#but with all the many differences in versions
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Good to have a TERF-free version of such important info to reblog BUT…
“Your mom and aunts aren’t on tumblr”?! I am so done with the raging ageism on this site. It isn’t populated solely by gen-Zers and younger millennials, and everyone over the age of thirty isn’t getting ready for the old folks home. I’ve been on Tumblr since well before menopause and am now slap bang in the middle of it. It’s something I’m very open about IRL but this is the first time I’m mentioning it here because I’m acutely aware of a strong prejudice towards older people and the ONLY thing I feel self-conscious about on Tumblr is my horrifically advanced years (horrific to so many fellow tumblrites, that is). There may be very little discussion around menopause here but I can assure you a lot of us are suffering in Tumblr silence as we struggle with it.
Tumblr is supposed to be a haven for those of us who feel we don’t fit into societal norms but there are many here who seem to think that neurodivergence just ceases to exist beyond a certain age. It doesn’t. We’re still here, we still feel like outsiders, we still need a safe place where we can be ourselves, open our hearts about anything, and not feel excluded.
We’re weirdos for all sorts of reasons but stop making us feel that it’s weird to be on Tumblr just because we’re older millennials, gen-Xers or boomers. You know @wilwheaton is a gen-Xer, right? That @reallyndacarter is a boomer? In the Tumblrverse, the only difference between them and the rest of us “old fogies” is that they have a much higher profile. You’re happy to include them so please stop excluding us. It’s seriously doing my head in now.
fresh, clean no-terf version for reblogs!
Your mom and aunts aren’t on tumblr. Please warn them about this as well.
#I’m a minority in plenty of ways already; stop holding my age against me!#ageism#Apologies for hijacking the blog but I’ve been biting my tongue for ages and that innocuous comment about mums and aunts was the last straw
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⋆ ˚。⋆୨୧˚ placements that feel like a fairytale ˚୨୧⋆。˚ ⋆
🧚pisces venus - "i've walked with you once upon a dream," such an exceptional place for venus and a very good lover. thoughtful and remembers little things about somebody. gives even when they have nothing. venus is exalted here, which strengthens the power of venus. rosed-colored glasses, natural lovers. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚neptune in 1st/2nd/7th/9th - 1st/ dreamy appearance, "i wish i could look like you," "i don't know if i wanna be you or be with you," wins people over, sometimes unaware of their influence, stands out in a room full of people. 2nd/ "you sound so sweet," delicate voices, gives the best compliments or receives unique compliments, gets money for no reason or gives money for no reason, very questionable kind of person but it is a likable feature about them. 7th/ unpredictable in love, "tag you're it," loves the chase and the longevity of a new/fresh relationship. people wish they could be with you or have had dreams/thoughts of pursuing you. sometimes people might drop many hints but never say. 9th/ super underrated, people feel elevated in your energy, you bring out a new lens to others, your ability to change and only get better overtime seems super unreal. the type to go mia and then randomly appear in a fancy italian restaurant with 1 million dollars and a rich spouse. they think it and it is, very big planners and attractive to the outside. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚sun in 5th/7th - 5th/ their love is their passion, and their self-expression is one that is bold and unique. this is your "entertainer," placement, understands the role they play in this life. courageous in their love and give an experience that one will never have again. 7th/ people-person, revolves around being open-minded and naturally attracting friends, partners, and even some enemies. a very commendable individual. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚libra/taurus rising - the symbols of beauty and allurance. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚cancer sun - exudes a tender warmth to others. "wifey material, mom friend, therapist," has probably heard it all. cancer sun has seen the vulnerability of everybody they have met, there's a strong trust here and their strength is undeniable. think of fairy godmother. has an emotional depth that allows others to easily fall for them. double points if it is a man with a cancer sun; women will admire this difference about you from other men. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚libra moon - pretty when you cry, everyone stops to hear you talk, such a mediating and magnetic energy, wears their heart on their sleeve and can empathize very well with others they have nothing in common with. all about fairness and equity, wants to be the peacekeeper in most situations. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚venus in 11th/2nd/7th - 11h/ friends will admire you and pick up on your aesthetic and can even try to "become" the same way. you make people feel really good and you are inspiring. 2nd/ you are well kept and seem orderly. soft voice, soft appearance, and loves to smother themselves and others with little gestures. 7th/ ideal partner placement, looking for love in everything they do, has very good connections and dazzles their flirt onto everybody they meet. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚personal planets in 4, 7, 12, 16, 19, 24, 27 degrees - these are libra, cancer, and pisces degrees, can amplify these placements by sprinkling on some of these signs qualities. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚neptune conjunct/ trine sun - dreamy-esque, can't keep you off my mind, is it love is it lust? naturally charming and independent. knows how they make others feel, giving others a sense of hope that makes them cling on forever. usually, the favorite boy or girl for somebody. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚venus conjunct moon/neptune - awareness to what relationships might require, or what other people want out of you. knows how to express themselves properly, can be sweet/seductive one minute, then manipulative/moody the next. likes to change up their style for their partner; very intimate and puts their partner's needs first. will be super feminine for their loved one. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚midheaven conjunt/trine/sextile neptune or venus - enhanced beauty in the public eye. people want to be around you and there's maybe some type of distance between you and your lovers- which makes relationships so much more intriguing. "i've got my eye on you." these people love makeup, jewelry, skin care, anything to appear ideal. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚virgo midheaven - seen as a damsel in distress sometimes; but they are elegant and reserved. they are the ones that people usually rely on and open up to the fastest. their fairytale qualities come from how they act rather than how they speak. they will make sure you are covered and will attract you with their practicality and realness. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚virgo venus - has a purified perception of love, very service oriented and even shy. they are slow and steady in terms of love language, however a virgo venus will always make sure their partner only gets the best. they want to make everything perfect for their significant other, which makes the virgo venus placement seem so admirable. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚cancer venus - soft, sweet, and giving. full of the feminine and embodies the nurturer archetype. magnetic to the opposite sex; babe magnet, and usually wear pastel colors or colors that are bright. they don't like to make themselves unknown to the idea of love. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚moon/neptune in 5th - has such a childlike approach to the world, very full of nostalgia and is deep-rooted in being memorable for others. oftentimes moon in 5th has a dramatized identity about themselves, which gives the fairytale vibes because it can feel almost surreal. neptune can also have this affect, neptune 5th might always get "i wish you were here," or "where's so and so," very memorable and such sweet and delicate impressions to the public. 🌷 ˚ ༘♡ ⋆。˚ ❀
🧚sun in 9th - would take their partners through all kinds of experiences, the kind of people to take you higher and change your mind-set on various subjects. very underrated placement and i find it quite fairy-tale like due to the fact that there's always some form of expansion for these individuals and you can see and feel their inner glow when they are in new environments. usually, can have foreigners or various kinds of people fall for them, they quite literally shine in new horizons. 🌷 ˚ ༘♡ ⋆。˚ ❀
thank you for reading <3
#astrology#astro notess#astrology observations#astro tumblr#venus#neptune#fairy tail#fairy tale aesthetic#Spotify
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Omgomgomg plspls elabroate on PTM! Leona I love that man sm and him having domestic/raunchy thoughts vs acting all "psh, who are you anyways?" is making me have butterflies ahhhh I would've keeled over tbh
(incase you don't know ptm is a shorten name for a telepathy fanfic)
I was thinking about it because I thought it would be very shocking to have Leona in that situation, but decided against it cause I thought it wouldn't be as funny as much as it would be more pathetic. I also wanted to establish that whoever the love interest was would have been in love with the Reader for a while, and I wasn't able to really fit that in the storyline I was setting up.
I hadn't put too much thought about i because of that, but I think Leona would lean to more domestic thoughts with a sprinkle of lewd ones. Even those lewd ones would lean on the more domestic side, thought Leona's version of domestic is a different from the usual seeing as he's a prince.
But many of them are mostly of you two waking up together in the morning, limbs tangled, a few here and there about you two together in the palace, quietly strolling. Another of you laughing as Cheka pulled at his Unca's ears. His favorite ones are you two in your bedroom, his head in your lap as you brush through his hair with your fingers and braid it back. These, and the morning ones, sometimes get directed into little daydreams (or actual dreams considering how much he sleeps) of you two being softly intimate.
Though, he would have some more raunchy ones, which only really occur when he's jealous. I do think Leona would have a particularly nasty jealous and possessive streak, he's just very good at pretending he doesn't. If someone was trying to get into your business, he's thinking about all the ways he could make it obvious that you're his, which mostly include showing off just how good he can make you feel in front of the competition. Those are down right atrocious, they'd make a prostitute blush in embarrassment!
Just imagine how poor you, able to read Leona's mind, just feel!
#mochi asks#twst#twisted wonderland#leona kingscholar#twisted wonderland x reader#twst x reader#leona kingsholar x reader#suggestive#ptm
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[SPOILERS] Homicipher Is Actually Romantic, Convince Me Otherwise [Analysis/Opinion] [SFW]
Word count: 3,332
Edit: 11/7/2024
[Feel free to skip to the last objective "Individual route discussion + what made it romantic" if you want to get straight to the point]
Homicipher is truthfully a [platonic] romantic game. It is a game that has to be looked at from a different perspective when it comes to love/romance. A game where you have to take in consideration of the characters and the nature of their 'other world'. Today's post will discuss into what I believe made Homicipher an oddly, but romantic game, despite its shortcoming and abrupt ends.
⚠️[MAJOR LORE/CHARACTER ROUTE SPOILERS] ⚠️
Discussion Objectives:
Definition of Love & how it plays into Homicipher
The nature of the 'other world' and ghosts
Individual route discussion + what made it romantic (thoughts)
What Is Love & How Does It Play Into Homicipher?
Love has many layers of definition and associations. Maybe, that is why some may deem Homicipher to be "unromantic" and some disagree on that thought. It also varies based on the type of content/exposure you had consume in the category of love [whether romantic or platonic]. Socially, from a common standpoint, love is a strong attachment or affection for someone. Often from a social standpoint associated with dates, affection, and intimacy. However, love is always changing, since it is a social script on what its suppose to be, and changes as society progresses. Some notions stay the same but some begin to change (just like how language and certain concepts begin to change in the other world, a different society from our own). For the sake of a "true" definition of love. I will be using the definition offered by the Oxford Language Dictionary. So, what is love?
Love as a noun is...
"An intense feeling of deep affection"
"A great interest and pleasure in something"
"A person or thing that one loves"
Love as a verb is...
"Feel deep affection for (someone)"
"Like or enjoy very much"
Not long after its release there had been a fair number of comments/reviews criticizing Homicipher for its lack of romance. This claim is NOT entirely wrong. From the expectations of a "normal" Otome/dating sim it doesn't necessarily meet the requirements because of its lack of intimacy, affection and interest from a HUMAN/SOCIETAL perspective. We must remember that romance/love does not necessarily equate to kissing, hand holding, and intimacy especially considering that these are the HUMAN (societal) views on what romance/love is. A concept that had become lost in the 'other world'. So how can we call Homicipher romantic if we have to cross out the influence of our society? The answer is that we can't fully avoid it, HOWEVER, we must be open to a different perspective of what 'their' version of love is (platonic love/or romantic). No matter how lacking, dense, twisted and grotesque the moments we have spent with these ghosts are. In some shape and form it CAN equate itself to love (platonic/or romantic). I think a lot of people forget that time itself can be equate to some complicated level of love. The fact you spend time with someone, and it develops to something further for worse or better, something that even love may not be able to name, is what this game demonstrates.
Homicipher has a consistent theme, the loss of truth, the acceptance of ignorance and the concept of eternity. Which shockingly is where the romance comes from. When we allow ourselves to rot in that world. When we ignore the exit and choose to stay, is where the romance comes through. Love is complicated. What can I say?
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The Nature of the 'Other World' & Ghosts
Alot of the ghosts we encounter can be friendly, but also just as deadly. We hear it from almost all of the casts warning or discussing about how dangerous a lot of the ghosts (including themselves) roam in this world, and in different endings, succumb to this danger ourselves. The longer we stay in this world, we soon start to become no different. As we, a human, begin to slowly transform into a different entity. We begin to react more violently (though it can be argued that since our MC is a serial killer, she might have just been violent and cruel in general). When angered, or things start not to go her way, she gets filled with bloodlust and takes it out on who she's with. Killing is a common thing to do in this world, especially when experiencing anger, sadness and even boredom. The concept of death is a little complicated as they can easily regenerate themselves back to "life". As the game progresses, we learn that some of these ghosts cannot grasp certain concepts (such as love), remember their own name and self, and don't have exact words (sometimes none) for items.
When sometimes even confessing that you like some of the ghosts they question you, and state that they cannot understand you or that feeling (platonic/or romantic). We are in a setting that is beyond the mortal realm, there aren't any exactly "ideal" dates in a place different from the moral realm... so you're going to be stuck in a scary place, having a scary "date".
However just because they cannot understand the concept of love, doesn't meant that they can't feel it. It is something that the body may still feel, and the mind not being able to put an identity to that feeling or even situation, since meanings and concepts get lost within this realm. The fact that we are allowed to spend an eternity in this realm, with our handsome casts of ghosts. Is oddly and sadly romantic. For Mr. Crawling it is his devotion and loyalty to you, it is how he worries and cares for you, it is his affection and attempts to soothe you. For Mr. Silvair it is his care for you (as research of course lol), your usefulness (which is why he is attracted to you), but even then, one of his endings he keeps you as a head, when you had become useless to him. For Mr. Gap he finds you intriguing, he wants to play and follow you around, always asking for parts of you with consent, loves to brag about himself to you. For Mr. Chopped it is his want to rely on you, to feel safe with you, to protect him, to spend time with him. For Mr. Hood it his willingness to help you for an eternity, to roam with you forever, keeping you away from danger. For Mr. Machete it is the fact you both spend an eternity searching for a home together, to suffer boredom together, to suffer within each other's presence. For Mr. Scarletta it is his obsession for you and his willingness to spend an eternity with you.
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Individual Routes + What Made Them Romantic
[Not in any particular order]
Mr. Crawling
If I had to rank who had the most "romantic" route overall, it would be Mr. Crawling. With the definition usage of love from the Oxford dictionary, verb and noun he checks all the list. Not only that, but we spend time with him the most out of all the other casts. He was the very first ghost we meet (briefly in the beginning) and got stuck with. We are like a baby bird imprinting on him because we saw him first and spent time with him the most, so of course we might feel the most attached to him compared to the others. As the game progresses Mr. Crawling doesn't fail to let us know that he cares for us and our safety warning us of the dangers that come and explaining how to navigate our way around danger. He expresses his worries when we disappeared. He seems to have some concept of love (platonic/ or romantic) as he admittedly tells us that he likes us and ask us if we like him. He expresses how he wants to follow and protect us. He also has so many cute scenes! Scenes where he pats our head, scenes where we lay together, chat a lot together. He is devoted and loyal to us, never harming us even once.
We even get a scene where he gets jealous when we called Mr. Chopped cute with the cat headband! So, he also makes an attempt to be cute too! We are always together with him, and that makes us BOTH happy. Although we don't have our traditional romantic dates like shopping, movie night. We get a bed scene and get to take him back home with us.
There are many types of romance. Platonic and romantic. You the reader/player is allowed to view it however you want. The game does not punish you for the lack of interactions with the casts. You just end up missing out on certain scenes/moments with them is all. However, for the sake of this post I will be making attempts to talk about the romantic aspect (but platonic romance can also be put into place).
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Mr. Silvair
lt's apparent that Mr. Silvair keeps us as research material and confines us in his lair. He is interested in our body, and also interested in returning our mind/intellect back to its original state. It is this interest in us that makes him "love" us. Does confinement and research count as love? Well...maybe not in terms of human definition but in the Mr. Silvair way, it's the closest thing you can get to romantic (or platonic). Afterall, the concept of love has become lost in this world.
I believe he still has some attachment to us, because in the ending A Head's Life, he still keeps you as a companion along with Mr. Chopped. He claims that you are no longer useful/capable but that it is okay, as long as danger is no longer here. When you choose to ask him why he did what he did and ask if he likes you, he tells you it was for research and that love is something he cannot understand. He also doesn't understand why you get so angry when he helped you return your intellect back. He still though has some sort of concept of empathy, because in his route when you choose to kill him and hide yourself away. He comes follow you and expresses that he's sorry and tells you a little about himself. He allows you free will, at this point, allowing you to leave him or stay with him.
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Mr. Gap
Mr. Gap always wants a piece of us, literally. Why does he? Because it's just for fun. The most interaction we get with him is through the multiple crevices within this world and the short route he gets in chapter 4. He takes but sometimes may give. However, he doesn't fail to be thoughtful. It's hilarious how in chapter 4 when he offers us a crowbar in exchange for your heart, you can just smack him for it with no consequences. He also likes to brag about himself to you which honestly is a little cute. With his ending Return, we only have him left in the 'other world'. Our comfort lies with him, although he may be a little annoying, he is the only one we have left. We maybe have become a little codependent on him, but maybe he likes that?
God his annoyed/disgusted face is so hilarious, do it again Mr. Gap! He seems to stick around with us mainly just for funsies and being nosy, and honestly, he is so real for that. But it seems he likes to stay around with us at least. In the return end he is with us, and continues to stay lurking, perhaps watching over us until he is needed. Quite handy am I right? Haha.
He is depicted as quite the gentleman, but also just as fun and teasing. There are times where he does help you with no charge, such as barging into his hole (the face he makes in that scene is hilarious). Again, when presented with beating him for your crowbar, he gets a little upset but, honestly still helps you out. He probably thinks violence is funny which is why he constantly still teases you by asking to take away your body parts. It's just too fun!
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Mr. Chopped
Mr. Chopped is just a head; how can he possibly be or have anything romantic? Well, not necessarily to the level of Mr. Crawling but, we get to have a few small moments with him and spend some time with him. Since he is just a head, he can't help but need to rely on others. Of course, he has to be selectively about it because falling in the wrong hands devastates him.
Mr. Chopped when he gets forced into playing with the deer child, he seems happy to see a familiar face and calls us out to help him. Our poor baby was in trouble!
His ending head hunt is tragically sad but also bittersweet. MC cares so much about Mr. Chopped that she spends an eternity as an entity searching for a lost head, searching for Mr. Chopped who she failed to rescue.
During his own special route Mr. Chopped does his best to help us, but there is only so much a head can do. To make up for his lack of body though, he seems to be more expressive with his mouth and emotions. We get to take him to get a haircut and wash his hair. This seems pretty date like to me. Although our time was abrupt and short with Mr. Chopped. It makes me happy that we get this small, cute scene with him, which makes him much more lovable.
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Mr. Hood
Mr. Hood protects you from harm, and also heeds your commands. He also carries you around. He means no harm and is there to guide. He cares for your safety and seems to dislike anything dangerous or threatening towards him and others that he protects.
At the end of his route, he states how often you get in danger and takes you with him, telling you that he must protect you since you asked him to (referring to an earlier scenario when you asked him to stay with you, when you reunited with Mr. Crawling and the others, but he leaves). So I would assume he would always be by your side now eternally staying together and protecting you from danger when needed. How cute! Some people are into that. But personally, for me Mr. Hood felt more like a father/brother to me. Maybe it was because he was always willing to guide us? But some people are into the brotherly/fatherly type of men, and hey I don't judge.
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Mr. Machete
At first, I did not see the appeal to Mr. Machete, he seemed like a ghost that killed for boredom and most of the time we just followed him around aimlessly...WELL, after playing his route and letting it soak in my brain. That is entirely the whole point of his character. He is a ghost that had become bored because he had too much time on his hands and continues to search for his home. He is our tsundere dummy macho ghost, and honestly, I love that about him. He could've killed us again like how he tried earlier, but after that first attempt, he reluctantly allows us to follow him. It's funny how much he runs away if the odds are against him, and when he mocks us it's even more hilarious. Mr. Machete likes us if we are strong opponent for him, he even expresses that he thinks we are fun and likes us when we defeat Mr. Hugeface on our own.
Not going to lie, I fell for Mr. Machete right here. We were low on blood, and he just slices his hand, FEEDING us HIS BLOOD. Like OMG that was so hot, he opens our mouth forceful, and we drink his blood. He somewhat cares about us, to be doing all of that for us. After that we get a timed choice to stall or follow him. When you choose to stall he pauses with you and asks if you're okay and to catch up with him. For someone who had been reluctant and annoyed at us for following him, took a moment of his time to wait for you. He WANTED you to tag along with him. We then venture on with him aimlessly searching for his and our home. Torturing each other with our presences. But maybe, just maybe, they can slowly become that home together that they were searching for.
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Mr. Scarletella
I LOVE HIM SO MUCH. At first, he appears to be just any ghost that wants to attack us. It took me a while to warm up to him because of so little we knew about him. I thought he wanted to take our name for fun/or collection, but then it's revealed that he knows us. That he harbors some sort of love and obsession for us and believes that we love him because of all the blood and bodies we "offered" him. In a twisted way, this situation is a cute and romantic misunderstanding. Mr. Scarletella fell in love with us for providing him many blood and bodies. He wants us to spend an eternity with him. He WANTS to spend an eternity with us. He invites us to this other world because perhaps he wants us to become a ghostly being just like him, or maybe he wants to have easier access to us (since his myth that he only appears on rainy days) to meet us. Although we didn't get to have as many interactions with him, that is what makes this love toxic. It is a parasocial love, he fell in love with us from afar. When you piece everything together with your dictionary the words he proposes to you sound like wedding vows when you give your name to him. Which make it all so more lovely, even if he takes our soul away.
(My translation/interpretation of the scene, where he asks for your name)
Chapter 2, Scene 24
Scarletella: "You found your name...?"
Scarletella: "Teach me your name." (ARF ARF WRARF)
Scarletella: "I want you." (YES PLEASE)
Scarletella: "Will you give your name?" (OF COURSE)
Scarletella: "Your name?" (👁️👄👁️)
*You give him your name here*
Scarletella: "I have your name."
Scarletella: "I have obtained you." (YES YOU DID, COME TAKE ME)
Scarletella: "Let's leave together." (ARF ARF WRARFFFFFFFF)
Scarletella: "I love you"
Scarletella: "And you love me."
Scarletella: "You gave it to me...Thank you" (I'LL GIVE YOU IT ALL)
Scarletella: "Forever/eternally together..." (YES SIR)
Scarletella: "Together." (ARF ARF WRARRF ARFA)
He is quite the romancer hehe. It seems like Mr. Scarletella has some form of concept when it comes to love, which is to be together forever, even if you end up as a blood pool. Together is together.
I find it interesting how his two endings: Scarletella and Scarlet Rain parallels each other so well. In the Scarletella ending, we (mc unknowingly) give our consent to being together forever with Mr. Scarletella, but we are still alive. When MC wakes up, she sees a clear umbrella on the floor and picks it up. I believe that we have now embodied or spirited the umbrella, spending eternity with Mr. Scarletella. He owns us now.
However, in the Scarlet Rain end he becomes ours, the umbrella stays red, and we still, eternally are together forever.
#文字化化#homicipher#mojibake#mozibake#mr crawling#mr chopped#mr silvair#mr gap#mr machete#mr scarletella#mr hood#homicipher analysis#homicipher thoughts#homicipher opinion#homicipher game
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I think somebody out there wants me to kill myself lmao. I keep seeing things on here that could all potentially ruin my mood, and now I see holes getting shot through one of my lifelines amidst the sinking sands of depression. I knew Goku was never entirely a righteous hero, but in fact got a lot of thrill from fighting, which is why he would sometimes leave a worthy opponent alive so he can fight him again, even if they were an extremely dangerous individual to let roam free. But this says that it's literally all he cares about? Some of the claims OP made are, at the very least, not backed up in the source provided by the other poster. It doesn't say here that he only feels companionship not love, and that he would only care for a second if his family and friends died.***
It's pretty messed up. The same article makes both Goku and Toriyama not look so great all at once. In it, he also admits that his motivation for writing DBZ was nothing more than money, and doesn't say that he learned to love it or have any connection to his fans (in fact, he mentions intentionally messing with them and being contrary to their wishes), just seems to imply that it was an easier job than most. I'm tempted to share this with the person who got me into DBZ but also I don't want to ruin anything for them. Then again, they're the type to say "I prefer the brutal truth" so...
Ah fuck but what about all my followers who like DBZ? Goddammit...I wanted to say my piece but I guess it's selfish of me to ruin it for others. But, well, actually there may be some consolation for those who already saw this, because Toriyama also states that he forgets some of the things he writes. He also says he doesn't take care of his illustrations after he finishes them. Which is really weird and kind of disheartening to hear that he had so little passion for the story he built and shared with so many fans worldwide. But the point is, it seems that many fans are closer to the material than even he is, and as I've said before about the Harry Potter series, you can separate the content from the creator by acknowledging that 1) it is fiction and 2) there is a difference between who the author is, how the author interprets their own work, and what enjoyers make of it. These characters live in our consciousness as we built them too. We put our own heart into it just by immersing ourselves in it. Yeah, sure, Toriyama had a different vision of Goku than maybe a lot of fans did, but that doesn't make those interpretations we acquired and stored less valid. We all used our own imaginations to interact with what we watched or read. The version of the character that you see, and which makes the most sense to you is "real," because it's all unreal anyway.
And honestly? A more complex Goku who loves fighting for the thrill of it AND fighting for his friends makes the most sense anyway. We've seen it, we've seen his genuine care and concern. He's proven himself to be "pure of heart."
***Edit: They do actually include more sources that I didn't initially see which does confirm this, at least the part about seeing his family more as companions, though that doesn't change my final statement.
I just really find the fact that the creator of dragonball has stated that Goku canonically cannot feel any kind of love, just ‘companionship’, to be a extremely interesting fact. Like, if his family died he’d be like ‘No!’ and then he’d get over it fairly quickly as if they were only just acquaintances. Same goes with the rest of his friends.
The series creator apparently doesn’t like the anime’s portrayal of Goku. They always cast Goku as a hero, when in the manga he’s really only ‘saving people’ as a side bonus that comes with fighting a stronger opponent. He doesn’t purposefully go in to save anyone unless there is a fight happening at the scene.
So, If Goku hadn’t hit his head, he would’ve just been another Raditz. And it also explains why he’s rather cruel towards Gohan and neglectful towards Chichi.
Apparently Vegeta is the actual exception to his own species. He actually genuinely loves his family, -a rare trait only Goku’s mother was proven to have- whereas Goku is apparently literally unable to have those feelings. It’s kind of ironic; Vegeta is probably the one that would be the most ashamed and resentful to admit he has those kinds of feelings.
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I have been seeing this quote all over my feed in the past weeks, for good reason.
“Always after a defeat and a respite, the Shadow takes another shape and grows again.”
“I wish it need not have happened in my time,” said Frodo.
“So do I,” said Gandalf, “and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.”
It’s important to me, it’s something I need to hold on to, and yet to me there are also ways it feels different from the current situation. Frodo and the Shire are in terrible danger, and something terribly hard is being asked of him; but the Shire is no danger to anyone else.
What we’re in feels more like late-stage Númenor to me: seeing your society twisted and corrupted to the destruction of people both outside it and within it. Bearing responsibility for what it does with minimal ability to change it. Knowing that many people around you either support it or don’t care much.
Culpability without power.
I’m not in the US – I’m next to it, and our next election is very likely to bring in someone aligned with Trump – but this isn’t just about the US. Austria and Hungary are already far-right. France is on the edge. Russia and China are their own versions of the same thing: authoritarian, nationalist, expansionist, and targeting ethnic minorities.
This is on both sides of the Atlantic now. This isn’t WWII. No one is coming to save us. All of us are going to need to fight this in our own ways. I hope that I’m wrong, that maybe it won’t be as bad as I fear, but I can’t count on that.
I saw a post saying “don’t doomscroll”. It’s right. Don’t exhaust yourself doing things that won’t help. Take a breath. Pet your cat. Do something that comforts you.
And then, organize. Because as bad as 2016 was, I don’t think this is 2016. There’s no waiting this one out. There’s no “in four years”. It ends when we all say it does, and only then.
It doesn’t matter how powerless we feel. It doesn’t matter how futile anything seems. We have to all do what we can. We have to work together. We have to protect and aid the people who will be targeted, in whatever ways we can, and that means organization and networks and knowing each of us is not alone.
Grant us wisdom, grant us courage.
For the facing of these days.
For the facing of these days.
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Interview with Twst Music Composer Ozawa Takumi from the Soundtrack: Q: What was the production process like for the theme song ‘Piece of my world’ (Disc4-39)? Ozawa: "Right after it was decided that I would be involved in the music for this project- I immediately started working on this theme song. It begins with a tune for dancing to, and then at the interlude the rhythm adopts a waltz-like, classical atmosphere, and then it returns to something more danceable. I enjoy the structure of this song very much."
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I had never really done music for an all-male group before, and there are 11 members in the Night Ravens—it was my first time directing so many people. Recordings were lively and bustling like Night Raven College itself, as if we had all come together for a club activity."
"There are multiple versions of the song, each with different variations in the performances and interludes, and I hope everyone is able to enjoy what makes them unique.
I also directed the voice actors in their performance of [Piece of my world -NRC 17 ver- Full size] (Disc3-04) featured in Chapter 5 of the main story. Their performances and singing were wonderful; they were perfect."
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"I didn’t have very much experience with recording songs by voice actors, and I was awestruck just by being in the same room. ‘Absolutely Beautiful Full size’ (Disc3-05) also appears in Chapter 5, and we recorded it at the same time."
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"I was also responsible for writing its lyrics, but to be honest, I very anxious about this one up until the moment that the vocals were recorded. The power of the voice actors' singing is truly incredible.
Vil-sama presided through Aiba Hiroki-san’s voice, and the charm of ’It’s not just about strength!’ was portrayed with complete clarity. Jamil raps during the song and Futaba Kaname-san gave an incredibly skilled performance, which is another highlight to listen for."
-Ozawa Takumi (Twisted Wonderland OST interview)
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I think many women and queer people fall into the trap of treating men nearest to them as a stand-in for the patriarchy they truly hate, because the men closest to them can actually be hurt. The alt-righters threatening to rape them can't.
Unless you're like, Catholic and/or really want to, you're not required to love someone who hates you. I'm sure there's a different strategy to getting through to that person, and that's probably something male allies should take on.
But as for men who truly want to be allies but are intimidated because of women's frustrations (no matter how valid!), such as this man on the Chewed Gum show asking how to model positive masculinity + his feelings on the man/bear question, Alyssa Ljub had a great response (abridged version):
[[READMORE]]
[...] My brother [...] struggled a lot with being a very like sensitive, emotional kind of guy and that manifested as being angry and defensive when he was a teenager and through his more younger adult years, now he's 32 and a full adult and he's really understanding that what he's wanting to express is a more full range of emotions, but he didn't feel comfortable doing that because he was falling into that same mental pattern of that's not manly, men don't cry [...]
In the process of writing the TED Talk, I had given it to my brother to read and he went over it and [...] he encouraged me to look at it again and every time I referred to these like really atrocious things that had happened to women throughout time [...] he encouraged me to look at it and really consider [...] is "man" the word that I want to use, is it because men did this or is it the patriarchy, is it this system that we've created.
And at the end of the day, he was right because we all are victims of this same mentality, like this patriarchal mind space is the reason why [...] you are not super comfortable expressing a full range of emotions or it took you a long time to get there, similarly with my brother and similarly with how we all [choose the] bear and then we have a hard time understanding how men can't see it.
It's all the same system, it's the same machine and so there's a part of me that's always sort of like, it feels good to join in other voices that are able to say "bear and fuck the men who don't understand and that's not my job to teach them" and blah, blah, blah, like there's part of it that will always feel like turning the knife and it feels good for that moment but that's not actually a productive conversation and [...] that's not helping anybody.
And so the other part of it is, okay, [...] we're in this dialogue and [...] oh my gosh, men don't actually see it, they don't really understand why we feel that way and if they can't really understand it and they're in the same system that we are, it kind of is our responsibility to explain because if we don't, we're leaving them to their own devices to figure it out and when they're left to their own devices, they're at the hands of the same system that's telling them to shut down their emotions, be defensive and ignore what we're describing as physical risk that we feel with with strange men and that's not helpful, that's not helping anybody grow.
And so it's frustrating to some women, [...] "I shouldn't have to explain that" and I 100% get that, that's so valid but I think in this conversation, when we talk about how we move forward from how we have pushed men into being a specific type of person that is fitting into [...] this prototype [of] being really tough and minimizing emotions and unable to be vulnerable so that they can appear strong, when we've put men into that space, what pulls them out of it is vulnerability and softness and care and saying it's actually okay for you to want to be emotional in this time and it's actually completely okay that you're hearing this argument where people are saying bear over and over and you're like, "what the hell, I worked so hard to be the kind of man that people would be comfortable around and [...] I worked so hard to undo everything that I was inundated with as a child, like, and you still said bear?"
[...] I would encourage anybody who's listening who has that reaction of like, "I don't want to have to explain it to people. And if they don't get it, that's on them." I would encourage them to also consider how productive that conversation is. And if you, in that very moment, wanted to be productive. Sometimes we're like, "this is not worth it, I don't feel like having this conversation," whatever, that's fine [...]
I feel like that's the biggest thing that is inhibited for so many men in this system. They're not given the permission to feel everything that they want to feel and have a safe space where there might be an adult or a therapist, whatever, whoever is around them to say, "it's okay that you feel that way. And at the same time, the reason why women are saying bear is because even though you're a safe space, the information that we have, the statistics that we have about how many men are not is enough to make me say bear."
[...]
But I think at least in the way that I've experienced this conversation, especially with someone close to me, like my brother, where I've grown up with him obviously, and I've known him my whole life and seeing what made the biggest difference for him was allowing him to feel vulnerable and feel the full range of his emotions and actually process them through. Like actually see [...] "these are all the things I'm feeling and this is how we're gonna resolve it. And now I've learned something because I've actually resolved this feeling."
I couldn't have said it better myself.
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Getting deep into the x men fandom means seeing ships I don't agree with, so I don't interact, seeing posts that mischaraterizes one of the deepest charaters possible, so I don't interact, Seeing people actively say things that are blatantly wrong, so I don't interact.
Getting a large following is also kind of frustrating (Im not complaining I love you guys!) But I've had to block 2 people already today because they keep leaving rude replies to my comments on OTHER peoples posts or purposly come to my blog to tell me that how I view a charater is wrong. Had someone tell me that the stuff that happens in MY au is dumb because "that would never happen" like yeah bud. The writers at Marvel are too much of cowards for it to happen, hence why i'm here.
So my thing is... if im chosing not to interact with all of this- why is it still on my feed?
I feel like the more I ignore it the more I see and I do not wish to be the type to block someone simply because they make one post about a ship that personally isn't my cup of tea.
Also- I think Im starting to see the different sides of extremes, especially when it comes to one specifc charater.
Logan.
I have seen dozens of lovely stories, lovely rants, lovely head canons about this man-
But something that feels weird (to me at least) is people who are 45+ yelling at people who aren't even 18 that their story/headcanons are trash because they've "been enjoying Logan for 40+ years" as if this gives them any right to tell a 17 year old that they shouldnt write a charater how they see them.
It's also weird to me that there seems to be two sides.
Logan IS an animal and that's perfectly okay.
Or
Logan ISN'T an animal, and everyone who headcanons him as animalistic is fetishizing his mutation and are insulting him.
I get not liking a certain trope, but sir, that person is young enough to be your child. You have to accept that we all grew up with different versions of each charater. I Personally didn't grow up with any and get the luxury of indulging in all sorts of media all at once- therefore getting to see him from multiple sides and pictures.
I completely understand if you grew up with the original series and are upset to see that kids are headcanoning your stone cold angst biker man as wearing bow clips and 'making biscuits' on a pillow while watching gilmore girl with his boyfriend, and wearing pink fluffy hello kitty pants and a tight shirt that says "Milk"
I completely understand if you grew up with the movies and see him as a sexy gruff hot buff man and you love to write lots and lots of steamy x reader about him.
I completely understand if you LIKE logan wearing hello kitty pants and don't agree with the idea of him being a dark edgelord, lone wolf charater.
Do you know what I don't understand? Fighting over a charater when different timelines have been canon since the 80s. The Time Variance Authority (TVA) first appeared in Thor #372 (October 1986) which means ALL of your logans are the correct logan. Just not all the same.
Do I think Wolverine Orgins Logan would wear pink hello kitty pants? Nah.
Do I know that Deadpool and wolverine Logan is a whole different universe then Orgins Logan? Yes.
That's why people tag different logans and different aus. So what is all the fuss about?? What happened to the more the merrier?
Theres so many different versions of comic book logan, too, so don't even go there.
Feel free to ask my personal opinions but as far as I stand I could never be foolish enough to seriously go into someone elses post and genuinely be upset at them for how they perceive a charater. I get second hand embaressment when ever I see ANYONE doing it.
Thanks for coming to my ted talk. I don't care if I lose followers for this. Let the door hit you on the way out. There aint no reason to be harrassing folks.
#certified long ahh post#and yes#I dont care if you're a minor if youre on the internet you have the responsibility to understand social etiquette enough not to pull some bs#you only get to be an ass if you are the creator theirself of said character. periodt.#deadpool and wolverine#x men#x-men#x men orgins#x men origins: wolverine#logan howlett#wolverine#thanks for coming to my ted talk#poolverine#deadclaws#fandom behaviour#social etiquette#dont be a prick#click off or scroll#it aint hard#wolverine x men#x men wolverine#weapon x#feral logan#worst wolverine#logan james howlett
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even with the rhetoric being put out in the article, maybe i'm living in a pink cloud right now (not maybe, i definitely am), i am over here with the mindset that this is not the end. i have zero problem believing that these articles are fully intended to sew seeds of doubt for us because of course they are. the couple broke up. lou is not a main cast member at this point. we know this man does not want to give spoilers (as he's referenced for us before, specifically with how we were given the access hollywood interview). to that end, mentioning that he has other jobs on the docket also doesn't surprise me. given that he's not a main for 911, he needs more forms of income than just that, obviously. but also, SWAT is ending after this season, and they're also halfway through the season (roughly) for filming.
to that end, i think with the way things have been teed up with the show, this is far too easy to do the breakup AND have lou just be gone. we have far too many lines that lead in the direction of it, including:
"my boyfriend" being said ONE episode before "its beautiful having a crew like this" "ESPECIALLY when everything goes wrong" (i know i'm butchering the lines) "transformative until you" (again, i'm butchering this) -buck's continued determination to not just let this relationship fall by the wayside. I think if we all truly thought that there would be a long-term version of this relationship WITHOUT having to face this hurdle, we'd be fooling ourselves. oliver literally told us that buck would have a deeper understanding of his bisexuality. he doesn't want anyone else. i have zero issue believing that all of this is intentional angst put onto us as a fandom (alá Sheldon/Amy in TBBT) to bring around the point that Buck has always just "let" things happen in his relationships. if we're truly meant to understand that this relationship is different, this breakup tees that up in a prime way (even though i know a whole bunch of the squad wants Tommy chasing Buck).
again, with the teeing up of so much information (moving more toward Tommy lore, etc), storywise, this does make sense. (also, peep the relation to a romcom timeline by @sugdenlovesdingle here.
that all said...maybe i'm wrong. maybe i'm going to fall on my face with this hope and we're all truly fucked.
but i seriously hope not.
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Bueno 👀 Thank you soooo much for all your messages of support !!! Since you liked the idea, I'll give you some more context about the Tiny universe !!!
DISCLAIMER: I didn’t create all this lore. I wish I know who did it first. I just adapted it from different fics I have read 👀
****
Nobody knows how the Tinys originated, it’s believed that their existence is just the work of fate. A nice way to link all the soulmates within the multiverse !!!
Tinys are an exact mini representation of a person's soulmate. Usually, they don’t measure more than 4 inches. They are very fragile and sensitive creatures, therefore, they need a lot of love and care. Tinys only provide affection and company to their soulmate until the moment they manage to find their human version. After that, the respective Tinys come together tying the eternal bond of the soulmates.
Tinys emulate the complete personality of their human version. Likes, dislikes, gestures, actions, decisions, dreams, illusions, dressing, etc. However, they can’t lie. They only show the true emotions and intentions of the human they represent. They are the most honest and vulnerable form of a person.
To survive, they don’t need food, only the affection and attention from their soulmate.
To know if a Tiny needs more love, they come with a love thermometer inside their welcome boxes. This thermometer increases or decreases depending on the love that the Tiny receives from its destined.
If the thermometer shows low temperatures, the Tiny weakens to the point of death. This happens because the Tiny feels rejected by its soulmate. Basically, Tinys dies from a broken heart.
If a Tiny dies, the humans soulmates are doomed to never meet. Something inside the humans breaks, leaving an irreparable void. Therefore, it’s VERY important to take care and provide for the needs of the Tiny assigned. They should never feel abandoned.
All Tinys arrive to their soulmate in a small box, which becomes the Tiny's home. Its interior is a replica of the real room of its human version. It contains several items that relate to the personality of the soulmate. The Tiny's destined one may or may not throw away the box. Many people keep it, as it allows them to explore a little more of the Tiny's environment.
Finally, if the human version of a Tiny dies, the little creature disappears, as the connection with its soulmate ceases to exist.
——
Logan & Tiny Wade
Logan still remembers how the first few weeks with his lovely and loud Tiny were like !!!
When he received his box, he was very excited. He had always dreamed of that moment. He wanted to meet the person he would spend the rest of his life with.
***
During his childhood, he always fantasized about his soulmate. At school, his teachers would say that Tinys could only offer a unique and sincere love. They also gave instructions on how to care for those creatures and how they should protect them until they found their human version.
The teachers always made jokes about how easy that task would be, since they lived in a small town. There weren't many options. Marriages between the same families and so on.
All his friends would talk about his Tinys. How they were beautiful women from good families, trained to taking care of their future husbands and children.
Now… in his home, he never commented on the lack of Tinys. Logan assumed it was a sensitive subject, as he could noticed how broken things were between his parents.
Logan really just wanted a person who would accept him and give him company. An adventurous person like him, willing to find his own path. Although, he couldn't deny feeling a little scared, because he believed he would never be enough for that special person.
The night before his tenth birthday, his father gave him some reassuring words. He told his son that he shouldn't be afraid. Soulmates and Tinys were the purest form of love. His Tiny was made for him. His soulmate would never demand something from him that he wasn't willing to offer. He would never reject him. He just need it to open his heart.
Meanwhile, his mother, as she laid him down in his bed before going to sleep, just looked at him with concern. She wished him a good night, but before leaving…
His mother warned him not to be disappointed if fate offered him something he didn't want. "Life takes many turns and the only thing we can do as human beings is to endure."
At the moment, Logan didn't understand the pain behind his mother's eyes, but as time went by he understood...
His mother had been forced to marry a man other than his Tiny, since her soulmate was a farmer without education or money. A woman of high society like her had to maintain her reputation. Therefore, her father took it upon himself to make her Tiny disappear and lock her in an arranged marriage.
The man he always considered his real father, only agreed to stay with his mother, since his soulmate had died of smallpox. Mr. Howlett had preferred to stay in a depressing home than endure loneliness.
***
Logan still remembers with shame, the speed which he left his house the next morning. He only wanted to find his Tiny as soon as possible.
Upon reaching the gate of the main ranch, he found a small red box with a black bow. Logan knew deep in his heart that this was his Tiny's welcome box. Something inside it drew him and filled him with warmth. He knew that inside that box was the most important piece of his soulmate.
After a detailed inspection of the box, Logan noticed the small card hanging from the black bow. The card only had the name "Wade" in beautiful cursive writing. At first, Logan was confused by the name, as it was very masculine for a woman. However, the excitement was so great that he just grabbed his box and ran to the most secluded barn in the entire Howlett residence.
Once in the privacy of the barn, Logan began to breathe deeply to contain his joy. He was very nervous, but he was sure he was ready to open his heart to his new companion. Without further ado, he untangled the bow and with a single move, he lifted the lid of the box.
- Ohhh it was time Peanut!
—
Sooooo ahí lo tienen !!! I really want to have the time to explained how strong is the relationship between Logan and his Tiny !!! Cause they live together through sooooo much !!! Wars, homelessness, homophobia and even the X-men…
But !!! I promise my next post will be about Wade and his Tiny Logan 🥺♥️
Thank U and once again… I’m sorry about my weird English 💀
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Could you please, please tell me everything about the 1990's Good Omens (very bad) Movie script? you mentioned not being able to taIk about it because no one is interested (which I very much relate to, but in just basically anything Good Omens related) I was not there for when it was leaked, so I'd really like to know like... all of it (I promise I am so interested, and also very very obsessed with Good Omens. I'll absolutely be your captive audience.)
the only things I think I know are that Crowley's mean and has a nightclub, and Aziraphale has a museum(??). and it's in America??
You don't know how happy it just makes me ramble on about that one. Could write a whole essay tbh (I try my best not bc my spelling is atrocious pff ).
Only snagged it myself after a whole year of searching when it got put up on Dropbox for a few hours. Got taken down quickly again. Idk if it was bc of a copyright claim or if the owner took it down themselves bc it isn't supposed to be spread around due to said issues and they (not quite so cleverly) posted the Link on a post that would make it especially easy for the copyright holder to find it. At any rate, I Got really lucky in that regard. The copyright issues around this thing are fascinating in general and could make for a great study in regards to the flaws of that system.
As for the script contents... Well it's something.
Yes Crowley is mean it would be wrong to reduce that version of him to that. (I will try and point out why later). Yes he owns a nightclub, the aptly names hellfire on a hill(? Idk enough about british topography to know if that's a hint towards a real part of town or just bc the visual of it being on a hill is cool ) in London. So It does not play in America and Aziraphale is working at the British museum. Canon explanation why they try everything and anything to not give back the artefacts they stole, I suppose. (That was a joke. In the script itself it isn't even as much as mentioned that our favorite angel has any interest in collecting anything, missed opportunity if you ask me)
In general the whole thing plays out extremely differently from the story we all love. And sadly lacks the Prattchian humor... For obvious reasons. It does have it's moments tho not many but they are there. ( "Crowley un-snakes" will never not be funny)
What follows is a lengthy summary which will have a bit of analysis and personal interpretation mixed into it . Bc who needs good struktur if you can do stream of consciousness? Am I right?
We begin with the protagonist Crowley and Aziraphale, who in this version sadly takes a bit of a backseat, playing checkers in Aziraphale's study. In this version they are color coded with pure white clothing and hair and pure black clothing and hair. Crowley remarks that 'everything is going too well'. To which Aziraphale points out, that complaining seems to be a favorite past time of the demon. He has a knack for putting down/dismissing Crowley on basis of being a demon (" Oh, isn't that just like a demon? Six-thousand years and all you do is complain") in this version and it's part of his ark , kinda.
It looks like Aziraphale is about to win Crowley however, uses the cliché 'Lock over there' trick to cheat. In the following dialogue we learn that they have been playing one checkers match a week for the past six thousand years. So basically it's presumed they played their first match in Eden before checkers was even invented. (Then again the stage direction describes a painting depicting Crowley as green snake wearing sunglasses in Eden, so they just have been trend setters from the start) . They then set a date for their next match, Crowley makes his distaste for earth known, they meet Aziraphale's assistant Polly, who is very unimpressed by Crowley and then he is off not without causing some mischief with a stolen wallet.
Aziraphale gets a little scene where he is appraising a painting for its authenticity. He gets called 'bramy as a box of fruit bats' and tells the ones that brought the painting that if it were real, he'd know bc he would have seen the master paint it. The interesting thing here is that this scene essentially is there to show us that despite not acknowledging Crowley's cheating or directly calling out the forgery and its purpose (to gain money), even calling it pretty, he knows what's going on he simply chooses to play/be aloof .
Next we get introduced to the nightclub. Nothing much Happens here at first except that we get introduced to the Barstaff. Or well at least Tina (my love) the barman. As it seems Crowley is managing a successful business and outside of a little rant, calling people sheep and wanting bigger cocktail umbrellas, he genuinely seems to be competent in his leadership and friendly to his staff. Knowing them by name .
Other notable staff members are Warren, I think he has one line and is the handyman/security of the nightclub and Marjorie who gets a few more lines and is part of the waitstaff. Who by the way are put in full body imp costumes bc of course the nightclub is themed after hell.
Crowley then contacts hell, where he ultimately gets told that Satan himself has a special task for him. And we get the first clue that Crowley who so far has given us very cool very early 90's style Anti"hero' is scared shitless. Not just that hell thinks he is a bit of a loser, not being impressed by his mission reports and all.
We then get to the good old Hyde Park scene with nearly drowned drake safed by Aziraphale's intervention and everything. What is interesting here however is, is that Crowley is a full blown nihilist and Aziraphale just very over enthusiastically positive. Aziraphale saying a woman is doing something good by giving her ice cream to a child while Crowley points out that the ice had first been dropped to the ground and been liked by a dog. (Script! Aziraphale as much as I love you but I am with script! Crowley on this one). Aziraphale points out that that hardly matters because the child is happy and that makes it a good deed. Crowley snarkily points out that Happiness is a stupid metric for good things and says he likes one thing about humans : that they are reliable in doing the selfish bad thing.
Aziraphale then tries to then get Crowley to reveal why things are going to well. Crowley points out that they are enemies and he shouldn't give out that information despite the arrangement (sadly we don't get more information about that but I would love to know how it looked in that universe) and only is convinced by Aziraphale being hurt about it and giving him sad puppy eyes. Crowley then invites Aziraphale over to his nightclub after hours to talk about it what head office actually wants from him.
We then jump to the nightclub again. Crowley is surpassingly decent towards people, Tina is managing the club. And Madam Tracy is making an entrance. In this version she is an slowly aging out of it IT-girl. It's implied that she had a multitude of affairs and that she has now been payed off big time. (I enjoy Madam Tracy in this version a LOT). She never seems to be quite there but still own any situation.
Her and Crowley have a little conversation that gets broken up when he decides to deal with a Troublemaker at the bar instead of letting Warren take care of it. (Side note that part of the script gave me the HC that script! Crowley is very short, definitely shorter than script!Aziraphale) . He is having a full blown Anime protagonist moment, including using the bribe the trouble maker gives him to give to the Waitress the Troublemaker had harassed in a very cool™ manner and stopping a punch with one hand. Just believe me it's very anime. But again Crowley seems to be actual decent boss, believe it or not.
He then gets a Call in the bathroom . Satan talking to him through the mirror without prior notice. He orders Crowley to get to a graveyard within 30 minutes. Crowley is keeping it together but he is panicking. He is having a short conversation with Tracy again in which he stays relatively friendly surpassingly enough.
Fun fact this whole film would have had "Every day' as musical theme. Bc from this moment the song gets mentioned continuously.
After a speeding and vandalizing a cop car out of desperation since he is late and they determined to stop him we get to meet satan. In this version he is a cold calculating (but very cool) business man . Crowley in German we'd say 'legt sich erstmal ordentlich auf's maul' (meaning he trips and falls on the ground). He is groveling before him, bootlicking and trying to appease his Master (for real tho if that movie would have been made there would have been Satan/Crowley shippers bc that shit is some fuel for a toxic ship). At any rate Crowley is making a bit of a fool of himself and Satan is enjoying the Powertrip. In the end he gives Crowley the antichrist with the task to raise the baby or else suffer worse than anyone else in hell. However if he succeeded he is getting to leave the planet (again he supposedly doesn't even like earth in this version)
Anathema is introduced. She is just a little occult girl that felt the antichrist coming to earth. No mentioning of prophecies or anything. Our beloved Agnes does not exist in this universe. Just a little girl with green eyes and a sense for the occult.
Now with a baby he is supposed to take care of, Crowley makes his way back to the nightclub. There he hides the newborn from his employees and gets pulled away to discuss something by Tina. Since he is hiding the baby he puts the newborn down, right into Madam Tracy's money bag. And well, while he is off talking with Tina , Madam Tracy is taking her bag without noticing the child and off she goes. Leaving Crowley with the problem of a lost antichrist.
He starts drinking. He knows he is done for so what's the point. (The first bottle he grabs is Aardvark Snapps idk why I finde that interesting) . At this point he has accepted that he will end up for an eternity being punished. Hours later Aziraphale makes an appearance and is a little bit judgemental about Crowley being drunk. (Side note: an other hc of mine is that script!Aziraphale is straight edge bc of that scene). Crowley tries to have him join him drinking but fails. And then just try a to have a little heart to heart. ("I am doomed, Aziraphale") Only getting a little speech about being a demon and therefore inherently doomed ('duhhh!') back.
Crowley eventually just confides in Aziraphale how much he has fucked up having a bit of a monologue about it. Eventually Aziraphale offers to help find the boy, but only if he is allowed to influence him. To which Crowley reluctantly agrees, because it would mean that he still fails his task of raising a boy that Satan could be proud of. But Aziraphale is a little bit manipulative (also Crowley is still drunk while Aziraphale is sober) so they shake on it. Anyway this exchange is one of my favorites in the script .
We finally jump eleven years into the future and get to meet Adam.
He has been adopted by Madam Tracy. And is now running a bed and breakfast in the quaint little town of Tadfield. Instead of an army base this Tadfield has direct access to the sea. Including it's very own pier. Anyhow I said Adam is running the b&b that's because Madam Tracy is a neglectful parent and as much as I enjoy her script version, she is not doing great here. Adam is running errands, making breakfast for his mom and generally keeping things together. His whole interdiction is him being a little adult .
He finally gets some child time and we meet 'the Them' except they are not 'the Them'. Brian, Pepper and Wensleydale are a friend group and try to talk to Adam because Pepper wants to be friends with him ( I think the intention was to make Pepper and Adam as THING but idk) . But Adam wants nothing to do with them and instead just wants his peace and quite. So he gets insulted for not having a father and sulks off.
Anathema has also arrived at the scene. And has a culture shock bc of the lackluster infrastructure out here. She arrives in Tadfield with some difficulties and now has to somehow find a place to stay. And while the town seemed overrun with places renting out rooms it also has a case of outdated world views and nobody is willing to take Anathema in for some reason or the other. She eventually gets pointed into the direction of Madam Tracy. Where she is informed that she can have a room . And Madam Tracy casually dunks on Picasso which I can support.
Anathema then repeatedly runs into Adam and tries to strike up a conversation but he just doesn't want to and runs off. As both of them eventually go home at the end of the day he accuses her of following him they both are taking the same path. As he gets told that Anathema also lives at the same address as him now he gets angry and stroms to Madam Tracy, disrupting a seance to scold her for taking on a lodger without his approval. He is angry that Madam Tracy is so reckless taking in people without proper background check.
Following that Adam interviews Anathema. And they bond .
At night Adam sneaks off to the pier and we learn that he has build a model of Tadfield in an abandoned arcade.
He and Anathema bond a bit more over breakfast. (And honestly I like that version of them more relationship wise. As much as I love Prattchet, he did have a particular style of writing children that also came through in Gomes . It lends itself great to hypotheticals and punchlines, not so much for interpersonal relationships however)
Back to Crowley and Aziraphale. Last time Crowley had been hopeful and appreciative of the angel. Well now he is running out of time and he is getting grumpy and down in the dumps and ready to give up. While Aziraphale is still unrelentingly optimistic. Poly makes an other entrance, Crowley puzzles together an ancient Etruscan pott. All riveting stuff.
Shadwell, or what's left of his character makes a short appearance as 'MAD OLD MAN' shouting and standing on a soap box as set dressing for Crowley to buy a newspaper and... Pay for it .
He gets sapped into hell without notice.
(Side note Miss Ashtoreth is mentioned as secretary of Satan himself.)
Satan wants to check up on his son's progress. Crowley is shitting himself and lies, reassuring Satan that the boy is properly evil and all that . Of course Satan wants to see the boy real soon and tells Crowley to tell the boy that he is ready for when the boy wants to see him. And after taking a look at Adam by rearranging the universe itself to show a likeness in the stars (hell is a very surreal space with an office above the pit and direct view of all of the universe) Crowley gets sapped back to earth. (Also Satan calls Crowley 'Crawler' which is the script version of Crowley's name change, probably)
Crowley Is now properly stressed out.
On the other end of London (probably) Aziraphale's Crowley senses tingle and he just starts running (presumably) towards Crowley. This never gets brought up or explained. And is so bizarre I couldn't skip it.
Back in Tadfield Adam and Pepper get a bit of a bonding moment. Talking about action figures, Pepper giving Adam a lecture about not being sexist , getting fish and chips. The topic of Adams lack of a father gets brought up again and he lies. Telling Pepper he had met his father before and his father is a some sort of international business man, that meets with Presidents and is very busy. Eventually Perper asks about Anathema and tries to convince Adam to take her to the movies.
Back in London one Angel apparently unable to use public transport arrives at the nightclub. We can assume that he had been running the whole way. He gets pointed towards Crowley by multiple staff members, 'Every day' gets another cameo and he accidentally stumbles into the dressing room for the waiting staff, which is very embarrassing for him but not for the women.
When he reaches Crowley's office, the demon doesn't want to talk. He is panicking and packing to go on the run for the rest of eternity. (Which for him just means a suitcase full of sunglasses) . What follows is the infamous dialogue bc of which script!Crowley get his reputation from. (I might make myself very unpopular here but I think that reputation is not quite deserved. Yes he is an asshole but also the harsher exchanges only play out when he is stressed/panicked and usually if he goes too far he will try and paddel back. Still worst of the Crowleys without a doubt just not quite as bad as people like to paint him. Also script!Aziraphale isn't half as naive and helpless as people like to paint him and in this house we let him have his agency! But also more on that later)
The exchange switches tone once Aziraphale lets his unbreakable optimism fallter and gets sad. To which Crowley immediately reacts bc trying to reassure him that they are in fact friends and that he shouldn't be sorry. Pointing out that he (Crowley) now knows what the boy looks like to counteract Aziraphale's pessimistic statement that they could never have found the boy bc they didn't even know what he looks like. They agree to hit one more town in their search for the boy.
In Tadfield Anathema finally gets to talk about her quest to find the SOMETHING with Madam Tracy. And have her witness a fight between Brian and Adam about Adam's father. (Srly Adam gets constantly bullied bc of that.) Anathema steps between the two to protect Adam. They make a deal to tell each other's secrets. First we get Anathema showing Adam stuff about the antichrist and the weapon she plans on killing him with.
Then we get an intermission with Crowley and Aziraphale discussing how they should choose which town to go to. They decide with a dart throw.
Back with Adam and Anathema. Adam shows Anathema his model of Tadfield. To the question what he plans on doing once that model is done, he tells her, he is going to build the rest of the world and rule over it. He also voices his desire to get somewhere else to be no longer stuck in Tadfield.
Aziraphale and Crowley arrive in Tadfield during a Thunderstorm and face the same problem as Anathema. No one wants to rent them a room in town. And while with Anathema the whole thing was rooted in sexism, disdain for outsiders (aka read as Americans) and misunderstanding about her occupation, for those two it's the obligatory 'People think they are a gay couple' thing but with a giant side of Homophobia.
Crowley want to give up Aziraphale want to go on and eventually they end up at Madam Tracy's.
Madam Tracy mistakes them for the gas person, Crowley wants separate rooms, Aziraphale a shared one,(we never get to know which they now too bc the script has both scenes with a shared room and a separate room. It could also be the case that Crowley simply stays longer than Aziraphale and therefore the shared room becomes his room. At any rate it is never specified. And to be honest there are multiple parts of the script where the author very obviously had given up on it soooo) Crowley praises Aziraphale's skill as homemaker, Madam Tracy tells them, they have to wait for Adam. Adam comes home Crowley recognizes the boy.
Crowley and Aziraphale take a stroll on the beach and come to the agreement to each spend a day with the boy, despite Crowley trying to avoid having Aziraphale influence the kid. They also witness how Brian's fathers getting things ready to tear down the pier.
In the evening they play an other game of checkers. Adam witnessing first hand Crowley's cheating as he gets the both of them to have dinner with the whole house.
At the dinner table they convince Madame Tracey to let them take Adam to London for a day. Adam being obviously overjoyed about the whole thing.
Anathema sees Aziraphale's and Crowley's true nature for a sec. And I am sorry if this part comes across as rather dry, it's also rather dry in the script.
Adam gets taken to London. First Aziraphale get to show him the museum and talk about human creations . (Side note , when I first got my hands on the script I thought I was missing a page bc the dialogue has a really awkward jump in this scene but no ... It's supposed to be like that and either it was the author giving up or it was supposed to be a kid thing. Jumping from one topic to the next with much logic. We will never know)
Adam then confronts Aziraphale about Crowley's cheating. And here comes the part why I will never see script!Aziraphale as truly naive or helpless. Aziraphale admits to Adam that he had always known Crowley cheated, he just thought it virtuous to not point it out. Bc he played fair in his mind that was enough to stand above the other and just let him do the cheating. Adam points out it stupid and that was that. Aziraphale is stunned and does what most people with too much money and no idea how to handle kids do, exactly drag him somewhere, where he can buy shit.
Next up is Crowley. First he drags Adam to Soho. Not Good Omens there might be a cozy bookshop somewhere Soho but well 90s it's a bit of a cess pool Soho. With hookers and homeless teenage girls ( and for all those people that take Crowley being displeased with Adam for giving the girl some change as point to call him fundamentally mean/bad... I implore you learn was character motivations are. He has been tasked with raising an evil child, has promised an evil child, obviously he is displeased when that child is doing something selfless. And he wouldn't do something selfless in the presence of the said child bc again he is supposed to influence him towards evil) Crowley then gets him a milkshake and takes him to his club where they have the mirror conversation to Aziraphale's. Ending with Asam pointing out that it is pretty boring to always win for the wins sake by the means of cheating.
On the way back they have a short conversation about their respective experiences with the boy. Accidentally letting it slip that they know who Adam's father is, believing the boy to be asleep. He is not.
That night Anathema finally succeedes in her endeavor to find the antichrist. Her crystal ball revealing to her that it is indeed Adam. She is so shocked by that, that she lets the ball fall but luckily for her Aziraphale does his thing and it lands safely without breaking. (That another quirk of the script apparently Anathema and Aziraphale were supposed to be something and what ever that it, it's even weirder than Adam and Pepper)
Madam Tracy also finally recognized Crowley from THAT night and they have a honest heart to heart. Or whatever you call it when the otherwise always woozy character suddenly seem lucid and aware of what will happen.
That night Adam goes to Anathema for emotional support bc of the father thing. Anathema however is in the middle of a crisis bc she now knows what Adam is and had tried to get herself ready to murder him. Eventually Adam notices the knife behind her back and with the first flair of his antichrist powers forces her to show it to him before storming off hurt.
Being emotionally distraught he runs to his hideout on the pier and calls out to his feather. First nothing happens but then after Adam went off the pier and back again it is completely transformed into a bright happy carnival. His Father has arrived. Satan immediately takes Adam under his wings . He even dresses him up as a mini self.
The next morning the whole town of Tadfield is one giant carnival. There is a parade with elephants. And the people from around town are all mindlessly attending the celebration.
Crowley has a short meeting with Satan (on an elephant) and gets told that he is supposed to come to Satan to talk about his promotion to alpha centauri. AND
( Don't ask me why I find this too funny to not share my humor is very broken )
The town is being further transformed and more people are made mindless puppets. But no Crowley is happy to have gotten away with his stunt. He is roleplaying flirting with someone in a mirror. (Also in the script notes it literally says James Bond for acting directions for Crowley, and that's such a dorky idea I love the theory of it ... Bit of a waste in this tho).
Aziraphale tries to change his mind but Crowley shut him down by pointing out that he was the one saying happiness alone is making things a good thing so it shouldn't matter if people have to be made into mindless puppets first. They are happy after all.
Meanwhile Adam is torturing Brian by throwing tomatoes hat him and having the rest of the town join in with the fun. He just wants his father to be proud of him (nawww ) (that naw was sarcastic). In the crowd Anathema is fighting to regain control over herself.
Aziraphale still tries to convince Crowley. Rugging at his heart strings but even the tried and true "I thought we are friends" won't work this time. Crowley wants to cease his opportunity, he wants out and up.
While those two are arguing, Anathema struggles. All she wants it the knife but she is exhausted.
Crowley is looking for a starting point for his launch towards alpha centauri. He is climbing onto a church tower. Behind him Aziraphale still hasn't given up. Despite not liking heights (!? Wasn't mentioned before will not be mentioned again but apparently script!Aziraphale has a fear of heights). He finally gets an idea and challenges Crowley to one last match.
Crowley for once doesn't cheat and it looks like he is Winn but then Aziraphale DOES cheat, desperate to keep Crowley on earth and have him fight at his side. And Crowley just shrugs and accepts. His next line after acknowledging the win already calls Satan his ex-boss and if that is not a very impressive 360° turn then I don't know what is. (Just a throw back to character motivation, we could speculate it's because most of what Crowley has said were lies and half truths and deep down he actually likes earth and bla or he just remembered how much he would miss his nightclub BUT I as number one script!Crowley (not really) defender say ... It's just unfinished/bad writing and there simply wasn't enough time or inspiration or whatever to finish his character ark)
Anathema manages to give both of them the knife. Crowley is so idiotic and tries to grab it but it burns him . I mean, duhh! Anathema literally tells them that this knife can hurt the antichrist why should it be harmless for a way lesser demon? So Aziraphale takes the knife.
After calling Crowley his best friend, Crowley himself calling himself stupid Aziraphale, presumably presumably is important here) with the knife, goes off to confront Adam. He tried to talk Adam out of it. Trying to point out that no good father leaves his kid alone for eleven years and if this is really what Adam wants. As he points out that Madam Tracy despite all her flaws still love Adam he gets disorporated, by Adam. But bc this is a Movie script and we don't have much time left he just stays in his true angel form (which is very much just white robes , wings and halo ) right where he is further trying to talk Adam out of it .
(his an other line in my mounting pile of evidence that script! Aziraphale is neither naive nor helpless and simply chooses to carry himself that way bc he thinks it's virtuous. He literally acknowledges that people can do bad things. Something he would not at any point before that in the script. I rest my case )
While Aziraphale is trying to make Adam think about a things Crowley is off confronting Satan, presumably without the knife.
Satan acknowledges that Crowley had lied to him but is still in such a good mood that he still wants to give out the promotion. Even throws in the Titel of fiend extraordinar. For a moment it seems like Crowley considers but ultimately he tells Satan that he wants to quit. Satan is not happy about that and after Crowley also pulls out a pink rubber glove and the knife (yhea Crowley had the knife all along , take that continuity or rather scree logic, like not showing how they get a rubber glove is fine what ever but having the last scene withe knife I'm be the one where it's shown that he can't touch it and Aziraphale had to carry it would have made it feel a bit too deus ex machina.) he forces him into half snake form and summens hands that try and drag him back to hell.
Thanks to his already established Crowley senses Aziraphale suddenly shows up and charges at Satan. Who in turn is like 'An angel, really? You betrayed me,..' and then roasts Aziraphale to a crisp before destroying the knife .
Adam confronted with a robotic acting madam Tracy, listening to his every command, starts to reflect on his actions. Getting called in by his father to greed the four horsepersons he notices Aziraphale and Crowley.
Adam now faced with all the destruction says: no, I am not doing it. Stan tries to threaten him into obeying but he gets the good old 'You not my dad'. For being a deadbeat for 11 years. Adam then heals Aziraphale and frees Crowley. Now flanked by the two Adam banishes the horseman.
Satan demanding obedience once more, gets reminded by Crowley that he himself once rebelled. And after laughing about that revelation he tells Adam that it was interesting meeting him but as it seemed he wasn't cut out to be a dad. To Crowley that he is now banned from hell and to Aziraphale that he should tell his boss, that at least his son (the antichrist) had more guts than his(Jesus and yes the script sadly uses he/him for God).
After Satan vanishes they have to escape a collapsing pier. Noticing too late that Madam Tracy is also still there. Adam ends up releasing her from her trance by calling her mom and telling her that he loves her. Aziraphale ends up saving both of them, flying them to safety on the beach.
At the beach they also meet Anathema, who promises not to kill him and Pepper . They watch as the pier explodes and burns to the ground. Anathema also has uncomfortable eye contact with Aziraphale while he ripples back into human form . (Don't me why it feels uncomfortable, Anathema is described as looking on tens while he sill full angel and softening once he is human again so idk)
Apropos Anathema and Aziraphale. The next Morning, he comes to say goodbye and ends up offering a job bc (I forgot to mention it when it happened) Polly his assistant had a promotion. So he is search for a new assistant. She end up kissing him on the cheek and calling him angel but in a way where it's ambiguous if she now knows that he is one or if she just thinks he is a good person and something always makes her forget what he really is. At an rate Aziraphale says he had never gotten a kiss on the cheek im six thousand years and knowing a bit about history and cultural practices I am inclined to calling him a liar. But then again this is fiction .... So sure ... Cheek kiss virgin this one.
While that is happening Madam Tracy is asking Crowley if she can keep the boy now . And Crowley reassures her, that after this no one is going to come for him. He even offers to throw a birthday party for her at his club all she should do is just to look after the boy. It's actually a very sweet exchange.
Outside Brian and Adam have a little exchange, Brain trying once more to get to Adam with the father thing. But Adam has no daddy issues anymore. Instead he asks pepper out to the movies and Brian just tags along without being asked. Where is Wensleydale you asking ? Take your best guess, he was mentioned once said one thing and then fell off the earth.
With the kids now finally as a group we have the last shot of Aziraphale and Crowley. They are walking along the street , Crowley one stolen Apple in hand . Having their talk about good and evil. Accusing each other of being a little bit of a good person (press x to boubt) and just enough of a bastard (oh absolutely). How they both knew the other was cheating all along. And maybe alpha centauri isn't such a good idea after all. You can even get booze there. The last thing that is said is Aziraphale telling to not start THAT again, after being offered the apple.
I lied one more screenshot bc Every ...it had been for told by the cursed script for ages now. (I am pretty sure it had been in the talks to put go to Every day' even before the script was ordered so that is just a joke)
At any rate I do have to go to work in ....eh three hours ... So I will leave it at the summary for now. I am dyslexic and English is my second writing so I am very sorry for all the mistakes I probably made . If someone reblogs this before I get the chance to correct them, let it be said that at least nobody can claim this is ai pfff.
Also not I said the author the two times I mentioned him simply bc I don't feel like acknowledging the name of the person. I got into Gomes bc of Sir Terry and I stay here for him. This little obsession with the script happened by pure chance.
#good omens#crowley#aziraphale#ineffable husbands#azicrow#1992 omens#good omens 1992 script#ask#we stand Tina and Marjorie in this house#summary
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The Story of KLogs: What happens when an Mechanical Engineer codes
Since i no longer work at Wearhouse Automation Startup (WAS for short) and havnt for many years i feel as though i should recount the tale of the most bonkers program i ever wrote, but we need to establish some background
WAS has its HQ very far away from the big customer site and i worked as a Field Service Engineer (FSE) on site. so i learned early on that if a problem needed to be solved fast, WE had to do it. we never got many updates on what was coming down the pipeline for us or what issues were being worked on. this made us very independent
As such, we got good at reading the robot logs ourselves. it took too much time to send the logs off to HQ for analysis and get back what the problem was. we can read. now GETTING the logs is another thing.
the early robots we cut our teeth on used 2.4 gHz wifi to communicate with FSE's so dumping the logs was as simple as pushing a button in a little application and it would spit out a txt file
later on our robots were upgraded to use a 2.4 mHz xbee radio to communicate with us. which was FUCKING SLOW. and log dumping became a much more tedious process. you had to connect, go to logging mode, and then the robot would vomit all the logs in the past 2 min OR the entirety of its memory bank (only 2 options) into a terminal window. you would then save the terminal window and open it in a text editor to read them. it could take up to 5 min to dump the entire log file and if you didnt dump fast enough, the ACK messages from the control server would fill up the logs and erase the error as the memory overwrote itself.
this missing logs problem was a Big Deal for software who now weren't getting every log from every error so a NEW method of saving logs was devised: the robot would just vomit the log data in real time over a DIFFERENT radio and we would save it to a KQL server. Thanks Daddy Microsoft.
now whats KQL you may be asking. why, its Microsofts very own SQL clone! its Kusto Query Language. never mind that the system uses a SQL database for daily operations. lets use this proprietary Microsoft thing because they are paying us
so yay, problem solved. we now never miss the logs. so how do we read them if they are split up line by line in a database? why with a query of course!
select * from tbLogs where RobotUID = [64CharLongString] and timestamp > [UnixTimeCode]
if this makes no sense to you, CONGRATULATIONS! you found the problem with this setup. Most FSE's were BAD at SQL which meant they didnt read logs anymore. If you do understand what the query is, CONGRATULATIONS! you see why this is Very Stupid.
You could not search by robot name. each robot had some arbitrarily assigned 64 character long string as an identifier and the timestamps were not set to local time. so you had run a lookup query to find the right name and do some time zone math to figure out what part of the logs to read. oh yeah and you had to download KQL to view them. so now we had both SQL and KQL on our computers
NOBODY in the field like this.
But Daddy Microsoft comes to the rescue
see we didnt JUST get KQL with part of that deal. we got the entire Microsoft cloud suite. and some people (like me) had been automating emails and stuff with Power Automate
This is Microsoft Power Automate. its Microsoft's version of Scratch but it has hooks into everything Microsoft. SharePoint, Teams, Outlook, Excel, it can integrate with all of it. i had been using it to send an email once a day with a list of all the robots in maintenance.
this gave me an idea
and i checked
and Power Automate had hooks for KQL
KLogs is actually short for Kusto Logs
I did not know how to program in Power Automate but damn it anything is better then writing KQL queries. so i got to work. and about 2 months later i had a BEHEMOTH of a Power Automate program. it lagged the webpage and many times when i tried to edit something my changes wouldn't take and i would have to click in very specific ways to ensure none of my variables were getting nuked. i dont think this was the intended purpose of Power Automate but this is what it did
the KLogger would watch a list of Teams chats and when someone typed "klogs" or pasted a copy of an ERROR mesage, it would spring into action.
it extracted the robot name from the message and timestamp from teams
it would lookup the name in the database to find the 64 long string UID and the location that robot was assigned too
it would reply to the message in teams saying it found a robot name and was getting logs
it would run a KQL query for the database and get the control system logs then export then into a CSV
it would save the CSV with the a .xls extension into a folder in ShairPoint (it would make a new folder for each day and location if it didnt have one already)
it would send ANOTHER message in teams with a LINK to the file in SharePoint
it would then enter a loop and scour the robot logs looking for the keyword ESTOP to find the error. (it did this because Kusto was SLOWER then the xbee radio and had up to a 10 min delay on syncing)
if it found the error, it would adjust its start and end timestamps to capture it and export the robot logs book-ended from the event by ~ 1 min. if it didnt, it would use the timestamp from when it was triggered +/- 5 min
it saved THOSE logs to SharePoint the same way as before
it would send ANOTHER message in teams with a link to the files
it would then check if the error was 1 of 3 very specific type of error with the camera. if it was it extracted the base64 jpg image saved in KQL as a byte array, do the math to convert it, and save that as a jpg in SharePoint (and link it of course)
and then it would terminate. and if it encountered an error anywhere in all of this, i had logic where it would spit back an error message in Teams as plaintext explaining what step failed and the program would close gracefully
I deployed it without asking anyone at one of the sites that was struggling. i just pointed it at their chat and turned it on. it had a bit of a rocky start (spammed chat) but man did the FSE's LOVE IT.
about 6 months later software deployed their answer to reading the logs: a webpage that acted as a nice GUI to the KQL database. much better then an CSV file
it still needed you to scroll though a big drop-down of robot names and enter a timestamp, but i noticed something. all that did was just change part of the URL and refresh the webpage
SO I MADE KLOGS 2 AND HAD IT GENERATE THE URL FOR YOU AND REPLY TO YOUR MESSAGE WITH IT. (it also still did the control server and jpg stuff). Theres a non-zero chance that klogs was still in use long after i left that job
now i dont recommend anyone use power automate like this. its clunky and weird. i had to make a variable called "Carrage Return" which was a blank text box that i pressed enter one time in because it was incapable of understanding /n or generating a new line in any capacity OTHER then this (thanks support forum).
im also sure this probably is giving the actual programmer people anxiety. imagine working at a company and then some rando you've never seen but only heard about as "the FSE whos really good at root causing stuff", in a department that does not do any coding, managed to, in their spare time, build and release and entire workflow piggybacking on your work without any oversight, code review, or permission.....and everyone liked it
#comet tales#lazee works#power automate#coding#software engineering#it was so funny whenever i visited HQ because i would go “hi my name is LazeeComet” and they would go “OH i've heard SO much about you”
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In case you missed it, Game Rant did an interview with Nikolay Dybowski about Pathologic 3. Here is the link for it.
And here are the bits that stood out the most to me:
Q: The non-linearity of time and how it will be related to the nature of the Town are also core story components. How did this affect design and direction?
A: Connecting non-linear time with a long, narrative-heavy story that involves many characters and cause-and-effect chains would be extremely difficult. We focused on what the player feels in the moment rather than on gathering information in the right order. The latter approach works well in shorter formats like Her Story or 12 Minutes, but in Pathologic, it would be overwhelming.
We wanted players to feel like “everything, everywhere, all at once”—similar to Billy Pilgrim in Slaughterhouse-Five. Different versions of reality coexist simultaneously, creating a “quantum” feeling for the player. Look at the time travel mechanic as an opportunity to correct mistakes, or even to make deliberate mistakes in order to unlock new paths and ideas. It is like a "sanctioned save scum."
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Q: Conversely, how will it (Pathologic 3) connect to and consider the events and characters in Pathologic 2?
A: Consider it as two subjective retellings of the same events. This is the same Town, the same twelve days, the same participants and events that occurred in the Haruspex’s story. But this is a different perspective. Like two witnesses recounting the same event in Rashomon, the stories vary greatly, each focusing on different details. Finally, we always give our heroes the right to make honest mistakes, forget, and even lie. Every narrator is an unreliable narrator.
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Q: How did Pathologic’s previous philosophical explorations help inform or play into the narrative and themes here?
A: Everything we now see as true and valuable, we’ve kept. Everything we’ve outgrown, like childhood clothes, we either reimagined and reinterpreted to give these ideas new meaning, or let go of them. After all, we’ve grown a lot (hopefully, along with the industry). When I first conceived Pathologic, I was 21 and completely alone. Now I’m 47, surrounded by incredibly talented people who enrich this universe as much as I do, and that makes a difference.
We’ve kept the idea of the tragedy of utopian projects. We kept the idea that the plague is a voice of the natural order—one that the thinking human mind cannot accept—and that it has its own truth. We retained the belief that evil cannot be defeated with its own tools or outplayed on its field; yet it can be defeated realistically in a different, orthogonal way. In another dimension.
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Q: It’s mentioned that the Bachelor is searching for an immortal man in Pathologic 3. Can you say if this is in reference to Mark Immortell?
A: No, there’s no connection between Simon Kain (one of the town’s rulers) and Mark Immortell (the director of the town theater). Mark is a clown. He awkwardly mimics Simon, parodying him, which is why he takes on this pseudonym. He's fully aware that he’s a jester, and the gesture itself is ironic.
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Q: What do you hope players will take away most from Pathologic 3?
A: The hope that humanity remains a promising and capable species.
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Also, new game pictures and screenshots dropped:
(some are old ones I forgot to post)
#I'm trying to take everything at face value and not develop expectations or theories#Because getting expectations for a game not yet out just leads to disappointment#Ice-pick Lodge did great creating the last two games and took them in a direction that I couldn't have predicted#I must have faith in them to deliver with Pathologic in an innovative way that I couldn't have possibly predicted#Even if it contradicts with their past claims/visions#Even if it means my expectations remain unfulfilled#I want to enjoy the story they want to tell. Not the story I hope to be told#I want to experience their cohesive artistic vision and not my own wishfullfilment dreaming#pathologic 3#Likewise there is no mischaractersiation#Keep in mind they reinvented so many character's personalities between P1 and P2#Alexander Saburov is the biggest example#Or even Eva's whole look#They did say p3 will be a retelling through a different perspective and not an astute recounting from a crystal clear memory#so they might do it again in p3#The only thing constant is change#pathologic#♧p3
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Jason Epsiode 9 Thoughts
Yesterday I played whatever I could of episode 9 on Jason's route and finished watching the rest on youtube, so I wanna share my thoughts (generally speaking tho, I actually enjoyed the episode! it was honestly refreshing after.... everything, lol)
beware of spoilers under the cut <3
Okay, this was quite surprising for me. From what I had spoiled myself already I could tell that I was going to like some things about the episode, but I was not expecting to feel overall so positive about it!
From the beginning, I personally really liked all the tidbits of the common route. I liked seeing Tasha and Zahra play cards (seeing their relationship and how close and friendly they seem, what they like, etc), and I also liked the time spent with the inters, they were fun and I generally enjoy seeing the MC interact with other characters. I did miss some more interaction with the other routes, I chose Thomas to work with and honestly it felt like he was barely even there :/ it would have been fun to see him more with the interns and talk about the project he was working on. I don't know, I like this type of "filler" stuff that tells you about the characters and how they act and interact with other people and in different situations, it makes them feel more 3d and real and I fell like this is something the game lacks a LOT. It's nice that we are very focused on our route from the get go cause we get many moments with them, but at the same time it makes the experience very isolating and you dont get to know anyone much besides your route (you also have way less chances to get affinity with other characters, which bothers me honestly, I don't like feeling "locked" with the LI i chose). It gets boring for me but I understand that's just preference and that many people prefer this, so I appreciated all the common route moments we had this episode.
Now, Jason.
God, I absolutely loved it, the more I think about it the more I like it. I liked getting to know more about him, I liked the vulnerable moments, the looks to the side, the sad face, the smidge of angst. The special scene was cute, he looked so soft and kind while keeping that playful air. I wish they had some more banter and more jokes but I liked how they interacted in this episode and how it seemed llike 2 actual adults subtly flirting and connecting. He was very charming here.
HOWEVER, I need to be honest and mentioned all the stuff I didn't like at all.
First of all, it really bothers me that in the spanish version the characters don't seem to have a defined speech style at all. The way Jason speaks sometimes feels SO weird and it doesn't fit him at all. It takes me out so much to hear him speak like that.
Then the writing is... ugh. It feels like it has not been proof read at all, so many repetitiveness? It takes me out of the story a lot and honestly, it feels poor quality and that it has little care put into it
And it really bothers me how they repeated AGAIN the whole "i have never seen him smiled genuinely like this" GIRL YOU DID ????? ON EPISODE 7 ????? YOU SAID THE SAME THING THEN ????? is anyone editing these dialogues be honest with me beemoov
Lastly, my biggest enemy this game: Ysaline
I really, REALLY, don't like her. It bothers me how utterly dramatic she is with the whole "deal with the devil" bullshit (and the amount of times this sentence has been repeated is so obnoxious, we GET IT, be original ffs). Specially cause what the actual fuck has this man done for you to antagonize him and judge him so much? 5 random people that you knew for 2 days told you he was bad and you ran with it, girl have some actual thoughts of your own and stop judging people you know shit about.
Because I am seriously asking, what has Jason done to be "THE DEVIL"? Work hard? Cause that's all I have seen.
(And where did that episode 5 stuff with the "You owe me a favor now" go ???? did everyone forget about this ???? this "deal with the devil" bullshit again ???? I was expecting this to be a relevant line but we are going on episode 10 and I only hear crickets, it has't even been mentionned I really hate how utterly disconnected the episodes feel and how we have literally no plot)
And god Ysaline gave me so much second hand embarassment when she kept accusing him og using Tasha to spy on Devenementiel ????? GIRL? First of all, you are the new hire of a 7 people company, what the fuck would your 16 year old sister have ???? Devenementiel doesnt even have confidential information why would Jason even CARE. This was EMBARASSING.
Also, Jason telling her that he motivated Tasha by telling her that Ysa would be better ?????? Bro what makes you think that, all you have seen of this woman is her being an absoute mess, doing the most stupid and ridicuous bullshit, NOT WORKING (miss girl was out strolling around the city looking for apartments during work hours, she barely even worked that day), and not being able to even organize a damn birthday party. What about this woman is capable or competent? Aren't you supposed to hate incompetent people? hm?
I really mean this but these two have so little chemistry that is DRY as a desert I don't understand what Jason could see in her cause everything we know about the character would point to him disliking her. In his route what would make sense is for Ysalinne to be super hard working person, someone competitive and very focused on her work that takes her professional life seriously. THAT is someone that I can see Jason liking and somewhat admiring and wanting by his side.
Anyway, tldr: I liked this episode, I hope we get more like this, I hope Ysaline grows the fuck up and I hope we have more fun banter and jokes and flirting instead of creepyness <3
#edit: lol i forgot some stuff oops#mcl#my candy love#mcl ng#mcl new gen#my candy love new gen#jason mendal#mcl ng jason#mcl ng jason mendal#mcl ng episode 9
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Americans are going thru it today, is there any way you could bless us with sweet facts about Rammstein and Richard? Thanks for your help, I know I absolutely live for your detailed posts, they're my favorite ❤️❤️
Hi 👋
First of all, my heart goes out to all American citizens who hoped, voted and fought for a different outcome. We live in very surreal and scary times and I just wish you all lots of strength and calmness for your minds 🍀🤍
Now on to some other, hopefully uplifting/interesting enough things to get your mind of things - maybe not all sweet ones, since I grabbed them from the top of my head so to speak and searched for the sources afterward, yet I hope they provide a little bit of distraction:
tiny little fact I love: Richard is actually a proper country boy. Eventhough he was born in the city of Wittenberge, he lived up until he was 7 in the german countryside in the little village of Weisen, which according to Google has 997 inhabitants. "That was a beautiful childhood with alot of nature, cats and dogs and a big family with two siblings."
as the most memorable (or miserable) jobs he ever worked in, Richard listed the following: window cleaner (since he suffers from vertigo), making shoes and selling them, going through an apprentinceship for becoming a cook and cleaning for an old lady who had stuffed poodles in her apartment.
if he could timetravel, Richard would choose to visit the period of the Knights Templar, 11th century, since he feels rather drawn to this history era.
a little fact about Richard and the gifts he gets from fans to his door step I think about regularly with mixed feelings: "I myself got a rose on my doorstep every day for years. Sure, it's nice - you always have roses at home, but there are so many unpleasant feelings involved. For a while, someone always left cigarettes in my mailbox. My brother always had to smoke the first one!"
Richard took singing lessons with a coach who also worked with Mick Jagger. Said coach scolded Richard a lot due to him smoking right before class - in one interview Richard mentioned he was so intimidated by that coach that he was ready to call his parents to pick him up. But he went through with it and worked a lot on his voice, which became quite beneficial for his singing.
Apparently, the idea of the infamous Flake-stew during "Mein Teil" came from Richard, who then actually was less than enthusiastic for his own idea: "I had the idea of Flake being cooked in the pot, then I realized, the first time we actually did it onstage, that it was too convenient, just stupid or not even funny, whatever. So I said, ‘I hate it’. But by that time, the rest of them had done it and loved it…"
The band actually considered various names before they settled for 'Rammstein': Tempelprayers, Mutter (mother), Milch (milk), Erde (earth).
A well known fact or rather, legend, but I think about it a lot: Richard recorded the whistling for 'Engel' it true chaotic composer fashion, namely while he was taking a bath and was struck by creativity. The band apparently didn't manage to record a better version, so his version was used for the song.
some song recommendations by Richard - these were his favourites back in 2009: 'Hurt' by Nine Inch Nails, 'Baby I'm gonna leave you' by Led Zeppelin, 'Sin City' by AC/DC and 'Personal Jesus' by Depeche Mode 🎶
I hope this helped at least a tiny bit! Sending you all the good and cosy vibes you might need 🤲🏼
Have some cuddly R+ guys for emotional support:
Sources: Rockhard magazine wir.sehen.euch rammwiki Emigrate Kerrang rammwiki Rammstein
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