#but yknow that makes me think. i should see what ballads id like to hear with him. something that works with his strong enunciation

[bmpmp3]

its always a little funny looking at some of the old marketing copy for Genbu because a lot of it emphasizes his voice as gentle and soft AND LIKE i understand why: his strong enunciation and power was still very much there in his 2018 version BUT it wasn't quite as intense as his standard bank update a couple years later - and you can see in this early demo how with some simple bends here and there in the tension parameters, you can really make his r1/r2 versions have a lovely ballad-y tone:

but also since the update from sv editor to sv studio changed his multipitch-situation into more of a "kire"/powerscale type of voicebank (gets more power the higher he gets, although he also has some really nice soft and falsetto special pitches i keep forgetting about! i gotta use em more), his power combined with the, like, serious? or sort of dark tone in his voice makes people tend to use him to scream and cry and throw up instead of singing a soft ballad LOL so it always makes me laugh a little when i see his official product descriptions. he can be soft and gentle! but no one uses him that way orz

[nihiltism]

i AM odio's #1 fan this is absolutely true every day i hang out on his shoulder and call him gorgeous as he seethes for a million billion years. anyway anyway i was actually relating it more to the 4th wall breakery like. ok this requires a bit of context but to make a long story short i have a lal musical au in my head idk if its even an au i just want live a live to get the day the night slept-ed yknow. and before i watched ptutu it was just "hehe what if everything was a musical so i could see my favoritest man ever sing the deeply threatening orchestral metal ballad i know he has in him" but after ptutu it gave me inspo for a Setting. for Themez.

bc like. ok now im thinking if this was an actual Musical. what if odio was an observing 4th wall breaking narrator. like drosselmeyer. excusing the fact that a 8+ act musical would be the longest fucking thing in the world, this could also be like a show or something as long as people are singing, like. you wouldnt Know its him you'd just hear the voice of a pretentious and evil british man between breaks in episodes or whatever, popping in to point out all the tragedy in the future that our heroes dont know and cant hear and making Sure to pay extra attention to parts of the story that corroborate his ideals.

see the thing is that unlike drosselmeyer he didnt Write the stories. he knows what will happen in the story and he Hates it and as he narrates it you can Tell how desperately he wants it to take a turn, for the main characters to experience the same loss and betrayal he has, and at the inevitably happy ending of every story all he can do is Seethe. this is nowhere close to the first time he has read this story. in fact he has read all of these So many times, planning out exactly how he would twist them and only letting his spite grow stronger. and at one point (his version of the DoH) he finally does do as the in canon dialogue says and Rewrites The Tale. and we know how that goes. when he has gone and rewritten it, all hes left with is a bunch of crossed out lines and weak, self-fooling vindication.

i got off topic. basically ptutu just made me think of a new fun way to view the narrative and how odio would interact with it if they let him have more lines. i also think he would narrate the normal dominion of hate for the record it'd just be audible to the protags there, since he's not just. seething to himself there. it'd be less like narrating more like talking directly at the protags. kind of a mental loudspeaker thing thats actually somewhat canon actually with the "o foolish child" bit at the beginning. just let that happen more often.

also for the record if this was a show or something we definitely wouldn't see the narrator until the end of the middle ages chapter where he closes the cover on his own story. i also dont actually know if he would narrate his own story. i think it'd be fun if he did so you could see the Reminiscence the Drama. the clear and obvious favoritism to his own tale. but also if it werent already incredibly obvious who the narrator was i think thatd only confirm it even if oersted Did remain silent in the retelling. so realistically id think there'd just be no narrator in that chapter until oersted's final monologue kicks in, maybe instead of letting oersted read that part odio narrates it and that's the kicker. idk. anyway. yeah. i think odio should have broken the meta fourth wall to interact with the narrative more. he knows the narrative intimately after all. it fucked him over.

hi did. did I tell you where when I was watching princess tutu and thought "oh this is making me think about odio mclivealive.". because it made me think about odio mclivealive. i already had a lal musical au but it only added to it. ough.

OF COURSE YOU DID i am racking my stupid brain to make connections and. um. hm. i guess i KINDA see it in rue?? or like the themes of giving up? and of course Doomed By The Narrative is just odio mclivealive but. im kinda curious about YOUR vision here because i am not odio's #1 fan unlike you