But we can also talk about how it wasn't for them to break and carry rocks in baskets for the making of new roads. They would gather salt, olives, and grapes and carry them on large baskets filled to the brim. For salt they carried thirty kilos each trip, doing fifty trips each, stepping shoeless on the grains of salt.

Carrying water was also their job, often moving large barrels with all the water a house of 10 needed upon hills that horses and mules had trouble ascending.

(more photos for salt mining and carrying here)

It's no hyperbole to say these women carried their incomes and households on their backs. "The good she-housekeeper is a slave and a lady" the old Greek saying goes. A "good woman" was a woman who could be strong and work at home and in the field, often described with the qualities of a mule. Men took their wives out in the fields so much that some who were a bit more educated had to make their husbands sign that they wouldn't ask them to work alongside them in the fields! (source in Greek)

Some of these photos are also from 1970. I'm missing a photo from Leukada showing women carrying baskets of the stones they broke, and I'll add it here when I find it.

Basically, women were out of the house forever. A woman who got to stay home and never perform any labor had some type of privilege (wealth, status etc). Same as the many privileged men around the world who didn't perform any labor at all.

===================================

If my posts have helped you in any way consider buying me a ko-fi 💖

[htchnr]

♰ my heart is a sad affair ༻ C. HOWARD.*ೃ˚ PART TWO.

➻ masterlist. ➻ buy me a coffee!

CW ➻ shouting ⋆ FEELINGSSSS ⋆ reader smacks the everliving HECK out of Cooper ⋆ he deserved it ⋆ kissing ⋆ mention of a Gulper ⋆ flashback to hunting deer in a forest ⋆ fallout canon violence/descriptions ⋆ if i missed anything, lmk!

PAIRING ➻ wife!reader x Cooper. (they were married before the war, but both of them believe the other is long dead.)

SUMMARY ➻ you were gonna strangle him when you got your hands on him. after shouting for Ma to come out and cut you loose you were livid. you had found him after all this time, alive, and he leaves like that? he was going to get the slap of the century, and then some. WC ➻ 3,2K.

© 𝟐𝟎𝟐𝟒 𝐇𝐓𝐂𝐇𝐍𝐑. 𝐝𝐨 𝐧𝐨𝐭 𝐜𝐨𝐩𝐲, 𝐬𝐡𝐚𝐫𝐞 𝐨𝐫 𝐭𝐫𝐚𝐧𝐬𝐥𝐚𝐭𝐞 𝐦𝐲 𝐰𝐨𝐫𝐤 𝐭𝐨 𝐭𝐡𝐢𝐬 𝐩𝐥𝐚𝐭𝐟𝐨𝐫𝐦, 𝐨𝐫 𝐚𝐧𝐲 𝐨𝐭𝐡𝐞𝐫!

you were gonna strangle him when you got your hands on him. after shouting for Ma to come out and cut you loose you were livid. you had found him after all this time, alive, and he leaves like that? he was going to get the slap of the century, and then some.

you were thankful now for the tracking or hunting skills he taught you while on vacation in the deep woods so many decades ago, teaching you how to track and hunt wildlife. but now, you'll make him regret it.

"you look for anything," he pauses pointing to some tracks, but also towards some leaves that looked half eaten. "tracks or signs, and try and gauge what direction they came from," he explains, rifle on his back as you two quietly walked through the dense forest.

"seems easy enough," you shrug, glancing around. you'd always been a quick learner, so this was gonna be a piece of cake.

he chuckles, a warm smile on his lips. "we'll see about that sweetheart," he gestures for you to head in front of him. "let's see how you do," he grins, throwing a cheeky wink your way. you snort, shaking your head with a smile as you step in front of him, eyes flitting around you.

though, with the heavy boot prints in the loose sand and dirt it felt too easy. you rolled your shoulder as you walked along the tracks, looking at the different sets of foot prints;

one set that would belong to Vault Dweller, another set which clearly belonged to Wilzig, a heavy limp clear in them (along with blood) — and the last set belonging to Cooper. you also noticed what would be the dog's prints, varying in pace. though, usually beside Cooper's.

the sun was unforgiving, beating down on you violently as you walked. your anger slowly dimmed down as your mind drifts to the memories you tried so hard to forget.

your eyes flit around the forest, looking across bushes, looking through the dirt, anything. but you were surprisingly stumped. you had tracked what seemed to be a deer for a little over half an hour.

you came to a halt and huffed as you roll your shoulders. "okay i give up," you turn around and find Cooper smiling at you with those lovestruck eyes. you laugh at his look, his smile only widens at the sound. "what?" you smile.

he shakes his head, "nothing honey," he walks over and pecks your cheek. "you got us really far, you're really getting the hang of this." he compliments, and steps in front of you to take the lead.

he looks around for a minute, before he taps your hand to get your attention. "see there?" he points to a shrub. "more bite marks," he says, and you huff. he smiles and gestures you to continue in front of him again. "c'mon, i've got the feeling we're getting close."

huh, you cocked your head at the sight before you. Wilzig's body, surrounded by blood, and missing his head. you swallowed, would Cooper have done this? or did the girl do it to lighten her load?

you hoped Cooper didn't do this, yet you also doubted the Vault Dweller would have the stomach for something like this. you look around, eyes meeting the tracks of the girl, then Cooper's along with the dog's. well, you sighed, let's keep this show on the road.

you missed Roosevelt now more than ever, his gentle patter beside you as he followed you around. he used to love following you around while you did chores around the house — laid beside you while you ironed clothes, politely sat out of the way while you vacuumed. his favorite thing was to run around the yard while you hung up your laundry outside.

your heart ached for your fluffy companion, you missed him so much. you wondered if Cooper missed him too, or more so how much.

Cooper and Roosevelt were inseparable, when Cooper was home Roosevelt rarely left his side. and when Cooper was away, Roosevelt never left yours, almost as if Cooper told him to guard you.

the thought made you smile, sighing as you walked along the trail of steps. you hated this fucking wasteland and it's violently cruel sun.

the lush surroundings a upcoming Hollywood Boulevard were a nice change of pace, it was good to see that while some areas were completely infertile and dead, other areas absolutely thrived.

the tracks showed slight panic on the Vault Dwellers side, quick dashes and marks where it looked like she had slipped or fallen. Cooper's were calm and collected as ever, and the dog's jumped around all over the place, before evening out beside Cooper again.

you walked along the waters edge, keeping a close eye on the lake beside you. you had heard stories of huge things jumping out, and being caught by something while this close to Cooper was not on your to-do list today.

you were close to them, you could tell by the depth and freshness of the prints. you let put a shaky breath, your original frustration bubbling up to the surface again. your hands shook a little beside you. you had some time to think of what you were going to say, but now that you were nearing them your brain was drawing blanks.

"honey look!" Cooper whispered, pulling you down behind a tree, pointing into the distance. you followed his finger, eyes landing on a deer grazing fifteen or twenty feet from you two.

your eyes lit up, "hey i did it!" you whispered excitedly. Cooper grinned, rubbing a warm hand across your lower back in a form of 'i'm proud'. and he was damn proud, it took him much longer the first time he went hunting.

"well," he takes ahold of his rifle, handing it to you. you grab it from him, positioning it the way he taught you. "breathe in and out," he muttered, his hand not leaving your lower back. he looked over your shoulder, seeing how you were aiming. "and well, you know what to do," he smiles.

you smile at his words and the warm hand inching towards your waist. you take a deep breath, looking down the sight as you aimed, your finger wrapping around the trigger. you exhaled slowly, and squeezed the cold trigger, letting your shot fly.

the sound of panicked shouting snapped you out of the memory, eyes snapping towards what looked to be an old dock. you swing your rifle off your back and hold it tight, stepping through the overgrown environment and closer towards the yelling.

the closer you got, the more clear the voice became, "i lost it! okay i lost it!" the Vault Dweller shouted, fear and exhaustion clear in her voice.

you neared the edge of the forest, the rest beyond flattening into a open space by the water. you could see the Vault Dweller and Cooper clearly now, as well as the dog who barked at the water with vigor. Cooper had is gun aimed no more than a few inches from the Vault Dweller's face.

the dog suddenly snapped it's head up, snout pointing directly to where you were. well, you thought, it was a matter of time.

Cooper looked at the dog, who had completely stopped barking now. the girl didn't turn to look at the dog, seizing the opportunity to kick Cooper's legs out from under him and shoot up and away from him, her gun now pointed at him.

"you better get that gun out of his face, girl, or you'll regret it."

Cooper's head spun around, wide eyes looking around. a small wave of 'oh shit' washing over him. the Vault Dweller turned to face you, eyes widening. "you, from back in Filly," she spoke, her voice sounding a little out of breath.

"what'd i say?" you cocked your rifle, "get that gun out of his face." anger boiling back up at the sight of him on the ground. he deserved that kick.

the girl blinked, reluctantly holstering her gun and stepping away from Cooper. your rifle remained aimed at him though, as you stepped closer to him. Cooper blinked, an awkward smile on his lips. "hey, fancy seein' you 'round here-" the thud of the butt of your rifle against his temple interrupting him. "fuckin' hell!" he shouted, a hand coming up to cradle his head. he looked up at you, and eyeing the rage in your eyes. "okay i deserved that,"

the Vault Dweller watched the exchange from a short distance, standing beside the dog who had returned it's attention to the water.

"get the fuck up." you seethed, rifle still aimed at his scarred head. Cooper inhaled, slowly getting up, then standing before you. you only swung your rifle over your shoulder once he stood at his full height, dark eyes watching your every move. 

his lips parted to speak, but you beat him to it with a smack that rang through the overgrown area. Cooper’s head reeling back at the force. he blinked widely for a moment before turning his head back to face you.

the Vault Dweller watched with her lips parted as you had smacked him, the sound sending a jolt through her. who the hell were you that he let you do this? if it were her she'd be dead as soon as she began to raise her hand.

you raised your hand again, this time jabbing a finger into his leather clad chest. "Cooper Franklin Howard, what the fuck were you thinking?!" you shouted at him, wild eyes staring into his gaunt ones. "fucking tying me up? are you out of your goddamn mind?!" Cooper looked pained, he regretted tying you up then, but even more so now.

he looked down a little, and you grabbed his chin and forced him to look at you. "what the fuck was one of our vows, huh?" your voice cracked a little at the volume. you let go of his thickly scarred chin to yank him down to your level by the lapels of his duster. "where you go, i go, Cowpoke!" you yelled at him, tears started to well up in your eyes.

Cooper swallowed, eyes flitting across your face. his heart ached at the thought of the wedding, the vows said and the love shared. it hurt.

you shook him by his lapels once more, "i don't care where the fuck you go, but unless you're dead i'm there with you!" your voice starting to falter as tears slide down your cheeks. oh how he hated to see you cry, it cracked his broken heart into even more pieces.

you stood there for a second, wet eyes watching his as you could just barely see tears starting to prick at his as well. you watched him closely as he pulled off his thick leather gloves and dropped them, calloused and scarred hands coming up to cover yours. Cooper visibly shuddered once his bare hands met your painfully soft ones.

the Vault Dweller silently watches, eyes wide as she sees the emotional love in Cooper's eyes. what the fuck happened to the terrifying ghoul that was about to shoot her?

your breath hitched as he held your hands, eyes flitting down to them. they looked exactly like the skin on his face, an angry red, completely blistered and scarred over. you looked at all his features, his gaunt eyes, his thinned lips, yellow teeth. and the blaringly obvious, his missing nose.

"oh Cooper," you rasped, your voice aching from the yelling. you pulled a hand free from his and pressed it against the scarred cheek you had smacked. he didn't flinch as you gently rubbed your thumb across his cheek. he whispered your name as though it hurt to say, a tear finally rolling down his skin.

you reach your other hand up, holding both sides of his face as you pull him down and press your lips against his. Cooper tries to step back a little, taken by surprise, but your hold on his face doesn't let him move far. it takes him a second, as if he thinks this is a dream, before his reaches one hand to hold your face and the other to pull you closer by your waist.

the Vault Dweller watches with slight disgust, but also with a small thought of awe.

you finally let go against him, tears rolling freely down your cheeks and wetting his as you cry against into the kiss. although he looks different and feels different, the waves of comfort and safety feel exactly the same as they always have as he holds you tight.

you reluctantly pull away, looking up at him with teary eyes. you press one last kiss against his lips before fully pulling away, his hand holding yours as if he can't let go. "what on earth did you get yourself into cowboy?" you sigh sadly, your hand returning to his cheek.

Cooper shakes his head, "you don't wanna know," he replies, the sigh palpable.

the Vault Dweller blinks as the dog starts barking like crazy again, "uh guys, i'd hate to interrupt this shockingly sweet moment but i think the Gulper's coming back!" she panics, looking at her pipboy as you hear the tell tale geiger counter sound picking up immensely.

Cooper looks back to you, hand on his gun. "you still remember what i taught you?" he asks, unholstering his gun.

you roll your eyes with a smile, "i'll make you wish i'd forgotten," as you swing your rifle off your shoulder, ready for a fight.

you'd have a long talk once you were in a somewhat safe shelter later..

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