#but they're very equal in my mind

[cogentranting]

I think the Disney+ Percy Jackson series and the Netflix ATLA series are about equivalent in terms of how good they are.

The casting is good, though the performances don't land 100% of the time. The effects are great and the overall look is impressive. The story line had to be adjusted to fit 8 episodes, sometimes that works, sometimes it doesn't. Changes were made and sometimes they're great and sometimes they don't work as well. Sometimes it's just different. But you can tell the people making it really care about the original.

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[pooks]

part 7 of straw hat!ichiji and without further ado, we'll dive into the next one; Drum Island arc

Nami is sick

as Nami falls sick in a seemingly serious illness, Sanji is taking it harder because of trauma; he has seen Ichiji become seriously ill when they starved on the rock island with Zeff and he had thought he was gonna die.

Sanji has unresolved trauma when it comes to serious illnesses and Ichiji doesn't know how to fix the problem since he cares very little about his own wellbeing.

with Nami out of commission, Ichiji takes over the nagivating role temporarily. he proves to be very decent on it and uses Zeff's old logbook as his guide through the Grand Line. he notices that since the weather is becoming steadingly colder, they must be nearing a winter island.

everyone has different responses to Nami's illness; Luffy, Usopp and Sanji nearly panics while Vivi becomes worried and anxious. Zoro and Ichiji mostly takes the role as the rational ones.

Ichiji is starting to feel under the weather as well and he wonders if his physical body had a delayed reaction due to his modified genetics. he doesn't fall instantly ill like Nami did, but he becomes more fatigued, irritated and loses his appetite (although he forces himself to eat something).

to distract himself from Nami's sickness and his brother's bad moods, Sanji dotes on Nyansha, their new ship cat who can shift size at will. he likes how friendly and cuddly Nyansha is and thinks back at the Baratie. he remembers how he and Ichiji used to nag at Zeff to have a pet and were always refused because the Baratie was a sea-faring restaurant and he didn't want any animals fall into the water and drown.

Zoro notices that Ichiji isn't doing well and keep scratching his neck, so he asks if he's really fine. Ichiji waves off his concerns and just says "don't worry about it".

meeting Wapol and entering Drum Island

Vivi decides to set course for any island nearby in hopes to find a doctor for the sick Nami, instead of heading towards Alabasta. Ichiji has a brief conversation with her and informs her that while she's already burdened with the serious state of her land, she chose to save another's life and it's not something to scoff at. Vivi remarks that Ichiji seems to understand her better than anyone and wonders if he knows a lot about monarchy and diplomacy (given his prior knowledge of Alabasta and displaying dormant skills of leadership).

Ichiji goes still after that and answers "well, we all have skeletons in the closet, don't we? and no, i don't want to talk about it."

as he tends to do sometimes, Ichiji looks over the ocean and thinks about the brothers he left behind in Germa in favor for Sanji. he always regrets leaving them behind and being unable to bring all his little brothers with himself and he hopes that they're faring well, despite Germa being...Germa.

the peace isn't for long, as an unfamiliar pirate ship approaches the Merry and attacks them. through irritated, Ichiji fights along with Zoro, Luffy and Sanji, using the gun Zeff had given him and Sanji (the very one Sanji aimed at Miss All Sunday). they encounter Wapol, a Devil Fruit user and has eaten the Munch Munch fruit and eats exactly anything.

after attempting to eat the ship, Luffy fights him and sends him flying across the ocean. the pirates retreats, however.

Luffy attempts to cheer up Nami, but fails. it's a very hard day on the crew since no one has apparently been sick before (Sanji denies this, but Ichiji mutters a "lies" but disguises it into a cough). the next day, they're reaching a winter island, Drum Island, and drops their anchor there. but they're suddenly ambushed by its' hostile inhabitants.

Ichiji decides to try to reason with them along with Vivi, telling them that they have a sick person onboard and she needs aid. a villager, however, shoots at Vivi when Sanji was about to defend himself from the same shooting villager.

Luffy resolves the situation, after being briefly angered by the violence against his nakama (and being urged by Vivi to not chose violence as counter measure) and Dalton, the leader, and the villagers decides to help them.

Luffy, Sanji, Vivi, Usopp heads down to the village with Nami and leaves Zoro, Ichiji and Karoo onboard the Merry. before they leave, Sanji notices that his older brother has flushed cheeks, but Ichiji says it's because of the cold.

Sanji trails after Luffy, Usopp, Vivi and Nami, but not before looking behind himself at Ichiji.

Zoro is lost and Ichiji falls

after staying in the village for a while and finding out the nearest doctor, one Dr. Kureha, also known as "the witch", resides on a castle on top of a tall rock-like mountain, Luffy and Sanji heads there with Nami to cure her while Vivi & Usopp remains in the village with Dalton. Ichiji and Zoro standing guard on the ship, in case more enemies turned up.

Ichiji kept himself inside the galley when Zoro decided to train in the cold, since he felt less tolerant to the cold than usual and he wasn't in mood to deal with Zoro "unreasonable training montage". but he got suspicious when he heard a lack of "swordman noises" and when he went to check, he found both Zoro and Karoo missing.

Ichiji braves the cold surroundings of Drum Island, dressed warmly and yet, still freezing as if he had no outerwear. trying to locate the missing Zoro is like searching for a needle in a pile of hay, but Ichiji keeps trying.

his illness starts to process more aggressively, putting Ichiji's wellbeing at risk; his fever sky-rockets, he becomes weak and delirious, and soon, he's gotten himself lost as well. fortunately for him, a sled nears him and nearly runs him over; it's Dr. Kureha along with Chopper (in walk point).

Ichiji doesn't call her anything, but he asks her if she's seen "a green-haired, half-naked fool" somewhere. Kureha doesn't answer the question and instead, inquires about his own health since he looks like he's about to keel over. Ichiji decides to be honest and says that he isn't well, but it's the least of his problems since he needs to find his friend.

Ichiji doesn't get to say more before his strength is drained and he collapses in the snow, completely overtaken by his fever.

(Kureha and Chopper decides to bring him with them, as Ichiji will surely die from his fever or the cold if he stays outside)

reunited at the castle, an unbreakable bond of brothers

by the time Luffy, Sanji and Nami are safely inside the castle, they're in a horrible state; Luffy, exhausted from climbing the drum rock with his bare hands and carrying on his two crew mates, is suffering hypothermia. Nami is seriously ill, hovering between life and death and Sanji is critically injured with a broken spine and internal bleeding from the avalanche.

Chopper and Kureha treats them as the group is in a critical condition. Nami is the first one who comes around and the cause of her illness is revealed; Kestia, a poisonous tick from Little Garden causes a "five day sickness" that ends in death.

she also finds out that she isn't alone in the room she's staying in, she sees Ichiji in another bed and panics. it turns out that Ichiji was also bitten by a Kestia tick (flashback to the post-battle in Little Garden, when he slapped his neck from a "mosquito bite"). Kureha has discovered that Ichiji has a different metabolism than an ordinary human which is why his illness progressed slower than Nami. however, his intolerance to the cold and stress made his body enough weak for the Kestia bacteria to advance faster and more aggressively.

Chopper then runs into the room, being chased by Luffy and Sanji who mistook him for food source. however, Sanji stops when he sees his older brother seriously ill and becomes shocked, getting vivid flashback to his past.

we get a narrated flashback from Sanji's POV. he remembers the rock island they were stuck on, starving for 80+ days. during the five last days on the rock, Ichiji fell seriously ill due to eating lesser than Sanji, exhausting himself by collecting morning dew for his brother, enduring night watches and exposure from the sun. after they got saved by a passing ship, Ichiji was put under quarantine due to his illness being so serious along with starvation. he was ill for two months while Sanji and Zeff recovered. Sanji remembers watching his brother suffer from fever, chills, nausea, etc. he had never seen Ichiji weak ever in his life and the thought of Ichiji dying for his sake gave him nightmares and Sanji cried for every day, believing that his brother would surely die.

Sanji tears away from his narrated flashback, seeing Ichiji suffering in the same state and gets a trauma-induced panic attack. he breaks down crying, terrified that his brother is dying once again, blames himself for not seeing the signs and begs the unconscious Ichiji to not leave him alone.

before Kureha is about to hit Sanji's head for whining so much, Ichiji speaks up, revealing he's been awake the whole time

"Geez, you're still such a crybaby, Sanji..."

Sanji screams of grief and anger, hugging Ichiji and saying...something, but no one is able to understand what he's saying since he's crying and sobbing at the same time.

(foreshadowing to Sanji's "△✕~◑※◇♨*~✖✹" in water 7)

Ichiji is still running a fever and seemigly drifts off, but not before he managed to reassure his little brother and his captain (because let's face it, Luffy is freaking out at the thought of his nakama dying) that he'll be fine soon.

everyone thinks he's asleep because of his closed eyes, but he's conscious enough to hear Chopper's story when Kureha tells Sanji and Nami (while Luffy is off chasing the poor reindeer again to make him join his crew).

Wapol returns and the siege of Drum Castle

their luck runs short when Wapol makes a return to the castle, intending to "rule" Drum Island again (which would lead to more of the people's suffering). once again, Luffy fights Wapol but this time, it becomes personal when Wapol shoots at the jolly roger of the long passed Dr. Hiriluk, Chopper's mentor and adoptive father.

Luffy engages in full battle, enraged over how "fake pirates" like Wapol just shoots a jolly roger without a single respect.

inspired by Luffy, Chopper shows that he doesn't have just medical skills, but battle skills as well and joins the battle. Sanji attempted to join as well, but his back injury flares up, rendering him out of commission with Kureha guarding him.

while his two henchmen, fused into one, fights Chopper and Luffy gets distracted, Wapol sneaks into the castle. he stumbles onto Nami, who's already well enough to walk around thanks to Chopper and Kureha's wonder medicine.

the only difference here from canon is that Ichiji arrives in time, still feverish, and jumps at Wapol, pulling at his hair as the ex-king attacks her (which also gives Nami the perfect moment to steal the key from Wapol).

Nami manages to escape, but Wapol is now chasing Ichiji. the antibiotic remedy against his illness is progressing, but Ichiji is already exhausted and Wapol corners him, intending to kill him. Luffy finds them just in time and engages in one final battle before he emerges victorious, having punched Wapol across the next island with a Gum Gum Bazooka.

Dr. Hiriluks cherry blossom snow, Chopper joins the straw hats

with the antibiotic treatment finally taking effect for Ichiji (due to his fast metabolism) and Sanji is getting his back (painfully) fixed again, Luffy tries again and again to recruit Chopper to his crew

Nami attempts to negotiate with Kureha; she hands over the key if Kureha discharges her, Sanji and Ichiji. Ichiji, however, doesn't want Nami to do that since he wants she and Sanji to recover first (once again, he neglects to include himself) before heading to Alabasta. Kureha takes the key, but says they must stay in the castle...but also that there's a coat in the room and the guards aren't present. Nami takes it as a sign that they're free to go.

when Sanji's treatment is complete, Nami and Ichiji brings him as they go outside. Ichiji is nearly fully recovered at this point and is carrying Sanji on his back, who's still out of it from his treatment. Ichiji takes a moment to reflect on old memories and muses that he hasn't done this since they were kids.

barely some moments later, Chopper is joining them but Kureha is chasing after him with weapons, so the Straw Hats panics and decides to pack it to leave. Ichiji wastes no time getting into a sled, still carrying Sanji on his back. however, they get to witness something wonderous.

using Hiriluk's "cure for the country's cold heart", the straw hats and everyone else witnesses cherry blossoms falling onto the snowy island. Ichiji, with a now conscious Sanji leaning on his shoulder, remarks that he has never seen something so beautiful in his life and it's enough to almost bring tears.

with the perfect send-off to Chopper and having a ship doctor onboard, the straw hats sets sail for Alabasta

[commsroom]

Do you have any favorite Wolf 359 qoutes? :)

hmm. good question! my answer to this changes every time, but right now i'm going to go with "so do what you do best: keep your superior officer from accomplishing absolutely anything." makes me laugh.

in ep 22, after hearing one of the musical transmissions, lovelace says, "it's strange. i thought there'd be more to it. something special. alien. ... it's just music." and that's always struck me in such a particular way when taken in context of her character arc.

"they could've made me better. they made me me. now you get to live with it. [...] this is my life, and you don't get to rewrite it to fit what you need." from memoria sticks with me. obviously hera's part of am i alone now? stands out as well, but what really makes that shine is michaela swee's layered performance: where how she says it suggests something different than what's literally being said. a lot of wolf 359 quotes - especially hera quotes - are like that for me.

"it's not just about surviving, it's about being able to live with ourselves after we get off this tin can" is always a contender.

indulgent answer: "you're the multitasker, darlin'" i like his little chuckle. very cute.

[seiwas]

i personally believe that deku is more likely to have vices than katsuki

[bumblingbabooshka]

Tuvok-Chakotay dynamic should have gone from two people who are always poking at one another to two people who are always joking with one another - in both cases this is an unspoken thing. They’re playing a game of chicken that gets steadily less hostile. From “I’m not trying to be difficult here.” (lie) to “I’m not trying to be funny here.” (lie)

[underwhelmingalchemist]

Starting pride month with the pharmacy denying me my testosterone prescription until mid-June and my doctor saying she can't do anything about it because it's a controlled substance 🙃✌️

[angorwhosebabyisthis]

underrated genre of character playlist entry: songs a character would relate to because they do not understand their situation, themself, or the song itself well enough to realize it is not accurate (and might well straight up be a callout for people like them). which song is your blorbo's fight club

[uncanny-tranny]

Every time I talk about fatness, I inevitably receive some harsh, inhumane bullshit, so a quick reiteration:

Disability can absolutely impact one's ability to have control over their weight (though, personally, I dont think this is the only reason why fat disabled people should be seen as people). Fat people can have disabilities unrelated to their fatness, and indeed, many many disabled fat people will remain disabled even if they do not remain fat - and even if it is related to one's fatness, like I said in the original post, that doesnt fucking matter. You cannot liberate disabled people without liberating fat people. I am not fat, though I am disabled, so perhaps I may be heard when I say: You do not have my back as a disabled person so long as you retain fatphobia in your political sphere. You will always be on the side of ableism as long as you remain in hatred toward fat disabled people. They (being fat disabled people) should never have to justify their disability/disabilities or their fatness. I have more in common with fellow disabled people regardless of their weight - their interests are my own. We look out for each other with or without your input.

Fat disabled people, make sure to keep rocking it. Do what you do best and live the life you desire. There are people who want you in this world with us. You deserve liberation with us. We are co-conspirators.

Fat people deserve mobility aids, too. No matter if it's connected to their fatness or not, because having a mobility issue that is connected to one's fatness won't change that they're still fat and still have the issue at hand. Fat people don't deserve to "tough it out" because fatness should be this divine punishment doled out to those who "deserve" it. Fat disabled people deserve to have the peace of mind that they can exist in whatever way is most comfortable and accessible to them

[anothermonikan]

Man high school was fucked up. You ever think about that. Thank fucking god I'm not in high school anymore

[aph-estonia]

in a weird fucked up state rn where i just lost 6-7 friends in the span of a week tops and i can't get myself to do anything about it. i can't get better. i tried and i gave up and i've become more okay with being scum and now trying to go back to being better is like the hardest thing i've ever felt in my life

[felassan]

Snippets.

A user asked if there are instances wherein Rook will be referred to by their last name. "Yes, there are places where we refer to Rook by their last name. It's very contextual - we don't want to awkwardly insert a reference in where it doesn't make sense - but it does happen, though it is going to be more common with some backgrounds than others."

Q. "Does Solas have a type of tea he doesn't mind as much as others? Or are all of them equally detestable?" A. "Orange zinger."

A user asked about the ages of the companions. "We're not getting into specifics right yet, but the companions cover a broad range of ages and experience. They're all pretty established in the world and in their expertise by the time you meet them, though. You are recruiting a team of experts after all."

You can have body tattoos!

John Epler: "Echoing Corinne, the last few weeks have been an absolute whirlwind but also incredibly rejuvenating. I'm so excited to share more with y'all."

A user stated "There are no restrictions on lineage/faction/class combinations other than dwarves cannot be mages". Corinne added "Correct. I've really been enjoying the different combinations."

Q. "Will the gender identity of a trans/non-binary Rook be acknowledged in game by other characters? (beyond just pronouns I mean)". A. "There are moments when you can disclose and discuss, however, disclosure remains the right of the individual so you have to make that choice for yourself." (!!)

Re: release date. ''Exact date has not yet been revealed. Fall 2024 is as much as we can say right now.''

''Lots of great cameos in the game, but I'm not going to spoil anything. You'll have to play to see who shows up for yourself.''

''We can't reveal our upcoming marketing beats or media presence just yet. Stay tuned.''

Q. ''Can companion AI be customized - ie. DAO/DA2 style tactics or even something like Aggressive -> Defensive'' A. ''Very different system this time around. In the skill trees you can affect their behaviors, like setting you up for combos, or auto-healing you when health gets low. Each Companion is a little different mechanically.''

Q. ''Will we get the option to give our Rook more fantastical hair colors, like purple, blue, pink?''. A. ''Yes''

Q. ''How about heterochromatic eyes?'' A. ''Yes''

Corinne: ''We're so excited too! As much as I've played, I absolutely cannot wait to do my first playthrough when the game is out. Also cannot wait to hear about all of your decisions and experiences.''

Q. ''Will I be able to make a short qunari and a tall dwarf or are there limits to that? Do the qunari have to be buff?'' A. ''There are limitations, of course... but yes, you can make a Dwarf that is tall or a Qunari that is short, relative to their lineage. We stan the skinny Qunari''

Corinne: ''Need to get back to it, all. But it's always a pleasure to check-in and see the great questions. We'll do this again soon :)''

[source: the official BioWare Discord]

(emphasis mine)

[strwberri-milk]

hii I love ur writing! may I request a sylus x reader where reader brings home a kitten or 3? and declares them their "children"

it's fine if u don't end up writing this but it's been on my mind for a while bc of how he calls us kitten lol

Sylus has a soft spot for animals even if you can't really tell that he does. You thought that soft spot only extended to Mephisto but the way he looks at the kittens in your hand tells you otherwise.

He's surprisingly receptive to the idea, asking you what sorts of treats you want to buy them and beginning to fill a room with goodies to spoil the kittens. He asks why you have so many and you go on a tear filled tirade about how they're clearly all abandoned siblings and you couldn't bear to see them split up.

The two of you take care of the kittens equally, basically adding into your little family. The kittens take very well to Sylus, his relatively chill demeanour matching them as they lounge around with him. He enjoys having them sit in his lap or following them around - and he's very strict about keeping the doors closed so they don't run out.

[prael]

Red Wine - Karina & Natty

Aespa Karina x Kiss of Life Natty x M Reader smut

thanks to @capslocked & @passingnotions & @friskyriskywhisky

Masterlist word count: 9,957 Kofi

A new girl every week.

Not like you mind it. As long as Karina is having a good time, then that's enough for you. She meets them all at work, and they're all equally pretty.

Of course they are—it's part of the job.

It's just how Karina is—she has always been a fountain of charisma and that's part of what drew you to her—some call it rizz. So, you know all too well how these girls feel when Karina cranks up that natural charm and it leads to her inevitably inviting them over on a Friday evening, an offer they can’t refuse.

A girl's night in. That's what she always calls it—truth or not.

It's a funny thing to call it, given that you're always there. Not that any of them ever complain. You're there. That's okay. You'll join in the chat or stay out of the way—it's all very casual. Most of the time, it’s just that—casual.

Most of the time.

"And then I told him: 'Look, this dress is Dior, and it's worth a year of your rent. So if you think, even for a second, that it's going to end up on your bedroom floor after you buy me a couple of glasses of bottom-shelf whiskey then you can Johnnie-Walk-the-fuck-on-out-of-here because there are a thousand more ways I can spend my night than wasting time on you.'"

The two girls break out into some sort of intoxicated, riotous laughter. The girl with the story? They call her Natty, and she is the latest of Karina's new friends to visit. This one sporting almond skin, eyes with an inky rich hue, thick lips and a smug look on her face that could melt the paint right off the wall, or the clothes off any man.

She has one leg crossed over the other, sitting at an angle towards Karina. The slight canting of her head, the way her black hair cascades over a bare shoulder, all of it conspires together in order to fully reveal her neck line where the loose t-shirt drapes from shoulder to shoulder.

"Yeah, like any dude's got enough bank to buy himself to a night with you." Karina laughs again before taking a drink from her wine.

You are trying to watch the TV, vaguely—your favourite team is on and it's a bit of a ritual for you.

You will never even know we're here. That's what Karina told you. Yet you’ve spent the better part of the last hour listening to them. We’ll be quiet.

As if that's ever true.

They've been reeling off anecdotes all the while, and if you've learned one thing about Natty, it's that she has a lot to say, and a lot if it comes down to either the pleasures, profits, or travails of her career. The stories just keep coming. And each and every one is punctuated by that same laugh from Natty. You have never heard anything quite like it before, and it's that which keeps drawing your attention back to their end of the couch. Much like her voice, it's high pitched, a little nasally and utterly adorable.

Karina laughs along as well; more than a few times a drink threatens to spill onto the carpet because one of them has laughed a little too hard or bumped into one another. Now that would be a disaster: red wine and a white carpet.

"So I got this really nice pink one. It's really pretty, a little sexy, but it's so comfy too." Natty is talking but you don't have a clue what about and Karina, turned away from you, is nodding her head, the ponytail on the back of her head shaking a little as a result.

You don't need to see Karina to know how she looks—as beautiful as ever. That same sharp jaw, high cheekbones and lips glistening pink, hued darker by her drink of choice. Those eyes. It’s always her eyes that captivate.

Her beauty and grace are two things she truly does share with Natty. All the women that come over are all part of the same constellation. Stars in their own right, but Karina is a supernova—or something equally poetic.

Karina says something, but the voice is soft and muffled and lost to you among the animated exchange.

"There's also this blue one. But I don't wear it nearly as much as the others, but it cuts real low. Nearly shows my, you know..."

That lowered voice draws your gaze right over to them both as Natty leans in towards the woman next to her. A gesture and the shape of her voice, the lilt of her accent, makes it sound as if she is being discreet even though you can clearly hear every single word.

"...you know." Natty then tugs a little at her own shirt.

The two giggle again as if they're not grown-ass women; two women who have admittedly drunk quite a lot.

"He loves this one I have, it's part of a set, and I picked it up in Paris last month,” Karina says. “Black and lacy. Super expensive, but it's so worth it."

"That pair would look good in anything," Natty lets out that same laugh again, if a little softer this time, as if the mood shifted a little. You felt this coming all along. If you're honest, sometimes as soon as Karina walks through the door with a girl on her arm, there’s a certain vibe that hangs in the air that tells you it’s one of those nights.

You're stealing glances at the two of them, and it's Natty who's looking towards you, over Karina's shoulder. Your eyes are caught in this awkward collision. Natty holds the stare, her smile shifting subtly from innocent to devilish.

She's a stunner. Even from the angle where you're catching glimpses at her, a glance out of the corner of your eye, there is something seductive and hypnotising.

"He's a really lucky guy." She says to Karina, keeping her eyes fixed on you.

That is usually the cue, one you're very familiar with. A flirty little comment, maybe an innuendo, something meant to test the waters—see where the land lies, the rocks you can stand on before stepping any further out into the surf. It's how so many of your Friday evenings play out. You are just that—an object of curiosity and interest to Karina's friends, and you have to credit the sales pitch she must deliver about you.

"You're damn right," Karina replies with a chuckle as she tilts back the remainder of her drink.

"Do you think he would like mine?"

"Of course, he would. But if you want, I can be the judge." Karina takes Natty's almost empty glass and sets both down on the table. Her expression and attitude—lips and body language—communicate her invitation far more eloquently.

Karina is reaching over and Natty's meeting her hands with her own at the hem of her shirt. A teasing lift and you can already envision what she's about to show. See, Natty's a dancer—you know that much, and a good one at that. That kind of talent comes with the blessing of a body that turns heads. Your girlfriend knew that well too when she had invited her back home.

"Go on then."

The shirt lifts off Natty's skin, with the help of Karina’s hands running up the side of her body, exposing a pierced belly button. You try, very valiantly, to pretend not to be watching, but you can't help it. Natty raises her arms and lets Karina pull off the shirt fully revealing her in her lace bralette. It's pink, it's pretty and a little sexy—just how she described it.

"They really are nice, wow," Karina leans in close and for a moment you think she's going to start kissing Natty right then and there.

Natty doesn't say a thing. She lets the next moment happen, and with their bodies so close you can feel the anticipation, there’s an agonising pause, but, just a moment later, Karina is running a hand up along her belly, cupping a hand over one of her breasts.

"Really nice," Karina repeats the compliment.

And you're all in now. Fuck the TV. You can't peel your eyes away from whatever the hell your girlfriend is about to do.

"Thank you," the girl purrs as she arches her body to push herself against Karina's hand.

A flirtatious hand and those slender fingers of hers begin to move delicately over the fabric. It's a good touch. You've experienced first-hand all the wonderful things Karina can do with it. She touches how she dances—passionate and precise.

"What do you think?" Karina's finally acknowledging you over her shoulder—your official invite to the fun.

"Gorgeous," you mumble, and Natty's smiling like a minx as Karina continues in a way that you should probably be offended. Your girlfriend runs her hands down to the girl's waist, round to the small of her back, and then all the way back to where she starts again.

"Come, take a closer look. What do you think?" Natty follows her words with a wink and a flick of the hair.

"Fuck yes." You whisper under your breath.

"What was that?" Your girlfriend's smirking to herself as you rise from your seat.

"Yes." You take a step towards them both.

"Yes?" Natty repeats, one of her dark brows arching.

"He thinks you're fucking beautiful, sweetheart. Gets a little lost in the moment sometimes." Karina is leaning her head in close, one arm around the girl. She has a finger running up along Natty's slender back as she pulls at the clips holding her bra together. "Isn’t she perfect, babe?"

"Something like that," you confess. You're standing in front of the girls, looking down at the topless Natty, at Karina who's still snaking her hands around her. And Natty looks up at you, eyes wide, inviting, smouldering with passion. She really is something else.

She peers beneath those bangs of hers with a look that says: why don't you sit right here beside me?

"There we go," Karina says and there's suddenly some slack. The weight of her pair is taken by gravity and Natty catches them into folded arms. She sinks back into the couch. You take a step, and taking her lead, you sit by her side.

Karina reaches down, pats you on your leg, then turns back to face Natty. "You were saying you thought he was pretty cute too, weren't you, Natty?"

"Pretty cute, yes. Hot too. Moreso now that he’s up close." Natty says while Karina's got her hands on her shoulders, taking the straps of her bra between her delicate fingers. And then her bra is gone—the last semblance of her modesty lost along with it. Her small nipples jutting, stiffened with arousal, ready and waiting.

"God, he's practically drooling."

"That's hot," Karina comments as her lips descend onto Natty's shoulder and she starts laying kisses up and along her neck, trailing all the way to her ears.

"Sit behind her, babe, let her make it easier for you," Karina says. There is something entirely different and erotic in the way your girlfriend commands you. It’s so often like this, the dynamic, the guest and you are equals but Karina? Karina is a level above, the one in control and setting the pace.

You move yourself further onto the sofa and seat yourself back, then Natty slides over your lap. She takes her place, just as Karina wants, in front of you. The look in your lover's eye tells you exactly what to do, while her hands give Natty some hands-on guidance. Holding her shoulders, she’s placing Natty’s back against your chest. 

You lay your own touch on the starlet’s waist, coiling them around her body. Dragging them up towards her smooth tits causes her to respond with a shudder. You keep your touches slow, leisurely, tentative and exploratory, but with no lack of appreciation.

Natty refuses to shy and settles firmly into your body. Karina, meanwhile, sets herself in front of the two of you, resting her hands on Natty's knees. Your beautiful guest parts her legs a little as Karina slips her hands between them, urging her thighs to open wider. Wider until she has to lift her legs over yours.

"Is this okay with you?" Karina is looking up into Natty's face and the woman simply nods."How does she feel?" Karina's asking you now, placing her hands on the back of yours, guiding your touch over her breast into a rougher pace.

"Perfect." The word slips from your mouth, followed by a throaty groan. Among all of this, Natty's ass is against your crotch, the weight of her pushing your manhood to swell and strain against your clothing. You are thankful she's wearing a thin enough pair of yoga pants that enhances it all.

Karina has planted her knees between yours and Natty's legs. She's pulling her own shirt over her head and you already know what's beneath. For all the talk earlier about bras, Karina isn't wearing one; she never does. "Fuck, Karina," Natty coos at her bare chest. "He likes it too. I can feel him twitching."

Natty’s hands are all over Karina as she pulls her in. There’s grace, there’s tension and there’s a coy giggle from Karina as their lips are only inches apart. The hammering of your heart echoes within as you take a front-row seat to their show. It always triggers something inside you when she first lays lips on someone, it always heightens that delicious, tingling, primal feeling.

"Oh shit, girls..."

Your girlfriend's the best kisser and you love watching her like this—exploring another woman's mouth. Natty is matching her tempo beat by beat, kiss by kiss. Her body arches as you squeeze her breasts. You swear Natty's making little whimpers as the two make out.

Her body is all action against you: ass grinding back, rolling slowly and languidly as your hands pull at her breasts—squeezing them together and then apart. You dip into her neck with your mouth. The sweetness of her skin fills your mouth and the richness of her perfume fills your nose.

You lower your lips and gently nibble at her neck, dragging teeth over her flesh until she gasps from a gentle bite and you work your lips on her skin. Tongue roaming as you feast on her taste. Karina's pushing forward now, Natty sandwiched between you, their pairs of tits pressing together with your hands somewhere between.

They break, and Natty naturally moves to your girlfriend’s neck. Karina has her sights set on you, prying your mouth from Natty's shoulder and catching you in a deep kiss. Tongues battling, clashing. There's the familiar fading taste of red wine in her mouth, and the unmistakable flavour of something foreign to you, the lingering taste of Natty.

She pulls away from your lips, staring down the two of you. There's dissatisfaction on her face. "Why aren't the two of you naked yet?"

She pulls at Natty's hips, relieving your cock of the pressure of her sitting on it, and you hold Natty so as to not let her slip too far away. You and Karina work Natty's yoga pants, and her panties, from her hips. They slip effortlessly down to her ankles, leaving her decidedly bare.

No one speaks and you all know this isn't the time to explain anything or ask questions. When her clothing is out of the way Karina descends upon Natty again, kissing her hard and you catch the dying whimpers of Natty's moans into Karina's lips. Karina's hand is snaking down Natty's back, reaching for your crotch. She unbuckles and opens your belt all the time fighting against Natty's movement as she tries to grind her ass back into you.

"Stop moving." Karina giggles into their kiss as her hand delves beneath your trousers. She breaks her kiss again. "Need some help."

Natty's peeling herself away from you, turning to face you. Natty's naked, Karina's halfway there, you're the one slacking. Not for long. Soon the two are tugging away all the unnecessary clothes until all three of you are equally exposed. Your cock stands heavy and ready under their gaze.

"Woah, you weren't lying." Natty's figuratively licking her lips, hungry and wide-eyed, and you'd bet your last dollar she's got an idea in mind. "Can I...?" Natty turns to ask Karina.

"I'd hate to be selfish." Karina shrugs her shoulders and winks. You're transfixed. There's natural magic about the way they move as if it is rehearsed; the way Natty sinks to her knees and the way Karina pulls your hips to the edge of the seat, then rises above you.

Karina hovers and watches, Natty leans in, and then your balls disappear into her mouth. She’s handling them with her tongue expertly as she takes hold of your cock.

"God, what a pro. She wasn’t lying when she told me she knew her way around a cock," she exclaims, savouring every second as the air rapidly leaves your lungs.

It is beyond explanation, the way Natty's tongue is dancing along the underside of your balls as her lips caress each one. Her eyes occasionally flick up and flash mischievously—it's the kind of look that means she could get away with absolutely anything, and there is no way you are going to stop her.

"She's got the face for it, doesn't she? Like she just gives the most amazing head." Karina's on her knees by your side, sliding a hand between her thighs.

"Y-yeah." You manage to reply. "S-so... ahh! Good."

Karina leans forward, cupping one of your cheeks as she looks into your eyes.

"He's speechless!" She laughs, moving a hand to the back of your head and tugging gently at the strands. "Natty baby, give him a few words or something, will you? If you can?"

It's hard to look at her, but you crane your neck and you catch her looking at you again—one hand upon your inner thigh, the other wrapped around your shaft. "That's a good boy," Natty murmurs.

She teases a thumb over the surface of your glistening wet tip. "She loves that shit. Watch her..." Karina explains, smiling, the delight on her face all you can look at for a moment or more.

She guides your chin and you follow your girlfriend's direction, then you see, Natty's taken her mouth from you for a second and she's licking your pre-cum from her thumb; her gaze on the pair of you. She repeats her motion once more and the grin on her face grows bigger as you leak another pearl for her.

"How does he taste?" Karina asks for both of you.

"Delicious." Natty answers—now she's literally licking her lips.

You'll believe anything this woman tells you.

She's running a teasing tongue along the underside of your shaft, and as she reaches the peak, she catches the snow-white trickle you drip right there. You close your eyes in ecstasy, but before long, you’re feeling a finger poke against your lips.

You part them open, letting Karina's two fingers inside, and she's running her digits over your tongue as you suck her fingertips. The taste is so undoubtedly her, nectar straight from her source, your mouth salivating for more.

The feel of Natty's soft plump lips against the end of your cock is incredible as she moves them in an inch, teasing, testing, and then she withdraws just the same and you want to cry out. But you can't, Karina still lubricating her fingers, your tongue swirling around the digits.

She withdraws and your eyes open. And as much as you wanted to see Natty ready to settle her mouth around your cock, she's got something else in mind. She has her tits in her hand. "Are they still gorgeous?"

"Yeah, totally," you sputter.

"Natty girl, let him fuck them." Karina tells her and then she turns to you, mouth to your ear. "You want your cock between them, don't you? Tell her." Karina's not leaving this up to interpretation. "Tell her you want them."

"Oh yes..." you blurt out, without even really thinking. Karina giggles—it's her sign of approval, a tick. "Your tits, Natty. Fuck. Please."

It's not something you haven't done before. You love Karina's pair too, after all. It would be hard for anyone with a dick to resist a pair of round tits like hers. Luckily for you, tonight she's brought you a girl with a pair to match her own.

"He asked so nicely."

"He's a real gentleman," Natty teases and she raises her breasts a little, then pushes them together. As your head slides into her cleavage, she puts her hand around them, and as the skin squeezes the sides of your member, you are reduced to shuddering. Karina knows exactly how this gets you, knows just how this can bring you undone. It doesn't even matter if the actual thing feels nothing like sex—you'll always go crazy over a great pair of tits.

As the tip of your manhood peeks out through the crease between them, Natty lowers her tongue to it and you swear you nearly cum right then. Then the words echo inside your brain: he wants them, Karina's voice and as soon as she says it, your subconscious concedes to the reality.

"Look how easy and willing he is," she says to Karina and both girls giggle, then Natty forms a mock pout. "Such a good boy. I really want to make him feel good."

"He does deserve something." Your girlfriend runs her fingers into your hair as Natty plants a soft kiss onto your cock-head. Instinctively, you reach out but before you can touch anything, Karina's hand finds your wrist. "Tell her what you want."

She's leaning in closer again and Natty looks up from where she's teasing your tip, sucking, tonguing and lavishing affection and attention. "Ask Natty nice. Tell her you want a blowjob. Tell her you want to cum. Tell her what you want," Karina purrs her words.

And god, if anything makes it impossible to think straight, it is Natty's gaze up at you. She wants to make it easy for you, impossible to do anything but give in to your wishes, whether it’s her intention or your deep-seated desire making it seem so.

"Natty... can you suck my cock?" Your mouth's dry and the words grate in the throat.

"Anything," she says with a twinkle in her eye. And now it's all one motion. Her tits clamped against the sides of your length. Your cock drives between them and into Natty's waiting mouth. She's all tongue, bobbing her head a little and taking the tip of you in and out of her mouth.

Karina's all over you—kissing your neck, holding a hand behind your head, caressing, squeezing. "Aren't I just the best? Always doing this for you with all these girls." She's muttering away in your ear. The heat of her breath is constant and burning. She continues with sweet nothings in her deep, sultry voice.

You're sinking deeper into the couch, like you're laid on the shore and the tide is enveloping you. Wave after wave crashing against you, rolling, engulfing you and drawing you out further and further. Natty is pulling you under; every time she takes you into her mouth, wrapping her tongue around you, it's another wave over you. Karina is a life rope. You're grabbing onto the strands of her ponytail, trying to keep your head above the water. All her touches, her words, her encouragement, that's the air you need.

But the torrent grows ever more intense and powerful and the riptide is too great, Natty's drawing the last vestiges of resolve from you. You lose grip of everything—of reality.

You're lost.

Lost in her mouth, lost between her tits.

Karina knows it, she's seen it all before, so many times, for her and others. "Feel like you're gonna cum?" Karina's in your ear asking you the obvious.

Your answer's a growl.

"Cum!" It's a low-roar in your ear.

You don't say a word.

"All over those perfect fucking tits. Her mouth, her face, look at her," and then that's it. You're drowning in pleasure. Every sense abandons you—hearing, touch, and sight, all surrendered.

You can't think or do anything, because every fibre of your being is focused on a single action—pouring out cum. You're rigid and straining.

Your eyes regain focus and you see it all. All of it smearing her tits and just a little on her face, and then more streams erupt. Natty doesn't shy and she doesn't stop. She is milking you for every single drop.

And Karina's ever the encourager, ever full of pride. "Just like that, yes. Empty all of it right there on her chest."

This is her thing now. Has been for a while, ever since she convinced you to try it just one time. Her imagination was fueled by all those dirty little stories she read online about voyeurism and the like. It opened her eyes and redefined your relationship. It started with an experiment. With her best friend, Winter, all those months ago. It was the first time she took enjoyment in her friend getting you off.

Now it's a regular surprise. Sometimes they're girls you met many times before, almost like she was dangling them in front of you, teasing you. Other times it's just like Natty. You barely say a few words to them and before you know it, you're covering them in your cum.

Truth is, you always get the gut feeling when it's one of these nights, as soon as Karina and whichever girl it is start their first drinks of the night; you know it's one of those nights. Then it's just a case of waiting.

Natty didn't take long to get on her knees—she must have been excited.

And lucky for her, you're nowhere near being finished.

Karina is prowling and on the move, towards Natty, and she reaches her with both arms as she locks her into her grasp. A kiss, deep, hungry. All tongue. Seeing is believing; some of you ended up inside Natty’s mouth and now she’s sharing, distributing to Karina. Back and forth it goes between their mouths, with some spilling from their lips. As it’s shared, it’s swallowed bit by bit between them.

"Your turn Natty. I want to watch you cum for me." Karina announces she breaks away, then lapping up what remains on her lips and she has a hand on Natty's chest, playing with the mess you made of them.

You're lying there, spent and watching, as Karina guides Natty to her feet.

"There you go," Karina is pushing the girl towards the couch and she gets to the edge, then places a knee on it. Your eyes drift over her body as Karina bends her into place, her sticky chest planted against the cushions. Her juicy ass is in the air and the light in the room highlights every line and contour. Her flawless curves are accentuated to their perfect best.

"Legs wider, yes, yes. That's perfect," Karina's voice cuts through the air. She's behind her, hand on the small of her back, urging Natty into position. Lower and lower, Natty's head pressed into the cushion; she's turning to look at you, face full of excitement, of yearning.

A quiver passes through her entire body as Karina's lips descend upon her lower back.

Then lower, kissing her tailbone.

Her ass.

Lower and lower, peppering her skin along the way, Karina finally nestles between the two cheeks. Then she places her hands on Natty and starts parting them. "Perfect. Isn't that so perfect?"

Karina doesn't wait for any reply from you.

She doesn't need to. You are fixed there, utterly mesmerised, entranced and completely undisturbed, watching this gorgeous woman lay tongue on her newest conquest. Karina, meanwhile, can't contain her excitement. She's feasting on Natty, lapping at her sex, diving lower and lower with her tongue. "Oh yes. You taste so good."

Everybody's taste is unique. Just as her aroma earlier was something you couldn't put into words or compare, you can only imagine how sweet Natty must taste. And as if she reads your mind, Karina adds to the narrative, "So sweet."

And the sounds.

Fuck. The sounds. 

Natty moans, loud, sharp and high. You should have known it, her voice being what it is—the tone; so unique, so unmissable. You should have expected the melodic composition. The pleasure is pure, crystal-clear music. It's perfection in sound. It's the kind of musicality people work their entire lives to compose, to play, to express.

To do all without a care in the world.

With as much freedom, spontaneity and energy as possible.

The tone shifts, and the octaves change. And it's Karina, playing her, burying a pair of fingers into Natty.

There is no question here. The two are in sync. Karina, a performer by profession, plays your guest as if Natty is merely an extension of herself. Your girlfriend, in her element, her playground, her stage and her domain. You are her audience. And she has never sounded, looked, or acted so majestic in her role.

Natty sings a string of profanities, nonsensical and fragmented phrases.

"That good?" Karina exclaims, teeth digging into her butt cheek as Natty spills into the cushion. Her legs quiver. Karina smiles into her ass, nipping her a second time and then she turns to you, staring at you with the same dark hunger, the same thirst, you always see.

"You still with us, babe?" she asks—rhetorical, she know’s you’re fixated. There's no question in her mind. She can read you and she knows how captivating this performance is.

"God yes," you whisper in reply. She's smiling wide.

"Good." That one word response, so laden with meaning.

It's a dangerous smile. It means only trouble. Good trouble.

"Come here," she's beckoning you behind Natty. Your legs feel weak and like jelly, yet you crawl up and behind her, your hand slips up to her thigh, pressing, pawing and grabbing her flesh. She purrs at your touch, and Karina, too, responds with delight.

"Natty," you begin, feeling her ass under your touch. "Do you want me inside you?"

"Mhm. Yes."

Karina slips a hand around your erection, her wet, lubricated fingertips meet your skin and when she says, let me get you ready for her. That alone could have done the job. But, damn, her hand feels so good as it strokes. The motion's just the right pace and when her grip gets tighter, a tremor courses through you.

"You did such a wonderful job already." Her praise is just as nice as her tongue running along the side of your length and then her lips, pursed, locking onto the tip.

"Karina..." it's a long-drawn groan. She lets her tongue swivel over you, each stroke lasting longer and longer. The more she continues, the more feels you grow and get hard—she works you until the last ounce of sanity leaves your brain.

Then she draws away and finishes her sentence, "I told you, you're the best. Now look at her, look how needy she is." Karina's still got a hand on your cock and the other caressing Natty's cunt.

Natty’s now the girl in the center of it all. Her beautiful face turned, eyes closed. She's twitching, aching, longing. She whimpers, and then gasps in desire as you angle your cock at her slit. Her folds open gratefully and the wet warmth of her sex embraces you. Her groans rise again, heightening ever more in the satisfaction as she backs herself further onto your length.

You move, thrusting into her, and she breaks into a tempered moan.

"Oh yes! God, yes."

And you feel a hand grab at your backside, encouraging, guiding, demanding more of you. She partners her touch with an all-telling grin. Karina's about as happy watching you fuck someone else as she is being fucked.

"That's it... You like it like this Natty? Does this feel good to you?"

It's a silly thing to ask, but it still makes Natty stir. It makes her hot—burning hot. As soon as the words are out of her, and she follows with a moan, she becomes tighter around you.

"Ah! Yes, yes, yes..." she trails into several more repetitions as you angle deeper into her.

Your girlfriend is dancing her fingertips over her skin. "So amazing," your lover is still muttering her words. "So fucking hot," Karina says as she tracks her kisses up Natty's back. Gentle kiss after gentle kiss to her glistening back as Natty keeps driving her ass back against you. 

There is the unmistakable look of an idea forming in Karina's mind. She's climbing onto the sofa, crawling past Natty onto the back of it, where Natty's head is pressed against the fabric. Natty grows hesitant at the expectation of what's to come, and it allows you to take over. A hand on either side. You're gripping her hips and really fucking her, pushing your cock fully into her and stretching her.

You see Natty's fingers wrapping around the bottom of the sofa cushions in an iron grasp, trying to bear the surge of bliss. She shudders and clenches up as Karina runs a set of nails up her back.

"Yes, baby, you take her, don't be afraid," Karina hisses her words, raking at Natty's back with her claws. "Harder." Karina demands and you pull on Natty's hips, pulling the gorgeous young woman into your hips as you fuck.

Karina's sliding into where she wants to be, right in front of Natty's face, sitting where she rests it. She's handling her like the toy she currently is, pulling her head exactly where Karina wants it, and coercing Natty's mouth onto her. To bury her in and make her satisfy Karina's craving.

And Natty wastes no time, sliding her lips onto Karina, exploring her core the way she has explored her mouth. "Just like that," your girlfriend cries as she rests a hand on Natty's head and rocks back against her. "See, I knew you'd be perfect for us."

You have to admit, Karina nailed it with this one. Before any of the girls even step into the apartment, they know why they're there, but none of them are as ready for it as Natty. It must be a deep, dark fantasy of her own, maybe something she's played out in her mind over and over. It must have been burning inside her before even that first taste of red wine.

Red wine.

That's it. That's how you knew it was always going to end up like this. Fuck, you must be a fool for having missed it all those times before. It's so obvious now that it's when she drinks red wine with them—that's the signal of how the night's going to end. Your subconscious had made the connection, now you realise.

You smile to yourself in the moment of clarity and Karina has noticed, breaking through her moans to ask, "You look a little lost back there, babe. Something funny?"

She's got a coy grin on her lips and her hand gripping Natty's hair, grinding the woman's face further into her pussy. It's a stream of muffled moans from Natty between her hungry licks of Karina's cunt. She's all action between you and Karina's stare. "Nothing."

You raise a hand and spank Natty's ass; the echo fills the air and her cheek ripples. Karina flinches with surprise and she's drawing the young woman further into her body. "Jesus, fuck. Again."

Again and you lay your palm on Natty. Harder. She mewls in pain and Karina shivers in bliss. Her fingertips dig at the younger woman, grabbing her by her scalp and pushing her harder.

A final time you spank her ass, planting your hands and digging your fingers into her soft flesh. Using the strike on your mount to signal one thing; faster.

You're reckless now—manic. Grab her ass and pound; that’s all that is on your mind. You're rabid—not holding anything back. This is the sole reason that girl's here tonight and you're not letting her down, nor Karina.

You hammer against her body, deep into her depths. Her cries echo over Karina's. Each hit a satisfying smack to Natty's cheeks. Slaps and claps and cries. Sounds fill the room. The wet squelch, the grunt of every stroke to the backing track of Karina's rich mewls.

It's a symphony, eroticism on an epic scale.

Your eyes roll upward, over Natty's body and land on Karina. She's bouncing on Natty's tongue. Head back, face creased with pleasure. A grimace so beautiful that you swear it is the definition of raw sexuality.

Natty's struggling; her legs are giving way and she keeps reaching with her hands. To the couch, the cushions, Karina's legs, to anything. There is no steadying her, and it looks like she's barely clinging on for dear life. She has only her waning strength and determination holding her together.

You think she's cumming. But fuck, it is hard to be sure. Maybe you should slow down, but if she is cumming once, better to make it twice. Or thrice. So, you pick up the pace instead. You become wilder, stronger, faster, more forceful.

She's not even eating Karina's cunt anymore—she just can't. You grab Natty's arms and pull her upright so she doesn't slip. Chest to back now—she’s against you and your thrusts drive upward into her.

Natty wails and all the while, Karina is sliding down the couch onto her knees, face to face with Natty. She brings a hand to Natty's throat, grabbing and pushing to pin her against you. And her other hand is sinking between Natty's legs.

Karina's teasing Natty's cunt with the soft caresses of her fingers, and you're sliding between those fingers and into the girl. "Look at you," Karina's saying between clenched teeth, then a loud hiss passes her lips. "Oh, fuck."

A fire blazes across the brunette's eyes—you swear it is an inferno. Fingernails and knuckles are going white in her grip of Natty's neck, and the same could be said of yours holding her arms.

"Oh, Karina!" Your newfound fuck toy screams your girlfriend's name out at the top of her voice.

Karina responds by rubbing her fingers on Natty's clit, then pressing hard, strumming it at a maniacal pace. She's whispering into Natty's ear, words only the girl can hear, coaxing something out of her.

Natty screams again and again. Your name then Karina's.

She's cumming. 

Not just that, she's fucking squirting.

Her body's a boneless jelly in your arms as it spasms. And your girlfriend just won't stop her mischievous act, not a single pause until she's dragged more from the young beauty. She's dragging her second and then a third eruption.

It pours. It flows. Eruption is exactly the right word. 

Natty's spraying onto your cock— 

onto Karina's fingers— 

down your legs— 

on the couch— 

everywhere.

You've got an ardent geyser in your grip and her voice cracks, the climax too much for her, for any of you.

In a flurry of a moment, Natty falls, slipping from your grasp and collapsing and sinking against Karina's chest. Limp. Saturated and dripping, sweat and cum.

The girl has come undone.

You've slipped out of her, set her free, but you're ready to burst. Staggering behind her, a mess and almost drunk on sex, you catch your breath. "Karina... I..." you begin.

"Look at the mess she made." Look at the mess she is. 

Karina's laying the girl down to the side; Natty is almost lifeless aside from the aftershocks still tearing through her.

"Karina..." you try again. "Karina, please..."

"Come here sweetie," and that's enough. You sink to your knees on the edge of the seat. Karina's in front of you, grabbing at your erection and lying back. You're collapsing over her, propping yourself with an arm. She's pulling at your cock. It doesn't take much and you're about to fire.

"Please Karina, please" you growl and Karina whispers back the sweetest reply, 'I love watching you do this'.

She's tugging your cock, aiming it at her wet cunt, freshly eaten.

Then your legs grow heavy and stiff, it's impossible to move, muscles tense, locking your body in place. Karina's jerking your cock and it's impossible to hold it.

Release.

It comes.

You can't explain, words can't describe it, the sheer, earth-shattering and mind-numbing rush as it pours. Spurt after spurt, you feel it all come out, and through your hazed vision you're watching it pour over her cunt. Some on her abs, some on her thigh, but most of it coating her pussy. It is all you want to see before you fall, slipping onto her, your head in the nook of her neck. Her words are just a noise in your ear.

"Stay with us," it's her soft voice that you feel vibrate in your ears as her chest rises and falls beneath you. "Natty? Darling, you too."

There's this moment of near silence. Three sets of heavy breaths.

There are things you know to expect before long, but in this space between you don't really know where it'll go. It’s all wild in the night.

"That was... fuck. Intense," you begin, laying the seeds to push the three of you to the next course, "Wasn't it?"

Karina's responding with a push at your shoulders, making you look at her. Her features, still so sharp, she's still so elegantly composed, the dark and playful look hasn't left her eyes. Her smile endearing. "We're not done," she begins, a whisper into your mouth as you lean over her.

Hand grasping your cock, firm, and she’ squeezing a drop or two more out. "I want you inside me." She demands it of you, of your spent dick. This is always the danger. You're just a single cock in a game that demands more.

It hurts as she rubs your cock. No matter how gentle her touch, it feels rough and you wince in her hold, it's raw pain and all you want is to draw back, but you stay. You have to stay. You want to stay. Refusing to let the pain, the momentary sting and discomfort end it. "Give her what she wants," it's Natty's voice, from beside the two of you. Who knows where the young girl even got the strength?

“Please,” It’s rare that Karina pleads, but her mouth is on your ear, nibbling softly. Her hot tongue traces the shell of it and the whole motion gives you a shiver that makes the hair stand on end. "Come on." She coaxes in a sultry, yet playful, sing-song voice. It makes her intentions unmistakable.

You draw your body back and rest on your knees, looking at the two girls, side-by-side, one melting and the other keening. Your heart is still trying to get out of your chest, but somehow the sight of them has calmed you. They make it all feel a little easier.

"I'm sure your cock can still work for me," Karina's words are undisguised lust.

Natty reaches a lazy arm, working her fingers into the cum you left on Karina's body, playing with it. She begins painting Karina's belly, streaking it over her skin. "So much," she purrs, adding a moan as a compliment, her tone soaked in desire.

Karina takes her own finger to it too, dousing it in your fluid before taking it to Natty's lips. It's a question that goes unspoken, not one word, one command, just a mere motion. Natty's reply is perfect; she opens her mouth and accepts it eagerly, slipping her tongue onto Karina's digit and suckling it. 

Natty returns the favour, her finger into Karina's mouth. They're both sucking, tasting, swirling their tongues as you watch, drinking the liquid, gulping it down, savouring the taste. Their eyes locked in an impossibly sinful gaze. Neither can bring themselves to break it.

They only give in and finally end it when their bodies move instinctively, rolling in to a desperate kiss. Mouths together, sharing the fluid back and forth in a series of dirty, noisy kisses.

Natty's running her hand down Karina's body, running it through your cum and heading right for her cunt. One finger sinks inside, met by a silent whimper from Karina and a second finger joins the first as the girl's now twisting inside your girlfriend. She draws in and out, each time pulling more of your cum into Karina's hole.

And your cock, exhausted moments before, now wants to wake. It's stiffening, not too far from hard once again. You're a moth to a flame and Karina's burning brighter than ever. 

Natty's insatiable thirst is getting the better of her and her finger fucks your lover relentlessly.

Karina's mewl of satisfaction turns into a blissful howl. And when you climb between the girl's legs, finding them parted, you grab her behind the knees. Karina moans once more when you move to slip her ankles over your shoulders and Natty is forced to concede. Your stiff shaft, the one Karina has yearned for, drives into her.

Karina absorbs you, clinging, squeezing, and she holds you, embracing you. Her body is soft against yours, yet inside she's hotter than molten iron. She's even wetter, every slick and intimate part of her is grinding against you. "Yes, fuck yes," she's slurring, muttering nonsense.

She's a fucking mess between her legs—there's some of Natty's, there's some of hers, and there's a lot of yours down there, and you're fucking it all into her as lubricant. Natty's forced to watch as you're pressing Karina's knees up to her chest. She's riding the edge between pleasure and pain and enjoying every bit of it.

And there's no better feeling than when you press her even closer, and now her ankles lock at the back of your neck. Every thrust from you forces her ass to rise from the cushion and her cheeks meet your hips in a way that resembles Natty not long ago. Her tits are pressed almost flat under the weight. She is so open to you—so, so willing. 

Her thighs tremble. Her hands claw. She's losing everything inside herself, everything but the one thing she wants most, a violent orgasm.

It's Natty's turn now, a role reversal, as she tries her hand at the encouragement, the guiding partner, "Harder," her first order. "Deeper," her second. Both punctuated with her nails scoring along your flesh. And in an act that's so entirely Natty, she's now spanking your ass and laughing as she does it. She's playfully flirty and full of giddy enthusiasm.

"Faster." Natty's clapping her hands and she's watching your thrusts drive Karina wild. Every stroke, every strike, all of it Karina is crying out for. Every push forward makes her twinge, a sensation, a mix of pleasure and pain, each jolting through her. "God, isn't she great to fuck?"

"She's the best," you groan, struggling to reply with the only response you can formulate. She is, of course, better to fuck than anybody else. There's no question about that.

"And you," Natty turns to her, "are you going to cum for us now?" Karina's hair sways. Her mouth is full of cries and whimpers. Every roll of your hips, every pull back and every plunge into her pussy steals every breath.

"Yes," she says. "Fuck yes. Right there, baby. Don't stop."

Natty relaxes to enjoy the show. She can see your shaft thrusting. She can see it when you withdraw, almost the full length and then every inch into Karina. Each time, your girlfriend's body jiggles and twists and writhes.

Karina's face grows contorted. A contortion of pure delight.

It's what Natty's been waiting for. Watching. The expectation she couldn't express. The feeling inside her core growing.

"Oh. God!" Karina squeals. She's seeing white spots explode in her vision. A flash of colourful patterns swirl in her head. The white heat rises higher and hotter, so high and so bright it consumes her. She's gone in it. Next comes a sound following a deafening gasp that stops the air dead in her lungs, the release as an equally loud scream.

You hear it, and the heat burns inside your ears, as if sound could cauterize. Every cell of your skin sizzles. It's electric, this passion.

Her cunt turns to water and floods. Your cock is saturated. That's all the reason you need to lose yourself. To slip back and slide yourself deeper into her, pumping. Her eyes squeeze shut and a loud, sonorous gasp is swallowed by her lips. She's never seemed sexier. She is utterly engorged with desire.

"Ah! Ah!" 

You know Karina's at her limit. A dire need for respite, for air to fill her lungs—for relief.

You know what you're going to do. Natty is oblivious, so when you pull out of Karina, and slide over Natty—who's lying on her side facing Karina—it catches her by surprise. One that brings a look of elated shock to her face. You push up one leg and mount her from the side, driving your cock into her.

Karina's drowning in air as she opens her mouth to take all she can. Her vision clears. It focuses on Natty.

The young woman is caught, once again, and in the best way possible; she's lost and helpless beneath you, she has to clutch and clasp whatever's available—the cushions, her own arms—and take it. She's face down to the couch; her body twisted. Her tit's pressed underneath her but her waist rotating, one knee pointing at Karina and one leg straight between your own.

And Natty has taken this all in stride. She's dug her nails into her own scalp, grabbing at her hair. And there is no uncertainty or indecision within her body, nor in her mind. She revels in her vulnerability. She loves the feel of you inside her. Loves the thrill that floods through her entire being as you dominate and ravish her.

Karina makes her move. To join Natty, she slides in on her side, lifting Natty's leg over her own hip, turning Natty fully onto her side to face her. You relent for a moment and Karina does what she needs to. She pulls her own leg up under Natty's and hooks it around her ass. The girls pull each other close. Pull each other into a kiss. Their mouths together. Their breath shared.

Karina whispers, but loud enough you can hear her, and says, "Told you," and her words are all wrapped up in a smirk, the smile of satisfaction.

You slap the length of your cock against Karina's ass; teasing her but not sliding into her. And only when Karina has worked herself up even higher do you lower yourself and slide in, penetrating, filling and stretching.

You're fucking in and out of her. This might be a new favourite of yours. The girls tangled together, sharing kisses and bites and tongue. Both their holes are there for you—each available whenever you want it, and each is only a hair width apart.

It's hard for you to keep a focus on everything like this. But you fight through, burying your shaft inside Karina. Once, and twice, and a final time again. And it's ever so easy to just drag yourself out, driving it between their cunts for a few short pumps and then slip it up into Natty.

"Fuck. I wish we'd done this sooner," Karina is mumbling more, but her words are rolling together and coiling into nonsensical verbal splashes of pure want and need.

Natty strains a response, "I'd... love... to... join you. Often."

"Perfect." Karina is happy as she shifts, arching her body to make a point, to tell you who to fuck now.

And you slip, and then you're inside Karina. As easy as that. Buried as deep and hard as you can, she's mouthing a silent cry and her hair falls over her face.

Natty's got a handful of Karina's tit now, caressing her nipples. It's hard not to envy the beauty that's in her hands. Soft, round, pert, perfectly curved, her breasts are works of art, beautiful beyond anything you could ever put into words.

And all of a sudden, Natty has shifted from Karina's mouth, planting her lips on Karina's soft pillows. Natty is suckling at them and Karina's mouth is twisted open in a soundless gasp, then she speaks, "I could do this forever."

Her arms draw along Natty's body until she finds her ass, slipping down and around, and then her fingertip sinks between her cheeks. It makes Natty lurch as it caresses her taint, presses lower, and touches her tight rear entrance.

Then she does it, a manoeuvre only the confident would have considered, a twist and she's pushing a slender finger into Natty's ass and causing the girl to nip at Karina's breast. "Fuck," Natty hisses, giving a breathy shudder. And her reaction draws a grin onto Karina.

And they keep going like that, they are perfectly attuned to each other. And you swap again, seeing the opportunity to really punish Natty. You're angling towards her again, sliding into her soaked cunt.

You push up inside her. With no time or inclination to start gentle, you're instantly fucking her fast. In and out, hard and deep, over and over, you hammer her cunt. She's muffled with a mouth full of Karina.

"How's that Natty? Both your holes are ours." It's Karina, whispering her dirty words again, "tell us you're going to join us again. Tell us."

Natty nods her head against Karina's chest. It's not a verbal answer. But it's an affirmation that, fuck, yes, she'd like that—as would you all. You could have this again, and maybe soon, a replay with a fresh twist.

Maybe next time you can be the one inside Natty's ass. For now, it's Karina's finger working her, and it looks fucking amazing as it drives into her and withdraws in the exact same rhythm that you're giving her.

You both keep the pace, driving Natty into nirvana, and at some point, it's clear when the climax hits. But it's an awfully hard thing to gauge the passage of time while being wrapped and caught and tangled with these two vixens. All you know is that all too soon, your balls are beginning to churn.

And that's when you switch back again, driving into your girlfriend's cunt with no time for a rest.You're going for broke. Slamming yourself fully inside and Karina knows the instant you do what your fate has become. She laughs and squeezes Natty, pulling the girl tighter.

It's only natural that the rising tide, the bubble of the climactic force, grows and grows and grows. Your ears pound in the beat of the blood racing and your breaths come in fits and starts. The noises escaping your three mouths become louder than before, more frenetic, more unchecked. More lustful.

"Karina— I— Natty—" You're losing the fight against your own body. The rush, the pressure, all the sounds, sights, and smells have put the signal in the green. There is no stopping it. No controlling it. It's all building, coalescing, into one pinpoint of space and time, right there between their legs.

Karina's pulling Natty into position as you're pulling out of her cunt. They both turn to face you, their cheeks pressed together, tits too, and their legs in a knot. They're lying in such a manner that they feel to you like an oasis in a hot desert, inviting, like a promised paradise, and it's calling you, tempting, and you can't hold yourself any longer.

You're rubbing yourself over the edge, and they're calling out to you in a desperate tones, still riding some faint traces of orgasms, "On us."

"Go on."

"Please cum on me, on us."

"Cum for us."

You barely hear their calls, and there's no fucking way you know who is saying what. It's just words of need spilling from two filthy mouths.

It takes only a handful of seconds, and then it happens. 

With a harsh spasm from head to toe, you feel it shoot forward, ripping free from your body, and pulsing as you paint their flesh. Spurts and ropes and slivers shoot up and over the girls. A little on a thigh, on their bodies, over their tits and all the way to their pretty little faces.

They're smiling like idiots as you cum. They're proud of it. They relish it. Natty's tongue moves around inside her lips, just getting another taste—a droplet or two. Karina's teasing as always, "Is that all?"

You're still forcing every drop out you can, the final bits dropping to their thighs.

"There's no way that's all of it, huh," Karina continues to tease. And then it ends, and your body lets go and you fall beside them. You simply can't stand any longer.

"I think that's all of it, Karina," Natty's giggling to herself. She's twirling her fingers over Karina's nipple, playing with the rope of cum that landed there. And Karina is humming out an almost silent cry, twisting under the touch. "Here, taste," and the offer is clear, and again Natty is surprising you.

She offers her own tit to Karina, willing her to lick your cum from it. And the act brings a gleam to Karina's eyes as she cups it, bringing it to her mouth to taste. She's sucking and licking and Natty's gasping at the sensation, and at the way Karina nibbles just a little—just a little too much for it to be painless.

You're laying and watching in awe at the debauchery of the scene and wishing you could watch it forever, or at least capture it. The girls are just lapping at each other now, filling their mouths with your seed and swallowing. Laughing. Panting. Moaning. Sighing. Gasping.

Their limbs tangle. Their tongues too. And it's then you realise, no matter how drained you are—completely fucking bone-dry—these two aren't even close to finishing. There's still a show to be enjoyed yet.

You shift just a little to find the most comfortable view, and Karina's taking control now. Slowly she rolls Natty onto her back, their legs still tied, in such a way that Karina can mount her. Natty's got a playful smile across her lips, looking up, seeing the glistening of cum and sweat shining against Karina's neck and cheeks and mouth, her entire gorgeous face soaked in the stuff.

Karina's getting rougher, her nails cutting into Natty's skin. A hungry bite here, a nip there, another scratch here. She's threatening to draw blood as red as the wine she drank. Right on the edge of true pain, but Natty's relishing it. Her eyes roll back, and she lets out a small squeal. And you watch her buck and writhe. 

Karina grows ever more forceful—pinning her and keeping Natty in place. She's starting to drive her hips against her. The desire is clear; she wants Natty to a delirium.

You can do nothing but marvel at the sight. You may be raw, you may be sensitive, but you're here to enjoy the show that may yet last a whole night.

"Me and you now, Natty. Are you ready to cum for me?"

"Yes," the whimper slips out of Natty. "Yes, anything for you."

[petermorwood]

I have a sword question, if I may. Or more of a sword confusion Im seeking clarification on.

In my mind a fantasy european standard sword (that obviously doesnt really exist, but like, when a knight or someone in a story has an unspecified sword), I always imaged a straight blade with a triangular tip, both edges sharp cutting edges.

Then at some point I learned about eg scimitars that have a cutting edge and a ...blunt edge?

I was looking at your recent addition to the post about the Turkish sword, where you distinguish between an inner cutting edge on a sword v an outer cutting edge.

And then Im thinking of those enormous zweihander types that are all about momentum and do those even need a particularly sharp edge? They seem in dnd parlance to be a bludgeoning weapon not for slashing.

And while Im asking, like. Rapiers are very stabby weapons, do they have sharp edges at all or judt a sharp point?

I guess my overall question culminates something like "what parts of swords are designed for what damage and why? Is there anything all swords have other than blade and handle like can they all be used for stabbing or do some have very blunt points etc? Is it a big deal for a sword to be double-edged, does that necessitate specific training? Whats up with different sword blades?"

I realise thats a pretty enormous question that might be unreasonable to ask. Im happy with whstever response you are or arent willing to give. Hope you have a good day :)

Sharp edge / blunt edge is the setup on any kitchen or table knife you've ever encountered, and being able to put a hand on the blunt "edge" - usually called the back of the blade - not only helps when mincing herbs or garlic, but also features in some techniques of swordplay.

Other techniques employed non-blade parts of the weapon, using the pommel like a mace and the crossguard like a pick-axe.

*****

Whether swords should be straight or curved, single- or double-edged, was an argument which continued as recently as the early 1900s.

The last swords issued to cavalry for combat use (modern parade swords don't count) were both remarkably similar designs, straight-bladed for thrusting, adopted by the UK in 1908...

...and the US in 1913.

There was, of course, strong opposition from those who insisted cavalry swords should be sabres curve-bladed for cutting instead.

Equally of course, both sides failed to notice - or ignored, since a certain kind of cavalry officer was only bright as regards boots, buckles and buttons - the uncomfortable fact that machine-guns and repeating rifles had made the whole ta-ran-ta-rah "cut them down with your swords, men!" cavalry charge an exercise in futility.

*****

D&D, unless they've considerably upped their accuracy game, isn't much of a reference for weapon realism.

"Enormous Zweihanders" and other big swords such as the Montante were a lot lighter and more nimble than they'd seem from reading an encumbrance chart.

They had their own techniques to take best advantage of length, leverage and momentum and were indeed sharp. Given a choice between a sharp combat weapon and a blunt one, sharp makes far more sense.

In addition, a sharp blade is lighter than a blunt one simply through having less metal. It may only be a few grams of difference, but it IS a difference.

That's also the reason behind a fuller, the groove(s) along a blade.

They're not "blood gutters", tough and cool though that may sound, but a way to reduce a sword's weight while preventing its blade from getting excessively flexible.

Finally...

The re-enactor is wearing half-armour, but these big swords were also meant for use against unarmoured opponents. Bodyguards often carried them (they looked impressive) and those sweeping strokes could block an entire street while The Boss got away.

That's when an ability to cut rather than merely bludgeon makes all the difference. Determined assassins might try to rush a blunt sword, but a sharp one would give anyone second thoughts...

*****

Double-edged swords versus single-edged ones seem to vary depending on cultural preference - also on period of history and intended function.

Bronze Age European swords had straight or leaf-shaped blades with double edges...

...while Ancient Egypt had the curved, single-edged khopesh, a shape which also turned up in Ancient Assyria (this one's in the Metropolitan Museum, New York USA).

It's listed as a "sickle sword", an incorrect term which I wish would go away because sickles are sharp on the inside of the curve while swords like this - their grip-shape shows how they're meant to be held and swung - are sharp on the outside.

And just when "the Ancient Middle East used curved single-edge swords" looks like a handy generalisation, along come straight swords, one from Ancient Egypt...

...another from Luristan, now part of modern Iran.

This next one comes from Ancient Iberia (Spain), right at the other side of the Mediterranean. Evidence of trading links? Your guess is as good as mine.

Iberia went on to use the falcata, a short single-edged forward-curved sword.

Those extra bits round the blade are scabbard metalwork; the wood and leather scabbard is long gone. This repro shows how they would have looked when in place.

Iberia also used a straight double-edged sword which so impressed the Romans that they adopted it, refined it and used it for several centuries. Here's one of the several Roman versions of that gladius Hispaniensis (Spanish sword), double-edged, mostly meant for stabbing but capable of very effective cuts as well.

Here's my repro of a similar sword, the elegant "Mainz" pattern with its long point and waisted blade. Very pretty, and pretty wicked.

*****

"Curved single-edged swords are Eastern, straight double-edged swords are Western", is another generalisation that won't work.

Here are Eastern straight swords...

...and Western curved ones.

*****

Viking swords were all double-edged...

...except when they weren't.

*****

Many rapiers could cut. Smallswords, which came later, couldn't.

Earlier rapiers with broader blades cut better than later ones with narrow blades, but IIRC even the later Italian and Spanish rapier styles include cuts directed at the opponent's face and sword-arm.

I have a notion that the modern thing about cutting with rapiers is based (like back-carry) on seeing it done in movies. IMO - more about it here - that's actually more a modern stage-combat safety thing than a period real-combat move. A fumbled cut is bruising and unpleasant even with a "safe" prop sword, but a fumbled thrust into the eye-socket or throat with that same "safe" sword can be fatal.

Even those early rapiers wouldn't sever a head or limb - a finger maybe, hence the elaborate hand-protection of swept and cup hilts - but blood from a forehead wound running into the eyes was, and in boxing still is, an efficient way to finish a fight by ensuring the opponent can't continue. One of the duels in "The Duellists" ends this way.

This example is a bit optimistic, IMO...

...but a longsword (double-edged)...

...or a messer (single-edged)...

...was quite capable of disarming an opponent in a very literal way.

*****

Some swords had minimal points, being intended mostly for cutting. One example of this is the Indian khanda broadsword. The second example is also very clearly single-edged.

Another cut-only sword without a point (but with double edges) is the Richtschwert (justice sword)...

...though this was a single-function (and hopefully single-cut) tool rather than weapon, neither balanced for nor intended for combat.

Hope this has helped answer the questions!

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.