#but...there did seem to be some understanding between them at the end
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"I think the cycle only ends when you find the will to walk away."
Got a lot of Q's for this in my inbox. Figured I'd just address them here.
tw: mentions of suicide, suicidal ideation
Re: the ending of S2:
Jinx did not die.
She symbolically killed her old self, and with it, her last ties to the past that imprisoned her. She understood that for her sister to move on and live her life - be happy without guilt - she'd have to renounce the bonds that held them together.
Her talk with ghostly Silco was the 'sign-off' she'd been waiting for, ever his dutiful daughter. Throughout S2, she kept hoping he'd haunt her, and in doing so, offer some impetus given her aimlessness. Maybe just straight up boss her around, and tell her how she's supposed to exist now that he's no longer there to be a (subversive if loving) guiding hand.
But it was the promise of time (as represented by Ekko) healing old wounds, and the courage to feel, as she once had - a hopeful child with a hopeful future - that allowed Jinx to commit impetus to action.
Her blimp-ship in the climactic battle is a tribute to Isha - but also to the child in Jinx's own fractured psyche: Powder. She's letting both little girls have one last hurrah before she takes care of business - and cuts off the last oaths, duties and commitments that bind her to a past whose parameters she's outgrown.
Better still, she knows she's got the capacity to outgrow them.
That was the point of Jinx's arc with Isha, and why, no matter my misgivings on Isha's character herself, I found Jinx's trajectory towards a more nurturing and fun-loving figure more life-affirming and positive than the straightforward 'Daddy's Villain Goes Postal' shtick.
It's even why there's a minigame titled Jinx Fixes Everything. It's Jinx, struggling and stumbling, as she tries to rewrite her narrative, and finds in herself the capacity to do good.
To fix things that seem irreparably broken.
And to understand why she's reached this stage, we've got to let go of our tendency to project our own stuff onto Jinx (precious meow meow, unrepentant terrorist, manic pixie crazypants, edgy hot psycho) and acknowledge the purpose she plays in Arcane's thematic structure.
Jinx's character comes off as a death-seeker, and that's no shocker. She is hounded by terrible guilt and loss. She's got blood on her hands, and ghosts on her heels, and no matter what she does, she can't seem to be rid of them. Her inner mind's fractured, her mannerisms ooze pure chaos, and she seems a creature of pure feral impulse and no mercy.
That's the Jinx we're accustomed to seeing in S1 - except that's also both the front she's most likely to put on during that timeline, and the persona that is necessary for her to inhabit to survive, as Silco's daughter and his top enforcer.
Then Silco kicks the bucket, she symbolically fulfills his dream by shooting at the Council HQ, she accepts that she must inhabit this path of shadows and loneliness (as symbolized by her starkly decorated chair in the tea party scene), she accepts the fragmented push-and-pull between past and present, and...
And now what?
Silco's given her a semblance of direction for six years, and he's gone. Vi, the sister she'd hoped would return, and whom she'd hinged so many childishly idealized hopes on, is herself traumatized, and afraid of what her sister's become.
Jinx has her shadows and her loneliness. Jinx is traumatized. Jinx is suicidal.
But Jinx is still, whatever else, alive.
And all living things need connections.
That's why we as the audience enjoy her little found family dynamic with Isha and Sevika. It's Jinx, taking the first tentative steps to reach out to people beyond Silco and Vi, and realizing, wow, she enjoys the pay-off.
And all throughout S2, we see Jinx growing more and more comfortable in this newfound space - even jealously guarding it at the expense of Zaun's liberty, and Silco's wishes, because she can't bear to lose what she's found.
And what she finds empowers her enough that, when Warwick shows up, she's actually willing to reach out to Vi, and call upon their family connection, because Jinx is learning the value of bonds, not as baling hooks of guilt, but as buoys to carry her forward.
That's the story Jinx's relationships serve to tell in S2. Each one shapes the choice she makes in the finale. Until she learns to accept the past (Vi), to lay the monsters to rest (Silco and Vander/Warwick), forgive herself (Caitlyn) trust that time heals all wounds (Ekko), and hope for happier new beginning (Isha), she'll never trust herself enough to just seize the chance.
Jinx's culminating arc is not about death, much less self-erasure. It's about resurrection, and embracing the sublime chaos of a freed mind, and a lightened spirit. That's what she craves beyond simple death, and what her baptism by fire, blood and riverwater, has been about.
Each trial grinds her down into someone else. Someone new.
Someone closer to who she is meant to be, rather than who she's expected to be.
That's why she's so glad to make the sacrifice for Vi. She's not dying as an act of self-immolation. She's giving her sister - the one who's proven she'll never give up on her - the ultimate gift, and showing Vi that she deserves to live.
She needs Vi to live, so Jinx, the persona, can finally die.
"He (Silco) didn't make Jinx. You did."
She's basically saying, "I love you, I will always be with you, but you are no longer responsible for my actions. Please move forward with your life, and grant me the choice to do the same."
It's two sisters embracing everything they've meant to each other, acknowledging the pain weighing them down on both sides, and welcoming the new so they can each slough off old paradigms and live life as a whole person - or at least take steps to remembering what wholeness feels like.
That's the reason the show's final shots linger on the Hexgate tunnels, Jinx's monkey bomb, and the aircraft.
It's the show's way of reminding us that Jinx has ascended to a different version of her identity - one removed from the past that haunted her. It's Jinx, finally striking out alone, away from the sister whose memory she clung so desperately to, and who was, in turn, horrified by her hand in making Powder a monster (perceived guilt or real, fandom may debate ad nauseum) due to past mistakes and abandonment.
The ending of Arcane isn't tragic. It's deeply hopeful, and serves as a reminder that no matter how damaged you think you are, and no matter how monstrous the world finds you, there are still ways to come back to yourself - or to walk the path toward a new you.
Jinx is symbolized by crows. Jinx is shown with firelights emerging from her mouth. Jinx is depicted holding a torch like Janna ushering in the winds of change.
Thematically, Jinx is change.
And the best way she can embody that change is to write her story, and make it her own.
#arcane#arcane league of legends#arcane silco#silco#arcane vi#arcane violet#vi#violet#arcane jinx#jinx#arcane ekko#ekko#arcane vander#vander#arcane warwick#warwick#arcane season 2#arcane s2#tw: suidice#tw: sucidal thoughts#arcane timebomb#timebomb#jinx x ekko#arcane season two#league of legends
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Here's my take on this one, I did it as my Chater 13!
Thorsday, the 2nd of Maius, 524.
Arthur woke to Merlin thrashing, convulsing through some sort of night terror. He held Merlin close, and tried to keep him from injuring himself through the spasms, but he was entirely uncertain whether that was even the right thing to do.
He noticed, as the minutes went on, that Merlin had been getting increasingly warmer. With growing terror he realized that Merlin was incredibly hot, burning up as if the dreams themselves were causing some sort of incredible magical fever. Arthur couldn't remember the last time he’d felt so powerless. It was a relief then, if a surprise, when Morgana knocked on their door and entered as soon as Arthur was able to stammer some sort of assent.
Morgana walked in, with a confidence and certainty of action Arthur couldn't remember ever seeing in her before. The room seemed to drop in temperature as she crossed in, and, in moments, she brought a hand to Merlin’s chest and one to his face. Arthur could feel the cold radiating off her. Merlin’s temperature crashed drastically as he woke with a start to the cold shock that rippled through from the point of Morgana's contact, and he breathed in sharp and deep like a man just saved from drowning.
“More like the pyre…” Morgana said, responding to the thought Arthur had never voiced.
Merlin panted as he assessed the situation, assessed the room around him, came back to reality, blue eyes betraying an equal measure of absolute understanding and complete bafflement.
Arthur shifted his gaze to Morgana, searching her face for the answers he didn’t know how to ask for. “How did you know?” he managed to ask finally, though the question was woefully inadequate.
“Sometimes we can hear each other, like when I was in the library, like when you helped us with the druid boy,” Morgana answered, but it wasn’t an answer to the question Arthur had been trying to ask.
“No, I mean…” he shook his head, trying to assemble a better question. Still, he only managed, “ how did you know ?”
“Oh!” Morgana exclaimed, as if understanding the misshapen question better this time. “It’s not as complicated as it seems, it was just illusion magic, I focused on making Merlin feel cold rather than changing anything, normally it wouldn’t affect other people, but you and Merlin are… very close , magically speaking. It’s… unusual.”
“ No,” Arthur let out a long, frustrated sigh as he forced himself to reshape the question, to add words. “How did you know about the dream, about the pyre?”
Morgana let out an uncomfortable laugh, as if that question was too obvious to need an answer.
Merlin, gaining more and more of his senses by the minute, ran his fingers gently along Arthur’s arm before answering, pragmatically, “all my dreams end in the pyre, Arthur. Beheadings are reserved for strangers.”
He was too kind to say the rest. Too kind to say, explicitly, your father would punish me for loving you, and he’d make sure that I burned alive if he ever knew the most beautiful part of me , but Arthur still heard it.
It had been easier to ignore his father’s monstrosity when it wasn’t aimed at the people he wanted most in the world to protect, when it was abstract obligation to Uther versus abstract duty to the people of Camelot. Now, when someone he loved stood in the balance between, when they faced a worse fate because he loved them--the burgeoning flame of Arthur’s hate, so small before this Beltane trip to the country, was bellowed anew by the vile truth of Uther Pendragon, and it threatened to grow and grow until it could consume the world.
Arthur said nothing. He buried his face in Merlin’s shoulder, and dangled in the silence. Arthur had often felt lost in the world or words and feelings, in the world realisations like this one always seemed to thrust him in, and he’d long since learned to be silent and seem uncaring rather than ever risk seeming incompetent--in front of his father, in front of his kingdom, in front of anyone.
Now, when what Arthur wanted most in the world was to connect, to be soft and vulnerable and honest, to do anything other than dangle in the silence, he had no idea how to find a ledge back out of the chasm. But Merlin just kept running his fingers along Arthur’s arm, and Mrogana didn’t give him the look she often gave him when she thought he was cold or uncaring. It was like they saw him there, dangling and lost, deep beneath the mask that had always rendered him invisible before. Being seen was new, hopeful but uncomfortable. Being seen protected the spriteling flame, promised to direct it to purpose where once it would have been extinguished along with everything hopeful in Arthur’s spirit. Being seen could change everything.
merlin magic reveal fic where arthur asks “why didn’t you tell me?” and merlin says, mirthless smile and haunted eyes “all my dreams end in fire. fire and burning and dying”
#merlin#bbc merlin#arthur pendragon#merlin angst#merlin x arthur#merthur#morgana#morgana & merlin#they could be such great friends you guys#siblings#in laws#anyway...#all my dreams end in fire prompt
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hi can i req ff that “really nice guy to everyone but you” thank youu
them being really nice guy to everyone but you
content: sort of enemies to lovers implied, not angsty at all, implied repressed crush, etc.
wc: 651
a/n: i've never heard this concept before so im assuming its some sort of repressed crush type of thing(?) sorry if i got it wrong</3
masterlist
seungcheol -
he's petty and stubborn, so this game could last forever to him. he'd want to be very obvious in his niceness towards other people in front of you whilst just completely disrespecting your existence. it'd give him satisfaction when he'd see you fume at him. maybe it was something he needed to externalize to understand why it pleased him so much.
jeonghan -
god you're the biggest target to his pranks and teasing. wont leave you alone ever. he just finds so much entertainment out of making you miserable. unlike with other people where he'll prank them half the time and be a caring angel the other half, you just get a demon out of him 24/7.
joshua -
he's a cocky bastard in your presence. he's the perfect gentleman to everyone else but you never really get to see that side of him. what's worse is that he'll only ever smile at you when he know's he's getting under your skin, and it's always a smile of satisfaction.
jun -
he would not have even meant to be mean to you right off the bat but somehow things ended up like this. so now he's just kind of a dick around you whilst being his easygoing self with everyone else. you're mean in return so it kind of works out.
soonyoung -
he'd slip up sometimes, lost in staring at you in the midst of what was supposed to be some weirdly mean interaction between you. you'd probably know that he liked you beneath all the rudeness, but it'd be fun to play around with him.
wonwoo -
he'd drive you insane with how soft and sweet he is with everyone other than you. you'd feel dejected at first, but at some point you'd treat him exactly the same. this would either lead to sone amazing slowburn between you or someone being killed off the friend group. no in between.
jihoon -
it'd be easy for him to be perceived as mean by you. he didn't even have to try, he was just a little dismissive by nature anyways. he'd never actually be too outwardly mean, but he'd be able to get away with it the most.
seokmin -
it'd be obvious to everyone that he didn't mean it. he could never be mean a day of his life. he'd try very hard to make it seem like he didn't like you, but he'd snap out of it sooner or later, making amends and treating you as nicely as he did everyone else.
mingyu -
he'd be cocky as hell around you, giving you snide remarks left and right. he just loved when you'd fight back, insulting him twice as hard and even attempting to go after his gigantic physique.
minghao -
it'd bug you how obvious he'd make it. he'd give you a dirty look one second and the next he'd be hugging someone as he greeted them. it'd piss you off, but the mere reaction from you would just get him to amp it up even more.
seungkwan -
when you realized this special mean treatment was reserved for you only, a war would start between you. it'd become a battle to see who could be meanest to the other. it'd be painfully obvious to everyone else that you liked each other behind all that meanness.
vernon -
he's just so annoyingly indifferent around you, it'd drive you crazy. he's not even mean, he just ignores you .... except when you're not looking. all his friends would know the truth, but he'd keep the act up in front of you.
chan -
would be weirdly standoffish and a show off in front of you just to piss you off. knows all your pet peeves and ticks and takes advantage of that. classic example of trying to get your attention by being rude and basking in it even if its only ever to tell him he's annoying and a loser.
#seventeen x reader#seventeen fanfic#svt fanfic#svt x reader#seventeen imagine#seventeen oneshot#svt reactions#seventeen reactions
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How to Write Emotional Dialogue Without Being "Cringy"
Did you ever want to write an emotional scene between characters but suddenly felt so conflicted because you're worried it might seem cringe? I, for one, have (and still do) worried about this! So today, I'll share some tips on how to make your dialogue LESS cringy and MORE emotional!
But for starters, what exactly makes something "cringe"?
Our media actually plays a big part in shaping what we find to be cringe, so certain words or phrases tend to stick out to us as "cringe". But when it comes to writing, it depends mainly on the context given.
So, with that being said, something that's meant to be emotional might seem cringy and awkward because the scene falls flat. Now that you understand the base cause of this, let's explore some ways to avoid it!
>>> OMIT, DON'T SAY
If you ever found yourself writing out a line that, no matter what, still seems awkward, then the problem may lie in the line itself. Sometimes it's unnecessary to say everything; your readers are smarter than you might think! There's a lot you can omit in dialogue while still maintaining a natural feel, whether it be through body language or hidden meanings behind certain words!
EX:
Prompt: "You're so fake, you think you can hide from the world, but you can't. What if someone finds out the real you?"
"I'll just put on another mask."
V.S
"What do you think?"
Regardless of whether you find the first response cringe or not, you can also see that the alternative response hints at a similar answer despite not confirming or denying anything!
>>> BE BRIEF
Unless your character is ranting or you're strategically elongating their dialogue, try to keep their lines concise. Many people will speak briefer as a result of uncomfortableness, sadness, and/or anger.
If a piece of longer dialogue looks odd to you in a certain situation, that might be because your character seems to be trying to explain something too much when it wasn't your intention to create that effect. Filler words (uh, um, oh,) are fine because they're a part of natural speech, but sometimes it's better to get straight to the point!
>>> FILLERS
Speaking of filler words, they can become really useful when writing emotional dialogue because they can portray a variety of emotions! (They can depict feelings of anxiousness, sadness, and more.) Additionally, stutters and ellipsis are helpful for the same reason! Overall, these incorporations really spice things up! Unnaturalness can be a cause for cringiness, and fillers assist in making dialogue feel more natural!
>>> ITALICS FOR RANTS
Okay, but what about rants and purposefully long dialogue? How do we make these more meaningful when essentially, we're just talking about big blobs of text?
Here, it's important to add dynamic to catch the reader's attention. When we read, it's like a voice is talking in our heads, and the voice is ultimately determined by subtleties like italics!
So, with that being said, use italics (I suggest incorporating them regularly, actually) when writing LONG texts! It creates a flow and rhythm for our reading, and most importantly, adds emotional weight to certain words/phrases, which highlights what your character prioritizes and cares about most!
EX: "I-I thought we promised! You said you wouldn't leave--so why are you leaving now? Was it my mistake? I'll change, I swear! (etc...)"
V.S
"I-I thought we promised! You said you wouldn't leave--so why are you leaving now? Was it my mistake? I'll change, I swear! (etc...)"
See? With just a few italicizes here and there (although you do want to be strategic about which ones you italicize), the simple dialogue quickly grew more weighted!
>>> DON'T RE-READ TOO SOON
In the end, the most effective way to tell whether something is cringy or not is to have someone else read it and tell you! But if you don't like the sound of that and prefer to check on your own, I suggest to not re-read your dialogue over and over. Instead, give it some time!
When we re-read our work too soon, we already know what to expect, which influences our decision making and opinions. By approaching it after you refreshed your brain, it'll feel more like you're reading it for the first time; and therefore, you'll form more effective ideas!
***
Still, it's also important to keep in mind that something that's cringe to you won't be cringe to someone else and vice versa! It's ultimately based on the readers, which we have no choice but to accept. However, if you were concerned about your writing because of such reasons, I hope this has helped!
Happy writing~
3hks <3
#writeblr#writing#writerscommunity#creative writing#writing inspo#writing tips#writing advice#how to write dialogue#how to write emotional dialogue#how to write emotional dialogue that's not cringe#how to avoid cringe writing#tips on avoiding cringe writing#advice on avoiding cringe writing
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Just some thoughts:
I didn’t understand how pervasive such expectations could be in a mono-cultural society.
This, I think, is a major problem with the show writers (and for Rings of Power as well). WoT & Middle-Earth are absolutely monocultural, and instead, the writers decided to make them the same as their own world. Ironically, growing up in a multicultural society, or working in a multicultural city like New York, Los Angeles or London, has eroded their ability to consider, embrace or understand a different sort of cultural background. To paraphrase The Incredibles, "If every culture is special, no one is."
Perrin has difficulty understanding Faile’s culture.
The same thing could probably be said of Rand and Aviendha, or of Mat and Tuon. Or perhaps not ...the characters are more aware that cultural differences fuel misunderstandings.
I think some of the biggest issues in this regard, outside of the overt problem Perrin has (Faile is aware and working the problem - she's simply getting no help at the other end), are actually between Rand & Elayne. Because class is culture as well. Elayne does not see herself as a superior class to any of the non-noble characters (and it's not channeling or lust - the first character she befriends is Min), and so is unaware of any such difference, but Rand is absolutely aware of her status and creates distinctions in his own head.
With Aviendha and Tuon, their Two Rivers partners stumble over specific cultural practices (like proposal/marriage rituals), and belatedly give indications of interest that were not intended as such (the ivory bracelet and the razor horse), but otherwise, culture isn't really a thing. Mat and Tuon more or less know what they are getting into from the start, and as the OP says, are aware of the cultural divide and both are actively trying to bridge it. The problems with Rand & Aviendha, for all they are superficially blamed on ji'e'toh, are more a factor of their own personalities and self-images than cultural problems. Again, Aviendha's nominal relationship to Rand is to facilitate his cultural understanding.
When Elayne is bewailing her inability to approach Rand or initiate an exploration of their potential for a relationship, Egwene cites some of the courting practices of the Two Rivers, which Elayne seems to find rather unhelpful, and to be fair to her, are rather impractical in their circumstances. Egwene simply intends this as an example of the principle that there are ways to communicate romantic interest without taking the risk of openly stating/asking to the other party, but what they are overlooking is how culture is a language. Rand would understand what Elayne meant if she did the things Egwene mentions, in the right context. Instead, Elayne & Egwene go with their on-page approach. And while part of Rand's refusal to accept the depth of Elayne's interest and affection for him has to do with personal factors, a good chunk is that he sees a gulf between them thanks to her rank, that she is unaware of.
In Elayne's aristocratic culture, marriage between people who have never met is not unexpected, and her own marriage might be pursued through any method, up to and including high-level diplomatic negotiations. In Rand's, everyone knows everyone, they grow up in each other's pockets, and marital partnerships evolve organically, with both of them knowing each other to a considerable degree as the relationship forms and by the time it is formalized. Basically, he does not know Elayne nearly well enough for him to be comfortable considering the level of commitment she wants (and refuses to tell him). Furthermore, marriage is an economic partnership, and it being a preindustrial society, male physical labor is going to be a significant source of the income for a family, and thus men are conditioned to consider their obligation to support and "do right" by their partners. This is the premise behind the obligation to marry Aviendha which he perceives after their sexual encounter. Because of his imposed vocation to save the world, Rand is not free to "do right" by a wife, and so, in turn, he does not feel as if he is in a position to make any requests of Elayne, relationship-wise, especially anything that might imply a commitment he cannot fulfil.
This stuff is cultural, because it is all utterly meaningless to Elayne's situation. She is vastly wealthier than he, and does not need his partnership. At her economic level, and in her society, the lack of a male partner is not as detrimental to child-rearing that it might be in a rural agricultural community. She is not at all thinking of that kind of propriety, because she has been raised in a royal court, in part by a cosmopolitan teacher in Elaida, and her mother has also received a partial education from a transnational institution. For Elayne, propriety is whatever her mother says it is, and the possible repercussions to her public image. As we see when she does become pregnant, that's not a whole lot. The closest to negative opinion seen is Elenia's prejudicial judgment (largely driven by her wish to see herself as a superior candidate for the throne, and thus inclination to exaggerate or invent disqualifying factors in Elayne) that her choice of lovers is poor, due to the presumed social status of the father of her children. So Elayne is not working under the same relationship constraints as Rand, and is completely unaware of their operation on him.
On the other hand, Elayne is feeling emotionally vulnerable in her situation, having carried a one-sided torch for him for more than a year, and feels that the risk of crossing her mother is all she is prepared to take. She's willing to take whatever risks come with a relationship with Rand, up to and including death (re: Ilyena), she does not feel she is asking too much to want Rand to make the first moves, and be the one to initiate the next development in their relationship. So when she asks him for a kiss, she dismisses any correlation between physical expression of affection and commitment. And Rand's experience with noblewomen and sexual relationships is actually surprisingly extensive at this point in his life, having been the recipient of attentions of Saldaean noblewoman in situations he considers implicitly sexual (though they do not), approached by two different married women in Cairhien at a party, and being made to understand that they want to have sex with him and do not consider their own marriages an impediment. And just the night before his "first date" with Elayne, Berelain propositioned him, claiming that his purported betrothal was no obstacle to their engaging in intimacy. So when Elayne says their kiss doesn't mean anything, Rand has what he considers to be a body of evidence that she, a noblewoman, means exactly that. Where Elayne, in her rather sheltered upbringing (as the sole heir to a throne, there is a greater urgency to protect her, and as a future Aes Sedai, sex and men were kicked well down the road on her educational journey), feels like she is basically putting out and giving away samples of the proverbial milk before selling the cow, Rand thinks she is just using him for fun times.
And that's just before he conquers Caemlyn, and his combination of Two Rivers indifference to noble bullshit and foreign protocols and Daes Daemar tutelage with a particularly Cairhienin flavor, manages to do all sorts of things wrong so that Elayne's coronation and their relationship are almost mutually exclusive goals by the time she shows up.
Tuon finds out that sul'dam can learn to channel, yet she continues to insist that damane should be leashed.
Those two concepts are not mutually exclusive or contradictory. There is a difference between learning to channel and channeling. Channelers are seen as a danger to society, and that is a danger that women who can only learn to channel will never manifest. Tuon's explanation of the difference is rational and true. There is a difference between the potential to do something and the choice to do it. Tuon cannot channel, and unless she goes out and learns how, she will never present the same sort of threat. This was a thing back in tGH where Rand was told that, because he was born with the spark, like all damane, would not be able to stop himself from channeling. Whereas Damer Flinn reached a very old age without ever manifesting the ability, so he is the male equivalent of a sul'dam. There is a difference. You can't slot this into your conception of bigotry.
The Wheel of Time, culture and gender
Something I find really interesting about WOT is how it explores the way gender is culturally constructed. So many of the characters have very strong culturally ingrained expectations about gender roles and relationships, and when characters come from different backgrounds, then there can be confusion and misunderstanding. Characters often attribute the misunderstanding to gender, when it’s really about culture - culture as it pertains to gender.
I remember when I first read the scene where Elyas tells Perrin, “I’ve only ever met about five Saldaean women I’d call meek, or even mild-mannered” (TPoD). At the time, I found that unconvincing. How unrealistic! I thought. Coming from the same culture doesn’t give women the same personality! I mean, being raised in the same family doesn’t give you the same personality! I realise now that Elyas is not saying that Saldaean women have the same personality. He’s saying they are all brought up have certain expectations of women should behave and how they should be treated, and so on.
I didn’t understand how pervasive such expectations could be in a mono-cultural society.
Keep reading
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New Girl
CW: Lezdom, light elements of ageplay, hucow, 24/7 service
I - Arrival
Vicky took the news the same way she took everything that came from her Mistress: with a mixture of complete acceptance, anticipation, and the need to do her absolute best to please, to be of use to that marvelous, superior being. Her body almost shivered, but Vicky stopped it in time. She had been trained to perfection, and now, naked on all fours, her Mistress’ perfect feet resting on her back, she knew she would not -could not- move. She was a footstool, not a person. She always was whatever Lucía desired her to be, nothing more and nothing less. Still, she could feel a warm sensation between her legs when she thought of what was to come. She didn’t know if it was her own mind teasing her or the prospect of further obedience- her Mistress’ desires and her own needs were one and the same, her reactions impossible to distinguish from what had been trained into her. That’s why the news made perfect sense.
A part of Vicky wondered, her Mistress’ statement echoing in her mind.
“A new girl will come here. Not like you, of course. You are my property, fully and forever. No, this girl belongs to someone else. An old friend of mine. Apparently, she has something of a rebellious streak- and I’ve been hired to make her… well, as obedient as you. And you, my doll, will assist me. She will obey me, to learn her true place. Her true self.”
Vicky felt something like pride- if objects could feel pride, that is. Of course Mistress Lucía was the greatest at turning girls into the best, most obedient, most perfectly trained version of themselves. That someone would pay her for the service was only a testament to her skill. But then again, Vicky was Lucía’s masterpiece: and in that perfect obedience, in that need to serve and please above anything else, she found her pride. Vicky was an object. A perfectly crafted object. How could she not feel a tad prideful about that?
She did wonder, however, about the girl that would arrive soon. How did some “rebel” end up in the service of an older Mistress? What need did she seek to fulfill by her servitude? The shifting of her Mistress’ feet on her back snapped her back into reality. She was a footstool. Furniture did not think.
The following day, Vicky was getting everything ready. Wearing her maid’s uniform, which showed off her ample cleavage -enhanced by surgery to make her look like the stupid bimbo she was inside- she got the drinks ready. Alcohol for the Mistresses… and fruit juice for the new girl, as commanded by Lucía.
“She needs to understand she’s a girl. Only her superiors are real women. Time for her to accept that”, Lucía had said. Even in her casual clothes, jeans and a blouse, she shined in an imposing way that made it clear that the statement wasn’t an expression of desire but a promise of what was to come.
The bell rang and Vicky dutifully opened the door, kneeling in front of the classy, modestly dressed in perfectly tasteful black, imposing older woman; thus signaling her own role as a slave to be used. The woman barely deigned to look at Vicky as she made her way in, a young woman one step behind her. Vicky, who should have been looking at the floor, couldn’t help herself and she took a glance at the newcomer.
The first thing that struck Vicky was the girl’s hair. It almost didn’t seem real, with its fiery red hues reaching almost to down to the waist, its coppery sheen and its swaying fullness. It somehow made her imposing, like a conquering queen engulfed by the flames of victory. Her short, white sundress with little pink hearts did a good job signaling what was hidden beneath it. Vicky had to confess to herself that, yes, she was a bit jealous. Sure, the new girl also had big dumb bimbo tits and a face that contrasted with them by its innocence- almost as if she embodied both the saintly virgin and the corrupt whore in one body, but that hair… for some reason it made Vicky feel something strange, dark deep inside her. Something like a need to see this girl broken. Well, her Mistress would take care of that.
“Rose”, the regal, older woman said. “My girl. For the next few weeks you will obey Mistress Lucía as you would obey me. You will serve her and learn everything she teaches you. You will be remade into the perfect girl for your Mommy. And you do want to be better for Mommy, don’t you?”
A second passed. Vicky could see something like defiance flash for a second behind Rose’s eyes, before she responded.
“Yes, Mommy.”
“Well, little Rose”, said Lucía taking a step towards her new pupil, “let’s see what I’m working with. Disrobe.”
Rose turned to look at the older woman, but Lucía stopped her with a sharp tone.
“No. Don’t look at her. Look at me. She was quite clear, was she not? You are to obey me until you are good enough to return to your Mommy. So, disrobe. Now.”
And there it was again. That little flash of defiance. Pride. Vicky could feel something growing inside her. How dared this girl not accept her place as inferior to their Goddess? Finally, she complied, and Lucía walked around her slowly, carefully, studying every inch of her naked body. It certainly was a body to behold- even Vicky had to admit that. Lucía, however, looked less than impressed.
“I see”, she said as she squeezed Rose’s naked skin, caressed it, analyzed it like a cattle buyer evaluating a new cow in their barn. “That pretty face, so innocent- and those big, slutty tits of yours… they must have been very useful in your life. Is that it? I’m sure so many people, so many men treated you like a princess… let you get away with doing whatever you pleased. That’s it, isn’t it? So what happened? You got bored, didn’t you? Bored with people treating you like a fucking queen. And you need to be treated as what you are, even if a part of you still feels you deserve better. Well… you don’t. Vicky, get up and come here. We are going to remind this cunt of a few simple facts.”
Like a puppet, Vicky leaped to her feet. Lucía’s orders were absolute.
“That pretty, pretty face… Vicky, slap her. Hard.”
The blonde bimbo’s hand moved before she could even process the command. She had never inflicted pain on someone else- and yet, something inside her drove her to put all her strength into that slap, to wipe the pride off the little bitch’s face, to show her the power of their Mistress. Maybe in another time she might have felt bad about it, but now… it had been an order, and Vicky obeyed. That was all that mattered.
Shock barely had time to set in Rose’s eyes before a second command came.
“Slave… play with this uppity cunt. Show her she’s just tits and holes, and a slave to both.”
That was something Vicky excelled at. She had been trained to perfection, after all. It was her purpose, deep down. To bring pleasure. She knew how to feel a body, how to pinpoint the weakest points, the places that sent shivers down the spine, she knew how to caress, tease, vary pressure, motion and speed to get a pussy nice and wet… and she went at the prideful redhead like an animal. Lucía watched as the first moans escaped her trainee’s lips and, almost with a whisper, started going deep inside her mind, choosing her words carefully.
“See how easy it is? You really think you have any sort of power? Of control? Silly little girl, your body is screaming the truth at you, and you’re too fucking dumb to understand it! It needs you to serve. It wants you to obey. It feels so, so good when you’re being used, doesn’t it? Because it’s what it was made for. You have those big, stupid tits because you were born to be a fuckdoll. That’s all you’ll ever be. All you ever need to be.”
Vicky’s skilled fingers could feel the effect her Mistress’ words were having on the newcomer. The girl was getting soaked, her muscles relaxing, slowly letting go.
“You think you deserve better? That you are more than just a toy for me to play with whenever I wish? Why? Because you are oh, so pretty? Bad news, sweetie: you are a fucktoy and a flawed one at that. You think I didn’t notice how your fucking ass sags? How your legs are too thick? Do you really believe you are so perfect? You didn’t even shave properly! No, you dumb slut. You are just a piece of lumpy clay to be molded. And you want to be molded, don’t you? Your body needs it. You need it. You want to accept your place, deep down. You want to be made better. You want to serve. You want to be reshaped into the perfect little empty doll you were born to be. Your cunt is telling you right now! It loves to obey. It loves to be abused. It loves whatever I say it loves…”
Without warning, Lucía struck Rose’s ass as hard as she could- which, Vicky knew from experience, was really hard. A yelp escaped the redhead’s lips.
“Even pain. Can you feel it? Pain and pleasure mixing inside you? How your body can’t tell them apart? That’s because you were born to serve, little Rose. Let your slutty body take over. Listen to it. It’s all you are. It’s what matters. And it needs to obey. It needs to… kneel.”
Lucía placed her hand on the girl’s shoulder and gently, lovingly yet undeniably pushed towards the ground. Slowly, by inches, Rose found herself going to her knees, her body obeying Lucía almost despite her own will. The way the blonde slave played with her neck, her tits, her pussy… her mind was fuzzy, weak, confused… but her body seemed to know exactly what to do, the feeling of the hand on her shoulder dictating her actions as inevitably as law. When she saw Lucía removing a single shoe, exposing a beautiful foot, she didn’t even need to be told what to do. It was like in a dream: her body went lower, acting on its own, prostrating itself before her superior. It looked like defeat. It looked like a prayer.
The moment Rose’s lips touched that soft foot, her new life began.
II - Improvement
Even Rose had to admit she was having trouble keeping up. Even after two weeks of daily service, she felt as useless as the first day. On the other hand, Vicky seemed unable to feel exhaustion at all. Dressed in identical maid outfits -or rather, tiny tops and skirts that hinted at maid uniforms- they carefully went all over the house making sure every single corner, every shelf, every inch of the floor was immaculate for their Mistress. Rose even started doubting her own eyes: Vicky appeared to see dust in places that looked, to the new girl, perfectly clean… until the blonde maid pointed out the imperfections in the cleaning, and made Rose do it all over again.
That in itself would have been hard enough, but Rose had some added weight to deal with. Literally. The weights affixed to her wrists and legs made walking, going on the floor, reaching for high places a full body exercise. By mid morning she was usually coated with a shining layer of sweat. She hated it, and yet she couldn’t argue with the results. Her body was getting more toned. She was getting slimmer. Her stamina was slowly improving. She thought about that first day, about the words Lucía had drilled into her mind. She was imperfect. That stung- but also lit a fire inside Rose. She would be the best. She would be perfect.
Of course, they were always ready to serve their Mistress whenever she desired, however she desired. Rose thought, before this new training, that she knew what service meant. She did serve her Mommy, after all. But witnessing Vicky’s level of devotion, her utter selfless ability to do anything, to be anything that was desired of her, left Rose somewhere between admiration and pain for her own inadequacy. She could feel that rebellious streak inside herself, and hated it more and more.
She was tired, lost in thought when Lucía walked in, wearing lingerie and sharp, black heels. The girls got into position: on their knees, chests out, staring at the floor. Lucía walked around the room slowly, luxuriating in her own power, before declaring, simply:
“I want to relax.”
She sat down on a beautiful sofa and with a simple gesture summoned Vicky. The bimbo knew exactly what to do, what to be. She rushed to her owner and got on all fours. A shiver went down her spine as she felt the sharp heels on her back. She was a footstool. Nothing more. It was then that Lucía did something new, something Vicky had never seen her do.
She lit a cigarette.
Rose stared at her temporary Mistress. She had never thought smoking could be sexy, but the way the smoke curled around Lucía’s face, the way her body relaxed with each puff gave her the air of a mysterious, wonderful, terrible goddess. One that fixed her gaze on the new toy.
“Come here. Can’t you see I need an ashtray, you dumb slut?”
Rose felt frozen for a moment. An ashtray? Should she find one? She didn’t remember seeing one in the house. Suddenly she felt cold fear gripping her. Fear of disappointing this perfect woman.
“You really are stupid, aren’t you? I said come here.”
Rose did as she was told, and crawled towards Lucía.
“Good. Now, on your back.”
Rose obeyed. It felt good to have such simple instructions.
“I suppose you’re too brainless to realize you’re too low to be a good ashtray, so I’ll spell it out for you once. Feet flat on the ground. Hands over your head. Now, arch your back. Bridge position.”
It was difficult. It hurt to maintain the position. And yet something took over Rose. A sort of… peace. She didn’t need to think. She didn’t need to do anything but be in the moment. Be the ashtray. Be useful. Every bit of ash that was deposited on her bellybutton only filled that need to serve more and more. Even as her muscles shook, there was nothing else in the world, nothing but the perfect sensation of being an object for her Mistress. She briefly wondered if Vicky got to feel like that all the time.
Rose couldn’t tell how long it took. Logically, it must have been a few minutes. To her, it was both a second and a lifetime. She snapped back to the present when she heard Lucía’s voice casually giving a command and getting up to enjoy the show.
“Vicky, clean the ashtray.”
The blonde slave did as she was told. Her tongue felt warm on Rose’s skin, and somehow the living ashtray felt as if this was an honor- one she had been granted without deserving it. She felt gratitude. She felt joy. She felt empty and blissful.
She would do everything to feel like that again.
III - Metamorphosis
After a month of training, Rose believed she knew, truly, the essence of service. She believed that inner spark of rebellion, which still lingered, could be managed. She believed she understood the full nature of her role.
All these things she believed mistakenly.
It was on one particularly warm night that she learned just how deep her inadequacy ran. Lucía had summoned Vicky alone a little while back, and Rose could do nothing but wait for her to be needed. She needed that. She needed to be useful. When she was finally called into the living room, she had no way to know what was awaiting her.
Vicky was tied to a wooden structure Rose didn’t recognize yet was weirdly familiar- it was certainly not one of the instruments Lucía had used on her or the blonde slut. However, its purpose became quickly apparent, and Rose understood where she had seen such things. It was a variation of farming equipment. More specifically, to keep cows still when they were being milked.
It was then that a few things clicked into place. Specifically, the mysterious medication Vicky took every day. Rose had asked, worried that her role model might need help; but Vicky had only given her a smile and a simple “you’ll see when you are ready.”
Well, she was seeing it now. Lucía was walking around her bound cow, a whip in hand. Casually, almost as an afterthought, she squeezed one of Vicky’s breasts, and warm milk shot into a small bucket, placed right under her udders. What was most strange was that along with a soft moan, Vicky said simply:
“Moooo!”
Rose understood then what true devotion meant. What true service meant. Even when her mistresses whipped her firm ass, the blonde cow only mooed, as if her brain was only capable of being, fully, a cow for her owner. Lucía looked at Rose and smiled.
“Are you starting to see? Come here, cunt. Time for you to feed.”
She understood instantly. She didn’t need to be commanded to crawl- that much seemed obvious to Rose. She was a pet. An animal. Nothing more. She went under the bimbo, let her soft lips part and took an engorged nipple into her mouth.
It was heavenly. Milk flowed into her and she felt like nothing more than a child, a stupid, ignorant thing to be educated. Rose sucked and Vicky mooed in pleasure. Their Mistress started whispering into the calf’s ear.
“Do you understand now, you dumb fucktoy? She made her body lactate because I wished her to. Her body is not hers, not even at its most fundamental level. Just like your body is not yours. Your mind is not yours. You are whatever your owner wants you to be. You don’t deserve to be more. You are a living doll, nothing more.”
Rose took it all in. As the warm milk entered her body, Lucía’s words entered her mind. They both felt right. They both felt simple, obvious. And with each word, each mouthful of the wonderful milk, every moo that reached her ears, that spark of rebellion grew smaller and smaller.
“Your owner wants you to be her perfect baby girl. Her empty doll to dress up and turn into whatever she desires. She even chose your entire new aesthetic. Your new personality. But you were too prideful to accept it. Do you still have pride? Do you still have that delusion that you are more than just her fucktoy to do as she wishes?”
Rose couldn’t speak, but a moan told Lucía everything she needed to know. The girl was finally ready.
“Pet, unbind the cow and kneel in the middle of the room. Cow, go to the corner and play with that slutty pussy of yours”
As one, they obeyed. As she waited, kneeling, looking down, Rose was ready for anything. She would do anything. She would accept anything. She would become anything for her Owner. That was all that mattered.
“You need to be made clean. You need to return to nothingness. To go back to zero, so your owner may mold you as she sees fit. And you need to finally let go of the last remaining bit of your pride. You may think it’s not there, but I can smell it in you. I see it behind your eyes, still. But don’t worry, little doll. I will make you perfect.”
The buzz of the electric clippers sent a shiver through Rose’s soul. She didn’t have time to fully process it. Instead, her eyes focused on the empty, rubbing blonde in the corner, moaning her soft mooing. And lock after lock of red head fell before her eyes, almost framing the human cow. As her hair was removed, as she started feeling the air on her scalp, Rose felt emptier and emptier. Whatever was left of her past was disappearing with every strand that landed on the floor. And the emptier she got, the more Vicky rubbed, the louder she mooed. Her will, her dignity, her entire sense of self fell, bit by bit, on that floor.
Soon, she felt completely empty. Completely at peace. Soft and ready to be remade. As Lucía shaved off every bit of hair from her body, Rose felt more and more like a newborn, like a baby, like a being that depended entirely on the will of her superiors.
“Soft and smooth. Perfect to become the little girl your owner wants. But she doesn’t want just any slave toy. No, she wants you to become something very particular… and you will do it, won’t you, doll?”
“Yes, Mistress Lucía.”
The words escaped Rose’s lips without her even thinking it.
IV - Graduation
Vicky had set the stage perfectly. At the command of Lucía, she had purchased colored lights to give the ceremony a bit of ambiance, and she had chosen the finest champagne for the women to celebrate. Champagne, she knew, she didn’t deserve to taste.
The older, regal woman sat comfortably, ready to see her new property. Lucía was confident in what she had achieved, and had Vicky between her legs, serving her perfect pussy as she chatted with her friend, not even paying attention to the dumb blonde that was doing her best to bring her pleasure.
When the time came, Rose entered the room. It was hard to believe this person was the same girl that had come into the house a month or so earlier. In many ways, it wasn’t.
It wasn’t just the clothing: black leather corset, latex boots with spiked heels, no underwear, her perfectly smooth pussy visible to everyone, a choker around her neck. It wasn’t the makeup: dark, heavy, with black winged eyeliner and deep, red lips. It wasn’t the wig: jet black like a raven’s plumage, glinting with an almost blueish tint. It was the way she moved, the expression on her face, the rebellion that now was just a mask, just an outfit to be worn and changed at her owner’s whim. Her entire being embodied the fantasy of a goth bimbo, a dark yet obedient angel. She embodied that fantasy just as she could embody any fantasy. She was hollow inside, ready to become whatever was required of her. It was time to show, fully, what she had become. Rose smiled with mischief. She went down to the floor and slowly opened her legs before running a finger to show off how soaked her obedient cunt was.
“Mommy…” she pleaded with a voice between a poor, vulnerable girl and a skillful seductress. “Look at me, my Mommy, my Owner, My Goddess. Look at your little girl… I’m so sorry, Mommy… sorry I wasn’t good enough to serve you before. Sorry I didn’t realize sooner what a fucking piece of fuckmeat I am. Sorry I thought I was more than just you fuckdoll, your object, your total slave to do whatever you please, whenever you please! Because that’s all I am, Mommy. I am nothing. I am just whatever you tell me to be. I believe whatever Mommy tells me to believe. I do whatever Mommy tells me to do… anything at all… I don’t exist. I am only holes and tits and slutty lips and an eager tongue… I am your furniture and your plaything and your sex toy and your pain addicted slut! I’ll do anything you say, with anyone you say. Rent me out if you want. Sell me if you get bored of me. Change my tastes, my look, everything about me whenever you wish. I only exist for you, Mommy… I am nothing… I am nothing… I am nothing…”
The girl was right on the edge, but the women knew she wouldn’t cum unless told to. Her face was a mixture of pleasure and pain and complete need for approval. She wasn’t just desperate to serve: she needed to obey just as she needed to breathe. There was nothing else behind her eyes. There certainly was no spark of rebellion left.
Lucía smiled and turned to her friend.
“Money well spent?”
The older woman licked her lips, ready to take home her new, perfect pet.
“The best.”
V - Mommy Knows Best
The house felt bigger, somehow- or perhaps Rose felt smaller, more like a pet, more like a pretty piece of decoration. As the women entered the living room, Rose instantly went on her knees, head down, chest out, ready to do whatever Mommy desired. She had no other need, no other impulse but to serve and obey. What she didn’t expect was to discover that she indeed still held the capacity for surprise within her heart.
“My slutty little toy…” said Mommy. “Go to your room. There… you’ll know what to do”
“Yes, Mommy”, answered the doll.
Rose crawled to her room. Inside, she saw something she didn’t expect, and yet, that something made perfect sense in her mind. She was empty. She was clay to be molded. And there, neatly placed on the bed, were the garments of her new self. A new self that would last as long as Mommy desired.
With every garment she put on she felt her demeanor change more and more. She would embody what her Mommy desired fully. She would be her fantasy perfectly. That was what mattered. Mommy didn’t need to tell her who to be. The clothing and the wig made the point exceedingly clear. Rose took a moment to observe her new hair, and all she could do was to admire Mommy’s diligence. Surely her owner had looked at many pictures from long ago- before she had dyed her hair red, before she had been consumed by pride- to perfectly match her natural hair color. It made her feel naked, in a strange way.
In her bed, Mommy waited, expecting to be delighted- and indeed her wishes came true in the best way possible. When Rose walked into the bedroom, what Mommy saw was not the goth slave that had entered the house a few minutes earlier. No, indeed what she saw was a different person altogether.
Dressed in her beautiful, short white and pink dress, her knee-high socks, her cute shoes… her hair in two perfect pigtails, her makeup junt hinting at a youthful blush… Rose was everything Mommy could ever dream her to be at that moment. A perfect mixture of pure innocence and the potential for that innocence’s shattering. And her eyes… wide, loving, trusting, bright like the moon. Her smile had the purity of unconditional adoration and the kind of love reserved for those a person would trust their life to. She was the embodiment of the babygirl Mommy had always imagined, while her natural curves added just a bit of perversion, of temptation. It was a role, sure, but one Rose had made entirely hers. At that moment she was that obedient, innocent girl her Mommy desired… and being whatever Mommy desired felt better than anything in the world.
The older woman smiled.
“Give Mommy a hug”, she cooed.
Rose skipped towards her Mommy and launched herself into her arms. She felt safe and happy in a way she couldn’t explain. She felt hands holding her body tight… then slowly roaming over it, caressing it, exploring it… a soft moan escaped Rose’s lips and her Mommy leaped at the opportunity it represented.
“What’s wrong, my doll?”, she asked playfully.
“I feel funny, Mommy”, said Rose, embodying her role to perfection.
“Funny? Where?”
“Down… down there, Mommy…” blushed Rose.
She immediately felt Mommy’s finger brush against her cute cotton panties, and her breathing started to quicken, her heart beating like a drum in anticipation. The finger soon went in front of Rose’s eyes, glistening under the light.
“Look at this, babygirl. Your little pussy is getting so soaked already! You know who gets wet like that? Little sluts, that’s who!”
Rose feigned horror.
“Mommy! I’m sorry… I don’t know why… am I being a bad girl?”
“It’s not your fault, my little doll. Your pussy is just a slutty hole, that likes it when older women touch it. But you need to learn that being a little fucking slut has consequences. And I will teach you.”
“Yes, Mommy. Please make me better! I want to be good, so good for you!”
Almost in the blink of an eye, Rose was face down on the soft bed, her wrists and ankles bound with incredible skill. She wriggled a bit, but was determined to take her punishment like a good girl. She felt as her skirt was slowly lifted, her panties pulled down to her knees. Mommy was taking her time, enjoying every second.
“Mommy…”, mumbled Rose.
“Shhh. This is for your own good. Slutty girls get punished. You understand that, don’t you, my little toy?”
“Yes, Mommy.”
Time stretched into infinity, and every second made Rose’s body become more and more sensitive, ready to fully feel anything Mommy chose to make her feel. The anticipation was making her pussy leave a wet spot on the mattress, and feeling that spot against her skin only made Rose feel like a dumb animal in heat… which only served to make her wetter and wetter… she fought the urge to move, to somehow grind against that mattress that now smelled of her own degradation.
The first stroke of the paddle hit her light lightning. She deserved it. She deserved whatever Mommy chose to do to her. Stroke after stroke, her ass grew so hot it Rose felt she couldn’t take anymore- while knowing she would take anything for Mommy. Pain and pleasure became one and her mind went blank. She was a doll. All she could do was feel, accept, obey.
Before she knew it, Rose’s head was being pushed down into the wet spot on the mattress. She could smell her own perversion, and loved every second of it.
“Lick it clean, pet”, ordered Mommy.
Rose’s body obeyed.
VI - Cocktail Hour
Once the guests settled in, they couldn’t take their lustful eyes off the maid- and they didn’t try to hide it one bit.
They were all older women, all dressed immaculately in their own style, wearing their best jewelry, their finest garments. This was, after all, a special occasion indeed-, even if they playfully refused to say it out loud. Rose watched Mommy laugh and mingle. God, she was so wonderful. But the girl didn’t have time to gawk: she had to serve, after all.
Rose’s outfit had been crafted with a special artistry. It was a maid’s uniform, sure, and a sexy one at that- but it also had a frilly skirt that hinted at the innocence of a little girl’s favorite dress, knee-high socks with decorative bows on them, and a cute, pink set of panties that peeked from under her skirt with the slightest motion. It was a strategic masterpiece, designed to tease the senses while giving off a certain element of taboo, of a specific perversion. And Rose understood, on a primitive level, exactly what her role in the evening was.
It was a silent dance at first, a game of seduction and restraint. It started with the “accidental” touching of Rose’s ample cleavage as she served drinks, a subtle grazing of her thighs as she walked among the guests, an errant hand brushing against her buttocks. She knew what to do, and ignored the throbbing between her legs that begged her to simply go on her knees and worship these goddesses. She knew she had to be their prey, make herself as oblivious as possible, let them play their role as she played hers.
Soon the guests were abuzz, praising Mommy for her wonderful babygirl. “So cute!”, they said. “So well-behaved!”, they cooed. None of them said out loud what they were really thinking when they looked at Rose. Seeing Mommy’s keen approval of their praises, they took a step towards their goal.
“Come here, you sweet thing!”, one said, patting her lap. Rose did as she was told, her every movement a dance of simple, pure innocence. She sat on the guest’s lap and pretended to ignore the way the guest’s eyes were drawn to her breasts, the way her hand roamed from her waist to her thigh, the way the guests took in the scent of her neck. It was hard to keep her own pussy in check, to keep playing her role- but she’d be what Mommy wanted her to be.
“No fair!”, whined another guest. “You can’t keep such a sweet thing all to yourself!”
The new guest gestured Rose to go to her, and the doll, like a pet, skipped to where she was told to go. This woman was bolder than the first. Her slender fingers brushed against the cotton panties, and Rose failed to hold back a soft sigh. The woman smiled and whispered: “Does that feel good, little doll?”. Rose could only nod her head. She could feel her thinking becoming more and more blurry and fuzzy, weakened by the eyes on her, the way her body was being used simply as entertainment. When another guest called her over, she started moving before she even realized what she was doing.
Among the cocktails, the conversations, the laughs, Rose was passed around from older woman to older woman. She just let them do whatever they wished with her. That was her only purpose. Some fondled her big tits. Some focused on her pussy, skillfully pushing her panties aside. Some preferred to caress her legs, her face, her lips. Rose was on fire yet completely powerless inside. She was just a doll. The words echoed in her mind. Just a doll to be played with, dressed up, turned into whatever Mommy desired. And Mommy chose who got to play with her doll.
It was as if someone had lit up something inside Rose’s brain. Her body was more sensitive than ever, almost as if every inch of her skin was as wonderfully receptive to pleasure as her clit. Soon she was shaking, trying to hold back the need to kiss these women’s feet, moaning softly like some dumb, horny animal. The women could see Rose’s arousal, smell her vulnerability. They too held back as much as they could, but the air itself was thick with the scent of sex, the primal desire to conquer, to possess, to use. They all knew the little game could not last much longer- and indeed, it didn’t.
It started with a spank. Not a playful one: a strong, firm, painful slap right on Rose’s right buttcheek. That one act caused her to moan loudly, lustfully, signaling to everyone that the babygirl was ripe for the taking. It was as if a dam had collapsed.
Rose was pushed to the ground. It felt right, to be lower than all these superior beings. Whatever they chose to do to her, she would accept with all her heart. She deserved nothing more. She was no longer a person, and she knew she’d never go back to pretending she was worthy of anything more than what real people desired of her.
As she felt hands ripping her clothes off, grabbing her body in a frenzy, turning her into just a piece of fuckmeat, Rose felt, more than ever, that she was home.
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Morality
❥ Yandere! Arcane Viktor x Gender Neutral! Reader
A/N: cross-posted from my ao3. Old fanfiction from 2021, written way before season two. Thought I might as well post it here—the final episode broke me, by the way.
Summary: Years worth of obsession and fantasy obfuscated his once comprehensible brain. But it felt as if this was a crucial transition. Viktor is convinced he is a good man, but his actions are speaking otherwise against his morality.
Warnings: 7204 words, MDNI, obsessive behaviour, kidnapping, viktor is delusional, yandere viktor by the way, dubious consent(he coerces you), unhealthy and one-sided relationship, gender-neutral pronouns used for reader, no usage of y/n, gentle sex, set in season 1
In all honesty, Viktor did not know how it started or when it got out of hand. It started as a simple fascination and he had treated it as such. Nothing was wrong with that, he was a man of science after all. It was in his nature to feel drawn to things that he did not quite understand. Many years have passed since that day. Before his strange obsession came into his life. Honestly, now that he was alone to think about it, had it ever come into his life at all? Or, by some force of nature, he had forced it into his own life? The ever-changing flow of time halted the very moment Viktor had initially realised that he had more than a problem on his hands.
Viktor thought of himself as a man with morals. He was not the best person, yes, there are plenty of others that shone brighter than he did, but he found his value in his work and ethics. That being said, nothing about him was right. His work had been clogged for year's now; the chaotic office space merely setting as a permanent indication that he had slipped too far this time. Above all else, he had guaranteed himself that his work came foremost, give or take a few instances in which it did not. This case was different, however. A disturbing accomplishment that, when asked initially, he wrote off his findings as evidence, or even lack thereof. Whether or not he was believed, was foreign to even him.
Directly adjacent to his cluttered working place—being neat had long passed his troubled brain, hadn't it?— lie his crutch, sat in such a way that it may fall at any minute. Viktor paid it no mind, at least not at first, but looking over his notes and the observations that he had written down, an idea popped up within what was left of a comprehensive state of mind. Of course, how could he have been so oblivious to forget such a thing, it was written clear as day in these scattered notes. His nimble, cold fingers grasped at the end of his crutch and he tugged it over and dug it into the floor while it enabled him to stand.
Viktor's book laid sloppily in his hand, page open in clear view. "Yes," he breathed, "I suppose this will do." He closed the withered book and shoved it between his left arm and clothed side. Periodically, an opportunity was difficult to come by. He had to do the best with what he had been given, though an itch in his brain told him that: why settle for fine, when you can go beyond?
The aforementioned person that he mentioned, the obsession - the two had never even met before, Hell, Viktor was certain it never even knew of his existence. It was ostensibly a normal upper city citizen with no strange qualities, nothing special about its behaviours nor its personality. It was normal. But it made him feel bizarre inside. He could effortlessly correlate it to that of an over-easy egg slowly cooking within a skillet until the yoke bursts for seemingly no reason and tarnishes the taste of the egg entirely. Just like that, it was ruining him. Granted, neither of them seemed to be eggs, but he believed the metaphor to fit rather well. Humanity always seemed to be so fickle, so easily swayed and broken. Just like an egg.
No matter the weakened disposition he had, nor the lingering scent of death he had become accustomed to, nothing prepared Viktor for the way his certain obsession made him feel. He was intelligent enough to not let these be known, oh, how he would hate the way that Jayce would assume the worst of his sentiments. Would he? Jayce had changed rather strikingly since the first day the two had met. Nevertheless, Viktor never seemed to be the man for love, much less protection of those around him.
Moreover, he was sure that with such dehumanising language and behaviour, nobody would hear his side of the matter. After all, calling the object of your affection an "it," and "thing," definitely does not look good for your compassion. Still, it gave him a reason to humanise his behaviour—if his obsession is not seen as equal, then what's the issue, exactly? To be blunt, it served no purpose other than to make him feel better since not a soul knew of this but him.
Sure, it did not occur to him that he would have strayed this far, but sometimes you have to do what you can to keep someone safe. He was in no state to protect someone on his own, he knew this far too well, he could never protect anyone with this sickly, frail body of his. That is why kidnapping was an absolute must. Reminiscing of the past did no good but to open up older wounds that set themselves up for failure, but the first day they had formally met was an exhilarating experience.
When they had seen him, there was a quizzical expression plastered on their face, and they even confused him for a council member of all things—never attentive, he presumed—but upon realising who he was, Viktor found himself met with immediate scepticism. Viktor could not fault them, it was something he knew all too well, though, maybe he should have saved his anguish for another day. The way their warmer hand held onto his own when he reached out to shake it. Their hand was soft, softer than his at least, and much less calloused. Smaller. Yet, their fingers did not hold the appearance of his own; on the contrary, they looked healthy. Healthier than him.
Of course, with someone who seemed to not have any imperfection, how was Viktor not supposed to fall for them, much less become intrigued with their very existence at that point? Humans were so fickle, he knew very well with how his body had grown to become sicker, but they seemed so robust, so self-sufficient. It was just like any other person, nothing too special but it stood out to him and that was what mattered.
It hurt him, really it did, to see them gawk at him with betrayal, to seem so frightened of someone who wasn't even strong, to begin with, but love came with sacrifice and even if he couldn't help everyone, then he would try to help them the best that he could.
Viktor revolted and fought against his rationality, he really did, he tried his absolute best to make sense of both his actions and what he had done. Within the months, he had thoroughly convinced himself that it was for the greater good, for the safety of his obsession; to keep them isolated from others. It was not the healthiest choice, he would acknowledge at the time, but now he may argue that it was the only thing he could have done upon meeting them formally. He just could not let them go.
Months had passed since that day, but it was fun to reminisce sometimes. Besides, it was even better that, when he had the time, they were someone in which he could spoil with every day. Yes, Viktor took things slow and always was sure to leave them be, yet give them company, but watching them stare at him with a look that he could hardly even decipher anymore, left him breathless. And he didn't even know why.
That very thing forced him into the very dilemma that he is in now. Standing in front of a locked door with a flawlessly crafted key lying in his tremoring hand. It was from excitement, he knew it was. It was like this was his own secret sanctuary where he hid his most precious desire and treasure, his perfect obsession that wept behind locked doors. It was the same every day, no matter how long he would stare.
The door opened with a slight rasp, the only other noise being a stifled sob and the sound of scuffing against the floor, then the buoyancy of bedsprings. His stiff body staggered against the sturdy cane, his hunched over body barely allowing the light to pool in around the walls of the door frame. Every day seemed no closer to his objective. He didn't even know how he had done this. Years worth of obsession and fantasy obfuscated his once comprehensible brain. But it felt as if this was a crucial transition.
Viktor is convinced he is a good man, but his actions are speaking otherwise against his morality.
"Good morning, dear. Have you slept well?" The sounds of chains screamed in his ears when he spoke. All these years and his lover still has not gotten used to their living state. "Ehh... I have already assured you. Good behaviour is rewarded, please understand that this is an absolute must to keep you safe." They were terrified. Of him. Isolation was a punishment and he could never help but feel dreadful about them being punished for things out of their control.
"When can I go home?" was the concern they always pleaded with whenever they saw him. Viktor tried to not let it get under his skin, really he did, but the knowledge that they did not want to be with him weighed heavy on his mind. He loved them, they had to recognize. Their eyes were so passive; it reminded him of when he had first seen the mutation, Rio, when he was a young boy. Curiosity, distress; panic. They just did not understand this yet.
Perhaps all the days that he merely sat there and stared at them with a desolate expression thoroughly destroyed the way they would perceive him, or how he would blatantly ignore their tantrums and screaming, tapping his fingers along the edge of his crutch like a patient father waiting for their child to calm down. Of course, Viktor never mistreated them. The most he did was further isolate them, which explained the absolutely pitiful state that they were in right now.
Reluctance to accept the changing future will result in the fear of what's to come. He understands it's different from what they were used to. But one must adapt to their surroundings and become accustomed. Viktor has already sacrificed so much for them; when was it their turn to return the favour? The ever-changing future is something he will never know for certain.
Viktor sighed, watching them press their body against the nook of the room where their bed had been so delicately placed. The bedsheets had been sent into a state of disrepair, and certain pillows seemed more shapely than the rest. From clutching them too tightly, he inferred. It was adorable.
"This is your home," It was no wonder that they attempted to squeeze themselves farther against the wall when he staggered closer. "I don't have any food this time, I'm afraid," he stood right at the side of their mattress, directly in front of trembling form, his eyes fixated on the plate that sat adjacent to the bed, at least a few days old now. "Though, I'm glad that you, ehm, were able to finish your last meal. Good job." A sigh escaped him after the carefully placed praise fell from his lips and, upon staring hastily at them, he recalled the fear blending within their wide eyes. "However," he found himself fumbling over his words, "I know that you've been a little, eh... downcast, as of late so I have decided that I am going to offer you something that I'm sure you would love," he paused, almost reluctant to reach forward and stroke the hair behind their ear. Hesitant to touch them lovingly.
This situation was a troublesome one, of course, it would be, but he was not a fool in the matter. He read up on numerous articles simply so he can keep things safe for them — falling for one's captor, he had thought about it, yet the turmoil often sets in when he realises that they hadn't developed such a thing just yet. Had he not been too kind? Perhaps, it was the chains around their body? Particular disorders of the mind were so hard to force into existence; was that such a terrible thing to wish for? They looked as if they served more as a pet than anything else, honestly. But that's love, this is just his love. Viktor was well aware that a plethora of things regarding both he and his health weren't precisely right, particularly in concerns to other people. Honestly, staring at them in such a miserable state made him feel almost remorseful.
They must feel so trapped, not to mention secluded, after all, he was never able to spend as much time with them as he would have preferred. He wondered, did they feel imprisoned in their own body, too? Probably not in the way that he did, but it was a suspicion that lingered in his mind. He set his hand on the side of their face unexpectedly, and they jolted back. Granted, he was certain that his hand was freezing. But, Hell, it appeared as if they had almost whimpered at his touch. Still, he had never done anything to harm them, he's only keeping them safe. The images of the mutation Rio sitting in a tank of fluids that he knew all too well now, the thought of it being kept alive despite its pleas not to. Such lengths are just an experiment to preserve life. He understood, now. Not in the way that he should have, but he did.
Maybe that was how they felt. Like a trapped animal, frightened and alone. But they have him, they may not want him, but he is there.
Viktor's knees buckled as they pressed against the edge of the mattress, gently hoisting one after the other to get closer to the horrified individual hiding from his affection, which was already something which he never exhibited frequently.
"I want you to understand," he ran his thumb along their cheek with feathery soft touches, "I know you still don't understand why I'm doing this, or why you're here but rest assured that it's all out of genuine love." When you're going to change the world, don't ask for permission. "Alone. You're lonely and you're scared. I know how you feel. But you're special," their eyes met Viktor's for but an instant and it sent shock waves down his spine. Don't ask permission. "You're special to me, and that is what truly matters at this moment." They were about to cry. Correction, they were sobbing. And it was all his fault. Emotional turmoil mixed with the trauma enforced within them made this happen - because of Viktor.
And despite it all, Viktor could not help but feel proud of his accomplishments.
"Please," their name rolled off of his tongue like a loose screw in his brain, though more akin to a prayer. "Look at me when I'm talking to you, please." Their disobedience irritated him and sent his nostrils flaring, but he didn't allow that to show outwardly. They were already so skittish, why would he threaten them further? "Mm, I will reiterate it as many times as you desire: good behaviour is rewarded. If... If you're good—for me—then, and only then, will I allow you to go outside." His words set off a fire in their brain, he could tell how their breathing unexpectedly halted and they went completely tight-lipped. Was that all it took for them to settle down? An effortlessly broken promise?
Right, they were at their wit's end, weren't they? Their emotions override their rationality. The sunlight would be good for their health, after all. Quite frankly, the thought was unsettling, Viktor didn't want them out of his sight, but if it would make them satisfied then he could make configurations for such a thing. Though, he would have to be cautious to not allow anyone to see them. What if they tried to... escape, in a sense? It was dangerous, he would have to think about it thoroughly.
"Do you mean it?" They said, suddenly. Their head was raised aloft and their wide eyes stared directly at him. "If I'm good... I'll be able to go outside? It's—" A sharp inhale. "It's been months," they were optimistic. Why was it so unbearable to see them so miserable?
For all but a juncture, Viktor felt himself at a loss for words. There was no telling whether or not he would be able to keep that promise, but he could try. They just need to learn to embrace change and adapt, maybe they will forget about it in due time. "I mean it," he said without thought, "you have my word." Did they, truly? You should not make promises that you are incapable of keeping, but just this once, the way their expression lit up and how the tears fell from their eyes, made Viktor feel as if he had done something right this entire time. Without a single word, his hand slowly lowered from their warm cheek, his gangly fingers running alongside the edges of the collar that adorned their flawless neck.
In pursuit of great, we failed to do good.
How would Viktor feel if someone had done this to him? It was a rhetorical question; nobody cared for him enough to go to such drastic lengths to proclaim their love. Therefore, this couldn't have been an unfair thing for him to do. "We must adapt to change," he spoke softly as his fingers danced around their trembling jaw. "You must adapt to change." His voice dropped an octave, gaze falling back onto their face. He had adapted to this change flawlessly fine, it was them that had to figure out how to. They were ultimate perfection in his eyes—there was just one, little issue...
"What are you doing?" Their voice quivered. Viktor's hand slipped down to their collarbones, pinching against the soft fleshy prison.
"Ahm, eh, I am... feeling you, merely. Nothing more," their breath hitched at his actions. "Unless you want me to do more?" An unexpected whimper came from them, in which he did not know if it was good or not, but knowing them, it emanated from apprehension. "I love you, you know that. I would never force you to do something. Think of it as a friendly suggestion," Viktor's blunt fingernails found themselves becoming caught on the neckline of their shirt. "So, will you let me?" There was a pause between them. Most importantly, the air seemed to grow still. Tension so thick that you could slice it in half with a knife.
They shifted but didn't give Viktor a clear yes or no. In all honesty, they seemed to be dismissing him altogether. He could feel their body heat begin to amplify, a telltale indication of both their embarrassment and if he dares say desire. A relatively foolish notion, he was well aware, however, that did not mean anything in his mind, not in the current time. The future could come later, and his life may pass him by. But the future does not exist, does it? Not until you make it so. If he didn't take satisfaction in the opportunity that he had right now, then it may never come up again.
Nevertheless, he took the chance and leaned forward, inch by inch until his face had pressed into what was seen within the crook of their neck. Their skin was soft, warm; pulsating. "I am obsessed with you," both of his hands set themselves upon their shoulders, thumbs clutching against the blade of their clavicles. "I am, truly. My devotion, my love, my obsession for you—that will be the only thing that will never change no matter the year to come. You may push me away all that you desire, but I will come back to you. I love you." His chapped lips pressed in between their jawline and neck, a chaste kiss that he allowed to linger on their skin. They didn't even bother pushing him away. They had the strength to, yet abstained.
We failed to do good.
"Understand my efforts," his voice was barely above a whisper, "you must have seen them. Make sense of my love for you." His grip on their shoulders tightened, but he knew it would never be enough to harm them. It wasn't as if he wanted to injure them in the first place, either. However, it was short-lived, and Viktor's hands fell from their shoulders to their bound wrists, and straight down to their tremoring hands. "I have always wanted to do more with you—to be what most would consider a "couple" yet you keep pushing me away." During his rambling, Viktor heard them mumble something under their breath. "Could you repeat that?"
"I said I'm sorry," they whispered. For the first time, it seemed that they were apologising to him so sincerely, maybe with actual suspicions that something may transpire if they were to not apologise. It was startling, but a chance to hear their voice was satisfactory for Viktor. There was a lingering breath that he could feel tickle the back of his neck, coupled together with their heaving chest. They were scared.
We have to make it right.
Viktor felt his heart hammer against his rib cage, a knot forming in his throat bitterly. This clammy feeling in his chest was unneeded. "Well," he spoke with a sharp exhale, "do you know what would make me forgive you?" As if he hadn't already forgiven them, to begin with. Upon feeling them nod slowly, Viktor pulled away from them and hurried his hands from their own, to their neck. His touches were faint, but loving. Held a certain edge to them, hinted at with a distinct emotion. "I'm very sure you're aware of what I'm getting at," his breathing picked up, just as theirs did, and for a few instants, it seemed that theirs was in sync with his own. To his surprise, they shifted and nodded in agreement, but did not vocalise it.
Anxiously, Viktor proceeded to slowly creep his body forward, even closer to them than he was before. He felt his heart thumping against his rib cage, the wind being knocked from his lungs as he shakily exhaled. Viktor was not the type of man for sex, he never had the time to do it; but when it came to his little obsession, why not indulge? Their consent was dubious at best, but at this point, any hint of acceptance was promising enough for him. He struggled to rationalise his thinking but instead was only met with a cluttered mess within his brain. Viktor couldn't concentrate on anything other than them at this moment. It was just the two of them, and that was all that truly carried weight to him.
His kisses against their skin were light, virtually non-existent, but the genuine love that he harboured for them persisted despite their shuddering breathing; despite their apprehension. Viktor's lips pressed against their tender jawline until he finally met the edges of their lips. His hands were twitching, cupping the sides of their face with his thumbs caressing the skin underneath their eyes. This would be their first kiss together. Would they reciprocate it? He sure hopes that they would in some way, they don't seem to have any reasoning as to why they wouldn't. He pulled back momentarily to stare at them, only to notice that they weren't looking at him at all. That would be okay.
"You're mine," he breathed as he pressed his lips against their own once again. Viktor felt as if his chapped, thin lips were being engulfed by theirs—though, theirs were equally as chapped as he were. He made a mental note to up their water intake. The kiss did not quite feel the way that he visualized it to feel—he thought it would have felt more romantic in a sense. Moreover, he would have believed that they wouldn't be chained to the wall in such an intimate instant. But, good behaviour is rewarded. This was temporary, they knew that, as did he. Just as the kiss was about to end, he felt them lean into it and press their lips into his own. That, above everything else, made him feel like the blessedest man in all of Piltover. Of Zaun, anywhere.
"I love you more than anything," confessed Viktor as he pulled away from their lips. "I'm glad that you're mine." And he meant it.
Their breath hitched just as it constantly did when he touched them. Maybe it was the fact that his hands were gradually examining their body, tilting across every crevice, from where their midsection concave whenever they'd instinctively suck it in out of humiliation, to the quiver of the skin around their navel when his fingers ran along the sensitive region. Viktor's hands were underneath their shirt, his wiry fingers eagerly squeezing the skin. They squeaked at first, his hands were frigid after all but eventually unwound though not peeking at him. Viktor wished that they would look at him like a person rather than an oddity.
The hem of their trousers huddled against their hips, hiding away the most intimate part of their body that only Viktor was allowed to see. For a moment, he looked into their eyes for the right to go ahead, but upon being avoided, Viktor merely yanked them down with enthusiasm pulsing through his veins. His thumbs pressed between their navel and hipbones, in an almost comforting gesture. But it wasn't as if they cared in the long run, however, he could hear their hitching breath. Through dirty-minded thoughts, Viktor's right hand loomed above their sex while his other clasped against their hipbone for support. He was actually doing this—something that he had just as much as dreamed of for years.
"Please," their whiny voice startled his thoughts. "Just... be gentle with me," they didn't seem to be in the mood to fight him at all. That's good. Viktor was sure he had neither the strength nor the energy to deal with it.
His thumb pressed against the sensitive nub below, threatening a gasp from them. "I'll never hurt you," he rubbed their hip in synchronisation with his sensual touches against their sex. "I promise, I will do what I can to make you feel pleasured." His breathing picked up as arousal trickled down his spine like that of the emotions that he loathed. "I want... to see the inside of you. All of you," he spoke aloud, a hint of longing in his tone which he had shoved back this entire time. He wanted them to comprehend his love to its full potential.
Viktor's face pressed against the crook of their neck once again, shifting his hips as he closed his eyes. They were making noises, now, their chained wrists clicking against the harsh metals as they lifted their hands to dig into his back. Secretly, he had hoped that they would call his name. He knew that they knew it. They've spoken it countless times before. Granted, it was always in a fit of rage or hysteria which followed, "I hate you," and, "You ruined my life." But they knew his name at the very least.
Moreover, they were unravelling at the seams. They liked this just as much as Viktor did. They loved him, they had to. Lust and love were on a thin line, so closely drawn together yet had such distinct differences. Could the same be said about obsession? Maybe so, but that did not mean much by this point.
"I love you," he breathed into their neck, his warm breath no doubt sending shivers down his spine or so he hoped. "You feel so soft, so pretty..." His fingers toyed with their sex, jerking in sporadic movements which caused their hips to buck against him, further spurring him on. "Do you like it when I touch you like this? Like I—" his breath hitched when their hands clenched the fabric of his vest, "Like I own you?" For once, they actually agreed with him.
"Y-yes," they let out a pitiful, rueful whine more akin to someone who was used to this sort of thing. But that was inane. They belonged to him. "It feels—It feels really good, I..." Their hips were rolling now, eagerly trying to accept his love rather than pushing it away like they always had been. They were accepting change. They were adapting. "Jus—just like that, please, Viktor—"
And at that moment, time seemed to halt.
They said his name, not out of pure spite or anger, not from him doing something they did not like, but in pleasure. The pleasure that he was inflicting on them. "You're doing such a good job, So good for me," it came out as more of a wheeze than praise, though there was a hint of worship hidden within it. "Are you going to come soon? I want you to come undone because of me. I love you," his lips returned their place at their neck, his crooked teeth nibbling onto their soft skin, further forcing out a reaction from them. Just from their responses and noises alone, Viktor felt as if he was going to come any second now instead, and he hadn't even touched himself. All he could feel was his dick beginning to strain against his dress pants.
It was getting so hot and stuffy, surely he should take off his vest and dress shirt soon. The things that they did to him were things that he didn't even expect. The love he harboured, the desire he held—they were his weak spot. This precious creature. Viktor felt his breathing pick up as he pulled his teeth away from their neck, their delicate skin caught between his incisors.
Once more, slowly, his fingers gently danced around their sex, forcing himself to concentrate and try to block out the absolutely lovely noises that they were emitting. The noises, be as they may, were provided to him involuntarily, he attempting to reject the wail of pleasure that came from them. The squelchy sound of their fluid pooling around his fingers met his ears, giving a sick taste of satisfaction. His left hand clenched their skin a little too tightly for even his standards, the wiry fingers of his right hand working against him, deliberately circulating apart and snapping concurrently, a shudder running down his spine at the howl they made along with the response their body offered. Devoiding much of a thought, Viktor pulled his left hand away from their hipbone, dragging the appendage straight to the front of his dress pants, fumbling with both the zipper and hem in an attempt to pull it away from his groin.
"Oh," he heaved as he pulled away, ignoring the whimper that came from his lover in front of him. They wanted this. They needed this. Needed him. "Would you mind if I tried..." The words died in his mouth as soon as they came out, his left hand hovering above his concealed groin. Surely, they would say yes? They seemed a bit dazed, though perhaps it was his fault for not allowing them the relief that they were so close to acquiring. "I want to... feel you. I may not last very long," he fished his dick out of his boxers, feeling his face heat up to the point where he was sure it was red. "Do you want to?"
They made eye contact with him this time. The humanity, the want, the greed and the fear shone in their eyes brightly, but nothing could cover the telltale signs of love and lust. Viktor already knew the answer, they didn't even have to answer him, he already knew what it was going to be by their reaction alone. This was the key to their heart.
Now, at first, Viktor would not lie when he said that it made him feel a bit shy, or nervous—the thought of them seeing such an intimate part of his body, one of which he knows can be heavily judged based on size, was nervewracking to him. But the lack of disgust in their eyes—or maybe it was hidden between a thick cloud of lust—made him believe otherwise. They liked what they saw, and hopefully, nothing would change the way that they saw him. Their approval is what he strives for. However, that does not exactly matter with how far things have gotten. How many times has he repeated that phrase in his head?
The silence was deafening, but it was enough for Viktor to shuffle forward and shift his weight onto his somewhat good leg, swallowing the rising lump in his throat as he used his free hand to pull down their trousers. After this, he would be sure to give things a thorough wash. "Can you come closer?" He asked as he pulled his hand away. Please come closer.
He hadn't expected them to listen to him, nor to actually push themselves off the wall just to get closer to him, but, at the same time, he was not complaining. "Good job," he praised, his hands returning to place on their hips. Their skin felt so warm, but Viktor could still feel the reluctance radiating off of their perfect form. Now, this was just a question of whether or not he should go through with It. If he should finish claiming them.
The rattling chains served as a constant reminder for them to not fall out of line, and Viktor was sure that they did not want to do such a thing, especially not so close to salvation at this point. Steadily, Viktor felt their thighs wrap around his hips, and though the pressure and their weight being shifted onto him were agonising, he tried to force his way through it. The way that he could feel the tip of his dick press against them—that was like pure ecstasy. He never thought the day would come when they would grind into his lap so sensually, and act as if they had never tormented him for years to come.
"God," there was a slight plea laced within his velvet tone, "I need to be inside of you. Please," as much as Viktor loved them, he could never trust them to be the one providing. Not with how their behaviour had exhibited... less than desirable traits. "Will you allow me? We could finally become one in a sense. I just want to feel your insides around me, I want to feel your body heat against me." Whether or not they found pleasure in Viktor's begging, they offered him a response anyway:
"Shut up," was what they said. "Go ahead."
And with that, Viktor found himself slowly pushing their body down into the mattress, further ruining the bedspread and sheets that weren't even properly fixed in the first place. They still seemed reluctant, as their tone even harboured a certain edge to it, but hell, Viktor could not fault them. He feels nervous, too, of course, he does. Pulling down their trousers fully to their calves, he felt a knot grow within his throat. The thought of someone else doing this to them caused bile and jealousy to rise within his empty stomach, curling and screaming in the back of his mind, yet he pushed it aside in favour of much kinder thoughts.
A part of him wished to be able to twist and manipulate this circumstance, but he knew he didn't want to do such a thing - Viktor wanted nothing more than for them to just become wholly his and only his until death would take hold of them both. And even then, that would not split them apart nor dwindle his love for them. "I'm going to..." There was a brief pause, embarrassment etched across his face, "Er, make love to you," he spoke aloud, though it was more as if he was convincing himself that he was going to, rather than informing them.
There was little to no resistance when Viktor pressed himself inside, but it was such a foreign feeling that he could not help but whimper at the sensation. They were warm on the inside, and not the mention that their body would occasionally clench around his dick. His golden eyes gaped at their face, eyeing the expressions that they would make, all the way until the hilt of his dick finally pressed against their pelvic area. This was embarrassing.
Shamelessly, Viktor pulled back his hips, only to snap them forward with a moan. He tried his best to keep quiet, however, with the way that they started breathing heavily with their knees pressed up against the sides of his thighs, he couldn't help but feel overwhelmed. They were perfect, they felt perfect - on the inside, the outside, no matter. He hunched his body over their own, using the strength in his arms—what was left of it, anyway—to keep himself up. Viktor had no clue how long he would last, nor how his body would allow him to continue. But with how it felt, he hoped it would be long enough.
"You—you're... You're big," they suddenly confessed, a slight whimper escaping with the moan that left them. Fuck, they sounded so adorable like that. "Don't... Stop, please—"
A shiver ran down Viktor's spine at the blatant praise that fell from their lips shamelessly, it seemed so heinous, almost as if they were trying to get him going. "Ah..." Keep talking. "You, ah—you think so?" He panted as his hips snapped forward once, then twice. Was he drooling? Shit, he was drooling. "You feel so good on the in—the inside. So warm, so inviting. I would never... want to stop," a particularly loud moan escaped him, which seemed to be a hybrid of both a moan and wheeze. His lover didn't seem to notice nor care, however.
Why would they ever want to leave when they have such luxury in their life? Here they were, underneath Viktor with their eyes clenched tightly, hands balled up in fists as strings of moans escaped their bitten lips. They looked gorgeous like that. It even made Viktor feel powerful to know that he was able to make them feel such a way. Nearly impossible, he thought, if they weren't tied up and reluctant to accept him, they might have tried something devious and that would have ruined every single thing that Viktor had planned. Still, they're accepting his love.
His rhythm wasn't exactly straight nor following any set beat. Viktor felt as if his movements were sloppy and skewed, choppy thrusts and shuddering muscles that he was surprised had lasted this long. He could feel himself growing close, but he couldn't allow himself to unless they had, first. They mattered more than anything else.
"D... Darling," he nearly cried out, "I love you so much—" One of their hands threw itself behind Viktor's head, tangling their fingers within his messy locks of dark hair, gently tugging him forward. A shock ran down his spine at the gesture.
"I know," they breathed, "I know you do." Were they feeding into his delusion and leaving him to feel as if they felt the same, or did they genuinely love him at this moment? The way their eyes slowly peeked open was complete bliss for him, the irises that stared directly into his own with blown-out pupils—love.
He felt his sloppy movements speeding up, all while his body became sore from the extended movements, and all while this happened he felt the drool collect on the edge of his lips, dripping down his chin to their shirt, wetting the wrinkled fabrics. It didn't matter how ruined it would get, Viktor made a mental note to give them an even better shirt. Nevertheless, a knot coiled itself within his gut, curling around his navel and shooting a cramp up his spine in an almost pleasurable manner.
His bottom lip caught itself in between his incisors, muffling a forthcoming moan. "Are you—" a choked moan. "Are you clos—close? Please—" There was borderline whimpering in tone and he could not help but feel embarrassed for it, but the trembling person below made him feel a little better about his childish worries. They nodded without speaking, staring at him through thick eyelashes. They were gorgeous.
Viktor smiled, and it met his eyes. "So am I."
It was blissful, for him, at least—everything seemed perfect and in order as Viktor's right hand clasped around the side of their waist, squeezing the soft, malleable flesh: pliant. His breathing picked up, as did theirs, but he was determined to stretch this out for as long as he allowed himself to. As he closed his eyes tightly, Viktor felt his thumb dig into the dip between their stomach and hip bone, causing a red indentation on the soft skin. Through his pleasure, he could hear the loud sound of their moans below, as well as the sound of skin slapping against the skin; the squelch of genetic fluids mixed. Viktor's eyebrows furrowed together at the sound, his head falling against their chest, forehead pressed directly above their heart. Their clavicle, he presumed. They felt so good, he didn't want to stop, but he was so close.
"Viktor—" they cried out, suddenly, "I'm g—going—" there was a loud, rueful cry, followed by a high-pitched whimper. He could feel them clench around his dick, and then they had come. This sent him over the edge. Viktor lifted his head weakly and pressed his lips against their own, his saliva smearing all over their mouth and cheeks. He moaned into their mouth, pressing his hips forward one more time as his hand clenched their skin, surely hard enough to leave a bruise. He emptied inside of them, the muscles in his thighs twitching and convulsing, his dick soon going limp thereafter.
For a moment, Viktor caught his breath, chest heaving with laboured breaths. Tears pricked his vision when he opened his eyes, and the slobber dripped from his lips. His legs felt as if they were stuck in mud, but how did they feel? As he lifted himself, Viktor stared down at the person below him, completely covered in the afterglow. I came inside, that was an accident, he thought, but they looked so cute like that.
Much like before, Viktor felt a knot form in the middle of his throat, Adam's apple bobbing with each calculated swallow and breath.
Viktor felt breathless, but he felt as if that was to be expected. He stared down below at the barely visible person he had claimed just a few moments prior; his vision betraying him. He rests his forehead against theirs, a promise of devotion. "What can I do to make you love me?"
"Let me go," they whispered in a soft croon.
"You know I cannot afford to do that. You're mine."
#arcane#arcane x reader#viktor arcane x reader#yandere x reader#x reader#yandere viktor#yandere arcane#arcane viktor#arcane viktor x reader#yandere viktor x reader
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Sure, episode 7 doesn't really have much time to spend on Ekko's disorientation in this new reality and everyone else's reactions to it. But I have to respect that the writer's solution to this was to make AU Ekko pretty mentally unstable.
From Powder's perspective, she startles him, he throws something at her, becomes hostile, tries to defend himself with a screwdriver, and then just starts staring into space and goes nonverbal while giving clear signs of a panic attack, and Powder and Benzo's reaction to that is a benevolent and casual "One of those days, huh?"
Given where they leave off, and pick up in the Last Drop again, it's implied Ekko has his crisis the entire way over, and probably didn't react much to either of them the whole time. When Claggor and Ekko remain at the table while Vander and Powder have their conversation, Ekko is ignoring Claggor and drawing repetitive circles over his notes and constantly clutching his head in pain. Right up until he gets up, which is when Claggor finally reacts to what he's doing but is waved off easily, and stumbles outside throwing up in a dumpster. And no one seems to notice or care about him acting weird or being in pain.
Everytime he says something off-colour or outright concerning it's met casually or chalked up to his sleep deprivation and imposter syndrome. Man's dissociating like nobody's business and everyone just claps him on the back in understanding. If that's normal for AU Ekko, or everyone thinks that's normal for AU Ekko, that's uh, pretty concerning actually.
I mean, given context clues and Powder's conversation with Vander, all the kids (or at least Ekko and Powder) withdrew pretty heavily and keep themselves on the down low. I assume they both blamed themselves for Vi's death to some degree and became overly cautious and more quiet. Powder prefers to support her siblings similarly to how Vi did, but there's fewer problems to solve with violence as they grow up (and they all know how that ended) so Powder plays emotional support and prefers to stay in her familiar bubble (The Last Drop, close to her family).
AU Ekko seems to be overcompensating with his inventions, focusing on (academic?) success and productivity. Between his fancier clothes (even fancier than the others, who all have newer outfits, but stick more to zaunite dressing sensibilities than him) and his AU friendship with Heimerdinger it's reasonable to assume that he's involved with the academy in some way, maybe gunning to become a student if he isn't one already. That's a lot of pressure for a kid from the undercity, nevermind that academia itself is pretty competitive even if the deck isn't staked against him.
That all is to say, I don't think the AU is all sunshine and roses, for either of them. AU Ekko and Powder are both way less extreme versions of their canon verses, but especially AU Ekko is apparently way more quiet, withdrawn and insecure (and not at all active within his community?? I'm gonna be honest, I'm a bit mad the Firelights weren't even mentioned that episode, they've been Ekko's main family for the better part of a decade now, they deserve some focus, damn it).
So yeah, I don't think AU Ekko is doing too hot.
(And now I want a fic of him waking up in canon Ekko's body, lmao).
#i'm assuming AU Ekkos instability is the byprotect of the writers not wanting to spend too much time on everyone getting too worried overhim#but it's uh pretty noticable#it kind of makes sense tho#the firelights are ekkos source of identity and stability#AU Ekko probably didn't have much of an outlet for his grief over Vi since everyone else was grieving her too#so he like in canon gets his purpose out of it#but where the firelights are a community and there's a lot of practical staying alive work to be done#AU ekko's laserfocus grieving purpose leads to overcompensation that is largely encouraged by his environment#(brilliant inventor working on projects and participating in competentions)#and if that's were he gets all his identity and validation from#yeah#well that and the sleep deprivation#like damn bro take a nap#arcane#arcane season 2#timebomb#ekko#jinx#ekko arcane#jinx arcane#arcane season 2 spoiles
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[this is just my thoughts about the general situation between them and not directed at op]
i understand Lando better now than I did a few weeks ago and in my opinion it's happening now because the stress is over, the championship is sealed - we can see it too from Lando after this race when he went to talk to Max, it seemed as if a weight had been taken off his shoulders, like when you finish an exam season and don't even know if it was good but at least it's over.
when the races ended we were maybe even more frustrated than Max lately - before Brazil - and i think that inflated emotions. like, i was super angry with some of Lando's comments when it happened but now i don't care and think he just doesn't express himself well. Max basically said the same thing Lando did about them not being best friends but the way he said it was different because he explained his thoughts well. i feel like at some point Lando wanted to prove himself to be worthy of winning and against Max specifically because he considers him to be the best and everybody wants to beat the best. in the past years a lot of people said that because of their friendship Lando just let Max pass him on track, and that's definitely not something you want to hear if you're fighting for wins and titles in an environment like F1.
i still think he should have refrained from saying some things, but at this point i don't think that matters. everybody has said things they regret and it's how you go from there that makes the difference. i'm not saying Max fans have to like him now - he's actually not one of my favs as of right now but that can change - but try to understand what he says before commenting and if you don't agree than you can criticize and definitely do not send him hate. if you think he's a bad person because of what he says, you're not really any better if you send him hate.
Max about Lando.
I have always loved them together since they both fell down the same stairs in COD 😂
So this year has given me whiplash and I am a Max girl so I always defend Max, but i think I needed to hear this from Max you know.. How he sees it because we actually don't know them and so on..
I will put down my pitchfork about some of Lando's comments the last week.. As I said think I needed to hear it from Max.. 😂❤️
#this is how i view things#you totally can see it differently#just be respectful#max verstappen#lando norris
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About Takasugi's abuse
The other day (totally not months ago) we were talking with @sakukaguxxi about how Takasugi’s relationship with his bio family is overlooked in character analyses. While Sorachi didn’t delve deeply into this aspect, which isn’t inherently bad, I think it’s important for understanding why he turned out the way he did.
We know two canon facts: (1) he comes from a low-class samurai family, and (2) he’s the firstborn. This suggests his family held noble status but struggled to maintain it. As a result, they relied on him to preserve their standing, enrolling him in a military academy and being strict about how he interacted with higher-status classmates.
To enforce this, they employed harsh punishments, such as starving him, tying him to a tree and leaving him in the cold for hours, or physically hitting him with enough force to draw blood when he was just a child (~10 yo?). On top of this, the threat of disownment loomed over him constantly.
These actions indicate they didn’t see him as a person or a child worth protecting but rather as a means to an end (maintaining their status). Consequently, he grew up devaluing himself and lacking the tools to express love in a healthy way. This likely explains why he became so attached to Shouyo and Gintoki.
For Shouyo, he was probably the first and only parental figure to treat Takasugi with genuine respect. While he disciplined him, it was always treated lightly and without causing him any real harm, unlike his bio father. Shouyo provided basic necessities like food, warmth, care, but also a sense of belonging.
Regarding Gintoki, a lot can and has been said. On this topic, he may’ve downplayed or misunderstood the extent of Takasugi’s abuse. This can be inferred from his comments before meeting Sakamoto, where he jokingly implies that Takasugi is still a “daddy’s kid,” even though he knows Takasugi was disowned.
This is interesting because Takasugi mentions being disowned long ago, yet for Gintoki, it doesn’t seem so distant. The timeline is unclear, perhaps Takasugi’s father disowned him during childhood, or maybe he tried to bring him back for years until eventually giving up when Takasugi was a teenager and considered irredeemable.
Moving into non-canon territory, if we consider Takasugi Shinsaku (the historical figure) for inspiration, some gaps can be filled. He was the firstborn, had three sisters, and bore the responsibilities of being the sole male heir. His father reportedly tried to steer him away from radicalism, even arranging a marriage for him to settle down.
This aligns with a seemingly banal joke, that Takasugi owned The Portopia Serial Murder Case and a console to play it (a Famicom?). At first glance, it’s odd that an abusive family would buy him such things. However, abusive individuals aren’t cruel all the time. They can oscillate between being harsh and showing kindness, creating a cycle of manipulation and gaslighting. This could explain why it took Takasugi some time to leave, perhaps he realized they needed him more than he needed them or that they would never truly love him.
The lasting effects on him are evident. Takasugi struggles to express himself in ways that don’t involve violence, and saw himself as disposable, with no strong sense of self. He fought for Shouyo’s freedom, for Gintoki’s tears, and later, for Gintoki’s happiness. While these were his choices, they were never about himself, they were for the people he held close to his heart.
#Fighting for Gintoki's happiness is something he did on his own free will so you could say it's the only thing he did for himself#but it was still clear how low his self-esteem was#It's funny that Sorachi didn't even bother to draw his bio father's face He was like “all you need to know is that he's trash” lmao#Gintama#Takasugi Shinsuke#Sakata Gintoki#Yoshida Shouyou#I can write#Analysis#my post
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late-game veilguard spoilers
they sort of vaguely attempt something with neve and harding being like "sorry we didn't notice you were blood-magic-hallucinating someone who's been dead this whole time, we probably should have picked up on that huh" but i think that whole twist would have been more poignant if it'd been used as a springboard for a larger acknowledgement of how very little emotional support/reciprocation/basic attention rook has gotten throughout the game, like, how fucking bleak is it that the most consistent source of concern for rook's wellbeing is a few conversations/repeating ambient dialogue from a character that was Dead All Along and now exists largely as a manifestation of the coercive magic of a third party with no love for rook trying to mold them into a sufficient substitute/sacrificial lamb so he can Houdini his own way out of Fade Prison and leave them to rot???
(i mean, writing your game that is purportedly about Found Family in a way where rook actually gets emotional support/reciprocation from characters outside of the Dead Guy in Their Head would be the first option, but failing that you could at least use your Sixth Sense Twist to emphasize, idk, The Sacrifices of Leadership/it being Lonely at the Top etc etc and elevate it into something slightly more meaningful.)
i think the reason lucanis' romance scene post-Fade rescue (and i'd assume the other romances, but i haven't played them yet to see) hits harder for me than so many other ~Emotional™~ scenes in the game is that if you pick the "I didn't think I'd ever get out of there—how do I know that I did? This could be more of the Fade" dialogue option, lucanis—whose time in the Ossuary, both literal and in its dreamy half-real representation in his psyche afterward, means he surely understands exactly how horrific a state of limbo this is to exist in—seems truly aghast to realize how much rook is struggling in the aftermath (major props to Zach Mendez for the whole scene) and desperate to give them some comfort and ground them back in reality. the wings coming out to cover them at the end really does feel protective, like rook is finally getting the space to let someone else stand between them and the world so they can finally have a proper breakdown that isn't in their own head. because unless you have a desperate Spite demon capable of yanking people into your head, having to deal with all your problems there ensures that you deal with them alone.
#people talk about rook being the lighthouse therapist and i think that goes beyond them guiding everybody through their emotional turmoil#(and refereeing the dumbass arguments + general therapy speak style of writing)#it's also how one-sided the flow of care is the vast majority of the time#veilguard critical#dragon age the veilguard spoilers#dav spoilers#datv spoilers#da4 spoilers#kathryn plays video games
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Okay so first of all, Arcane Season 2 Act 3 Spoilers!
As much as I loved the second season I feel like it did have quite a few problems?
I pray you can make sense of this insanity, me not being a native English speaker may shine through my bad.
Here’s some things I didn’t like (it’s mainly the last episode):
- no deep talk between Ekko and Jinx?
Okay so maybe they thought that the first episode (which I really liked, might be timebomb bias but also just glad for Ekko to have his episode and we got to see what was going on with Jayce) would be "compensation" for the lack of their interactions in this episode? It didn’t, it felt like there was a scene missing, which is a feeling I get throughout the entire second season. There was a LOT of shit unsaid at least to us, now Arcane doesn’t always need dialogue but leaving the whole thing out just seems like they were rushing.
-no scene with the firelights and Ekko
While I feel like this could have easily been a montage but still, no cool lil thingy of jinx and her team coloring shit, what do all the markings mean? (Some we can guess obviously but still they are just there)
-no Sevika and Jixn scene?
Like really? Oh look they hung out the second act, they won’t notice them not interacting now? No mention of Isha at all throughout? I suppose mentioning her specifically isn’t needed but like nothing? Really?
-No Vi and Ekko scene?
They interacted like once in the entire fight and post fight forgot the other existed ig, I mean obviously she told him that Jinx "died" (I’m certain she’s alive btw, will get into that) but we didn’t even get to see that?
-characters got no conclusion (some)
Okay so maybe it’s intentional, but I feel like the only characters who got a "conclusion" are Vi and Cait (when’s the marriage btw), they have obviously stated that there will be more series similar and also in Runeterra but like, it feels like Ekko, Jinx (who’s definitely alive and am not just coping), Jayce and Vik and also Heimerdinger (what happened to the Lorax? What of the tree) are waiting for another season or something.
Now maybe they’ll use them as tools to connect to different stories (which like feels like it could work well for Jayce and Vik (if those 2 are even alive god knows what happened to em)) but I feel like it won’t work for Jinx? I mean I could see it working but like bestie just jumped on an Airship and poof ig (if that is what happened pretty sure) she just hasn’t been on her own like ever and I feel like if she was she’d just crash? Idk how to describe it, like she didn’t "heal" after Isha so idk where she’s off to, I understand the whole "breaking the cycle" thingy but, it feels just very sudden and not planned out? Like, we don’t have time to make people talk so they just have to disappear (nevermind Ekko being miserable atm, idk how close they would have gotten again in the unseen talk they had)
I just feel like there are scenes missing between Jinx and like half the cast (especially Vi, Ekko and Sevika), allegedly one of the main characters and barely talked in the final act (excluding the alternate universe thing). I don’t know maybe I’m weird but it feels like nothing happened, like I’d see Season 3 pop up suddenly.
I overall feel like Zaun and Piltover still have a lot to offer story wise (some characters from the game (that are in Zaun) don’t even appear in Arcane), now maybe they don’t wanna go over every champion (don’t feel like they need to but you never know, there were like 30 in here).
-Warwick is dead ig?
I mean fair but like really? I feel like that whole sequence at the end was not necessary? I don’t know I’m still figuring out how to feel about that specifically.
As much as I had fun and loved a lot of this season, you can tell it was supposed to have more seasons, while some things concluded well some just didn’t and new problems showed up.
-Now, I love, love, love Isha, and she fits in super well, but at what cost.
I understand very well why Isha was here and I loved her for it, however I feel like her role could’ve easily been given to a different character (mainly Ekko, and this is not me wanting Timebomb) introducing new characters in an already shortened story is kinda eh, especially if screen time for other characters suffers (Ekko, Jayce, Heimerdinger) and the small scene between Ekko and jinx kinda proved that to me? Instead of having her suffer over Ishas death it could’ve been Silcos, act 3 could’ve been Act 2 (minus the final battle obviously), I don’t exactly have a script ready but maybe some of you understand what I mean? Or get my way of thinking at least. And the everyone close to me dies thing could be like cancelled out by Ekkos Z drive (in my head anyway, just makes sense to me).
-if they intentionally left some characters "open" (read as: don’t feel fully developed or took steps back from their development)
I hope, HOPE, they make them interact with each other gain in a different series, because i feel like they aren’t done with each other, it just doesn’t feel like it. Like Vi and jinx and obviously Jinx and Ekko, not to mention fucking Vi and Ekko. (Still salty they didn’t talk afterwards but gg ig)
Characters develop thanks to the characters around them and I feel like making Jinx just suddenly bond with other characters outside of the characters we have met seems Meh? Like bro there a construction site back home go there. Maybe she goes on a journey of self discovery (which I’d be fine with as long as she goes back to Zaun in the end, idk bout everyone else but to me Jinx is the embodiment of Zaun and leaving it would destroy her character (like as in that’s bad). I feel like I should expand on this but I’m so tired rn.
I just feel like it should have ended differently? Like I feel like Vi would definitely stay up Topside with Cait, and Jinx and Cait could’ve easily just had a truce? Like I’m not expecting Jinx to become Silco and lead Zaun (Ekko or Sevika are clearly much more qualified, jinx is more of a mascot.) but I feel like she could easily become an ally to The Firelights, and as Viktor stated, she could use her capabilities to build. A healing jinx easily could, she did repair and modify Sevikas arm so that’s something she could do (she clearly had fun and as she said "its something I could fix"). I feel like you could still expand here either way.
-Also Mel didn’t even get to speak one last time rip. Ambessa is also dead ig.
If they carry on with Noxus I feel like this works fine, Mel is after all now the new Queen or whatever Noxus has. Warlord? Idk with this I’m actually fine? Like I find this acceptable just wish she’d had more time (they could’ve made the last episode 2 hours long and I feel like we would’ve had something better).
-Overall, even if it was only the last act, they had a lot of meat on a bone that’s too short.
They had a lot of things they wanted to do (needed to do) but didn’t give themselves the time, one extra season would’ve given characters more development and would have made a lot of this stuff better in my opinion. I know a lot of hardcore fans are looking at the season through rose colored glasses and I did too, but because I love arcane as much as I do, I can actually admit when stuff wasn’t good, I don’t need to convince myself everything was done well when it wasn’t.
Now it wasn’t anywhere near bad or even mediocre it just wasn’t what it could have been.
The way they could maybe fix some things is with an extra collection of small episodes? Imagine this (maybe I’m delulu, did not sleep)
A collction of 3 short videos that cover some stuff I wish I saw: 1 (Caitlyn deciding she didn’t wanna be besties with Ambessa), 2 (Ekko and Jinx preparing for the battle, (I feel like maybe they had no idea how to make jinx act in this but I digress)), 3 (more conclusive aftermath of the battle we have been building up to for 2 seasons)
Overall it is not what it could have been if you ask me, now maybe they aren’t done with the characters (not the world, these specific babies), which I am hoping, as I said earlier I feel like there’s some people that still need character development. And also I don’t wanna say goodbye but that’s a different ache in my chest, also the way Caitlyn was talking it sounds like we should be expecting a second series with these characters (with some new ones why not), I just feel like THESE CHARACTERS ARE NOT DONE YET. And I’m not talking abt a cameo in the background, I’m talking abt a role as at the very least a side character.
These characters are the ones that introduced us to this world (unless you play the game obviously, I do not). And I feel like that gives them the right to have better written conclusions.
Feel like I’m repeating myself at this point. Probably forgot something too but whatever maybe if I remember I’ll add it.
I also just get so sad at the thought of Jinx being alone after everything she’s been through like Ekko will absolutely take you in rn sweetheart, we miss you come home (please tell me I’m not wrong abt ur ass being alive pleaseee)
If anyone read through all of this disorganized mess, I hope it made at least a bit of sense.
#arcane#jinx arcane#isha arcane#ekko arcane#caitlyn arcane#jayce talis#arcane jayce#viktor arcane#timebomb#caitvi#mel medarda#ambessa medarda#just tagging everyone ig#rant post#but timebomb kiss like whatttt#also that sex tag did come to fruition damn
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The Beauty who killed the Beast
Character: Jason Todd x Reader Summary:A deformed creature, marked by pain, battles between its inner beast and the memory of what it once was. He seeks her, offering her refuge. For a moment, she responds, but soon falls, succumbing to her end. He remains, trapped in pain and farewell. Word Count: 2458 Triggers: Blood
The laboratory doors opened with a metallic creak, echoing through the cold walls. Jason took a deep breath, trying to control the weight pressing against his chest. He had followed the clues for weeks, each darker than the last, until they all converged to this place. A decaying space where the smell of death and chemical experiments filled the air.
Inside, the lights flickered faintly, casting grotesque shadows projected by abandoned machines. In the center of the main hall, there was a cage. The metal bars were bent, some broken, as if something monstrous had forced them out of place. Dried blood stained the floor, tracing the path Jason now followed.
He found you at the back of the laboratory. A hunched creature, its muscles deformed, covering its body with pale, torn skin. Its claws, thick and sharp like obsidian blades, were dug into the concrete floor, leaving deep marks as it moved. The thick fur covering its body was tangled and stained with blood, mixing with the exposed flesh where the skin had been torn, as if the transformation process had destroyed everything human in it.
Its face, still vaguely human, was twisted by primal fury. Its nose had elongated into a wild snout, with sharp and irregular teeth jutting from its open mouth. The eyes, those eyes Jason recognized, were covered by a golden, fierce glow, as if the beast was always on the verge of losing control. The jaw, now exaggeratedly large and full of fangs, trembled slightly as a black, rough tongue passed over the teeth, staining them red.
The ears, once small and delicate, were now elongated, pointed like a wolf's, twitching with every sound that echoed through the room. The creature breathed heavily, its chest rising and falling with an almost animalistic sound. Every movement it made seemed like a warning, an imminent threat, as if its body were just waiting to strike. The claws, ready to tear through anything in its path, were deeply embedded in the cold, hard floor.
When you turned to face him, your four-fingered paws scraped against the metal with a sound that marked the room, as if the creature wanted to imprint its presence on the environment. A low, guttural growl escaped its throat, vibrating in the dense air, almost breaking the heavy silence. It was on high alert, a beast facing an intruder — but at the same time, something else seemed to shine in its eyes. Something Jason recognized. It wasn’t just savagery. It was a silent scream, a plea.
The muscles of its body, deformed by the transformation, contracted with a threatening force, and its posture showed off its sharp fangs, ready to pounce at any moment. The fur, mostly blackened and stained with blood, bristled with each heavy breath, forming a dark cloak that covered it entirely, hiding any trace of humanity. The creature before him was no longer the person he had known, but something pain and experience had forged — a monster whose origins he still tried to understand.
Fresh blood dripped from its mouth, painting its jaw with vivid red, a sign of its recent brutality. But as Jason looked closer, he noticed that its eyes, though glowing with inhuman intensity, still carried a spark of something familiar. A trace of what it had once been. Something within you was still there, hidden, fighting to break free from the beast it had become.
It lunged with a fierce roar, its feet smashing into the floor as its claws dug deeper, but Jason did not retreat. Instead, he stood firm, his breath slow and controlled. He knew that what stood before him wasn’t just a wild creature. It was you. The pain and loss of everything that had made you human were still there, latent, waiting to be touched.
"I know you're still here," Jason murmured, his tone soft, almost like a plea. "I see it in your eyes... I know you remember."
The creature hesitated, its growl softening, as if unable to understand what was happening. Its claws, once ready to strike, relaxed a bit. The internal struggle was visible in its posture. It wanted to attack, but something else inside it was holding it back. Maybe it was the memory. Maybe it was the pain.
Jason took a cautious step forward, steady, without rushing. His gaze locked onto its eyes, searching for the spark of humanity that still remained. He knew he couldn’t be impulsive. He needed you to know that there was still a chance.
Slowly, he raised his hand to its head. Its fur was rough, almost painful to the touch, but Jason didn’t mind. He let his hand rest there, a timid but genuine caress. The creature’s muscles relaxed, still tense, but less threatening. Its body slightly bent, as if something in its essence was beginning to give. The growl, once so fierce, now seemed more distant, more contained.
Jason kept his hand there, feeling the resistance of its body, but also the fragility of the situation. He knew the beast was still there, but for that brief moment, it seemed less wild, less uncontrollable.
"I won’t let you die like this," he whispered, his voice soft but full of conviction. "I came back for you.. and I won’t lose you."
He stood there for a few moments, his hand still resting on the creature’s head, watching it with a mix of compassion and caution. The silence that filled the space was heavy, as if even the air had frozen, waiting for a movement, a sound, something to guide them.
The creature, for its part, seemed to understand the gentleness of the touch, which somehow calmed it. Its muscles were still rigid, but now there was a small change. It leaned slightly, as if desiring his presence, a silent attempt to reconnect with what it had lost.
"I know you didn’t want this," Jason murmured, more to himself than to it. "I know that... this isn’t who you are."
But the words were still not enough to make the pain disappear. With each passing second, he saw more clearly how torn it was, both physically and emotionally. It wasn’t just a creature transformed by violence; it was a soul still struggling to understand what had happened to it. The internal struggle was obvious, and Jason felt his heart tighten as he realized how deep the abyss was that it was trying to cross.
It took another step forward, its golden eyes fixed on him, trying, with all its strength, to communicate something. The sound it emitted this time was clearer, but still a mumble of pain and frustration. "Jason... it... hurts..."
Jason couldn’t believe what he was hearing. The words came out with such clear pain that he almost felt it physically. It was trying to speak to him, trying to say what it needed, but the creature it had become made any attempt at clearer communication difficult.
"I know... I know it hurts," Jason said, his voice softer, trying to give it some comfort. He knew the pain wasn’t just physical. It was the internal battle to hold onto a piece of itself, a soul crushed by the beast that took over its body. "But I’ll help you, you’re not alone."
The creature shook its head, as if trying to deny it. The sound that came from its mouth was a low hiss, more like a sigh of agony. "I... can’t... go back?"
It was a silent question, more a wish than a doubt. Jason felt his throat tighten with the sadness that poured from those words. It wanted to go back. It wanted to be who it was before, to escape from that monstrous form. He could see it in its eyes, a desire to rescue the humanity it had lost.
"I don’t know if we can go back to what we were," Jason replied honestly, though the weight of those words felt like a sharp blade. "But I’ll help you. I’ll do whatever it takes."
It took another hesitant step, as if trying to reach him, searching for something. But fear and pain still dominated its movements, and it stopped again. Its eyes glimmered with deep internal conflict, and Jason could see clearly what was happening inside it. It was a brutal fight between the humanity that still remained and the monstrosity that threatened to swallow everything.
The silence stretched again, heavy like an endless night. Jason didn’t know what to do besides stand there, offering the only thing he could give — his presence, his silent promise not to abandon it. But he also knew that this struggle, between what it had been and what it had become, couldn’t be resolved all at once. It was a long journey, perhaps even one without end, and he would have to walk by its side at every step.
So, without more words, he lowered his hand and moved a little closer. The creature, though still cautious, did not retreat. On the contrary, it seemed to breathe more freely, as if simply being near him was the relief it needed, even if it didn’t know how to explain it. Jason slowly knelt down, his eyes never leaving hers.
"I won’t leave you alone in this," he said, with an unexpected softness. "It may not be easy, it may not be fast, but I’ll be here. We’ll get through this together."
The creature, with teary eyes, slowly nodded, as if accepting the promise, even though the words were still out of its reach.
Jason then extended his hand once again. And this time, it didn’t hesitate. Though its fingers were still rough and its claws sharp, it touched him lightly, as if trying to anchor itself in that moment, in that touch, as if it were the last anchor of humanity it still possessed.
Jason’s heart skipped a beat as the creature’s rough hand brushed against his, a fragile connection in the midst of chaos. He could feel its desperation, its silent plea for something more than just survival. But before either of them could react further, the sound of boots pounding against the cold concrete echoed in the distance. A harsh, commanding voice followed.
“Take her down! Now!”
The first shot rang out, the noise deafening in the still air, and Jason’s eyes snapped to the soldiers, their rifles raised. The creature flinched, its body trembling with fear and rage, and in a split second, its claws dug deep into the ground, propelling itself forward.
With an inhuman growl, it seized Jason in its arms, lifting him as though he were weightless. Jason’s heart pounded in his chest, the world spinning as the creature darted toward the shadows, moving faster than he could comprehend. The soldiers’ voices grew frantic, shouting orders to each other, but the creature moved with a singular focus: escape.
Each step it took sent tremors through the floor, the air thick with the smell of blood and gunpowder. Jason gripped its fur, trying to steady himself, but the creature was already pushing its limits. The sound of footsteps grew louder—closer. They were gaining on them.
His mind raced. He couldn’t let them catch up. But the creature was slowing, its labored breathing becoming more erratic. Jason could feel it weakening, fighting against its own exhaustion and the overwhelming fear of being hunted.
“Don’t stop,” he whispered, his voice hoarse. “We can make it.”
But the creature’s grip tightened as it leaped over a broken staircase, darting through a corridor of darkness. The soldiers were close now, their heavy boots echoing in the narrow hallways, and Jason knew time was running out.
They had to make it out.
Jason’s voice, raw and desperate, cut through the air in a whisper no one could hear. His breath was ragged, each word a plea for mercy, for an end to the chaos, but the soldiers remained deaf to his torment. The pounding of their boots echoed like the slow, inevitable approach of fate. “Please,” he murmured, the word barely escaping his lips, “don’t shoot...”
But the creature, its limbs trembling with exhaustion, didn’t falter. It kept climbing, pushing through the darkness, its every step a cry for freedom, a final act of defiance. The sound of gunfire began to fade into the distance, drowned out by the weight of his own helplessness. The beast’s body pressed closer to him, like a silent promise, though they both knew the truth — the end was coming.
Up, always up, as if the highest point of Gotham could offer them a reprieve, a brief moment of peace before the inevitable. Jason’s heart ached with the understanding that there was no salvation for them. Not here, not now. The towering heights of Gotham stretched far beyond them, the city that never stopped breathing, never stopped hurting.
The creature climbed, its breath shallow, but its grip on him tightening with a primal urgency. Jason could feel the tremors in its bones, the fading flicker of something human beneath the monstrous exterior. He wanted to believe there was hope, that they could find a place to hide from the world that hunted them, but the truth hung heavy in the air — they were both beyond salvation.
And as they reached the highest rooftop, the city sprawled beneath them, the lights flickering like distant stars, Jason whispered into the night, his voice cracking, “I’m sorry... I couldn’t save you...”
The silence that followed was deafening. A world too far gone for redemption. The creature’s eyes, wild and desperate, met his one last time, as if asking him to understand. But there was no time left for understanding. Just the cold, merciless pull of the end.
They looked at each other for one last moment, a look that said more than words ever could. Jason felt the creature's pain, a pain that had become his own, as if their souls were entwined in an impossible fate. There was something in her eyes — resignation, a final spark of something that had once been human, now lost in the abyss of her own destruction.
And then, the creature, with her wounds bleeding and her body weakening, could resist no longer. Her feet faltered, and in a slow, almost resigned movement, she unraveled before him, her weight colliding with the concrete of Gotham's tower. Jason tried to reach her, but it was too late. The beast fell, dragging the last breath of her existence as if the wind of the city had finally carried her away.
The silence that followed was deep and vast, swallowing everything around. Gotham continued to breathe, but for Jason, in that moment, the world had stopped. The sound of her fall, the collision with the distant ground... everything mixed with the echo of his own failures. He stood there, frozen, his vision blurred by pain and loss, knowing there was nothing more to be done, no words that could save what was already lost.
#jason todd x reader#jason todd/reader#red hood x reader#red hood/reader#red hood x you#jason todd angst#jason todd x you#jason todd#jason todd fics#red hood#red hood fanfiction#angst#pain#jason peter todd
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𝓢𝓾𝓻𝓰𝓮𝓸𝓷𝓼 𝓗𝓲𝓰𝓱 | 𝓩𝓪𝔂𝓷𝓮 𝔁 𝓡𝓮𝓪𝓭𝓮𝓻
𝘚𝘶𝘮𝘮𝘢𝘳𝘺: 𝘠𝘰𝘶'𝘷𝘦 𝘣𝘦𝘦𝘯 𝘸𝘰𝘳𝘬𝘪𝘯𝘨 𝘢𝘵 𝘈𝘴𝘬𝘰 𝘏𝘰𝘴𝘱𝘪𝘵𝘢𝘭 𝘧𝘰𝘳 𝘢 𝘧𝘦𝘸 𝘸𝘦𝘦𝘬𝘴. 𝘈𝘧𝘵𝘦𝘳 𝘢𝘯 𝘪𝘯𝘵𝘦𝘯𝘴𝘦 𝘮𝘰𝘮𝘮𝘦𝘯𝘵 𝘪𝘯 𝘢𝘯 𝘦𝘭𝘦𝘷𝘢𝘵𝘰𝘳, 𝘺𝘰𝘶 𝘢𝘯𝘥 𝘡𝘢𝘺𝘯𝘦 𝘨𝘦𝘵 𝘥𝘰𝘸𝘯 𝘪𝘯 𝘩𝘪𝘴 𝘰𝘧𝘧𝘪𝘤𝘦.
𝘛𝘢𝘨𝘴: Oral Sex, Established Realationship, Fluff, Breeding Kink, Vaginal Sex, Crempie, Praise, My love.
“Yvonne.. Tell me how much longer my shift is.” She chuckles slightly at my child like whine.
“You’re like this because Dr. Zayne has been in surgery all day.” She retorts. If she didn't have a mask on I could see her big grin. Her eyes shut slightly when she smiles like that.
“Okay you don’t have to call me out like that.” I snort.
She’s right though. I get moody when Zayne is busy, it gets so boring sometimes transporting patients to different areas of the hospital. For the past few weeks I’ve been working at Asko Hospital. The decrease in wanderer activity caused me to look for a part-time job. Zayne offered to help me with my expenses but I refused, so as a solution he was able to find me a job here. Of course I was mortified and refused again, but when no other job was calling I ended up taking him up on the offer. For three days out of the week I’m transporting patients to different areas of the hospital. Who knew this was an actual thing that people get paid to do. It’s not a hard job, however it gets so boring having to wait for an assignment. On the bright side, wearing scrubs is so comfy.
“Dr. Zayne should be getting out soon from his surgery in 15 minutes, if all went well. You can transport his patient to the ICU once closing is done.” Yvonne winks at me, still keeping that same big grin. I can’t help my face turning bright red, she lets out a big laugh causing the nurses station to grow silent. We both can’t help but giggle at the awkward stares from our peers.
“Operating room five?” I say staring at the OR board, “I’m getting kinda good at reading medical lingo.”
‘‘Mhmm.” Yvonne mutters, as she hands me the patient pickup report. “Don’t get lost again.” She says as I’m heading away. Once again she calls me out, I can’t help but to get flustered all over again. There is a hard fact about me working here, I get lost all the time.
It’s been longer than 15 minutes, I made it everywhere but OR five. How did I even manage to make it to the morgue? This is going to be my second write up for patient tardiness. Another one and I’m kissing this job goodbye. I punch the elevator button rapidly so it can open. My stomach is in knots, the overwhelming anxiety is causing me to sweat. I’m a hunter for crying out loud. I can read a map, but I can’t understand the hospital layout. Ridiculous. Consumed by my thoughts, I rush into the elevator as soon as it opens. A loud HUMPH is heard as I collide into a body.
Oh shit. I know this cologne.
“Lost again are we?” His sarcastic tone makes the hair on the back of my neck stand up. I can’t bring myself to look up at him. I know he has that stupid smirk on his face.
Zayne chuckles. As I try to back away to create some space between us, he takes his hand and holds my waist all while resting his chin on my head.
“I got lost trying to find OR five.” I mutter in his chest. Having Zayne so close to me and feeling his hand on my waist makes my already knotted stomach do back flips.
“Hmmm. Ms. Hunter, it seems as If I need to show you the hospital again.” He starts swaying us softly side to side, as if we were dancing. The elevator doors close and we start to ascend.
“Did the surgery go well?” I whisper trying not to ruin our moment.
“As expected, the patient will make full recovery.” He lifts his head up, still looking down into his chest. I take my arms and wrap them around him. If I could, I would freeze us in this movement forever. All of my worries, all of my doubts fade when I’m with him like this. His calmness soothes me in ways I can’t explain. I am truly in love with him.
He places his free hand under my chin, cupping it softly causing me to lift my head and meet his gaze. Before I can even react, he leans in and kisses me. His soft lips collide into mine. Slow and sweet, I kiss him back. But the knot that was in my stomach turns into a fire, a hunger for his touch and skin. As the anxiety leaves my body, my hands find their way to his hair, I tug on it slightly causing a small whimper escape his lips. I stand on my tippy toes and make our kiss more passionate, sliding my tongue in his mouth. His hands move from their previous positions and without hesitation he lifts me up. I wrap my legs around his waist, his hands hold my ass for support. There is no struggle from Zayne, he lifts me up and pushes my back against the wall with ease. We break away from our kiss and gasp for air, looking into his eyes again I see his hunger and wanting. The feeling in my pants makes me bite on my lip, his lips curiver in response. A small smirk appears on his face as he catches his breath.
“Naughty girl.” He pants.
“Teach me a lesson.” I smirk
The elevator doors open, and my heart stops working. We quickly let go of each other creating some sort of distance. Zayne shuffles his hair and clears his throat, however there is no hiding the bulge in his scrub pants. Oh how I know he wishes he had his lab coat on. I quickly adjusted my scrub top and hair. Looking at the floor number and realizing we are at the main lobby, Zayne gives a friendly nod at the elderly couple who just walked in, and quickly exits out of the elevator.
“My office after your shift, we need to discuss our conversation further.” He says as before the doors close.
Zayne the man that you are.
The couple gives me a sassy smile and my face grows red. The awkward tension in the room almost makes me throw up. The next stop, I quickly exit the elevator. Now to find the nurses station.
After receiving my second write up, I glance at the clock and see it’s time for me to leave. Midnight. Remembering Zayne’s words I make my way to his office. Knowing that route like the back of my hand, my thoughts take me to the moment in the elevator. The way his eyes looked, like he was going to lose control. His hands on my ass gripping me tightly, the way my cunt was burning for him. He was so confident, so ready to devour me. Surgeons high. I’ve heard of the nurses talking about it before, it’s when after performing a risky surgery the doctor feels a sense of adrenaline and a boost to their ego causes the blood to flow. The thought of cool, calm, collected Zayne disappeared to the man in the elevator.
When I arrive at his office door, I hesitate before knocking. What are you feeling now, Zayne? Pushing my anxiety aside, I place two knocks before I hear his voice telling me to enter. He is sitting at his desk, still wearing his dark navy blue scrubs, the lab coat is hanging perfectly on the coat rack. In the dim office the moonlight illuminates his soft face. He's on the computer typing away.
“Lock it.” He demands, not taking his eyes off the screen. The directness causes me to react instantly. Oh so it’s going to be like that … fine. Let's play Dr. Zayne.
I make my way to his desk and perfectly sit on the corner, crossing my legs like a perfect school girl. He is still typing, not looking away from the screen.
“Finishing the report ?” I glance over.
He closes the computer quickly and rotates his chair to face me, leaning back as he stares me down. His eyes scan my body, there is a hint of lust but they mostly scream admiration.
“Have I ever told you how great you look in scrubs?” he smirks. My dark violet scrubs look almost black with this lighting. I chuckle at his comment.
“They are rather nice but I do miss my hunter uniform.” We both smile.
He scoots his chair in front of me.
“I like you more without clothes.” His low raspy whisper catches me off guard, he takes his hands and parts my legs open. The unexpected move catches me off guard and I jump at his touch. His eyes look at me again, asking for permission. Do your worst. I nodded at his permission.
“Lay down.” He demands as his hands proceeds to take off my scrub pants and panties. I kick my shoes off quickly.
“Close your eyes and don’t make a sound, my love.” His tongue takes no time in finding my clit, rubbing sweet circles around it. Unable to control my movements, my legs close in on his face, I quickly cover my mouth with my hands and thankfully so because his tongue is doing wonders. With each flick and rub, my body trembles sending shockwaves. He goes faster with each squirm. Putting my legs over his shoulders, he grips onto my thighs making me unable to leave. I feel myself coming close to climax.
“Z-Z-Zayne I-I-I’m g-gonna cum.” I moan as quietly as possible. His tongue movements become faster. I bite the inside of my cheeks, in a few seconds my back arches at the feeling of release. Moaning quietly but wanting to scream is torture. He slows down and my muscles relax. I’m gasping for breath, flustered and hot. He gets up from his seat, locking eyes with me once more. His ears are red and he licks his lips.
“You taste sweet.” We chuckle
“I want you please.” I beg him. His eyes darken again and no second is wasted. He lowers his scrub pants a bit, taking my legs over his shoulders; he teases me with his cock. Rubbing the tip up and down my throbbing cunt. Zayne please my eyes beg him.
With no warning he shoves his dick deep into my pussy hitting my cervix, giving me no time to adjust to his big dick. I don’t contain my moan and he quickly covers my mouth.
“Fuck you’re tight.” He whispers almost enough so I don’t hear him. I can’t help but to smile at the sound of him cursing. He notices my smile and starters thrusting faster and harder, the desk moves slightly. “Turn around.” he demands. Obeying his order, I lower my legs and 180 spin onto my stomach, all while Zayne is still inside me. With my feet planted onto the ground for support, he grabs onto my waist and starts to pound me.
Low moans from the both of us fill the room. His thrusting is fast and deep, causing my legs to shake with each clap. A few tears fall from my eyes, I want to scream, to moan his name loudly but I restrain myself. I know he’s trying hard as well, sometimes a small grunt escapes but he followers it with a thrust. He thrust so hard that it causes the things on his desk to fall over, the neat and tidy office soon turns into a mess with papers and pens on the ground. A loud bang is heard when a metal cup falls and hits the floor.
A knock on the door causes my heart to drop. Zayne doesn't stop.
“Dr. Zayne, are you alright in there?” A muffled voice is heard from the other side.
“Yes (grunt) Dr. Greyson I (huff) just dropped a few things.” I’m biting my lip so hard it bleeds a little bit. Zayne pulls me closer, putting his hand over my mouth. I moan a little at the feeling of his cock shifting.
“I finished the report sir, shall I come in and bring it to you.” The door handle shakes a bit but with no success of opening it stops.
Zayne leans in and whispers in my ear “Let me cum inside you.” I shake my head yes, closing my eyes.
“Slide it under the door, I’m changing.” With no questions the folder slides in perfectly.
“You’re a good girl.” He purrs resting his head on mine. With that Zayn’s hot cum fills my insides. My legs shake at my release as well. We both pant heavily like feral dogs trying to catch a breath. His dick twitches inside of me, making sure I take all of his fill. Fuck. Zayne hugs me tightly from behind. I feel his chest rise up and down quickly. He places a kiss on the back of my head. “I love you.”
“I love you too.” I say trying to hold myself up, but my legs are so shaky that I turn into mush in his arms. He holds my weight making sure I don’t fall on the floor. Gently he takes me to his office chair and sits me on it slowly. Small drops of sweat trickle down from his face, he is still gorgeous though. A gorgeous, hot and sweaty mess. My mess.
“I wasn’t too rough was I?” His eyes show concern and remorse as he wipes the tears from my eyes cupping my cheek in the process.
“No, absolutely not.” I hold his hand with mine, smiling softly. “I need to start making my way over here after your surgeries if this is what your high makes you do.”
He laughs, his sweet velvet laugh is music to my ears. It’s so rare to hear. Once again I freeze this moment into my brain. The rarity of hearing his laugh, his green eyes glowing in the moonlight, his hand on my cheek. I make sure to lock it so it can never leave my memories.
“My high?” he questions, still slightly chickling in the process.
“You know .. the high that every surgeon gets after succeeding a risky operation.” I tease.
“My love, I never thought I would say this but I miss you fighting wanderers. The hospital lingo is catching up to you.” He smiles.
“Expect the layout apparently.” I huff.
He shakes his head slightly before placing a soft kiss on my lips. “Let's go home.”
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Kat's "I could fix her" Arcane season 2 post Part 1:
Yeah we're skipping straight past the recap/reflections on what this show actually was into my 'just let me into the writers room' post because I'm currently tormented by, ironically, what could have been
What's funny is the characters didn't even end up doomed by the narrative because of their League of Legends fates!! They killed a whole bunch of champions! They just Did All That anyway.
As I was saying in previous posts, the season was overstuffed. I genuinely liked some of the music video portions lol, but there was just so much going on.
I still would put Mel in a Magic Coma for the entire season and spin out her Black Rose plot for a third season or new spinoff (it seems like there will be one anyway). Her storyline as is felt like an afterthought and wasn't fully explained. Am I supposed to know the Black Rose lady? I don't. This would create a stronger absent mother/absent daughter bond between Ambessa and Caitlyn, and Caitlyn could see Ambessa claiming to do things for her daughter's sake even though it's obviously stuff Mel would never approve of, and that could force Caitlyn to reflect on how her mother wouldn't approve of the actions she's taking allegedly for her sake. That could sell Caitlyn's immediately re-siding with Vi better.
This may be a very hot take, but I didn't really like the werewolf Vander plotline. My understanding is he's a LoL champion, but he felt particularly cartoonish even in an increasingly cartoonish season, and just kept retreading the same ground. Vander's dead. :( He's alive! :) He's dead again. :( Obviously the cycles are part of the point, and he represents how Vander's death is this monstrous always dying never at rest force between the sisters tying them together and strangling them at the same time, but I'd cut it. Have Vi seek Jinx out after the prison break because she can't believe her sister did that, have Jinx admit she only did it to save one girl, and they reflect on how Vander also did stuff just for kids versus ideals. Make Vi reflect on how her little jaunt with Jayce killed a kid, and here Jinx is saving one, and people are complicated. Still not clear on how Jinx has no negative effects from Shimmer, so give her a few and that can be their new reason for going to Viktor's commune. Ambessa can hear about his new weird magitech without needing a werewolf to pique her interest.
Obviously this raises of the question of what Vi and Jinx are doing in the finale, and while I don't think every character needs a big damn fight scene, they can back up Caitlyn versus Ambessa since Mel won't be there, which also forces them to deal with the Vi-Caitlyn-Jinx tension. IDK if there's a way to have Jinx ambiguously blow herself up in that scenario but here's a thought, maybe the most prominently disabled characters don't all need to die and/or commit suicide? More on that later. Ambessa is subdued, not dead, though, so she and Mel can talk later.
Finally (for this post) I already expressed my frustration that the key class conflict so present in the first season and first half of the second gets mostly shoved under the rug because there's a new enemy to fight. Yes, that's often used as a distraction irl, but that's not a *good* thing. Sevika's sitting at the councilor's table at the end of the show. Who negotiated that? Caitlyn? If we absolutely must go the direction of a big damn final battle, I want to see that conversation and all of the pain and distrust that must've come up during it.
That's the kid gloves version. If I was being aggressive - and I would be - I'd have the fighting totally destroy Piltover with arcane corruption, and now everyone from Piltover has to live in the Undercity/Zaun as refugees. Forget Sevika sitting down at the Piltover table as the new councilors glare at her. Now the Piltover councilors are having to sit awkwardly down at a table with Sevika and Ekko's number 2. (Or Ekko. What is he doing besides sitting sadly on that roof. Is he involved in governance. Is his tree ok.) Piltover suffocated Zaun for years with their industrial runoff. Now they're choking to death on their own magical industrial waste, and they're going to have to learn to live like everybody else.
I am still parsing the whole Viktor, Jayce, and disability thing since as you know that's one of the elements that fascinates me most about this show (the new improved crunchy ableism even as they genuinely try to explore something interesting) so I will be typing a separate post about that, probably thinking through it as I write. Stay tuned.
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Understanding Tolkien Legendarium: A Mythology of its Own
Canon vs. Legendarium
On several of his letters, Tolkien uses the expressions “my myth”, “my mythology”, “mythological-theological”, “mythological world” and “a monotheistic but sub-creational [literary] mythology” (Letter 181) to describe his world-building:
I am interested in mythological 'invention', and the mystery of literary creation (or sub-creation as I have elsewhere called it) and I am the most readily available corpus vile for experiment or observation. Tolkien Letter 180
youtube
Dr. Corey Olsen, an American Professor, who specializes in Medieval literature and on Tolkien studies, recently made headlines because of his affirmation: “First thing to specify is that there’s no such thing really as canon in Tolkien.” Precisely because there’s a legendarium (or "lore"), and it's organic and ever involving, allowing for multiple interpretations within it.
This statement enraged many in the Tolkien fandom, who promptly accused Dr. Olsen of “selling out” and “lying” on Amazon’s behalf. Because, of course, some random people on-line think they know better than a college professor with a PhD in medieval literature from Columbia University (2003), and a prolific academic career. To advance Tolkien research and make it accessible “to the masses” Dr. Olsen started a website on 2007, a podcast on 2009, and founded the Mythgard Institute in 2011.
May I say that all this is 'mythical', and not any kind of new religion or vision. As far as I know it is merely an imaginative invention, to express, in the only way I can, some of my (dim) apprehensions of the world. [...] I have, I suppose, constructed an imaginary time, but kept my feet on my own mother-earth for place […] Middle earth is [...] not my own invention. It is a modernization or alteration (N[ew] E[nglish] Dictionary] 'a perversion') of an old word for the inhabited world of Men […] I imagine the gap to be about 6000 years: that is we are now at the end of the Fifth Age, if the Ages were of about the same length as S.A. and T.A. But they have, I think, quickened; and I imagine we are actually at the end of the Sixth Age, or in the Seventh. between ice of the North and the fire of the South. [...] Many reviewers seem to assume that Middle-earth is another planet! […] I have deliberately written a tale, which is built on or out of certain 'religious' ideas, but is not an allegory of them (or anything else), and does not mention them overtly, still less preach them [...] But I might say that if the tale is 'about' anything (other than itself) […] t is mainly concerned with Death, and Immortality; and the 'escapes': serial longevity, and hoarding memory. Tolkien Letter 211
The denial of a “canon” doesn’t mean everything is fair game, mind you. There’s still a legendarium, and while, yes, it allows for different interpretations (or “playing around” as Dr. Olsen puts it) they still need to be aligned with Tolkien lore; follow the themes Tolkien embodied on his world-building and work. Tolkien created a living mythology, yes, but these are still his characters, his story and his world.
The adaptations of Tolkien work can afford to play with the legendarium if they keep the core message, themes and symbolism, and this is what Peter Jackson did, and what “Rings of Power” is doing; the latter more successfully, actually, because Peter Jackson delivered a very wholly evil vs. wholly good type of story, when Tolkien himself rejected this notion (Letter 183): In my story I do not deal in Absolute Evil. I do not think there is such a thing, since that is Zero. I do not think that at any rate any 'rational being' is wholly evil.
A Myth not an Allegory
The fastest way to misunderstand Tolkien is trying to see allegories where they don’t exist. His work is not an allegory for WWI, WWII, industrialization, totalitarianism, nor any other present day or 20th century event. Sauron is not Stalin, the Orcs are not the communists, and Mordor is not the Soviet Union. Nor anything of that sort. Sauron is Sauron, and the Orcs are the Orcs, period. There is no allegory here, and Tolkien himself rejected this idea.
Tolkien expressed his dislike for allegory and denied his work is one several times on his letters: there is no 'allegory', moral, political, or contemporary in the work at all (Letter 181); my story is not an allegory of Atomic power, but of Power (exerted for Domination) (Letter 186); there is no 'symbolism' or conscious allegory in my story (Letter 203); I have no didactic purpose, and no allegorical intent. (I do not like allegory) (Letter 215); I am not naturally attracted (in fact much the reverse) by allegory, mystical or moral (Letter 262).
That there is no allegory does not, of course, say there is no applicability. There always is. And since I have not made the struggle wholly unequivocal: sloth and stupidity among hobbits, pride and [illegible] among Elves, grudge and greed in Dwarf-hearts, and folly and wickedness among the 'Kings of Men', and treachery and power-lust even among the 'Wizards', there is I suppose applicability in my story to present times. But I should say, if asked, the tale is not really about Power and Dominion: that only sets the wheels going; it is about Death and the desire for deathlessness. Tolkien Letter 203
This might indicate that Tolkien doesn’t mind having his work interpreted as theological allegory on occasion (for different sins/vices). However, political messaging is something that, as Tolkien tells us on his Letter 299, is “entirely foreign to [his] thought.”
Meaning: everyone who tries to imprint political issues (whatever they might be) onto Tolkien legendarium is missing the point, and completely off mark with their interpretations. Over the years, many accused Tolkien of racism arguing the Orcs were meant to symbolize countless non-white peoples. No; if the Orcs would to be any allegory to real life, they would be corrupted/possessed men by the Devil.
On his Letter 131, Tolkien writes about his dislike for “conscious and intentional allegory”, and, once again, states his work is not one. However, he did used “allegorical language” because it’s almost mandatory on myths and fairytales.
Inspirations
The main inspiration to the legendarium is, evidently, Christian-Catholic theology, since Tolkien was, himself, a devoted Catholic.
“The Lord of the Rings” is of course a fundamentally religious and Catholic work; unconsciously so at first, consciously in the revision […] the religious element is absorbed into the story and the symbolism. Tolkien Letter 142
The struggle between “good” and “evil”, in Tolkien legendarium, is personified by Eru Ilúvatar (“The One”) and Melkor/Morgoth (the source of corruption/evil), and the all other characters must choose (Free-will) with which one to align themselves with. And this is where Tolkien employs allegorical language:
Eru Ilúvatar is the Christian God, and Tolkien himself refers to Him as such on several of his letters: gift of Ilúvatar (God) (Letter 131); denies the existence of God, saying that the One is a mere invention of the jealous Valar of the West (Letter 131); part of the World, which is God's and ultimately good (153); special gifts of God to the Eruhini (Children of the One); 'There is only one 'god': God, Eru Ilúvatar. (Notes on Letter 156).
Melkor/Morgoth is the Christian Devil, the corrupter of God’s creation, and Tolkien calls him “diabolus” (Letters 153), and describing his actions as “satanic”: absolute Satanic rebellion and evil of Morgoth and his satellite Sauron (Letter 156); substituted a Satanist religion with a large temple [devoted to Morgoth] (Letter 156); Satan fell. In my myth Morgoth fell beasts and monsters, and the Unknown (Letter 183); Melkor became the rebel, and the Diabolos of these tales, who disputed the kingdom of Arda with Manwë (Letter 211); the Prime Dark Lord (the Prime sub-creative Rebel) Morgoth (Letter 153).
The whole of Middle-earth was Morgoth's Ring: A shrine to Morgoth on the Southlands (Rings of Power, 1x05)
What is Sauron’s place in all of this? Sauron is a follower of Morgoth/Satan and his chief agent on Middle-earth (Tolkien Letter 183). He’s a “satanic demon” and a satellite to Morgoth (Letter 156), but “by the end of the Third Age (though actually much weaker than before) he claimed to be Morgoth returned" (Letter 183). Allegorically speaking, Sauron is, in essence, the Devil’s wingman and the head of the Church of Satan.
The Ainur: Valar and Maiar
The Ainur (Valar and Maiar) are not “Catholic saints” in Tolkien legendarium, as many wrongly assume. They are of angelic nature, as Tolkien describes them several times on his letters: the first creations, angelic beings (Letter 156); 'angelic' gods (Letter 159); angelical First-created (Letter 257) and angelic immortals (Letter 325). The Valar are "regents under God" while the Maiar are "of the same order but less power and majesty" (Letter 325).
The Valar's function is to exercise delegated authority in their spheres (of rule and government, not creation, making or re-making). They are 'divine', that is, were originally 'outside' and existed 'before' the making of the world. Their power and wisdom is derived from their Knowledge of the cosmogonical drama, which they perceived first as a drama (that is as in a fashion we perceive a story composed by some-one else), and later as a 'reality' (Letter 131).
'The immediate 'authorities' are the Valar (the Powers or Authorities): the 'gods'. But they are only created spirits – of high angelic order we should say, with their attendant lesser angels – reverend, therefore, but not worshipful; and though potently 'subcreative', and resident on Earth to which they are bound by love, having assisted in its making and ordering, they cannot by their own will alter any fundamental provision. Tolkien Letter 153
The Valar are similar to Christian archangels in the sense they can intercede next to Eru (God) on the Faithful’s behalf. This is very much in line with Christian-Catholic tradition: the devotees pray to the archangels (especially to St. Michael the Archangel) to deliver their prayers and pleas to God: the Valar lay down their delegated power and appeal to God, and receive the power and permission to deal with the situation (Letter 131). The Maiar are associated with lower-rank angels, servants to the Valar (archangels).
We are in a time [Third age] when the One God, Eru, is known to exist by the wise, but is not approachable save by or through the Valar, though He is still remembered in (unspoken) prayer by those of Númenórean descent. Tolkien Letter 297
Like Tolkien tells us, the Valar (like the Christian archangels) are worshipful, but they aren’t like the Pagan Gods (Polytheism), because "there is only one God” in Tolkien legendarium, and that's Eru Ilúvatar (Monotheism).
And with this is why Melkor/Morgoth (a Vala), like Lucifer (archangel) is in open rebellion against Eru/God’s authority: it’s a Satanic rebellion like Tolkien describes it, because Melkor wants to usurp Eru’s place as "the God" and "the creator" of the legendarium. But the power of Creation is God’s alone, and, so, Melkor, like the Christian Devil, devoted himself to corrupt it, in every way, shape or form.
But this is where things get misinterpreted, as well, especially when it comes to the Virgin Mary, with many attempting to associate her with the character of Galadriel. There is no Virgin Mary “equivalent” on Tolkien legendarium, nor could ever be. The “Holy Virgin” is the highest Catholic devotion, and Tolkien was not only a devoted Catholic but he lived during the time the Vatican consecrated the Church and the human race to the Immaculate Heart of Mary (1942). Him associating the “Holy Virgin” with a symbolic human character (Elf) is not only absurd, but pure blasphemy, because he describes Galadriel as “penitent”, a repentant sinner: I think it is true that I owe much of this character to Christian and Catholic teaching and imagination about Mary, but actually Galadriel was a penitent (Letter 320).
No Catholic would ever describe the Virgin Mary a “repentant” because that goes against everything Catholics believe ("Mother of God"; “Assumption of Mary”, "Immaculate Conception"; "The Sinlessness of Mary"), and Tolkien himself talks about this on his notes of Letter 212: The Assumption of Mary, the only unfallen person. To Catholics (and other Christian branches), the Virgin Mary was born without the stain of the "Original sin" (The Fall), she's sinlessness because she's the "Mother of God".
When Tolkien talks about the “Christian and Catholic teaching and imagination about Mary” he is talking about Catholic Mariology and Marian devotion in Catholicism (which is a female-centered devotion praticed, mostly, by Catholic women). Which means, Galadriel is not “the Virgin Mary” of the lore; she’s a devotee of the Virgin Mary, and follows the Holy Virgin example as penitence for her former sins in Tolkien legendarium. And this should be obvious to any Catholic or, in my case, anyone who was born and raised in deep Catholic countries.
Children of Ilúvatar: Elves and Men
Elves and Men [are] the Children of God (Letter 156), and they were Eru’s addition to the Design, the Eruhîn [...] The Firstborn (Elves) and the Successors [or Followers] (Men), whom the Valar were forbidden to try and dominate by fear or force (Letter 257).
The Valar played no part on their making, but Elves and Men are “the object of the special desire and love of the gods” (Letter 131), or the ideal material for subjects and slaves, to whom the corrupted as Melkor/Morgoth and his followers (mainly Sauron), wanted to become masters and “gods”, envying the Children, and secretly hating them, in proportion as they became rebels against the One (Letter 212).
It was because of this pre-occupation with the Children of God that the spirits [Valar and Maiar] so often took the form and likeness of the Children, especially after their appearance. It was thus that Sauron appeared in this shape. It is mythologically supposed that when this shape was 'real', that is a physical actuality in the physical world and not a vision transferred from mind to mind, it took some time to build up. It was then destructible like other physical organisms. But that of course did not destroy the spirit, nor dismiss it from the world to which it was bound until the end. Tolkien Letter 200
Maiar in human form: Olórin (Gandalf) and Mairon (Sauron). As Tolkien tells us, these physical forms are real, and made of flesh. They are not visions these Maiar conjure on the minds of others.
Elves and Men are related and similar races, but partly different, and wholly divergent from the Ainur, like Tolkien tells us in Letter 131. Neither Men or Elves are of “divine nature” nor "higher beings". Immortality and Mortality are special gifts from Eru to His children, and no Vala can alter this pre-destined condition: meaning, the Valar can’t grant immortality to Men, nor make an Elf mortal.
The cases of Lúthien, Túor and Arwen were a direct act from God, because the entering into Men of the Elven-strain is indeed represented as a part of a Divine plan for the ennoblement of the Human Race, from the beginning destined to replace the Elves (Letter 153).
In Tolkien legendarium, “Men” and “Elves” represent different sides of Human nature, mainly connected to Death (mortality vs. Immortality). Both are rational creatures of Free will in regard to God (Letter 181):
In this mythological world the Elves and Men are in their incarnate forms kindred, but in the relation of their 'spirits' to the world in time represent different 'experiments', each of which has its own natural trend, and weakness. The Elves represent, as it were, the artistic, aesthetic, and purely scientific aspects of the Humane nature raised to a higher level than is actually seen in Men. That is: they have a devoted love of the physical world, and a desire to observe and understand it for its own sake and as 'other' – sc. as a reality derived from God in the same degree as themselves – not as a material for use or as a power-platform. They also possess a 'subcreational' or artistic faculty of great excellence. They are therefore 'immortal'. Not 'eternally', but to endure with and within the created world, while its story lasts. When 'killed', by the injury or destruction of their incarnate form, they do not escape from time, but remain in the world, either discarnate, or being re-born. This becomes a great burden as the ages lengthen, especially in a world in which there is malice and destruction [...] Mere change as such is not represented as 'evil': it is the unfolding of the story and to refuse this is of course against the design of God. But the Elvish weakness is in these terms naturally to regret the past, and to become unwilling to face change: as if a man were to hate a very long book still going on, and wished to settle down in a favourite chapter. Hence they fell in a measure to Sauron's deceits: they desired some 'power' over things as they are (which is quite distinct from an), to make their particular will to preservation effective: to arrest change, and keep things always fresh and fair. The 'Three Rings' were 'unsullied', because this object was in a limited way good, it included the healing of the real damages of malice, as well as the mere arrest of change; and the Elves did not desire to dominate other wills, nor to usurp all the world to their particular pleasure. But with the downfall of 'Power' their little efforts at preserving the past fell to bits. There was nothing more in Middle-earth for them, but weariness. So Elrond and Galadriel depart. Gandalf is a special case. He was not the maker or original holder of the Ring – but it was surrendered to him by Círdan, to assist him in his task. Gandalf was returning, his labour and errand finished, to his home, the land of the Valar. The passage over Sea is not Death. The 'mythology' is Elf-centred. According to it there was at first an actual Earthly Paradise, home and realm of the Valar, as a physical part of the earth. Tolkien Letter 181
In the legendarium, the Elves are representative of the intellectual and artistic-driven humans, more concerned with understanding the world around them than with power itself (safe a few exceptions, of course). However, they desire to stop change and cease the passage and decay of time, wanting things to stay the same forever; and that’s their greatest weakness. And this is visible on their two “Falls” on the legendarium (first in Valinor, and later on Middle-earth).
Men, on the other hand, are more ambitious and power-driven, and their unacceptance of their own mortality is their greatest weakness, in Tolkien legendarium. Aligned with Christian theology “mortality” was the punishment for “the Fall of Men”, however, Tolkien doesn’t consider it that way because “a divine 'punishment' is also a divine 'gift', if accepted, since its object is ultimate blessing” and a 'mortal' Man has probably [...] a higher if unrevealed destiny than a longeval one (Letter 212).
Hobbits belong ot the race of Men in the legendarium: the Hobbits are, of course, really meant to be a branch of the specifically human race [...] They are entirely without non-human powers, but are represented as being more in touch with 'nature' (the soil and other living things, plants and animals), and abnormally, for humans, free from ambition or greed of wealth. They are made small (little more than half human stature, but dwindling as the years pass) partly to exhibit the pettiness of man, plain unimaginative parochial man – though not with either the smallness or the savageness of Swift, and mostly to show up, in creatures of very small physical power, the amazing and unexpected heroism of ordinary men 'at a pinch' (Letter 131).
Hobbits were a breed of which the chief physical mark was their stature; and the chief characteristic of their temper was the almost total eradication of any dormant 'spark', only about one per mil had any trace of it [...] hobbit virtues: shrewd sense, generosity, patience and fortitude, and also a strong 'spark' yet unkindled Tolkien Letter 281
Children of Aulë: Dwarves
The Dwarves are called the “Children of Aulë” because this race was created by this Vala as companions, but their existence was allowed by Eru Ilúvatar (the ultimate authority on the legendarium).
This legend is present on “The Silmarillion”, but Tolkien refers to it on his Letter 212:
Aulë, for instance, one of the Great, in a sense 'fell'; for he so desired to see the Children, that he became impatient and tried to anticipate the will of the Creator. Being the greatest of all craftsmen he tried to make children according to his imperfect knowledge of their kind. When he had made thirteen, God spoke to him in anger, but not without pity: for Aulë had done this thing not out of evil desire to have slaves and subjects of his own, but out of impatient love, desiring children to talk to and teach, sharing with them the praise of Ilúvatar and his great love of the materials of which the world is made. The One rebuked Aulë, saying that he had tried to usurp the Creator's power; but he could not give independent life to his makings. He had only one life, his own derived from the One, and could at most only distribute it. 'Behold' said the One: 'these creatures of thine have only thy will, and thy movement. Though you have devised a language for them, they can only report to thee thine own thought. This is a mockery of me.' Then Aulë in grief and repentance humbled himself and asked for pardon. And he said: 'I will destroy these images of my presumption, and wait upon thy will.' And he took a great hammer, raising it to smite the eldest of his images; but it flinched and cowered from him. And as he withheld his stroke, astonished, he heard the laughter of Ilúvatar. 'Do you wonder at this?' he said. 'Behold! thy creatures now live, free from thy will! For I have seen thy humility, and taken pity on your impatience. Thy making I have taken up into my design.' This is the Elvish legend of the making of the Dwarves; but the Elves report that Ilúvatar said thus also: 'Nonetheless I will not suffer my design to be forestalled: thy children shall not awake before mine own.' And he commanded Aulë to lay the fathers of the Dwarves severally in deep places, each with his mate, save Dúrin the eldest who had none. There they should sleep long, until Ilúvatar bade them awake. Nonetheless there has been for the most part little love between the Dwarves and the children of Ilúvatar. And of the fate that Ilúvatar has set upon the children of Aulë beyond the Circles of the world Elves and men know nothing, and if Dwarves know they do not speak of it.
The Corrupted: Orcs
On his letters, Tolkien describes the “Orcs” as a “race of 'rational incarnate' creatures, though horribly corrupted”, ruined and twisted by Morgoth/Melkor during the Elder Days, when the Diabolus subjugated and corrupted some of the earliest Elves, before they had ever heard of the 'gods', let alone of God (Letter 153).
They would be Morgoth's greatest Sins, abuses of his highest privilege, and would be creatures begotten of Sin, and naturally bad. (I nearly wrote 'irredeemably bad'; but that would be going too far. Because by accepting or tolerating their making – necessary to their actual existence – even Orcs would become part of the World, which is God's and ultimately good) [...] I have represented at least the Orcs as pre-existing real beings on whom the Dark Lord has exerted the fullness of his power in remodelling and corrupting them, not making them. That God would 'tolerate' that, seems no worse theology than the toleration of the calculated dehumanizing of Men by tyrants that goes on today. Tolkien Letter 153
"Rings of Power" gives a bit of insight on the corruption of the first Elves by Morgoth, in the character of Adar (2x01)
In the chapter “Myths Transformed” of “Morgoth’s Ring”, we have more insight on the Orcs: the idea of breeding the Orcs came from Melkor, not at first maybe so much for the provision of servants or the infantry of his wars of destruction, as for the defilement of the Children and the blasphemous mockery of the designs of Eru. The details of the accomplishment of this wickedness were, however, left mainly to the subtleties of Sauron.
In that case the conception in mind of the Orcs may go far back into the night of Melkor’s thought, though the beginning of their actual breeding must await the awakening of Men. When Melkor was made captive, Sauron escaped and lay hid in Middle-earth; and it can in this way be understood how the breeding of the Orcs (no doubt already begun) went on with increasing speed during the age when the Noldor dwelt in Aman;“
Morgoth had the idea, and entrusted Sauron with overseeing the breeding of the next generations of Orcs: who reproduce sexually like all “incarnated creatures” in the legendarium; so the "Orc baby" from “Rings of Power” is very much lore accurate:
However, what kind of dark sorcery, twisted sex magic Sauron used to breed more Orcs out of the first Elves corrupted by Morgoth remains a mystery. “Rings of Power” tried to answer this enigma by creating a “father” to the Orcs (Adar) to whom Sauron “gave children”, but this created more weird questions than actual answers.
Core Themes
The core themes of Tolkien legendarium are: the Fall [of Adam and Eve; of Men], Mortality/Immortality (Death), Machine (magic), and God, from which the others branch: like Free-will, and God’s authority (theological).
Anyway all this stuff* is mainly concerned with Fall, Mortality, and the Machine. With Fall inevitably, and that motive occurs in several modes. With Mortality, especially as it affects art and the creative (or as I should say, sub-creative) desire which seems to have no biological function, and to be apart from the satisfactions of plain ordinary biological life, with which, in our world, it is indeed usually at strife. This desire is at once wedded to a passionate love of the real primary world, and hence filled with the sense of mortality, and yet unsatisfied by it. It has various opportunities of 'Fall'. It may become possessive, clinging to the things made as 'its own', the sub-creator wishes to be the Lord and God of his private creation. He will rebel against the laws of the Creator – especially against mortality. Both of these (alone or together) will lead to the desire for Power, for making the will more quickly effective, – and so to the Machine (or Magic). Tolkien Letter 131
Side note: Tolkien uses the word “stuff” as in its oldest meaning. Probably meant to signify “literature” or “literary work” (meaning from the 1500s).
Tolkien tells us that “The Fall” [of Adam and Eve], mortality and the machine (“magic” = "power") are connected in his legendarium, as he explains on his letter. In short, it's the lust [The Fall] to "cheat death" [Mortality] that leads his characters to chase power [the Machine], and in doing so, they are rebeling against Eru Ilúvatar (God).
The Elves cheating death by the means of the rings of power: these rings allowed them to stay on Middle-earth instead of returning to Valinor like they were meant to
In "The Lord of the Rings" the conflict is not basically about 'freedom', though that is naturally involved. It is about God, and His sole right to divine honour. The Eldar and the Númenóreans believed in The One, the true God, and held worship of any other person an abomination. Tolkien Letter 183
Rebellion against God's divine honour: folly and blasphemy
Power as a means to immortality
The Fall or corruption; every being (Maiar, Elves, Dwarves and Men) are susceptible to it, due to their own Free will (choice).
I plan on doing a series of posts exploring each one of these themes, separately.
#tolkien legendarium#tolkien lore#tolkien#jrr tolkien#lord of the rings#the lord of the rings#the silmarillion#rings of power#the rings of power#melkor#morgoth#eru iluvatar#sauron#gandalf#olórin#aulë#aule#valar#maiar#galadriel
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