#but yes i agree lol

[storfulsten]

I think bombeep is a cute ship, i want to see more cute bombeep art cause they're so cute! ^w^

lol dude same! they are delightful and I too would love to see more art of them, though given that I'm mostly the only one who still doodles them occasionally nowadays I have only myself to blame when there isn't any new stuff to see I guess lol. but I will try to produce more soon hopefully ok cool

[stevenrogered]

We're becoming some kind of team, huh?

[prettylesbianprincess]

How do I explain to people that not only is my gender lesbian, it's specifically Femme Lesbian. I am a Femme though and through, and I was put on this earth to do exactly that. I'm not a woman, I'm Femme.

[whenthelightisrunninglow]

bring on the night i couldn't stand another hour of daylight!

[my-name-is-apollo]

I find it funny that for 2+ years Hades game fans speculated why Apollo wasn't in the game and the most popular theory was that he didn't want any drama with Achilles (some even saying that he'd be scared of Achilles) but turns out that he just. didn't give a fuck about Hades' family.

[somegurl8]

“People are writing this” “People are writing that” Actually let’s talk about what people AREN’T writing because we’re like 6 episodes into Judgement and I haven’t found a single fic for it on AO3. It’s been around since mid October and not a single fic. Why is there no love for Judgement

[pavlov-sdog]

Something that kills me is how Bell in almost every case seems to hesitate when faced with killing Adler despite the fact they should want to. Yes they can and will kill him, but in most endings it’s not something they seem to jump at the chance to do. Of course theres the lighter in the duga ending and how Bell will indulge him. Bell can also simply not call an ambush even if they unlock the back room which could be interpreted as not wanting to kill Adler/hesitation. 

What i barely see anyone mention really is how debatably they do hesitate on solovetsky too. In my opinion, they had to at the very least have been suspicious that Adler would try something. especially towards the end of his speech. Yet they don’t raise their gun until Adler raises his. Secondly, also in my opinion Bell had a shot lined up just barely before Adler did, yet it seems like they didn’t even shoot. 

This contrasted with how Adler is so ready to kill Bell no matter what really just reinforces their relationship. Adler is not attached to Bell. it certainly seems more personal than he wants to admit, but he’s not attached even if he does ‘respect’ Bell enough to give them a decent death in Solovetsky. However Adler knows Bell is attached to him whether they like it or not and uses that to his advantage which is why he does half the things he does. 

[fisheito]

I started reading beastars so now HE's reading beastars .wait

THEY'RE reading beastars

[juicybeetz]

It pains me to see people calling Beetlejuice the worst of the worst things/him being a creepo whenever they talk about his relationship with Lydia in the original movie.

Lydia is like the one female character in the film that Beetlejuice doesn’t outwardly objectify. He kisses Barbara, he winds himself in snake form between Delia’s legs, he gropes that lady in the waiting room… if anything, he’s incredibly non-sexual towards Lydia. He does mention feeling “anxious” after mentioning “Edgar Allen Poe’s daughter” to Barbara, but in the context of the movie I always chalked it up less to him being sexually attracted to Lydia and more to the adrenaline rush he got after waiting so long to finally scare some humans… that energy’s gotta go somewhere! 😆

Even in the scene where he meets Lydia, he’s initially illuminated with the red light of the Inferno Room, but one he uncovers his eyes and leans forward to look at her, the light becomes white. I feel that it’s a clear indication that he’s not interested in her in that way. It’s deeper than that. I think he’s just interested in the fact that she’s a living being so in tune with the dead that she can see him without him having to be summoned, and he’s completely infatuated with that. Smitten, even.

You could also argue that his “marriage” towards her isn’t to get into her pants but is instead a two fold thing: to get him out of the world of the dead but to allow her to enter the world of the dead. Because she wanted it! She told him so earlier in the film! He’s basically granting her wish (in the spookiest way possible that also benefits him, but still). Like, yeah, okay, the Maitlands rightly save Lydia from the marriage and she’s better off for it, but I think in a weird twisted way, Beetlejuice at that point is endeared to her. If the sequel indicates anything, he straightens himself out, starts a business, perhaps even helps with Lydia’s show… he becomes soft because of her.

I’m sure the Maitlands reinforced just how terrible Beetlejuice was to Lydia as she grew up around them, but I wonder if, with her adult eyes, and if there was a third movie (which there should be UGH TIM you and your cliffhanger!) she could understand how truly special he thinks she is. It’s just so clear to me and I don’t know how it isn’t that way to others.

[aurieeeeeenyx]

time travel mechanics in link click — intentional inconsistencies? closed loops and parallel timelines (theory)

Back in 2021 or so, I wanted to make a post about the time travel mechanics in Season 1, and how they seemed to be inconsistent in certain episodes. I never ended up making that post, and the idea slowly faded from my mind, but I want to make that post now (armed with all the new information we've received since then) before Bridon/Yingdu arc episode 4 comes out because of the episode preview when Lu Guang says this:

In Season 1, the time travel seems to operate on the principle of a closed loop. This is especially evident in the Doudou arc, when Cheng Xiaoshi sees himself in the past (while he's in Doudou's body) and realizes that he was always there; the "changes" he inflicted weren't really changes, because by the time he dives back from the future his actions in the past have already happened. This is also demonstrated when Xu Shanshan walks into the photo studio and interacts with Cheng Xiaoshi in S1E8, and we later find out that it was in fact Cheng Xiaoshi in Xu Shanshan's body interacting with himself. And again, with the ploy to use Xu Shanshan in order to lure Liu Min/Red Eyes to the photo studio. We also see this closed loop phenomenon happen in Season 2, for example when Cheng Xiaoshi possesses Lu Guang's body to go save himself in the past.

So I've always been a little bothered by the earthquake arc in Season 1. If the dives into the past have already happened, why does Chen Xiao come to the photo studio in the first place? If Cheng Xiaoshi (in Chen Xiao's body) won the basketball game and gave those kind words to Chen Xiao's loved ones, why does Chen Xiao remember otherwise?

I've wondered before what happens to the clients when Cheng Xiaoshi is possessing them—do they just not remember anything? Are they even aware of themselves being possessed? Why is no one concerned about missing memories for hours at a time or not being in control of their own body? Emma sort of skirts around this when she tells Cheng Xiaoshi, "So you were the one who sent that message" in S1E11, implying she's aware it wasn't her who sent it. For the sake of argument, though, I'm going to pass the general non-reaction of the clients to being possessed as a handwavey "the brain justifies it somehow later" thing and ignore it.**

That brings us again to the question: Why does Chen Xiao remember the past differently to the one Cheng Xiaoshi experienced/changed? Maybe the past isn't set in stone after all? Maybe, instead of just being a closed loop, the time travel in Link Click is operating on multiple systems?

In 2021, right after I watched Season 1, I was going to dismiss this as just an error. The writers slipped up and bungled their time travel mechanics a bit, and therefore the earthquake arc is different on accident. But we've learned since then that nothing is unintentional in this show, so why is that arc different from the others? (Also, I want to note, there is that moment in S1E4 where Lu Guang's face does that weird warping thing; coincidence? Maybe, but maybe not...)

My theory is: the time travel abilities that Cheng Xiaoshi and Lu Guang have operate differently.

DISCLAIMER: My knowledge of photography and film is extremely limited, so please correct me if I'm wrong.

There's always been a lot of film imagery in this show—obviously, since the whole premise is based in photography—but as early as the Season 1 OP, "Dive Back In Time," we can see the repeated use of rewinding film rolls as a metaphor for going back in time.

Note also: Lu Guang dropping the photo and it transitioning into a film roll, and Cheng Xiaoshi being tangled up in film rolls and being "inside" the film in the background/trapped in the frame. I'll get to this later.

The thing is, once you record something on film, you can't change it; you can only rewind and play it again. This tracks with the closed loop theory: no real changes can be made, because they have already happened. So how is it possible that "changes are still happening," as Lu Guang says in the YE4 preview? It's likely that Vein (and Liu Xiao and Xia Fei) are involved, but I don't believe that's the root of the issue. And, I don't think it's just the ever-nebulous "butterfly effect," because in YE1 Lu Guang says this:

I used to think that even a flap of a butterfly might cause a hurricane strong enough to ruin the world. I was wrong. The power of time is still far beyond our imagination. The future may not change due to a ripple of the past. Not at all...

(Yes, Lu Guang is a notoriously unreliable narrator, but I've decided to trust him on this one. Not to mention, butterfly effect shouldn't exist in a closed loop system.)

I've seen lots of excellent analyses illustrating the discrepancies this season, from the very first scene of YE1 (different furniture positioning, cracks in photo frame glass, bloodstains, presence of curtain, etc) to the changing positions of clothing, buildings, time of day, food, and so on in YE2 (go check out hyperfaexation's excellent YouTube video on their Shattered Memories theory for more details). The fandom is constantly theorizing about how many timelines there are. But while we've been asking ourselves how many timelines exist (five, ten, more?), we forgot to stop and ask: why do they exist?

The existence of multiple timelines doesn't fit into Season 1's time travel premise. In Season 1, it was always Cheng Xiaoshi that we were watching. Whereas Cheng Xiaoshi could be said to live "in" the film when he dives, perhaps Lu Guang is cutting the roll short at the point which he dives back to and splicing a new roll onto it. This could explain the scene from "Dive Back In Time" that I referenced earlier, with Lu Guang outside the film and Cheng Xiaoshi in it. It's not exactly that Lu Guang is diving back in time; it's more like he's diving out of time, into a parallel timeline and leaving this one behind. Maybe this season, we'll get to see more complicated time travel mechanics that result from the intersection of different powers. (And, while we're at it, maybe we can get an answer to why Cheng Xiaoshi has golden eyes for a few frames in YE1 when they're running away, because seriously what's up with that?)

**Another explanation for the non-reaction to the clients' possession could be the interaction of different timelines, but I'm not really sure how this would pan out so I'm not going to elaborate too much.

What does this have to do with the earthquake arc? Why would Lu Guang have a (slightly) different power than Cheng Xiaoshi, if he inherited it from Cheng Xiaoshi as we are led to believe? What happens to the discarded film, the abandoned timelines, when Lu Guang casts them away? Can Cheng Xiaoshi ever be saved? I don't have answers to any of these questions, and maybe I'm overthinking (ha) all of this and it really is just a writing inconsistency after all, but I want to believe Link Click's writers know what they're doing with this and all we can do is wait for the reveal.

[zivazivc]

Does Hed help Les with grooming his back?

This is a really old ask about this post. And the answer is yes, definitely!

I ended up drawing them back in their room in Vibe City because I've been thinking a lot about them growing up there lately. This is a little before Les gets kicked out (big fight with dad) and they end up traveling around with Flea who is at uni at this point. (Flea isn't a local, he moved there because of uni a couple of years prior, and that's when Les and Hed met him. He is the only other mixed/non-fully funk troll they know at that point.)

In the drawing Hed is studying for a test. He's in the second year of high school when he drops out. This upsets and angers Les because he has good grades but Hed insists that they should form a band (like they used to talk about when younger) because he is secretly shit scared of letting Les live alone and fuck off to who knows where. - At this point in time Vibe City is pretty much grounded in the same location most of the time, and if Les doesn't have work, he likes to spend his time in the suburb/woods outside the city where he takes care of his beetle van, Scaab. And Hed is aware Les has been itching to leave the city for a while already...

This has been an unexpected mini lore dump, thank you for your time :P

[cobaltfluff]

wherein akechi avoids looking at his reflection as he sees too much of his mother in his own appearance

[seiwas]

hello sel!!! hru doing??

The ask game is super fun! How about Gojo + vindictive.

I hope u hv had a lovely day 🫶

zuro anon

zuro anon hello!! thanks for sending in a prompt!! i'm doing good 🥺 spending this lil vacay at home, mostly 🥺 and happy to be back writing 🥺 i hope you have the loveliest weekend 💗

contains: non-canon, childhood enemies to lovers (ish), (modern) arranged marriage, reader wears a braid and dresses

gojo + vindictive

you hate gojo satoru. you have ever since you were 5.

he's a bully―a real cocky one at that, with no regard or remorse for how his actions affect those around him.

on the day before your 6th birthday, right as your parents gathered together for the annual countdown, he gobbled up the entire plate of your favorite milk cakes before you could even take a bite. this marked the start, the beginning of a vengeance stewing inside of you.

at the age of 8, when you first learned how to do your own braids, he would tug at them, pull them free and unravel all your hard work for the past hour. you used to chase him for it, yell "satoru!" with all the strength your little lungs could muster and he would merely laugh and run faster.

the name "satoru," you've learned, must be synonymous with "sabotage," because it's all he's ever done. he threw the flower geto suguru handpicked for you straight to the ground, and purposely splashed gutter water all over the white dress you intended to wear on your first date.

not to mention, he's always rubbed in the fact that he's better than you, at everything―dangled all his accomplishments in front of you as if he knew they were just centimeters out of reach.

gojo satoru is solely responsible for tainting your childhood memories a miserable cerulean blue.

so, when your parents sit you down one day and tell you that you'll have to marry him, you feel transported in that moment, to each and every instance gojo has ever wronged you. it flips through your mind like a montage of flashbacks in a movie.

it's both surprising and not. your families have always been partners, in everything―business, education, and now you guess, life as well. you hate gojo's guts but this creates an opportunity you don't think can result from anything else.

so, sure, you'll agree to the marriage―only to make his life a living hell.

"hello, fiancée," he greets you, for the first time since the agreement.

you don't do anything to hide your disgust, face scrunching up as you spit out, "shut up, satoru."

the wedding planning is horrendous―at least, you hope it is for him. you pick out every single cake flavor you know he hates and choose the brightest venue possible for the event. the lights you pick for the afterparty are strobe lights, and you make sure to do multiple test runs just to play with his eyes. it doesn't occur to you that the solution to his light sensitivity is simple: just a plain pair of shades.

you wear plumping lip gloss on your wedding day, just so his lips burn when you have to kiss him. but gojo is either extremely numb or just good at faking it, because all he does is grin as he whispers quietly before parting, "spicy."

in preparation for your married life, you create a ledger of some sort―a book of accounts housing every single thing gojo has done wrong. you write down your plans to get him back for each of them, a list of pranks and inconveniences to make him regret ever messing with you all those years ago.

at half a year of marriage and 25 years of knowing each other, he casually tells you the big "i love you," but you're sure he doesn't mean it. you tell yourself your heart is racing from how infuriating his existence is; at how stupid his face looked when he'd said it. not anything else and most especially not the little dimple on his cheek that shows itself every now and then.

(you didn't know it yet then, but he'd found the ledger you kept and read through it all. the one-year plan, the three-year plan, the five, and so on. and it does nothing but strengthen how he feels about you, since he was 6, 14, and a few years ago at 24.

it's at your third year of marriage that you find out―how gojo's known all this time, but more importantly, how there were reasons behind every single instance you thought he was out to ruin your life.

with intelligence far beyond his age, gojo has always preferred the company of adults more than children. at age 6, he would listen in on conversations his mother had with her friends, roughly comprehending complex worlds with the simple ones he understood. someone had mentioned something about their daughter being allergic to milk. and so, when your birthday came up and all he saw were milk treats, he gobbled them all up in an effort to make sure you wouldn't be subjected to an adverse reaction―even though you were far off from any dairy allergy.

what he was sure of, however, was that you were severely allergic to bees. and when he spotted one perched right on the buttercup stem geto handed you, he had no choice but to smack it right out of your hand and down to the ground, stepping on it too, for good measure.

and, okay, maybe he was a little naughty for tugging at your braids when you'd just spent all that time doing them, but he always liked how they flowed into waves when they unravelled; how you'd chase him afterwards, angry but so, so pretty.

if there's one moment gojo will consider real sabotage, though, it's that date he stopped you from going to. like there was any way he was going to let another man see you dressed like that. he isn't nice that way. when gojo wants something, he's not sharing, and the sight of you in white―that was meant to be his and only his.)

[ursachaotic]

Silly sketches of Bill and my sona 🥰 (Bill is powerless in this AU, so he demands my sona carries him around a lot asdhfoiasdh 😭)

[electroniccollectiondonut]

I have not been in this fandom long enough to reasonably judge others' takes however. "EPIC fans are so silly to characterize odysseus as feeling guilty for his actions don't you know he's a war criminal" is definitely a wild one. like first of all to each their own so settle down and let people enjoy things ok. and secondly making choices with a bad outcome, even knowingly and deliberately, does not exclude the possibility of feeling bad about it later. in fact it makes for a much more in depth character because then you get to explore what he does or doesn't feel guilt over, and why, and if that guilt ever edges into regret or not.

[riddlerosehearts]

thinking about floyd and riddle spending their first halloween as a couple together... i think floyd absolutely loves how varied and lively all of the different halloween traditions he's learned about since coming to live on land are, and he wants to try out as many of them as he can each year. so when riddle tells him that his mother always made him stay in his room studying on halloween, and that the only halloween activities he's ever done were those that NRC students were required to participate in, floyd decides that the two of them are just going to have to spend the day doing everything they possibly can. riddle tries to say he's far too busy for such things, but floyd will not let it go and honestly riddle is only half-heartedly protesting anyway because he secretly did always dream of doing the things that other kids got to do on halloween, and maybe it wouldn't be such a big deal to take one day off and spend time with his boyfriend.

so, riddle never got to make jack-o-lanterns? floyd decides to "borrow" about half a dozen of the pumpkins jade and azul had bought for mostro lounge and takes them to riddle's dorm room. riddle is terrible at trying to carve them at first and floyd can't help but laugh at him a little, but since he knows it's not riddle's fault he's never gotten to do this before, he says he'll show him how to do it. unfortunately floyd isn't nearly as good as he thinks he is on account of having lived in the ocean for almost his whole life and now riddle gets to laugh right back at him. they probably both get the hang of it right as they're down to their last two pumpkins.

riddle never got to go trick-or-treating with his childhood friends? floyd texts trey and convinces him to get in touch with chenya as well so that they can all go together. when they approach the first house, in the costumes they had prepared for each of their school's halloween events, riddle starts to get nervous and asks if they aren't all a little too old to be doing this. floyd shoves several huge handfuls of candy from that person's bowl into his and riddle's pumpkin-shaped buckets and tells him it's not like there's any rule that says they can't, and besides, riddle is such a cute little goldfish that he practically looks like a kid in his costume anyway! chenya stifles a laugh while trey has to stop riddle from committing murder that night.

riddle's never gone to a haunted house before? floyd and chenya both think it would be hilarious to make him go to one, so they do. riddle absolutely hates it, but it honestly does make him happy to see everyone else enjoying it--even if floyd and chenya both keep trying to egg him and trey on and get them to go down creepy corridors and check around corners by themselves, and even if floyd keeps running off to different parts of the haunted house and then coming back and hugging or even lifting riddle from behind knowing full well that he'll get freaked out by it.

riddle never got to play the apple bobbing game that's traditional in the queendom of roses? turns out there's a place right by the haunted house where they can go to do it! predictably, floyd is great at it while riddle ends up drenched without getting any apples, but just giving it a try is more fun than riddle expected.

riddle's never gotten to make candy apples before? luckily, trey knows an amazing recipe as well as what combinations of toppings work the best, and he's willing to teach them both! riddle gets very confused at imprecise directions such as being told to use "a few" drops of food coloring on the syrup or to drizzle "a little" white chocolate over it, and keeps asking trey exactly how much he should use. floyd thinks this is adorable. he also thinks it's adorable when riddle tries to scold him for ignoring half of trey's directions and just doing whatever he thinks sounds good.

riddle's never done a horror movie marathon before, or even seen any halloween movies in general? floyd insists that they marathon at least 3 movies together. after the experiences he had at the haunted house, riddle doesn't think he'll enjoy horror movies, but he tries to keep his cool throughout the first one anyway... which does not work out, because he really can't handle jumpscares or excessive gore. during the first movie they watch, floyd (who loves slasher films so much that he laughs and cheers every time the monster gets a kill) is happy to let his goldfishie cuddle up to him and grip onto his arm to keep himself from knocking the popcorn bowl onto the floor, but you know that once it's over riddle is getting teased relentlessly about how scared he was. floyd decides to be nice and put on something tamer for their next two movies, and riddle actually ends up really enjoying coraline and especially beetlejuice.

by the end of the night riddle realizes that they've stayed up way too late at night and a small part of him wants to scold floyd for keeping him up so late, insisting on having him do all of these silly activities and eat all of these terribly unhealthy snacks. another part of him wishes he could scold his mother for keeping him from doing any of these things as a kid, with his friends and the other kids in his hometown, the way you're supposed to do it... and another part of him still is just incredibly happy and grateful to floyd for finally giving him the chance.