#but there was some backstory i had originally written

[apoloadonisandnarcissus]

Romanian Folklore in “Nosferatu” (2024): The Strigoi

Understanding Robert Eggers’ Count Orlok: what kind of creature is he, and what sets him apart from your typical vampire. Or why is he even haunting Ellen, to begin with.

“Cinematic vampires have lost their power and what makes them frightening,” says Eggers, who “went back to the folklore to understand the time when people believed vampires existed and were truly terrified of them.” Robert Eggers on taking his time making ‘Nosferatu’ and changing Bill Skarsgard's role

“So it was clear to me that I needed to return to the source, to the early folkloric vampire, to written accounts about or by people who believed that vampires existed – and who were terrified of them. Most of these early accounts come from Balkan and Slavic regions. Many are from Romania, where Stoker’s Dracula resides.” ‘I had to make the vampire as scary as possible’: Nosferatu’s Robert Eggers on how folklore fuelled his film

There are strigoi vii (living; witches and sorcerers) and strigoi morti (dead), with Orlok being the last, of course. The undead who rise from their graves at night to create havoc, and must return to it before dawn. They are the “original vampires”, and legends about them are found throughout the Balkans.

According to Adrien Cremene, in his “La Mythologie du vampire en Roumanie”, the strigoi myth dates back to the Dacians. The strigoi are creatures of Dacian mythology, troubled or evil souls, the spirits of the dead whose actions made them unworthy of entering the kingdom of Zalmoxis (Dacian God of life and death).

Appearance

The strigoi is more terrifying to behold than the classic nosferatu or vampyr. Most strigoi are bald and leathery, and their skin is infested with vermin (maggots), and cracked and oozing with putrescence and decay. They have long, spidery fingers. Their fangs cannot be retracted, and their disproportionate length is the cause of many running sores on their lips and chin. Strigoi are and look like an walking corpse, and from afar can even be mistaken for alive.

They tend to dress in moldy, torn out clothing (the ones they were buried in).

The older they get, the more hideous they appear, and ancient strigoi resemble demons more than their alive selves: this tells us Orlok is a fairly new strigoi (he was cursed to become one by Ellen herself, at the prologue, after all).

Causes

What is believed to be the cause for this curse is diverse, but according to the encyclopedist Dimitrie Cantemir and the folklorist Teodor Burada in their book “Datinile Poporului român la înmormântări” (1882), it can be one among several things, from physical characteristics to “bad death” (violent; murder; suicide; execution for false oath; alone and unseen; before their time; with unfinished business), die by a witch’s curse, being an illegitimate child; without proper burial; those who were mourned for too long; a life of sin; a life of pain and regret; etc.

Either way, it is believed that the soul did not leave the body immediately after death. Remains of consciousness could cause the dead to forsake their journey to the Afterlife, and would turn back home. For this reason, many funeral prayers in some regions of the Balkans are said at crossroads, for the souls of the dead to departure the physical world. Many traditions for repelling and preventing strigoi still endure, to this day.

Since Robert Eggers wrote an entire novella on his Orlok’s backstory (he doesn’t want to share with the public) and it even influenced Bill Skarsgård entire performance (including the meaning of the ending), the reason why Orlok was cursed it’s most likely not “he was a sorcerer in life” or has known violence (being a warlord, violence is already expected). We only know he was married and had a family. But since Eggers didn’t want to “go there” with the “sad vampire” trope but Bill knew vulnerability was necessary at times; it’s safe to admit Orlok backstory is tragic and sad. And the folklore which inspired his character further confirms this.

“O’er centuries, a loathsome beast I lay within the darkest pit ‘til you did wake me, enchantress, and stirred me from my grave. You are my affliction.”

Count Orlok speaks late 16th century English, and, as such, his words don’t have the “modern meaning”:

“Loathsome” is connected to “grievous” (“grief”), and “beast” was commonly used to describe “brutish, stupid man” (during the Middle Ages, was also used as a synonym to “fool” or “idiot”).

The “darkest pit” is likely a reference to this place between life and death for tormented souls

“Affliction” means “sickness” or “disease”; Orlok is saying Ellen is the one who cursed him to be a strigoi.

Characteristics

A strigoi is different from your regular vampire because it’s not blood they feed on specifically, but “life force” (“blood is the life”); in some legends, strigoi don’t even drink blood at all, because they drain their victims of their living energy, their soul. It’s the OG “psychic vampire” (“emotional” or “energy” vampire).

“You will press thy lips to my cold mouth and I will drink upon thy soul.”

This process not only sustains the strigoi, but spreads disease and misfortune. In “Nosferatu” (2024) called the “blood plague”.

Strigoi bring plague with them and they don’t kill their victims immediately (as we’ve seen with Thomas and Anna); they return, night after night, until the victim withers and dies, drained of their vital energy. Their victims suffer from anemia, exhaustion or other mysterious illnesses.

“He exhibits all the signs of a blood plague: sepsis, ophthalmic discharge - even flagrant rodent bites, here and here. I fear this ship has brought the plague to Wisburg. What's more, his body is entirely absent of blood.”

Personality-wise, strigoi are sentient and have mental clarity, however their humanity is removed upon their transformation, becoming amoral creatures, making no distinction between “right” or “wrong”, because their best human qualities are nullified by their curse. They retain, however, their most fierce and strongest desires into their strigoi self. Which in Orlok’s case appears to be Ellen herself (her soul and passion).

Unlike your typical vampire, being bitten by a Strigoi doesn’t turn the victim into one. If not stopped, the victim will (just) die (which is what we see in “Nosferatu”). To become a strigoi, one needs to have a set of requirements during their lifetime; which was what Herr Knock was after in “Nosferatu” (2024), believing it to be the secret to true immortality (like his book counterpart Reinfeild with Count Dracula); including a violent death to "seal the deal".

"I relinquished him my soul. I should have been the Prince of Rats – immortal… but he broke our covenant… for he cares only for his pretty bride! [...] Strike again! I am blasphemy!"

Strigoi are said to be able to control animals; they can communicate with them and use them for their own purposes (whenever for spying or attacking the living). In “Nosferatu” (2024), Orlok controls wolves and rats, alike.

Strigoi also possess psychic powers, connected to sleep. They can manipulate dreams, and foster nightmares in their victims, to create fear and mischief, and to drain the victim from their life force. Especially the weak-minded will lose their sanity in their presence.

In some myths, strigoi have astral projection powers, being able to appear as shadows or ghosts. Which is also Orlok’s case. And this also means, Orlok didn’t had any astral penetrative sex with Ellen in her teenage years (and the film tells us this), and what’s she has been doing was masturbation (and him as a shadow). Strigoi are not incubus; they are two completely different creatures.

Haunting

Strigoi are not necessarily evil; while some return for revenge purposes, most are souls who cannot forget their loved ones. Enter the underlying "reincarnation" theme in this story.

Ellen: “You are a villain to speak so." Orlok: “I am an appetite, nothing more.”

In such cases, the Strigoi appears, at first, as a ghostly being, at the window or knocking at the door of those they have loved the most when they were alive, asking for entrance. It is said those who answer, are doomed. To this day, in this region, there’s the custom of not answering the door upon the first knock.

The majority of Strigoi don’t haunt places or communities (as a whole), but one particular person (and others as unfortunate collaterals).

There are some legends about villages terrorized by Strigoi, and the excepcional night of 29/30th of November, Saint Andrew’s eve, the beginning of Winter in Romania; where its said strigoi will compete to bring sadness and misfortune to the living, and see who can torment the most people. This date is thought to be exceptionally magical in Eastern European folklore; and this was also the night when Thomas witnessed the Roma people strigoi ritual killing (which is how a strigoi is killed in Balkan folklore, but that’s not the deal between Orlok and Ellen at the end, because the point is to break the curse he has upon himself).

In “Nosferatu” (2024), it’s Ellen who's the target of this haunting; as Orlok’s every action in the story is connected to her. Having her soul by his side for all eternity (“you shall be one with me, ever-eternally”) is his motivation.

“I think that what ultimately rose to the top, as the theme or trope that was most compelling to me, was that of the demon-lover. In “Dracula,” the book by Bram Stoker, the vampire is coming to England, seemingly, for world domination. Lucy and Mina are just convenient throats that happen to be around. But in this “Nosferatu,” he’s coming for Ellen. This love triangle that is similar to “Wuthering Heights,” the novel, was more compelling to me than any political themes.” Dream of Death: Robert Eggers on “Nosferatu”

Once they rise from their graves, the strigoi search or are attracted towards their loved ones, trying to re-live their life together, and they will do anything for another minute with them. The strigoi is attracted to their old home, or their living family, and the haunting won’t stop until they are put to rest.

The motif of the strigoi lover has been a staple of Romanian Romanticism and stories of women and men being visited by their dead lovers were very popular, both in folklore and in high culture.

"Ellen’s most prominent evening dress is indigo with lilacs embroidered and beaded on the front and on the sleeves. This lavender hue subliminally underscores the connection between Ellen and Orlok, who remembers lilacs from when he was alive." Linda Muir - "Nosferatu" Costumes Link Ellen and Orlok [Interview]

However, that connection was broken and the world of the living cannot be in contact with the Afterlife (death). As such, the very presence of the strigoi is life threatening, and they will, inevitably, drag their loved ones to their graves, as they will progressively be drained of their life force, wither and die, specially if the haunting isn’t stopped.

The reason for this haunting is diverse; revenge; mischief; unfinished business; unable to move on in the Afterlife without them; fulfill their greatest regret, etc.

In "Nosferatu" (2024), Orlok himself provides the answer:

“Your passion is bound to me […] I cannot be sated without you. Remember how once we were? A moment. Remember?”

In this context (Old English) the word “sated” is connected to the verb “sit” = “rest” or “lie”. Which translates into “I cannot rest without you.” Orlok can’t find peace in death without Ellen’s spirit at his side; which explains why their covenant is, precisely, their souls to be united, forever, in the spiritual world.

Which also provides the explanation as to why Orlok is dragging Ellen to an early grave: “you are not for the living. You are not for human kind”; only by her physical demise is this union in death possible. And Orlok himself needs to have his Nosferatu curse removed in order for this to happen, as well.

If the strigoi haunting isn’t stopped, the haunted will, inevitably, die, brokenhearted and insane. In some legends, strigoi return to their widows to have sex with them, until they die of an excess of intercourse (exhaustion).

Which is exactly what happens at the end of “Nosferatu” (2024); as Ellen accepts Orlok’s covenant of their souls united forever, as she gives him her heart for him to kill (dying of a broken heart, literally). He also has sex with her to death, as their ritualistic scene ends with her having an orgasm, and the initial penetration can be heard in the sound design. We have two strigoi legends on this ending.

Orlok feeds off Ellen’s blood (life energy), giving life to himself, for the Solomonari ritual to be possible; and their souls are merging inside of him. Strigoi are sustained by the “life energy” of others, they feed off their souls. At dawn, when the rotten corpse is destroyed (and this ritual to break the Nosferatu curse was confirmed to have been successful by Professor Von Franz), Orlok and Ellen’s joined souls are set free, as their combined blood (life energy) pours out of his body. This is probably why Robert Eggers went with this option of the blood coming out of Orlok, as he is now an “empty shell” because their spirits have been liberated into the Afterlife, together, forever. And the last shot of the film really drives home this; as they lie embraced in death, both finally at peace, their souls united, as it was fated to be.

And her “last look of love” at Thomas is, in fact, a post-mortem contraction. She was already dead, and her soul was already gone (and even the OST gives this indication), as Robert Eggers intended in his original 2016 script.

[wyvernne]

i’m working on the frwad sequel and casually thinking about how vampluc would definitely burn down mondstadt if the holy knight asked him to goodbye

[optimisticmosquito]

What if Shen Yuan was transmigrated into Shang Yuan, youngest son in the merchant Shang family and Shang Qinghua's little brother.

At first Shang Qinghua doesn't put much thought into it. He never did write much of a backstory for the other peak lords, so it makes sense the world has kind of just, written itself? Shang Yuan is several years younger anyways (I'm thinking 7-10 years) so it's not like he has a lot in common with him either. Shang Qinghua even joined CQM when he was barely out of toddlerhood. Shang Qinghua was fully prepared to just slowly fade out of sight and mind in his new family, just like he had in his old one.

Except this kid just really hates his guts? He gets letters regularly from his family, telling him how a-Yuan has been asking about him. But every time he visits the brat just shouts and kicks him around. All out of sight of their parents so he can't even go and complain to them! In their eyes Shang Yuan is their perfect little angel.

Honestly, Shang Qinghua isn't even that surprised the original goods turned into a villain if this was how he grew up. And oops, did he say that out loud? Shang Qinghua peeks down at the rigid brat he's holding under his arm in an attempt to stop him from trying to beat him up. With big eyes the kid turns his head up and whispers "you're a transmigrator too?".

From that day on Shang Qinghua can't help but feel a little bit less lonely, and maybe even a little happy. Who would have thought his number 1 anti fan would transmigrate into his didi! They start writing letters, both complaining about the system, and Shang Qinghua about the sect and his martial siblings. When he starts working for Mobei-jun he tells Shang Yuan everything about it. He even has a reason to go back and visit his family!

Shang Qinhua quickly accepts his responsibility as gege. Helping (or trying to) his little didi grow up to a nice young man and giving tips when Shang Yuan starts cultivating as well. And despite Yuan-di's tsundere behavior, Shang Qinghua knows he has his back as well.

In his own badly written stallion novel, Shang Qinghua finally finds the family he didn't have in the real world.

Now as for pairings. Bingyuan would be hilarious just because I want Shang Qinghua to ask, with a shit eating grin, how long Shang Yuan has been coveting his own nephew. And then for Shang Yuan to try and beat the shit out of him for it.

Jiuyuan would also be an interesting pairing (it can always be a jiuyuan if you're brave enough). Shang Qinghua knows his scum villain is misunderstood and not as bad as the book and rumors portrays him to be. But also he knows Shen Jiu is at least a dozen traumas in a trenchcoat. Does it really have to be his didi helping Shen Jiu deal with all of that? Sure Shang Yuan doesn't seem to mind, but Shang Qinghua also knows his didi makes some really stupid choices if you take your eyes off him. But also he's too much of a coward to say anything to Shen Jiu's face.

Hm, better to keep an eye on that from a distance.

[mustangbby]

HIIII I JUST READ YOUR BOOTHILL IDEA ABOUT PREGNANCY AND I AM WELL FED 😭 i love how angsty it is. oh boy i'm sure struggles a lot during his s/o's pregnancy. like...it has lots of cry and self-conflict because he may thinking that he isn't helping his s/o. there gonna be small arguments and misunderstandings. it's hard for the both of them and the baby. 🥹

ohhhh yes. yup. decided to take a real angsty route with this one. I added some mentions of his actual backstory here, bc my og one was written before his backstory was released lols

Boothill definitely cries during your whole entire pregnancy. He also has a lot of bad thoughts about himself during it, too. 

At first, he tries to hide it, and either subtly cry, or just simply wait until you’re no longer in the room or the house. He doesn’t want you to know that he’s not happy because of the state he’s in. 

He used to be human, he used to be flesh, and most importantly, he once had a daughter of his own, and that's what crushes him the most. He fears so much that he’s almost going to replace her, even though he knows deep down in his heart that it most definitely wouldn’t be able to happen. 

He also feels so bad about not being able to do normal human things for your during your pregnancy :(((( he knows how much you want to be able to be soft and intimate, to take baths and be able to have a cozy massage and just a cozy person around in general, and he’s the exact opposite of that. He doesn’t even think he deserves the husband title anymore.

He literally once asked you why you’re still with him and not someone else. You explained that you loved him and you wanted to be with him, and even then he never really expressed the way he felt about himself to you but you could sort of see it in his eyes. He didn’t like the way he was and the fact that he can’t be what he refers to as a “proper dad” to his kid. 

He knows it’s hard on you, too, and he also knows that you’re catching onto his harsh thoughts, and you’re catching on fast. It caused an argument a few times, on how you’re hurt that he’s not expressing his emotions, he doesn’t want to, it turns into a “do you not trust me or something?” conflict on your end, and a “I just don’t know what to say without hurting you” conflict on his end. Misunderstanding that likely won’t just dissipate. 

There was one argument that you both had when you were nearing pretty close to your due date, and he decided he was going to walk out midway through and not come back for about a week. For some reason, he chose a petty route, leaving you anxious and super betrayed, considering he refused to answer his phone, too.

The argument was over something that seemed incredibly stupid, if you both must say so yourselves. He was, once again, insecure, and he wouldn’t tell you why. That was what bothered you- did he not trust you enough? Did he seriously not want to be a part of this baby's life? Why else would he just walk out?

To say it made you super anxious, scared, and lonely was an understatement. You were left with the thought that you’d have to give birth alone, and go back to your original game plan that you already mentally set up. You thought he genuinely left you.

That was, until he walked back into the house on a random afternoon that next week. He ran up to you and apologized, allowing you to cry it out in his steel arms. He felt so horrible, and he vowed to you to never, ever do that again.

He tries to start letting you in on his troubles from that point on, but there still seems to him like there's a barrier blocking his words from coming out. Sometimes, he just blames it on his synesthesia beacon, which seems to work for now. 

He also lets you see him cry more often, but that stops when you give birth. He doesn’t need you to be more overwhelmed than you already will end up being.

[heilos]

Living Harmony AU relevant character sheets/info: Harmony aka the "Tree of Harmony" Stygian Somnambula Starswirl the Bearded Shadow Lock is actually an official canon character from the IDW comics No. 51-53 and I really enjoyed his mini arc introduction enough to include him as a more significant part of my "Living Harmony" MLP AU animation project. When I found out he's a direct descendant of Stygian, one of the Pillars of Equestria, I had to find a way to work him in and give him a bit of an updated design to fit more into my story setting I have planned. My good friend Ori helped vector my finalized concept redesign in the very top image. Listed below is some character and story context for these sketches provided by my myself and Ori who's been a huge help in fleshing out the world building with this cast of characters I'm using in this AU so far. Shadow Lock's main abilities and canon backstory are expanded upon and/or flavored a bit differently here as well.

Stygian’s distant descendant, the last living branch in his family tree

Lives alone in his family’s castle after they retired to the town of Somnambula

Temporary antagonist to the mane 6 that stems from a fear of the Pony of Shadows returning to plague Equestria

Believed he was descended from a monster and desperately tried to erase any mention of the Pony of Shadows from written history

Was talked down from his history erasing spree by Twilight and ends up traveling around Equestria to find more info on the Pony of Shadows, without trying to erase the knowledge this time, and prevent it from returning

The symbol on the front of Shadow Lock’s cloak is his family crest that dates back to Stygian's time period.

There’s a glamor woven into Shadow Lock’s cloak that enshrouds its wearer’s face.

Shadow Lock’s special talent is the concealment and binding of dark magic. He can effectively bind malevolent “spirits” into vessels where they’re unable to cause harm. This can also be reversed as an unbinding spell. ("spirits" in this context are more like a culmination of lingering, concentrated dark magic that takes on a will of its own)

His family castle used to be quite “haunted”. It’s quieter nowadays, but he does have a large collection of miscellaneous items that most ponies would consider “cursed…”

Always carries a healthy stack of books on his person to read and use as a weapon. His spells can pull fictional characters and monsters from stories to fight for him

Created a spell that can trap a creature into experiencing a historical event on loop by using a small amount of written text. The spell can be broken by doing something significant enough that did not occur during the looped event in history.

Shadow Lock and Stygian are extremely hesitant to meet each other at first in present time. The mane 6 and Harmony step in as mediator eventually to help them work out their issues so they can reconnect as family

Much later in the story, Shadow Lock invites Stygian to live in his castle once their family relationship is repaired, the two becoming inseparable

His original design from the comics:

[artist-ellen]

Historical mermay Prompt 8: Meiji Era -> Aztec Mermaid (Tlanchana)

So the last prompt for Historical Mermay was supposed to be Meiji era but.... last year there was a historical Japanese mermaid and a late Victorian mermaid so.... I decided to switch this one out with a different historical mermaid that had been on my list.

Aztec mythology has a mermaid-like figure, which is very exciting for me, but there's a full backstory so strap in for some lore. The origin for Tlanchana isn't Aztec at all, but instead originates from an Otomi goddess called Acpaxapo. Acpaxapo is a benevolent lake goddess who is half woman, half water-serpent. When she was adopted by the Aztecs her aspect evolved to Tlanchana, a much more mysterious and dangerous deity who would drown men with her tail.

I had hoped to make some more references to the original Otomi influence in my illustration but I was having a devil of a time looking for specifically Otomi artifacts (Otomi is technically a collection of languages and is an exonym for the peoples who speak Otomi languages ((if I've even understood what I 'm reading correctly))...and English websites barely cover the big 3) so I eventually pivoted, since I haven't done any siren-like mermaids for this challenge yet and was interested in doing something a little moodier. A description of Tlanchana described her as wearing only jewels and that sparked a lot of creative joy. And looking at all the jade ornaments in pre-colonial jewelry.... I dove right in. I kept a very serpent-like design for her tail, and made all her ornaments in jade... a series of necklaces, her nose jewelry (which I took some creative liberty with after looking at goddess depictions), and ear plugs. I wouldn't say she is accurate, there's a lot of artistic license salt in this stew... but I think she turned out pretty cool.

(And if you just had the thought that this is the most i have written in a description for ages... it's because this one had... new? research. Example: I've drawn redesigns with Ottoman fashion 3+ times, I don't have much new to say for the Ottoman mermaid. I've talked and researched a lot less on Aztec mythology so I had things to say.)

I am the artist! Do not post without permission & credit! Thank you! Come visit me over on: instagram, tiktok or check out my coloring book available now \ („• ֊ •„) /

https://linktr.ee/ellen.artistic

[clownstillwritesfanfic]

I Could Be A Good Mother, and I Wanna Be Your Wife - Katsuki Bakugo x Fem!Reader (REUPLOADED)

PLEASE READ: my old blog (clownwritesfanfic) was deleted when my main blog attached to it got terminated for some unknown reason. I can’t get it back so I’m reuploading everything I had saved in my notes app. Sorry for any inconvenience or disappointment, trust me, I’m devastated, but with your help I can get back to my former glory so PLEASE reblog if you like it 🙏😭

Summary: Class 1A is given the surprise task of caring for baby dolls. Everyone is randomly paired up in two’s, and it’s just your luck that you get your crush as a partner.

Genre: Fluff

Word Count: 6,535

Warnings/Notes: plus size friendly, poc friendly, trans women friendly (except the bonus scene at the end), reader has a quirk

Disclaimer: This fic was written originally with an OC of mine in mind, however, most people don’t read Canon x OC and while I normally wouldn’t care and wrote one anyway, I am very proud of this and want as many people to read it as possible and hopefully enjoy it. So with that in mind, I took out any describing factors and her name but I did keep some of her backstory and her quirk. If that bothers you, you can move on but I hope you read it anyway because I’m very proud of this.

Also, there is another OC of mine in this story, Usagi. She’s not integral to the plot and has no speaking roles. I had to add her to keep the class even, otherwise someone would’ve been a single parent.

———————————————————————

It was a Monday, few weeks after a majority of Class 1A got their provisional hero licenses when Midnight and Recovery Girl entered the classroom. Aizawa had taken it upon himself to snuggle up in his yellow sleeping bag and take a nap after introducing the two women, leaving them to explain what today’s class is.

The students expected Midnight, considering she had taught a few of their classes before, but there were murmurs of why the school nurse was there.

“Listen up boys and girls! We have a very special and unique class for today!” Midnight announced as she raised her hand in the air, her leather whip clutched in her hand, catching the attention of everyone (who was awake) in the room.

“Today isn’t about hero work or everyday schoolwork. This lesson is special, it will help you all later in your lives if you choose this path. The path being….PARENTHOOD!” She exclaimed while striking an enthusiastic pose.

“Wait, what?!” “Seriously?” “What do you mean?!” A series of voices could be heard throughout the classroom.

“Settle down!” Midnight got the attention of the students. “This lesson is the most important lesson anyone can learn. Whether you want to become a parent or not, learning how to care for babies and children is a vital and selfless aspect of life.”

There were a couple hushed protests among the class but Recovery Girl talked over them. “You will have one week to care for these babies.” She explained as she pulled out eleven baby dolls of various genders and races. “These dolls are specially made for things like this. These babies will cry, make noises, “sleep”, “eat”, and soil its diaper like a real baby. They’re also able to record and grade you based on how quickly you can figure out and resolve its problem. And be careful what you say around it and how you say things. They can detect anger and verbal abuse which will drastically affect your score. Now…any questions?”

A bunch of hands were instantly raised. But that didn’t matter since Bakugou stood up and slammed his hands onto his desk and yelled. “WHAT THE HELL DO WE HAVE TO RAISE SOME DUMB BABIES FOR?! THIS IS THE HERO COURSE NOT A NURSEY COURSE!”

“Sit down.” Midnight said sternly. She took over the conversation. “While this lesson isn’t exactly meant to play into your hero work, this knowledge can be beneficial out in the field. For example, in some rescue operations, it can take hours for a child to be reunited with their family. Most of the time, medics will take the child and work with police to try and reunite them with their parents, but there are times where a hero must step in and care for and comfort the child. With older children around three to five years old, they’re easier to calm down. You can talk to them and explain the situation and reassure them. But babies and younger children are harder to console in high stress situations. If you learn these things now, you won’t be stressed if you ever get caught in a situation where you’re in charge of a small child. A lot of heroes are inexperienced with child care unless they are a parent themselves or have young family members. Think of this as getting ahead of a problem before it even starts. Make sense?”

Bakugou grumbled and sat back down.

“Eeeee This is going to be fun! We get to take care of cute babies!” Ashido squealed.

“I don’t think it will be that fun, Mina. Babies are a lot of hard work and dedication.” Asui chimed in, a finger lifted up to her lips. She had two younger siblings, so she knew a thing or two about raising kids.

“Correct you are, child.” Recovery Girl said. “The infant stage is one of the toughest stages of child rearing since they can’t communicate their needs and wants with words. It’s a lot of guessing and paying attention to their body language. However, these dolls do not move so you will have to rely on audio cues to guess what the child needs.”

Midnight spoke up. “You will be split up into groups of two all determined by a random draw. Because there are more boys than girls in this class, some of you will end up in a same sex partnership. You do not have to act as a real couple so don’t freak out if you’re partnered with someone you don’t have romantic feelings for. What’s important is teamwork on taking care of the baby. You are in charge of the child for the rest of this week, including the weekend. You may chose to either take turns or to split responsibility evenly. You will be given all the supplies you will need, if you end up needing more, Recovery Girl will help you. At the end of the week you will return the dolls and we will tally up the scores and see which couple has the lowest score. The lowest score is the winner since each mistake is marked based on how severe of a mistake it was. The higher the score, the worse you did. Any more questions?”

Iida quickly raised his hand. Midnight gestured for him to speak. He stood up and loudly asked “If we are to have the baby all day for the rest of the week, what do we do with it while training? You can’t expect us to take the baby with us! That’s highly dangerous and immoral and I would expect better from such a prestigious school!”

“Yes, you’re right. We don’t expect you to keep the doll with you while training. That’s why each of you will have to figure something out. One of you will have to sit out of training unless you can find a better option. Leaving the child in your dorm and hoping for the best is not an option and neither is bringing it to training and leaving it off to the side. It’s like real life. One of the parents has to stay home and care for the child. Sometimes they will get a babysitter but that is not an option for you since the scores need to come from you and your partner only for you to pass. If you really want to train that day, you’ll either have to talk it through with your partner, or train later in the day during your free time.” Midnight answered.

“Thank you very much for clearing this up.” Iida said, bowing deeply before taking his seat.

Midnight clapped her hands. “Alright! With everything out of the way, let’s draw for your partners.” She held up a blue plastic box. “In this box is twenty-two coloured tokens. There are eleven pairs. Each one of you will reach into this box and pull out one token, when everyone has a token, you will be given time to find the person with the same colour token. They will be your partner for the rest of the week. You may not switch partners. Each colour is already assigned to a baby as well, so you don’t get to chose that either.” As she finished explaining she walked around the room letting everyone reach in and pull out a token. When the box was empty she returned to the front and allowed the class to find their partners.

Midoriya and Uraraka had the yellow tokens, Shouji and Asui had the purple tokens, Mina and Kirishima had the red tokens, Kaminari and Jirou had the orange tokens, Hagakure and Yayorozu had the light blue tokens, Sero and Mineta had the black tokens, Usagi and Tokoyami had the dark blue tokens, Todoroki and Ojiro had the pink tokens, Iida and Aoyama had the green tokens, and Satou and Kouda had the white tokens.

You looked down at your brown coloured token and looked back up to scan the room. All your classmates were already paired up and either happily talking about how it would be to raise a baby together or complaining about their partner. You could faintly hear Mineta crying about not being paired up with a girl. You look across the room at Bakugou who was still sat at his desk, glaring at his token.

Upon closer look, you could see that it was the same colour as yours. You sighed, already accepting that you’ll basically be a single parent as you can’t imagine he’d want anything to do with this. You reluctantly stood up and made your way across the classroom to him.

“Um…hey. Looks like we have the same colour. Guess we’re partners for the week.” You said, gently.

“I can fucking see that. I’m not blind, dumbass.” He retorted.

Ah, it seems he’s decided to take on the verbally abusive and absent father route already. You’ll have to do your best to make sure you get a low enough score. You’ve never taken care of a baby before. You had baby dolls as a kid but they’ve never graded you before. This was a whole new challenge and you could feel the anxiety pooling in your stomach.

“Right…well. We should talk about how we want to do this.” You started. “I think we should take turns each day. I could take it today and you take it tomorrow and repeat. I know you probably don’t want to skip a day of training so I can take it during training even on your days. There’s not much really for me to train anyway so I can afford to lose a week of it.” You let out a weak laugh.

Bakugou growled. “Do whatever you want but don’t be stupid. You can train on the days I have it. Don’t stop your training over some dumb doll.”

“But…you would be stopping yours if you-“ You get cut off by the blonde.

“I’m already the best in this whole class! Missing a few days of training isn’t going to do anything. Besides, you’re weak and you need to be at your strongest so I can beat you and prove that I’m the best in this entire school!” He yelled. You think that was a compliment albeit he put it weirdly.

“Ha…yeah…okay.” You replied. Just then the bell rang and everyone started to put their stuff away. You went over to your desk to do the same.

“Please return your tokens to the box! And before you leave, pick up your baby with the matching colour onesie and the bag of necessities. You have the rest of the day to yourselves.” Said Midnight.

You slung your bag onto your back and walked to the front of the room and dropped your token back into the box. You waited for your classmates to fizzle out a bit so you could get your baby. The dolls were all lined up in car seats. You found the one wearing a brown onesie, a girl with blonde hair. You chuckled to yourself at the resemblance to your partner.

You grabbed the handle of the car seat and went to grab the big duffel bag next to it when someone grabbed it before you. You look over to see Bakugou standing over you, glaring off to the side.

“Move it.” He gruffed out as he slung the bag over his shoulder.

You left the classroom with Bakugou trailing behind you, still scowling. You turn around and start walking backwards to face him and hold out the car seat so he could see the doll nestled inside.

“Look. She looks like you.” You giggled. He glanced down at the blonde doll and huffed.

“Watch where you’re going, idiot.” He grumbled. You rolled your eyes and turned back around and followed your classmates to the dorms.

———————————————————————

Back in the dorms, everyone was changed out of their school uniforms and gathered in the common room with their new kids. Everyone of course…except for Bakugou, who very grumpily went to his room after dropping the bag of things off at your room.

You had went through the bag and found loads of diapers, clothing, a carrier that strapped to your chest, bottles, a pacifier, and some baby toys. You weren’t exactly sure why you would need toys, considering the baby isn’t actually real, but you guessed you’d find out the reason sooner or later.

You decided to change her out of her boring brown onesie so you picked out a cute outfit from the ones provided. You undid the buckles holding the baby in the car seat (why it came in a car seat when you don’t even know how to drive a car, you will not know) and gently and carefully lifted the little girl out of the seat, making sure to support her head.

As you laid her on the ground and started to undress her, she started making cooing noises.

“Oh! Hello….you must be awake now I guess.” You spoke to the baby as she cooed in reply. “Ha…I guess you are kinda cute.” You felt as if you were talking to yourself.

When your new daughter was dressed, you decided to go to the common room since you thought everyone would be there, and right you were. As you went down the hallway you could hear the excited chatter of your classmates getting louder. When you were in sight, Mina noticed you and waved you over.

“Hey! Come over here! We’re all showing off our babies!” She excitedly exclaimed. As you walked over, Kirishima stood up from his spot beside Mina and offered the space to you. You thanked him as you sat down and readjusted your baby in your arms.

“Course! What kinda man would I be if I didn’t offer a seat to a lady with a baby!” He replied. Ever so chivalrous, he is.

“Ha! That rhymed.” Kaminari pointed out.

“Awww you got a girl? How lucky!” Mina squealed. “Kirishima and I got a boy. We named him Kenji.” You looked down at her lap where the doll was laid on its back.

“You named it?” You asked.

“Well yeah! We can’t just keep calling him “it” and “the baby”.” She explained as if it was obvious.

Iida then chimed in, his baby tucked securely in one of his arms. “Yes, I suppose it would be beneficial to name the child. This is supposed to be taken seriously and we can not leave a child unnamed!”

There were murmurs of agreement throughout the room as everyone talked with their partners on what they should name their baby. You looked down to the small blonde doll in your arms that let out another coo and softly smiled.

“Riki…” You thought to yourself. “I’ll call you Riki.”

———————————————————————

“Riki?” Bakugou gawked. “You gave it a name?”

Bakugou was helping with making dinner, well, it was more like he forced everyone to let him do most of it because “no one was doing it right”. You were stood out of the way but within talking distance, your newly named baby in one arm and holding a bottle up to her mouth as she “ate”.

“First off, she’s a she not an “it”. Secondly, everyone in the class named their baby. We have to take this seriously and I’m not going to call her an “it” the whole week. Besides…I thought Riki would be a good name. It means “strong”….and since she kinda looks like you, I figured you’d want your kid to be strong like you so…” You trailed off looking down at the doll in your arms. “We can change it though if you really don’t like it.”

Bakugou huffs. “No…call it-…..call her whatever you want.” He continues to cook in silence. There’s a faint blush on his cheeks. You smile softly at him. Maybe you won’t have to do this alone after all.

———————————————————————

The first day goes by smoothly. You had a bit of a learning curve with changing the diaper but you managed after help from Yayorozu. Who knew she’d be so good at something like that?

You had just settled down into bed after putting Riki to “sleep” and were scrolling on your phone. It was about 10pm, most people were still awake but you knew the person you wanted to talk to most more than likely wasn’t. He went to bed at 8:30pm every night, even on weekends.

You stared at your screen open on Bakugou’s blank private messages page. UA made an app for the students to contact each other and teachers with. It worked like a regular texting app, every class had their own group chat and you could private message each other, even students from other classes. All of them were accessible to staff if needed though.

You didn’t know if you should even bother asking him if he’s still going to take Riki tomorrow. Plus you didn’t want to wake him up. You were about to turn your phone off when you got a message from Mina. You open up her message and see a picture of Kirishima with his hair down, asleep on one of the couches in the common room with their baby on his chest. You laughed quietly to yourself and responded with a cute reaction meme. You thought they would make an interesting pair for this project.

You turned off your phone and plugged it in to charge and set it on your bedside table. You got comfortable in bed and closed your eyes. It would take you a while to fall asleep so you started to let your mind wander. You realized that tomorrow Bakugou will miss out on training if he takes the baby. He already told you earlier today in class not to worry about it and to focus on your own training…but you genuinely couldn’t think on how training would benefit you.

Your quirk has always been more of a supporting quirk rather than one that could do well in a fight one on one. Your quirk is called Cheer, by speaking words of encouragement to someone, you can make your target stronger both physically and emotionally. The reverse also works, if you berate someone it makes them weaker. You can use it on more than one person but its effects get weaker the more people you use it in at once. There’s also a major weakness to your quirk. Anytime you berate someone, you gain confidence, but when you encourage someone, it takes away your confidence. Because of this you feel inferior to everyone else in your class. Even Mineta has a more useful quirk in combat than you do. You’re basically forced to sit on the sidelines and watch people fight. It helps in rescue operations but you still wished you could fight like everyone else. You only managed to get into the hero course because you racked up enough rescue points and got lucky with a three pointer.

It’s ironic that someone with an inferiority complex got paired up with someone with a superiority complex. It’s even more ironic that you managed to gain a crush on the bastard too.

———————————————————————

It was now Tuesday morning and Bakugou was sat in his room staring at the doll in its car seat.

You had entered the common room already dressed in your uniform with Riki in the seat. Hero training was the first class that morning so anyone who was in charge of their baby that day stayed behind and would join everyone later for normal classes. Your tie wasn’t done yet and your skirt was pulled up a little too high, showing off more thigh than you usually do, as you were in a rush since Riki wouldn’t stop crying and you couldn’t figure out why. She had finally managed to settle down when you gave her the included pacifier.

You weren’t much of a breakfast eater, especially if you were training in the morning so you didn’t go to the kitchen. You noticed Bakugou sat on one of the couches drinking something out of a mug. He was wearing a simple black tank top and sweatpants.

“Oh Bakugou! There you are. I’m guessing since you’re not in uniform you’re still taking Riki today.” You sat the car seat on the floor near him and started doing your tie. You knew you were just going to have to take it off soon to change into your hero costume but you still wanted to show up looking like you at least tried. “So I figured out that she makes different noises depending on what she wants. Most of the time she just wants to be held or given a pacifier so she makes really whiny sounds that almost sound like a cry. She was just crying now and the only thing that made her stop was the pacifier so she might start up again soon. I made a smaller bag of her things like diapers and her bottle just so you’re not carrying a big ass duffel bag later.” You were almost rivalling Midoriya with how fast you were muttering, you didn’t mean to but you didn’t want to be late and you kept fumbling with your tie.

As you were smoothing out your front, you felt a pair of hands grab the bottom of your skirt and start to pull down. You shrieked and smacked the hands away and turned around to see (to the best of your ability) Hagakure behind you.

“Oh my god, Hagakure! I had no idea who was behind me! You scared me thinking it was Mineta pulling at my skirt.” You laughed and grabbed onto the girls arms.

“Ahhh I’m sorry! I just noticed your skirt was up a lot higher than normal and you almost showed off a bit too much.” The invisible girl explained as you fixed your skirt. “Come on, we got to get to class!”

“Right, yeah, I’m coming.” You responded as Hagakure held your hand. You quickly turned to Bakugou again who once again had a faint blush dusting his cheeks. “You sure you’ll be okay? I know it’s only for an hour before I see you again so if you want to pawn her off to me next class then that’s fine.”

“Tch…how incompetent do you think I am? Of course I can take care of some stupid doll for an hour!” He barked back at you.

You felt Hagakure pulling you towards the front door. “Ok, well…see you later then!” You said as you finally took off with your friend, leaving Bakugou and a few others scattered around the common room.

“Heyyy, Bakugou! You get stuck on babysitting duty too?” Kaminari taunted, his baby settled in a carrier strapped to his chest.

Bakugou growled. “It’s not babysitting when it’s your own kid you idiot. And you look dumb with that thing on.” He stood up and grabbed the handle of the car seat and went off to his room. He could hear Kaminari complaining as he left.

Now here he was, in his room having a staring match with a doll. He wasn’t sure what to do for an hour, let along with a baby. He glanced up at some math homework left on his desk and decided to finish it up so he was ahead of everyone else in class. Ten minutes past when his concentration was interrupted by whining. He looked over at the car seat that was faced away from him at this angle and sighed. He reached over and turned it around.

“Jesus. She didn’t mention how fucking annoying it would be.” He muttered to himself as he undid the straps and lifted the baby out. “What the hell is your problem, huh?” He asked, surprisingly not as loud as he normally would. He thought maybe she was hungry and remembered you said something about a small bag with her bottle in it. He looked around but couldn’t find it. In fact, he didn’t remember seeing any bag with the baby anyway. He grumbled as he picked up his phone and opened up the messaging app and sent you a private message.

In the locker rooms you heard your phone buzz and decided to look at it as you were changing. You saw a notification from Bakugou and quickly opened it.

Katsuki Bakugou: hey, dumbass. she’s crying but I can’t find that bag you were talking about

You winced as you remembered that you never actually grabbed the bag in your rush to get downstairs.

You: damn I must have forgotten it in my room, sorry. feel free to go and grab it. my room code is 6678 it should be on my desk. you know which floor I’m on right?

Bakugou scoffed.

Katsuki Bakugou: yes I know. I’m not stupid.

You: never said you were <3 have fun lol

You didn’t realize you sent the heart. It was muscle memory from texting with your friends, but it sent Bakugou for a loop.

After he had quickly made his way to the second floor and grabbed the bag you mentioned, he went back to his room where he had left the baby on his bed. Her whining had turned into crying by now.

“Alright, Alright! I got your damn stuff.” Bakugou sat on the floor and settled the doll into his arm. He removed the pacifier and held the bottle up to its mouth. He felt relieved when the crying stopped. “This is fucking ridiculous.” He thought out loud.

He rested his back on his bed and started to drift off in to thought. Why did you send that heart? Did you mean to do it? Was it a reflex? Were you making fun of him? No…that couldn’t be right. You were one of the few that took him seriously. Sure you teased him sometimes, but not as much as the others. He thought back to a time where he accidentally overheard something he probably shouldn’t have that still made his heart feel weird.

———————————————————————

Bakugou was making his way to the kitchen to get something to drink. He could hear you and the other girls of Class 1A giggling and talking about random shit.

He was going to ignore the group when something made him stop in his tracks right before he would be seen.

“Sooo, who do you like?” Mina asked with a teasing voice.

“Who, me?” You asked as Mina nodded. All eyes were on you and you felt yourself blush. “Well…I guess I kinda have a thing for Bakugou…” You answered shyly, playing with the hem of your shirt.

“What?!” “Wait, Bakugou?!” “Really?” The girls cried out in unison.

“Why is that so shocking? You guys seriously don’t think he’s at least a little bit attractive?” You inquired.

Bakugou stiffened at the confession and he felt his heartbeat speed up. You…had a crush on him? Someone actually was interested in him romantically?

“You don’t think all his yelling and name calling is a turn off?” Uraraka asked.

“Hm…not really. Sure he says some mean stuff but…he doesn’t actually mean it.” You reasoned.

“I don’t know…he always seems to be serious about it. I mean he doesn’t even know our names.” Jirou huffed.

“Yes he does!” You laughed. “He’s not stupid. He’s a lot smarter than I think any of you give him credit for.”

“He is in the top our class academic wise as well as hero wise.” Yayorozu chimes in.

“Exactly. Have none of you realized that a lot of his plans actually work? He may seem like he’s rushing into things but it’s obvious he’s put clear thought into his plans. And the fact that he can make one up that quickly is impressive. He’s also more compassionate than you’d think.” You said, leaning back on the couch.

“Well I think you’re wrong with that.” Tsu replied.

“Because you guys are only seeing the surface level. You’re not reading in between the lines. For example, remember when we just moved into the dorms, the talk Mr. Aizawa had with us outside?” They nodded. “When Mr. Aizawa left, you could feel the uncomfortable tension in the class at being reminded of what happened. Bakugou grabbed Kaminari and made him go all dumb because he knew it would make everyone laugh. And it did! The tension was gone instantly! Bakugou really does care, he just doesn’t know how to show it like other people. And remember the school festival? He totally could’ve refused to play the drums but he did it anyway! That’s what I like about him. He’s not a cold hearted asshole, he just wants you to think he is. I use to be like that too.” You trailed off, looking ashamed.

“Wait. YOU were an asshole?” Mina prodded.

You sighed and nodded. “Yeah, back when I first got my quirk. I realized that putting other people down gave me a lot of confidence. I went on a power trip and started bullying everyone. I started to realize that the “friends” that I did have were only my “friends” so they could escape my words. Made me feel like shit when I found out. Now I hate using my quirk like that unless absolutely necessary. But yeah….I see through Bakugou’s walls and I guess it just made me fall for him.” You changed the subject.

“Wow…you’re whipped for him, aren’t you?” Mina teased.

“Yeah, yeah, whatever. Just don’t tell him that. I don’t need him on my ass about it.” You blushed and waved her off.

“You sure you don’t want him on your ass?” Mina teased again.

“OH SHUT UP!” You threw a pillow at her as the girls laughed.

��——————————————————————

Bakugou had zoned out at that memory. He hadn’t meant to eavesdrop, it’s your fault for being so damn loud and talking about him in the first place! It’s been a few weeks since that and it’s still fresh in his mind. Did he like you back? He wasn’t sure. On one hand he was pissed at how you managed to figure him out so easily, but on the other hand…he felt comforted knowing someone understood him and didn’t make fun of him for it. He will admit that you weren’t that bad looking or as stupid as everyone else. He did wish you would see the potential you had with your quirk, though. He could feel his cheeks start to heat up and he scoffed, snapping out of his thoughts and looking back down at the doll in his arms.

“I guess…she’s not so bad…” He said softly to Riki.

———————————————————————

Training had finished and you and the rest of your classmates were on your way to your next class.

Upon entering the classroom you noticed everyone that had skipped out on training standing around, babies either in their arms, strapped to their chest, or in the car seat. Bakugou was sat in his spot, chin in his hand looking out the window to his left.

You had a few minutes to spare before class started so you walked up to your partner. “Hey! How’d it go? Was she fussy?” You asked as you squatted down to see Riki, who was in her car seat on the floor next to his desk.

“Tch, no. I told you I know what I’m doing.” He grumbled.

“I’m pretty sure none of us know what we’re doing but it’s nice to know that you’re taking this seriously.” You replied standing back up.

“HA? YOU THINK I WOULD’NT? YOU THINK I’M NOT CAPABLE OF THIS?” He yelled as he let off small explosions.

“Course not. I did kinda think you would end up leaving most of this to me though. But it’s nice that you’re playing along.” You smiled sincerely.

Iida started ushering everyone to their assigned seats as class was about to begin. You patted Bakugou on his shoulder and left to your seat near the back of the class.

He clenched his fists and glared down at his desk, he could feel his heartbeat going wild again.

———————————————————————

A few days had passed and it was now Friday night and you were at your wits end.

It was your day with Riki and she had been crying non stop for thirty minutes now. You were pacing your room with her in your arms as the doll “sobbed” louder and louder with each agonizing minute. You had no idea what was wrong; you tried feeding her, changing her diaper, holding her, giving her a pacifier, you even tried the toys that they provided but nothing was working!

You were close to tears yourself as you thought about how this would affect your grade and how pissed Bakugou would be if you ruined it. The whole week went by just fine, it never took this long for her to settle down. You had gotten lucky with the baby you were given as she was so easy to care for, but this moment right now was proving difficult.

Feeling like you had no other choice, you left your room with your still wailing daughter in your arms and quickly made your way up to Bakugou’s room.

You knocked on his door while still trying to shush Riki. When Bakugou opened the door, he looked like he had just woken up which made you start ranting.

“Bakugou, fuck, I’m so sorry to bother you right now I know you like to go to bed early but she’s been crying like this for like thirty minutes now and I’ve tried everything but she just won’t stop crying and I don’t know what to do and I’m probably gonna make us fail cause I can’t get her to fucking stop and I just…” You panted “…can you please help me?” You nearly whined.

“Give her to me.” Bakugou reached out as you transferred her into his arms. He walked away with the crying doll, leaving his door open. You decided that was an invitation so you slipped into his room and gently closed the door behind you. You watched as Bakugou gently bounced the doll in his arms and started petting its blonde head.

You stared in awe as Riki started to finally quiet down until she was silent. You breathed out a sigh of relief but tears started to quickly gather in your eyes. Bakugou had opened his balcony door and stepped outside to the cool air. You ran a hand through your messy hair and followed them out onto the balcony. The not quite freezing but cold air nipping at your skin. It felt nice as you didn’t even notice that you were sweating from the stress. You bent over and rested your elbows on the railing and placed your head in your hands, trying to hold back your tears.

“She had been crying for so long…I tried everything but nothing worked. But the minute you have her she finally stops. What the hell am I doing wrong? Why am I such a bad mother?” You muttered more to yourself but your partner could hear you anyways.

A minute of silence went by as you tried to not let your tears fall when Bakugou finally spoke up, surprising gently. “Don’t beat yourself up over something you barely know how to handle.”

He leaned his back against the railing next to you. His arm barely grazing against your shoulder, his way of trying to comfort you. You sniffed and dropped your arms from your head and looked forward out into the dark courtyard.

“She’s been perfect this entire week. Nothing I couldn’t handle…but she just had to act like a total brat tonight.” You sighed.

“Hey.” Bakugou said sternly. “Don’t call our daughter a brat…that’s my line.”

You laughed at that, completely overlooking the fact that you called the doll “our daughter”. Bakugou softly smiled at your laugh, also not realizing exactly what he said. But her certainly felt his heart flutter as he looked down at the baby in his arms.

Bakugou decided he’d take her for the rest of the night so you could get some sleep. It was his turn tomorrow anyway.

———————————————————————

Monday had come by quickly, thus, ending the project. Recovery Girl had collected the dolls, and you couldn’t lie, you felt a little sad at the fact that you won’t have Riki around anymore. The class waited in anticipation to see whose grade was the lowest.

When the results came in, Midnight stood at the front of the class once again and started to call out the grades.

“Coming in last place is Sero and Mineta with a sixty-five.” Mineta started screaming about how unfair it was and that they got a faulty doll. “Todoroki and Ojiro have a score of thirty-four, Kaminari and Jirou have a thirty, Iida and Aoyama a twenty-seven, Usagi and Tokoyami with twenty-five, Shouji and Asui with twenty-one, Hagakure and Yayorozu with twenty, Mina and Kirishima with an eighteen, Satou and Kouda with a fifteen, Bakugou and (Y/N) with a score of eight, and lastly, coming in first place with the best score is Midoriya and Uraraka with a three! Good work everyone. I hope you all learned some valuable lessons from this experience!” Midnight finished.

There were high fives and cheers coming from the people with the lower scores and talks of what they could’ve done better from the people with higher marks.

You stared down at your desk smiling. Eight wasn’t so bad, right? Much better than what Mineta got.

At the front of the class, Bakugou has turned his head back to look at you and softly smiled to himself when he saw your relief. He turned back around to look down at his hands as he played with his pen. He could hear Midoriya and Uraraka being congratulated for the lowest score and for once in his life….he didn’t mind coming in second.

———————————————————————

Bonus:

Twelve years later, Bakugou had established himself as the number two hero with his own agency. You worked along side him as his number one sidekick. You both grew a lot since high school and grew closer from the experience. You managed to get rid of your inferiority complex and become more comfortable with using your quirk against villains rather than standing by and cheering on the heroes. You can also hold your own in combat pretty well now and you have a slew of support items to help.

But instead of kicking ass on the street you were laid out on a hospital bed after the longest 7 hours of your life. You were sweaty and exhausted, but it was all worth it as you looked at the little bundle in your arms. A head of blonde hair was peaking out of the blanket.

“What should we name her?” You whispered to the person leaning over you with their hand on your head and looking lovingly down at the newborn.

“…..Riki.” Bakugou said softly.

[andhumanslovedstories]

chapter eleven of what feels like the most soap opera ass fic I've ever written and then just a bunch of thoughts about writing it, which contains vague spoilers for my plans:

The inception of the fic basically went like this:

haha lol i'd be fun if sqq got real mad at the state of education

what would need to happen in this fic that doesn't happen in canon to motivate him to do something about it

oh shit he didn't unlock OOC so he has to figure out how to be his coddling indulgent self (which he's in denial about) while also being shen jiu

But the thing that really made the story get so much bigger in scope was when I was reading a fic with yqy coming clean to sj, and sj being like, "GASP. I forgive you." And I was "I simply do not believe that this is how it would happen." And I would have moved on with my life, but then I thought, "but like how would it happen." And more importantly, how could this conversation happen within the canon timeline but still involve Shen Jiu, the person this information affects.

The OOC idea and the need for Shen Jiu to be present in this fight scene came together to be like "what if sqq got sj's memories so he could rules-lawyer his characterization more accurately, and ends up being furious on sj's behalf?"

(This, btw, is why I knew I had to get much fonder of YQY and get a much better understanding of his character. When a pillar of your fic idea is a character getting ripped into for his choices, it is sooooooo easy to for it to come off as the author yelling their personal opinions or for it to be completely flat character bashing. Neither are interesting to read or write! Hence the crash-course in YQY appreciation, so now he gets his own emotional arc too. Everyone gets a goddamn plotline.)

Meanwhile I was also thinking about the implications of downloading another person's life into your head. If you have their memories and their body, are you them? What makes you not them? I didn't know! I sort of just kept writing and posting with the assumption that I'd figure something out, which I've finally nailed down btw. That's a relief! Also kinda the fun of WIPs where you're building the railroad track as you're on the train. I end up fanficing my own fanfic. Once stuff is posted, that's the canon, and I look at it and think, "if this was a book I was reading, what is the way I would extrapolate what's there to make a new but coherent story?"

That's why my outline becomes pretty useless after a while. The big picture doesn't change too much--I know roughly where all the major characters are going to be emotionally by the end of the story--but I discover the path I'm going to take there. Which usually means adding stuff. Liu Qingge wasn't going to get a POV, and now every chapter I'm like "fuck am I building a throuple". Ming Fan will have waaaay more a story line than I originally conceived. Early on, I was like "eh I'm not going to go too far into the brothel stuff," and can you guess what is going to be coming up prominently in the next few chapters? God help me.

Actually, there's only one major part of the outline that I cut: Shang Qinghua. He was originally very prominent early on, but turns out having the literal Word of God in a story about slowly discovering backstory is difficult to reconcile. So sadly, he doesn't get a real role. If you're curious, the original plan for him was that SQQ would realize he's a transmigrator much earlier in the canon, but the System would be like [shen jiu would not tell shang qinghua he is a transmigrator. ooc] which would lead to this series of SQQ trying to figure out how he can communicate around this. SQQ at a peak meeting being like, "do you think these DEMONS are PROUD of having made their WAY to us IMMORTALS?" while SQH is like, "AM I HAVING A STROKE?"

What's some other stuff about this fic? I've got a lot of thoughts bottled up, in part because I'm kinda snobby tbh in how I post. I'm like "*pushes glasses up my nose* the author's takes on the story should not be unavoidably present when reading the text" so I don't like to use ao3's author's notes. It's ridiculous and not a standard I hold anyone else too, but whenever I find myself wanting to address something in the notes, I know I must feel insecure about that part of the story. So either fix it or don't draw attention to it. But this is fine, you have to come here for this. This is DVD commentary.

My favorite part of writing this fic has been balancing Shen Jiu's character. As I'm fleshing out his sad backstory, I've been wary of essentially woobifying him. Reducing him to just someone who greatly suffered is so boring and flat. He NEEDS to suck. Or more accurately, he needs to be a very imperfect victim. Exasperating at his mildest, despicable at his worst. (Truthfully, I do think I can and should make him worse. Luckily this story is nothing but flashbacks to him at his worst so there's plenty of opportunities.)

This whole mental breakdown section has been an interesting balancing act because it's explicitly about how bad Shen Jiu's life was and now how bad Shen Qingqiu's is. It's the point at which I had to decide how torturous his time at the Qiu manor had been (me and Shen Qingqiu really discovered that together). On a scale of 1 to 10 with 10 being the absolute worst saddest brutalist ideas I had for this era in his life, I'd say I settled on about a 7. Most of it is backstage in my head, but once I locked that down, I could start figuring out how much was bleeding through.

Anyway, it's been fun writing the angstfest of the last few chapters, but oh my god am I ready for a tone shift. There's usually jokes in my works, even the saddest bits, but jokes relieve tension which is the opposite of what I was going for. I didn't want any humor in the YQY conversation, then you have to keep not joking for a while to get the point across. There's still a lot of planned emotional shit, but I'm happy to not be wallowing for a while.

AND GOD AS MY WITNESS THIS STORY WILL NOT BE LONGER THAN 20 CHAPTERS. MAYBE IT'LL EVEN BE LESS!! IT IS DEFINITELY NOT GOING TO BE A WHOLE CANON REWRITE. PROBABLY!! IF TIANLANG JUN HAS ANY SIGNIFICANT SCREEN TIME, PLEASE KNOW THAT I HAVE FAILED.

[venus-haze]

You're My Best Friend (Homelander x Reader)

Summary: Homelander was a test tube baby, raised in isolation in a cold, clinical lab. But that doesn’t inspire America, does it? Vought tasks you with creating the idyllic backstory for its hero, and what starts as a limited comic run spirals out of control when Homelander himself demands your help in making the story a reality.

Note: Gender neutral reader, but no other descriptors are used. Based on a request by @crash-and-cure as well as a bastardization of one of the sweetest love songs ever written (sorry, John Deacon!) This got kinda meta? Do not interact if you’re under 18 or post thinspo/ED content.

Word count: 2k

Warnings: Emotional manipulation, I guess some gaslighting on Homelander’s part? Do not interact if you’re under 18.

When Vought hired you to create their long-awaited Homelander origin comic series, you were thrilled—until they gave you so little information about his childhood to work with, you weren’t even sure you could come up with one comic, let alone the ten they requested. The details about his childhood were minimal, not even a full printed page—a loving mom and dad, played baseball, did well in school, strong sense of justice from a young age, his friends called him “Johnny.” Your requests to meet with Homelander so you could get some stories from the man himself were constantly denied.

You almost considered dropping the project, until you decided to throw caution to the wind and pull from your own childhood and set it in good ol’ generic suburbia. Some of the storylines were based on your own experiences or things that had happened to people you’d grown up with, though you changed enough names and details to not link it to anyone in particular. Except yourself, of course. Using a pseudonym professionally meant you felt no need to change your own name in the comics. Sure, making your cooler fictionalized self Homelander’s childhood best friend was a bit self-indulgent, but no one would know, really.

To your relief, the editors at Vought loved your ideas, making minor changes before bringing the storylines to their comic artists to bring it to life. The result was Finding Homelander: A Boy’s Journey To Be a Hero. The issues flew off shelves when they were first released, ironically praised for their relatability and authenticity. Vought extended your contract, asking you to produce the cartoon adaptation and another ten issues.

Still, in all of that, you’d never met Homelander. A representative from Vought emailed you to let you know to tune in to his interview on a talk show one day, saying that he’d be talking more about the cartoon project on it. You recognized the host, Tracey, always chipper and having some extravagant giveaway for her audience members. Daytime TV was never your thing, though.

“I think what resonates with so many people is how relatable your childhood is,” Tracey said, holding up a copy of Finding Homelander issue #3, where he saved ‘you’ from getting hit in the face with a baseball at one of his games, catching it with ease. It’d been the happy ending to a short storyline of him struggling to find his place on the team and you encouraging him to not give up. “You and Y/N were pretty close, do you still keep in touch?”

“You know, Tracey, not as much as I’d like, unfortunately. Adulthood can be so busy, you need to cherish those childhood memories,” Homelander said. “I did give them a call when the comics first came out, and wow, the laughs we had over those old antics of ours. Talk about a walk down memory lane!”

You guessed the bullshitting was all part of the promotional circuit for Homelander. Knowing this childhood of his was your own fabrication, you couldn’t help but wonder what else about him was fake. Maybe he wanted to maintain his privacy, you could certainly understand that. You couldn’t shake the voice in the back of your mind that said it wasn’t so simple, that the narrative Vought pushed was a cover to hide something in Homelander’s past.

“Now, I’ve heard rumors of a cartoon show based on the comics in the making, is this true?”

“It is! I’m excited for this project, getting back to my ‘roots’ so to speak. I’ll be voicing myself, of course, but it’s funny you’d bring up Y/N, because they’ve agreed to voice themself, too.”

“How fun!” Tracey exclaimed over the roar of the talk show crowd’s applause and cheers. “I guess this is the hopeless romantic in me, but I hope this reconnection leads to something a little more. I’m just a sucker for childhood sweethearts!” 

Homelander laughed along with the host’s giggles, “Well, you never know.”

You balked at the television, mouth agape. Surely he couldn’t be talking about you. ‘Y/N’ could be anyone with your same features. Vought had probably hired a professional voice actor for the role and were pushing the authenticity angle. The whole situation felt odd. 

When you checked your work email again on your phone, you nearly dropped it on the floor. 

SUBJECT: Meeting with Homelander This Week

The email contained a list of days and times throughout the week wherein Homelander would be free, apparently wanting to meet you to thank you for the success of the comic series and discuss upcoming work. Yeah. That last part you sure as hell wanted to discuss too. You responded with the soonest time available, in a meeting room in Vought Tower the following evening. As soon as you hit ‘send’, you wondered what exactly you were getting yourself into.

Anticipation filled your gut as you went about your day leading up to meeting the supe himself. What would he be like, really be like? Was there even a version of Homelander that wasn’t hopelessly manufactured for the masses? You knew then that his upbringing was a lie, and thus stood the probability that so much else was, too. 

When you stepped into that meeting room, you hadn’t been expecting his face to light up at the sight of you. 

“Homelander, hi, it’s great to—“

“No need to be so formal, Y/N! You can call me Johnny, just like old times,” he said cheerfully, in on a joke you clearly hadn’t been aware of.

“Sorry, Johnny,” you said, playing along. “It’s great to see you again.”

He pulled you in for an unexpected hug that you returned. “Figured we should catch up before things really start getting crazy, don’t you think?”

You nodded, your nose brushing against him as you did so. Just as your lips parted to offer an apology, he smiled, shooing away the assistant who’d accompanied him out of the room. 

He sat down, motioning for you to do the same.

“Gotta say, I’m a fan of your work,” he said.

“Thank you,” you said. “I’m not sure I understand exactly what’s going on, though.”

“What’s there to understand? I’m not allowed to know more about my best friend, our lives together growing up?”

“How did you know it was me?”

“Wasn’t hard for me to put two and two together, but considering everyone else around here has their head up their asses, they have no idea,” he said, before lowering his voice conspiratorially and giving you a charming smile. “I haven’t told anyone. What’s a secret between friends?”

You nodded, overwhelmed by the intensity of his attention on you. “What do you want to know?”

He sighed, resting his head on his hand. “Everything.”

So you told him. Not quite everything, of course, but enough to abate his curiosity. At least for the time being. His interviews were sharper, more specific with details rather than rattling off whatever had been in the comics. You watched in shock as convincing photos of his Little League days were posted to his social media accounts, anecdotes provided by his increasingly frequent conversations–or more like interrogation sessions–with you, but in his style, of course. It was almost scary what the graphic design team at Vought could accomplish, not that you’d ever know how, exactly, as they were all under the same strict NDA that you were.

He started spending more time with you, too, and after a while, it did seem like you were old friends. Part of you flinched whenever you called him Johnny, because Johnny wasn’t even real, but with your complacency, this fabrication was slowly morphing into a strikingly tangible memory. With each conversation, he drew you deeper into the world you’d been paid to create for him until you found yourself slipping up.

You’d been showing him a goofy stuffed monkey on your desk, a cute little thing with big sparkling eyes. A prize for getting two out of three at the ring toss. Probably spent more money winning it than it was actually worth, but it was about the effort, the memories made.

“You remember, don’t you? You won it for me at the county fair,” you said without thinking.

He laughed in agreement, as if he actually had. Except he hadn’t. Your high school boyfriend won it for you a week before graduation. Sensing the mood shift, he set down your prize and looked at you with the same intensity he had when you first met.

“It’s been a while since we were there, huh?” he said. “Why don’t we go back?”

You furrowed your eyebrows. “Go where?”

“Home.”

With a strong arm around your waist, he took off for your hometown. You could hardly tell which way was up or down, he was flying so high, but he didn’t seem to mind the way you clung to him at all. When he finally landed, you recognized the community baseball field where all of his fictional games were set. 

“Geez, it’s like nothing’s changed,” he said cheerfully.

You looked at him in disbelief. How long was he going to expect you to go along with it? Or maybe the question you should have been asking was, how long were you going to enable him? The end wasn’t anywhere in sight as he took your hand, and you walked him through your childhood, further enmeshing him in it until you arrived at the house you grew up in. 

The middle of the day, no one was home, and so you let yourselves in like you owned the place. Suddenly, the house seemed too small for a man like Homelander to occupy, but he was engrossed in the details of it. He scanned the kitchen, no doubt inspecting the contents of the fridge and cabinets with his x-ray vision. Moving onto the living room, he stared at photos on the wall, the magazines and DVDs that were strewn on the coffee table, giving away your parents’ taste in entertainment.

“Which one was your room again?” he asked.

You swore you could feel his breath on the back of your neck as you wordlessly led him to your room. Each step down the hall felt dangerous, as if you were about to walk into a trap. Face-to-face with the closed door, you opened it, standing aside while Homelander looked around, from what you had hanging on the walls to the knick-knacks you’d left behind.

An uncomfortable tension settled over the room when Homelander closed the door of your childhood bedroom. An odd blend of hurt and amusement spread across his face as he observed the way you were eyeing him, body ready to fruitlessly run from him the way a rabbit would a hawk.

“C’mon, after how long we’ve been friends, I would never hurt you,” he said, as if reading your mind. “We’ve been through so much together. I mean, we were each other’s first kiss.”

You froze. Issue #9. That was something Vought’s editors had added, claiming a romance angle would make the series appeal to the younger female demographic. You hadn’t thought much of it at the time.

He slyly backed you into the wall, leaning over you as you slinked down the slightest bit.

“Show me how we did it,” he whispered, his hand caressing your cheek. “So clumsy and nervous, I can even feel you…quivering.”

“Homelander, I don’t know what you’re—“

He tsked. “Y/N.”

You let out a shaky breath, “Johnny—“

He hummed in satisfaction. “It’s alright. I know it’s been a while.”

You let him kiss you, sweetly in a way that put your actual first kiss to shame. His lips were soft against yours, his tender movements intentional as he cradled your face, pulling you the slightest bit closer to him when you kissed him back. 

A sense of familiarity settled over you, warm and comforting like pulling a blanket out of the dryer on a chilly evening. Every time it seemed like you were beginning to overthink the situation with Homelander, he drew you back in with the kiss, a more than effective distraction until you pulled away with a dazed smile on your face.

[sarahreesbrennan]

I remember reading in one of your blog entries (years ago??) that in the new book you were writing, the main character's *sister* had cancer. Does that mean that Alice was originally the main character of Long Live Evil? Was she going to go into the book to save Rae, instead of Rae going in to save herself?

How extremely kind of you to remember!

No, that was actually a YA murder mystery that I wrote while ill, revised while recovering, and sent out into the world where it died on submission. (Which means we sent it out to about 12 editors and the editor either said no, or said yes and took it to acquisitions - a group of people at the publisher including sales and marketing - and acquisitions said no.)

One editor told me she really wanted and really tried to buy it. Another person who worked in publishing (and has since changed jobs, or I wouldn’t share this) said the response at her acquisitions was - if you like this writer, find the next her (implications about health and youth were made).

I was terrified my agent was going to ditch me too, but she said ‘We’ll sell that one day, for now let’s write the next thing.’

I remember another writer telling me she missed my work that wasn’t a tie-in, and I felt ashamed to tell her it wasn’t that I wasn’t writing other things - it was that I couldn’t publish them.

The tie-ins meanwhile were paying the bills (they still are tbh!) and I was and remain so grateful for them. But I also really loved writing them - especially my Sabrina tie-ins, you don’t forget the first, and it reminded me I want to write horror and poly one day - and how they got me to love and sympathise with so many fandoms.

I see the burnout of caregivers all around me, and I wanted to write the story of one. But maybe I also wanted to take a step back from cancer. I didn’t think I did, at the time. I had a whole lot of things I tried writing before Long Live Evil, and I think some of them were really good. One of my critique partners gave me a lipstick with the same name as someone in the murder mystery. There was a romance novel another critique partner said was her favourite thing I’d ever written. But none had someone with cancer at the heart of the story.

And even though Rae isn’t much like me, maybe I had to start there. You can’t make real magic using someone else’s liver. Maybe I had to wait to be brave enough to use my own liver.

I do get requests for advice on how to cope with rejection of your writing, and I always worried I didn’t have anything else to say, but I suppose my example says - if you can, (and I know it’s hard, you feel so terrible at writing and so useless) (and you love the work you’ve done so much and you don’t see a way forward to loving the next thing) (but still, if you possibly can) write the next thing.

Even if the first thing sells, you’ll want the next thing one day. Writing the next thing is more writing practise, so it’ll make you better. Write the next thing.

Ultimately I’m really glad Long Live Evil was my comeback book. I think it needed to be. It took the time it took.

But maybe it was a shade of that past book (where the heroine’s sister with cancer was six, so not much like any of the Time of Iron characters) that made me think of the YA version of this book, which I always had in my mind as something I was intentionally hewing away from - a more straightforward book, a book that might have sold better - in which shy reader Alice was the hero. She’s the one with the suggestive hero name - Alice through the looking glass - the heroine looks, and the more projectable-upon personality. She’d get called annoying less often (though still some, because she’s a girl), partly because she is (with love, Rae knows I’m right) a genuinely less annoying person. Much kinder, much sweeter, and much better at in-depth reading! Her sister being in trouble would’ve been a backstory, a catalyst point, and - you’re totally right - a great motivation for her to get the Flower. Saving a family member is a much more sympathetic and heroic motivation than saving yourself and one I do love (the Hunger Games, Labyrinth, Mahy’s the Changeover, and I write it a lot!). I think Snarky While Tragically Dying Rae would’ve been a pretty popular side character, too. I think it would’ve been a good book! Just not mine.

I love your question because I love thinking about POV, and all the decisions that are the building blocks of a story. To me, the Alice centric Time of Iron is a version that exists. As are several versions of the Lia centric Time of Iron. And versions centring other characters exist to me, too. (Eric, absolutely.)

Speaking of POV musing, I think Rahela the wicked stepsister featured more in the musical than the book. If the Time of Iron series ever became a TV show (and at this point in time I think I’d rather a movie because it wouldn’t… get cancelled…) and I got to write it (don’t know why I would…) I would start with the beginnings for three characters about to go on a journey to somewhere strange to them: Key in the Cauldron, Rae in the hospital, and Vasilisa in the icelands. There are so many possibilities! And I really wanted the sense that there were so many possibilities, too.

But I wanted the chronically ill one to be the centre of the story, and for it to be her villain origin story, and to ask a lot of questions (hence a lot of villains!) about who gets villainised and why. And I thought hers, to my mind, would be the most fun of all the possible stories.

So that’s the one I made. But Long Live Evil has a lot of origins. Thank you for remembering one of them! I don’t think I would’ve dared tell the story, if things hadn’t worked out for me (so far, fingers crossed).

And I also tell it to be clear my publisher was taking a RISK with me and Long Live Evil, and I really appreciate that, and I’m so happy it’s worked out for them (again so far, early days, fingers crossed, etc).

I hope some writers - whether in the process of submission, rejection or making the choices that are the building blocks of story - find this helpful, and some readers find it interesting.

Let this be one of the universes in which your story is told.

[saylor-twift]

“he loves you, but he would never say that to your face.”

“-but he would never admit that.”

“-but he would never tell you.”

???

Are you sure? I am an avid tumblr stalker, and I’ve read so many things on silly little hat man in my time. I’ve seen things that tore my heart to pieces, that patched it up, that made me want to rip my guts out and throw up, that made me feel on top of the world.

And yet this is the one thing that bothers me so very much. I know, everyone has their own interpretations and opinions on different characters. So let me share my own.

The Wanderer is such a deeply written and intricate character, strung together with deep fears and insecurities, tragic backstories, and a beautiful story of change, healing, and moving forward. (I hate hate hate it when he is forced down to the level of nothing but oversexualization and “uwu sexy anime boy”, but that’s a conversation for another time.)

I’m sure if you’re reading this, you’re probably acquainted with Wanderer’s backstory, so I’m not going to explain. A lot of shit happened that made him who he is, and ever since the events of Irminsul, he has taken on a new path that he cannot go back on. Not like he’d ever want to. He said it himself, he never had any intention of returning to the Fatui. (And also- why choose to go backwards when you’ve got such a nice path set ahead of you?)

Anyways, point is, he’s changing. Notice how I said changing. He’s not changed, he’s just starting to. He’s getting there. Which brings me back to my argument. In the case that Wanderer ends up with a partner, things are certainly not going to be like a normal relationship. (He’s got plenty of red flags, don’t even try to deny it. But he’s a fictional character, so I suppose we can let this one slide.) Is he going to make the first move? That depends on if you make him desperate enough. Otherwise, it’s all on you, babe.

He’s not going to take it well. He’s going to deny it as hard as he can. You don’t love him, how can you? He is the furthest thing from loveable as you can get on this godforsaken planet. (His thoughts, not mine) But he certainly loves you, and, albeit with some likely pressuring assistance from Nahida, he’s come to terms with that terrifying knowledge.

“But he wouldn’t admit that to you.”

STOP. STOP RIGHT THERE.

Here is where my controversial opinion comes in. Most people tend to portray Wanderer as this cold, cut-off, aloof and irritable man, even in a relationship. And before you say anything, no, I absolutely do not think he would be the lovey-dovey, sappy, overly caring and romantic type. He’s not on either end of the spectrum, but I do think he’s somewhere in the middle (but probably leaning towards the former side).

Love is so, so very scary to him. And downright unknown. He’s traversing into uncharted waters here, give him some space to figure things out. That being said, he’s testing these waters. He’s not going to say he loves you at the beginning of a relationship. He has to make sure this thing is going to work. Your relationship is a newly built bridge, and those three words are the heavy cargo passing through. Without a strong foundation, the bridge is going to collapse, no questions asked. The only problem is, it’s going to take a long, long time to build that bridge. It’s going to be more expensive, more time consuming, and cost more materials than you had originally bargained for.

But that cargo can’t sit on one side of the bridge forever, can it? No, it has to get to the other side at some point. So if you have the patience to give your time to this bridge, the cargo will find its way to the other side. The foundation may wobble, the planks may shake, but the bridge isn’t going down.

He loves you, and he would admit it out loud. He would say it to your face. Just maybe not as soon as you want it. It’s going to hurt, and you’re going to wonder if he actually cares for you or not. Fear not, because if you pay attention to those little things he does when you’re not looking, it will feed you those little crumbs you need till you can finally be satiated when the full meal is done cooking. He mends things for you, things you had given up on because you’d never have the time nor energy to do it yourself. He cooks, and surprisingly, it’s always your preferences. He collects things that remind him of you, some he keeps out of embarrassment, and some he leaves on your bedsheets whenever you’re not home.

He’s been hurt, abandoned, and betrayed far too many times to immediately let himself fall into something as complicated as a relationship. He’s going to be distant, you’re going to disagree, probably fight a bit. He’s just seeing how far he can bend the lines, how much you really want him. (red flag maybe!! but he’s working on it, it’s going to be okay. mayyyybe you can look past just this one…) If you won’t leave even if he does this, then he thinks, maybe you’re the one. Maybe fate decides to treat him benevolently for once.

And when you finally, finally get to that point, he’s going to drown you so deep you can never get out. He’ll say he loves you, does everything in his power to make sure you never forget it. (no, he’s not going to read you love poems in the moonlight and call you darling. sorry if that’s your thing, that’s not who he is.)

This relationship will never be perfect, but relationships never are. Just as long as the two of you are willing to be patient with the other and get through your differences and clashing personalities, you are going to mold together perfectly. And even if he doesn’t say it often, (which he probably won’t. he’s certain you know it. why repeat something already ingrained into your mind? he doesn’t use those words lightly), it’s not like he’ll never say it. He won’t leave you in the dark for too long. He loves you, don’t worry. He’ll say it, but he prefers to show it.

[iwannascreameurekaa]

"if it's okay for poc to be cast as originally white characters then why can't we cast white people for poc characters"

Great question I have a wonderful answer for you

to start this is about a post I saw about Leah playing Annabeth Chase in the Percy Jackson show. Someone in the comment section was complaining about it and saying that they think a white person should be casted for Hazel if there's ever a live action heros of Olympus. This person claimed that if race has no meaning when casting a black perosn for Annabeth, then why would it matter for Hazel?

here's where this person is so incredibly wrong that it confuses me on what their brain is used for if not to make a complete thought. Hazels race was one of the most important things about her backstory

Hazel was a woc in there 1940s she went to a school for colored children. She legit experienced segregation. The whole reason that she had a connection to Leo is because she went to school with his grandfather sammy and the only reason she knew sammy was because of that school for colored children. Just that is enough to tell her that yes her race does in fact have a meaning and isn't something you should change

then the person in the comment section started talking about Frank.. then Leo and then piper. Basically they ranted on and on about any poc character

Let's start with Leo now. I'm bringing back the hazel point because again the only reason that he and Hazel had a funky connection at the beginning of moa is because of that school for colored children. Leo's Hispanic heritage is also important when concerning how his life with his mother was up till he died. One of the reasons he ran away from his aunts house was because she was religious and constantly called him the devil.

what about Frank? Well his Chinese heritage connected him to Poseidon which made him related to Percy which isn't massively important but you know it's a plot point so I see no point in getting rid of it

and piper? One of the first things we find out about piper is that she is bullied for being cherokee. The FIRST thing we see of piper interacting with characters besides Jason and Leo is her experiencing racism. It is insane that some people think that's just a thing that could be thrown away. Her Cherokee heritage also relates to her main character development in the trials of Apollo and lots of her "wisdom" is old cherokee stories her grandpa would tell her

and tell me one fucking moment in the series where Percy or Jason's race was important. Other than them being Greek/roman because they're all Greek and Roman so shut up

oh but since everyone's complaining about Annabeth being black in the show that must mean that her being white in the books is SOOOOO important

... it's not. In fact she's literally 1000x tanner than most of y'all depict her in the "canon" fanart so... yeah. And those of y'all saying "what about her being blonde that's her main character thing blah blah blah" I'm sorry is this the 2000s??? Blondes being dumb is a horribly outdated stereotype that is only ever used in a joking manner now back when the lightning thief was written in was a thing used against blonde women but now it isn't.

You know a certain group that is targeted and deemed dumb because of how they look? People of color, specifying black women.

Annabeth Chase being black is probably one of the best casting decisions ever, and I say this knowing that race wasn't the main thing when casting. Leah is the perfect person to play Annabeth and I will die on that hill. She has the script determination and the emotional range that makes her the perfect candidate for Annabeth.

If Annabeth Chase were real she would love Leah and she would hate you all for saying Leah isn't her.

Rant ended. Get your heads out of your asses before you say more racist shit.

[fangdokja]

i keep rereading your yan marine corps! x fem reader. what was reader's role that she had to follow the marine's... adventure?

"You’ll never escape me—not when I’m the only one keeping you alive."

❤︎ Synopsis. In a world where death is mercy and survival means suffering, he claims you as his, promising protection through fear, control, and a twisted love that will leave you questioning if escape was ever truly possible.

♡ Book. A Heart Devoured (AHD) : A Dark Yandere Anthology

♡ Pairing. Yandere! Marine Corps x Fem. Reader

♡ Oneshot. #2 - The Devil Who Saved You

♡ Word Count. 3,153

♡ TW. dom + top + older yandere, non-con, possessiveness, psychological manipulation and conditioning, suggestive themes, fear play, emotional manipulation and abuse, psychological and emotional trauma, isolation, monitoring, lack of boundaries, non-con kissing and touching, forced relationship, BDSM, manipulation of circumstances, threats, descriptions of gore and human suffering, themes of violence and dystopia

♡ Note. Due to Tumblr content guidelines involving minors, some plot details of the original story were changed to fit the platform. If you want the true original story, please look at the author's official website or Ao3.

♡ A/N. I'm glad you enjoyed it :)). I'm surprised you're rereading it a bunch. But, I guess people do technically reread anyway. Sorry, slipped out of my mind. It just makes me happy seeing underrated works get credit, whether fandom or other stories I've written. So, thank you. Anyways. Technically, this was an ask. But it's a nice idea, and I've already had it in my drafts since before. I was just postponing lore dump with Yandere! Marine Corps, due to other works. Anyways. All I knew before, in all honesty, is that it's war time. But, time to pull out the fantasy skills and world build! Wooh! And to be honest, I'm hungry to write some gore crumbs like my familiar writing style, ahh. So, here, I present to you lore backstory (well technically part of the backstory). Hope you all enjoy it (also, sorry I talk a lot in notes).

♡ Music. Levee & Brick (Down to This) by Graffiti Ghosts

The world had fallen into an abyss so deep it seemed there was no end to its descent. The wars that came before—those waged for borders, ideologies, or resources—were merely preludes to this ultimate collapse. What erupted now was not war; it was annihilation. A calamity that turned cities into craters and humanity into prey. Every shred of civility burned away in the endless fires of desperation. The air was thick with the ash of the old world, a grim veil that painted the skies an eternal gray.

You had lived a different life once, one of relative normalcy in the dwindling days before the collapse. Back then, you had a future, a purpose, something as simple and human as hope. But that had been stripped away when the world’s powers unleashed devastation so complete it birthed horrors no living creature could comprehend. Technology had become a weapon of eradication, bioweapons and nanotech turning survivors into deformed creatures of flesh and steel, feral and mindless, hunting whatever moved. Rogue factions—remnants of militaries, mercenaries, and scavengers—rose like carrion birds, preying on the remnants of humanity.

In this hellscape, survival was no longer a matter of luck but of submission. Submission to those strong enough to carve their will into the earth and impose their dominion. He was one of those few. A towering force of unyielding violence, a soldier molded by decades of carnage, by a war that had reshaped him from a man into something closer to a machine of flesh and blood. The United Corps, once a venerated military institution, had fractured into splinter groups, each operating like a self-contained warlord’s regime. He was among their best—a leader, an executioner, a strategist, and now your captor.

You were assigned to him by pure chance—or perhaps cruel design. In this new order, value wasn’t measured by money or power but by the usefulness of flesh and mind. And you had been marked as useful. Perhaps it was your background—your knowledge, your resilience, or simply the misfortune of catching his attention when your convoy was intercepted by his unit. The corps didn’t merely take prisoners; they assessed, dissected, and consumed whatever remnants of humanity they deemed salvageable.

And he deemed you salvageable.

There were no illusions about the nature of his claim over you. It wasn’t love. It wasn’t mercy. It was obsession, possessive and cruel, born of a warped sense of necessity. “You belong to me now,” he had told you in that deep, unrelenting tone, the heat of his breath warming your face even as the chill of his words froze your soul. “Out there, they’ll rip you apart for the scraps on your bones. With me, you’ll live—if you behave.”

The battlefield was safer than the no-man’s land outside his dominion. That was the most damning truth. To run from him was to dive into a living nightmare where survival wasn’t a goal but a punishment. Outside his protection, death was not granted quickly.

You’d seen it. You’d heard the screams echoing through the wastelands, watched the crude factories churn with suffering. He’d forced you to look once, pressing your face against the window of a blood processing plant as tears streaked down your cheeks. “This is what’s waiting for you if you run,” he had whispered, his voice devoid of sympathy. “With me, you’re mine. Out there, you’re theirs. Decide.”

────────────

The smell hit you first. It wasn’t just the copper tang of blood; it was the rancid stench of rotting flesh mixed with chemicals—formaldehyde, acid, and something sour that clawed at the back of your throat. You gagged, instinctively raising a trembling hand to cover your nose, but he was quicker. His large, calloused fingers wrapped around your wrist, dragging your arm back down with enough force to make you whimper.

“Don’t look away,” he growled, his voice low and gravelly, vibrating like a distant explosion. “You need to see this.”

You didn’t want to see. You didn’t! But he held you there, his unyielding grip on your wrist a silent command. He stood just behind you, close enough that his breath fanned across the back of your neck, hot and suffocating.

The factory loomed before you like the mouth of some great beast, its jagged, rusted metal teeth glinting in the dim light of the sulfur-stained sky. The air outside had been foul, but inside, it was worse—a miasma of decay and despair.

The conveyor belts stretched endlessly, carrying bodies in various states of disassembly. Some were intact, their limbs hanging limply as they were dragged by crude metal hooks. Others were barely recognizable—mangled flesh and shattered bone mashed together in a grotesque parody of humanity. You tried to look away, to focus on the machinery, but even that was a nightmare of grinding gears slick with gore.

A loud, wet squelch drew your attention to a nearby station. A corpse—a woman, or at least what remained of her—was hoisted onto a steel slab. Her eyes were still open, glassy and staring, as if frozen in the moment of her death. A mechanical arm descended, its blade glinting dully under the flickering industrial lights. It carved into her chest with a precision that was almost surgical, splitting her ribcage open to reveal the organs beneath.

You felt bile rise in your throat as another arm extended, pincers gripping her heart. It yanked the organ free with a sickening suction sound, sending a spray of blood across the walls and floor. The heart was deposited into a waiting vat, where it joined dozens of others, floating in a viscous, murky liquid.

“They don’t waste anything,” he said, his tone devoid of emotion, as if he were explaining the workings of a simple machine. “Every part has a purpose. The skin for leather. The bones for tools. The organs for… whatever the hell they need them for.”

Your knees buckled, but he caught you, his arm snaking around your waist to keep you upright. “No,” he hissed, his breath hot and sharp against your ear. “You don’t get to faint. You’re going to watch. You’re going to understand.”

A scream tore through the air, high-pitched and raw, and you realized with horror that some of them weren’t dead. Your eyes darted to the source of the sound, landing on a man thrashing against his restraints as he was dragged toward another station. His legs were gone, severed at the thighs, and the stumps had been crudely cauterized to keep him alive.

“Please,” the man sobbed, his voice hoarse and desperate. “Please, just kill me. Just—”

The blade came down before he could finish, cleaving his remaining arm from his body. His scream turned guttural, the sound of a soul breaking, before it was cut off entirely by a needle plunging into his neck. The liquid injected was thick and black, spreading through his veins like oil. His body convulsed violently for a moment before going still.

You turned your head, choking on a sob, but he gripped your chin and forced you to face the scene again. His fingers dug into your skin, bruising and relentless.

“This is what happens without me,” he said, his voice a low snarl. “You think you can survive out there? Think you can make it without my protection? Look at them!” He shook you slightly, as if to drive the point home. “This is what you are without me—meat.”

Tears streamed down your face, hot and shameful, as you stared at the conveyor belts and the countless bodies reduced to parts. You couldn’t stop shaking, couldn’t stop the nausea that twisted your stomach into knots.

Another scream pierced the air, this one an elder's. Your head snapped toward the sound, and your heart plummeted. A thin figure, frail and sickly, was strapped to a table, his wide, terrified eyes fixed on the approaching machinery.

“No,” you whispered, your voice barely audible. “No, no, no…”

The machine didn’t care. The blades descended, and you squeezed your eyes shut, the image burned into your mind even as you tried to block it out.

He didn’t let you escape even that. His hand tightened on your jaw, forcing your eyes open. “Don’t you dare look away,” he growled. “This is reality. This is what’s waiting for you if you run.”

You broke then, sobbing uncontrollably, your body wracked with shuddering breaths. He held you there, unyielding, until you were too weak to fight. Only then did he pull you close, his grip on you shifting from punishing to possessive.

“That’s right,” he murmured, his tone softening in a way that was somehow more terrifying. “You understand now, don’t you? You’re mine. And as long as you’re mine, this will never happen to you.”

His lips brushed against your temple, a mockery of comfort as he whispered, “But if you ever forget, I’ll bring you back here. And I’ll make you watch again.”

────────────

The battlefield stretched like a bleeding wound across the earth, jagged trenches carved into the mud and ash. The remnants of what had once been cities were nothing more than skeletal buildings clawing at the smog-choked sky. The air was thick with the acrid tang of burning fuel and the gut-wrenching stench of charred flesh. Bomb craters bubbled with viscous, oily water that gleamed under the pale, radioactive sun. It was a place where hope had been smothered, where humanity’s last breaths came in choking, gurgling gasps.

He stood before you, his shadow long and oppressive, a monolith of muscle and bloodied steel. His armor—if you could call the piecemeal, blood-streaked remains of his tactical gear armor—clung to him like a second skin, the fabric worn thin and blackened with soot. In his hand, a rifle dangled lazily, as though he didn’t need it. And he didn’t. He was a weapon unto himself, his body and mind honed by decades of violence, cruelty, and war.

“Do you remember this place?” His voice was a low rumble, scraping against your nerves like a blade dragged across bone. His eyes, sharp and unyielding, bore into you with a force that made your knees weak. “Where I found you?”

You nodded faintly, though you didn’t trust your voice enough to speak. Your silence wasn’t just fear—it was a learned response, a survival tactic you’d mastered in the years since he’d claimed you.

“Do you know what they were going to do to you?” He crouched, bringing his face level with yours. His presence was suffocating, his frame dwarfing your own. His voice dropped lower, almost tender, as though sharing a secret. “No, you don’t. You only saw what they let you see. Let me show you the rest.”

He yanked you forward, his grip on your wrist unyielding, and led you toward the edge of the battlefield. The ground squelched beneath your feet, a revolting mixture of mud, blood, and something viscous that you didn’t want to identify. In the distance, the ruins of an old hospital came into view. The building leaned at an unnatural angle, its walls crumbling but still intact enough to conceal the horrors within.

“You’ve seen death,” he said, his tone conversational, as though discussing the weather. “But you haven’t seen what people do when death isn’t enough. When they want to break you first.”

The interior of the hospital reeked of antiseptic and decay. The sterile smell of chemicals clashed with the unmistakable odor of rot. The walls were streaked with dark stains, their origins uncomfortably clear as you stepped over discarded limbs, the flesh marbled with gangrene and crude surgical scars.

In the first room, a soldier lay strapped to a gurney, his body contorted unnaturally. His chest had been split open, ribs wrenched apart like the wings of a grotesque bird. His heart was missing, the cavity where it had once beat filled with a tangled mess of wires and tubing. The machinery whirred softly, pumping fluids through his veins and forcing his lungs to expand and contract in shallow, mechanical breaths. His eyes were still open, rolling wildly in their sockets as they locked onto you.

“He’s alive,” the man behind you whispered, his voice a mix of mockery and menace. “Barely. They like to see how far they can push the human body before it gives out. Sometimes they even stitch people back together, just to see how much more they can take.”

You gagged, your stomach lurching violently, but he grabbed your chin, forcing you to face the horror. “Don’t look away,” he commanded, his tone sharp and unyielding. “You need to understand. This is what was waiting for you.”

He dragged you into another room, this one colder, darker. Rows of tanks filled the space, each containing a murky, greenish fluid that distorted the shapes inside. At first, you thought they were bodies, but as you moved closer, you realized they were something worse. Limbs were fused together in impossible configurations, heads sprouted from torsos without necks, and eyes blinked independently in faces twisted beyond recognition. The creatures floated listlessly, their expressions a grotesque mix of agony and confusion.

“Human experimentation,” he explained, almost lazily. “They weren’t trying to kill you. They were going to use you. Turn you into something like this. A weapon. Or worse—a resource.”

You stumbled backward, but he caught you, his arm curling around your waist with a possessive strength that left no room for escape. He pressed his lips to your ear, his voice a dark caress. “I killed them all for you. Do you see now why you belong to me? Why you owe me your life?”

He pushed you onward, through rooms filled with horrors you couldn’t have imagined in your darkest nightmares. A man impaled on a series of metal rods, his skin flayed back to expose muscle and bone, still breathing through a series of tubes jammed into his throat. A woman with her limbs replaced by crude prosthetics, her mouth sewn shut but her eyes screaming. People of all ages locked in cages, their bodies twisted and deformed, their cries muffled by gags soaked in blood.

“This is what humanity has become,” he said, his voice cold and detached. “This is what I saved you from. You were a prize to them. A rare find. They would’ve broken you in ways you can’t even imagine.”

You fell to your knees, the weight of it all crashing down on you. He crouched beside you, his bloodied hand gripping your chin and forcing you to look at him. His eyes, sharp and unyielding, were filled with something dark, something terrifyingly close to affection.

“Don’t forget this,” he murmured, his thumb brushing over your cheek. “Don’t ever forget who saved you. Who you belong to. Because without me…” His voice trailed off as he gestured toward the carnage around you. “This is all you’d ever know.”

You sobbed, the sound muffled against his chest as he pulled you into his arms. His embrace was as suffocating as it was unyielding, a cage that you could never escape. And yet, in that moment, you clung to him, because the alternative was too horrifying to bear.

────────────

So you stayed.

Not because you trusted him. Not because you wanted him. But because the alternative was infinitely worse. And yet, staying came with its own horrors, its own chains. His obsession didn’t shield you from his cruelty; it only redirected it. He was a man who didn’t just command obedience—he demanded submission. Every glance, every word, every trembling breath was a reminder of your place beneath him. When he touched you, it wasn’t with gentleness. His hands were calloused and bruising, gripping and claiming, leaving marks that would never fade.

“Don’t look at me like that,” he would say when your eyes filled with defiance or despair. “You’re still alive because I allow it.”

The world outside was dead, a barren wasteland of mutilation and starvation, yet with him, the torment was suffocatingly personal. He didn’t just want your compliance; he wanted your surrender. His words were a scalpel, cutting into your psyche with surgical precision. He would pull you close, his breath hot against your ear, his voice low and gravelly as he whispered promises of protection intertwined with threats so visceral they made your stomach churn.

“You’re mine,” he’d say, his hand resting possessively on your throat. “Every inch of you. Every thought. Every breath. Try to take that away from me, and I’ll show you what real pain feels like.”

There were moments when his control slipped, when the line between protector and predator blurred beyond recognition. He would keep you close, his body a cage of muscle and violence, his gaze piercing through your facade of composure. The way his hands roamed wasn’t tender—it was invasive, a reminder that he could take whatever he wanted, whenever he wanted, and there was nothing you could do to stop him.

And yet, you didn’t resist. Couldn’t. Resistance wasn’t a choice. Not here. Not with him.

The world outside was unlivable. The world with him was unbearable. Between the two, you chose to endure.

────────────

If you want to be added or removed from the tag list, just comment on the MASTERLIST of A Heart Devoured (AHD): A Dark Yandere Anthology. Thank you.

General TAG LIST of “A Heart Devoured”: @definetlythinkimanalien , @floooring

[gin-juice-tonic]

Hello. It's me again. I'm sure you've realized by now what this type of introduction to a post is leading into. I'm going to bring up another page in the bill book. This entry is going to be less about "proving" anything, but rather it's just something I'd like to discuss. (Also just a warning, this one ends up a bit long due to how many photos are included!)

As I have said before. I had many many thoughts, and I am liable to talk about them until they're all talked out. I want to focus on a single page again (Or I guess, a single double page).

Sorry for the kinda small image here, but don't worry. I'll point out the part I want to talk about.

What I find strange about these pages in particular, aside from the fact that it starts to become written like some sort of noir novel and that Bill has chosen to speak like a femme-fatale, is the new idea it suggests to us:

Bill at some point told Ford he was from another dimension.

I say "at some point" because Ford doesn't react to the idea like this is new information here. Why do I find that strange? Well, for one thing, there's never anything that would indicate Ford knew this pre-portal.

To start, we know that Bill introduces himself to Ford as "a Muse"

Notice the way Ford speaks about him. "From a higher plane, divine, otherworldly". He makes some guesses on the second page (spirit, alien, dream, etc), but nothing to indicate they've discussed the whole other-dimension thing yet. Of course, this is still early, so let's skip further ahead.

Here's where we start talking about other dimensions.

Bill has told his "weirdness dimension" lie to Ford, but there's no implication that he himself is from this dimension. And not to mention, this dimension hasn't been destroyed, so naturally it cannot be the one he talks about in the Bill Book pages.

Regardless, Bill is still being referred to as a divine thing, unknowable and even possibly not real. Safe to say he isn't inter-dimensional yet, so let's continue.

(this section has been edited from its original wording)

Here Fiddleford and his idiosyncrasies enter the fray, and Ford debates telling him. Fiddleford is aware they're building a portal to another dimension, so it would not be that far of a stretch in that vein for Ford to also explain that Bill himself is from one. But Ford's attitude toward the situation veers towards the less scientific. Ford still considers Bill to be something divine, and is worried Fiddleford would think black magic is happening.

Worrying that Fiddleford would think he's gone mad is one thing, but the emphasis on black magic and fiddlefords superstitions strike me as odd.

I understand there are likely several varying reasons why Ford wouldn't want to tell Fiddleford about Bill, even if Ford DID know he was from a different dimension, however:

If Ford had something to suggest Bill's essence was more scientific in nature, I.E. him being from another dimension himself, I think he would've put that into consideration in that when deciding whether to reveal him to Fiddleford, or at the very least would've given up the emphasis on his superstitious nature.

I'm not trying to say he would've actually fully revealed it to Fiddleford if this were the case, but I think the thought process around the concept of doing so would be different.

.

We're closing in on the portal test now. Ford refers to him here as a "non corporeal entity". He is non corporeal so long as he exists only in the astral plane... but is that what Ford is talking about? Or does he believe Bill has only ever existed in the mindscape? Does he know yet? I don't think this page actually includes much of an answer, I just figured it should be included.

The next-next page does have Ford cheekily refer to him as "imaginary" though...

Fairly soon after this, the portal incident and the betrayal happens. Could it be possible that somewhere within these pages, Bill spilt his home dimension backstory? I'm still inclined to think not.

These questions have no definitive answer, but I am led to wonder:

1) Bill's whole dynamic with Ford is that of a "Muse" inspiring intelligent minds throughout history, wouldn't the reveal of him being from another dimension call this dynamic into question?

2) If Bill is something from another dimension, wouldn't asking Ford to build a portal to a dimension totally-not-at-all-related-to-him become suspicious? Would Ford not question his motives at that point?

(A later edit: As has been pointed out in the reblogs, some of what I have discussed thus far fails to take into account the mental state Ford could be in due to Bill's abuse/manipulations. Expecting perfect logic and reasoning from him like the two questions above are asking for may not be fair. I am leaving them in this post so the aforementioned reblogs continue to make sense, but again, how his prolonged abuse factors into his logic and decision-making should be taken into consideration.)

.

.

I have just a few more post-portal pages to show to continue my long winded discussion with as well.

The pages about Exwhylia read a bit weirdly, admittedly. The first page Ford states he thought this was Bill's birthplace, the second page he states he believes Bill came from somewhere similar but was mysteriously destroyed.

If Ford thought this 2-D dimension had been reduced to an atom before he got there, how could he have planned to go? And I should hardly call being destroyed by a monster a "mysterious" method of destroying. Whatever the explanation for the way these are written is, I don't think they read like Bill has ever spoken to Ford about his home dimension.

Additionally, he mentions his "quest to defeat Bill" is what led him here, which I feel implies he learned of this place after being portaled.

I wish I had a good closer for this mini-essay, but the questions I asked above the Exwhylia section were originally supposed to be it. I don't believe Bill had told Ford about his dimension. That's the end of the sentence.

MAJOR ADDENDUM:

I can't believe I missed this (I can believe it) but.. In the book of Bill, Ford refers to Bill as "extradimensional" after their very first meeting!

Pinpointing the answer to my timeline question supposedly to this exact moment. In my opinion, if you combine this with everything I've mentioned above, no part of this idea from the book of bill makes any sense at all. You might remember at the beginning of this post, Ford guesses at what type of creature Bill is... two years after this last page here was supposed to have been written.

Additionally, if he had known there was an "extradimensional" creature in gravity falls at this point in time, I should hardly think it would've taken him two whole years after that to think of the idea that the Falls' weirdness may come from out of our dimension! (Not to mention in J3 he tells us the idea was told to him directly from Bill. Two years elapsed between these conversations? Knowing Ford, not likely. Again, even if Bill somehow did avoid telling him that whole time, I think Ford very well could've figured it out on his own by then.)

[artbyblastweave]

i only learned recently from a friend's who much more comic literate than I that magneto's backstory as an Auschwitz survivor wasnt planned from the start, which surprised me since it seemed to me a really integral part of his character. anyway, twofold question: how common is it to see capes with backstories tied to very specific historical events, and, as time inevitably passes and real world survivors of those events pass, how do they justify having their characters still alive and kicking? (stay safe on your mountaintop friend)

Depending on how wide you cast the net, this is a pretty big list! There are a lot of comics who's characters cutting-edge ripped-from-the-headlines origin later became a very specific historical event, or at least Of A Specific Moment, in a way the writers had no reason to anticipate the franchise would run long enough to have happen. But to shed pedantry and hone in on some specific ones;

The big one, of course, is Captain America. Superficially Cap's contemporary origin comes with a baked-in means of him making it to the present day- he gets stuck in the ice and then gets unthawed. The fly in the ointment, though, is when he unthaws. When they first brought him back into rotation in 1964, his stint in the ice was only around 20 years; long enough for there to be a significant culture shock, but not long enough that his entire social circle was dead or even culturally sidelined. Nick Fury is still around and kicking ass as a zeitgeist-appropriate 60s superspy. But the further the sliding timeline hauls forward his implicit date of release, the more it changes the tone and tenor of the resulting story. Losing twenty years is different from losing fifty years (as was the case in The Ultimates, where he very explicitly comes back during the Bush years as part of the book's commentary on The War On Terror) and those will both be way different from when we inevitably hit the point where he's lost 100 years and he's the cultural equivalent of a Civil War Vet or something. There's strength to all of those stories but they're undeniably different.

Iron Man's origin was originally explicitly tied to the Vietnam war; he was captured by a detachment of "Red Guerillas" while consulting for the US military and the South Vietnamese government. Unfortunately U.S. foreign policy to this day has prevented this from ever becoming an unresolvable storytelling issue.

The Fantastic Four are a case where their origin was intimately tied to the space race; their untested, cutcorner spaceflight was expressly an attempt to show up the Russians. The extremely specific political context of their test flight is something that sort of gets brushed off; the Ultimate incarnation (written by Warren Ellis) threaded this needle deftly by having the accident be a dimensional expedition instead, circa the early 2000s. I'm not actually sure how the urgency of their test flight is currently contextualized in 616 continuity. Anyone got their finger on that pulse?

The Punisher was also originally a Vietnam vet- but through the jaded cynical lens of the 1980s rather than the straightforwardly peppy and jingoistic lens that defined Iron Man's debut in the 60s. Current continuities I believe have mostly bitten the bullet and updated his origin to the invasion of Afghanistan. However, an interesting decision in the Garth Ennis-spearheaded Punisher MAX continuity of the early 2000s- where Punisher is literally the only costumed vigilante- is that they bit the bullet and posited a version of Frank Castle who really has been killing criminals nonstop since shortly after his return from Vietnam in the 70s, a man well into his 60s who's survivability and efficacy at killing are edging up against the boundaries of magical realism.

Hulk I feel sort of deserves a mention here- he's in a sort of twilight zone on this issue, as there was, uh, a pretty goddamn specific political context in which the Army was having him make them a new kind of bomb, but you can haul that forward in the timeline without complete destruction of suspension of disbelief. Pretty soon it'll be downright topical again.

To circle back around to The X-Men, Claremont introduced a lot of historical specificity with the ANAD lineup. Off the top of my head, Colossus was explicitly a USSR partisan (updated to a gangster forced into crime to survive in the mismanaged chaos of the USSR's collapse in the Ultimate Universe) and Storm was orphaned by a French bombing during the Suez War. More to the point, the timing was such that Magneto, in his upper-middle age, had a pretty strongly defined timeline vis a vis his ideological development vs Xavier; child during the holocaust, Nazi hunter who eventually rifts with Xavier during the mid-to-late 60s, and then the two of them spend their years marshalling their respective resources before coming to blows during the quote-unquote "Age of Heroes," whatever the timeline looked like for that in the 80s. And it was a timeline that held together pretty damn well in the 80s, but it's gotten increasingly awkward as time's gone on. The Fox films completely gave up on having it make sense, near as I can tell. In the comics they've had all sorts of de-aging chicanery occur that very pointedly ignores what an odd timeline that implies for everyone else in the X-books besides Magneto. The Cullen Bunn Magneto standalone from 2014-15 I remember actually leaned into playing up the idea that he's just old as shit and dependent on so many superscience treatments to remain functional that he's basically pickled, which was a take I liked; the comic ended when he died of exertion trying to stop two planets from crashing into each other, right before a brand-wide universal reset. When the MCU was at it's peak and people were wargaming how to integrate the X-Men (lol) you occasionally saw people float "fixes" for the issue, such as making Magneto a survivor of the Bosnian Genocide, or making him black and a survivor of the Rwandan genocide; I remember that this consistently drew a lot of ire from people who (reasonably) thought that his Judaism and connection to the holocaust were deeply important to his character, continuity be damned. But yeah, he's a character dogged by specificity in a way only Cap even slightly approaches. If this is a tractable problem I'm not going to be the one to tract it.

Interestingly, I'm genuinely having a lot of trouble coming up with stuff that's analogous to this at DC comics- almost universally the core roster updates into any given time period much more smoothly. Furthermore, DC stuff has always been much more willing to eschew Marvel's World-Outside-Your-Window philosophy in favor of deliberately obfuscating the time period via the Dark-Deco aesthetic of BTAS's Gotham or the retrofuturism of STAS's Metropolis.

The closest you get to this kind of friction is The Justice Society, who, pre-crisis, were siloed off in a universe where superheroes had existed since the 40s and there was no comic book time, so they were all in their upper-middle-age to old age now, with their kids and grandkids as legacy capes. Post crisis they were (and are) kind of an awkward fit in DC continuity; in the scant few JSA comics from the 90s and early oughts that I read, surviving members of the WW2-era lineup like Alan Scott and Jay Garrick were absolutely written as dependent on their metahuman physiques to have endured up to the present day. I think they're still doing stuff with those guys. I don't know how. I do understand the impulse, though. I also never throw anything out.

[literaryvein-reblogs]

hiii, i am writing my first book/novel. its highlighting d***th, romance, mystery, politics, pretty questionable characters w revenge, thriller and lots of women n power play. its my first book and im not that educated about such themes. but this rough plot i have in my mind is so beautiful that underperforming this excellent trope would be a shame....ive never written before so could you please what to do to actually write this kinda theme to my heart's satisfaction. I've never written a freaking chap before and now im really lost

Writing Ideas: Revenge Tropes

some tropes related to revenge, thriller, women, and power play

Afterlife Avenger: This trope involves the circumstance where a character explicitly still chooses to pursue conflicts against whatever's left of their hated target long after they've passed.

Best Served Cold: Named for the French (or Sicilian, or Klingon, or drow, depending on who you ask) proverb, "Revenge is a dish best served cold." At least in the case of drow, it also means one can have well-planned revenge and drive them mad with fear as a bonus.

Crusading Widow: The death or murder of their significant other motivates the character to seek revenge.

Defeat as Backstory: A protagonist (or some other character's backstory) in a story begins by having been defeated either before the story began, or early on in the story (often in a prologue).

Dying Curse: With his dying breath, a character wishes ill fortune upon his killers, or some other personal enemy.

Pay Evil unto Evil: In real life, the sort of thinking behind this trope is called "retributive justice".

Revenge Through Corruption: Instead of inflicting physical harm, the villain attacks the mind and soul.

Villain-by-Proxy Fallacy: When someone goes after not only a crime's perpetrator, but those who supplied the perpetrator or were otherwise marginally connected to it, whether or not the people involved had anything to do with the actual crime.

Woman Scorned: A woman who's been dumped, cheated on, or otherwise done wrong by her significant other (or, in some cases, merely thinks she's been).

Examples

Alexandre Dumas's The Count of Monte Cristo, probably the greatest revenge story of all time.

In the original version of Beauty and the Beast, the Prince's widowed mother goes off to fight a war and leaves a wicked fairy to help him rule. When the Prince comes of age, she tries to seduce him and turns him into a Beast when he refuses her advances.

In Moby-Dick, Captain Ahab makes it clear throughout the book that he'll pursue Moby Dick to, into, through, and out of Hell, and even then he still won't be satisfied until the whale suffers forever for its slight against him.

Crime and Punishment: One of the antagonists of the novel, Porfiry, works as a police officer and interrogator, which usually would qualify as a good-aligned job. As you further witness this officer's tactics in catching criminals, you see him commit to bribery, thievery, death-threats, and psychological torture to force an admission. Furthermore, he seems to actually enjoy it, toying with amateur criminals like a cat torturing a wounded mouse. The justification, of course, being that the victim of this was a murderer, and therefore deserves it.

George R. R. Martin's Fire & Blood: After the war, Lady Joanna Lannister has a beef to pick with the Greyjoys, who've taken up raiding the coast, including killing a few Lannisters. She decides the best course of action is go to the Iron Islands and kill every man, woman and child she can find. She just settles for burning a lot of things and abducting one Greyjoy, gelding him and turning him into her fool.

Feyd Rautha Harkonnen receives a Dying Curse in Dune. After killing a combat slave in the arena, his opponent's final words are "One day one of us will get you." Given that this fighter is not just a slave, but one of the soldiers from the army of the Harkonnen's blood enemies, the Atreides, this may be prophetic.

In A Song of Ice and Fire, Arya Stark's conflation of justice and personal vengeance leads her to Villain-by-Proxy Fallacy. While many of people on her death list certainly deserve to be brought to justice, such as the Tickler for torture and Weese for abuse, others were merely acting on orders, such as the Hound, doing their jobs or are just guilty by association. Cersei Lannister is on her death list for being involved in the execution of Ned Stark, but Cersei wasn't complicit in that activity, and even spoke out against it. Same with Ilyn Payne, who was just doing his job as the royal executioner. The real mastermind of Ned's death, Littlefinger, is not on the list. Meryn Trant is on the list for killing Syrio Forel, but there isn't any evidence to confirm the crime. Polliver and Dunsen are on the list for flimsy reasons, like stealing. She has Chiswyck murdered for the crime of not being as funny as he thinks he is (granted, Chiswyck was joking about a gang rape, but that isn't the reason Arya cites as his crime). The conflation of justice and vengeance, and how that conflation leads to this trope, is one of the key themes of the entire story.

Queen Dido in The Aeneid, who prophesies that her and Aeneas's people will meet again in war (the Punic Wars — her future, Virgil's past). Particularly tragic in that it's made fairly obvious that he'd have stayed with her if he'd had the choice.

Sidney Sheldon's The Best Laid Plans: Leslie Stewart plots to ruin the career of Oliver Russell when he leaves her at the altar to marry a woman whose father promises to further his political career.

The Hunger Games: The Pay Evil Unto Evil trope is discussed all the way through Mockingjay, and reaches its culmination when President Coin suggests either executing all Capitol citizens or forcing their children into the Games.

Source ⚜ More: References ⚜ Writing Resources PDFs

Hi, here are some tropes I found related to the themes you described. You can find more in the source linked above. Study how it is portrayed in different types of media, and in your favourite films/books, to gain inspiration for your own story. You can take the rough idea/plot you already have, and try to incorporate techniques and tropes used by other authors, but then deviate from borrowing those ideas when your story starts to flow naturally. All the best with your writing!