#but this has been working for me recently

[lupinqs]

CRUSH CULTURE ━━ paige bueckers x reader

☆ ━ summary: paige has a hopeless crush on you, a cheerleader.

☆ ━ word count: 5.4K

☆ ━ warnings: alcohol consumption, kissing, this one’s tame

☆ ━ links: my masterlist, inspired by this request (lol i know this was forever ago)

☆ ━ author’s note: hiii i hope y’all enjoy—lemme know if you guys want a part 2 and if so send in ideas for it!!! i have been hopelessly uncreative recently!!! also yes i have been writing tmtc and safe and sound i promise—new chapter of tmtc should be out sometime this weekend, no idea on safe and sound because goddamn that fic takes me forever to write

PAIGE HAS ALWAYS noticed you—though, funny enough, at first it wasn’t because you cheered. That part didn’t even register until her junior year, when she started paying attention to things off the court. But she’d first noticed you back in her sophomore year, in that one class she didn’t feel like she needed at all. She’d often zone out, either doodling in the margins of her notebook or letting her eyes drift around the room as she let her mind wander. Her gaze would skip over classmates until, one day, it stopped on you.

And, God, she remembers that moment. The way she’d blinked, like she needed to reset her brain for a second because… well, you. It wasn’t anything specific, nothing she could even name at the time. But there was this something about you that made her stomach flip. From then on, whenever she zoned out, her eyes would find you before she even realized it. You’d be focused on your notes or lost in thought, completely unaware, and Paige would catch herself staring just a little too long.

She’d think about talking to you, but for some reason, you made her nervous. And that wasn’t something Paige was used to feeling—not with girls. She’d been confident her whole life, even a little cocky when it came to flirting, and her reputation certainly proceeded her. But with you, all of that confidence vanished. Her brain would go blank, her hands would fidget, and her heart would pound just watching you, sitting across the room. The idea of walking up to you, striking up a conversation, felt almost laughable. You’d somehow managed to turn her, Paige Bueckers, into a stammering mess with just a look.

And then there was the other part—the part that kept her from making a move even when she managed to work up the nerve. You looked so…straight. She knows it’s a stupid assumption, but something about the way you carried yourself—she’d convinced herself that you had to be straight. Maybe it was the way you fit in with the other girls, how they flocked around you like they were all in some effortlessly straight, picture-perfect group. Whatever it was, Paige felt certain you’d never look at her the way she looked at you.

So she let it go, or at least, she tried to. But you kept slipping into her thoughts, distracting her in that class, making her mind wander back to you when she least expected it. Her silly little crush on you lingered all through sophomore year, and even when summer rolled around, she found herself thinking of you every now and then, imagining what it might have been like to know you outside of that class.

Then junior year rolled around, and her whole world changed with that ACL tear. Benched for the season, her focus shifted in ways she never anticipated. Instead of charging down the court, she found herself sitting on the sidelines, watching, observing things she normally wouldn’t have noticed. And it was during one of those games, one of those long, frustrating nights when she just wanted to play, that she saw you again—this time, on the court as one of the cheerleaders.

At first, she couldn’t believe it. She actually had to blink a few times, like her brain was trying to catch up with what her eyes were seeing. This was her third year at UConn, and she hadn’t noticed you were a cheerleader ever. Maybe she really was just unobservant, but it truly shocked her. You looked completely different from how you did in class—more animated, more alive, like you were in your element. And when you started that long, impressive tumbling pass down the court, her jaw dropped. She didn’t even know you could do that, and it left her staring, heart hammering in a way she hadn’t felt in a long time. (And maybe the tiny little uniform helped speed it up, too.)

From then on, Paige couldn’t keep her eyes off you during games. She’d always find herself watching you, wondering if you’d somehow feel her gaze, hoping that maybe, just once, you’d look her way. She spent so many games like that—sneaking glances, letting her mind wander, imagining what it might be like to finally work up the nerve to talk to you. But game after game, you never seemed to notice her, too focused on your routines, your teammates, and the cheering crowd around you.

And Paige? She knew she was hopelessly stuck. She’d sit there on the sidelines, feeling ridiculous, pining after a girl she couldn’t even talk to, a girl she thought she’d never really have a chance with. It was her worst crush yet—the kind that left her feeling off-balance, stumbling over her own thoughts, trying to convince herself that it didn’t matter—and she’d never even spoken to you. But each time she saw you out there, smiling, moving with that same effortless grace, she’d feel that same pull, that same quiet, persistent ache.

It’s senior year now, and Paige has one thing on her mind: basketball. It’s been more than a year since she’s played, and she’s determined to make this season count. All summer, she told herself the same thing over and over: Stay focused. Don’t get distracted. No more drifting thoughts, no more daydreams, and absolutely no more pointless crushes on girls she can’t have. And especially no crushes on you.

You, the cheerleader she’d spent too many junior year games staring at from the sidelines. You, the girl she still thought about when her mind wandered late at night, even though she knew better. No, this year, she was locking in. She’d worked too hard, too long, to let her head get all twisted up over you again. She was here to play basketball, not to chase after some unattainable crush.

But as she jogs onto the court for warm-ups, trying to ignore the butterflies that come with her first game back, her eyes somehow find you anyway. Just like they always do. And it’s like no time has passed at all. You’re laughing with the other cheerleaders, your hair perfectly styled in a half-up-half-down, a bow nestled in it, your uniform hugging you just right. The lights catch on your skin, giving you this soft glow, and your smile—God, that smile, so open and sweet and painfully distracting—has her heart skipping a beat before she even realizes it. Paige quickly snaps her eyes away, reminding herself she’s here to play, not to get lost in some imaginary world where she has a chance with you. This is her first game back, and even if it’s just an exhibition against Dayton, she’s got to make it count.

With a deep breath, she manages to brush you off. The pregame excitement kicks in, and her focus sharpens as the game begins. And it’s everything she’s been waiting for—the sounds of the court, the rush of the crowd, the thrill of moving with the ball in her hands again. She’s finally back, and for the first quarter, she’s locked in, feeling the rhythm of the game, feeling unstoppable.

Then it happens. KK makes a bad pass, and Paige is already in motion, chasing down the ball to save it from going out of bounds. She dives, stretching to reach it, but it’s just out of reach. Before she can stop herself, she’s crashing full speed into the sidelines—right into the cheerleaders.

Right into you.

The impact is quick and jarring, and she scrambles to her feet as fast as she can, heart hammering in her chest. She’s prepared to rattle off an apology when she realizes who she’s just barreled into. You’re significantly smaller than her, and her stomach drops as she takes in your wide eyes and the faint wince that flickers across your face. But you handle it with the same grace she’d always admired from afar, waving her off with a laugh and saying, “It’s fine! You’re good!” Your smile is easy, casual, and she’s even more mortified by how sweet you’re being about it.

She tries to apologize again, but you’re already brushing it off with that smile, and she feels her face heating up as she mumbles something unintelligible before hurrying back onto the court. But now her head’s a mess, all her carefully built-up focus gone, replaced by the embarrassing replay of what just happened. She tells herself to get it together, but it’s no use. Her mind keeps drifting back to the look on your face, to the sound of your laugh, to the softness in your smile when you waved her off.

The rest of the game passes in a frustrating blur. She’s off her rhythm, missing open shots she’d normally sink with ease, getting caught in rotations she usually anticipates. By the end, she’s only scored eight points—a painfully low number, especially for her—and she feels the weight of it like a stone in her stomach. She should be thinking about the game, her missed shots, how to get her focus back. But as she sits on the bench, watching the last few minutes tick away, all she can think about is you standing there, laughing off her clumsy collision, looking up at her with that easy, unbothered smile.

So much for not getting distracted.

After the game, Paige is still kicking herself over how sloppy her performance was. She lingers in the locker room, hoping to avoid any unwanted run-ins. But finally, when she’s convinced she’s given it enough time for everyone to clear out, she heads out into the quiet halls of Gampel Pavilion.

Except, of course, her luck isn’t that great. Just as she’s walking out, she spots you—still in your cheer uniform but with a UConn sweatshirt thrown over it, heading down the hall, cheer bag on your back. Her first instinct is to turn around, bolt back into the locker room, and hope to avoid any more humiliation, but it’s already too late. You look up, and your eyes meet, and suddenly she’s frozen in place, panicking because she’s actually staring straight into your eyes.

And then you smile at her. That smile, the one that sends her brain into a meltdown every time. But it’s so much worse now because your smile is directed at her. And, suddenly, you’re walking up to her and saying, “Hey, good game tonight,” and Paige is pretty sure her heart has stopped.

She tries to seem casual, to play it cool, but all she can manage is a shrug and a half-hearted, “Eh, wasn’t my best.” She’s hoping you don’t notice her stutter, but her cheeks are burning, giving her away.

You just wave it off, your dimple showing as you grin up at her. “Nah, this was just your warm-up. You haven’t played in, like, over a year. Next game you’ll drop thirty.”

Paige blinks, and the fact that you know she’s good at basketball—even though everyone knows she’s good at basketball—is enough to send her into a coma, she thinks. “Oh, gosh,” she says, rubbing the back of her neck, struggling to find words. “Gonna have to now, just for you.” The second it’s out of her mouth, she mentally facepalms. That totally sounds like she’s trying to flirt with you.

But you just laugh, eyes crinkling as you look at her, completely unfazed. “I’ll hold you to it,” you say, and that smile doesn’t waver.

There’s a pause, and Paige knows this is where you’re about to say goodbye, and she panics because, after two years of thinking and practically obsessing over you, she’s finally talking to you, and it feels too short, too fleeting. Before she can second-guess herself, she blurts, “Oh—uh, hey, about earlier… when I ran into you. I’m… really sorry about that.”

You shake your head, smiling even wider, brushing it off with an easy laugh. “Don’t worry about it. Happens all the time; more than you’d think.”

There’s something so casual and warm about the way you say it, and she feels herself relax a little, caught up in the fact that you’re looking right at her, not at all bothered, almost… endeared? And for some reason, seeing your dimpled smile has her stammering like she’s never done before.

“So… uh…” Paige stumbles, her words failing, her confidence gone. “Are you, um, going to Ted’s tonight?” She bites her lip the moment it’s out, but she presses on. “You know, a lot of people go there after the first game—it’s kinda, like, a…thing. Which, y’know, I guess you probably already know about because… you’re, like, not a freshman…” She sounds so stupid. God.

You tilt your head slightly, considering, before you smile at her again. “I wasn’t really planning on going, but…” You pause, looking at her with a bit of a spark in your eyes, and for a second, she feels like she might actually combust. “Should I?”

Paige’s eyes widen, and she’s nodding before she can stop herself. “Y-yes! I—I think you’d have a good time.” She mentally scolds herself for the stutter, but you’re just nodding, still smiling, still looking so effortlessly at ease while she’s a nervous mess.

You laugh softly, a sound she’s sure she’ll replay in her head all night, and say, “Alright. I’ll think about it. And if I do decide to go, I’ll see you there, Bueckers.”

And with one last smile, you turn and walk away, leaving her standing there in shock, her heart racing and her mind replaying every word you just said. She’s tempted to pinch herself, convinced this has to be some elaborate daydream because there’s no way she actually just talked to you.

She doesn’t move for a long moment, replaying the way you said her name, the sound of your laugh, and the chance that she might actually see you tonight.

IT’S LATER in the night at Ted’s, and Paige is doing her best to stay composed, talking with one of the guys from the men’s team. Dirty Shirley in hand, she’s feeling just the faintest buzz, not enough to loosen her grip on reality but just enough to feel the edges of her confidence soften. She’s nodding along to something the guy’s saying when, over his shoulder, she spots you walking in.

Paige’s attention falters as she takes you in. You’re in baggy jeans that hang low on your hips, and a leather tube top that clings in all the right places, dipping enough to make her gaze lower slightly. She can barely tear her gaze away as you head over to the bar with a couple of friends, both of whom Paige recognizes from the cheer team. You’re laughing, leaning into one of them, completely at ease, and she can’t stop watching.

She realizes she’s staring a little too long, so she quickly excuses herself, not to talk to you—God, no, she can’t even think straight around you—but to hide by her teammates before she does something stupid. Her teammates notice her the moment she approaches, grinning as they watch her flustered expression.

“You see who just walked in, P?” Azzi teases, nudging her.

Paige groans, cheeks burning. “Don’t start.”

But they’re all laughing, and Ice is elbowing KK with a smirk. Nika, who’s been listening with a barely disguised grin, rolls her eyes. “Okay, this is ridiculous. You’ve had a crush on this girl since, like, forever. Go talk to her.”

“Are you kidding? I can’t. She’s—” Paige doesn’t even finish the sentence, glancing over her shoulder just in time to see you at the bar, waiting for your drink. She’d be lying if she said her confidence hadn’t evaporated the moment you walked in, looking like that.

“Girl boo,” KK sighs dramatically, before grabbing Paige’s wrist and dragging her toward the bar. Paige stumbles after her, mumbling weak protests, but KK is determined, practically hauling her across the crowded floor until they’re standing right next to you. KK orders a Sprite, leaning casually on the bar and glancing over at you with a grin. “Hey, girly pop! You cheer, right?”

You smile, looking more at Paige than at KK, and Paige’s heart thuds against her ribs. “Yeah, I do,” you say, introducing yourself and holding out a hand to KK, but your gaze flickers right back to Paige, who’s half-hiding behind her friend, cheeks pink and looking slightly caught. “Hi, Paige.”

Paige’s voice comes out a little sheepish. “Hey.”

KK smirks, clearly satisfied, and gives Paige a quick wink before excusing herself, leaving Paige standing there alone with you.

There’s a beat of awkward silence as Paige shifts on her feet, trying to keep herself from looking like an idiot, which is hard considering how aware she is of every single thing about you—your posture, your smile, the way you’re leaning in just close enough that she can catch a faint hint of your perfume.

“So,” Paige says, trying for casual. “You glad you came?”

You tilt your head, your lips quirking up. “Hmm, not sure yet. I’m not too impressed so far.”

She nods, stifling a wince, feeling more awkward than she can ever remember. And yet, her mind’s racing, urging her to just go for it, because this is her moment. She’s Paige Bueckers—she’s supposed to be confident. She always is. Besides, if you’re not interested, at least she’ll know. And if you are…

She hesitates, then swallows, trying to keep her voice steady as she says, “Um… can I buy you a drink?”

There’s a flicker of something in your eyes—maybe amusement, maybe surprise—and she’s mentally bracing herself for you to say no when you glance at the bar and say, “Actually, I just ordered one.” Her heart sinks a little, but she forces a smile, trying to play it off. Of course you’re not interested; she should have known better—

Then you’re leaning closer, nudging her elbow with yours, and you smirk, your voice soft and playful. “But you can buy my next one, if you want.”

Paige’s brain short-circuits as your words settle in, her mouth going dry as she realizes what you just said. “Uh, y-yeah, totally,” she manages, trying to keep from looking as giddy as she feels. “I…I’d love to.”

Your smirk turns into a grin, and you’re looking at her like she’s the only person in the room. She’s trying to come up with something smooth to say when, suddenly, one of your friends pops ups beside you and Paige, tugging on your arm, pulling you off the barstool and towards the crowd with a teasing, “Come on!”

Paige opens her mouth to protest, but before she knows it, you’re being swallowed up into the throng of people—not before you send her a quick, apologetic look over your shoulder, your friend still dragging you. Paige frowns, a little disappointed, but quickly catches herself. It’s fine, she thinks, though a twinge of regret lingers. She pushes it aside, grabbing her drink from the bar and returning back to her table, telling herself to focus on celebrating. She’s finally back on the court, and after such a long, difficult recovery, tonight is meant to be about unwinding. So she does, letting her team hype her up as they cheer and clink their drinks in her honor, pulling her deeper into the night.

As the time passes, Paige’s frustration eases, replaced by a warm buzz that dulls everything except the elation of being surrounded by her friends. But even as she sips her drink, she can’t help but think about where you’ve disappeared to, if you’re still here, still laughing with your friends somewhere across the bar. She finds herself scanning the crowd more than once, looking for a glimpse of you. She tries to push it down, laugh it off with another round, but every time she looks around, her gaze seems to search for you.

Eventually, the heat of the crowded bar gets to her. She feels flushed, dizzy from the alcohol and the mass of people, so she slips out the back door for some air. The cool breeze hits her face, and she closes her eyes for a second, sighing as the sounds of the bar fade behind her. She barely has a moment to herself before she notices a figure sitting just a few feet away.

It’s you, sitting on the curb, looking down at your hands as if lost in thought. Paige blinks, unsure if she’s seeing things. But then you look up at the sound of the door closing and smile, that familiar, gentle smile that makes her heart stutter. You seem just as surprised to see her, but your expression softens, like you’re genuinely happy she’s there. And that’s all the encouragement Paige needs.

“You care if I join?” she asks, trying to sound casual, even though her heart’s racing.

“Not at all,” you reply, and she takes a seat beside you, a bit closer than she planned. She feels your warmth even in the night air, and it makes her head spin in a way she can’t blame on the alcohol.

There’s a pause, a comfortable silence stretching between you. Paige watches as you draw patterns in the gravel with your fingers, the lights from the bar casting a soft glow over your face. She swallows, summoning up the nerve to say something—anything that might keep you sitting here with her.

“Why you out here?” she starts, genuinely curious.

You shrug, glancing back toward the bar. “Got a little claustrophobic in there,” you say, voice soft.

“Yeah… me too,” Paige nods, grateful for the fresh air and this quiet moment with you. The silence returns, but this time, it’s charged, heavy with something she can’t quite put into words.

Finally, Paige finds her voice again, her words slipping out before she can think them over. “You’re a good cheerleader, y’know. You do all those flips and shit—it’s impressive.”

You let out a small laugh, looking away for a second as if flattered. Paige is almost certain she sees a faint blush on your cheeks, and the sight makes her smile a little, lips curving upward. “Didn’t know you really paid attention to the cheerleaders,” you respond, teasing.

Paige scoffs, shrugging as if it isn’t a big deal, even though she feels like she’s been caught in some sort of confession—which, she kinda has. “Well, I did sit out for a year, so… I had to find something to watch.”

You tilt your head, smirking as you ask, “So you chose to watch me?”

Paige’s cheeks warm, and she silently thanks the alcohol for the courage that lets her meet your gaze. “Yeah,” she murmurs, watching as you look away, biting your lip as if trying to hide a smile. The sight makes her heart skip in a way that’s both exhilarating and terrifying.

After a moment, Paige adds, “I think we… had a class together, couple years ago?”

You nod, eyes lighting up at the memory. “Yeah, we did. Sociology, right?” you reaffirm, nodding in tandem with her. “’M surprised you remember that—you always seemed so disinterested.”

Paige nearly blanches, genuinely surprised you’d noticed her too. She didn’t think you’d have remembered her, much less noticed her back then. The notion gives her some of her usual confidence beck and she manages a chuckle, shaking her head and tilting it slightly toward you as she murmurs, “Ah, so you were watching me too, huh?”

You roll your eyes, but your smile betrays you as you nudge her shoulder. “Shut up,” you mutter, but the blush on your face doesn’t go unnoticed.

There’s another pause, the two of you sitting side by side in the quiet, both of you lingering on the edge of something unsaid. Finally, you break the silence, voice soft and hesitant. “How come you never said anything before?”

Paige swallows, the question catching her off guard. She doesn’t know how to answer without giving herself away, without admitting the way her stomach twists every time she sees you around campus. So instead, she asks, turning the question back on you, “How come you never did?”

You don’t seem to mind that she didn’t really give you an answer. Instead, you just shrug, looking down at your hands. “I don’t know… you make me kinda nervous.”

The confession makes Paige’s heart alight, feeling like it’s on fire and might spread throughout her whole body. She’s used to people being in awe of her for basketball, for her skills on the court. But hearing you say that you feel that way too, like she’s someone more than just her reputation, shakes her. Besides, you’ve always seemed so incredibly at ease around her, never even bothering to look her way. So, almost incredulously, she asks, “Why?”

You scoff, looking at her like she’s missing something obvious. “Um, because you’re Paige Bueckers. Basketball prodigy, campus celebrity.” You raise your eyebrows at her. “I think most people would be.”

Paige feels a rush of warmth at your words, the way you say her name like it means something special. She searches your face, feeling the air grow thick around you, heavy with something she couldn’t quite name. And maybe it’s the alcohol in her system, maybe it’s the way you’re looking at her like she’s somehow both intimidating and endearing at the same time, but she’s feeling bold. Bold enough to keep this conversation going, to see where this moment might lead.

She clears her throat, a small smile tugging at her lips. “Well, if it helps… you make me nervous.”

You laugh, a little breathless, clearly surprised. “Yeah, right.”

“I’m serious,” Paige insists. “You ain’t see the way I stuttered around you earlier? Ion know, ma, you just kinda fuck with my head.”

She watches, grin widening, as you blush at her words, the color blooming across your cheeks. It’s addictive, seeing you react like that—because of her. She doesn’t even try to hide her amusement when you ask, gaze set out in front of you instead of on her, “Why would I fuck with your head?”

It’s a good question, one Paige asked herself for a long time. It never took her long to figure out the answer. Though, she’s a little nervous to explain herself.

And she gets even more nervous when your gaze slides back onto hers, your head turning towards her. Paige’s smile falters, just slightly, at the eye contact. It’s intense, the kind that feels like it’s holding the world still for a second. Paige’s heart is a drum in her chest, each beat vibrating through her veins. Her eyes slide across your face, your features, tracing the slope of your nose, the curve of your lips, the faint shimmer glitter swiped along your eyelids. She catalogues every detail as if she’s never going to get this close again—a very real possibility if she doesn’t up her game.

Finally, she leans in—just slightly—her voice low and steady as she answers you. “You got this positive energy that makes you just… stand out in front of a crowd. Big smile. Bright eyes. Mm, I just… like seeing that in people.”

The words settle in the space between you, warm and lingering. Paige hesitates, letting them wrap around you both before adding, her voice dipping lower, her boldness shooting upward, “And it doesn’t help that you’re too beautiful for your own good.”

You blush deeper this time, cheeks tinted more red than pink, and it makes Paige’s heart skip. She can’t help the way her lips twitch into a grin. She’s waited so long to see this—see you flustered because of her. It’s everything she imagined and more.

“Stop,” you protest, fighting a smile as you push at her hands, your tone not carrying any weight behind the word. Paige just laughs, soft and easy, catching your hand in hers before you can pull away. She lifts it slightly, letting her thumb brush over your knuckles as she murmurs, “Nah, really.”

It’s then that the air changes—shifting into something heavier. The space between the two of you is practically nonexistent at this point, your sides tucked right into each other. You’re staring at one another, and Paige can’t help it when her gaze flickers down to your lips, just for a second. But it turns out to be enough. Because then she sees your eyes dart to her mouth in return, lingering there. And that’s when Paige knows.

Still holding your hand, she locks her gaze on yours, her voice firm but soft when she repeats, “Really.”

It’s like that word unlocks something between you because suddenly you’re leaning in, and Paige is doing the same, her breath catching the moment your lips touch hers. It’s soft, tentative at first, like neither of you are quite sure if this is real. But then you press into her just slightly, and Paige swears the whole world tilts on its axis.

The kiss deepens, slow but deliberate, and Paige feels her whole body light up. Your lips are warm, soft, and you taste faintly of tequila and strawberry chapstick. It’s intoxicating, the way you move against her, gentle but with enough purpose to make her head spin. Paige’s hand slides up to cradle your jaw, her thumb brushing against your cheekbone.

Your fingers grab at her bicep, holding on like you don’t want to let go, and it sends a thrill through her. Paige’s lips part slightly, and when you follow, letting her slip her tongue into your mouth, it’s like a fire ignites somewhere deep inside her. The kiss isn’t frantic or messy—it’s unhurried, like the two of you have all the time in the world to explore this. She can feel the heat of your skin where her hand cups your face, and she wants to memorize every second, every sensation.

The way you tilt your head just a little, giving her more access, nearly undoes her. Paige tilts her own in response, deepening the kiss further, her fingers slipping from your jaw to the back of your neck. The touch is light, almost reverent, but the closeness makes her heart race.

Your other hand moves, grazing against her side before resting lightly on her hip. Paige’s stomach flips at the contact, her body leaning instinctively closer to yours. She swears she can feel the warmth of your breath between kisses, the subtle hitch when she nips at your bottom lip.

It’s slow, it’s sweet, but it’s intoxicating. Paige swears she’s never kissed anyone like this before, never felt this much just from simple lip-locking. When you pull back slightly—not breaking the kiss entirely, just catching your breath—she can’t help herself. She follows you instinctively, her mouth chasing yours in a way that feels both vulnerable and utterly fearless. You allow her to, tongues half entwined between your swollen lips.

When you finally part, Paige keeps close, her forehead gently pressing against yours, her hand still cradling your neck. Neither of you moves far, the space between you so small your breaths still mingle, soft and warm against each other’s lips. Paige’s eyes flutter open, but she doesn’t look away from you, her gaze locked on yours like you’re the only thing in the world that matters—which, right now, you might as well be.

Her voice comes out lower than she intends, husky and laced with something she can’t quite hide as she murmurs, “You gonna let me buy you that drink now?”

Your lips curve into a slow, easy grin, and Paige feels her chest tighten, her heart skipping a beat at the sight of it. You’re so close she can see the faint glimmer of mischief in your eyes, the way they soften as you look at her.

“Yeah,” you say, your voice soft but sure, “I’d like that.”

The way you say it, the way your smile widens just slightly after, makes Paige’s heart race all over again. She can’t help the small, satisfied smile that spreads across her face. Paige leans back just enough to take in the sight of you—your flushed cheeks, the way your hair’s slightly mussed, and that lingering, breathtaking smile she knows will haunt her in the best way.

“Good,” she murmurs, her thumb brushing your jaw lightly one last time before she pulls away completely, standing up and offering you her hand. When you take it, she holds on a little longer than necessary, leading you back into the bar, already planning how she’s going to keep you smiling for the rest of the night—and, hopefully, much longer afterwards.

[smileysuh]

sage & stardust - TEASER

🌙 starring. Kim Mingyu x afab!Reader

🔮 preview. “I think you’re amazing, and good with your hands, and pretty, and I enjoy spending time with you too,” he counters, echoing the entirety of your sentiment. You stare blankly up at the man. It’s clear he doesn’t know what you’re getting at. You wonder how fairies court each other- do they even court each other? Do fairies have sex? Or are they just… you don’t know, blossomed out of flower buds or something?

tw/cw. Unprotected sex, Mingyu holds y/n down by the wrists, size kink, mentions of possible bondage kink, heavy petting, worship, Mingyu is a boobs guy, nipple sucking, fingering, pussy stretching, foreplay, multiple reader orgasms, oral (f receiving), praise, dirty talk, etc… I pet names: (hers) my star. (his) Gyu.  

👹 rating. 18+ explicit I wc. 9.6k

🍭 aus. Fairy au, fantasy au, non idol. 

☀️ mlist + an. Okay, so, I’ve written sooo many fics on this blog, and lately I’ve been wanting to try things I haven’t done before. I’ve never done a legit small man fairy dude (who does become normal/large sized later) x yn in a fic before, so bare with me, because these two are such a delightfully domestic pairing. Without further adieu, I give you: blue-collar fairy Mingyu. 

Even you have to admit the space has ambiance. The solarium studio is a lovely part of the house, your favorite in fact, although, tonight, you’re feeling a little shy about your art strewn about.

“Did you paint all of these?” Mingyu asks, approaching your most recent work.

“Yeah, they’re uh, abstracts,” you explain. “I mean, I gather a lot of inspiration from nature, but it’s more a feeling than a specific thing that I like to paint, if that makes any sense.”

“It does,” Mingyu nods, leaning down to get a better look at your art. 

“My grandma, she uh, she was an artist too, and so was her mother, and she gave me the house because she knew I needed inspiration-”

“Maybe that’s why she gave you me too.”

Your heart lurches in your chest, and you blink up at the tall man. “Uh… maybe.”

“So this cottage has a long line of artists and tinkerers,” Mingyu concludes.

“The line ended in my mother’s generation,” you sigh.

“That’s not true.” Mingyu looks down at you. “We’re here now.”

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[perdvivly]

Not waiting for chance or fate to dictate the terms of how annoying I’m allowed to be on the internet. I am choosing to answer them all now, unasked as I am.

1) This is mildly variable depending on the amount of effort I’m willing to expend. Typically the common theme is no adulterants. No sugar, no milk, no queen of England. If I’m getting fancy with it I’ll make an effort to time the brewing duration, 3mins for a black tea, 5mins for a green tea, 7mins for a herbal tea. But honestly the sort of depression chic I’ve been serving lately has been leaving the bag in and drinking it straight, tannins be damned.

2) Mandarin. Just seems like it’d be the most useful innit. Also, relatively harder to pick up non-magically given my native Englishhood.

3) God. I try not to honestly. No, but seriously, my sleep schedule has been all sorts of out of shape recently. I should work on that. At the moment it varies wildly day to day and depends on my responsibilities the days before and after the sleep. I’ve pulled a couple of all nighters recently and it gets screwy.

4) Maybe atla? I remember really liking it when it came out but not fully understanding the whole plot because I didn’t see it serialised until later. Maybe the simpsons? There’s something to say here about the earnestness of the earlier seasons and seeing a deeply dysfunctional family care about each other in ways they struggle to express—that gets glossed out as the production value rises in the later seasons—that’s like heroin to someone trapped in an irony poisoned world. But maybe that’s cope? Maybe it’s just the show I had the easiest access to as a kid. I guess I didn’t watch a whole bunch of tv or at least not a whole bunch that stuck with me.

5) Summer ez. (Have you seen her baphomet pics? 🥵)

6) In general, I doubt very much that either the optimist or the pessimist considers themselves such. It’s not really the sort of thing that admits of self-diagnosis in that way… Philosophically, the broader question is what? Do I align with Schopenhauer, Voltaire’s Leibniz, or Russel’s Leibniz? I’m not sure the tumblrinas care about the history of philosophy. I guess I’ll say to the extent that Schopenhauer relies on Indian mysticism, which I think is typically underrated, he’s simply mistaken about the world as will and representation. I’ll say that, I’m *not* a Buddhist. I think the doctrine of dukkha misses fundamental aspects of human existence. I’ll say that people have richer inner lives, deeper felt internal experiences, than you might assume from reading their little words on the internet. And that, on the whole, these are good things.

7) I mean, both ideally. Variety is the spice of life. If I had to choose I suppose it would be sunshine. But I’m terribly glad I don’t live in a world where I have to choose.

8) I have the cutest little book marks. My primary two at the moment are the sun and the moon, which I use for main text and end notes respectively. Though, I have been known to dog-ear in my time. I once got yelled at by my aunt for turning the corner of the page on my copy of Harry Potter and the order of the phoenix because it was a first edition and she was under the impression that it may be valuable some day. I was like, come on man, I’m 7. Don’t even piss. <- I didn’t say these things, but I was *like* that.

9) For the longest time I *only* wore steel toe capped boots because I ran myself over with an electric pallet stacker and tore my toenail off and decided I didn’t want that to happen again. I don’t do that anymore because I interact with heavy machinery less than I used to. Now all that matters to me is that they’re waterproof.

10) *My* signature scent like, I produce it? Or like I like it? I guess one of my favourite scents is lavender. But I've been told... Okay, it's important you guys know I do *not* have a yeast infection... I've been told some parts of my body naturally smell like bread, like, that sort of doughy yeasty (I s2g I do *not* (I did not hit her. I did not! oh hi mark)) smell that you get with bread sometimes. Is that what the question was asking?

11) I mean... That's broadly not for me to decide right? Unless the sort of dragons you're imagining have some sort of glamoury illusion magic, which seems plausible. Anyway, do you guys remember in Moby Dick when he goes on this wild tangent about how St. George and The Dragon was acutally about whales? And St. George's horse was actually a walrus or something. What was that about??

Okay, author's note, there's a time skip here. I've been scrolling through lists of dragons in popular culture for a while now and there are a pretty neat and widely varied selection of designs. I'll get back to you on this one.

12) It depends on why I'm writing! If it's a quick note to myself for future reference it'll generally be cursive, if it's an important document that will be read by other people generally it'll be print. If it's time-sensitive it'll be cursive. I remember writing essays for undergrad that I'm sure were totally illegible by the end of them, I think literally just a line on a page with occasional lifts and dips.

13) There is more information on wookieepedia than existed in my philosophy but a few minutes ago. The typology I've discerned is thus: blue - jock, green - nerd, yellow - geek, red - edgelord. And I'm a little bit of all of these, so I think any would be fine. Realistically though, I'm not sure a lightsaber is the best weapon in fantasy space-past-future where spaceships and lasers are common. Like, I'll let it slide because the original trilogy was doing a kirkegaardian faith thing and the prequels were doing a logic doesn't matter it's cool thing, and those are both respectable motivations to leave logistics aside for a bit.

14) Sad

15) Ice skates! I love ice skating!

16) I'm a youngest. I have an older sister, I think I talk about her here from time to time.

17) Well, how I would use it would depend massively on what it was. If the question is which superpower I think is the best then why not ask that? Which superpower would I have has a faint ring of incomprehensibility about it. It's really not clear which counterfactual is under consideration. *If* what?

Anyway, I think time control powers are up there right? Top five at least, easy. Imagine what you could do if you could stop time and sleep whenever you felt like it. I feel King Leerish about the ability to just be well rested. I would do such things, what they are yet I know not.

18) The problem with romantic relationships is that eventually, all of your most interesting clothing will end up in someone else's closet. I think my day-to-day wear tends to be mostly blues, blacks and whites. Not hugely interesting colourwise.

19) Snake, I think, they have fewer demands and I can't really handle any more pressure in my life than I already have. I would hate to be a bad bird mom... I would hate to be a bad snake mom too, but I think it's easier. Typically regarded as easier. I don't know.

20) Okay, so, it's like this right: medieval battle = will probably die. And it's also like this: behind city walls = safe, my friend and lover and confidant. And so, for very obvious reasons, it's gotta be a bow right? Like, I'm standing way out of the action and I'll shoot some arrows long range. But if that's against the spirit of the ask then it's gotta be some kind of polearm, like a halberd or something. Not even close. The advantage you get from distance is hard to overstate. Yeah, polearm for sure.

21) Mint choc chip, it's just such a classic. But also, I had a "london fog" flavour recently that was really compelling. It's just earl grey and vanilla but it's so good.

22) I'm more of a herbs person than a spices person. Like, hmm, I do really enjoy paprika and ginger and stuff like that, don't get me wrong. But it doesn't really hold a candle to the sheer universality of parsley or basil or oregano or mint. Herbs stay winning.

23) These days it's aptos because I am the worlds most basic bitch. And yes, I do still have a fondness for arial.

ask game that tells a lot about you.

how do you take your tea / coffee?

if you could be fluent in any language at the snap of your fingers, which one and why?

when do you wake up?

what was your favourite tv show as a kid?

summer or winter?

realist, optimist, or pessimist?

rain or sunshine?

how do you mark your spot in a book?

what are your favourite shoes like?

what would your non-perfume/cologne signature scent be?

if you were a dragon, what would you look like?

is your handwriting more print, cursive, or a mix?

what colour would your lightsaber be?

what is your defining personality trait?

roller skates or rollerblades or ice skates?

are you an only child? oldest / middle / youngest?

what would your superpower be? how would you use it?

what’s your clothing colour palette?

pet snake or pet bird?

weapon of choice in a medieval battle

the best ice cream flavour

what spices do you always use when cooking?

default font when typing?

[ham1lton]

SIMPLE !

pairings: jude bellingham x lewis hamilton’s assistant!reader

summary: after your first few dates with jude, everything seems to be going smoothly. however, there’s just one problem: your boss seems to hate your new boyfriend.

warnings: judeyn being dumbasses.

author’s note: part of my dream girl universe. for best enjoyment, read after the first instalment. assistant2 also makes her first official appearance!!

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📍 berlin, germany.

tagged: judebellingham

liked by ham1ltonshaderoom, jobebellingham and 2,837,918 others.

yourinstagram: the photos he takes of me vs the one i take of him. i think you all can see the better photographer.

view all 1,108,928 comments

user1: LOVE seeing hot people date each other.

-> user11: i love seeing two hot people be BESTIES.

user2: JUDE IS TAKEN ???!!!! NOOOOOOO

-> user3: babe… you didn’t have a chance at all. like please be serious.

-> user13: thank god they aren’t actually dating tho.

user4: my gf <3

-> judebellingham: who even are you.

-> user4: we can share <3 i can keep her satisfied thru the weekend u have the weekdays king.

jobebellingham: love this yn. he looks so depressed and ugly.

-> judebellingham: U JEALOUS ASF 😹

-> jobebellingham: yn i’ll paypal you £50 rn if you post more ugly pictures. which is all his pictures really.

-> yourinstagram: challenge accepted 🫡

lewishamilton: you look good yn!

-> user5: and what about jude??

-> lewishamilton: what about him?

-> user6: NOT YN’S HUSBAND HAVIN BEEF W/ HER BFF 😭

user7: lip combo?!!??

-> yourinstagram: i’m not a gatekeeper. it’s on my tiktok!! my most recent one <3

user8: you did my king so dirty with that one pic…. LMFAO DO IT AGAIN

-> yourinstagram: 🫡🫡

user10: their friendship is so cute!!

user12: yn is moving up in the world!!! from bts delulu to besties with JUDE BELLINGHAM

-> yourinstagram: blocking you! 😃

-> user12: you can block me but you can’t erase ‘hobisbabymama’

-> yourinstagram: HELLO?2&/9£/

user9: WHERE IS LANDO?!

-> user10: she blocked his main and his ten other side accounts because she’s secretly in love with him and wants to leave loser jude for him.

-> user9: hi lando 😁

user10: no roscoe pic?

-> yourinstagram: sorry babe :(( he’s at home with his dad and i’m on holiday. assistant2 has some highlights of him on her page!! <3

judebellingham: why do i look so depressed

-> yourinstagram: idk <3 want to get ice cream?

-> judebellingham: .. yeah

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title: my girlfriend’s boss (l,39) hates me and it’s ruining my relationship. help?

hi all, i don’t really post on here, but i’m at my wit’s end and need advice. i (j, m21) have been dating my girlfriend (y, f24) for a couple of months now, and it’s been brilliant. she’s smart, funny, beautiful, and honestly the kindest person i’ve ever met. here’s the catch: her boss (l, m39), who also happens to be an insanely famous athlete and very wealthy, clearly hates me.

y works as his personal assistant, and from what she’s told me, l has always been good to her. she’s known him for years, and he’s helped her out a lot in her career. she always says he’s like family, but ever since she introduced me to him, he’s been awful.

it started small, like him calling me “mate” in that condescending way that makes you feel about two feet tall. but last week, i went to pick y up from work, and he gave me this look—you know the type, the kind that says, “you’re not good enough to breathe the same air as her.” i tried to play it off, but it’s eating at me.

another time, we ran into him at a café, and he made this offhand comment about how “footballers aren’t known for their brains.” y tried to laugh it off, but i felt like an absolute idiot.

then there was the incident with the tickets. y mentioned she’d been offered two box seats for a big match, courtesy of l, and we were both so excited to go. but when she told him i was going with her, he suddenly “remembered” he’d promised them to someone else. i know it sounds paranoid, but it feels deliberate.

to make matters worse, y thinks i’m overreacting. she says l is just protective of her because they work closely together, but i can’t help but feel like there’s more to it. she brushes off his weird behaviour, but come on—this is the same man who asked her to taste-test a box of chocolate truffles because he couldn’t decide which to order for himself. (weird, right?)

it’s not just the comments, though. y told me l doesn’t usually care who his staff date, but she mentioned he’s suddenly started asking loads of questions about me, like whether i’ve been in trouble before or if i’m serious about her. it’s like he’s looking for a reason to disapprove. y thinks he’s being protective, but i swear he just doesn’t like me. here’s the problem: i’m pretty sure he hates me. actually, scratch that—i know he hates me.

i’m spiralling here. what if l starts sabotaging our relationship? y says she’s not going anywhere, but i can’t shake the feeling he’s got some weird power over her. am i just being insecure, or is there something seriously wrong here? what do i do?

top comments:

soggy_pigeon: nah, this is classic alpha behaviour. he’s marking his territory. he probably sees her as more than just an assistant, if you know what i mean. tread carefully.

fluffybananas: footballers aren’t known for their brains. maybe he has a point.

spicy_gravy: dude, he’s probably jealous you’ve got abs and a girl who loves you. chill.

randomuser_123: sounds like you’re dating your boss’s work spouse.

tofu_throwaway: i think l’s just jealous because y spends more time with you now. he’s like a toddler upset that someone’s playing with his favourite toy.

ladybantheboys: ok but what if it’s the opposite? like, what if l approves of you but is being mean on purpose to test if you’re good enough for her?

football4ever: j, mate, you’re overthinking. l’s just a famous bloke who doesn’t want to lose his assistant to some random guy. show him you’re not random. take him out for a pint or something.

memequeen420: this reminds me of when i had a cat and got a new dog. the cat hated the dog at first but now they’re best friends. just give it time.

plshelpme1998: have you tried googling “how to win over your girlfriend’s boss”? there’s bound to be a wikiHow.

bananabreadbae: mate, if he wanted her, he’d have made a move by now. maybe he just doesn’t like footballers. not everyone does, you know.

user2847: honestly, the truffle thing makes me think he’s the weird one. does he do this with everyone or just y? if it’s just her, he’s probably got some weird older-brother complex going on.

ultimategoblin69: maybe he wants to adopt you. famous people do weird shit like that.

yogurtbutter: ok but what if you’re the problem? maybe you’re just a bit annoying and he senses it. famous people have great instincts.

iamnotanon: have you considered sabotaging him back? like, nothing serious, but maybe show up in a better suit than him one day. alpha vibes only.

opinionatedowl: this is a power thing. l’s rich and famous, and he’s used to being in charge. stand your ground, but don’t disrespect him. he’s probably testing you.

thecheeseman: it sounds like a bad rom-com where l secretly approves of you but can’t admit it because he’s emotionally constipated. if i were you, i’d play the long game.

spicywaterlover: wait… what if l is secretly in love with y and you’re the obstacle? plot twist.

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edit: wow, ok. this has been a ride. thanks for all the comments, even the wild ones. i think i’ll try the “pint” suggestion, but i draw the line at sabotage. will update if anything changes (or if i get adopted).

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liked by messyassuser, lando11priv and 1,938,882 others.

ham1ltonshaderoom: football star jude bellingham seen cuddling and being affectionate with his new girl! she has been identified as yn yln, she is the personal assistant of f1 icon lewis hamilton. they were spotted outside a restaurant in las vegas after the grand prix all boo’d up! according to sources, they were all loved up at the after party. they ‘didn’t leave each other’s space’. what do we think about this new couple ham1ltons?

view all comments

user1: who tf even is she

-> user2: a baddie. she’s seriously so funny and sweet. you guys should see her tiktok or insta pages. jude is punching above his weight.

user3: oh!

user4: HOTTIES!!!

user5: why they doing the most in public???

-> user6: they’re in love? girl lmao.

-> user7: she’s his beard or he’s hers. idk yet. i need to consult the stars.

-> user8: ^ me when i’m off my meds.

user9: am i the only one who thinks they’re cute? good for them!!

user10: um i think she’d be happier with lando.

-> user11: lando please how are you still making new accounts.

-> user10: i’m totally not the handsome and gorgeous lando. i’m actually… pando. hi.

user12: my gf and my bf are dating??? i’m gonna be sick.

-> user13: they got two hands.

user14: they’re rlly dating???

-> user15: no bitch. they’re just coworkers 🙄

-> user14: oh! thank you :D

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UPDATE: my girlfriend’s boss (l,39) hates me and it’s ruining my relationship. help?

hi all, it’s j again. thanks for the advice on my last post—it was a mix of helpful, hilarious, and… well, a bit unsettling. but it gave me the push i needed to talk to l. here’s what happened:

i decided to man up and ask him out for a pint to clear the air. i figured it was the most normal thing to do. well, turns out l’s teetotal (thanks, y, for not warning me properly). when i suggested a pint, he just looked at me for a second and went, “i don’t drink, mate,” in that calm, terrifying way he has. i panicked, said something about tea, and left feeling like an absolute idiot.

but two days later, he called y at work and told her to invite me round to his place for tea. TEA. this man lives in a house that looks like it’s straight out of a Bond film, so you can imagine how intimidating it was to rock up with a packet of biscuits like some budget offering.

long story short, we had tea, and he cleared the air. he admitted he’d been giving me a hard time because he wanted to make sure i was serious about y. he said she’s like family to him (didn’t say “work spouse,” thank god), and he needed to know i’d treat her right. honestly, it was a bit awkward, but also kind of sweet.

so yeah, we’re good now. he even said he’d save me a seat for the next big race. i don’t know if that was a peace offering or a power move, but i’ll take it.

thanks for the push, reddit. you lot are mad, but in a good way. most of the time.

comments:

ladybantheboys: told you he was testing you! this is literally every rom-com ever. next step: you accidentally bond over an inside joke, and he becomes your biggest fan.

bananabreadbae: this is so british it hurts. “sorry i was mean, let’s have tea.” mate, at least you passed the test!

football4ever: called it! blokes like him just want to make sure you’re solid. now you’re in his good books, you’re set for life. congrats, mate.

memequeen420: so… what kind of biscuits did you bring? was it something boring like digestives, or did you go all out with hobnobs? we NEED to know.

randomuser_123: this is like when my dog hated my boyfriend at first but then they bonded over cheese. sometimes it just takes time.

tofu_throwaway: glad it worked out, but honestly, i’m still a bit scared of l. even through your post, he sounds like he could crush a man with a single stare.

iamnotanon: congrats on passing the test. now don’t mess it up, or i guarantee he’ll make you disappear. rich people have connections.

ultimategoblin69: you went to his house?! are you sure it wasn’t a trap? like, did he subtly scan your fingerprints for future blackmail material?

plshelpme1998: like, this whole thing is giving weirdly protective father vibes. good luck, mate.

user2847: what does his house smell like? no, seriously. i feel like rich people’s houses have that “old money” smell, like leather and expensive wood polish. was it intimidating?

(deleted): send feet pics.

opinionatedowl: so… when’s the wedding? i’m assuming l will walk her down the aisle now that you’ve been knighted into his inner circle.

thecheeseman: this is the most British solution ever. “i made you feel terrible, but here, have some earl grey, and now we’re mates.” glad it worked out though!

memequeen420 (again): STILL no answer on the biscuits. j, you’re avoiding the REAL questions here. were they branded or store-brand? did he eat one? this is important.

weirdcookieperson: did he sniff you when you walked in? like, does he have a heightened sense of smell? rich people are weird, man.

alphamale_uk: mate, you handled this all wrong. never apologise, never offer tea, and NEVER back down to another alpha. you should’ve walked in, sat in his chair, and asserted dominance. that’s how you gain respect. next time, bring steak, not biscuits. real men bond over meat, not tea.

j (op): l’s vegan, mate. bringing a steak would’ve been like waving a red flag at a bull. also, this isn’t Planet of the Apes, it’s just tea. chill.

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j (op): wow, i forgot how weird reddit is. for the record: branded hobnobs. because i’m not a monster. no sniffing, no fingertip scanning and i’ll get someone to update you if i go missing. cheers for the laughs.

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— all works taglist: @luvsforme @yelenasloverrrrr @donttouchthegnote @chelle1306 @bloodyymaryy @aliciaablueprint @km-23mr @stinkyjax @f1kenzzz @ctrlyomomma @theblueblub @23victoria @namgification @tallrock35 @avada-kedavra-bitch-187 @ariellovelynn @shhhchriss @lifeless-firefly @xylinasdiary @evie-119 @itseightbeats @landososcar @yongi-lee @velentine @m1892 @blushmimi @evans-dejong @nixisracing @lethalvenus @sainzluvrr @santanasaintmendes @idontknowlmaoo @sainzluvrr @tetetoni @ssprayberrythings @heavy-vettel @tashisgf @daniskywalkersolo @c-losur3 @lestappenslover @linoscrly (see yourself tagged when you don’t wanna be? or you want to be and don’t see yourself? send me an ask!)

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[strawberrykidneystone]

a baroness after my own heart

summary: sevika from house silco has officially entered the marriage market after years of putting it off and she falls in love with the first woman she lays her eyes on

a/n: sevika… mr. darcy hand flex….

tags: not historically accurate, love at first sight, dancing, regency era-ish, me being a sap, drama, gossip, romance, not historically accurate

ao3 version

viscount silco’s ward, jinx, has been in the marriage market for merely a year and has seemed to scare off every man and woman with her odd personality. earl vander’s ward, lady violet, had recently married into house kiramman. it was quite the scandal when it was revealed that jinx and violet were estranged sisters living in different houses, but the excitement died down quickly with the new ball season starting. no doubt that silco’s influence had also stopped the gossip papers from writing about his family.

you were not a duchess by any means, but you had quite a steep dowry that had many suitors show an interest in you, but each one had been just as boring as the last. your mother was not pleased with your efforts and made an ultimatum, you had to get married this year or you would be sent off to live with your aunt in the middle of nowhere, so you were eager to see the fresh meat entering the market this year.

lady mel visited your house this afternoon with a paper in her hand. she was currently being courted by sir jayce, a man of lower social standing than herself, but she had been adamant about marrying for love. of course, the courting had somewhat come to a hold with the recent scandal, but it was sure to start up again as balls exposed more of people's relationships to the public. you had heard a few rumors about him and his lab partner viktor, but they were quickly laid to rest by mel's mother, duchess ambessa, and no one questioned her judgment, ever.

the two of you settled in the drawing room with tea and biscuits, your handmaidens making themselves scarce on the other side of the room to allow the two of you to talk semi-privately.

after taking a sip from her tea, mel brought your attention to the small paper in her hands, "my dear friend, i have just received word that sevika is entering the marriage market this year."

you had to hold yourself back from spitting out your tea. no one had seen lady sevika in quite a while, she was at the side of silco most of the time and when she wasn't she was in the bars down in the village that no other members of high society would be caught dead in. she was a baroness in her own right and had her own estate, but she was known to work closely with the viscount in many aspects since her parents had taken up traveling the world. personally, you had never seen her, but you had heard that she is intimidating as she is beautiful. you thickly swallowed your tea and set your cup down on the saucer, "pray tell, is there a reason why? she has had ample time to enter the market whenever she wanted, why now?"

"there was no reason given, a kitchen maid wrote to me in haste as soon as she heard," mel said with a grin, she always liked to have her fingers in all of the pies, paying off servants for small bits of gossip was included into keep tabs on everyone. you shook your head in disbelief, the whole thing seemed fishy.

"perhaps it's to draw away attention from the scandal of the two sisters," you suggested and cocked your head curiously.

mel waved her hand dismissively and shook her head, "most people have already forgotten about that by now. whatever the reason, it's sure to be an interesting season this year."

you nodded in agreement and took a small bite from one of the sweet biscuits, letting your imagination run wild surrounding the house of silco and vander. you and mel continued to talk about everything under the sun, mostly gossip about other houses and who's getting desperate to not be considered a spinster next year. before you knew it, the sun was almost down and you bid her farewell at the door, her carriage taking her back to her mansion in the hills.

the next week was pure chaos.

picking out fabrics for dresses, trying out hairstyles for this season, pairing accessories with each other, and keeping up with the constant rumor mill. as long as you didn't hear anything about yourself, you were fine with a little gossip here and there. there had been a little talk about how you were getting close to being a thornback*, but you simply ignored them. you were determined to get married this season, even if it killed you.

before you knew it, it was time for the first ball of the season. lady mel's family was hosting of course, with no expense spared for decorating the huge mansion. there were gold decorations everywhere decorating the house with fresh-cut roses intertwined in delicate patterns. the rose bushes that lined the front of the house were lit up with protected candles, the whole house glowing like a sun against the night sky.

exiting your carriage in your custom-fit gown with elbow-length gloves, a curly updo with a headband of pearls in your hair, and a pearl choker to match, you confidently walked into the ball with your family.

with your fan hanging on your wrist and your dance card in its proper case, you immediately walked up close to the dance floor, scanning the crowd. it was mostly filled with faces you had seen before with a few you didn't recognize, but you couldn't help but feel nervous. you were thankful for the gloves on your hands absorbing the sweat that would no doubt be building up on your hands, but you were still hopeful for this evening.

suddenly, the whole room fell silent. you turned your head towards the entrance you just walked through and held back a gasp. there was duchess caitlyn and lady violet arm and arm, with the house of silco, vander, and kiramann following up behind them. they posed a united front together and you had to praise them for their bravery showing up at all. their footsteps echoed throughout the room with the occasional ‘thump’ from silco’s cane. the group paused in front of the ballroom, not unlike two armies about to attack each other. mel quickly snapped at the orchestra to ease the tension and they picked up their playing again, people slowly going back to their conversations and dancing. the big group quickly dispersed, acting casual as if nothing over the summer had happened. duchess caitlyn and lady- duchess violet took to the dance floor and waltzed with each other, a genuine aura of love surrounding them as they glided around the circle of people even though people were very obviously keeping their distance.

you walked through the crowd and stayed on the edges, ending up close to the refreshment table. god it was going to be a long evening, but thankfully not an uneventful one.

it’s not that you were uninterested in marriage, you just hadn’t found the right person. you were resolute about marrying for love, which annoyed your family to no end as they had all married for wealth and status. you had hoped to talk to mel for a bit, but she was already busy waltzing around the dance floor with jayce, much to lady ambessa’s dismay. looking over to the side of the room, you saw jinx and sir ekko passionately talking about some sort of trinket in her hands. a fond smile graced your lips, it’s as if the two never grew up, still up to their usual antics.

just as you were about to chalk this night up to simply standing on the outside as just another wallflower and observing other couples, somebody caught your eye.

a tall woman with a short and straight haircut that sharply framed her face, her grey eyes lighting up against her darker features. she had the most endearing wide nose you had ever seen and full lips to match. she wore a beautifully tailored burgundy suit complete with a black vest and a white undershirt, tan pants, and a black cravat adorned around her neck to complete the look. she was simultaneously the most beautiful and handsome woman you had ever laid your eyes on.

and she was staring right back at you.

the rest of the world seemed to blur away and your heartbeat picked up, you had to convince yourself that you weren’t having an aneurism in the middle of the ball or somehow daydreaming of this perfect woman. the room seemed to light up as if the world had been dimmed until this moment, you could see nothing else but her. the two of you wandered intently toward each other as if in a trance, never breaking eye contact as you made your way through the crowd.

before you knew it you were face to face with her, both of you awestruck by the feeling that your hearts had been searching for each other all your lives, two halves that were now whole. sevika cleared her throat and slightly bowed her upper body, keeping her eyes on yours as she held out her left hand with the palm up, “may i have this dance?”

your voice was caught in your throat, all you could do was nod and placed your hand in hers. as soon as you laid your hand in her warm palm, you knew that you never wanted to let go.

she led you to the dance floor and people were already starting to whisper about the two of you as they parted to let the two of you onto the floor, but you couldn't care less in this moment. the two of you smoothly got into a classical waltz position with her leading, her left hand never leaving yours as she held your interconnected hands up and placed her other hand on your waist. you rested your arm on top of hers and followed her lead in the dance, absolutely enthralled with your partner as you twirled around the dance floor. it was like the two of you were floating on air above everything else, dancing in your own little world where it's only you and her.

all too soon, the song ended and suddenly you were back in a crowded ballroom standing in front of the woman you danced with, whose name you didn't even know. the two of you bowed to one another and exited the floor together. reluctantly letting go of her hand, you clasped your hands in front of your dress formally and smiled up at her, "thank you for the dance miss?..."

"sevika, baroness sevika," she said in a smooth deep voice with a bow of her head.

you held back a gasp and quickly introduced yourself, curtseying while holding your skirt.

the two of you quickly got lost in conversation as if you had known her all of your life, having more in common with her than anyone else you had ever met in your life. sadly, the evening was coming to a close and the last dance of the night was announced. sevika gave you a knowing look and you nodded, the two of you joining the other couples for one last dance. she was such an easy dance partner to follow and you couldn't help but feel safe in her arms. losing yourself completely in the dance, the music ended far too soon for your liking. you wished you could've stayed here and danced with sevika all night.

alas, each of your houses were starting to depart and sevika looked down at you with the biggest puppy eyes, holding both of your hands in hers, " would it be too soon if i called upon you tomorrow?"

you giggled and squeezed her hands in yours, "i shall simply die if i do not see you tomorrow."

sevika's face lit up and she brought your hands up to her mouth, kissing your knuckles, "then tomorrow it shall be."

she slowly walked backward, holding your hands as long as she could until she finally had to let go, silco calling to her from their carriages. she stumbled slightly going down the stairs which made you giggle until your mother sharply called your name. you quickly joined your own house once again, giddy in anticipation for the next day.

a/n: i tried to leave reader's outfit as ambiguous as possible so you could imagine your own outfit but FUCK i love pearls <3

part 2, this scene and backstory from sevika's perspective?

*thornback: single woman over the age of 25

taglist: @maneskinwh0re @archangeldyke-all

[joicecubes]

my take on this scene (arcane s2 act 2 spoilers. obviously)

if you’re active within the arcane fandom space recently i’m sure you’ve at least stumbled across the discourse where someone interpreted this exchange to be vi “realizing jinx is a better older sister” or something. personally i think it’s a lot less about comparison and a lot more about guilt.

vi has felt responsible for jinx her entire life. she was her protector when they were kids. she abandoned her after vander, milo, and claggor’s deaths leading silco to take her in. jinx went on to work for him. she killed caitlyn’s mother in the council meeting explosion. everything jinx has done and every horrible thing she’s experienced has been a direct result (at least in vi’s mind) of her own failures as an older sibling. and despite her guilt, eventually she forced herself to accept that powder didn’t exist anymore. even more painful, that since she’s the one who caused jinx to be this way, she also has to take responsibility and stand by caitlyn’s side in ensuring jinx won’t hurt anyone else.

but she fails. jinx runs free, vi wallows in her breakup sorrows, and the next time they see each other, jinx… has changed. and she has that same kid with her from their fight. and she’s come to vi willingly for her help.

i think vi is thinking a lot of things when she sees jinx comforting isha. surprise, firstly, to see this side of jinx she hasn’t seen since they were kids. the jinx she knows is a shell of her former self, changed beyond belief, and yet vi watches as jinx softens and treats isha with so much care. helps her dust herself off, says something vi might’ve said to powder what feels like a lifetime ago. “still got all your insides?”

the truth of it is, it’s not jinx being a better older sister than vi was. it’s jinx emulating what vi once was to her, and i think vi catches onto that. she’s watching as an outsider now, jinx and isha paralleling what her and powder’s relationship used to be like and i think it would make sense if the strongest thing she’s feeling right now is longing. how devastating it is that their relationship feels so irreparable, how deeply she wishes she hadn’t hurt powder so long ago.

but there’s also hope in her asking “why’d you come get me? you don’t actually need my help.” sure, she’s still bitter. how could she not be, after everything that’s happened between them? but she recognizes that jinx doesn’t need her anymore, it becomes especially clear seeing jinx taking care of someone else like vi used to take care of her. so why seek her out? why drag her all the way out here? there’s a deep, wounded, guilty part of her that’s desperate for reconciliation, so she reaches for it. especially now that she has no one else.

they make me so sad :(

[incrediblyaccuratethoughts]

Added another chapter, here we goooo ~~

-

Tim stepped out of the Batcave to grab himself a coffee. He was gone for 10 minutes.

So tell him why as soon as he closes the entrance, he's accosted with the sound of Jason and Damian bickering over the bat computer. The computer he’d been using for the past 5 hours to try and solve an ongoing trafficking ring.

“I told you my fucking number and I’m no liar,” Jason grumbles.

“Shut it Todd, I’m concentrating.”

Why does this always happen to Tim? What god did he piss off enough to regularly put him in the room when his brothers are arguing? What did he do to deserve such slander??

“You wouldn't have to concentrate if you just believed me-” Jason snaps, as Tim starts to make his way down the staircase, quietly stepping between shadows to avoid being seen.

“I refuse to believe that you’ve killed that many people since you were revived.”

“I’mma crime lord, brat. I’ve killed a lot of fucking people. Not to mention the Pit Rage.”

When Tim gets his first peak of the Bat Computer, he doesn't know why he bothered to be sneaky. At a first glance, Jason looks casually relaxed, his feet up on the desk, but his shoulders are tight and his attention is focused on whatever the hell Damian is doing.

Did Tim mention that he didn’t like where this is going? He would like it on record that he doesn't like this one bit.

“Pit Rage or not, that’s a preposterous number.”

“And that’s a good enough reason to hack into the Watchtower for all the information they have on the League of Assassins?”

Oh shit. Oh fuck .

“Father has encrypted folders stored in their databases holding detailed information pertaining to the League of Assassins." Damian sniffs, "If the information we seek is anywhere, it’ll be there.”

Nope, Tim is definitely not a fan of this development. He’d been meaning to see if he could get to that particular file and erase all mentions of Ra’s obsession with him. Tim just hadn’t gotten around to it.

“And you’re what? Going to hack past Oracle?”

“No,” Damian scoffs, “I know the password.”

Tim scrambles for his phone. It’s not his favorite device to hack from but dammit, needs must.

"How the hell did you manage that?"

"As if I'd tell you."

“Sneaky little shit.” Jason sounds begrudgingly impressed.

For a few moments, the cave is filled with the sound of aggressive typing, before Damian makes a small, pleased noise.

“I’m in.”

From this angle he can’t see what Damian typed, but Tim has been breaking into shit he shouldn’t for longer than he should have been able to. He’s just gotta get in before they can download something they shouldn’t.

“Great, where’s the LOA files? Do they even have the LOA files?”

“Of course they do, the watchtower is updated on every major server-”

Tim frantically pulls up backdoors and firewall scanners, hoping he can slip his way inside despite not being connected to a direct network.

“What’s that?”

“We have a task, Todd. Try to stay focused.”

“No, go back. I’ve never seen that before.”

Damian scoffs, but returns to a file labeled, 'The Detective - Project Failed’

See, this is why Tim can’t have nice things. Every time he lets his guard down for even a second, a meddling brother fucks it up for him. Truly a tragic life he leads.

“It’s nothing important. Clearly it wasn’t successful-”

“Open it.”

“This is not a leisurely perusement of information, Todd. We have a task to fulfill.”

“The file was created two years ago. That’s too recent to have been Bruce.”

Damian pauses, cursor hovering over the file. Tim hopes with everything he has that the kid will ignore Jason’s request.

But of course, because the universe hates him, Damian clicks it.

The Detective

Age: 17

Height: 5’6”

Weight: 131 lbs

"I fucking told you it wasn't Batman. That's Robin levels of scrawny."

"I applaud your clearly superior intellect, Todd." Damian drawls.

"Who the hell taught you sarcasm?"

“I didn’t need to be taught, unlike some.”

“Bullshit.”

“I don't see how this is relevant.”

ABILITIES:

Trained by Batman, Nightwing, Batgirl, Lady Shiva

Martial arts disciplines including but not limited to:

Kung Fu, Aikido, Jeet Kune Do, Escrima, Krav Maga, Tae Kwon Do, Judo, Wing Chun, Hapkido, Karate, Savate, Kendo, Ninjitsu, Tai Chi, Leopard Kung Fu and Biangan.

Prefered Weapon

Bow staff

Highly skilled combatant

Master Detective, Tactician, and Strategist

Gifted Intellect

Excels in computer science and inventions

Firm grasp of assorted scientific techniques including biology, engineering genetics, forensic, criminology, acrobatics, stealth, disguise, and escapology.

"So I know I made a joke about this being a Robin, but…" Jason trails off.

"These descriptions are too specific." Damien agrees.

AFFILIATIONS:

Batman and his associates

Leader of Young Justice

Leader of Teen Titans

Justice League associates

League of Assassins associates

"Which fucking Robin worked with Ra's of all people?"

"I am the heir of-"

"Tell me when exactly you lead Young Justice."

“Tch.” Damain scoffs.

PERSONAL CONNECTIONS:

Janet Drake (Mother): Dead

Jack Drake (Father): Dead

Eddie Drake (Uncle): Fake Identity

"Oh fuck ." Jason breathes.

ALIAS:

Timothy (Tim) Jackson Drake-Wayne

Robin - Boy Wonder

Red Robin

The Detective

Alvin Draper

"What kind of alias is Alvin ? What the fuck?"

History:

Defeated King Snake (assisted)

Defeated Clusmaster (alone)

Escaped Bane and Killer Croc (alone)

Defeated Firefly (alone)

'Zero Hour'

Defeated KGBeast (alone)

Kidnapped by Zeus - (escaped alone)

First contact with LOA - apocalypse virus

Defeated Cluemasrer (alone)

Lead Young Justice

'No Man's Land'

Defeated Mr. Freeze and Ratcatcher (alone)

Defeated Darkseid (assisted)

'Titans Tomorrow'

Defended Bludhaven from OMAC's (assisted)

Defeated Secret Society of Super Villains (assisted)

Reassembled Teen Titans

Defeated Obeah Man (alone)

LOA affiliation - Objective: [REDACTED]

“No fucking way.” Jason breathes, and judging by Damain’s silence, he shares Jason’s sentiment.

Tim’s frantic typing is yielding no results. Fuck .

“I didn’t think the kid had it in him.”

“I was not aware that Drake was so… versatile in his skills.”

“That’s a fancy fucking way of saying he’s got a rap sheet longer than Santa’s naughty list.”

“He didn’t strike me as the type to work with Grandfather.”

“Yeah, no shit. When did that even happen?”

“By the dates, it would have been during Father’s disappearance into the time stream.”

“ Oh my fucking god .”

Classification: Potential Heir

Mission Success Rate: 98%

Active Member: N/A

Time of Service: 1y 2m 15d

Kill Count: 8,528

“That number can’t possibly be right.”

“Holy fuck, that’s a higher kill count than me .”

“I refuse to believe this. We need more evidence.” Damian states, scrolling down to the detailed notes.

“He blew up a League base?”

“Not just one. He blew up 7.”

“I don’t understand how he would have had the information-”

Tim’s phone vibrates as finally gains access to the Watchtower. It’s too late to have kept his brothers from seeing what they did, but that doesn’t mean he can’t bury his file.

“It says he that he was favored by Ra’s and… that bastard wanted him to be the next Demon’s Head? What the hell did Timmy do ?”

“I don’t understand.”

The data starts disappearing, and Tim clears his throat. His brothers turn around, staring wide-eyed at Tim’s blank face.

His heart is in his throat and his hands are shaking, but he forces a smirk.

“No one will ever believe you.”

Tim turns and sprints for the door.

Without the copies stored away in the watchtower database, his brothers will be hard-pressed to come up with proof about his crimes and really, he’s heard far too many comments about him being one of the more morally sound people in the family, so it’s not likely that his brothers will be taken seriously, but he's not sticking around long enough to get caught.

Tim’s escape lasts about five minutes.

It’s an epic five minutes, there’s a lot of sick flips and narrow misses involved, but by the end of it, the entire family is on the chase.

Which, Tim thinks wryly, is just fucking perfect as he wheezes under the weight of 200 pounds of sheer muscle.

“You have some fucking explaining to do, Timbo.” The jerk that’s currently crushing all of the air out of Tim’s lungs says, but all Tim can do is wheeze.

The weight lifts and oh . Fuck . Yeah, no wonder Tim was on the verge of breaking a rib, Jason was the one who tackled him.

Rude. Tim weighs like. A third of him. The man could at least pretend to use some constraint.

“Tell me why,” Jason starts in a dangerously low tone, “You have the highest kill count in this family.”

Tim tilts his head, the picture of innocence. “I don’t know what you’re talking about.”

“ Bull. Shit . Damian and I saw the fucking file. Deleting it doesn't change the facts.”

Tim's expression doesn't falter. He’s been rubbing elbows with high society since before he could walk. He’s well practiced in a poker face. “What file?”

Jason lunges for him.

A short scuffle later finds both Tim and Jason separated, Bruce with an arm across Jason’s chest and Dick bodily hauling Tim off the ground.

"What's going on?"

Ah shit, that's Bruce's Batman voice.

"Tim has a kill count higher than me." Jason immediately spits, the snitch.

"He worked with Grandfather."

"He blew up 7 league bases."

Every gaze in the room lands on Tim, and he sighs, admitting defeat and slumping in the hold Dick has him in. Damn the man and his octopus arms.

It was a good run. But the gig is up.

"I was in a… bad headspace." He shrugs ruefully, "Black Canary once told me that shared misery is halved misery.”

“Your ‘bad headspace’ lead to blowing up 7 League bases ?”

Tim shrugs. “In my defense, Ra’s is an asshole who has my spleen in a jar. I think he deserves it.”

The arms tighten around Tim, “He has what -”

”Your spleen ?”

“That does sound indicative of Grandfather’s behavior.”

“What the actual fuck, replacement.”

"You have some serious explaining to do." Bruce says, tone authoritative with no room for argument.

Tim sighs. He just wanted coffee.

An opinion. Jason was the only batkid who did not come with a pre-installed Kill option, that was downloaded, after death, while he was with the League. Dick, Tim and Damian, tho, they came with it, and Bruce had to learn to manually turn it off.

99% success rate with Dick and Damian.

76% success rate with Tim who has not killed anybody, but has contemplated it way too many times for Bruce to be comfortable with.

Edit: for all the people who keep saying "But Tim blew up the League bases with so many people," listen, if Bruce doesn't know, it didn't happen. Don't go snitching on my boy like that.

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[everpresence]

I was wrong.

over the last few weeks, i started heavily questioning my beliefs.

i noticed that some of my desires came in faster than other desires. some of them (as you may see in my recent posts) took years to reflect, but some of them got reflected so fast at the speed of light.

i’ve been told by various people that there’s usually a time delay for desires to materialize in the 3D, and for some reason, it resonated with me. that’s why i mention it in my answers because i was merely basing it off of my own experiences with the law.

but something clicked for me recently. i watched a video by missy renee, about why people haven’t seen their manifestations for years. i’m just going to put it out there that you don’t need to pay for coaching. there are a lot of manifesting coaches that don’t know what they’re talking about, and when you read source, it’s a lot more telling. missy renee is not one of those coaches. she has read source and has even applied those teachings into her life. if i have to recommend a coach for you to watch, though, it would be her.

anyways, there was a line that she said that i immediately wrote down because it caused so much confusion in me. basically, she said that the reason why we have yet to see things come to pass is because we are still identifying with our old beliefs — our old story — and due to this, we become double-minded. this double-mindedness is then perceived as the “time delay.”

in that moment, i slowly leaned back in my chair. it was an “a-ha” moment for me, but it was also a little harrowing.

how long have i held myself back from just accepting that i am the person that i wanted to be? how long have i been limiting myself, telling myself the old story over and over again like a broken record? more importantly, i’ve been telling other people that there is such thing as a “time delay” because i decided that i should experience the delay.

so when i wrote a list and just allowed my higher self to figure it out, some of them came in so fucking fast at the speed of light. it stunned me. that’s when i realized that i was holding a false belief.

i never thought that i’d be writing an apology post, but here i am. i’m holding myself accountable because i was the one that wrote that there is such thing as a “time delay,” but in reality, there isn’t. sure, you don’t have to be pitch perfect with your beliefs, but when this desire has no conflict with your beliefs — when you have no resistance, when you aren’t arguing with yourself about whether you have it or not — then there’s no delay.

i remember some people said that it should not take more than thirty days, and i used to think that it’s bullshit, but now i can clearly see that there is a reason why they believe this. it’s not even about the length of time, but about how frequent you return to the state. it’s all about you accepting that the person you want to be is who you are now.

besides that, i want this post to be a reminder that everyone’s beliefs are constantly changing. there is always going to be expansion, growth, an inevitable withering of the old beliefs and the blossoming of new beliefs the more we learn about how this all works. this is why i want people to go back to reading source, to not always take everyone’s posts as “truth” or “the gospel” because we are all still learning in the end. learning never ends.

edit: i don't mean to say all this for you to start focusing on the physical reality as your primary reality. i still wholeheartedly believe that this is merely a reflection of your beliefs, and ultimately, it is all about who you are choosing to be right now despite what it looks like.

[saras-almanac]

So I’ve been sitting on my feelings about the BuckTommy breakup and handling of it for a while, trying to get my thoughts in order. And after a while of thinking on it—and the recent Lou interview dropping making me feel like my feelings are valid—kind of made me want to just blurt them all out and hope for the best. So this is that.

Ultimately the entire handling of the BuckTommy breakup feels cruel. And not just cruel in an intentional way, but cruel in a casually, not even given any thought cruelty, which is worse sometimes. And to be honest, I think that’s part of why I’ve been struggling with it so much. (That and the echoes of Magicians season 4, which if you know you know).

What I mean by cruelty is just the lack of any real effort or care put into this storyline, one that they had previously been handled with so much care and concern and were praised (rightly so) for at the time. It’s the way they introduce this Tommy as Abby’s ex thing, which makes hardly any sense at all, but also feels cruel in the intention of laughing at the invisible string of fate theory between them. It’s they way that they’re 6 months anniversary and not only have they not talked about this, but Buck (Evan Buckley) didn’t get him a gift that feels cruel because that feels so wildly out of character for him. It’s the way they had the break up play into some bisexual stereotypes at best and inherently biphobic at worst by having Maddie suggest Abby turned him gay or that Buck needs to “explore” things to figure out what he wants or that Buck “Doesn’t know what pond to jump back into” of it all. (Not to mention the comments from OS about wanting Buck to fuck—which I’m not getting into because I didn’t read it and as a bisexual woman, don’t feel the need to go and try to find something that might upset me more.)

All those reasons are why the breakup itself is cruel to the characters, but it’s also cruel to those of us watching, and especially to anyone and everyone who loved and/or related to the character of Tommy, who we see walk away much much worse off than when we found him. It’s the way the story (intentionally or not) is framing it like a romcom break up – make up – pining storyline which they apparently are not doing according to interviews. It’s the way they didn’t give any sort of closure to Tommy for the character or for the audience.

There’s a reason that people lose themselves in stories—it’s because they follow certain rules and contracts. It’s expected that stories do not match up to real life because while things don’t have bigger meanings in life or they don’t work out according to plan, in stories, everything happens for a reason. Because that’s the whole point of what you’re consuming. And along with that, emotional moments are meant to feel cathartic in a way, at least eventually, because you were able to see the bigger picture, to feel the finality to things, and to really understand what’s being said and what’s happening. This breakup does none of that and actually seems to have been included and rushed for shock value and that to me, is just shitty, lazy writing.

If you were going to break them up and have no desire for any sort of reunion or closure, why not make it intentional? Tommy could be the one who wants marriage and kids and settling down and Buck internally freaks out because theoretically he wants that but maybe it’s too soon and as much as Tommy loves Buck, he’s not going to wait around and hope that Buck feels the same for him because he’s been hurt too many times like that. Or Tommy could be leaving for another state because he’s no longer going to be a firefighter or needs to go for family reasons or gets a job at a different station that he applied for ages ago and he has everything all set up and isn’t going to ask Buck to leave his entire life for Tommy, so they decide to breakup even if it hurts both of them. In either of those cases, it’s sad and devastating, but at least there would be some closure to it and understanding of it for both the characters and the audience and some peace knowing that at least these two are going to be moving toward happiness in whatever way that means for them.

Instead, what we have, is a hail-mary last-second breakup that comes out of nowhere and feels abrupt and crappy in the way we leave Tommy specifically because we might never see him again. And that is the crux of the issue. Because the way this was written, the understanding is that they are going to get back together or reunion or at least have that final closure conversation—because that’s what happens in stories. We see this type of surprise breakups, breakups where they issue is they love each other too much and are afraid to go further (Athena/Bobby and Maddie/Chimney to name two examples we saw in universe) only to eventually fight to be together and realize that if they don’t take a chance they might never know how amazing it is. So the fact that it’s set up to follow this same path while nearly every interview is telling the opposite, again demonstrates that casual cruelty as well as an inherent failure on the writing. If you have to go in interview and explain what it is you wrote or are telling, then you have failed as a writer. It’s really as simple as that.

This breakup doesn’t feel set up or foreshadowed, it just feels like they added it on because they didn’t want to do anything more with it? And that feels incredibly crappy as a decision to so many people who related to Buck and Tommy and them coming out later in life and all those other things. I’m rambling and on my phone and feeling a lot of things that I can’t fully express right now, but the long and short of it: If this was always intended to be the final time we see Tommy, this breakup is even crueler than intended.

[cordycepsfem]

Putting. Periods. Like. This. Doesn't. Make. Your. Sentence. Better. It just makes you a dick to blind people who use screen readers. But carry on, teen hero giving a speech in one of those Divergent movies or whatever.

If the oppression caused by gender is despicable, why do you have a gender identity? Why even continue to participate in the system at all?

What are you "identifying" with?

I didn't misread "trans women are women." It's literally y'all's rallying cry. Can trans women ever be female? Can I, a female person, "identify" as a trans woman? No? Hmm, then it seems like it's something only male people can do.

No, I'm not "cis." I don't use any terms to describe myself that relate to gender (a concept first popularized by a pedophilic, incest-supporting scientist, John Money). As stated previously, I don't believe in gender. Please respect my beliefs.

"Woman" is not "from gender." You need to do some research before you try to go this hard, because this is sad. Woman, up until recently, has been understood to refer to adult female humans.

I'm allowed to state things on public posts on the internet. Stating "trans women are male" isn't hatred nor is it an opinion, it's literal fact. You agreed with me by saying that "someone who was born as a boy" can stand with "her sisters." You barged onto my posts with your big emotional appeals, making it your business. You can feel free to stop any time you'd like.

I do support trans rights. I don't believe in the Christian god, but I'm not going to stop Christians from meeting, having churches, and remaining free from oppression. Similarly, I don't believe in gender, but I support trans people remaining free from oppression, building community, and solving problems that are important to them. Where I stop supporting is where any of it, religion or gender, crosses the line to remove any of my rights or the community I belong to... or when trans people demand that feminism do the bulk of the work for them.

Also, if "trans" is the word that describes you best, you need a personality and some hobbies. That's so fucking sad.

"Trans women are actually women for real, not in a metaphorical sense, not in a "anyone can be anything" sense, but genuinely actually make more taxonomic sense to classify in the category of women than any other group" is a position you'll find is pretty radical even in queer spaces

[landhoe-norris]

The thing with Lando, that I don’t understand, is how everything he says or does is constantly blown out of proportion and twisted to make it seem worse than it is. He’s not the only driver who acts in the heat of the moment, yet he’s one of the few who gets crucified for it every single time.

Remember back in Monaco in ‘21 or ‘22 (I really can’t remember), when he lapped Ricciardo, his own teammate, and gave him a small wave—a gesture that clearly meant “thank you for letting me by without any trouble.” Instead of seeing it for what it was, people completely misinterpreted it. Lando was accused of mocking Ricciardo, called a snake and a bad teammate, and even received death threats. Over a wave. A moment of acknowledgment somehow turned into a crime.

What’s frustrating is how this treatment isn’t consistent across the board. Compare this to Liam Lawson flipping Checo off in a race recently—a far more direct and provocative gesture. Fans laughed it off, called him a “legend,” and moved on. But when Lando does something as harmless as a wave, it’s analyzed to death, criticized, and turned into an excuse to attack his character.

It feels like no matter what Lando does, people are ready to twist it into something negative. If he’s honest in interviews, he’s labeled “arrogant.” If he jokes around, he’s “disrespectful.” And if he’s frustrated after a bad day, he’s “entitled.” It’s as if he’s never allowed to just be himself without someone jumping to the worst possible conclusion about his intentions.

Lando isn’t perfect—no driver is. But the way he���s singled out for things that others are praised for is exhausting to watch. It’s like people are waiting for him to slip up, ready to drag him down at any moment. He doesn’t deserve that. None of them do.

Maybe it’s because he’s always been open and honest, which makes him an easy target for people who want to twist his words or actions. Or maybe it’s because he’s popular, and people are quicker to tear down someone they see as successful. Whatever the reason, it’s unfair and unwarranted. Lando’s been a consistently strong driver and a decent person who doesn’t deserve the constant backlash he gets.

I don’t know what has to change for this to stop - actually I know exactly what has to change for this to stop. People need to change. Media needs to change, and social media needs to change.

People need to stop holding him to a higher standard than their favourite drivers while simultaneously wishing for him to fail. It’s hypocritical to demand perfection from him while cheering on others for behavior that is often far more controversial. The medid need to stop running with narratives that Lando has never given them. Time and again, stories have been spun to paint him as arrogant or disrespectful, feeding into the toxicity that surrounds him. And social media needs to stop amplifying this negativity. Platforms that could foster meaningful conversations instead magnify toxic behavior, allowing hate and unfair criticism to spread unchecked. Clips are taken out of context, moments are exaggerated, and echo chambers of hate are created. Lando, like every driver, is human—he’s allowed to have moments of frustration, humor, or honesty without being vilified for them.

Lando has shown time and again that he’s a talented driver and a genuine person. He's shown time and time again why he's on the grid, and that he is one of the fastest there is, and that he genuinely deserves to take up space in F1. He's growing as a driver from year to year and he’s only going to get better. It’s time people recognized his growth, talent, and hard work instead of tearing him down at every opportunity.

Lando is McLaren, and he is F1, just as much as Leclerc is Ferrari and Verstappen is Red Bull.

[zara-renata]

And everything that is now already existed then | ao3 | masterlist

Summary: Sylus shows you his favorite parts of his house, you are haunted by a strange feeling of familiarity, you spend some time with the twins and Noah, you learn about the bet they have going, no this is not a wattpad bet story that will be turned into a multi-part tv series even though i love that trope so much, the self control i exerted should be acknowledged if not praised. This part has less humor than other parts, I've been in a contemplative mood recently, sorry. Part 17 of the Sylus series.

Notes: Sylus x gn reader, Sylus x mc, second person POV, some Sylus POV. They/them pronouns are used to refer to reader as a placeholder for your preferred pronouns. The slowest of slow burns friends-to-lovers. This story contains: angst, fluff, banter, poetry, questions of morality, video game violence, discussions of real life violence, profanity, alcohol mention, self-harm mention, mc with self-esteem and guilt issues.

The water is warm. The man underneath you is warm. Your heart, you realize, is also warm. Quiet. Nothing hurts. You marvel at the feeling. How long can you get away with this? Plastered against Sylus’s big body, his rough hands just resting on your back. You feel guilty for keeping him from doing something else. For not being at work. For doing absolutely nothing useful to anyone. For feeling so good.

Sylus holds you, seemingly content to just sit here with you as the water laps against the sides of the pool.

“Don’t you have business to attend to?” you reluctantly ask, because you’re incapable of just trusting that good things can last. That the fulfillment of your deepest desires won’t be snatched away when you least expect it, so you push, push, push, seeking the weakness that will ultimately crack and cause the moment, finally filled, to break.

Sylus holds you a little tighter. “No.”

You wait, but he doesn’t elaborate. You should just accept it. Just enjoy this moment. All you have in this life is each moment—that’s all there is. Why can’t you just experience each one, savor it, suck it dry, until the next? Why must you always waste the pleasure of each moment by being in such a rush to get to the inevitable end?

But you can’t just accept it. You don’t know how. Your whole life has taught you that the moment you trust the permanence is the moment that the moment shatters. Might as well ruin it first, instead of fearing the end. And who are you to complain? What have you done to deserve it in the first place?

“Business slow in the Onychinus economy?” you ask.

“Tch,” he responds, seemingly indignant at the mere suggestion that his business isn’t printing him money even as he canoodles in a hot tub with you. “Business is booming, darling. The human capacity for cruelty is an endlessly growing market.”

You press your cheek harder against the sweaty skin just under his collarbone. You don’t want to think about what he offers people to enable that endless cruelty right now.

“Then how do you have the luxury of lazing about with me?”

“I’ve tasked Aidan with handling business that requires executive decisions for the foreseeable future. As much as it annoys me, I will likely have to answer calls like this morning, but I’ve informed him that I will not be leaving the base unless it’s absolutely necessary.”

You lift your head, curious. He looks down at you, relaxed, eyes glowing in the low light from the pool.

“Why?”

One corner of his beautiful mouth lifts. “Guess.”

You stare at him. He’s taking time off, not pursuing new deals, not focusing on growing his wealth… for you? Ridiculous. 

“What will you do while you’re not doing business?” you ask, not able to bring yourself to guess out loud that he took time off for you, to spend time with you while you’re staying with him.

“What do you want to do?” He runs his fingers along your temple, brushes a lock of hair behind your ear, traces the shell of it with a fingertip.

“That’s not an answer,” you say, softly.

“Yes, it is.”

You can’t believe it. The man who is always on the go, from one deal to the next, disappearing for weeks at a time, doing who knows what, who knows where—the man who probably gets bored out of his mind while instigating a riot—says that he just wants to do whatever you want to do. You, whose idea of excitement is a new pair of sleep pants and a night off to watch let’s plays of horror games that you don’t have the time and energy to play yourself anymore.

“You can’t mean that.” You frown at him.

“Try me,” he challenges.

You try to think of something that he’d hate just to prove your point that he doesn't actually mean it when he says he’ll do whatever you want.

“Oh, kitten’s plotting,” he snickers after seeing your expression.

“I want to watch every Justin Bieber documentary ever produced,” you say defiantly. You really don’t. But you’re sure he’ll balk at this outrageous suggestion.

He shrugs a little. “Okay. We can see if they’re on demand in the theater room. If not, I’m sure we can pirate them.”

You narrow your eyes. He can’t mean it. Fuck, if he’s going to call your bluff, you’re going to have to actually sit through who knows how many hours of Justin Bieber: Our World. You barely suppress a shudder.

“Actually, I want to fly to a warm seaside resort and swim with dolphins,” you try, the picture of casual entitlement. You do not want to do this. You’re fucking tired. The last thing you want to do is get on an airplane.

“Dolphins can be as vicious as humans, but if you really want that, we can pack some things now and be on our way by dinner,” he says calmly. As if the suggestion isn’t utterly outrageous.

Is he being as petty as you, intent on not admitting that he didn’t actually mean it when he said he would do whatever you want, or does he actually want to do whatever the fuck you want? You can’t read him at all right now.

You’re desperate and stubborn. “Actually, I think the amusement park in Linkon City is having a furry event all week. I’d like to dress up as our respective fursonas and ride the roller coasters all day.” 

Sylus doesn’t even blink. “Do you have a fursuit already, or do we need one tailored before we can go?”

You laugh in disbelief and rest your forehead on his shoulder. “What about you? Do you have a fursuit already?”

“No, I don’t have a fursuit, because I’m not a fucking furry,” he says drily.  “But I do think I’d make a very majestic caracal cat. Which goes nicely with your kitten fursona.”

You blink. “That's quite self-aware of you." And then you scowl. "My fursona wouldn’t be as lame as a kitten.”

“Oh? What animal do you think accurately portrays your personality?”

You lift your head and think. You’ve never really thought about it. Something small and mean, probably. “A mongoose.”

He tilts his head, considering. “That actually fits you quite well. Good at hunting snakes, and very, very cute.”

You can feel yourself blushing. “Yeah, well. I’m not a furry, so it doesn’t matter even if it doesn’t fit,” you mumble a little.

“And yet you want to go to the furry event at the amusement park,” he lifts an eyebrow. 

You stare at him, mulishly. You’re not going to admit that you’re trying to poke holes in his patience because you can’t trust nice things.

“But I don’t think that’s what you actually want to do,” he continues, with a gentleness that hurts your heart. He urges you to wrap your legs around his waist. “When I said you could test me, this is not exactly what I had in mind,” he teases. “How about you test me by telling me what you actually want to do, and then you’ll see that I mean what I say when I refrain from complaining about being bored while we do them?”

You wrap your arms around his neck as he stands gracefully, the water sliding down both your bodies. “I don’t want you to just not complain about being bored,” you argue. “I don’t want you to be bored at all. You don’t have to entertain me while I’m here. You can do whatever you really want to do.” You mean this. It’s enough, just being in the same house as him right now. Knowing that in the evening he’ll end up in the same bed as you. You don’t want him to tire of you too quickly by insisting that he spend every moment with you.

“Then I repeat—what do you want to do?”

Okay. Okay, he asked for it.

“Show me your favorite things to do at home, when you’re not being a warlord.”

He looks surprised. “That’s it?”

“Yeah. I’m really tired. I never get a chance to just relax. I don’t want to go anywhere, or do anything exciting.” You bite your lip, unwilling to admit that you’re desperate to learn more about him and that worried he’s going to think you’re boring. 

He leans forward and catches the side of your lip not caught in your own teeth with his. With your lip between his sharp teeth, he pulls back, gently, until you release it from your own. He pauses, inhales, and then lets go, licking your bitten lip with a quick, soothing flick of his tongue.

“That’s my spot,” he murmurs, pulling back.

Your brain is offline. You have no idea what you were just talking about, or what just happened. All you can feel is the slick of his saliva on the plush of your lip.

Fuck.

You want to fuck him so badly.

You search his face. Can he tell? Does he feel the same way? He touches you like this, and then does nothing. What does he want?

If he can tell what’s going on in your head, he doesn’t comment on it. “Then we can stay home. I’ll show you what I like to do when I’m tired and don’t want to do anything exciting.” His faint smile is tinged with self satisfaction.

“Okay,” you choke out. You will not slide down his body, push him onto the soft moss, and jump on him. 

“But first, I will feed you.” The tendrils of his evol bring the fluffy towels to his waiting hand, and he wraps one around you, all while you cling to his torso. He just drapes the other around his shoulders, over your arms still wrapped around his neck. His evol then ferries the two cocktails that remained untouched for the whole time you were in the hot tub, following you back through the pool room and into the chill hallway as Sylus carries you to the kitchen. Between the heat of Sylus’s body and the towels blanketing you, you’re still warm. You watch the drinks following you over his shoulder, and then glance at him.

At your look, he says, “What? It would be a shame to let perfectly good drinks go to waste.”

“What time is it? Don’t you think it’s a bit early to start drinking?”

He shrugs. “It’s probably past midnight, sweetheart. That’s when one normally drinks alcoholic beverages, isn’t it?”

You sigh. “So it’s basically noon in your day-night cycle.”

“Time is a construct, and inherently meaningless,” he says serenely.

After this insufferable response, you give up trying to save his liver for the moment.

____________________

Later, after Sylus serves you a meal packed with protein that pairs nicely with the cocktails as the fire crackles pleasantly and the clouds, reflecting the N109 Zone’s bright lights even at night, sweep across the sky outside his kitchen windows, after you’ve showered and put on warm, comfortable clothes, you find him in the sitting area of his bedroom, reading a book, the Beatles playing on his record player. You recognize the song— The long and winding road. 

You stop, suddenly overcome with an overwhelming sense of sorrow. He looks up from his book and watches you curiously.

You left me standing here, a long long time ago

You feel like you’re forgetting something very, very important. Like your dream last night, but not about your family. About the man watching you inquisitively, his long, graceful fingers holding the book gently, the outline of his aquiline nose limned in the soft lighting of his bedroom.

Don’t leave me waiting here, lead me to your door

You suddenly can’t bear to be separated from him for one more second. You pad to him on your freshly bandaged feet, knock the book out of his hand, clamber into his lap, and hug him.

His arms come around you as if he doesn’t mind that you’ve just bulldozed your way onto his lap. After a few minutes, the song ends, and a new, more upbeat one begins.

You feel like you can breathe again.

You sit up, looking down into his face. You want to kiss him so badly. You’re afraid that he’ll gently push you away, as he pushed your hand away from the tie of his sleep pants that you were fiddling with recently. With such kindness, but a loud, resounding rejection of what he perceived to be you offering your body to him.

He’ll bite your lip, but you’re so scared that he doesn’t want to kiss you. Sometimes it seems like he wants you, you, not just a body, not just anyone praising him or challenging him, but you. Do you really still not know? My beloved is perfect to me.  

But what if you’re wrong? What have you done to earn this incredible man's devotion?

“Will you tell me what you’re thinking right now, without the guessing game?” he asks softly. 

You shake your head. “No. And I don’t want to play the guessing game right now.” You can’t bear to think about what you may be forgetting as you look into his blood-bright eyes. You can’t bear to reveal how badly you want to kiss him, only to be rebuffed.

“Not even a hint?” He nudges your nose with his. “Otherwise I’ll spend every free moment sitting around reading, listening to classic rock music.”

You look at him in confusion. “Why?”

“It seemed to work in luring a kitten into my lap this time. Maybe it works every time.”

Your heart is doing something funny. It doesn’t hurt. It feels… it feels so fucking warm. Like in the hot tub. What is happening to you? 

“The music made me sad,” you offer this truth, as a reward for his sweet response.

“Not a fan of the Beatles?” He fiddles with the hem of your shirt, his knuckles brushing against your skin underneath.

“I do like their music. My gran used to listen to them a lot.”

“Is that what made you sad?”

You give him a look. “I said I didn’t want to play the guessing game.”

“I’m just asking questions,” he protests, the picture of innocence. “Is it a crime to want to get to know you?”

You gaze at him. Weren’t you just thinking about how you’re desperate to know everything about him? “Not one I’d arrest you for,” you say, looking down, smiling a little.

He laughs softly. “Lucky me. It would be hard to uphold my end of our deal and show you the music room, the library, and my favorite part of the greenhouse from behind bars.”

“That sounds like a busy itinerary,” you say, lifting a finger, tracing his clavicle revealed by his soft v-neck sweater.

His knuckles sweep over your skin just above the band of your soft pants.

“We have time—we don’t have to do everything today. Which one do you want to see first?”

You don’t care. Your heart is being weird and Sylus is touching you, and you’re touching Sylus. You could just sit here, forever, and enjoy whatever this… feeling is. But you’re afraid you’ll ruin it. Like you always do. If you take too much, he will actually get bored. You should pick one.

“Library,” you say firmly.

“As you wish,” he says, standing, holding you all the while. You can’t bring yourself to protest. You can walk on your own feet. Your feet already feel a little better after just a day. But he’s warm. And he doesn’t seem to mind at all. You drape yourself over him, and let him carry you through the dark halls to his library.

He sets you down outside one of the ubiquitous black doors, and then opens it for you. 

His library, like the greenhouse, the pool, the room like a mountain hot spring, is lovely in a way that the rest of his house simply isn’t. Soaring ceilings, heavy built-in wooden bookcases lining the walls, a huge fireplace, electric as opposed to the wood-fireplace from the kitchen, at one end of the room. A wrought iron spiraling staircase leads up beyond the heavy wooden rafter beams to a space you can’t see. Deep red, plush rugs in antique designs hush your footsteps. Plush, deep seated chairs and loveseats, side tables with Tiffany lamps gently illuminate the space. One wall of his preferred floor-to-ceiling windows letting in the N109 Zone night, the red moon bright in the sky as the clouds scuttle past. 

It’s like a library from an old, prestigious university. The kind of university you always wished you could have gone to, if you lived in another world. If this world didn’t need people prepared to kill and die for existential threats to humanity. Where you could study something functionally useless, but enriching to the human experience. Like French literature or poetry. The room smells of wood oil, old paper. 

You turn in a circle and find Sylus leaning against a bookcase, watching you take in the room. “This is one of your favorite spots in the house?”

“Yes.”

“Why?”

“It’s quiet. The twins aren’t big readers, so they don’t come in here. It’s a good place to think, and concentrate.”

“Have you read every book in here, like you’ve seen every film in your collection?”

He straightens from the bookcase and walks to you. As he comes to a stop in front of you, he reaches for your face, holds your cheeks gently in his hands. “No. This room is more about the future. Books I’d like to read when life is a little less busy. I’ve read some, but not as many as I would like.”

“Do you think that someday your life will be less busy?”

“If I have my way, yes.”

“And you’ll spend your days quietly reading in the solitude of your lovely library?”

“Not in solitude. But yes. You think it’s lovely?”

You look at him strangely. Didn't he just say he enjoys it because it's quiet and no one bothers him here? “Of course I do. It’s like someone designed it just for me.”

He looks down into your face, thumbs brushing across your cheekbones.

“Like I said. This room is about the future.”

You tilt your head at his non-sequitur. What does your loving the library have to do with his quieter future?

It almost sounds like…

The moment is full. You refuse to shatter it by considering such outrageous thoughts. You will enjoy this moment for what it is. A peek into the mind of this enigmatic man. The opportunity to explore a beautiful, private space in his home.

“Read to me,” he orders, striding to one of the soft couches and plopping down.

You snort. “What do you want me to read you, your spoiled highness?”

“Anything you want. Look around, pick something that catches your interest.” He lets his head drop onto the back of the couch, eyes half-lidded as they follow you walking to one of the bookcases, as you let your fingertips run along the spines of book after book. You see a lot of titles you don’t recognize. You see a lot that you do—classics as well as newer publications. You and Xavier spend enough time in the bookstore that you know a lot of titles by sight, even if these days you rarely have the time to read beyond the manga you share with your partner.

Your eyes catch on a familiar title.

“Oh,” you breathe.

“Find something?” Sylus asks languidly.

“One of my favorite poets. Gran had a copy of this.” You pluck the book from the shelf and walk back over to where Sylus is sprawled on the couch. The moonlight through the windows makes his eyes look even brighter than usual, glowing in the soft light.

“You’re a fan of poetry?” he asks, eyebrows lifting.

“Don’t act so surprised. I’m not entirely uncultured.”

“Your manga collection could have fooled me,” he teases.

“Manga is art. You’re a pretentious fool if you can’t recognize that.”

“No need to get your knives out, kitten,” he smiles, one sharp tooth peeking from behind his full lip. “I have a collection of manga here as well.”

“You do?”

He just steadily stares at you.

“Where?”

He closes his eyes. “Guess you’ll have to stay long enough to explore and find it.”

You stand over him, drinking in the sight of him. Surrounded by the scent of books, polished wood, the moon’s red light rendering him slightly otherworldly.

You want to stay long enough to find out. It’s only been two days, and you want to live in this moment forever. You're so greedy. You're so unworthy.

“Still want me to read to you?”

Instead of answering, the tendrils of his evol wind up from your ankles to your waist, lift you, deposit you on the seat next to him. He scoots down, places his head in your lap.

“You could have just said yes,” you say drily. “No need to be dramatic.”

“I don’t hear any reading. Chop chop.”

Oh hell no. You scowl down at him, but his eyes are closed. “Lap service costs extra.”

“Good thing I’m filthy rich.”

You scoff. “I don’t want your money.”

He opens his eyes. “I suspected as much. It makes taming you all the more difficult.”

You look at him curiously. “Is that what you’re doing? All of your generosity, in order to acquire a tame hunter?”

“What use is a tame hunter?” He dismisses your suggestion. “Your imagination is distressingly limited.”

“Once again, I disappoint,” you murmur. He clearly isn’t in the mood to answer your questions.

He tsks and closes his eyes again, wiggles a little to get more comfortable in your lap. “Make up for it by reading your favorite poetry to me.”

You want to lean down and kiss the smug look off of his face. You don’t want him to turn away if you do.

You begin to read.

“Try to praise the mutilated world.

Remember June's long days,

and wild strawberries, drops of rosé wine.”

He interrupts you. “I see why you like Zagajewski. Someone else who shares your taste in middling wine.”

“No comments until the end, thank you,” you jostle his head by bouncing your thigh a few times.

He scowls, places one big hand on your thigh and presses down. “Stingy. This should be interactive storytelling.”

You ignore the howling need in you to grab his hand, to guide it further up your leg. You continue to read.

“The nettles that methodically overgrow

the abandoned homesteads of exiles.

You must praise the mutilated world.

You suddenly think of the N109 Zone and all of its misery. Paying the price of some shitty corporation’s greed. But you keep reading.

You watched the stylish yachts and ships;

one of them had a long trip ahead of it,

while salty oblivion awaited others.”

You pause, thinking about Sylus’s wealth, the wealth of people like him, and everyone else. The yachts, versus the ships that will sink.

“That’s not the end. Why have you stopped?” Sylus's voice jerks you out of your thoughts.

“You know this poem?”

“I own the book, don’t I?”

“You said you hadn’t read everything in here.”

“Point,” he concedes. “But yes, I know this poem. I’m also an admirer of the poet.”

You think about him calling you kindred spirits, when you first met. How angry that idea made you. Now, you want to lean down and kiss him. You shake your head a little. You keep reading.

“You've seen the refugees going nowhere,

you've heard the executioners sing joyfully.

You should praise the mutilated world.

Remember the moments when we were together

in a white room and the curtain fluttered.”

Sylus interrupts you again. “I always liked the imagery of the moments spent together, the simplicity of the white room, the curtain fluttering. What more can one desire, when at their love’s side?”

You don't think you've ever heard him say something so romantic. But why would you have? You're not in a romantic relationship with him. Your heart doesn't seem to understand that fact—something inside you thrills that his idea of romance mirrors yours so closely. But his focus on the gentle moment, instead of the rest of the poem, strikes you as strange. “That’s what you see? Not the lovers enjoying simplicity, safety, while the refugees are going nowhere, and the executioners are singing joyfully?”

“The point of the poem is that you must wrest joy from an imperfect world where you can. You’re not helping the condemned by moping about their fate.”

“Is that the point? Perhaps the point is that all you can do is try to praise the mutilated world, but it’s fruitless. If that were the point, he would have entitled it 'Praise the mutilated world,' not 'Try to praise the mutilated world.' ‘Trying’ isn’t succeeding—try all you want, but it’s impossible to praise the world as it is. Better to use your yacht to save those drowning in the salty oblivion.”

“Idealist,” Sylus scoffs, as if the label is a profanity instead of a compliment.

You jostle his head again. “Cynic,” you retort.

“You’re not done,” he sniffs, closing his eyes again.

You resist the urge to buck your hips in order to dump him on the floor. You read again.

“Return in thought to the concert where music flared.

You gathered acorns in the park in autumn

and leaves eddied over the earth's scars.

Praise the mutilated world

and the gray feather a thrush lost,

and the gentle light that strays and vanishes

and returns.”

You finish, filled with a strange feeling. You’ve loved this poem ever since the first time you read it with the sunshine gushing into your gran’s living room on a slow summer day. As you grew, you loved it for different reasons, for its ambiguity, its hope and its resignation, its acknowledgment of the horrors of life and its simple pleasures. It always felt familiar to you, but the specific imagery reading it this time around is familiar in a way that feels concrete. 

You think about the gray feather, the light that strays and vanishes and returns. You think about the feeling while listening to the Beatles, that you’re forgetting something important. You think about Sylus’s casual dismissal of the suffering of others.

Calling suffering fate seems like a convenient excuse to you. Why bother trying to make the world better, if fate deems that it should be miserable?

You think about sipping the rosé, biting the strawberry Sylus offered you. Your curtains fluttering in the breeze in your room, when Sylus has come to your place at night. These things you have enjoyed, as people suffer beyond the safety of your apartment and Sylus’s fortress walls. 

“Stop torturing yourself, darling,” he says through your racing thoughts. He turns his head, presses his lips against your thigh, inhales deeply. It’s not a kiss, but you feel the press of his mouth through the fabric of your pants as if it were. You resist the urge to spread your thighs further.

“Should I read another?” you ask quietly. You don’t want to think about these things. You want to live in the moment. What kind of person does that make you? The desire to ignore the cost of this pleasure, your enjoyment of Sylus's home, proves that you don’t deserve it. 

“Of course,” he says, but his phone vibrates in his pocket. He grunts unhappily as he reluctantly sits up, sliding the phone from his pocket. “Keep exploring,” he says, heading to the door. “I’ll try to make this quick.”

So you do. Wandering amongst the books, finding other titles that are your favorites, but so many that you’ve never read, never heard of. Many of them are not in your native language. You wonder how many languages Sylus speaks.

After a surprisingly short amount of time, he returns. "Read more to me," he orders, sprawling on the couch once more.

You look back at him, admiring the wrought-iron staircase spiraling up, the moon through the windows, his long, strong body casually stretched along the couch.

“Can we light the fire?”

“Of course. Fire," he says, and the fireplace flares to life at his command. You wonder if such a system is in place in each room. You wander back to the couch, and he pulls you down. You read him the rest of the poems from this collection, arguing here and there, learning his favorite parts, both matching and diverging from your own. Until your stomach growls, causing him to nuzzle it, insist on taking you to the kitchen and feeding you another meal. After you're once again full, he offers to show you the conservatory.

“Okay,” you say, relaxed, satisfied. He wraps his arms around you, lifts. You let him, wrapping your legs around his waist. You think about a gentle light that strays and vanishes and returns. What are you forgetting?

He takes you to the music room. It’s behind another black door. You would never be able to guess, walking through his solemn hallways, each expansive room unfolding behind each uniform door.

As you walk into the beautiful space, you’re struck with the realization that Sylus’s home is strange in many ways, and not just because it serves as both his home and his fortress, an armory and an indoor playground. The halls are winding and despite the height of the ceilings on each floor, they’re oppressive. There is no open floor plan for the house itself. Each room’s door can be closed, barricaded, turning the room within into a bunker. But behind each door, each room fans out, soaring windows, high ceilings, glass giving way to a savage view of the harsh landscape in a way that renders even the ugliness of the N109 Zone beautiful in a stark, barren-planet kind of way. You suspect that the glass is bullet-proof. You wonder what kind of impacts it can withstand beyond firearms. Could it survive a thrown grenade? A direct strike from a drone? Would anyone dare actually wage a full-on assault on the leader of Onychinus’s home?

“Not even the greenhouse rendered you speechless, kitten. Does that mean you like it, or hate it?”

You blink. You had been so busy wondering about the strategic choices of Sylus’s architectural design that you hadn’t even begun admiring the metal support beams, curling like vines in a distinct art nouveau style between multiple panes of glass, each meeting at the pinnacle of a glass ceiling. Two of the larger glass panes are not the standard window glass, but are stained glass, continuing the art nouveau theme, depicting colorful curls of plants, flowers, as well as animals—beasts from mythology, dragons, phoenixes, winged chimeras. Luscious potted plants scattered along the white marble floor. A white grand piano sitting in the center of the circular space. Instruments of all kinds, from all parts of the world, hung or resting on more organically wrought metal display mounts along two-thirds of the glass walls. A seating area, filled with comfortable, low furniture, carved blond wood in flowing, plant-like designs, sits between the piano and the view of the landscape through the clear glass, framed by the murals of stained glass.

It’s breathtaking. But you’ve had your breath taken by the greenhouse, the pool, the room with the hot tub, the library. Each in a distinctly different style from the rooms of the house that see daily use by their owner: Sylus’s bedroom. The kitchen. The hallways. The imposing dining room and its equally imposing banquet table. The cave-like theater room. Each dark—black marble, maroon accents, deeply masculine, modern, abstract art. But the rooms that have taken your breath instead of making you feel oppressed are so startlingly different from Sylus’s often-used spaces.

You can’t accept the moment. You can’t stand not knowing, even as you are afraid to know. You have to ask. “I don’t understand,” you say, turning to him.

He glances around the room, and then looks back at you. “It’s a home conservatory, sweetheart. Not a trick question.”

You ignore him. Your curiosity will eat you alive if you don’t ask him. You want to know. You don’t want to know. “Why does it feel like two different people designed your house?”

His eyebrows lift in surprise. “What do you mean?”

“Half of your house is edgy, big-dick rich vampire man-cave, and half is this,” you sweep an arm to indicate the delicate yet sturdy steel beams, organically curving into the height of the room, the chairs carved like palms, stained glass, the lush vegetation.

“Can one person not appreciate more than one style of home decor?” he asks, walking over to you, winding an arm around your waist.

You stare at him. Nothing Sylus does is by accident. You know this much by now. You know a lot about him by now. You don’t know enough about him by now.

“The parts of the house you spend the most time in reflect your style. But the other parts… the parts that wait for an owner that rarely comes. Did you choose the design yourself? Or did you let your architect run wild?”

His smile is faint as he gazes down at you. “How very observant of you, darling. But I designed every room in this house. The architect modified the plans where necessary to ensure the structural integrity was sound, but I chose the decor.”

You wait. It sounded like he ended that sentence with a ‘but.’

“You’re right. I didn’t have just my preferences in mind as I was planning each room.”

You want to know. You don’t want to know. What if you’re wrong? The very idea is insane. Presumptuous. How could he possibly know? You only met him a few months ago. This base isn’t newly built. You have no idea how long I’ve already waited, his voice whispers through your mind.

“Whose preferences did you have in mind?” you ask, your heart doing that thing again. That weird thing that doesn’t hurt but scares you with how good it feels. Don’t leave me waiting here, lead me to your door.

His smile widens, just a little. “Do you really not know?”

You can’t process this. How could he have known?

It’s like these oases in his dark fortress of a home were designed with your deepest heart’s desires in mind. 

You want to kiss him. You want to resonate with him again. You want to drop to your knees in front of him.

The enormity of your feelings is terrifying.

What if you’re wrong?

How much worse will it be, if you let yourself believe, and he turns you away. What if he designed all of this for someone else. Because how could he have known, before you met just a few months ago—how could he have known the contours of your tastes, the things that make you most comfortable, the yearning of your heart in your small apartment, of what you’d give yourself if you could ever afford to make your home exactly how you would want? A refuge from the harsh world. Space to breathe.

Your feelings are choking you. You step away from his embrace, turn. You have time. He said he’ll wait. You focus on this room.

It’s beautiful. Because of course it is. You don’t recognize even half of these instruments.

You turn back to him. He has moved to the piano, straddling the white bench, legs spread, just watching you.

“Do you know how to play all of these?”

He shakes his head. “No. Most of these are collector’s items, antiques. But I do know how to play the piano.”

You stand, resisting the constant pull towards him. You want to go to him, run your hands through his hair, tug his head back, expose his throat, bite.

“Only the piano?” You satisfy your need to move by walking over to the sitting area, forcing yourself to sit away from him. You need to control yourself. You plop down on one of the beautiful chairs, carved like a ginkgo leaf.

He turns, sitting properly on the bench in order to face you, and opens the cover over the piano keys. He leisurely presses down on one key, and the note resounds through the lovely room.

“I can also play the organ,” he murmurs, before beginning to play in earnest.

You don’t recognize the piece. You know you’ve never heard it before. But the longer he plays, the more you’re overcome with the sense that you know it. The blood under your skin, your lungs, your bones—you feel pulled to him, to his long fingers sweeping over the keys, unseen from your vantage point in the room. You know what’s coming, the crescendos and the pauses. It’s beautiful. It hurts. Your thoughts drift to the poem. Its strawberries, its rosé wine. Its familiarity. Return in thought to the concert where the music flared. You want to ask Sylus if he owns a yacht. You’re convinced that there will be a park, and acorns, and you will pick them up and offer them to him on a sunny summer morning after a long, long night. It has already happened. It will happen in the future.

You can’t resist the pull any longer. You stand and walk over to him, stand next to him at the bench. His hands hypnotize you. Big. Rough. Delicately pressing the keys—sure, confident, flowing. Like his evol. Like him.

“Sit,” he orders, and you obey, sliding in next to him. You try to give him space, but he takes one hand, still playing with the other, and pulls you by the waist until you’re shoulder to shoulder, hip to hip. 

You watch his hands, lost in the moment, lost in the feeling of recognition, of … something. That warm feeling in your heart, threaded with the pain of having lost something that you can’t remember.

Slowly, the piece comes to an end. His hands become still on the keys.

“What song was that?” you ask.

He flicks his eyes to yours.

“It doesn’t have a name.”

“Who composed it?” You hope that perhaps you can track it down later and listen to it again when Sylus isn’t around.

“Me,” he says, turning his head to look at you.

Wait, what?

“It’s already shocking enough that you play, but when do you have the time to compose?”

He lifts one of your hands and threads his fingers with yours. “Why so shocked that I have hobbies, like anyone else?”

“I just figured you’re always too busy with murder, mayhem, and munitions to have hobbies like a normal person,” you squeeze his hand as it swallows yours.

“I don’t have a lot of free time, but when I do, I like to spend some of it practicing and composing. Sometimes when I’m bored during business meetings I compose a little in my head and then write it out when I get home.” 

At your incredulous look, he flicks your forehead gently with his free hand. “What would you have guessed that I spend my free time doing if it occurred to you that I do not, in fact, work in every waking moment?”

You consider it. “I would have assumed you spend all your free time hanging out in your shady nightclubs.”

He frowns at you. “I own classy nightclubs because they make me money and provide convenient venues for business deals now that I no longer host such deals in my own home. I do not spend any more time in them than necessary.”

“Is that what you meant when you said that Amnesia isn’t really your vibe?”

“You remember,” he says, sounding pleasantly surprised. 

“Even though it feels like weeks ago, you did just tell me that like, two nights ago,” you flick his forehead in revenge.

“Fair point,” he concedes. “All right, then, yes. That’s what I meant.”

“So what is your vibe?”

“Curious, kitten?”

“Yes.” That warm feeling you have is overriding your fears of admitting this to him. You want to know him. You want to know everything about him.

“It’s easier to show you my vibe,” he shrugs. “We’ll make a date of it.”

He dropped the “fake” part again.

His phone begins to vibrate in his jeans pocket again.

He frowns in irritation. You stand, forcing yourself to move away from him.

“I’ll entertain myself,” you smile at his questioning look. He holds onto your hand as you move away, until your arm and his are stretched between you, and then he lets go.

You’re thankful for the interruption. Too much unadulterated time being the subject of Sylus’s entire focus makes you think insane things. Like that he designed parts of his house with you in mind. That you know music that you’ve never heard before. That you’re forgetting something important about him, even though you only met him recently. That a poem you read in your youth is a roadmap of things that have already happened between you and the man pacing behind the door, and what will happen before the light strays, vanishes… returns again.

You step into the hallway and wander back toward the kitchen. After a few minutes, you hear the flap of Mephisto’s wings. He’s keeping you company again. You keep walking.

You’re distracted halfway to the kitchen, however, when you hear voices coming from the theater room. It sounds like the twins, and someone else whose voice is familiar, but you can’t pinpoint it. You knock.

“No need to knock,” one of the twins yells.

You open the door and peek into the room. It’s dark, with all the lights dimmed.

On the large screen where you almost watched a movie with Sylus the other night, a video game is playing.

Luke sits on one of the loveseats, holding a game controller, while Kieran is squished onto the same small loveseat with him, their two big bodies barely fitting, hiding his face in Luke’s shoulder.

Noah is sprawled out on another loveseat, perfectly at ease. She gives you a lazy wave.

Luke pauses the game and looks over his shoulder at you.

“Boss busy?” he asks as Kieran lifts his head, a look of relief on his face at the interruption.

“Business call,” you say, nodding. You stare at the screen. It looks like…

“Are you playing the Silent Hill 2 remake?” you squeal.

“Yeah! Since boss is on a little holiday, he gave us the time off as well. Figured we’d finally play it.”

“Are you a fan of the original?” Kieran asks.

You nod. “Huge fan. I was so excited when they announced the remake, but I’ve been too busy with work to play it.”

“Wanna join? Kieran is too scared to look half the time. We can take turns, if you want,” Luke offers, sounding pleased to have another person to share the game with.

You seriously consider his offer, but you’re still so tired. You don’t really want to learn the controls mid-way through a playthrough. Weren’t you just thinking about watching let’s plays of horror games you haven’t had a chance to play yet? You can watch Luke play without having to do a thing.

“I’m good, but do you mind if I stay and just watch until Sylus is done?”

“Is that even a question? Get in here.”

Luke unpauses the game, and the familiar sounds of the world of Silent Hill, with amazing, updated graphics fills your vision. You slink inside the room and sit on another love seat, preferring to give Noah her space since she’s sprawled out like she already owns the place.

You watch as Kieran hides his face in Luke's shoulder again as a lying figure jerkily lumbers towards James Sunderland.

Apparently Noah notices Kieran’s fear as well.

“Aren’t you one of the feared Raptors of Onychinus? Like, you’re famous in the Zone. How can the same person who is known for intentionally leaving mutilated corpses in public as warnings to your boss’s enemies be afraid of video game monsters?”

You turn and stare at the twins, a little horrified. Not entirely surprised, because you know what kind of man Sylus is. You know what his organization stands for. But mutilated dead bodies? Where normal people just trying to get through their shitty workday, where kids can see them?

“That’s fucked up,” you say out loud.

“Hey, you’re a fucking cop. We know what cops are capable of,” Kieran says softly, with a flatness in his tone you’ve never heard before. Noah looks between you and Kieran like she wishes she has popcorn. “Don’t act like what you sometimes do is any better than our calling card.” Luke kills a monster shaped like two shapely pairs of legs attached at the waist with a metal pipe, and it dies loudly. He stomps on it for good measure. “At least we’re honest about it, and don’t hide behind a shield of so-called legitimacy. People know what they’re getting when they deal with us.”

You look at Kieran thoughtfully. It’s difficult to admit, but he has a point. You know that there are corrupt hunters. The so-called Tenebrae. You also recognize that dark part of yourself, when you’re faced with someone who you know has done terrible things, and the itch to pull the trigger before you can bring them in. You know that innocent people suffer at the hands of criminals and law enforcement alike.

Kieran stares steadily back at you, his normally cheerful face serious. “How did you come to work for Sylus?” you ask.

Luke pauses the game. “We don’t talk about that,” he says in the same flat tone that his brother just spoke in.

“Oh?” you say, because you don’t want to continue to pry, and you don’t know what else to say.

“Boss says it doesn’t matter where we come from. Only where we’re going. So there’s no use talking about the past if we don’t want to.”

“And you don’t want to?” Noah asks, the look of entertainment morphing into something else on her face.

The twins shake their heads in unison.

You think she’s going to say something snarky, but she just nods. “Then you shouldn’t. No one is entitled to your story.”

“That’s what boss says. I see why he hired you now,” Kieran says, smiling at her, the odd stillness broken.

“He hired me because I’m fucking awesome,” Noah sniffs, flicking her braids behind her shoulder. They’re down now, spilling over her back.

You tilt your head. “Are you a new hire?” For some reason you thought that Noah had been Sylus’s driver for a long time.

“Did he not tell you?” she asks, looking at you strangely.

“Tell me what?”

“I’m not gonna do his work for him,” she says, rolling her eyes.

“Huh?”

“Don’t worry about it,” she smiles at you, and it’s unnerving instead of soothing. “Anyway, yeah I’m a new hire. You’re gonna be seeing a lot of me in the future.”

Although Kieran seems to have reached some sort of approval of Noah, Luke still shudders and starts the game again.

You let it go. You’ll ask Sylus about Noah’s weird comment later. Instead of dwelling on it, you sink into admiring the awesome graphics, the atmosphere, your childhood nostalgia rendered in state of the art graphics

When the sirens go off as James is about to enter the Other World, you have a sudden flashback to playing the original Silent Hill 2 with Caleb. You were also too afraid, like Kieran, to play yourself, so you just clutched Caleb’s arm as he held the controller, and you delighted in the safety of vicarious thrills, of Caleb’s reassuring, solid presence at your side as you experienced the story. You suddenly miss him so, so much. The feeling of loss is overwhelming.

The sudden punch of grief leaves you breathless. Everyone else is so focused on the screen, they don’t notice your gasp. You want to watch. You’ve been wanting to experience the remake ever since the developers announced it, over a year ago. You want to experience it with who you are tentatively thinking of as your new friends. But you need a second to ground yourself before you can bring yourself to keep watching. 

Your force your voice through your throat. “I’m going to grab a snack. Do you guys want anything from the kitchen?”

“Popcorn!” Noah calls.

“We’re good,” Luke answers, because apparently Kieran is almost catatonic with terror.

“All right, be right back.” You take your time getting to the kitchen, Mephisto following you out the theater room door. You rifle through the fridge, shove some snacks into your mouth. You’re shocked to find microwave popcorn in one of the cupboards. Sylus strikes you as the kind of snob who insists on popping loose kernels on the stove, or over the fire in the fireplace. Nothing so pedestrian as store-bought and in the microwave. You snicker, that feeling of sorrow fading as you engage in everyday tasks, with company to look forward to. You’re not alone right now. You’re excited to see more of what the devs retained from the original game and what they added or changed in the remake. You head back to the theater room, but accidentally drop the bag of popcorn before you can open the door. As you pick it up, you can hear Noah.

“You know you don’t actually have to kill every monster you encounter, right?” She asks in barely disguised disdain.

“You know that you don’t actually have to offer your opinion when no one asked, right?” Luke snarks.

“Oooh, someone’s grumpy because he isn’t going to have an advantage in the bet like he thought,” Noah says through a snicker.

“What advantage? We agreed not to interfere. Boss is gonna have it in the bag even before the two weeks are up even without our help,” Luke responds.

“If he doesn’t fumble it by being too passive,” Kieran adds, thoughtfully.

“What ‘help?’ I bet your help would result in more delay than progress,” Noah taunts. “I probably don’t even have to do anything to counter your nonsense. You’ll do all my work for me.”

“Hey, flooding the guest floor was a good idea,” Luke protests.

This is just met with a cackle. 

You stand, frozen. You didn’t mean to eavesdrop. But what is their boss going to have in the bag without their help? What bet?

Something inside of you already knows. Hadn’t you thought earlier that the twins probably made a bet out of your obvious, pathetic crush?

But they said it was about their boss achieving something. Not about your feelings.

You don’t want to know.

You try desperately to cling to that warm feeling you’ve had since the pool.

Boss is gonna have it in the bag.

You spin on your heel, intending to return to the kitchen without them knowing you heard anything, just to buy yourself time to process. But of course, you promptly knock over another ugly sculpture. It shatters on the floor.

You stand there in your bandaged feet, holding the popcorn, staring down at the mess you just made.

The door swings open and Kieran, Luke, and Noah jostle each other to see what just happened in the hallway.

“Sorry,” you say. What the fuck else can you say?

“What happened?” Kieran asks.

“Just me being clumsy,” you say, trying to smile.

Luke squints at you. “Oh shit.” He turns to Kieran. “They’re making that horrible face again.”

Kieran stares at you.

Noah flicks her braids and tilts her head, examining you like an art critic trying to find meaning in a child’s finger painting. “What does that face mean?”

“It means they heard what we were discussing,” Kieran says grimly.

Luke glares at Noah. “What are you even doing here? Now the bet is fucked and boss is gonna be mad because his hunter’s making that expression again. Look at them. We’ve hurt their feelings!” He gestures at you.

She glares back. “Boss told me to report here for duty every day to remain on standby in case the hunter wants to go anywhere. What are you doing here?” she sneers.

“We live here,” he answers, looking confused that that’s even a question.

You take a step back, away from the sharp shards of the broken sculpture. Maybe they’ll be too busy arguing to notice.

That good feeling is gone.

You think about every move Sylus has made since the auction. All of his attention, his gentleness, his kindness, his dogged reappearance at your home, his arranging for you to have sick leave.

Would Sylus do all that for a bet?

Is he that bored? Is he that good of an actor?

How on earth would you even know? You don’t know shit about him. You’ve known him for a few months. In that time, you’ve seen him a handful of times. What the fuck are you doing?

You think about that feeling you had while listening to the Beatles, while listening to Sylus play the piano, of forgetting something really important. You want to throw up. 

Yeah, you’re forgetting something all right.

You can’t stand the feeling inside you right now. It’s too big. It’s eclipsing everything you’ve felt up until this point.

You think about what it will take to get out of here.

You think about picking up one of the sculpture’s shards and digging it into your thigh, anything to override this feeling inside you now.

You think about the resonance with Sylus when you woke up. Could he fake that?

His evol is unearthing a person’s deepest desires. But is it more than that? Could he make you feel adored without using his aether core? Did he promise not to use his evol on you because the terms of the bet forbade interference? Your fears send you spiraling.

“Oh no. No, no, no, no,” Luke says, peering at your face again. He takes a step forward, reaching out to you like someone trying to calm a wild animal, his house shoe crunching on the broken bits of sculpture.

You take a step back.

Noah just looks between the twins and you, confused.

“I’m just going for a walk,” you lie. You take another step back, turn, and start to walk down the hallway that will eventually lead to the lift. The lift that goes to the underground garage.

As you round the corner, Luke says,“Get—”

“On it,” Kieran says, with his phone to his ear.

Noah looks thoughtfully down the now empty hallway. “The hunter’s fucked up, huh?”

Luke shrugs. “Aren’t we all?”

Noah frowns at him. “Speak for yourself. You don’t know shit about me.”

“I know that boss hired you after looking into your soul. Which means you’re fucked up too. He isn’t interested in wholesome things or people—too boring.”

“And you?”

“You said it yourself. I really enjoy carving people up.” He shrugs. “Soothes something from our shitty childhood.”

Noah considers him. “Your brother seems to be okay with me now. Are you going to have a problem with me?”

Kieran grins at her. “What makes you think I have a problem with you?”

“You were mean when I suggested you try to stealth around the monsters. And don’t think I didn’t see your reaction when I said I’d be around more often. And acting like the hunter being upset is solely my fault, when we all made the stupid bet.” She counts each piece of evidence on her pretty fingers.

“Who the fuck likes backseat gamers?” He pouts a little. “And I didn’t like being hit on within an hour of meeting you. I don’t like people like that.”

Noah scowls back at him. “You don’t like people like what? ”

“I mean, I don’t like, like people. I get the creeps when people hit on me.”

Her lovely eyebrows shoot up in surprise. “Oh.”

“But boss likes you, so I like you. We’re cool, so long as you don’t hit on me again.”

Noah nods.“I was just giving you two shit since you hauled me in front of your scary fucking boss. But I promised boss I wouldn’t do it again.”

“Then we’re cool. And if you don’t like how I play Silent Hill, then you can play if you want.” He opens the door again, gesturing for her to go in ahead.

“Nah man, I like being in the peanut gallery.”

“Does that mean you’re not gonna shut up?”

“You know it.” Noah gives him a big, feral grin.

Luke grins back at her, equally frightening. “Then I’ll be sure to kill every single monster we come across, no matter how much ammo it wastes.” The door swings shut on Kieran standing in the hallway, looking thoughtfully down at the phone in his hand.

_____________________

Sylus hums the melody of the music he played for you as he ends the call with Aidan. Luckily the issue this time could be settled by answering Aidan’s questions, and he can still look forward to a mostly uninterrupted day with you. He wonders where you’ll like to go next. Back to the library? To the greenhouse?

He’s in a great mood, despite the interruption. Every conversation with you convinces him that you’re closer and closer to accepting the truth. That you’re his, and he’s yours. He wants to drag you back to the library, listen to you read to him, argue about poetry—the way your eyes flash when you’re making a counterargument, the sneer in your retorts to his needling you—he wants to kiss you. He wants to kiss you so much it hurts.

His phone vibrates in his pocket again. He clenches his jaw, pauses. He wants to throw the damn thing against the wall and just continue looking for you, business be damned. But he also doesn’t want to leave Aidan in an awkward position. He fishes the phone out of his pocket and accepts the call.

“Boss, your hunter is making a strategic retreat again,” Kieran says breathlessly.

Sylus jerks to a stop.

“Repeat that?” he demands.

“They overheard us talking about the wager,” Kieran explains, sounding pained.

It takes Sylus a second to remember what he’s talking about. “The bet about how long it will take for kitten to realize that I want to date them?”

“Yeah.”

Sylus thinks. Why would you be spooked by a stupid bet between his henchmen and your driver?

“But they—well, they overheard us talking about it, and they don’t know what the wager is actually about. I am afraid that they might have misunderstood something,” Kieran says carefully, like he’s waiting for Sylus’s wrath.

Sylus immediately realizes what probably just happened.

“I left kitten alone for less than twenty minutes,” he sighs. Just his fucking luck. It’s like the universe or some cruel god wants to create obstacles in his path to winning your precious heart.

“Your bet is over,” he barks.

“Understood.”

Sylus ends the call and pulls up Mephisto’s app. You’re walking quickly, with purpose. He squints, trying to figure out which part of the house you’re in. It looks like you’re trying to get to the lift that leads to the underground garage. Sylus dissipates into red and black mist.

_______________

As you walk, you make your way to the garage, not even sure what your plan is. You have that hollow, manic feeling filling you—the feeling that always fills you when you’re hurt like this, when you just need to get out, to outrun your own body and the feelings it contains. This time though, through the noise in your head, you remember your promises to Sylus. About not hurting yourself, but going to him. If you have doubts about his intentions, to go to him. To ask him when you have questions, instead of making assumptions.

But how can you? What’s the point of honoring promises made to a man who thinks your feelings are fair game for a bet? 

You need to think. You don’t want to think. You’re hurting so, so much. You need time. Your body feels like you’re out of time. You miss Caleb. You miss your grandmother. 

It takes all of your self control to stop moving. You hear Mephisto’s wings flapping behind you. You close your eyes. You resist the urge to punch yourself, barely. If you’re just a bet to him, you should punch him instead. You open your eyes and realize you stopped next to a door with an electronic lock blinking on the handle. You turn and look at it fully, and you hear the lock click.

It recognized your face. Just as Kieran and Luke told you all the locks in this house would. Why would Sylus bother programming your face into his home if you’re just a bet?

You watch your hand reach out, grasp the handle. You pull, and the door opens easily. You slip inside and let it close before Mephisto can follow.

The lights flicker on.

You gasp.

It’s like standing inside an upscale jewelry store, built inside a bank vault. Except instead of sparsely filled display cases, designed to emphasize and showcase a select number of precious jewels, each glass case is stuffed with the things. Diamonds. Rubies. Emeralds. A mind-blowing variety of beautiful stones that you don’t even know the names for. Loose stones, as well as jewelry—necklaces, rings, earrings. Where most of Sylus’s house is the picture of meticulous order, this vault looks like a dragon’s hoard of priceless treasures, casually piled high without much thought.

Why would Sylus trust you with access to such wealth, if you were just a bet?

But more importantly, how much death must Sylus Qin sell, to afford such a vault?

How many lives in exchange for each gem?

You turn in a circle as you slowly process the fact that you’re standing in the middle of a sea of blood diamonds.

What are you doing?

What the actual fuck are you doing?

You were just marveling at the luxury of the rooms he designed, filled with the thrilling possibility that he had built them for you. You had thought about the cost of the heating in the hot tub, the pool. And yet you were willing to overlook such expenses. Why? Because at least the pool, the lovely architecture are useful? Because they provide some value to the human experience, even if only a select few will ever get to experience them at Sylus’s house?

But what value do diamonds have? Shiny clumps of compressed carbon. You can’t burn them for warmth. You can’t eat them. Okay, so maybe they’re used in some industrial processes, but for fuck’s sake, artificially created diamonds could serve that purpose. And you’re absolutely sure that the diamonds Sylus has hoarded in this vault are real, products of millions of years of pressure, and not made in some lab.

You sink to the black marble floor. It’s cold. You draw up your knees and hug them.

There’s too much happening in your brain right now. Your grief. Your uncertainty about Sylus’s intentions—the question of who his beloved is. The bet.

The realization that you’re falling in love with a man whose life’s work is bringing misery to others.

You hate yourself. Here you are, thrown into a tailspin from the idea that Sylus may have spent all this time on you because of a bet with his minions, when you should be in a tailspin about the fact that it’s probably already too late for you to stop falling for a man who not only praises the mutilated world, but is one of the people shoving the knife in deeper. 

There is so much you don’t know about him. But what you do know is that Sylus is too busy pouring salt into the wound of the world to dedicate so much time and resources to something as frivolous as a wager about how long it will take for him to get you in the bag. It’s pure, self-pitying hubris to assume otherwise.

You’re focusing on the wrong things, again. You’re forgetting what’s important, again.

What do you want? What can you live with? Why do you feel a connection with this complicated, cruel, ruthless man, as if you’ve known him for more than a few months? What kind of person are you, if despite sitting in a sea of diamonds paid for in other peoples' blood, you still want this merchant of death to come find you, to hold you in his arms, tell you that he wasn't placing bets on how long it would take to have you in the bag?

You begin to rock, somehow resisting all of your terrible urges: to hurt yourself, to run, to set this awful room on fire. You rock, and you hurt, and you wait for the terrible man you’re falling in love with to find you, as he always does.

______________

Sylus finds Mephisto pacing on the floor in front of his gem vault. He caws in distress when he sees his owner re-materialize in the hallway. Sylus finds the fact that you’re in the gem vault, and not currently trying to procure a getaway car, to be a source of hope—a strange feeling for him. What use does he have for hope? He has plans. Plans with contingencies, alternatives, backups. They either succeed because he planned well enough, or they fail because he did not plan well enough. 

Hope has no place in his world.

People suffer and die. Deals are made and broken. Fate is cruel, inflexible. He knows this all too well, no matter how much he’s struggling against fate this time around.

Hope has no place in his world.

But.

You could have kept running. You could be in any one of his vehicles right now, trying to break land speed records to get the fuck away from him, convinced that he was involved in a bet about the biggest gamble of his life.

But you’re not. You’re in his gem vault, for some reason. You strange, unpredictable, delightful creature.

He finds himself hoping that this misunderstanding hasn’t just caused you to retreat beyond his reach again. 

Your fingers in the dip of his clavicle.

The yearning look on your face, that he doesn’t think you even knew you had, when he bit your lip—the closest he’ll allow himself to a kiss until he’s one hundred percent sure you’ll welcome him while awake.

He opens the door.

He pauses, struck with the strange sensation of viewing his greatest treasure surrounded by so much of his material treasure. You belong here. The value of all of these precious stones nothing in comparison to you, shining like a beacon to him at the end of a long and winding road from the marble floor, dimming everything else in this room by comparison.

His house shoes whisper along the cold marble floor where you’re sitting, curled in on yourself.

He has watched you take down wanderers the size of an elephant. All that strength, contained in your huddled body. You look so small to him. He wants to protect you from all the horrors of the world. But of course, he’s the biggest horror of all. Is it any wonder that he keeps hurting you instead?

A better man might keep his distance in an effort to protect you. Like your partner. A better man might know when to quit. Like your dandy artist friend. A better man might be content with loving you from afar. Like your fucking doctor. 

But Sylus is a terrible man, because he’s not going to stop trying to get it right, even as he hurts you in the process, until you order him to stop and mean it.

You don’t look up at the sound of his footsteps, but you also don’t retreat as he approaches.

He sits on the floor next to you, wraps an arm around your shivering shoulders. He pulls you into his arms, feels the rush of hope when you let him.

He cradles your head in his palm.

“The twins bet on everything. Which snail is the fastest on a leaf. Whether it will rain or snow tomorrow. How long it will take someone to bleed out. Whether the traffic light will change in five versus ten seconds,” he says softly into your hair.

“About how long it will take to get your pathetic hunter in the bag?” Your voice is small, just as your body feels in his arms.

“About how long it will take for my beloved to realize how I feel about them,” he sighs.

You stiffen, and he feels a moment of paralyzing fear, before you melt into him. He breathes again.

“What did you bet?” you ask, and Sylus feels the sorrow in your voice like a gunshot in his chest.

You ran, but you stopped. You assumed, but you’re asking questions now. You’re allowing him to touch you, to hold you. The hope in him surges again. 

“I didn’t place a bet in this particular wager,” he manages through the unfamiliar feelings. “But if I had, the gamble would be my whole heart.”

“Does a man who has a dragon’s hoard of wealth, bought with the blood of the guilty and the innocent alike, have a heart?” you ask, finally looking up, your eyes hollow in a way that he doesn’t like.

Sylus is a terrible man. He has never lied to himself about this, or to you. He showed you the worst of himself, the day you met. He has to hope that the fact you’re still here, still asking him questions, means that he hasn’t lost you yet. An unpleasant feeling of doubt slithers through him. Is it the bet upsetting you, or something else?

“Even dragons have hearts, darling.”

You close your eyes. He wants you to open them again. He wants you to look at him. He never wants you to look away from him. Even if you’re looking at him with doubt, or hate, so long as you’re looking at him, that means you’re not leaving him.

“What do you want?” he asks.

You open your eyes again. He is terribly tempted to use his aether core on you, because for once, he can’t read how you’re feeling.

“You offered me time.”

He leans forward, rests his forehead against yours. “And I will give you time.”

“I want to see your favorite part of the greenhouse.”

“And I will show you my favorite part of the greenhouse,” he whispers, breathing, breathing. He can’t tell how you’re feeling, but you smell like home, a door at the end of a long road. The hope grows.

“I want to see Luke and Kieran and Noah play the remake of Silent Hill 2.”

The hope shifts, dissipates. There is no need for hope, once it is fulfilled. You want to stay, for now. He can work with that. Whatever damage learning about the bet caused, he can work with your willingness to stay. If that look in your eyes isn’t about the bet, he has more time to dismantle your walls, to pull it out of you. Just two nights ago, you were running barefoot through the dark. Tonight, you stopped yourself and waited for him to find you. “You’re in luck. They’re still playing.”

You watch him, as if you’re weighing something behind your hollow eyes. “Will you watch with me?”

Of course, he thinks. Of course. You could ask for so much more, and the answer would be the same. “Do you want me to watch with you?”

“I want you to want to watch with me.”

He smiles, his mouth a breath away from yours. You smell like popcorn. He wants to throw a piece in the air, catch it in his mouth, feed it to you. “Again, you bring me luck. We have a win-win deal.”

He stands. Carries you out of his gem vault.

“Why do you have so many jewels?” you ask, quietly.

“In case the authorities freeze my accounts, physical currency will be useful. A sort of insurance.”

You gaze at his face, and he wonders what you see when you look at him. “You’ll escape with a truck full of precious stones?”

“Something like that,” he says.

“No other reason?”

He tells the truth. “I’ve always been fond of shiny things.”

“Do you have a favorite stone?”

He laughs softly. “Whatever stone you’re wearing.”

Instead of looking at him with suspicion, a helpless look crosses your face. Like you’re in pain from his admission. He doesn’t like it. But then you lean forward, press your face into his neck. He tells himself that he has time. He’ll figure out what’s bothering you, and he’ll fix it.

Outside the theater room, he pauses. Looks down at the pieces of shattered sculpture. "If you didn't like it, darling, you could have just said so."

You just mumble that you're sorry.

"We've talked about your apologies," he says, frowning down at you in his arms.

You huff. "Fine. I'm not sorry. That sculpture was edgy and ugly. You should replace it with something beautiful."

"Deal. But only if you come with me to choose something," he says.

"Deal," you say softly, and he still can't tell what's going through your head.

When you enter the theater room, Luke pauses the game. “We’re really sorry for hurting your feelings and shit. The bet was about boss’s rizz, not about you. Please don’t leave.”

Kieran nods in approval, as if he had helped Luke compose this little speech.

Noah just looks at you, face unreadable, as you rest your head on Sylus’s shoulder.

“I had planned to give you a lot of shit. But I think I would’ve lost anyway,” she says, not looking apologetic at all. “It’s only been two days and you’re practically merging into one person.”

Sylus carries you to a loveseat next to the twins, with Noah on their other side.

“Thanks,” you say. “No worries.”

Everyone is awkwardly silent for a moment after your brief response. You seem to notice, and smile a little. “Can we hang out while you play?”

“Fuck yeah,” Luke says, and Kieran groans as the game is unpaused.

After a while, you, Luke, and Noah start discussing the difference between the remake and the original. What everyone likes, what they don’t. Sylus leans back, draws you onto his chest. His relief remains intense as you let him. The discussion moves on to which Silent Hill games are the best in the franchise, which are the worst. Luke and Noah have a good-natured clash about Silent Hill 4: the Room, with only a few insults flung at each other. You and Kieran share your admiration for Bloober Team's Layers of Fear, which Kieran liked because he didn't think it was scary, and which Luke hated, because he thought it was boring. Sylus doesn't give a shit about video games, and certainly not horror games. Life itself is already horrific enough, he doesn't have the patience for manufactured terror. He just listens, feeling your heartbeat against his chest, breathing in your comforting scent.

A feeling of wholeness settles in him, as unfamiliar as hope. As unfamiliar as the happiness from your movie night, just last night. You, Luke, and Noah have moved on to animatedly arguing about some character’s outfit changes between the original and the remake.

He feels like he’s been standing, left behind in the dark for so long, and he’s finally being allowed home. Whatever is bothering you, he’ll fix it. He’ll destroy the world if he has to, to preserve the scene in front of him, so that he can offer you this, so that he can experience this with you, again, and again, and again. His gentle light that strays and vanishes and returns.

End notes: I had planned shenanigans for the twins and Noah to increase their odds in winning the bet, but this story is already out of control with how long it is, and some of the things I thought of were really manipulative and fucked up even if I personally thought they were hilarious, but my brain is craving a softer vibe for this story I guess (lmao if this can be considered soft), so I hope this isn't too much of a let down for the resolution of the bet subplot. I've given up hinting at what's coming next because it turns out I'm very bad at guessing what's next.

[nartothelar]

Hiiii!! Quick question, if you don't mind :D

I've been trying to get into digital art, but am currently in the "ibis paint, a finger, and a cracked phonescreen" phase. What device do you use to make your drawings?

Enormous fan of your work, btw. You're my favorite creator rn :>

Hello! I unfortunately don’t have much advice for you since I am still in my ibis paint app and finger drawing to this very day ^^’

My aunt recently got me a Huion tablet though which my sister (who has actually tried it) has said it’s pretty nice!

If anyone has any other recommendations tho feel free to add it in the replies! :0c

[lush-lavenders]

❀Late Bloomer❀

Benedict Bridgerton x Reader

Summary: You are late to enter society, but that doesn't mean you don't catch anyone's eye...

Request: Nope

Author’s Note: Sooo I'm really bad about disappearing. But recently I've been binging Bridgerton and been in the mood to write, so here we are!

Word Count: 1.6k

Warnings: None, just fluff here

Buy me a Ko-Fi

!I don’t own this gif!

Dearest Reader,

It has come to my attention that a Miss (Y/N) (Y/L/N), youngest daughter to Baron Arthur (Y/L/N), is making her debut, mid-season. Not only that, but she is almost one and twenty!

While this author cannot see the future, she can certainly predict it (and I do predict it well) - this season will be nothing if not eventful for Baron (Y/L/N) children.

—

As you stepped into the ballroom, the flutter in your stomach threatened to escape from your mouth. 

Lady Whistledown had come out this morning, and your mother was enthralled by the mere mention of your name. This made her fuss over you all day, needing to make your debut even more ‘perfect.’ 

You tried on three different dresses before the right one was picked out. You had five hairstyles tried out before your mother decided on the very first one. You had spent two hours out in search of the perfect matching earrings and necklace.

You were exhausted by the time you had to get ready, and severely tense as you arrived at Lady Danbury’s ball.

Cassandra, your sister-in-law, squeezed your arm softly. “Take a deep breath. This is just a party.”

You quickly took a breath, sighing it out. “That is easy for you to say. You married my brother in your first season after courting for a week.”

Cassie opened her mouth probably to give you more words of encouragement when your brother butted in. “We cannot stand here and talk all night. You need to present yourself to suitors.”

Before you could even think about protesting, Matthew walked ahead of you with Cassie on his arm, leaving you to trail behind.

—

“That there is Miss Buchan, she’s the only child of Earl Buchan.” The dowager Viscountess Bridgerton was discreetly pointing out young ladies to her two eldest sons, whose attentions would rather be anywhere else.

Benedict was scanning the room for someone he could use to politely excuse himself from his mother’s matchmaking. 

It would be an understatement to say he wasn’t interested in marrying yet. He had just recently started at Art School and wanted nothing more than to enjoy his work as a bachelor.

That’s when he spotted Lady Danbury. Normally he avoided the woman, as she could be as scheming as his mother, but she seemed like his only refuge.

“Excuse me, Mother, but I believe I should give my regards to Lady Danbury for the invite.” Benedict bowed to Violet before quickly heading off in the direction of the hostess. 

He thought about turning away last minute, evading all the prying eyes of those who might want to set him up, but something caught his attention - the once-alone lady of the house was now talking with a young lady. One he had yet to see in the sea of lovely debutantes. 

“Mr. Bridgerton!” Lady Danbury’s distinct voice cleared his mind as he approached. “To what do I owe the pleasure?” She knew better than anyone that the Bridgerton boys tried to avoid her at these balls.

Benedict bowed, offering a smile. “Lady Danbury, I just wanted to compliment your wonderful party.”

Lady Danbury raised her, knowing that there was an ulterior motive. She glanced at where Violet Bridgerton was standing with her eldest, noticing her eyes were following her second child.

She flashed a scheming smile and turned her attention back to the young lady she was with. “Where are my manners? Miss (Y/N), this is Mr. Benedict Bridgerton. Mr. Bridgerton, may I present to you Miss (Y/N) (Y/L/N). This is her first ball, so I expect you to be on your best behavior. Now, if you’ll excuse me, I should go talk to your mother.” 

She gave him a little pat on the shoulder, pushing him towards you as she went to Violet.

You lightly curtseyed as Benedict bowed his head to you. As you stood up straight, you froze, staring into the most beautiful blue eyes. Your heart skipped a beat as you took in the man’s features, stunned that someone such as him could be before you.

“Miss (Y/L/N).” He took your gloved hand and lifted it to his lips, pressing the gentlest kiss one could muster.

“Mr. Bridgerton,” you returned, not knowing what else to say. He had captured any words that might formulate within you.

His grasp lingered on your hand, longer than one might consider proper. It was good that the two of you were sequestered to the back of the ball.

At least you had thought you were hidden away.

A hand and sudden voice from behind told you how wrong you were.

“(Y/N), we have been looking for you. We turned around and you had disappeared.” Cassie let go of her husband to take your arm. “Who might you be talking to?” She asked, hiding the joy she felt for her best friend talking to a very eligible bachelor.

Benedict bowed to her and introduced himself before you could do it. “Benedict Bridgerton, at your service.” He joked lightly, and you bit your lip softly as you smiled.

“Bridgerton,” Matthew said as he bowed his head. “I’ve done quite a bit of business with your brother.”

If it wasn’t for Cassie being between you, you would have elbowed your brother right in the ribs for creating such a boring conversation.

Luckily, Cassie was thinking similarly enough to you. “Now now, my love. I’m sure Mr. Bridgerton does not need to hear about his own brother.”

Benedict chuckled, agreeing with her. “Yes, well, as well not needing to hear from him.” He joked, just as a hand landed on his shoulder.

“Well, Brother, maybe I shall take a look at your allowance?” Viscount Bridgerton came up out of the blue.

It seems as though each of your siblings was trying to prevent the two of you from speaking.

And they just kept coming.

Eloise Bridgerton arrived next, in an effort to escape from her mother. “Anthony, Benedict, you really must not leave me alone with Mama.” She sounded sort of breathless as if she had rushed here.

You cleared your throat, suddenly feeling parched. “Pardon me…” You muttered to no one in particular. Matthew and the Viscount seemed to be conversing about business, while Eloise tried to convince Benedict to return to their mother for her.

Cassie silently went along with you, still holding your arm.

You were silent as you made your way to the refreshments table, grabbing the first glass in front of you. You tried to appear as ladylike as possible while you practically gulped down the lemonade.

“I am so sorry for our interruption, (Y/N),” Cassie said after you had finished. “I did not realize you were speaking with a Bridgerton.” 

You shook your head, setting the glass down. “It’s alright. We didn’t really start to converse yet.” Not that you had the chance.

She picked up a glass herself and took a sip, her thoughts lingering. “You seemed… quite enamored with him.”

You scoffed, but not in a way to be rude. “Did you even look at him, Cassie? He’s…” You were at a loss for words as your gaze landed back on the Bridgerton in question. His eyes were wandering, ignoring both of your brothers. They wandered and wandered… until they eventually landed.

On you.

Your eyes met for the second time that night, but this time you quickly looked away, cheeks growing hot. 

That wasn’t before you noticed his perk up and began heading in your direction.

“Cassie, he’s coming over here. What do I do?” You ask in a panic. The only men you’ve ever really talked to were your father and brother, and neither counted towards this.

She put both hands on your shoulders, making you look at her. “Just be yourself.”

That’s the best advice you have, you thought to yourself.

You barely had the time to think up a response when Benedict made it to you, bowing his head again in greeting. “Mrs. and Miss (Y/L/N).”

You both courtesy, Cassie standing up before you. “I believe my husband needs me.” She says before snicking off, leaving you two alone.

“Mr. Bridgerton,” you say after a moment, lifting your eyes to take a look at his features. Features that seem to be drilled into your mind from the beginning of the night. “Has my brother bored you so much you seek me out?” You joke in a self-deprecating manner, knowing you aren’t exactly worthy of his attention.

He smiled at your humor but shook his head. “Our brothers together are an apparent force to be reckoned with, but it is not them that brings me here. It’s you.”

Your breath caught in your chest at those last two words.

He actually wanted to be around you. There is nothing you could’ve hoped for more.

He looked around your surroundings before having you take his arm. “It gets so stuffy in here, does it not? Let us get some fresh air.”

“Just the two of us?” You asked with raised eyebrows. You had never been left, unchaperoned; yet the thought of it, with Benedict… it excited you.

He smiled a crooked but sweet smile. “Only if we leave now, while no one’s watching.”

You smile back, looking around as you follow him quickly into the hall before going out a backdoor into the gardens.

In the first few moments you observed him under the moonlight, your whole future played out. Everything centered around him.

[bird-inacage]

The Heart Killers EP1: Kant & Bison's Desire for Agency

I recently wrote a post around Kant being the vehicle for Bison's freedom, but I'm spotting a bigger theme that these two lovebirds share in common. Both feel stripped of their agency, their ability to dictate their lives freely on their own terms and by their own ideals and desires.

For that reason, they're respectively struggling with where they are versus where they want to be, as factors beyond their control currently inhibit that from being attainable.

"I've cleared my name of car theft. My hands are so damn clean now." Kant is keen to put his past behind him, however Captain Chris has him cornered under the threat of re-opening his previous felonies and possible jail time, dangling custody of his brother as a bargaining chip. "If you get this done for me, not only will your criminal record be swept away, I'll wipe it clean." "If you go to jail, who'd take care of your brother?" This leaves Kant with no choice but to begrudgingly concede.

Bison feels similarly trapped by a life he didn't choose, clearly eager at any opportunity to 'clock off'. "I do what I have to do. Now I want to do what I want to. Can't I just live a little?" "If being hitmen makes it so hard to live, shouldn't we just quit?" "I don't want to kill people for a living my whole life... I just want to live my life." He just wants to enjoy a normal life - to have fun, to be frivolous, to embrace being a 24 year old.

TOGETHER WE BREAK FREE

Their relationship serves as temporary relief or escape from the situations they both find themselves in. Bison finds Kant's company a break from routine and monotony, a welcome distraction in between killing and working at the burger bar (neither of which he chose for himself). Dating Kant is an insight into the joys of life he fears missing out on. 'When I'm with you, I'm not a killer, I'm just a boy'.

By some poetic irony, Kant's mission to instrument Bison's capture would grant him access to the freedom he is seeking - allowing him and his brother to truly start afresh. There is absolutely more backstory to come as to why Kant wants this so badly, that he’s willing to throw so much in. Dating Bison may begin as a means to an end, but Kant does find himself falling in love, despite his objective.

Once everything is out in the open, I do think they'll aid one another in acquiring the agency they each so desperately desire. No one can better understand how it feels to be trapped than someone who is also fighting against the bars of their own cage.

OVERCOMING YOUR RESTRAINTS

On their first official date, Kant shares the following with Bison: “Would you believe me if I told you that I'm afraid of the ocean? Something happened when I was a kid. I almost drowned. Now I'm still afraid of it." One could argue that we don't know if Kant's admission is true, but I don't see any reason for him to lie about this specifically.

This promptly takes me back to this moment from the trailer, which has prominently stuck in my mind. I still get the impression that they are working together when Kant jumps in. If Bison was on the offensive, I don't think he'd be as stationary or calm. Maybe he's performing under someone's watchful eye, or his gun is aimed at something out of shot, or they're practicing a specific stunt.

Whatever the context, this scene now has considerably more weight. The fact that Kant jumps in whilst his hands are bound, when he has a fear of drowning is an indication he's putting his complete trust in Bison (who is adept at swimming), to rescue him if needs be. The implication here being that Bison may quite literally, mentally and symbolically free Kant from his restraints, helping him to overcome what he’s most afraid of.

BDSM: THE PLEASURE OF CONTROL

Funnily enough, this duo's exploration of BDSM even aligns with their shared desire for agency. From the few snippets we’ve been shown, Bison likes being the one in control. Your partner consents to be at your mercy, affording you the power to enact pleasure and/or pain. And there’s a heady thrill in being handed that control. (It's worth noting the inherent power play in taking a life, but whether Bison derives any pleasure from this, I'm not 100% sure. Kant also knows Bison is capable of killing, so letting him dominate actually says a tonne). During their one night stand, Bison even quips, "you're not doing this solo, you know," which teases that he's no passive participant.

Kant seems happy to indulge Bison in taking the reins. Having his agency taken away during acts of passion, but on his terms is completely different to feeling forcibly pushed - because you've chosen how and who you forfeit that agency to. This is partly why I suspect Kant actually gives Bison permission to tie him up in that boat scene (above).

You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating as the show airs.