#but this is important to me and i just get so bored and tired of the 'if u like endeavor ur an abuse apologst' narrative

[14dayswithyou]

Some long-term followers may have noticed this subtle shift already (especially those who are in the 14DWY Discord server or have read this post), but I figured I'd make it official.

I'm no longer associating myself with the yandere VN community.

The TLDR is that the energy here really fuckin SUCKS!! And I don't want to be part of something so hostile and needlessly competitive.

The constant infighting and epicaricacy between communities is deeply upsetting, and it's very disheartening to see aspiring developers cancel their projects because of the unwarranted backlash and harassment they face.

Some entitled folks on here reeeeally need to understand that constantly harassing others for updates, encouraging developers to belittle others to make themselves/their project look better, complaining about a project not meeting the expectations you specifically put in place, attacking other communities because of the parasocial relationship you share with another developer, getting mad that you chose to ignore important PSAs or warnings and faced the repercussions, or even sending in hate messages on anon because you're bored are not things you should be doing — let alone be proud of.

I try to avoid bringing up these topics as it's not the vibe I want to have on this blog (nor do I want to negatively contribute to the Streisand Effect and blow things out of proportion), but I'm genuinely getting tired of being on the receiving end of all this harassment and negativity, seeing it happen to others, and watching other indie developers encourage such vile behaviour. I'm done.

For those wondering what this means for "14 Days With You": for the most part, everything will still continue like usual. I've said this from the very beginning, but 14DWY is just a passion project I pursue whenever I feel like it. It's something I do for fun as a hobby — not because I want to publish a well-known game or turn it into a career. I've been on Tumblr for over thirteen years now, and it's taught me how to grow thick skin, so everything that I'm yapping and yammering about won't stop me from working on 14DWY.

However, this does mean that I won't be as interactive with other developers or their communities anymore; many ill-natured people have ruined this for me.

Because of them, I'm no longer able to voice my opinion on other games without some opinionated rat whispering in my ear about how the developer is "problematic" or that I could get cancelled for simply following them on Twitter. I can't interact with certain games without its parasocial community becoming hostile or gatekeepy towards anyone they don't like. I've seen communities belittle and devalue promising demos because in their eyes, nothing can compare to their favourite game (or their favourite developer). I have been harassed, bullied, and doxxed by other communities and have seen the same thing happen to others as well. I've heard about the developers who weaponise their community's loyalty to attack and drive out their competition. And I've witnessed more than enough developers expressing how badly they want to take a hiatus due to how much unwarranted negativity they receive, but don't want to disappoint their community by doing so.

By saying all of this, you can understand why I dislike being here so much, as well as why I no longer find any enjoyment in interacting with the yandere VN community.

Many people here — fans and developers alike — are so needlessly pushy about their standards and personal opinions being the norm, and if anyone else goes against them, they'll purposefully try to ostracise and bully them out of the community. This place isn't as laid-back or inclusive as it used to be, and I don't want to be associated with a community that acts so hostile and aggressive towards anyone who shares a differing opinion — nor do I want to be part of a space that caters towards developers who'll tear down others in order to have a moment of relevancy.

We're all doing our own thing and making our own games; it shouldn't be a competition. But if you see it as such, then I urge you to take a moment to stop and rethink your actions — or, at the very least, understand how it's affecting you and others around you.

So until there's a reasonable change and people can go back to being less... demanding, hypercritical, and gatekeepy about who interacts with what, I'll be stepping away and continuing to stay in my own bubble, as I have for the past two years now. I've already unfollowed everyone associated with the yandere community many months ago, but I think I'll just unfollow everyone entirely now for my own peace of mind. I will also no longer be interacting with any yandere VN communities (aside from close friends), nor will I be as public with my interests from this moment on. Everything on this blog will be strictly related to 14DWY like usual, and I will continue to block and report any spiteful "anons"/burner accounts sent my way and delete their messages.

Again, this isn't really much of an announcement — it's more so just paragraphs of me bitchin and moanin 🫶 — but I wanted to get this all out there instead of leaving things unsaid and having people come to their own conclusions as to why I've suddenly become less active, less optimistic, and why I've stopped engaging with a majority of the yandere community in the last two years.

So, yeah... ^^; If there's anything I want y'all to take away from this entire post, it's to be kind, open, and understanding towards everyone — developers and communities alike — and to spread support rather than negativity. It's what I want my own community to be known for, so please be mindful of how you treat others online.

And if you find yourself being surrounded by constant toxicity and negativity (be it from friends, mutuals, or even other developers or communities), please don't feel ashamed to step away or cut them off entirely. Put yourself and your mental health first. I also think it'll be good for me to leave all this negative energy behind and continue to kick off 2025 in a better light, so if y'all need to let out any frustrations of your own, feel free to go ham in the replies (obviously, be kind and civil though jghsjg T_T)

[not-neverland06]

𝚃𝚑𝚒𝚜 𝙻𝚊𝚗𝚍’𝚜 𝚈𝚘𝚞𝚛𝚜

Pairing ˏˋ°•*⁀➷ Arthur Morgan x fem!reader

A/N: Oh. My. God. I am so sorry this got delayed so many times. This is such an important chapter to me, it plays such a pivotal role in "Y/N's" development that I kept scrapping it and starting over. I didn't want to give this to you guys until it was perfect, and I think I've gotten about as close as I can. I'm predicting one more story chapter and then possibly one short epilogue.

Next Part - Hell Hath No Fury Series

Summary: Arthur's gone and you're own once more. The familiar ache of grief lingers as it always does. But the clouds must always part for light. Through death and grief, you still manage to find yourself.

It always seems to be cold at night, now that Arthur’s no longer there to keep you warm. You curl into yourself, knees tucked to your chest as you smother your face in the thin pillow on your cot. You press the fabric tightly to your mouth, trying to keep the sounds of your crying out of the other’s dreams. 

There should be no surprise that you’re on your own again. Beating a dead horse doesn’t make it move, but somehow, you keep finding yourself tangled in the reins, dragged along by the memory of men who’ve long since let go. You wonder, sometimes, if your life is one bet of many between god and the devil, seeing which one of them can get you to break first.  What you could have done to draw their ire, you don’t know, but you’re not sure how much more pain and loss you can handle. Your lifetime is filled with the empty graves of those you’ll never see again. Now, Arthur’s is just another headstone to add to your endless cemetery.

You worry that you’re too loud on the harder nights. But no one’s ever complained that they hear you crying and you figure they’re all probably too busy mourning in their own way to notice the way you do. 

Abigail is practically an empty shell of herself without John. As much as they fought she doesn’t seem to know what to do with herself. Especially knowing he’s in jail, destined for the noose, and there is nothing she can do about it. 

Karen’s not doing much better. With Sean in jail alongside John, she’s fallen to the drink. She’s adopted a fatalist view that, without Dutch, you are all doomed to die at the hands of the Pinkertons. Sometimes, looking at the depressing faces of those around you, you think she might be right.

Stuck out in the middle of nowhere, with only two rotting cabins between what was left of the gang, you are a far cry from the fearsome outlaws you once were. This is no longer the Van der Linde gang. Now, you’re barely any better than a group of desperate wanderers. 

You know sleep won’t come to you tonight, you’ve been tossing and turning for hours. Any longer and you’ll wake everyone else up. Wiping roughly at your eyes, you slip a blanket around your shoulders and head toward the creaking door of the cabin. You try to keep in mind that one wrong step and the groaning wood below you will alert everyone. 

Barefoot, you walk along the muddied planks of the porch and head towards what’s left of tonight’s fire. It’s not ever-burning as it once was. The gang takes care to ensure if anyone were to come looking for you all, you wouldn’t be such easy targets. 

You sink onto the log before the dying fire, with embers glowing faintly in the darkness. Sparks flicker and leap from the blackened wood, a futile effort to reignite the flame. Their struggle is in vain, though, there is no life left to kindle, no warmth to revive. The fire is gone. 

Light footsteps make their way towards you, but you keep your gaze steady on the flickering struggle before you. “I’m gettin’ real tired of this,” Sadie’s disappointed sigh is a familiar one as she comes to stand behind you. 

“Were you in town again?” You ask, ignoring the glare you feel boring into your back. She stares at you for a while longer before letting out a rough sigh and throwing herself down beside you. The log shifts slightly under her weight and you dip towards her. 

“I was,” she grumbles, something white balled up tightly in her fist. You turn towards her finally, eyes narrowed on the paper in her grasp. Her face is drawn tight, jaw set angrily as something vengeful burns within her gaze. 

“What is that?” You ask, tone inquisitive but not truly interested. Her eyes dart towards you before she shakes her head and tosses the paper to the dying fire. What’s left of it, licks eagerly at the paper, trying its damndest to burn brighter.

“Nothin’, don’t worry about it. Why can’t you sleep?” Her switch in conversation is quick and far from subtle. Your head tilts slightly in curiosity, gaze switching between her and the paper that’s slowly curling up at the edges. She’s hiding something, it’s easy enough to tell from the way she refuses to meet your eyes. Besides, she’s snuck into town plenty of times, you’ve never seen her come back this riled up before. 

You jump to your feet and she startles at the quick move. “Don’t,” she snaps, snatching at your wrist as you rush by her and swipe the paper from the fire pit. Sadie gets to her feet, hand held out with an expectant look as she waits for you to give her back to paper. When you don’t comply immediately, she says your name, voice low and tense, a warning. 

Lips curling up slightly in challenge, you leap back as she lunges for you, holding the paper away from her. “What is it?” You tease, curiosity curling over the lingering ache from earlier. 

She snaps your name again and you flinch back in surprise, “I mean it, don’t look at the goddamn paper.” You’d only been joking with her, trying to focus on anything other than Arthur. Now, there’s a familiar churning feeling of dread as you look at your friend. She’s not angry at you, she’s angry at the thin sheet you’re holding. There’s something on here she doesn’t want you to see, not for her own sake, but for yours. 

Your breath quickens, heart dancing dangerously fast against your ribs as you finally look at what’s in your hand. She hisses your name but you stubbornly ignore her, frowning when you realize it’s a torn-out piece of a newspaper. It’s a smaller article from the local St. Denis paper stand, talking about a ferry being lost at sea. 

“Oh, god,” you whisper, hand coming up to cover your mouth as bile rushes up your throat. You bite down on your tongue until the taste of iron fills your mouth, holding back the nausea. “This is him, isn’t it?”

Sadie lets out a rough sigh, shoulders slumping in defeat. “I didn’t want you to know.”

“You were just gonna hide this from me?” You nearly shout, taking one angry step towards her. Her brows turn down in guilt, mouth settling into a thin line as she shakes her head. “No? You weren’t?” You demand, tone rough with grief. “You were just going to wait until I put the pieces together myself?”

“Dammit, woman, you’re barely holding it together,” she barks out, snatching the paper from you once more. She turns her back on you, shredding it into pieces so small you’ll never be able to finish reading it. “I was going to wait until I didn’t think you were on the brink of completely fallin’ apart. Besides, it doesn’t say anything about the people on the ship, we don’t know what happened.”

“We never will!” The words tear out of you, a sharp, bitter exhale. A panicked smile twists your lips as you struggle to keep yourself upright. “Sadie, your husband is dead, you know that. You have your answer. I never will. I will never know what happened to him. And it doesn’t even matter because he left me!” Your voice cracks, a sob slipping free despite your best efforts to swallow it down. “I shouldn’t care about that goddamn bastard, but I do.” You turn away from her, shoulders caving in as you wipe roughly at the tears streaming down your cheeks. 

There’s a beat of silence behind you. You miss the way her face falls, her hardened exterior falling away just for a moment. She looks at you with something like understanding, pity more likely. She steps forward, her arms winding around your shoulders, trying to hold you steady through the pain. You struggle against her hold for a moment but she keeps her grip firm, forcing you to succumb to the small comfort. 

You sink into her embrace, breath hitching as the grief claws its way up your chest, relentless and unyielding. You can’t keep doing this. You aren’t made to endlessly love and lose, to watch pieces of yourself crumble with every goodbye. It feels as though there should be nothing left of you- no bleeding heart, no raw edges. And yet, every time you think you’ve reached your limit, life finds a way to push you further. 

But life, pain, and the ugly company of grief never stops or goes away, despite how much you wish they would. 

A few weeks later

Physical pains and ailments heal. There may be scars left behind, but for the most part, you can be wholly healed. Anguish of the mind and heart is a different beast to conquer altogether. That sort of pain ebbs and flows. It doesn’t slip away neatly. It comes and goes, sneaking upon you when you least wish for it. 

Distractions can dull the edge. The looming danger of death and the law from any of your multitude of enemies helps. But more often than not, the weight remains a leaden burden on your shoulders and a gnawing ache deep in your chest.

For now, the pain has numbed into something dull that makes you clench your teeth and hiss. But if you force yourself, you can find steady ground to stand on. You can keep yourself calm and sated, if you focus yourself on the anger rather than the grief. 

Anger comes easier than healing. It lashes out at the world and balms over the constant pain, if only for a little while. You find yourself getting into more and more fights around camp. The forgiveness of shared grief has its limits and you’ve been testing them for a while. You’re curious how far you can push before you’re forced out by the rest of them. 

Sadie’s efforts of finding a new place for you all to hide don’t go unappreciated. But this cabin feels like a cage, no matter how far you’ve come from the mud and chaos of the old abandoned camp.  The tight space presses against you, the silence weighs heavy against your chest and constricts around you tightly. You hear the faint rustle of the trees in the wind, but it’s a vacuous cavern inside. 

The memories of Shady Belle plague you like a ghost. The brief moments when you could almost forget everything pressing down, but now, that place, too, is just another reminder of what’s been lost. Memories of nights spent with Arthur or sitting outside and listening to Javier play his guitar are tainted with loss and rage. 

Sadie and Charles provide you brief comfort, but it will never be enough to make this place feel like home. You try to shake thoughts of Arthur, what the gang once was, and everything that came before. You’ve been running for so long, from your past and who you once were, but it feels like you’re being dragged right back. 

Unable to handle the suffocating silence any longer, you take Arthur’s bow out from the chest under your cot. You grab a handful of arrows and jump to your feet. Throwing the door of the cabin open, you stride past everyone lingering outside. A few people give you odd looks, but they don’t stop you from leaving. You’ve become a dark cloud around camp, your presence heavy and actions unpredictable. It’s almost a relief for them when you’re gone. 

Lady’s just as restless as you are, except the dumb beast doesn’t understand that neither of them are coming back. Charles doesn’t know what happened to Diablo or the other horses when he fled St. Denis and you’re not interested in looking for them. She’ll just have to live with the pain, same as you. 

“Let’s go,” you mutter, swinging onto her saddle and leading her out of camp. It’s as if a weight slips from your shoulder the further you get from camp. The tight grip constricting around your chest loosens and for the first time in days, you can draw a full breath as the world opens before you. 

The thick groves of trees thin and give way to sprawling plains of grass and wildflowers that stretch endlessly. Steering Lady off the trail, you ride her hard and fast, determined to put as much distance between yourself and those suffocating cabins. Dirt kicks up under her hooves, flying up behind you as she pushes herself to the limit. 

The world around you blurs into streaks of green and gold as memories and grief slip away from you. You lean forward over Lady’s neck, urging her to go faster even as she huffs beneath you. You’re racing the wind, chasing after a dream that’s been lost to you. The air lashes at your face, the sting sharp and cold. Your eyes burn and you tell yourself it’s the wind, even as wet streaks drip down your cheeks.

Bright beams of sunlight streak across the ground, illuminating the path forward. Morning dew glistening under the light, transforms the earth into a field of stars beneath your boots. You draw in a deep breath, letting the crisp air fill your lungs, and tighten your legs around Lady’s sides, signaling her to slow. Her chest heaves beneath you, each breath a puff of steam in the cold air. You can feel her desire to keep running, that shared, desperate need to escape clawing at both of you. 

But she’s exhausted, and no matter how much you’d like to keep going, you can’t push her until she collapses. You’re tethered, whether you like it or not, you’re always going to be pulled back to camp. It’s a cage and a haven. Though you hate the confinement, deep down you know survival outside of it might be beyond you. You don’t trust yourself not to wither in the wilderness alone. 

The sound of water rushing draws your attention and you turn towards a green hill rousing in the distance. Guiding Lady toward it, you crest the incline and slip off her saddle, letting her graze.

Below, a river carves through the land. Its rushing currents are strong enough to carry something away with no hope of return. You step closer to the edge, peering down as the sunlight dances on the water’s surface. It runs like liquid gold, unnaturally beautiful, almost hypnotic, like the siren call of a sailor’s doom. 

A herd of deer drift alongside the river, their presence serene and almost make the idea of simply drifting away, peaceful. Your foot inches closer to the edge, slipping on the wet grass, and for a split second, the earth feels like it’s tilting forward.  

“You don’t usually ride out this far.” 

The voice snaps you back, and you gasp, spinning around. Charles stands behind you, one hand on Taima’s saddle, watching you with a calm but expectant expression. 

“I can’t stand being there,” you say, moving toward Lady. Your hands fumble with her saddlebag, needing something to occupy them. His eyes flick briefly to the river, then back to you, his gaze sharp and knowing. 

“You’re not the only one.” He strolls to the edge and whistles softly.  “Far drop.” 

You keep your hands busy, pretending to rummage through your belongings. “I’m a good swimmer,” you tell him, voice flat. 

“Not that good.” His tone is clipped, a warning wove into his words.  

You let out a sharp breath and finally turn to face him. “What do you want, Charles?”

He shrugs, resting one hand on his belt as his dark eyes assess you. “Thought you might want some company.” He pauses, his voice lowering. “Or, at least someone to keep you from doing something stupid.”

You wince, knowing how it must have looked. You’re hurt and desperate, but you’re no fool. The river might be pretty, but you’re not looking to drown yourself in it. “It wasn’t anything like that,” you insist, and Charles gives you a sharp, assessing look. “Charles,” you snap, exhaling in frustration.  “Honestly. I just,” you take in a slow breath, shaking your head, eyes downcast. “I need a break.”

“Alright,” he says simply. “We’ll take one together.” He walks back to the cliff’s edge, dropping down to sit with his legs dangling over the side. He glances over his shoulder and motions you to join him. 

Your fists clench at your sides as you take slow, reluctant steps toward him. The dew on the grass seeps into your pants as you sit beside him, hands folded in your lap. Out of the corner of his eyes, you catch his profile, calm, steady, and scarred. 

The aftermath of St. Denis lingers on his face. A fresh scar cuts along his jawline, a reminder of how close he came to joining the others who didn’t make it. Yet, with some of them gone, he seems more at ease. Charles never agreed with Dutch’s grandiose visions, and though he and Arthur had a bond, it’s clear the gang’s collapse has freed him from some invisible yoke. He wears his hair in a braid lately, speaking with nearby tribes and helping them when he’s not in camp. 

If it wasn’t for some odd honor-bound obligation he’s got to you and a few others in camp, you don’t doubt that he’d be riding free by now. Still, he stays with you, and selfishly, you’re glad for it. 

A gunshot cracks through the quiet, echoing among the hills. Birds take flight from the treetops as a hunting group crashes through the grove below. They circle around the herd of deer and let their bullets fly wild. Their hounds snap at the flanks of the animals, jaws clamping around the soft throats of the doe. 

Charles scoffs, shaking his head in disgust. “You don’t kill the does,” he mutters angrily. “Just the bucks. These men... they have no respect for the laws of nature.”

You let out a sardonic huff of laughter, gesturing toward the chaos below.  “Welcome to the future of our country,” Your gaze drifts toward the horizon, where smoke from St. Denis factories smudges the sky. Even this far out, civilization stretches its claws, unstoppable. “The west is dying, Charles. The time of outlaws, of freedom, is being shackled and destroyed.”

You turn to face him, meeting the same burning anger in his eyes that’s been smoldering in your own for weeks. It’s the first time you’ve seen that fire in him so clearly- the shared, silent rage, you’ve both been trying to suppress. “Our time is over,” you tell him, voice low with finality. 

His eyes narrow, jaw tight with defiance. For a moment, he says nothing, but then he rises to his feet, his movements purposeful. “Maybe,” he says, his voice steady, “but not today.”

Without another word, he strides toward Taima, tightening the saddle and checking the reins with precision. “What’re you doin?” You call after him, brows knitting together in confusion. 

He gestures toward the hunters below, his tone sharp. “You want to do something stupid. Fine. But take it out on someone who deserves it, not yourself.” 

His words hit like a slap, and before you know it, he’s leading Taima down the hill. 

You linger in the sharp sting of what he said only for a moment. Jumping to your feet, you rush to Lady, adrenaline coursing through your veins as you mount her. With a kick of your heels, you follow Charles down the path toward the hunters, your rage finally finding a target. 

For the first time in a long while, the weight around your chest lightens. You might not be able to fix the world, but you can make sure someone pays for tearing it apart. And as you ride beside Charles, you remember why he’s still here. He’s not just keeping you alive, he’s giving you something to live for.

Sitting inside the cabin, the smell of venison drifts toward you. After the incident with the hunting party, you and Charles salvaged what you could of the herd. Neither of you liked the idea of anything going to waste. Some materials were given to the local tribe, and the rest have been feeding the camp for days now. 

Last night, you’d scoured the woods for herbs and other ingredients and discreetly left them on Pearson’s cooking table. You were growing desperate for a flavor other than plain meat. Judging by the faint smell of mint wafting through the air, it seems he finally took the hint. 

Propped against your flimsy pillow, you run your fingers along the worn leather of the journal in your lap. For weeks, you’ve toyed with the idea of opening it, of seeing the world through Arthur’s eyes. 

Here, in the rare serenity of a quiet camp, you finally give in. The journal is as you would expect, sketches, details of some of the more pivotal moments for the gang. Every once in a while you’ll find a sketch of someone and a brutally honest recollection of how Arthur thought of them. Some of them are less flattering than you would have thought, you’re almost worried for how he might have seen you. 

You make it through his entries about Blackwater, the sun setting lower in the horizon as the light from the window gets dimmer. Outside, voices grow louder as people gather around the fire for dinner. You force your eyes to stay on the page, blocking out their drifting voices. 

His entries after the mountains are almost amusing. He’s clearly frustrated about something, though, he skirts around directly addressing what it is. Only a few times are you directly mentioned, for the most part, he avoids writing about you. But you catch glimpses of yourself hiding in the pages. A half-finished sketch of your hand holding his, the beginnings of your face abandoned before he can finish. 

There’s an entry a few weeks after you acquired Lady. A sketch of her and Diablo grazing together, their noses nearly touching as they crane their necks towards the grass. Surrounding the drawings are small notes about herbs and foliage he’d collected on his hunting trips. Among those sketches, there’s a small blurb about the horses.  

Diablo seems to be taking a liking to Lady, odd pair, I think. 

An odd pair, you suppose there’s not a better way to put it. Something that never should have worked, a devil and a lady, yet it still clawed and fought to find its way. In the end, though, one of them was always going to be left behind. You can’t help but wish it hadn’t been you.

A rough sigh escapes you, and you flip past the next few pages. Then, you stop. A familiar pair of eyes stare back at you. 

You’ve changed so much since this journey began. Your skin is weathered, your once-pristine hair is now more often than not dirtied and knotted from the wind. Your body has grown leaner, stronger, shaped by the relentless movement and harsh diet. The woman in the red dress from St Denis was already a stranger, someone you couldn’t recognize. 

Even from Arthur’s view, you still don’t know her. The general shape of your face remains. You have the same slope to your nose, your jaw still tilts the same way. But your eyes are so different. He drew them with fire, with life, with a fight you had once thought yourself incapable of. 

You feel invulnerable as you stare down at her, as though her fire can be passed so easily to you. The feeling flickers and fades, replaced with the same familiar ache you’ve grown used to. 

You can’t make sense of it, how he could have seen you so kindly, and yet still walked away. 

“Got that look in your eye again,” Sadie’s voice cuts through the stillness, startling you. She leans against the doorway, one hand lingering on the revolver strapped to her hip. 

“What look?” You mutter, glaring down at the journal. It feels too raw, too personal to keep reading. Torturing yourself with thoughts of him isn’t getting you anywhere. He’s gone. You’ve faced death all your life- mourn, move on. That’s how it’s meant to go.  

“Angry,” Sadie tells you, voice soft and knowing. “Like how I looked after I lost Jake. You ain’t look like that when you lost your husband.”

You shrug, fingers tracing the lines of your face through Arthur’s eyes. “Arthur was nothing like my husband. He leaves something to be mourned,” you tell her simply. She watches you a moment longer, but when you get to your feet, her expression sharpens. 

“Going somewhere?”

“Out,” you reply curly, the cabin walls closing in around you. You’re growing tired of the suffocating way Charles and Sadie hover as if they’re both waiting for you to break again. That moment on the cliff, your grief by the fire, it was all a lapse of judgment, nothing more. You’ve fought too damn hard for your freedom just to throw it away because the men you love always leave you behind. 

“Need some compan-”

“No,” you snap, cutting her off. Your tone leaves no room for argument. 

You step outside, the balmy evening air clinging to your skin as you head toward Lady. You don’t know where you’re going, but that’s fine. You just know you need to figure out how to live for yourself. And you can start by riding. 

The moon hangs heavy in the sky, its light threading through the plains like silver threads. Clouds roll overhead, slowly swallowing the stars. You smell rain in the air, a promise of a storm tomorrow. You’re sure you’ll be holed up in the cabins tomorrow while it pours. 

For now, you have the trail and the night for yourself. You let Lady take the lead, her slow gait a soothing rhythm as you settle into the ride. Normally, you don’t risk staying away from camp overnight. There are too many lawmen and bounty hunters looking to make a name for themselves. Tonight, though, you make an exception. 

A loud whoop cuts through the stillness, yanking you from your thoughts. You pull Lady to a halt, eyes roaming the dark horizon. A lone rider crests the hill, silhouetted against the moonlight, his path set toward something hidden around the bend.

“Must be my lucky day!” He hollers, voice manic. There’s a flash, the sharp crack of a gunshot splitting the quiet, and a scream follows. 

You curse under your breath, driving your heels into Lady’s sides. The two of you round the bend in time to see the rider poking his head into a finely adorned carriage. The driver slumps lifelessly over the reins, blood pooling beneath him.

Grimacing, you draw back into the shadows of the hill. “Alright, ladies first,” the bandit taunts. He reaches into the carriage, his groping hand causing a shrill shriek before he’s grabbing a woman and tossing her into the dirt. You grit your teeth, tucking yourself further out of sight, hoping to go unnoticed.

The glint of his revolver catches the moonlight as he climbs into the carriage. From inside, the muffled sounds of arguing give way to fists striking flesh. The woman lies with her face obscured by her hands. She flinches and sobs with each punch landed and the noises make Lady shift uneasily. Her hooves snap against the dried brambles of a dying bush. 

“Damn horse,” you mutter, eyes clenched shut as the noises momentarily pause. 

“Who’s there?” He calls out. It’s barely a moment before his patience snaps and he fires a warning shot into the air. “You don’t want me to come find you,” he warns, voice low and tight. 

Knocking the brim of your hat down, you let out a resigned sigh and turn the corner, forcing yourself into the open. “Howdy,” you call out, trying to mimic the casual confidence Arthur used to have in moments like these. Bandits, outlaws- they all recognize each other through the ease with which they face situations like this. You only hope you’re a good enough liar. “Just passin’ through, friend, no need for problems.” 

For a moment, his gun dips to his side. Then, his face is twisting into a wide, erratic grin. “Nice trail isn’t it? Perfect for catching big fish,” he says, swinging the revolver toward the woman’s husband. She whimpers loudly and grasps at the slumped-over man. You can hear his shallow, wet breaths from where you sit. 

“There ain’t no need to shoot ‘em,” you tell him, voice steady despite the tension coiling around you. “There’s a fence not far from here, you’ll get more money selling that carriage than you will killin’ them.”

He crackles and it makes your skin crawl. “Where’s the fun in that?” He sneers, cocking the hammer back as he points the gun at the woman. 

This man laughs, taking far more pleasure in tormenting others than in the act of robbery itself. He’s malicious, sadistic—the very picture of a perfect outlaw. For a fleeting moment, he sees something in you, thinks you might be cut from the same ruthless cloth. But he’s wrong, and there’s something exhilarating about stepping beyond the mold your family and husband once shaped for you, discovering who you can be on your own terms.

Your hand drifts to the revolver on your side, slowly easing it out of your holster. His head snaps toward the sound of you pulling the hammer back, but it’s too late. From your spot atop Lady, all you see is blood splatter as his body drops to the floor. The woman screaming lets you know you hit your mark near perfect. 

Opposed to the man now bleeding out in the dirt beneath you, there’s no thrill in the kill, no satisfaction. Just the cold thrum of your nerves, the slight tremor in your hands as you slide off Lady and stride toward the couple. 

With the bandit dead, the woman’s husband seems to make a miraculous recovery. He springs up, blood still streaming along his chin. “Thank God for you, sir-”

He stops short when you tip your hat back. Perhaps his ears were still ringing from one too many blows, dulling his senses, or maybe he was simply too pigheaded to grasp the fact that he’d just been rescued by a woman. You level him with an unimpressed glare. “Not a problem,” you say flatly

“Oh, good heavens,” the woman gasps, whispering your name with a startling familiarity. You freeze, eyes wide, as your blood runs cold. 

Elsbeth Morton. 

You’d know the voice anywhere. Of all the people you could have run into, she’s the last you’d ever want to see. Your tormenter through finishing school. She used to cut your hair in your sleep, stain your dress, and make your life a misery for sport. 

Her sneer hasn’t changed, though the lines around her mouth suggest her spite has only deepened. “Well,” she drawls, voice laced with faux pity, “I see nothing much has changed for you. Still scrounging out an existence in the dirt, are we?”

Your jaw tightens. “Elsbeth,” you grit out. “You’re welcome.”

She laughs, short and derisive in a way that makes you bristle. “For what? Subjecting me to this humiliating spectacle? Honestly, I think I preferred the company of the bandit. At least he had the decency to get on with it instead of pretending to play the hero.”

You bite the inside of your cheek, forcing yourself to stay calm, but she doesn’t stop. “It’s almost tragic,” she continues, brushing the dirt from her skirts as if trying to erase the sight of you. “You’re still so desperate for approval, aren’t you? Trying to prove you’re something you’re not. What’s next? A big speech about how strong and independent you are?” She snickers, tugging her husband to his feet. “We both know better.”

Your voice comes out low and steady. “You’ve always been good at pretending you’re better than everyone else, Elsbeth.” God hates you, you’re sure of it. If he doesn't, why is she here? Dragging you back to everything you loathed about your former self—the vapid, dependent, hollow shell of a woman who had once believed her worth was defined by the man standing beside her.

“Pretending?” she snaps, narrowing her eyes. “Darling, I don’t need to pretend. You can wear all the trousers you want, but we both know you’re still the same timid little girl, hiding behind a man and hoping no one notices she doesn’t belong.”

Her words cut, but they don’t sting the way they once would have. Instead, they ignite something, a fire born not of anger, but clarity. 

You’re not the man bleeding out in the dirt, killing for the joy of it. But you aren’t the polished girl she remembers, desperate for a man’s approval. You’re something else entirely. Unbound by society, free to choose your own path, you’re a beast of your own creation. And if there is one thing you’ve learned about yourself- you love putting your past in the grave. 

You let out a slow breath, your hand drifting toward your revolver. “Elsbeth,” you call, voice sharp enough to cut through her self-satisfied grin.

She stops, turning back with an arched brow. “What now?” she huffs. “Come to beg for my acceptance? Or just another pathetic attempt to-”

“That husband of mine,” you interrupt, voice cool as steel, “was good for one thing.” You draw your revolver, the barrel leveling with her chest. “Teaching me to shoot.”

Her eyes widen, her sneer faltering as her hand instinctively flies to her necklace.

Your lips curl into a wicked smile. “Now, how about you hand over those pretty jewels?”

She scoffs, but you see the way her grin falters, the slight fear in her eyes. You shoot her a wink and take a step closer, reveling in how she stumbles back. 

“And while we’re at it,” you continue, voice tightening into a sharp, mocking edge, “why don’t you hand over those earrings too?” You laugh, waving your gun recklessly as you shrug with a faux playfulness. “Actually, what the hell, I think I’ll take that dress—seeing as you’ve gone and gotten it all muddy anyway.” You take a step forward, your gaze narrowing on her trembling hands. “Hell, even that hair ribbon. You always did like rubbing your finery in everyone’s face, Elsbeth. Let’s see how you like losing it.”

She stares at you, disbelief flickering in her wide eyes, her hands frozen in hesitation. “You can’t be serious,” she whispers.

“Oh, I’m dead,” you pull back the hammer of your gun with a slow, menacing click. The sound hangs in the air like a threat. Your eyes narrow, and a dangerous smile tugs at your lips. “Serious.”

She moves hesitantly, every motion weighted with reluctance, disbelief etched across her face. You, the woman she used to torment and cow with a simple look, now dismantling her composure piece by piece. The power shift is palpable, and for the first time in your life, you watch Elsbeth Morton falter.

“Go’n now,” you say, your voice cutting through her trembling silence. “Don’t keep me waiting.”

Her husband flinches as she begins to remove her jewelry, her fingers trembling as she unfastens each piece. You hold out your hand, and she hesitates, her face flushed with humiliation as she steps forward to place them carefully in your palm, one by one, like a chastened child.

He glances at you, then at her, his eyes wide with a mixture of fear and disgust as if the sight of her submitting is too much for him to stomach.

Your eyes narrow on him, your hand tightening slightly around the revolver. The smug smile creeping onto your lips says it all—you’ll deal with him next.

You understand, finally, that you’re no longer the woman shaped by the men in your life. The husband who failed you, the outlaw who abandoned you, the society that tried to break you. People will learn that you aren’t afraid to take what’s yours anymore, because for the first time, you’re carving your own path, and God help anyone who tries to stand in your way.

end. — I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved © not-neverland06 2025. do not copy, repost, translate & recommend elsewhere.

Hell Hath No Fury Taglist: @buckysblondie @littlebirdgot @heloixe @summerdazed @committingcrimes-2047

@m1stea @pokiona @fleouris @soupvender00 @warmsideofthepillow03

@whimsiwitchy

[dekariosclan]

So, not to be toooooo obvious... if someone were to write a galemancer fic for you, what would you want to make it ideal? Everything from the kind of tav (gender/pronouns/race/appearance) to tropes or kinks you'd like the most, what would make it perfect

This is an incredibly sweet ask Anon! I will answer it, but please know that you don’t have to write anything for me (unless you really do want to and it would make you happy, of course.) Just getting to be a part of this community and read all the incredible fics & asks you all write and see the art you all draw is ALREADY the ultimate gift 💜

But to answer your question: Tav’s characteristics aren’t of huge importance to me, because I read and enjoy fics with any/all sorts of Tavs! If i were pressed for specific answers, I guess I would lean towards a human(ish) female Tav simply because that’s what I am, so it’s a little easier for me to follow along and get immersed in the fantasy.

And I always find it lovely to read about a Tav who doesn’t fit with conventional beauty standards in regards to size/shape/looks etc, but whom Gale adores anyway. It’s why I’ve lost my mind for him after years of being bored to tears by every single romance book featuring Generic Hottie #1 x Generic Hottie #2.

SO, I was going to write out a whole thing about how I’d love the ‘fade to black’ bed scene to be fully fleshed out, OR for there to be an extension of the boat scene where Gale and Tav take the makeout sesh to the next level, all with some lovely 18+ details���but while I would love either of those, you know what else I’d really love anon? You know what my real kink is??

Just absolute domestic bliss fluff.

Just some total melty cheese.

Gale loving and getting loved on by his spouse Tav, in the home they share together. It can be SFW or NSFW. You could have them just fall asleep on the balcony in each other’s arms after a tiring work week & I’d still be like 🥹🥹🥹

That’s it. That’s my jam. TLDR: as long as Gale is in character and he’s happy, I’m happy!

Truly though, thank you again for the sweet ask anon, absolutely NO pressure to fulfill this at all!

[iamumbra195]

I hate when people talk about Ashler like it’s inconceivable to ship them.

They’ll be like “Oh, they had so much beef, they’re barely even friends.” Genuinely asking here, have you even read the webtoon if you think that?

Tyler had issues with practically everyone at the beginning, hell, most of the kids didn’t even like each other. Ben, Aiden, Ashlyn, and Logan all thought he was a jerk and he was acting like one because he was trying to protect himself and Taylor and the whole situation was stressful as hell. That’s why his character development is so good. Even Ashlyn remarks that he’s being less of a jerk in one chapter and Taylor says that he's begun to see the others as real friends, maybe even family.

They all eventually became allies and then friends, including Ashlyn and Tyler. Sure, they like to throw some sarcastic remarks at each other but that’s just their sense of humour and part of the appeal of their friendship. Same with Aiden and Tyler, they insult each other all the time but the insults that were originally meant to hurt are now used affectionately.

He gave Ashlyn a nickname guys. He gave a jokey nickname to cheer her up because she felt terrible about the fact that she had to leave him behind while he got terribly hurt, while he died. She literally started crying out of guilt and being overwhelmed by the whole situation. She cares about him and he cares about her and the whole gang cares about each other, which is why there are so many ships in the fandom to begin with.

So stop acting like anyone who ships Ashler is stupid and stop saying ‘they’re like siblings’ on every post about them. We know it’s probably not gonna be canon, hell, Red herself said romance isn’t the focus of the webtoon at all.

I don’t even like shipping in general but the TikTok fandom keeps pissing me off. Stop acting like everyone has to ship the same things as you and stop commenting shit like ‘cute edit but I wish it was Aidlyn’ or ‘They’re just friends, they act like siblings’. Like yeah, they’re not canon but you’d have to be blind if you couldn’t see why some people ship it. Stop shitting on people’s ships and let them have their fun, we all know they’re not canon.

NONE OF THEM ARE.

Anyway, that’s the end of my rant. Sorry, I keep getting Ashler hate every time I search it up on TikTok. It’s so stupid and annoying, let people ship who they want in peace and stop undermining Ashlyn and Tyler's canon friendship and character development to shit on people’s ships. It’s an insult to the characters and your ability to read between the lines.

Live, Laugh, Love Ashler.

[simgerale]

me after attempting to get back into sims and realizing i had a lot more to do than play the game

[thenwethrowitonthefire]

Shout-out to everyone who survived a "fun" easter with the family

[hvwks]

and listen i get it i understand a hefty sizable chunk (honestly, the vast majority) of the fandom wants endeavor dead, rendered useless, written off, etc, for his actions and thats fair and completely valid bc like. its a fictional dude. actions were reprehensible, you may have those opinions.

but... i just... the potential for those kids to finally heal and move forward. and begin a life for themselves free of the shackles that their family's fucked up dynamics created... so much of that can come from seeing what brought you pain and misery and choosing to move forward, anyway. i'm not saying you need to forgive your abuser or anything of that nature. absolutely not. but i can tell you. if... my mother, who spent so much of my childhood and adolescence telling me how useless i was, how i can't do anything right, won't achieve anything with my life, and fostered these severely debilitating neurodivergencies that i know have to be in full-time therapy for the forseeable future with no real "cure" for it (woohoo lets go bpd!) .... so much as apologized to me even once. for the things that i went through. i think i could heal so much of my inner. i wouldn't be fixed compeltely. hell, i will still need to do my dbt worksheets and my grounding techniques. but at least i won't have to spend the rest of my life dealing with a "would she ever say sorry? would she ever recognize what she did to me?"

and the thing is, at least for shoto, fuyumi, even natsuo to some extent.... they are choosing to be there, choosing to listen to the man that made their life a living hell in his apologies. enji didn't force any of his kids to listen to his apologies. much less accept them. and that's said time and time again. shown multiple times, too. the way those kids choose to step up and move forward is completely of their own volition--and whether YOU, the viewer, an outsider's perspective, decide hes worthy of "redemption" (which!! he explicitly said he didn't want! he specifically said he wants to atone for his actions!! not be seen as a completely different person, but the same man who recognizes his evils and is actively making the choice to see where he can make things better, even by a small fraction if he can!!) doesn't change the fact that there are people out there who would give up their pinky toe to have a parent that hurt them so badly acknowledge their actions and apologize for them.

not because it makes them a btter person all of a sudden. but because it gives the people affected by them the chance to find closure and move forward to grow into something new and transformed.

and THAT is why endeavor's survival, ESPECIALLY after the climax of the todorokis vs dabi, would be important to the narrative as well as the overall growth of the todoroki family. dabi felt what it was like, for the first time, to be seen. he's a boy that never got to grow or learn how to handle his very big emotions. he was a victim in all things. whether that was with endeavor or with afo. but the potential for him to see what could be, see where things can, maybe, just maybe, one day become what the little touya that died at sekoto peak always wanted is too good for me to ignore.

[a-concert-just-for-me]

no yeah I’m getting def getting reassessed for adhd because this ain’t it, chief

[epitomees]

I’m to punch your writing bad vibes so get your butt ready.

To be slightly personal, your writing has been one of my inspirations for a while now. If I had to describe your style, it doesn’t dip into overly flowery purple prose that makes it difficult to tell what is going on, but it's meaty enough to put me into a character’s shoes and really give me a sense for the emotions they feel and why they feel that way. Little details like usage of punctuation, bolds, italics, caps, etc. truly sell your muses as their own person, complete with distinct voices. These little things may go unnoticed, but to me, It’s the little things like these that really show how much care and effort you put into your writing.

And generally, it really gives me motivation to sit down and write, whether it’s for a reply or something personal.

Your writing is very satisfying to read, and I know I’ve said it multiple times before, but it has truly opened my eyes to characters I would have normally been apprehensive or understood little about if not for you. There’s something about how you write P5 related content that makes me wish you were in charge of the game. You really hit all the things I enjoy about the game and seamlessly incorporate it to your writing, as well as improve its shortcomings.

(To be slightly personal again, your enthusiasm for this game, through IC content or OOC posts, is one of the reasons why I’ve been able to slowly come up with ideas on how to slap my P4 muses into P5, but more importantly, enjoy the game for what it is. Without you, I have no doubts that it would have taken me much longer to appreciate it.)

Of course, your writing achieving this effect would not be possible without your understanding of the game, its themes and its characters. Not just P5, mind you. P4, too. Despite me knowing the events of the game almost by heart, you always bring up something fresh about it that makes me view it in a new light and keep the P4 era going in my heart, and by P4 era, I mostly mean Naoto.

I know you’ll make me fall in love with P3 all over again soon, so I’m looking forward to that :^)

There is a lot more for me to say, you being a cherished friend is one of them, and also that you are a horrible little gremlin for encouraging my illness known as Naoto Disease, just to name a few things, but that’s for a later date, since I don’t want to make this ask stretch on for miles.

PS remember that I won’t stop loving you dani-lion xoxo

((You are a damn good, genuine friend, Liz. I needed to hear this.))

[the-acid-pear]

Y'know chat I have to say it I really don't like how Anya is written in MW. I think she's extremely underwhelming and such a cookie cutter character. But she should NOT be because she has so much interest things going on so much character. AND I KNOW I am not stupid I know this is intentional game is to a degree about deconstructing these roles we assume for people and in Anya's case being the scared ineffective sole woman nurse on the ship is that but the issue is she's only like this around the protagonist but that doesn't change shit for me. Like sure great narrative can I get a female character in your otherwise all male cast that isn't Fluttershy? Like it's just a bit lame to me. Jimmy and the narrative be damned I'm tired of girls being done dirty in media.

[phagodyke]

didn't realise I was angry abt my mum trying to seek emotional reassurance from me until I brought it up in conversation w my roommate and ended up bitching for an hour abt it like. yeah okay I guess I am a bit pissed off !!

[vikingpoteto]

you mentioned it'd been awhile since you read that arc with babs talking about killing the joker (last laugh) and the max humor in the situation is that's in issue #3 and Dick is like where does it end Babs we can't kill. And then in issue #6 Dick thinks the Joker killed Tim and Dick beats the Joker to death. like idr Helena or somebody gives the Joker cpr as if somehow starting his heart will uncave in his diaphragm lmao

god, that's frustrating. See, I wouldn't mind that as a plot point if it was intentional or at least addressed. It makes sense that it's easy for Dick (or Bruce, or Tim, or anyone really) to say that they have to be better than that and then not follow through when emotions are high.

I don't mind suspending my disbelief and accepting characters surviving impossible situations if it meant a more interesting story, but the Joker surviving means that Dick doesn't have to examine his actions - and that WOULD make for an interesting arc since Dick is a really passionate and sometimes impulsive person.

I know comics are obsessed with keeping the status quo because changing it would mean they can't keep publishing the same character forever but the Joker went stale about 50 years ago and he brings nothing interesting to the story. The only reason he's alive is plot armor otherwise a random person with a gun would have killed him already. Hell, one of his goons would've, if not for being pushed too far, they would do it for self-defense.

[writeblrfantasy]

my 10 holy grail pieces of writing advice for beginners

from an indie author who's published 4 books and written 20+, as well as 400k in fanfiction (who is also a professional beta reader who encounters the same issues in my clients' books over and over)

show don't tell is every bit as important as they say it is, no matter how sick you are of hearing about it. "the floor shifted beneath her feet" hits harder than "she felt sick with shock."

no head hopping. if you want to change pov mid scene, put a scene break. you can change it multiple times in the same scene! just put a break so your readers know you've changed pov.

if you have to infodump, do it through dialogue instead of exposition. your reader will feel like they're learning alongside the character, and it will flow naturally into your story.

never open your book with an exposition dump. instead, your opening scene should drop into the heart of the action with little to no context. raise questions to the reader and sprinkle in the answers bit by bit. let your reader discover the context slowly instead of holding their hand from the start. trust your reader; donn't overexplain the details. this is how you create a perfect hook.

every chapter should end on a cliffhanger. doesn't have to be major, can be as simple as ending a chapter mid conversation and picking it up immediately on the next one. tease your reader and make them need to turn the page.

every scene should subvert the character's expectations, as big as a plot twist or as small as a conversation having a surprising outcome. scenes that meet the character's expectations, such as a boring supply run, should be summarized.

arrive late and leave early to every scene. if you're character's at a party, open with them mid conversation instead of describing how they got dressed, left their house, arrived at the party, (because those things don't subvert their expectations). and when you're done with the reason for the scene is there, i.e. an important conversation, end it. once you've shown what you needed to show, get out, instead of describing your character commuting home (because it doesn't subvert expectations!)

epithets are the devil. "the blond man smiled--" you've lost me. use their name. use it often. don't be afraid of it. the reader won't get tired of it. it will serve you far better than epithets, especially if you have two people of the same pronouns interacting.

your character should always be working towards a goal, internal or external (i.e learning to love themself/killing the villain.) try to establish that goal as soon as possible in the reader's mind. the goal can change, the goal can evolve. as long as the reader knows the character isn't floating aimlessly through the world around them with no agency and no desire. that gets boring fast.

plan scenes that you know you'll have fun writing, instead of scenes that might seem cool in your head but you know you'll loathe every second of. besides the fact that your top priority in writing should be writing for only yourself and having fun, if you're just dragging through a scene you really hate, the scene will suffer for it, and readers can tell. the scenes i get the most praise on are always the scenes i had the most fun writing. an ideal outline shouldn't have parts that make you groan to look at. you'll thank yourself later.

happy writing :)

[biolumien]

Tired and sleepy reader who gets affectionate 10x more than usual with soushiro...... fluff

notes: short and cute... soft and sweet... im very sleepy all the time. this speaks to me. obligatory soundtrack for this lil' thing is this album.

nights like these

soshiro hoshina x gn!reader no warnings apply, they're just cute. word count: 808

“it’s 3 AM,” hoshina whispers, leaning close to your face. “you know that, right?” 

it’s been an ever-increasing habit of yours to call hoshina over right before you went to bed—you’d frequently call him over in the middle of the night, to increasingly later and later hours–and yet he’d show up each time, without fail. you’d texted him in the middle of the night, holding your phone close to your face, rubbing at your eye as you blearily texted for him to come over.

“mm,” you whine sleepily, reaching out to touch his face, letting your thumbs brush across his cheeks.. “hoshinaa.”

“yes?” hoshina’s voice was soft as he rested his hands on the bed, letting himself lean into your touches. as your thumbs brushed across the corners of his lips, you could feel the way his smile quirked upwards into your touch. one of his fangs poked out a little bit, teasingly biting the pad of your thumb. you whine, ever so softly, and he laughs fondly, pressing his face closer to yours. “what is it?” “stay,” you mumble. “don’t want you to go. stay here.”

“mm.” hoshina’s hands reached up to wrap around your wrists, his thumb brushing the back of your hands. “greedy. i still have things to do, you know.”

“no you don’t,” you protest, brushing your face against his. you can feel the way he shivers against your skin,  “‘m asking you to sleep with me, soshiro, what could be more important?”

“mm…” hoshina’s voice turns into a low drawl–you can feel the way his voice vibrates in his chest. “just don’t wanna get caught. the rest of the third division’s never gonna let this go if they find me…” though as he says this, he’s gently pushing at you ever so slightly, nudging you deeper into your bed, trying to make room for him. “c’mon, darling dearest. move a little bit for me.”

you shift backwards a little, yawning a bit as hoshina takes off his jacket, throwing it somewhere on the floor behind him as he pulls up your covers, slotting himself neatly beside you. you yawn again, pressing your face into his collarbone as soon as he’s settled. for how lithe he is, his chest is hard, too–firm and tensed with muscle. you can feel the way his heart beats, slow and steady. 

he hums, wrapping one of his arms around you, pulling you closer.

“you’re so needy, y’know?” hoshina teases, running a hand through your hair. “what am i gonna do with you?”

“mmh,” you kiss his neck, and his skin is warm. he smells faintly of something sweet and clean, and he chuckles.

“hey, i’m talkin’ to you…” he yawns a bit, his body tensing a little bit as he entangles his legs with yours, leaning forward to bury his face in the nape of your neck. “mm…”

“how was work today?” you ask, gently touching at the nape of his neck. he feels warm, a tactile weight beneath your hands, and you can’t help but feel the desperate desire to swallow him fully, fully entangling yourself in him–till you wouldn’t be able to tell where you start and where he ends. 

“mm. fine. boring,” hoshina says. “filin’ paperwork keeps me up all night. needed t’write up a report. i’d much rather be out there fightin’.” he presses a kiss to your neck as well, almost biting down against your skin. you shudder, entangling your hands in his hair. “how about you?”

“boring,” you respond. you tilt hoshina’s head up slightly, blinking up at him. his scarlet eyes were ever-so-slightly narrowed with sleep, his expression intense even though his body belied his weariness, how exhausted he really was. but his face is so fond–a fondness that makes your throat squeeze, almost. you lean up to slot your lips together, and he hums ever so slightly, moving his lips against yours sleepily.

“this is the highlight of my day,” you murmur against his lips, and he chuckles.

“sap,” he teases. 

“mm. shut it, you. you’re the one in my bed right now,” you mumble, pressing closer to him.

“only after you asked,” hoshina says, but his hand around you is firm, protective–possibly even a little possessive as it moves to the small of your back. 

“negotiation’s one of my best traits,” you tease.

“it is,” hoshina says, ever so fondly. his hand reaches up to brush your hair from your face. “n’you’re lucky i love you, and you’re cute when you ask.”

you hum, leaning into his touch, kissing his palm. 

“i’m sleepy,” you complain, a pout coming across your lips.

“then sleep,” hoshina says, kissing you again on the lips. “i’ll be here.”

“mhm,” you mumble, letting your eyes fall shut as you tuck yourself against hoshina, feeling the warm embrace of sleep take you into its arms.

[fourthswordofzoro]

I've tasted the freedom of watching a non-romance drama and I don't think I can go back from it now

[viaxslz]

── ୨୧ SKZ WHEN THEY WANT YOUR ATTENTION

享受 ! .°. ݁₊ 𐙚 gn!reader, cw: slight jealousy (Lee know is jealous of a cat TT), pet name, not proofread :P, Maknae line ver.

CHAN

At first, Chan decided to let you be. He thought you were probably on a phone call or busy doing something important. But when he got too bored and tired of patiently waiting for you attention, he dragged you by your arm taking you over to a nearby couch where he could cuddle with you for what he refers to as eternity,

LEE KNOW

Once he notices you paying too much attention to his cats, he lets out a small grumble with a pout on his lips. He would gently tug onto your shirt rolling on the floor like he was one with the cat. If you don’t pay attention to him, he’ll continue to whine and even meow (?) until you’ve finally had enough to pay him attention. His satisfied smile didn’t go unnoticed.

CHANGBIN

A small pout forms on Changbins lips the moment he didn’t feel the feeling of your hand on his head again. “Bae…” “princess” “y/n???” He looked up in concern only to see your full attention focused on your phone. He rose up from your lap using his hand to gently cup your jaw and tilting it upwards so your eyes met his. “What’d you want?” You asked trying to avert your attention back to your phone. “I want your attention” he replied a hint of desperation and neediness in his tone.

HYUNJIN

Hyunjin did a dramatic gasp and pretended to faint on the floor the moment he thinks he hasn’t gotten your attention for like decades (which was just 10 minutes). He started to act like a dying fish on land with no water to keep it alive. “Y/nnnnnn please…..give me attention……it’s the only way I can survive” he whined holding onto the ankle of your leg. “Get away from me you weirdo” you scrunched your nose, shaking him off from the ankle of your leg. “Not until you give me your attention” he added throwing himself on top of you, causing you to fall backwards on the bed with him lying on top of you.

PERM TAGLIST 📌🔖 ──── @the-sea-called-history02