#but welcome any fandom

[sulkybender]

What's the fic you would write if you had the energy for it? Ambitious, complex, novel-length—the fanfic you'd make if you could.

[a-scary-lack-of-common-sense]

Me when I really want to draw fanart for a fandom because it looks so cool, but I haven't the slightest idea about any deeper lore than surface level plot and symbolism

[mistfallengw2]

OC's Background Relationships Ask Game

Send an ask with OC + emoji (or the corresponding text), get a short ramble about the relationship of that OC with the corresponding side/background characters!

🎲 - Biological parents

👑 - Person who raised your OC and/or was important during their formative years

❓ - Estranged family/relatives they've never met

📎 - Siblings/close family

✨ - Children (current or future)

💎 - Chosen family (including warband)

🧸 - Childhood friends

🏆 - Best friends (past, current or future)

💌 - First crush/love

💋 - First kiss

🌹 - First relationship

🌶️ - First intimacy

💍 - Partners (current or future)

💔 - Exes

🍑 - Notable flings

✏️ - Classmates (including other cubs at the fahrar for charr)

⚙️ - Coworkers/boss (krewe/other charr outside of warband)

🐾 - Pets

🔪 - Enemy/nemesis

💢 - Person they can't stand

⚰️ - Someone they lost (not necessarily dead)

🩹 - Someone who was a source of trauma

🗑️ - "It's complicated"

©️ - Bonus: Canon NPC important to them

[Note: doesn't have to be in-depth, and if something is not applicable to an OC, you get to reroll!]

[leclerity]

stupid gets you killed

Charles Leclerc x Girlfriend!Reader count: 1.1k words summary: Charles and you have an emotional conversation after his reckless driving at a race. a/n: a short but angsty one, with a happy ending!

It could’ve been the end.

The way it felt, it almost was.

You watch as the red of the Ferrari and the green of the Aston Martin come close, inches apart, with Stroll nearly putting it in the back of your boyfriend’s car. Everyone around you gasps and for a split second, you see them touch and Charles’s car fly off into the grandstands – but that doesn’t happen. They don’t touch. Charles drives away unscathed, though you know that won’t be the end of it.

“That was too close,” says Arthur, shaking his head at the screen.

“He won’t like this too much,” you say and grab a pair of headphones lying around, listening in.

Everything is okay with the car, Bryan Bozzi says.

That was not okay! Charles screams. Who does he think he is?! Driving like an idiot… He should know better!

Keep your head calm, you’ve got forty laps to go.

You take off the headphones and tell Arthur what you just overheard. He shakes his head again, but you both know there’s nothing the two of you can do about it. Charles has been under pressure, ready to burst at any given moment, running second in the championship with maybe—maybe—a chance at something more. Anything that threatens it… Well, it throws him off.

You’re just waiting for the moment it happens.

The race keeps running, you listen in to the radio every so often, and his complaints and agitation are getting more obvious. He’s driving riskier, not caring enough about tyre management, and there’s a few moments when his car gets a little too close to another car.

He finishes in fourth. It’s not where he wanted to be but it’s better than out of the race, you tell yourself. There was a few moments where you held your breath, waiting to see if the anger is going to slip into careless mistakes, and it made you angry. Your boyfriend is better than this.

When he finishes the race, you run straight into his arms. “You did so well! I’m proud of you.”

“I could’ve done better,” he says.

“I know,” you say, and kiss him again. “Next time.”

Charles kisses you, too, before going to speak to others in the garage, keeping one eye on you at all times. You know he’s being hard on himself, but you see his clenched jaw, sunken shoulders, and you know this is going to be a tougher one than usual.

He’s in your orbit the most of the evening, glancing at you even when he’s in the media pen. You can hear some of the questions he’s being asked and a lot of them are about the incident and about his dangerous driving he nearly got a penalty for, and you can already hear the regret in his voice. He looks at you every time it comes up, as if he already knows how much it upset you.

At your side, Arthur gives you a nudge. “Are you going to talk some sense into him when you’re back at the hotel?”

“Maybe. I haven’t decided yet.”

“That was scary.”

You nod. “Too scary. I get the pressure and all, but…”

“Yeah,” Arthur says, “I don’t want to feel like I might lose my brother because he’s being angry and stupid.”

When you get home, you get dinner – he does the perfunctory celebrations and goes back to the hotel, where you’re waiting with him with your guys’ favourite takeaway. He had some time to hang out with the other drivers and now it’s time to hang out with you… But not before you give him a piece of mind.

He knows something’s wrong the moment he enters the hotel room.

“Did I do something wrong?”

“No,” you say.

He frowns. “Okay. You sure?”

You give him a long look.

Charles sits down next to you, looking exhausted but ready to devour the food – but he doesn’t. Instead, he sits with his elbows on his knees, hands held together. “It’s the race.”

“Mhm.”

“That’s why you’re giving me attitude.”

“Mhm.”

“Is it because of the Stroll incident?”

You shake your head. He should know better and he does, it will just take him a moment.

He sighs and leans into the couch, a defeated look on his face. “I should’ve handled it better, right?”

“Yeah.” You put a hand on his thigh. “Driving like that, Charles… You could’ve gotten hurt.”

“I would’ve been fine.”

“You don’t know that!”

“Babe—”

“Don’t babe me,” you say, shaking your head. “You got angry and…. Anger makes you stupid. Stupid gets you killed.”

Charles opens his mouth and closes it, knowing fair well that there’s nothing he could say in his defence that would make you change your mind. He sees it all on your face, you know it – the terror you’d gone through waiting to see if his anger will make him slip up, make a mistake; the threat of losing him.

He takes your hand in his and kisses the back of it, before placing it on his chest, right where his heart is. “Y/N,” he says, gently. “You’re right. I’m sorry. I shouldn’t have let my anger get the best of me.”

“I just… I don’t want you to get hurt.”

“I know.”

“It frightens me.”

“I know. I’m sorry.”

“I just—The thought of you—”

“I know. C’mere.”

Charles gives your hand a gentle tug and then your head is on his chest and his arms are wrapped around you, keeping you warm and safe. “I’m sorry for scaring you. My job is scary, but I shouldn’t make it any more difficult than it already is.”

He kisses the top of your head and you feel a few tears escaping down your cheeks, and he holds you even tighter.

“I’ll be less angry next time, I promise,” he whispers. “Less stupid. For you. Okay?”

You nod instead of answering, and he pulls your chin up with a gentle finger, and then he’s wiping your tears and kissing you gently, promising over and over again to never make you feel like that again – and he doesn’t.

[darkmuffinstudios]

Insanity test (my own personal insanity test haha)

[mothmothwoth]

Welcome home neighbors! Hits you with the goobers being silly this update!

[amiscreations]

✨Flowers underneath us now

Towers underneath us now

We walk above the city

You and I✨

[basilbots]

Manifesting that by the time Moon actually decides to be there for his brother (which to make it crystal clear all this would entail is physically being there for Sun, he doesn't need to know what to say just sitting with him in the same room is an honest and welcome show of support that Moon has not attempted at all) Sun has gone off to hide somewhere so its too late

[oddishblossom]

To shatter Itoshi Sae’s dream. That’s why I play soccer.

ITOSHI RIN — BLUE LOCK S2 EP33: Night Snow

[akuisinsane]

"I like cult of the lamb!" "But I don't like narilamb"

[adeptune01]

Tma and Wtnv would be 200 episodes shorter than they are if Arthur from malevolent was the main character cause he’d just beat the shit out of anything weird that looked at him funny then skip town before anyone thought to stop him and that’d be that

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!

[rebornofstars]

hello!! just wondering whether anyone would be interested in a September-based art & writing event focussed on celebrating the female characters in the LU fandom?

i've been thinking about trying to organise something like this for a few months now, but i'm finally speaking up, because this morning i had an idea...

we could call it:

✨Sepfember✨

anyway, if you'd be interested in a september event, let me know!

[piploopsy]

w2h art dump ,, theze r all from like , maybe march? very old but i have no new onez to share..😿😿

ill go back to sp postz after thiz i just need to get the w2h out of my system sometimez hehehehehehe