#but with all the many differences in versions

[menacingpolkamusic]

I think many women and queer people fall into the trap of treating men nearest to them as a stand-in for the patriarchy they truly hate, because the men closest to them can actually be hurt. The alt-righters threatening to rape them can't.

Unless you're like, Catholic and/or really want to, you're not required to love someone who hates you. I'm sure there's a different strategy to getting through to that person, and that's probably something male allies should take on.

But as for men who truly want to be allies but are intimidated because of women's frustrations (no matter how valid!), such as this man on the Chewed Gum show asking how to model positive masculinity + his feelings on the man/bear question, Alyssa Ljub had a great response (abridged version):

[[READMORE]]

[...] My brother [...] struggled a lot with being a very like sensitive, emotional kind of guy and that manifested as being angry and defensive when he was a teenager and through his more younger adult years, now he's 32 and a full adult and he's really understanding that what he's wanting to express is a more full range of emotions, but he didn't feel comfortable doing that because he was falling into that same mental pattern of that's not manly, men don't cry [...]

In the process of writing the TED Talk, I had given it to my brother to read and he went over it and [...] he encouraged me to look at it again and every time I referred to these like really atrocious things that had happened to women throughout time [...] he encouraged me to look at it and really consider [...] is "man" the word that I want to use, is it because men did this or is it the patriarchy, is it this system that we've created.

And at the end of the day, he was right because we all are victims of this same mentality, like this patriarchal mind space is the reason why [...] you are not super comfortable expressing a full range of emotions or it took you a long time to get there, similarly with my brother and similarly with how we all [choose the] bear and then we have a hard time understanding how men can't see it.

It's all the same system, it's the same machine and so there's a part of me that's always sort of like, it feels good to join in other voices that are able to say "bear and fuck the men who don't understand and that's not my job to teach them" and blah, blah, blah, like there's part of it that will always feel like turning the knife and it feels good for that moment but that's not actually a productive conversation and [...] that's not helping anybody.

And so the other part of it is, okay, [...] we're in this dialogue and [...] oh my gosh, men don't actually see it, they don't really understand why we feel that way and if they can't really understand it and they're in the same system that we are, it kind of is our responsibility to explain because if we don't, we're leaving them to their own devices to figure it out and when they're left to their own devices, they're at the hands of the same system that's telling them to shut down their emotions, be defensive and ignore what we're describing as physical risk that we feel with with strange men and that's not helpful, that's not helping anybody grow.

And so it's frustrating to some women, [...] "I shouldn't have to explain that" and I 100% get that, that's so valid but I think in this conversation, when we talk about how we move forward from how we have pushed men into being a specific type of person that is fitting into [...] this prototype [of] being really tough and minimizing emotions and unable to be vulnerable so that they can appear strong, when we've put men into that space, what pulls them out of it is vulnerability and softness and care and saying it's actually okay for you to want to be emotional in this time and it's actually completely okay that you're hearing this argument where people are saying bear over and over and you're like, "what the hell, I worked so hard to be the kind of man that people would be comfortable around and [...] I worked so hard to undo everything that I was inundated with as a child, like, and you still said bear?"

[...] I would encourage anybody who's listening who has that reaction of like, "I don't want to have to explain it to people. And if they don't get it, that's on them." I would encourage them to also consider how productive that conversation is. And if you, in that very moment, wanted to be productive. Sometimes we're like, "this is not worth it, I don't feel like having this conversation," whatever, that's fine [...]

I feel like that's the biggest thing that is inhibited for so many men in this system. They're not given the permission to feel everything that they want to feel and have a safe space where there might be an adult or a therapist, whatever, whoever is around them to say, "it's okay that you feel that way. And at the same time, the reason why women are saying bear is because even though you're a safe space, the information that we have, the statistics that we have about how many men are not is enough to make me say bear."

[...]

But I think at least in the way that I've experienced this conversation, especially with someone close to me, like my brother, where I've grown up with him obviously, and I've known him my whole life and seeing what made the biggest difference for him was allowing him to feel vulnerable and feel the full range of his emotions and actually process them through. Like actually see [...] "these are all the things I'm feeling and this is how we're gonna resolve it. And now I've learned something because I've actually resolved this feeling."

I couldn't have said it better myself.

[luxysims]

3D Eyelashes nº2 *Update*

Hi! I know it's been a few months since the release date, but my 3D eyelashes nº2 have been updated with many improvements 😊

Now you have more types of eyelashes (15 in total!) and the deformations have been corrected (they are no longer distorted with hairstyles with bangs or locks of hair in front of the face). The textures compatible with the HQ mod have also been repaired, so I highly recommend replacing the old files with new ones...

I know they are not perfect yet (they have some details that can be improved) but I will continue working on it to be able to offer you the best content. My next step will be to offer a male version ✌

15 different models

23 swatches

Eyelashes category

Available from teen to elder (only females)

HQ compatible

Base game compatible

Works perfectly with glases and other accesories.

DOWNLOAD [ FREE ACCESS ]

If you are interested in follow me on my social networks, here are the links: twitter | instagram | pinterest | tiktok

And don't forget to check my patreon for early access!

*The tier is charged every month, always on the same day you decided to join (for example, if you subscribed on the 10th, the monthly fee will not be charged until the 10th of the next month). So you can join any day you want and never lose money!

All reblogs, comments and 💜 are appreciated, they brighten my day 😊

Be the light! ✨

@maxismatchccworld​  @sssvitlanz @coffee-cc-finds @sims4finds @lanaccfind @cchunters   @c12ccfinds  @mmoutfitters @mmfinds @emilyccfinds @redheadsims-cc @cccorner @wysidiacc @ccsimsfindss4 @cccorner @lotusplumbob @toastyccfinds @cookiesccfinds @strangecowplantfinds @shaenaeccfinds @eanyroseccfinds @kairasimsccfinds @anikasims @blueishccfinds @petiteluneccfind @alt-lanaccfinds

[icarusredwings]

Getting deep into the x men fandom means seeing ships I don't agree with, so I don't interact, seeing posts that mischaraterizes one of the deepest charaters possible, so I don't interact, Seeing people actively say things that are blatantly wrong, so I don't interact.

Getting a large following is also kind of frustrating (Im not complaining I love you guys!) But I've had to block 2 people already today because they keep leaving rude replies to my comments on OTHER peoples posts or purposly come to my blog to tell me that how I view a charater is wrong. Had someone tell me that the stuff that happens in MY au is dumb because "that would never happen" like yeah bud. The writers at Marvel are too much of cowards for it to happen, hence why i'm here.

So my thing is... if im chosing not to interact with all of this- why is it still on my feed?

I feel like the more I ignore it the more I see and I do not wish to be the type to block someone simply because they make one post about a ship that personally isn't my cup of tea.

Also- I think Im starting to see the different sides of extremes, especially when it comes to one specifc charater.

Logan.

I have seen dozens of lovely stories, lovely rants, lovely head canons about this man-

But something that feels weird (to me at least) is people who are 45+ yelling at people who aren't even 18 that their story/headcanons are trash because they've "been enjoying Logan for 40+ years" as if this gives them any right to tell a 17 year old that they shouldnt write a charater how they see them.

It's also weird to me that there seems to be two sides.

Logan IS an animal and that's perfectly okay.

Or

Logan ISN'T an animal, and everyone who headcanons him as animalistic is fetishizing his mutation and are insulting him.

I get not liking a certain trope, but sir, that person is young enough to be your child. You have to accept that we all grew up with different versions of each charater. I Personally didn't grow up with any and get the luxury of indulging in all sorts of media all at once- therefore getting to see him from multiple sides and pictures.

I completely understand if you grew up with the original series and are upset to see that kids are headcanoning your stone cold angst biker man as wearing bow clips and 'making biscuits' on a pillow while watching gilmore girl with his boyfriend, and wearing pink fluffy hello kitty pants and a tight shirt that says "Milk"

I completely understand if you grew up with the movies and see him as a sexy gruff hot buff man and you love to write lots and lots of steamy x reader about him.

I completely understand if you LIKE logan wearing hello kitty pants and don't agree with the idea of him being a dark edgelord, lone wolf charater.

Do you know what I don't understand? Fighting over a charater when different timelines have been canon since the 80s. The Time Variance Authority (TVA) first appeared in Thor #372 (October 1986) which means ALL of your logans are the correct logan. Just not all the same.

Do I think Wolverine Orgins Logan would wear pink hello kitty pants? Nah.

Do I know that Deadpool and wolverine Logan is a whole different universe then Orgins Logan? Yes.

That's why people tag different logans and different aus. So what is all the fuss about?? What happened to the more the merrier?

Theres so many different versions of comic book logan, too, so don't even go there.

Feel free to ask my personal opinions but as far as I stand I could never be foolish enough to seriously go into someone elses post and genuinely be upset at them for how they perceive a charater. I get second hand embaressment when ever I see ANYONE doing it.

Thanks for coming to my ted talk. I don't care if I lose followers for this. Let the door hit you on the way out. There aint no reason to be harrassing folks.

[artbyblastweave]

Herofy Teacher.

I think you and I might have talked at least once about the idea that Teacher is supposed to be a riff on Hugo Strange, but let me float something else. I was recently reading up on the lore of the original Ultimate Marvel universe in order to make sure I wasn't talking out my ass with that recent spate of Ultimate Marvel Posting, and you know whose character bio started ringing a hell of a lot of Teacher alarm bells? Professor X, who, in the Ultimate Marvel continuity, was a through-and-through manipulative son-of-a-bitch, subtly mentally adjusting the X-men as needed in order to keep them a cohesive unit; cavalierly brainwashing, mindreading, mindwiping and personality rewriting in the name of the quote-unquote greater good. A real piece of work!

And with that in mind, you can sort of see a shadier Protectorate department taking a slightly differently aligned Teacher on as their unofficial internal ombudsman; using his power manipulation and personality sanding in a "pro-social" manner to reign in and smooth over internal conflicts, tweaking untoward or regrettable personality traits. This is a version of Teacher whose ambition isn't so much absent as it is differently directed- he doesn't want to build, he wants to garden. He wants access to and influence over as many parahumans as possible, not for the sake of some grand personal project, but for the sake of the PRT's project- sanding down the rough edges of parahuman integration, making everything and everyone operate as smoothly as possible. He's not going to do anything untoward with this influence, of course. Why would he? All he wants is for everyone to get along and be their best selves (as defined by HR and the marketing department.)

[riansdiary]

"I HAVE IT ALL NOW" vaunt made using Chatgpt

Dearest Gentle Readers 💎

I have a little something different for you today but I hope this really helps you as much as it helped me. I was experimenting with Chatgpt when I thought of this idea. This vaunt or monologue helped me feel it real and understand that I already have it all now and it's done. I started tearing up as I read it naturally and it made me feel so amazing and it helped me accept that it's all here now. It also made me persist better in the new story.

I don't want you to read this like any other post. I want you to put yourself in the shoes of the version of you who has manifested everything they ever wanted. Act it out if you want to act it out as long as you do it the way that's most natural to you like how you naturally talk. Really internalize that it is already here and you're that version of yourself already. Feel the feeling and knowing that it's done and how it makes you feel.

Here is exactly what I asked it to generate for me. I went with the first one it gave me and then a more casual and simple version.

"Chatgpt make a law of assumption or manifesting cheat for me. Create a monologue for me that I would possibly say in the state of having my desires. Something that can bypass my mind into thinking it's already here because it is"

Here’s a monologue that could help you slip into the feeling of already having your desires. Imagine saying this to yourself in a calm, knowing tone, as if you’re recounting an experience you’ve lived through many times before:

“It’s amazing how effortlessly everything flows my way now. I’m always in the right place at the right time, and things work out better than I could’ve planned. My life has become a series of perfect moments, one after another. The people I meet, the opportunities that come my way—all of it aligns so naturally. I’m living proof that things I once dreamed of are real now, part of my everyday life.

I feel so deeply content and fulfilled. Everything I desire just shows up in ways that are better than I even imagined. I have this unshakable confidence now, knowing that my life unfolds exactly how I want it to, and I don’t need to chase anything. I radiate ease and joy, and others see it too. My energy is magnetic, drawing in the best experiences without me even trying.

“It’s crazy how everything I want just finds its way to me now. I barely even have to try—things just work out. I’m always in the right place at the right time, and it all just clicks so easily. Life feels smooth, like everything’s lined up perfectly for me.

I feel so calm and happy, I’ve already got everything I wanted. I know I deserve it, and I know it’s mine. People notice it too—they see how confident and happy I am. I don’t chase after anything; things just come to me.

Every day, I’m grateful for how good my life is. I have everything I wanted, and it feels amazing. I can trust that everything is working out in my favor, and it’s only getting better from here.”

[jokeroutsubs]

📝ENG Translation: Elle Men Special: A Fashion Odyssey with Kris Guštin

Article written by Ajda Gregorc, published in the November/December 2024 ELLE Slovenia Magazine. Print and digital versions of the magazine are available for purchase.

Scans and English translation by @kurooscoffee, review by @weolucbasu and a member of JokerOutSubs, proofread by IG GBoleyn123.

Full article translation, scans, and Spotify link are under the cut 👇

🎧 Article available in audio form on Spotify.

Elle Men Special: A Fashion Odyssey with Kris Guštin

With Kris Guštin, the music author and guitarist of Joker Out, we escaped to another side of music, and with that, to his other passion. We talked about style and everything connected to it. There will also be no shortage of this in the band's third album, titled 'Souvenir Pop', which is released on the 15th of November—one week after the issue of Elle you’re holding now. How perfectly synchronised we are!

PHOTOS URŠA PREMIK, STYLING ALENKA BIRK

At Ljubljana’s Moderna Café, on a fresh but lovely autumn Tuesday, when everyone’s still at work or in school, he arrives in a dark green jacket with a checkered pattern, awesome trousers, and her necklace. This time, the menu is not serving music and life, but matcha and "all things fashion." I’m in a regular trench coat and a white T-shirt, but luckily he doesn’t judge people by their style—instead, the style might be what piques his interest to converse, if it's good, of course. Besides, he's the one being interviewed. So, let’s begin! AJDA GREGORC

Interviewer: When did you first discover your personal style or the field of fashion? Was it in childhood or a bit later?

Kris: I roughly divide my life into two periods: before I first held a guitar, and after. When I really got into playing and ventured into music, my world opened up in all areas. Discovering fashion definitely falls into this second period, so the post-high school era. To be completely honest, my style in high school wasn’t something I’m particularly proud of today. (laughs) My girlfriend and I still have a photo of me wearing cargo pants and a black sweater, which is a proof she truly loves me, since that look was far from the best choice. (laughs)

When did it evolve from just a aesthetic impression to self-expression?

My first contact with fashion as a form of art or expression was during our band's first music video or fashion shoot, when I realised that this is also something you need to consider as a musician. At first, it seemed to me like a fairly peripheral element, but as our career developed and we met new people who gave us more insight into this, I began to understand its significance, what I could personally gain from it, and what we as a band could gain. This quickly developed into standard practice. I was increasingly exposed to fashion; we had more and more costume rehearsals and stylings, and two years ago, we even got our first proper stylist. And then I really committed to it—at around nineteen or twenty. Before that, my philosophy was always to "just wear whatever I first find in the closet," but then I shifted to "I'll wear things that would make me stand out from others". But this process was a long one.

So, your style development with the band inspired your personal growth too? I’ve always wondered if a young person is compelled to mature in every area when so many 'big things' happen all at once, as they did for you.

Maybe you do "grow old" in terms of personality sooner. Yes, at first I wanted, and still want, to primarily express the difference or uniqueness that I feel inside myself through music, but then I discovered that this goes very much hand in hand with fashion, so I started looking for my expression there as well. Today, it's almost an equally important part of my day.

Which fashion ideas or directions attract you? You’ve probably encountered a lot of inspiration during your travels on tour, right?

Definitely, but speaking purely origin-wise, I think I’m just like any other rock musician—we draw from the rock aesthetic of the ’60s and ’70s, which was also very "in" when my fashion awareness was born. Back then, around 2016 to 2018, here were a lot of flamboyant shirts on the music scene, with a slight hippie influence, which was the starting point. Only later did I start getting interested in slightly more modern clothes. When I was younger, I found myself in street fashion, that sort of Eminem-esque, hip-hop vibe, so very baggy clothes, which I then began to reject when I made the shift toward the ’60s and a slightly psychedelic aesthetic. It makes perfect sense, as humans tend to jump between extremes. When I had worked through that style, I started discovering the aesthetics of the ’80s and late ’90s, which was also reflected in music at the time. The best example that comes to mind is Dua Lipa’s previous album, which was in the style of the “new ’80s,” and the fashion matched that as well. Today, the early 2000s style has come back, but I haven’t fully decided whether I like it or not. As a musician, I was, of course, initially inspired by other music groups. Arctic Monkeys were a big inspiration for us both musically and visually, as was the whole British rock scene, including bands like The Kooks and Oasis. That entire aesthetic has always been strongly present with us. I doubt there’s a single inspiration board at our shoots that doesn’t include a photo of one of those bands or, for instance, the Beatles. And that aesthetic has always been close to my heart, too.

Rockers have always been associated with more masculine fashion elements, while in recent years, many male musicians have been experimenting with more feminine style elements (for example, Harry Styles and Lenny Kravitz). David Bowie was already the one who back then started to blur these fashion boundaries. You, too, wear such pieces and dare to stand out with them.

It happened quite naturally, as the stylists we worked with always chose slightly more “unmanly” clothing for me. This doesn’t necessarily mean women’s clothing, but rather somewhat more androgynous pieces, which I quickly embraced. I found them interesting and appealing because there’s a lot of fresh expression in that style that I don’t find in traditional men’s clothing, though I don’t want to overdo it. I also started experimenting with them personally, choosing many more varied colours. For a while, I was very fond of pink, and lately, I’ve been playing around with orange. On the cover of the album 'Demoni', I wore an orange-pink sweater.

Are we, as an audience here, already mature enough for a musician to present his feminine side through fashion? Does that require courage?

It does, there will always be people who won’t understand you. But for me, when it comes to the stage or a shoot, I’ll wear anything, and if I feel good in it, I don’t worry about what someone thinks. When I walk around "in civilian clothes," however, especially in Ljubljana, I am still aware if I’m dressed somewhat "untraditionally." There’s a certain boundary that I still need to break within myself. On stage, it’s easier because it’s not necessarily a hundred percent my expression; I’m playing a certain character, but personally, sometimes I do need some courage to show up in a particular style. However, the awareness of being different is stronger in Ljubljana than in other parts of the Western world. For example, I never felt that way in London, but still, our capital isn’t the worst when it comes to this.

Speaking of influences, what about other artistic or cultural movements?

I love art deco, the aesthetics of the '20s and '30s, though it doesn’t influence my daily life. In terms of photography, Damon Baker’s black-and-white style is beautiful. The vintage camera aesthetic has recently won me over, which will also be reflected in our band. Musically, over the past year, I’ve been listening to old Italian chansons and older French music, chansons as well, so I’m clearly feeling very retro this year. (smile)

Will the third album visually stand out from the previous ones then?

Yes, it will be very different. In the last two, we used a lot of colours, but there won’t be as many in this one.

Style can be an excellent tool for expressing an artist's authenticity, but with increasing success, the artist can also become its slave; the line is thin. Do you ever feel the pressure of having to express your fashion style in your private life as well?

No, I’ve never felt like my style owns me; it’s always been the opposite. I’ve always felt like I want more, like I want to dress even better than the day before, especially when it comes to my music career. Perhaps style only hangs over my head a bit when I have no inspiration and would rather wear sweatpants on an ordinary, relaxed day. There’s nothing wrong with that, of course, but then I do think about what would happen if I ended up somewhere in the middle of the city dressed like that.

It seems that Joker Out has developed a distinct style despite outside influences.

Yes, today we are already very complete in our style. Others have definitely had an influence on us, and I think it’s great that each of them tried to express themselves through us – it was interesting to experience how Joker Out was seen by Ponorelli, and how Andraž Drobnič or Karlo Kirri did. Of course, there is a difference in this, but it also aligns with the development of our music and aesthetics, so all these influences are very welcome.

How much of your personal fashion identity is therefore reflected in Joker Out?

Maybe, as someone who is not an external observer, I can't answer that, but I can say that I was always one of the first to give feedback to the stylist when we were creating our outfits, approving moodboards, and so on. So, I have definitely shaped our style in a direction that suits me. On certain "blind stylings," when we just dressed up, I quickly threw something on myself and then helped look for pieces for the other band members.

What about this photoshoot, where Alenka Birk took over the styling? Did you let her take the lead with her tactics, or did you collaborate on fashion choices? How did the communication go?

I didn’t know Alenka, who, by the way, is an excellent stylist, before. She was recommended by Urša (the photographer, ed.). Later, she confided in me that she had also worked with my father. Alenka focuses on elegant men's fashion, which is a departure from this more fluid fashion; and this suited me because I had never really been photographed in a men's suit, jacket, and tie. I wanted to try something new. I hadn’t seen the outfits before the day of the photoshoot when we met in her small studio in the morning. There were nine of them in total, and we only swapped out a piece or two in at most three of the looks.

This is more of an exception than a rule in fashion photoshoots. Does that mean you felt good in them?

Yes. In some more so, obviously, but in others, you have to trust the people you're working with. When I first look in the mirror, I always keep in mind that if something isn't optimal, it doesn't mean it won’t work well on camera. Even if the pants are too short or creased, it's still worth photographing them, because the photo can be edited later, whereas on stage, it's a different story, and everything has to already be perfect in the mirror. Working with Alenka was very simple; we clicked really well, and I will definitely work with her again.

How linked are your confidence and the way you feel on stage with your styling?

Very connected. As a musician, you want to enjoy yourself as much as possible on stage, and the people who come to listen to you and pay for the ticket deserve to see you at your best, which means you have to feel good in every aspect.

You recently attended Ljubljana Fashion Week. Which of the local fashion designers do you like to follow?

As far as the Slovenian fashion scene is concerned, I’m still quite the beginner, so I only knew the designers we had worked with. This was my first time visiting the Fashion Week.

Which shows did you watch?

On the first day, all of them. I didn’t like everything, but what stuck in my mind was Sarivalenci¹ with their somewhat "country club", Lana Del Rey vibe, and golf moment. I also really enjoyed the Belgrade Fashion Week, as there was an obvious Balkan touch, which I would love to see more of in Slovenia.

¹Sarivalenci is a Slovene high fashion brand created by fashion designer Sari Valenci.

You are a fan of vintage clothes and second-hand shops. What do these pieces have for you that new ones don't?

Honestly, I don’t know if there’s an objective explanation why. I started getting into it because it was popular, and at the same time, it gives you the feeling of getting a more unique piece. At the same time, you're shopping sustainably and not contributing to the production of unnecessary new textiles on Earth, which is great, but I would be lying if I said that’s my main motivation. What I like the most is the experience of "flipping" through clothes, where each piece is different, like a treasure hunt, compared to regular stores where you "flip" through the same clothes in different sizes.

Did your mum, who comes from the Netherlands where people have been aware of this for many years, introduce you to this concept?

I wouldn’t say we talked much about it at home, but I literally lived it. This is probably true for Slovenians in general – almost all the clothes I had as a child were from older peers, or I would take something from my dad, too. When I was done with wearing the clothes, my brother would wear them too. Every piece of clothing that came into our house was passed around, which is a great practice, and it’s still like that today. My sister "stole" half of my sweaters, my mum sometimes takes something too, Maks borrows jackets from my dad, which I’ve also done myself. It's like we all share one big closet! (laughs)

So you have influenced each other’s style in your family, or rather, you still do so? Who has otherwise had the most influence on your style in the past, and who does today?

I don’t remember ever looking at my parents as role models in this regard, as I didn’t really think about it back then, but they definitely influenced me, at least subconsciously. When I see how my mom dresses today, I see parallels with my own style, so she probably did influence me, perhaps more than my dad. As for street style, which I mentioned at the beginning, it might have been inherited from my uncle, my aunt’s husband from the Netherlands, who wore loose sweaters and listened to hip hop. My mum also had an uncle from the Indonesian side of the family, whom I never met, but he was very eccentric. Some of his clothes made their way to us over the years, and when I looked at these pieces in the closet, I was fascinated by how they reflected his personality. Asian fashion became a bit closer to me because of this, and I might even explore it someday.

The heart necklace you wear all the time, even today, is from your girlfriend. Do you ever dress your girlfriend or does she dress you?

My girlfriend is very fashion-oriented and has played a big role in my fashion development. She has always encouraged me when I tried new clothes that, at the time, seemed more radical to me. In this way, she partially shaped me. We also really enjoy shopping together. She dresses me more often than I dress her, which means I ask her for opinion. There have also been times when we’ve dressed the same when it comes to basic pieces; we’ve never really styled each other, but there will probably be time for that in the future.

Where do you like to go for vintage pieces in Ljubljana? Did you find any gems while on tour across Europe?

Textile House Vintage Shop is, in my opinion, by far the best in Ljubljana. The next one is Humana on Stritarjeva street, where I find something every now and then. Abroad, we’ve visited many vintage shops in Dublin, Paris, and London. In the latter, I always go to Brick Lane, which is a street with vintage shops in the east side of central London, where the more hipster area starts. The downside is that it quickly becomes quite an expensive experience.

What kind of information can you deduce about a person based on what they’re wearing? Who, in your opinion, is truly well-dressed?

A person’s style is never a reason not to engage in conversation with them, but it is a very strong stimulator of my interest in that person. If I think someone is really well-dressed, I automatically assume they might think similarly to me and be interested in the same artistic, musical, or visual directions, so I’m more eager to talk to them. However, I’ve often met people who didn’t seem interestingly dressed, and later realised they were amazing people, even if they dressed completely casually.

Your audience expresses itself very differently in terms of fashion, as your parents also mentioned in a recent interview for Elle. How do you as a band perceive this?

Yes, what they meant was that it is no longer the case that you have to be "appropriately" dressed for a rock concert. When we observe the audience from the stage, I would say that the most typical thing for our time is that we are no longer genre-bound. Not just musically, but also in terms of fashion. 30 or 40 years ago, you would see people at a rock concert in leather jackets, black shoes, and jeans, and that was it. Today, you have flamboyant outfits with blue and green hair in one corner, gothic style in another, and of course, people in simple t-shirts and pants somewhere in the middle. And no one feels like they don’t belong; everyone sings our songs, and that’s really nice.

- ~ - ~ - ~ - ~ - ~ - ~ - ~ - ~ - ~ - ~

❗Please do not repost without credit, and if you quote, please link back to this post!

[dailyanarchistposts]

Turbulent times are upon us. Already, blockades, demonstrations, riots, and clashes are occuring regularly. It’s past time to be organizing for the upheavals that are on the way.

But getting organized doesn’t mean joining a pre-existing institution and taking orders. It shouldn’t mean forfeiting your agency and intelligence to become a cog in a machine. From an anarchist perspective, organizational structure should maximize both freedom and voluntary coordination at every level of scale, from the smallest group up to society as a whole.

You and your friends already constitute an affinity group, the essential building block of this model. An affinity group is a circle of friends who understand themselves as an autonomous political force. The idea is that people who already know and trust each other should work together to respond immediately, intelligently, and flexibly to emerging situations.

This leaderless format has proven effective for guerrilla activities of all kinds, as well as what the RAND Corporation calls “swarming” tactics in which many unpredictable autonomous groups overwhelm a centralized adversary. You should go to every demonstration in an affinity group, with a shared sense of your goals and capabilities. If you are in an affinity group that has experience taking action together, you will be much better prepared to deal with emergencies and make the most of unexpected opportunities.

This guide is adapted from an earlier version that appeared in our Recipes for Disaster: An Anarchist Cookbook.

Affinity Groups are Powerful

Relative to their small size, affinity groups can achieve a disproportionately powerful impact. In contrast to traditional top-down structures, they are free to adapt to any situation, they need not pass their decisions through a complicated process of ratification, and all the participants can act and react instantly without waiting for orders—yet with a clear idea of what to expect from one another. The mutual admiration and inspiration on which they are founded make them very difficult to demoralize. In stark contrast to capitalist, fascist, and socialist structures, they function without any need of hierarchy or coercion. Participating in an affinity group can be fulfilling and fun as well as effective.

Most important of all, affinity groups are motivated by shared desire and loyalty, rather than profit, duty, or any other compensation or abstraction. Small wonder whole squads of riot police have been held at bay by affinity groups armed with only the tear gas canisters shot at them.

The Affinity Group is a Flexible Model

Some affinity groups are formal and immersive: the participants live together, sharing everything in common. But an affinity group need not be a permanent arrangement. It can serve as a structure of convenience, assembled from the pool of interested and trusted people for the duration of a given project.

A particular team can act together over and over as an affinity group, but the members can also break up into smaller affinity groups, participate in other affinity groups, or act outside the affinity group structure. Freedom to associate and organize as each person sees fit is a fundamental anarchist principle; this promotes redundancy, so no one person or group is essential to the functioning of the whole, and different groups can reconfigure as needed.

Pick the Scale That’s Right for You

An affinity group can range from two to perhaps as many as fifteen individuals, depending on your goals. However, no group should be so numerous that an informal conversation about pressing matters is impossible. You can always split up into two or more groups if need be. In actions that require driving, the easiest system is often to have one affinity group to each vehicle.

Get to Know Each Other Intimately

Learn each other’s strengths and vulnerabilities and backgrounds, so you know what you can count on each other for. Discuss your analyses of each situation you are entering and what is worth accomplishing in it—identify where they match, where they are complentary, and where they differ, so you’ll be ready to make split-second decisions.

One way to develop political intimacy is to read and discuss texts together, but nothing beats on-the-ground experience. Start out slow so you don’t overextend. Once you’ve established a common language and healthy internal dynamics, you’re ready to identify the objectives you want to accomplish, prepare a plan, and go into action.

Decide Your Appropriate Level of Security

Affinity groups are resistant to infiltration because all members share history and intimacy with each other, and no one outside the group need be informed of their plans or activities.

Once assembled, an affinity group should establish a shared set of security practices and stick to them. In some cases, you can afford to be public and transparent about your activities. in other cases, whatever goes on within the group should never be spoken of outside it, even after all its activities are long completed. In some cases, no one except the participants in the group should know that it exists at all. You and your comrades can discuss and prepare for actions without acknowledging to outsiders that you constitute an affinity group. Remember, it is easier to pass from a high security protocol to a low one than vice versa.

Make Decisions Together

Affinity groups generally operate on via consensus decision-making: decisions are made collectively according to the needs and desires of every individual involved. Democratic voting, in which the majority get their way and the minority must hold their tongues, is anathema to affinity groups—for if a group is to function smoothly and hold together under stress, every individual involved must be satisfied. Before any action, the members of a group should establish together what their personal and collective goals are, what risks they are comfortable taking, and what their expectations of each other are. These matters determined, they can formulate a plan.

Since action situations are always unpredictable and plans rarely come off as anticipated, it may help to employ a dual approach to preparing. On the one hand, you can make plans for different scenarios: If A happens, we’ll inform each other by X means and switch to plan B; if X means of communication is impossible, we’ll reconvene at site Z at Q o’clock. On the other hand, you can put structures in place that will be useful even if what happens is unlike any of the scenarios you imagined. This could mean preparing resources (such as banners, medical supplies, or offensive equipment), dividing up internal roles (for example, scouting, communications, medic, media liaison), establishing communication systems (such as burner phones or coded phrases that can be shouted out to convey information securely), preparing general strategies (for keeping sight of one another in confusing environments, for example), charting emergency escape routes, or readying legal support in case anyone is arrested.

After an action, a shrewd affinity group will meet (if necessary, in a secure location without any electronics) to discuss what went well, what could have gone better, and what comes next.

Tact and Tactics

An affinity group answers to itself alone—this is one of its strengths. Affinity groups are not burdened by the procedural protocol of other organizations, the difficulties of reaching agreement with strangers, or the limitations of answering to a body not immediately involved in the action.

At the same time, just as the members of an affinity group strive for consensus with each other, each affinity group should strive for a similarly considerate relationship with other individuals and groups—or at least to complement others’ approaches, even if others do not recognize the value of this contribution. Ideally, most people should be glad of your affinity group’s participation or intervention in a situation, rather than resenting or fearing you. They should come to recognize the value of the affinity group model, and so to employ it themselves, after seeing it succeed and benefiting from that success.

Organize With Other Affinity Groups

An affinity group can work together with other affinity groups in what is sometimes called a cluster. The cluster formation enables a larger number of individuals to act with the same advantages a single affinity group has. If speed or security is called for, representatives of each group can meet ahead of time, rather than the entirety of all groups; if coordination is of the essence, the groups or representatives can arrange methods for communicating through the heat of the action. Over years of collaborating together, different affinity groups can come to know each other as well as they know themselves, becoming accordingly more comfortable and capable together.

When several clusters of affinity groups need to coordinate especially massive actions—before a big demonstration, for example—they can hold a spokescouncil meeting at which different affinity groups and clusters can inform one another (to whatever extent is wise) of their intentions. Spokescouncils rarely produce seamless unanimity, but they can apprise the participants of the various desires and perspectives that are at play. The independence and spontaneity that decentralization provides are usually our greatest advantages in combat with a better equipped adversary.

Bottomlining

For affinity groups and larger structures based on consensus and cooperation to function, it is essential that everyone involved be able to rely on each other to come through on commitments. When a plan is agreed upon, each individual in a group and each group in a cluster should choose one or more critical aspects of the preparation and execution of the plan and offer to bottomline them. Bottomlining the supplying of a resource or the completion of a project means guaranteeing that it will be accomplished somehow, no matter what. If you’re operating the legal hotline for your group during a demonstration, you owe it to them to make sure someone can handle it even if you get sick; if your group promises to provide the banners for an action, make sure they’re ready, even if that means staying up all night the night before because the rest of your affinity group couldn’t show up. Over time, you’ll learn how to handle crises and who you can count on in them—just as others will learn how much they can count on you.

Go Into Action

Stop wondering what’s going to happen, or why nothing’s happening. Get together with your friends and start deciding what will happen. Don’t go through life in passive spectator mode, waiting to be told what to do. Get in the habit of discussing what you want to see happen—and making those ideas reality.

Without a structure that encourages ideas to flow into action, without comrades with whom to brainstorm and barnstorm and build up momentum, you are likely to be paralyzed, cut off from much of your own potential; with them, your potential can be multiplied by ten, or ten thousand. “Never doubt that a small group of thoughtful, committed people can change the world,” Margaret Mead wrote: “it’s the only thing that ever has.” She was referring, whether she knew it or not, to affinity groups. If every individual in every action against the state and status quo participated as part of a tight-knit, dedicated affinity group, the revolution would be accomplished in a few short years.

An affinity group could be a sewing circle or a bicycle maintenance collective; it could come together for the purpose of providing a meal at an occupation or forcing a multinational corporation out of business through a carefully orchestrated program of sabotage. Affinity groups have planted and defended community gardens, built and occupied and burned down buildings, organized neighborhood childcare programs and wildcat strikes; individual affinity groups routinely initiate revolutions in the visual arts and popular music. Your favorite band was an affinity group. An affinity group invented the airplane. Another one maintains this website.

Let five people meet who are resolved to the lightning of action rather than the agony of survival—from that moment, despair ends and tactics begin.

[pancake-blogging]

Oh I am ALL GOOD. My collection includes:

TF Legacy Metroplex, Fortress Maximus, and Tidal Wave

SO many different versions of Optimus Prime (at least six)

Four different Grimlocks, and at least one each of the other Dinobots

Giant Starscream from the Unicron Trilogy

Darth Vader, Anakin Skywalker, Han Solo and Chewbacca from the Star Wars crossover

Imagine you got turned into a mech and teleported to the middle of the Quintesson attack on Cybertron. But the catch is - all the characters whose Transformers toys/figures you own are in your squad and they are on your side.

If you have two Megatrons or like three Ratchets you can have all of them. Can't wait to see if someone's squad is just them and their 200 Bumblebees

[kinardsevan]

even with the rhetoric being put out in the article, maybe i'm living in a pink cloud right now (not maybe, i definitely am), i am over here with the mindset that this is not the end. i have zero problem believing that these articles are fully intended to sew seeds of doubt for us because of course they are. the couple broke up. lou is not a main cast member at this point. we know this man does not want to give spoilers (as he's referenced for us before, specifically with how we were given the access hollywood interview). to that end, mentioning that he has other jobs on the docket also doesn't surprise me. given that he's not a main for 911, he needs more forms of income than just that, obviously. but also, SWAT is ending after this season, and they're also halfway through the season (roughly) for filming.

to that end, i think with the way things have been teed up with the show, this is far too easy to do the breakup AND have lou just be gone. we have far too many lines that lead in the direction of it, including:

"my boyfriend" being said ONE episode before "its beautiful having a crew like this" "ESPECIALLY when everything goes wrong" (i know i'm butchering the lines) "transformative until you" (again, i'm butchering this) -buck's continued determination to not just let this relationship fall by the wayside. I think if we all truly thought that there would be a long-term version of this relationship WITHOUT having to face this hurdle, we'd be fooling ourselves. oliver literally told us that buck would have a deeper understanding of his bisexuality. he doesn't want anyone else. i have zero issue believing that all of this is intentional angst put onto us as a fandom (alá Sheldon/Amy in TBBT) to bring around the point that Buck has always just "let" things happen in his relationships. if we're truly meant to understand that this relationship is different, this breakup tees that up in a prime way (even though i know a whole bunch of the squad wants Tommy chasing Buck).

again, with the teeing up of so much information (moving more toward Tommy lore, etc), storywise, this does make sense. (also, peep the relation to a romcom timeline by @sugdenlovesdingle here.

that all said...maybe i'm wrong. maybe i'm going to fall on my face with this hope and we're all truly fucked.

but i seriously hope not.

[lazeecomet]

The Story of KLogs: What happens when an Mechanical Engineer codes

Since i no longer work at Wearhouse Automation Startup (WAS for short) and havnt for many years i feel as though i should recount the tale of the most bonkers program i ever wrote, but we need to establish some background

WAS has its HQ very far away from the big customer site and i worked as a Field Service Engineer (FSE) on site. so i learned early on that if a problem needed to be solved fast, WE had to do it. we never got many updates on what was coming down the pipeline for us or what issues were being worked on. this made us very independent

As such, we got good at reading the robot logs ourselves. it took too much time to send the logs off to HQ for analysis and get back what the problem was. we can read. now GETTING the logs is another thing.

the early robots we cut our teeth on used 2.4 gHz wifi to communicate with FSE's so dumping the logs was as simple as pushing a button in a little application and it would spit out a txt file

later on our robots were upgraded to use a 2.4 mHz xbee radio to communicate with us. which was FUCKING SLOW. and log dumping became a much more tedious process. you had to connect, go to logging mode, and then the robot would vomit all the logs in the past 2 min OR the entirety of its memory bank (only 2 options) into a terminal window. you would then save the terminal window and open it in a text editor to read them. it could take up to 5 min to dump the entire log file and if you didnt dump fast enough, the ACK messages from the control server would fill up the logs and erase the error as the memory overwrote itself.

this missing logs problem was a Big Deal for software who now weren't getting every log from every error so a NEW method of saving logs was devised: the robot would just vomit the log data in real time over a DIFFERENT radio and we would save it to a KQL server. Thanks Daddy Microsoft.

now whats KQL you may be asking. why, its Microsofts very own SQL clone! its Kusto Query Language. never mind that the system uses a SQL database for daily operations. lets use this proprietary Microsoft thing because they are paying us

so yay, problem solved. we now never miss the logs. so how do we read them if they are split up line by line in a database? why with a query of course!

select * from tbLogs where RobotUID = [64CharLongString] and timestamp > [UnixTimeCode]

if this makes no sense to you, CONGRATULATIONS! you found the problem with this setup. Most FSE's were BAD at SQL which meant they didnt read logs anymore. If you do understand what the query is, CONGRATULATIONS! you see why this is Very Stupid.

You could not search by robot name. each robot had some arbitrarily assigned 64 character long string as an identifier and the timestamps were not set to local time. so you had run a lookup query to find the right name and do some time zone math to figure out what part of the logs to read. oh yeah and you had to download KQL to view them. so now we had both SQL and KQL on our computers

NOBODY in the field like this.

But Daddy Microsoft comes to the rescue

see we didnt JUST get KQL with part of that deal. we got the entire Microsoft cloud suite. and some people (like me) had been automating emails and stuff with Power Automate

This is Microsoft Power Automate. its Microsoft's version of Scratch but it has hooks into everything Microsoft. SharePoint, Teams, Outlook, Excel, it can integrate with all of it. i had been using it to send an email once a day with a list of all the robots in maintenance.

this gave me an idea

and i checked

and Power Automate had hooks for KQL

KLogs is actually short for Kusto Logs

I did not know how to program in Power Automate but damn it anything is better then writing KQL queries. so i got to work. and about 2 months later i had a BEHEMOTH of a Power Automate program. it lagged the webpage and many times when i tried to edit something my changes wouldn't take and i would have to click in very specific ways to ensure none of my variables were getting nuked. i dont think this was the intended purpose of Power Automate but this is what it did

the KLogger would watch a list of Teams chats and when someone typed "klogs" or pasted a copy of an ERROR mesage, it would spring into action.

it extracted the robot name from the message and timestamp from teams

it would lookup the name in the database to find the 64 long string UID and the location that robot was assigned too

it would reply to the message in teams saying it found a robot name and was getting logs

it would run a KQL query for the database and get the control system logs then export then into a CSV

it would save the CSV with the a .xls extension into a folder in ShairPoint (it would make a new folder for each day and location if it didnt have one already)

it would send ANOTHER message in teams with a LINK to the file in SharePoint

it would then enter a loop and scour the robot logs looking for the keyword ESTOP to find the error. (it did this because Kusto was SLOWER then the xbee radio and had up to a 10 min delay on syncing)

if it found the error, it would adjust its start and end timestamps to capture it and export the robot logs book-ended from the event by ~ 1 min. if it didnt, it would use the timestamp from when it was triggered +/- 5 min

it saved THOSE logs to SharePoint the same way as before

it would send ANOTHER message in teams with a link to the files

it would then check if the error was 1 of 3 very specific type of error with the camera. if it was it extracted the base64 jpg image saved in KQL as a byte array, do the math to convert it, and save that as a jpg in SharePoint (and link it of course)

and then it would terminate. and if it encountered an error anywhere in all of this, i had logic where it would spit back an error message in Teams as plaintext explaining what step failed and the program would close gracefully

I deployed it without asking anyone at one of the sites that was struggling. i just pointed it at their chat and turned it on. it had a bit of a rocky start (spammed chat) but man did the FSE's LOVE IT.

about 6 months later software deployed their answer to reading the logs: a webpage that acted as a nice GUI to the KQL database. much better then an CSV file

it still needed you to scroll though a big drop-down of robot names and enter a timestamp, but i noticed something. all that did was just change part of the URL and refresh the webpage

SO I MADE KLOGS 2 AND HAD IT GENERATE THE URL FOR YOU AND REPLY TO YOUR MESSAGE WITH IT. (it also still did the control server and jpg stuff). Theres a non-zero chance that klogs was still in use long after i left that job

now i dont recommend anyone use power automate like this. its clunky and weird. i had to make a variable called "Carrage Return" which was a blank text box that i pressed enter one time in because it was incapable of understanding /n or generating a new line in any capacity OTHER then this (thanks support forum).

im also sure this probably is giving the actual programmer people anxiety. imagine working at a company and then some rando you've never seen but only heard about as "the FSE whos really good at root causing stuff", in a department that does not do any coding, managed to, in their spare time, build and release and entire workflow piggybacking on your work without any oversight, code review, or permission.....and everyone liked it

[outrunningthedark]

that kinda just proves how little creativity Tim has left 🤷‍♀️🤷‍♀️ season 8 and we are all bored and it’s all predictable and the writers have no real inspiration outside of old movies recycled storylines

That's why a spinoff at this stage feels like a bit of a risk, ngl. I mean, I assume the main cast will be enough to draw people in, but it's presumably gonna be the same show. For a third time. And the second one couldn't make it past season five. Like, Law & Order has been able to be so successful because each version isn't just a different cast, it's a different set of cases. FBI is the same thing. Different locations, different types of crimes. One Chicago has a medical, firefighter, and police drama. NCIS had success outside of the OG with LA, but they also lost Hawai'i after three seasons and New Orleans after seven. How many stories can you tell when the showrunner will make it very obvious he's taking inspiration from the things he's already done???

[queer-ragnelle]

All three! Apologies. I want to learn as much as I can about him.

You got it!

The first text that Galahad appears in is the Vulgate. His predecessors and legacy are first described in The History of the Grail; then he’s conceived, born, and raised during the Lancelot books; finally in Post-Vulgate he’s a knight on Grail Quest where he achieves his life’s purpose and passes away. Additionally, here’s A Companion to The Lancelot-Grail Cycle which may help you navigate the text.

Another book I suggest for your Galahad research is The Legend of the Grail by Nigel Bryant and Norris J. Lacy. It’s got a lengthy introduction about the history of the Grail story and touches on all the characters who’ve achieved it throughout Arthurian literary history including Perceval, Gawain, and of course, Galahad. Each chapter is taken from a different text and newly translated by Nigel Bryant for this publication. It’ll give you an idea of the progression of the Grail story which eventually led to Galahad and introduce you to some adjacent texts that may be of interest.

The next medieval text that includes Galahad is La Tavola Ritonda. It’s mostly a Prose Tristan story, but does cover the whole Grail Quest with a fun Italian Galahad named Galeazzo/Galasso. I enjoy this one a lot! Regarding Galasso specifically, it’s an interesting take on the character—he’s described as very gracious and he wields a cool named sword. Plus his purity grants him necromancy powers—at one point he convenes with the dead and doesn’t bat an eye. Just keeps on adventuring. Focused. In his lane. Pretty neat!

After that comes probably the best known Arthurian text, Le Morte d’Arthur by Sir Thomas Malory. I’ve attached the version of this story abridged by Keith Baines. It’s much easier to read with proper formatting to add quotation marks to dialogue and tighten up the prose. This one also comes with A Companion to Malory which I found exceedingly helpful in breaking down the sometimes convoluted plot threads and character dynamics present in Malory’s story. Many of the essays I’ve attached below relate to this text specifically.

Lastly I would be remiss to exclude The Arthurian Handbook by the goats Norris J. Lacy and Geoffrey Ashe. This volume not only covers medieval texts, but much of the art history that goes hand in hand with Arthurian literature too. There are many paintings, tapestries, stained glass windows, and murals featuring Galahad highlighted in this book. It also includes family trees, heraldry, and maps which can help you conceptualize things detailed in writing throughout the Vulgate.

Now I’m going to list essays without descriptions since there are so many and the titles are pretty self explanatory.

Absent Fathers, Unexpected Sons: Paternity in Malory’s Morte Darthur by Cory Rushton

Born-Again Virgins and Holy Bastards: Bors and Elyne and Lancelot and Galahad by Karen Cherwatuk

Constructing Spiritual Hierarchy through Mass Attendance in the Morte Darthur by David Eugene Clark

Disarming Lancelot by Elizabeth Scala

Galahad, Percival, and Bors: Grail Knights and the Quest for Spiritual Friendship by Richard Sévère

'A Mayde, and Last of Youre Blood': Galahad's Asexuality and its Significance in Le Morte Darthur by Megan Arkenberg

Gender and the Grail by Maureen Fries

Malory and Rape by Catherine Batt

Mothers in the Grail Quest: Desire, Pleasure, and Conception by Peggy McCracken

Seeing Is Believing and Achieving: Viewing the Eucharist in Malory's 'Sankgreal' by Sarah B. Rude

Wounded Masculinity: Injury and Gender in Sir Thomas Malory's "Le Morte Darthur" by Kenneth Hodges

And that about covers it! This should give you plenty to work with. Beyond these, we’re left with literature outside the medieval era, which is a different conversation. No doubt Alfred Lord Tennyson had a huge influence on how Galahad is perceived today, but that’s irrelevant to a discussion regarding medieval source material, and a topic for another time. Hope this helps you out and you learn all you want to about Galahad!

Take care!

[for-those-who-wait]

I said I would talk about wax cylinders so here I go a rambling again

So the wax cylinder was first invented in 1888 by Thomas Edison (so they're usually called Edison cylinders or phonograph cylinders). As you can probably gather, it's a cylinder made of wax. It was the first piece of technology that would record and play back sound that was sold commercially (they technically made an earlier version using tin foil back in 1877 but it was shit and was never commercially produced so we don't talk about that one). Wax cylinders by 1889 were typically sold with pre-recorded music on them that had to be live-recorded every time. They were typically bought up by nickelodeons (I could make a whole post about those as well but I'll save you the Google and say they were basically old movie theatres that cost a nickel to attend) before they ever made it to households

To play and record wax cylinders, they made a whole machine for it called the phonograph—and you can stop right there, it's not the one you're thinking.

This one came before the record was even thought of, but it basically works the same as your regular disc phonograph. It was a large box that contained a holder for the cylinder, a way to turn it, a (usually) sapphire-tipped needle, and a horn to expel the sound. Some boxes also contained gears and motors to support two different speeds, which would thus alter how much music you could fit onto a cylinder (or disc). To explain how playing the cylinder works, I'll first explain the process of recording onto it.

To record on a wax cylinder, one would have to first purchase a recording needle and recording horn. These were usually sold with the machine, but the stuff could also be sold separately. When the motor starts and the recording needle is placed onto the cylinder, you would speak loudly into the horn. The vibrations from your voice, focused by the horn, would cause the needle to create very subtle waves and divots in the wax; this would literally scrape the wax off of the cylinder and create a bunch of string and dust you would have to brush away. These divots work in the same way that vinyl records do when you're playing them. You place the needle on the surface, turn on the motor, and the needle runs over those really small divots to replay the sound. Ignore the stupid watermarks this was the best picture I could find on short notice

Now, the problem with wax cylinders was that they could only hold about two to two and a half minutes of sound. The other problem is the fact that they're literally made of wax. The wax they used at first (beeswax and paraffin) was soft and squishy and not a very hardy material in the least. They're easily damaged, they melt, and with all the very small divots etched into the surface, any damage at all severely impacts the quality of the sound. Not only that, but even playing the damn thing is enough to ruin the quality of the sound if you use it too many times.

And guess how many times you can play it before it starts getting all messed up.

Just guess.

If you guessed twenty then you're correct.

As you can imagine, this was completely unacceptable, and the softer wax was eventually changed to a more hardened wax, which could be played over a hundred times. But even that wasn't enough for our cylinder overlords, and they started producing hard plastic cylinders made of celluloid instead that could be played thousands of times (pictured below)

(Also it's called gold moulded because this was when cylinders could now be mechanically mass-produced using the mold from a single master cylinder)

Now I know I was just shitting on the wax, but the one good thing about it is that because the cylinders were very thick and soft, you could shave it down and re-record onto it like it was new. Not so with the plastic. But hey, the good thing about plastic is that it's damn near permanent and it's harder to break. This is also around when they started introducing new colors that you could get the cylinders in. Any shade between brown and white was the OG wax color, which they changed to black when upgrading to celluloid, but they could also produce cylinders in blue as long as people were fine with having slightly reduced sound quality.

Things were good. People loved their cylinders, loved playing them, loved buying and recording on them, it was great

But then in 1912, the pesky phonograph disc was invented and it completely took over the market.

We're mature enough here to admit that the cylinders are bulky and spatially inefficient. There was a new version by this point that could hold up to four minutes of music, but it was no match for the novelty of the disc phonograph and the ease with which someone could make a larger or two-sided disc to completely swamp that length. Discs were cheaper, easier to use, and easier to store. We were no match for them

Although Edison still supported owners of the cylinder phonograph with new tracks, they were recorded off a disc phonograph instead of live, so the quality was actually worse than it used to be. The cylinders fell out of style a few years after the discs' corporate win and their popularity slowly declined until their discontinuation in 1929. So all in all, the wax cylinder survived for 41 good years but became completely obsolete in about 24. Which is actually not bad for a piece of technology like that? It's probably a prime example of the exponential boom of technology getting infinitely more advanced and infinitely more quickly. Like I don't know what modern, highly-consumerist thing can manage to stay relevant for 24 years, that's just insane to me. Like even CDs started getting the shaft at around 19 years

Anyway RIP the wax cylinder I love you

[terapsina]

Ask Game: Agatha All Along:

Fandom: 1, 17

Ship: Agatha/Rio (Vidarkness): 7, 10

Character: Agatha OR Rio: 6, 7, or 8

(from this ask game)

Fandom:

1. ...the moment in the story that I started shipping my OTP from this world.

That whole scene where Rio blows in the door at just the most dramatic moment and the following throwdown fight made me pay attention. But this sentence? This sentence was a direct hit to alllllll my weaknesses.

It immediately gave me so much delicious information. Like, despite all that 'I want to see you burn... or hang... or drown' aggression? that this woman clearly was utterly gone for Agatha.

*be still, my beating heart 😍*

17. ...the world-building aspect of the story I have the greatest admiration for.

That SONG. I adore the way they used The Ballad of the Witches' Road in this show in so many ways. The way we kept getting different versions and the way they were so slightly and significantly different based on the purpose behind that particular version.

Like how the Sacred Chant version was all about the community of witches (and the way that hid the trap Agatha had used for centuries).

The way Lorna's version was full of a mother's unconditional love for her daughter and the lengths she'd go to for that love.

The way Nicky and Agatha's version was about their coven of two (and how even while Nicky was alive, the way Agatha had already kinda corrupted it even as her love for her son remained the one true thing about her).

Just. The way the song informed every aspect of the story... it's frankly incredibly impressive.

Ship:

7. ...the scene that I like to point to as proof that they're perfect for each other.

I could probably choose literally ANY of their scenes to make that particular point but I really like this one.

Like. Agatha has been angry and avoiding Rio for centuries. Rio has recently made it clear she wants Agatha dead (though admittedly knowing her nature this is basically at least 70% her wanting Agatha back).

But despite that, as soon as they know they have to do this particular ritual both of them know THEY are going to be the ones exchanging the brooms. They don't need to talk about it, or discuss it, or consider it, it's just... instinctual.

They are just always on the same wavelengths and it's both beautiful and really tragic.

10. ...rate the level of stupid they reach in their pining.

I mean... *murder threats* followed by...

*Agatha trying to claw Rio's face off* followed by...

*Rio painfully reminded Agatha she's never going to get her son back, a day ago* followed by...

*Rio saying she HATES ghosts* followed by...

(obviously not... no, she took a calculated risk on being able to continue irritating Rio for the next eternity).

Also just... we have one case of a dum-dum who fell in love with the literal embodiment of death. And another case of a literal embodiment of death who turned full dum-dum because she met a very pretty witch.

They're SUCH dumb. I love these pining idiots SO MUCH.

Character:

6. ...the scene that I think shows just how awesome they really are.

(I'll answer this one for Rio)

This is really boring of me maybe, but like.... how do you top a badass show-stopping moment like THAT?

Rio Vidal. Full Lady Death, everyone! *cheers and applause* *CHEERS AND APPLAUSE*

7. ...the scene that I think adds depth to their character or the relationship this character has with someone.

(...and this one for Agatha)

This scene just... shows that Billy doesn't just remind Agatha of her son... he reminds her of herself.

At the end of the day Agatha is a survivor, and so is Billy. And that both connects and differentiate them. And I just find that very interesting.

8. ...a headcanon I have about this character.

(...and Rio again)

Rio absolutely lied about being pulled onto the Road by their summoning spell. She's Death, she could have shaken that thing off with the flick of a pinky but was she really going to waste an opportunity that good?

[lasandra]

Super Massive End Game Veilguard Spoilers Under the Cut!

Seriously. If you haven't finished playing Veilguard, DO. NOT. READ. So I finished DA:tV and I have been really trying to sort out my thoughts... And well...

Sdlkajshdfklajhsdfklajhsdflkjahsdklfjhaskldfjhaskldfhj I CAN'T!!! My dudes I am SO conflicted!!! Solas is the only character I have ever come across that I both love to pieces and want the best for him but I also want to beat him until he is a puddle of bruised yolk and cracked shells. This dude KILLED VARRIC FOR REALSIES! I am not okay with that. My Hawke's GOING to hunt him down when she finds out. If the Tevinter Magisters can get into the Black City then dammit so can she. And when she does, I am not sure even Lavellan can save him. Amelia (My Hawke) has lost so many of her friends/family/loved ones she can't handle this anymore. He also killed God's gift to elves Felassan. It's been over a decade since I read The Masked Empire but I don't remember there being a great reason other than him being upset that Felassan failed. Dude has GOT to stop killing his friends lol. Especially the hot ones. Like. Come on. As if that wasn't enough, he manipulated Rook. I love my first Rook (Carwyn de Riva) so much that I am STRUGGLING to play another playthrough with any of the other Rooks I had planned. To see that he manipulated her with blood magic... Stopped her from being able to mourn Varric with the others properly.... AND tricked her into that prison??? He didn't think she'd be able to get out. Luckily she had plot armor because if she hadn't gotten out I would find a way into Thedas to rip him apart myself. *Aggressive breathing noises* I feel very normal about this, obviously. Seriously though, guys, I came THIIIIIIIS close to tricking him with the fake dagger even knowing that Lanaya (my Lavellan) wouldn't have gotten her happy ending. JUST so I could see the LOOK on his face when he realized ROOK outplayed him at his own game! At the SAME time however... The idea of sending him into the Black City alone... hurts me lol! I don't want him to suffer. Dude has suffered a lot and honestly, I'm not entirely sure his being a friend-murdering ass is *entirely his fault... The longer I sit with everything, the more certain I am that Solas didn't really have a choice. Seems very much like he was sort of bound to the will of Mythal. Maybe I've missed something, I'm not as lore-savvy as I once was. But in the end when Mythal tells Solas that she releases him from her service and only THEN (NOT when Lavellan BEGS him to stop) is he willing to do the right thing? I don't know. It just reminded me SO much of his personal quest in Inquisition where his Wisdom Spirit friend had been bound and twisted against its purpose. If it works anything like what we saw in Inquisition with whoever drank from the Well of Sorrows, who's to say when something was him vs the will of Mythal? It could be a bit of a stretch but, there's certainly room for that interpretation, I think. And if that's the case, then he doesn't deserve the hell that awaits him. It's also the only interpretation I can really accept Lanaya still wanting to be with him. Varric was her friend too. While forgiveness is something I give freely, I cannot imagine reconciling with a man who did what Solas did without him having been essentially forced into doing it. *Sighs deeply* I saw the different versions of his endgame images... Shit man. The only way this man gets a happy ending is with Lavellan. Dude looks so miserable and gloomy in all the other endings. Moire (Trevelyan) was Solas' friend. She wouldn't want to send him off to be alone in such a terrible place. That would seriously eat at her. (Rook wouldn't care. Her give a damn was busted after he betrayed her for the twenty-billionth time.) It can never be anything but a complete and utter rollercoaster with this man! I do think that the ending I got with him was as good as it possibly could have been though, given everything. Sorry for this really poorly written rant. I needed to get this out of my system and it's almost 3am lol.

[sarahreesbrennan]

Three important questions.

One: Are Alice's memories of the series she read erased and replaced with the one Rae was in, or does she reread it and get confused as to how it changed.

Two: what perspective was the book that Alice and Rae read in? Was it alternating? Was it Key? or Lia? what was the Time of Iron POV actually?

and Three: In Long Live Evil, who jumps for the Chicken, and who jumps for the Beef?

One: … you’ll see. :)

Two: I appreciate the differentiation between the book Alice and Rae read, and the other versions, because I think they all had different (though overlapping) POVs. All were multiple-POV narratives.

There are excerpts of ‘Time of Iron’ in the book, so you can see some POVs - Lia’s. Also omniscient. Also Emer’s.

Octavian and Marius and Vasilisa and Key among others (some of whom we haven’t met yet, some who we have) all had POVs, too, in my mind. Like many an epic fantasy book, I was thinking about a lot of head-hopping to expand the world - and adding many POVs as we go. (And yes we will be adding points of view…)

But, for instance, we saw more of Marius’s POV in the version before the one Rae and Alice read than in the version Rae and Alice did read, because the changes to the narrative shifted Marius’s place in the story. How does one become a villain, a hero, a love interest, a side character, a victim, a murderer with a shadowy motivation…

Three: I had to look this up and I am still confused by it (I do not and will never get video games, ask me how bewildering I found much of isekai conventions when I went on my post-first-draft-of-LLE isekai reading spree) so I shan’t answer on the grounds it will make me look silly. :) but I am always glad to see awareness that life and class are a rigged game.

Thank you for lovely and thoughtful questions! I know I played it coy for one and three, but I hope two was satisfactory.