#but this is the thesis statement

[pillowfriends]

Moiraine is the character of all time. unflinchingly devoted to a cause. self-sacrificing. sad. sapphic. master manipulator. socially awkward. coldly angry and hard and ruthless, but still soft and loving and caring when she's able to be. queen of emotional repression. genuinely what more could you want

[seasononesam]

 I mean Lucifer needs the moose. He’s not going to kill him, probably.

[sadclowncentral]

What uh. What's the frog story 👀

back when i was in second grade, my elementary school organised a school market with every class selling their crafts for charity. the contribution of my class were hand-sized ceramic frogs we made in art class. each one of us made one of them to be sold for five euros a piece (this is important later). the quality of the frog i made varies drastically based on who is telling the story, and for reasons that will become very apparent later there is no way to check, but i stand by the fact that it was average looking, if a bit wonky.

the day of the market arrived, and all frogs were bought within minutes, snatched up by enthusiastic and proud parents. all except - mine. because my mother hates spending money on unnecessary things, and she hates children's crafts even more. so she - loudly and vehemently - refused, in her thick eastern european accent, to "spend five euros on an ugly frog".

i will never forget seeing my ceramic frog alone on the slightly wet cardboard, surrounded by the imprints left behind by the already sold frogs. all the while other parents are getting more and more agitated, trying to get my mother to put the frog out of its misery. eventually, she budged, and spend five euros on a wonky frog. she was absolutely furious about this.

so furious, in fact, that when we came home to where my father was remodelling the kitchen, she WALLED IT IN. that's right. she cask of amadillo'd that poor ceramic fool. put him into the open wall and slapped concrete over it faster than my poor seven year old self or my dad could protest. out of pure anger over loosing five euros. and that's where it remains, until this day.

my mom hates when this story is brought up, which is why we bring it up all the time. she also thinks she what she did was right, because "do the other parents know where the frog is? no. only your creation is safe. because i love you." morally, i would disagree, but on a pure factual basis, she has a point.

i made her another ceramic frog for her last brithday, which was not buried like some pharaoh, and everytime guests compliment it my brother loudly goes "oh you should see the other frog he made" and when they ask to see it, he points at the wall. this is hilarious to him and infuriating for my mother. and that's the frog story.

[greenbloods]

asoiaf thesis statements

The common people pray for rain, healthy children, and a summer that never ends. It is no matter to them if the high lords play their game of thrones, so long as they are left in peace. They never are.

Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armour yourself in it, and it will never be used to hurt you.

The land is one.

"What is the life of one bastard boy against a kingdom?" "Everything."

Men's lives have meaning, not their deaths.

We were king’s men, knights, and heroes...but some knights are dark and full of terror, my lady. War makes monsters of us all.

When I'm king in my own right, I'm going to outlaw beets.

[knifearo]

this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...

[aaarmand]

[polarsirens]

plight of the honeybee

[kyoshi-lesbians]

The Blind Bandit | The Bullpen

[video description: an amv of Toph as the Blind Bandit set to The Bullpen by Dessa, focused on her earthbending skills fighting in Earth Rumble VI. the ending sequence shows her leaving her home to join Aang, Katara, and Sokka. end description.]

forget the bull in the china shop / there's a china doll in the bullpen

[theblob1958]

when you hate a woman for 20 years then 7 years post-gay-divorce you find yourself saying this shit to her. it's OVER for you it's so over

[rorygilmcre]

people who don't like the beach aesthetic of 1989 tv don't have an emotional attachment to these visuals I guess ??

[pygmypouter]

This place is a message... and part of a system of messages... pay attention to it!

[mayasaura]

Guys. The cows were about how if people don't like you or don't want to listen to you, they'll decontextualise your actions and use them to discredit you in any situation. How doing one (1) memorable bad thing can be held against you forever. The cows are about looking a council of world leaders in the eyes, telling them we're all being robbed of our futures by megacorporations, showing them the receipts and numbers and photographic evidence, and being told none of your arguments matter actually because you're The Cow Guy.

The cows are about how people don't forgive, not really.

[superb-fairywren]

The "neurons touching" hand sign the Action Heroes keep using looks similar to the ASL for "friends"

[crimeronan]

this is exactly what i sound like talking about Every fictional relationship i'm obsessed with.

[doctorprofessorsong]

"Dean's core is a hurt child with a thick shell of bravado"

😭😭😭

Gonna go think about baby Dean and his big leather jacket again. He wants everyone to think he's tough and has it all under control. He's scared and alone and wants to be seen and loved. Love of my life, Dean Winchester.

[acertifiedmoron]

"dragons plant no trees" gets thrown around a lot as fact, but i think the veracity of that claim is still up for debate in the books. because dany (like bran and jon and many others) is a narrative symbol of hope and rebirth within the series because of her connection to dragons and fire, not in spite of it. this is because dragons in asoiaf have a much more expansive narrative function than simply 'nuke metaphor'. the 'exclusively weapons of war' image they have acquired breaks down immediately if you recall that the first thing dany does with them is begin dismantling an unjust status quo. she rallies the unsullied at the gates of astapor with cries of dracarys! dracarys! freedom! <- dragons as a symbol of hope and freedom for the persecuted. and obviously they've been built up as an oppositional force against the others. we're told when the last dragon died summers became shorter. in that respect the dragons, or more specifically, fire which is warmth which is passion—very much embodies life against the numbing, deadening threat of eternal winter that the others represent. but fire also consumes, which simultaneously makes dragons agents of destruction, or as adwd shows: the monsters who eat little girls and leave behind their bones. but when dany found herself chained to a false peace which effectively undid her cause in meereen, it was the dragon that rescued her and reignited her fire to fight back—which is to say that dragons represent a wealth of contradictions within the text and this is likely something grrm means to parallel with the others to some extent, by questioning their apparent narrative role as the one true evil. because i doubt the series is gearing up towards a spectacle-esque battle wherein our heroes get to practice righteous, easy violence on a monolithic army of monsters. that feels like it would undo a lot of asoiaf's preoccupation with investigating violence against socially acceptable targets, even if said target is ice sidhe. and this binary between a one true good and a one true evil, i.e. melisandre's philosophy ("if half an onion is black with rot, it is a rotten onion. a man is good or he is evil.") is not something the story takes as given.

instead there's this exchange between bran, jojen, and meera in asos: "but you just said you hated them." / "why can't it be both?" / because they're different. like night and day, or ice and fire." / "if ice can burn. then love and hate can mate."—and i think it's talking about reconciling two conflicting ideas. because the dream of an eternal summer is just as unsustainable as the threat of eternal winter. i think the battle for dawn is more about questions of seasonal harmony. the first line from agot's summary says, "long ago, in a time forgotten, a preternatural event threw the seasons out of balance", so it's not totally out of question for the series to end with that seasonal balance restored once more. and that question of balance and how it can be achieved then works as a metaphor for a bunch of other things. because asoiaf at its core is very interested in exploring big contradictions, like love and duty? how do you keep all your oaths without betraying someone you love? how can one hope for a just, rightful ruler in a world where the systems in place can never allow such a thing? how do dragons plant trees?

you cannot frame dany's arc as a binary choice between planting trees or embracing (dragon)fire. because the fire is hers, it is a part of her, that's who she is. and her character has always existed outside of rigid dichotomies. at the end of agot she had two options, resign herself to a life of seclusion as a widow or die with the last of her family in that pyre, instead she performed a miracle. presently, i think grrm means to explore necessary, revolutionary violence with her arc because you cannot deal with institutional slavery by simply negotiating with slavers like she does in adwd. and the consequences thereof because she's also been set up to be more reckless with dragonfire in the future. but i think there will be an eventual reconciliation there, between her dreams "to plant trees and watch them grow." and her role as the mother of dragons, as a revolutionary figure. because if ice can burn, then maybe dragons can plant trees. they'll learn how to.