#but they're not willing to so

[t-lostinworlds]

sucks when you're willing to help people but they can't seem to think about trying to help you

[taliabhattwrites]

[umblrspectrum]

i got lazy in the second panel and didnt feel like coloring or whatever bite me

[shotmrmiller]

single dad simon would frighten the fucking block into giving bub more than that meager singular bar of chocolate and this is the one time he won't budge even for reader. more candy or he's taking it.

[omrarchive]

[buckyscap]

they're both so miserable oh the possibilities...

[canisalbus]

hey there! sorry to bother again, but I was in a animating mood, so I ended doing a short animation of Machete for practice. It's kinda messy since I havent done that for a while, but hope you like it!

.

[chronurgy]

I think that before Gortash and Durge started working together, they were both very lonely. And part of why their relationship is so intense is that they both see the other as the only person in the world who can handle them. The only other person in the world who could possibly understand them or be on their level, and to some degree, chosen as they are by evil gods, they're not really wrong.

Because as worshipers of dark gods, both Gortash and Durge have very specific paths laid out before them. As a worshiper of bane, gortash needs to become a tyrant - he needs to end up on top of the world. And as they said in the Prayer for Forgiveness, Durge is well aware that Bhaal created them to be the last soul alive.

But both of those things, being on top of the world and being the last soul alive, are very lonely ways to be. And I think both Gortash and Durge have both had periods in their lives where they were very lonely - Gortash in the house of hope (or frankly even before that, his parents hardly seemed loving) and Durge was likely treated more as an instrument than a person in the Bhaal cult. Neither of them want to be alone again, and after meeting the only other person in this world who can possibly be on their level, they seem to immediately set out to find ways to work the other person into their rigidly planned out lives.

Gortash genuinely plans to share power with with Durge, to rule alongside them. He gives you, his co-conspirator, his partner in crime, half the credit for the plans - calling them "our" plans. He's happy to hear you're alive, he's genuinely pleased to see you again, and he's ready pick right back up where you left off. He tests your resolve with the netherstones because he very specifically doesn't want another flunky, he wants an equal. He doesn't want to be alone up there on top of the world, with no one who could ever hope to understand him. He wants Durge right there with him and he's willing to commit a Banite sin (sharing power! the horror!) to get it.

And Durge, well, we saw the Prayer for Forgiveness. Durge plans to kill Gortash on Bhaal's altar, the same place they hope to die. I do think that Durge intended to kill Gortash last, and kill him slow. So that when they kill themselves he'll still be there. So they can die together, hand in bloody hand on that altar. Because being created to be the last soul alive is such a lonely fate, to know that you'll die completely alone, without even someone to hold your hand. And that is Durge's sin, the one small comfort they'd allow themselves - not dying alone, but dying with Gortash, holding his hand, knowing that there was someone there who loved them as they both breathed their last. Imagining dying in a loving embrace instead of alone in a cold world.

It's interesting to see how they both can't escape their gods plans for them (ruling and dying), can't bring themselves to imagine any other ending, but also go on to explicitly sin against their respective gods in the name of their relationship (ruling together, dying together). They're both drowning and they know they can't escape but goddammit they're going to go down together, the only two people in this world who can handle each other, the only two people who matter.

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[illmoraineakoi]

Also for your consideration:

[mobius-m-mobius]

-Julio Cortázar, from "Bolero" (trans. John Joseph Lyons)

Loki S2 Anniversary x Episode 2 - “Breaking Brad”

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[megaeratheefury]

"If we let that get in the way of stopping the gods—" "We won't. We cannot." DRAGON AGE: THE VEILGUARD (2024)

[horrorshow]

DEAN looks at SAM for a second with surprise and then shrugs in agreement.

SUPERNATURAL 3.09 Malleus Maleficarum

[inquisitor-apologist]

Thinking about how, at the end of the day, at the fatal moment, the sunset of the Republic, it wasn’t Yoda, or Obi-Wan, or even the Chosen One himself standing in the way of Palpatine. It was Mace Windu.

Mace Windu, the inventor of Vaapad and Master of Form VII, the Jedi's strongest duelist, the only person to ever defeat Palpatine in combat. Mace Windu, Master of the Jedi Council and the youngest Master ever appointed to it, the revered leader of the Order. Mace Windu, who forgave even those who tried to kill him, who risked his life over and over again for his troops, who, after 3 years of desperate war, tried to negotiate with battle droids. Mace Windu, who knew the clones were created by the Sith and chose to trust them, who saw every Shatterpoint in the Republic, and loved it still, and fought for it until his last breath, until he was betrayed by Anakin, who he believed in and trusted despite everything.

Mace Windu, High General and hero of the Republic, the embodiment of the Light, the last and greatest champion of the Order, the best Jedi to ever live.

[maelancoli]

i'm kind of late to this but i just finished reading the scholomance trilogy by naomi novik and i feel like it is such an underrated urban fantasy?? taking the chosen one trope and turning it on its head with a fmc who has been prophesied to bring death and destruction, who is imbued with terrible power, but cannot even properly use said power to solve any of her obstacles because it would obliterate them and her soul. it takes a tired trope and the idea of an 'overpowered mary sue' and throws it back in your face by showing how all the power and destiny in the world is useless against a system filled with corruption that has burdened you with an easy way out (evil/destructive magic) that you can't take so now you have to work twice as hard as everyone else just to do simple, constructive spells instead of flicking your wrist and being done with it.