#but there was some backstory i had originally written

[iwannascreameurekaa]

"if it's okay for poc to be cast as originally white characters then why can't we cast white people for poc characters"

Great question I have a wonderful answer for you

to start this is about a post I saw about Leah playing Annabeth Chase in the Percy Jackson show. Someone in the comment section was complaining about it and saying that they think a white person should be casted for Hazel if there's ever a live action heros of Olympus. This person claimed that if race has no meaning when casting a black perosn for Annabeth, then why would it matter for Hazel?

here's where this person is so incredibly wrong that it confuses me on what their brain is used for if not to make a complete thought. Hazels race was one of the most important things about her backstory

Hazel was a woc in there 1940s she went to a school for colored children. She legit experienced segregation. The whole reason that she had a connection to Leo is because she went to school with his grandfather sammy and the only reason she knew sammy was because of that school for colored children. Just that is enough to tell her that yes her race does in fact have a meaning and isn't something you should change

then the person in the comment section started talking about Frank.. then Leo and then piper. Basically they ranted on and on about any poc character

Let's start with Leo now. I'm bringing back the hazel point because again the only reason that he and Hazel had a funky connection at the beginning of moa is because of that school for colored children. Leo's Hispanic heritage is also important when concerning how his life with his mother was up till he died. One of the reasons he ran away from his aunts house was because she was religious and constantly called him the devil.

what about Frank? Well his Chinese heritage connected him to Poseidon which made him related to Percy which isn't massively important but you know it's a plot point so I see no point in getting rid of it

and piper? One of the first things we find out about piper is that she is bullied for being cherokee. The FIRST thing we see of piper interacting with characters besides Jason and Leo is her experiencing racism. It is insane that some people think that's just a thing that could be thrown away. Her Cherokee heritage also relates to her main character development in the trials of Apollo and lots of her "wisdom" is old cherokee stories her grandpa would tell her

and tell me one fucking moment in the series where Percy or Jason's race was important. Other than them being Greek/roman because they're all Greek and Roman so shut up

oh but since everyone's complaining about Annabeth being black in the show that must mean that her being white in the books is SOOOOO important

... it's not. In fact she's literally 1000x tanner than most of y'all depict her in the "canon" fanart so... yeah. And those of y'all saying "what about her being blonde that's her main character thing blah blah blah" I'm sorry is this the 2000s??? Blondes being dumb is a horribly outdated stereotype that is only ever used in a joking manner now back when the lightning thief was written in was a thing used against blonde women but now it isn't.

You know a certain group that is targeted and deemed dumb because of how they look? People of color, specifying black women.

Annabeth Chase being black is probably one of the best casting decisions ever, and I say this knowing that race wasn't the main thing when casting. Leah is the perfect person to play Annabeth and I will die on that hill. She has the script determination and the emotional range that makes her the perfect candidate for Annabeth.

If Annabeth Chase were real she would love Leah and she would hate you all for saying Leah isn't her.

Rant ended. Get your heads out of your asses before you say more racist shit.

[wyvernne]

i’m working on the frwad sequel and casually thinking about how vampluc would definitely burn down mondstadt if the holy knight asked him to goodbye

[clownwritesfanfic]

I Could Be A Good Mother, and I Wanna Be Your Wife

Katsuki Bakugou x Fem!Reader

Summary: Class 1A is given the surprise task of caring for baby dolls. Everyone is randomly paired up in two’s, and it’s just your luck that you get your crush as a partner.

Warnings: Bakugou may be a little ooc but I don’t care

Genre: Fluff

Word Count: 6,512

Disclaimer: Reader is kept as diverse as possible but wears a skirt, uses the girls locker room, has long enough hair to run fingers through, calls herself ‘mother’, being able to birth a child, and was originally written with a fem aligned person in mind. This is safe for poc, and plus size readers. The majority of the fic is also safe for trans women readers but the bonus at the end is not. (Y/N) is used only once.

Important info before you read‼️

This fic was written originally with an OC of mine in mind, however, most people don’t read Canon x OC and while I normally wouldn’t care and wrote one anyway, I am very proud of this and want as many people to read it as possible and hopefully enjoy it. So with that in mind, I took out any describing factors and her name but I did keep some of her backstory and her quirk. If that bothers you, you can move on but I hope you read it anyway because I’m very proud of this.

Also, there is another OC of mine in this story, Usagi. She’s not integral to the plot and has no speaking roles. I had to add her to keep the class even, otherwise someone would’ve been a single parent.

Any feedback is very welcome and appreciated!

Title is inspired by ‘not a lot, just forever’ by Adrianna Lenker but the fic is unrelated.

———————————————————————

It was a Monday, a few weeks after the majority of Class 1A got their provisional hero licenses when Midnight and Recovery Girl entered the classroom. Aizawa had taken it upon himself to snuggle up in his yellow sleeping bag and take a nap after introducing the two women, leaving them to explain what today’s class is.

The students expected Midnight, considering she had taught a few of their classes before, but there were murmurs of why the school nurse was there.

“Listen up boys and girls! We have a very special and unique class for today!” Midnight announced as she raised her hand in the air, her leather whip clutched in her hand, catching the attention of everyone (who was awake) in the room.

“Today isn’t about hero work or everyday schoolwork. This lesson is special, it will help you all later in your lives if you choose this path. The path being….PARENTHOOD!” She exclaimed while striking an enthusiastic pose.

“Wait, what?!” “Seriously?” “What do you mean?!” A series of voices could be heard throughout the classroom.

“Settle down!” Midnight got the attention of the students. “This lesson is the most important lesson anyone can learn. Whether you want to become a parent or not, learning how to care for babies and children is a vital and selfless aspect of life.”

There were a couple hushed protests among the class but Recovery Girl talked over them. “You will have one week to care for these babies.” She explained as she pulled out eleven baby dolls of various genders and races. “These dolls are specially made for things like this. These babies will cry, make noises, “sleep”, “eat”, and soil its diaper like a real baby. They’re also able to record and grade you based on how quickly you can figure out and resolve its problem. And be careful what you say around it and how you say things. They can detect anger and verbal abuse which will drastically affect your score. Now…any questions?”

A bunch of hands were instantly raised. But that didn’t matter since Bakugou stood up and slammed his hands onto his desk and yelled. “WHAT THE HELL DO WE HAVE TO RAISE SOME DUMB BABIES FOR?! THIS IS THE HERO COURSE NOT A NURSEY COURSE!”

“Sit down.” Midnight said sternly. She took over the conversation. “While this lesson isn’t exactly meant to play into your hero work, this knowledge can be beneficial out in the field. For example, in some rescue operations, it can take hours for a child to be reunited with their family. Most of the time, medics will take the child and work with police to try and reunite them with their parents, but there are times where a hero must step in and care for and comfort the child. With older children around three to five years old, they’re easier to calm down. You can talk to them and explain the situation and reassure them. But babies and younger children are harder to console in high stress situations. If you learn these things now, you won’t be stressed if you ever get caught in a situation where you’re in charge of a small child. A lot of heroes are inexperienced with child care unless they are a parent themselves or have young family members. Think of this as getting ahead of a problem before it even starts. Make sense?”

Bakugou grumbled and sat back down.

“Eeeee This is going to be fun! We get to take care of cute babies!” Ashido squealed.

“I don’t think it will be that fun, Mina. Babies are a lot of hard work and dedication.” Asui chimed in, a finger lifted up to her lips. She had two younger siblings, so she knew a thing or two about raising kids.

“Correct you are, child.” Recovery Girl said. “The infant stage is one of the toughest stages of child rearing since they can’t communicate their needs and wants with words. It’s a lot of guessing and paying attention to their body language. However, these dolls do not move so you will have to rely on audio cues to guess what the child needs.”

Midnight spoke up. “You will be split up into groups of two all determined by a random draw. Because there are more boys than girls in this class, some of you will end up in a same sex partnership. You do not have to act as a real couple so don’t freak out if you’re partnered with someone you don’t have romantic feelings for. What’s important is teamwork on taking care of the baby. You are in charge of the child for the rest of this week, including the weekend. You may chose to either take turns or to split responsibility evenly. You will be given all the supplies you will need, if you end up needing more, Recovery Girl will help you. At the end of the week you will return the dolls and we will tally up the scores and see which couple has the lowest score. The lowest score is the winner since each mistake is marked based on how severe of a mistake it was. The higher the score, the worse you did. Any more questions?”

Iida quickly raised his hand. Midnight gestured for him to speak. He stood up and loudly asked “If we are to have the baby all day for the rest of the week, what do we do with it while training? You can’t expect us to take the baby with us! That’s highly dangerous and immoral and I would expect better from such a prestigious school!”

“Yes, you’re right. We don’t expect you to keep the doll with you while training. That’s why each of you will have to figure something out. One of you will have to sit out of training unless you can find a better option. Leaving the child in your dorm and hoping for the best is not an option and neither is bringing it to training and leaving it off to the side. It’s like real life. One of the parents has to stay home and care for the child. Sometimes they will get a babysitter but that is not an option for you since the scores need to come from you and your partner only for you to pass. If you really want to train that day, you’ll either have to talk it through with your partner, or train later in the day during your free time.” Midnight answered.

“Thank you very much for clearing this up.” Iida said, bowing deeply before taking his seat.

Midnight clapped her hands. “Alright! With everything out of the way, let’s draw for your partners.” She held up a blue plastic box. “In this box is twenty-two coloured tokens. There are eleven pairs. Each one of you will reach into this box and pull out one token, when everyone has a token, you will be given time to find the person with the same colour token. They will be your partner for the rest of the week. You may not switch partners. Each colour is already assigned to a baby as well, so you don’t get to chose that either.” As she finished explaining she walked around the room letting everyone reach in and pull out a token. When the box was empty she returned to the front and allowed the class to find their partners.

Midoriya and Uraraka had the yellow tokens, Shouji and Asui had the purple tokens, Mina and Kirishima had the red tokens, Kaminari and Jirou had the orange tokens, Hagakure and Yayorozu had the light blue tokens, Sero and Mineta had the black tokens, Usagi and Tokoyami had the dark blue tokens, Todoroki and Ojiro had the pink tokens, Iida and Aoyama had the green tokens, and Satou and Kouda had the white tokens.

You looked down at your brown coloured token and looked back up to scan the room. All your classmates were already paired up and either happily talking about how it would be to raise a baby together or complaining about their partner. You could faintly hear Mineta crying about not being paired up with a girl. You look across the room at Bakugou who was still sat at his desk, glaring at his token.

Upon closer look, you could see that it was the same colour as yours. You sighed, already accepting that you’ll basically be a single parent as you can’t imagine he’d want anything to do with this. You reluctantly stood up and made your way across the classroom to him.

“Um…hey. Looks like we have the same colour. Guess we’re partners for the week.” You said, gently.

“I can fucking see that. I’m not blind, dumbass.” He retorted.

Ah, it seems he’s decided to take on the verbally abusive and absent father route already. You’ll have to do your best to make sure you get a low enough score. You’ve never taken care of a baby before. You had baby dolls as a kid but they’ve never graded you before. This was a whole new challenge and you could feel the anxiety pooling in your stomach.

“Right…well. We should talk about how we want to do this.” You started. “I think we should take turns each day. I could take it today and you take it tomorrow and repeat. I know you probably don’t want to skip a day of training so I can take it during training even on your days. There’s not much really for me to train anyway so I can afford to lose a week of it.” You let out a weak laugh.

Bakugou growled. “Do whatever you want but don’t be stupid. You can train on the days I have it. Don’t stop your training over some dumb doll.”

“But…you would be stopping yours if you-“ You get cut off by the blonde.

“I’m already the best in this whole class! Missing a few days of training isn’t going to do anything. Besides, you’re weak and you need to be at your strongest so I can beat you and prove that I’m the best in this entire school!” He yelled. You think that was a compliment albeit he put it weirdly.

“Ha…yeah…okay.” You replied. Just then the bell rang and everyone started to put their stuff away. You went over to your desk to do the same.

“Please return your tokens to the box! And before you leave, pick up your baby with the matching colour onesie and the bag of necessities. You have the rest of the day to yourselves.” Said Midnight.

You slung your bag onto your back and walked to the front of the room and dropped your token back into the box. You waited for your classmates to fizzle out a bit so you could get your baby. The dolls were all lined up in car seats. You found the one wearing a brown onesie, a girl with blonde hair. You chuckled to yourself at the resemblance to your partner.

You grabbed the handle of the car seat and went to grab the big duffel bag next to it when someone grabbed it before you. You look over to see Bakugou standing over you, glaring off to the side.

“Move it.” He gruffed out as he slung the bag over his shoulder.

You left the classroom with Bakugou trailing behind you, still scowling. You turn around and start walking backwards to face him and hold out the car seat so he could see the doll nestled inside.

“Look. She looks like you.” You giggled. He glanced down at the blonde doll and huffed.

“Watch where you’re going, idiot.” He grumbled. You rolled your eyes and turned back around and followed your classmates to the dorms.

———————————————————————

Back in the dorms, everyone was changed out of their school uniforms and gathered in the common room with their new kids. Everyone of course…except for Bakugou, who very grumpily went to his room after dropping the bag of things off at your room.

You had went through the bag and found loads of diapers, clothing, a carrier that strapped to your chest, bottles, a pacifier, and some baby toys. You weren’t exactly sure why you would need toys, considering the baby isn’t actually real, but you guessed you’d find out the reason sooner or later.

You decided to change her out of her boring brown onesie so you picked out a cute outfit from the ones provided. You undid the buckles holding the baby in the car seat (why it came in a car seat when you don’t even know how to drive a car, you will not know) and gently and carefully lifted the little girl out of the seat, making sure to support her head.

As you laid her on the ground and started to undress her, she started making cooing noises.

“Oh! Hello….you must be awake now I guess.” You spoke to the baby as she cooed in reply. “Ha…I guess you are kinda cute.” You felt as if you were talking to yourself.

When your new daughter was dressed, you decided to go to the common room since you thought everyone would be there, and right you were. As you went down the hallway you could hear the excited chatter of your classmates getting louder. When you were in sight, Mina noticed you and waved you over.

“Hey! Come over here! We’re all showing off our babies!” She excitedly exclaimed. As you walked over, Kirishima stood up from his spot beside Mina and offered the space to you. You thanked him as you sat down and readjusted your baby in your arms.

“Course! What kinda man would I be if I didn’t offer a seat to a lady with a baby!” He replied. Ever so chivalrous, he is.

“Ha! That rhymed.” Kaminari pointed out.

“Awww you got a girl? How lucky!” Mina squealed. “Kirishima and I got a boy. We named him Kenji.” You looked down at her lap where the doll was laid on its back.

“You named it?” You asked.

“Well yeah! We can’t just keep calling him “it” and “the baby”.” She explained as if it was obvious.

Iida then chimed in, his baby tucked securely in one of his arms. “Yes, I suppose it would be beneficial to name the child. This is supposed to be taken seriously and we can not leave a child unnamed!”

There were murmurs of agreement throughout the room as everyone talked with their partners on what they should name their baby. You looked down to the small blonde doll in your arms that let out another coo and softly smiled.

“Riki…” You thought to yourself. “I’ll call you Riki.”

———————————————————————

“Riki?” Bakugou gawked. “You gave it a name?”

Bakugou was helping with making dinner, well, it was more like he forced everyone to let him do most of it because “no one was doing it right”. You were stood out of the way but within talking distance, your newly named baby in one arm and holding a bottle up to her mouth as she “ate”.

“First off, she’s a she not an “it”. Secondly, everyone in the class named their baby. We have to take this seriously and I’m not going to call her an “it” the whole week. Besides…I thought Riki would be a good name. It means “strong”….and since she kinda looks like you, I figured you’d want your kid to be strong like you so…” You trailed off looking down at the doll in your arms. “We can change it though if you really don’t like it.”

Bakugou huffs. “No…call it-…..call her whatever you want.” He continues to cook in silence. There’s a faint blush on his cheeks. You smile softly at him. Maybe you won’t have to do this alone after all.

———————————————————————

The first day goes by smoothly. You had a bit of a learning curve with changing the diaper but you managed after help from Yayorozu. Who knew she’d be so good at something like that?

You had just settled down into bed after putting Riki to “sleep” and were scrolling on your phone. It was about 10pm, most people were still awake but you knew the person you wanted to talk to most more than likely wasn’t. He went to bed at 8:30pm every night, even on weekends.

You stared at your screen open on Bakugou’s blank private messages page. UA made an app for the students to contact each other and teachers with. It worked like a regular texting app, every class had their own group chat and you could private message each other, even students from other classes. All of them were accessible to staff if needed though.

You didn’t know if you should even bother asking him if he’s still going to take Riki tomorrow. Plus you didn’t want to wake him up. You were about to turn your phone off when you got a message from Mina. You open up her message and see a picture of Kirishima with his hair down, asleep on one of the couches in the common room with their baby on his chest. You laughed quietly to yourself and responded with a cute reaction meme. You thought they would make an interesting pair for this project.

You turned off your phone and plugged it in to charge and set it on your bedside table. You got comfortable in bed and closed your eyes. It would take you a while to fall asleep so you started to let your mind wander. You realized that tomorrow Bakugou will miss out on training if he takes the baby. He already told you earlier today in class not to worry about it and to focus on your own training…but you genuinely couldn’t think on how training would benefit you.

Your quirk has always been more of a supporting quirk rather than one that could do well in a fight one on one. Your quirk is called Cheer, by speaking words of encouragement to someone, you can make your target stronger both physically and emotionally. The reverse also works, if you berate someone it makes them weaker. You can use it on more than one person but its effects get weaker the more people you use it in at once. There’s also a major weakness to your quirk. Anytime you berate someone, you gain confidence, but when you encourage someone, it takes away your confidence. Because of this you feel inferior to everyone else in your class. Even Mineta has a more useful quirk in combat than you do. You’re basically forced to sit on the sidelines and watch people fight. It helps in rescue operations but you still wished you could fight like everyone else. You only managed to get into the hero course because you racked up enough rescue points and got lucky with a three pointer.

It’s ironic that someone with an inferiority complex got paired up with someone with a superiority complex. It’s even more ironic that you managed to gain a crush on the bastard too.

———————————————————————

It was now Tuesday morning and Bakugou was sat in his room staring at the doll in its car seat.

You had entered the common room already dressed in your uniform with Riki in the seat. Hero training was the first class that morning so anyone who was in charge of their baby that day stayed behind and would join everyone later for normal classes. Your tie wasn’t done yet and your skirt was pulled up a little too high, showing off more thigh than you usually do, as you were in a rush since Riki wouldn’t stop crying and you couldn’t figure out why. She had finally managed to settle down when you gave her the included pacifier.

You weren’t much of a breakfast eater, especially if you were training in the morning so you didn’t go to the kitchen. You noticed Bakugou sat on one of the couches drinking something out of a mug. He was wearing a simple black tank top and sweatpants.

“Oh Bakugou! There you are. I’m guessing since you’re not in uniform you’re still taking Riki today.” You sat the car seat on the floor near him and started doing your tie. You knew you were just going to have to take it off soon to change into your hero costume but you still wanted to show up looking like you at least tried. “So I figured out that she makes different noises depending on what she wants. Most of the time she just wants to be held or given a pacifier so she makes really whiny sounds that almost sound like a cry. She was just crying now and the only thing that made her stop was the pacifier so she might start up again soon. I made a smaller bag of her things like diapers and her bottle just so you’re not carrying a big ass duffel bag later.” You were almost rivalling Midoriya with how fast you were muttering, you didn’t mean to but you didn’t want to be late and you kept fumbling with your tie.

As you were smoothing out your front, you felt a pair of hands grab the bottom of your skirt and start to pull down. You shrieked and smacked the hands away and turned around to see (to the best of your ability) Hagakure behind you.

“Oh my god, Hagakure! I had no idea who was behind me! You scared me thinking it was Mineta pulling at my skirt.” You laughed and grabbed onto the girls arms.

“Ahhh I’m sorry! I just noticed your skirt was up a lot higher than normal and you almost showed off a bit too much.” The invisible girl explained as you fixed your skirt. “Come on, we got to get to class!”

“Right, yeah, I’m coming.” You responded as Hagakure held your hand. You quickly turned to Bakugou again who once again had a faint blush dusting his cheeks. “You sure you’ll be okay? I know it’s only for an hour before I see you again so if you want to pawn her off to me next class then that’s fine.”

“Tch…how incompetent do you think I am? Of course I can take care of some stupid doll for an hour!” He barked back at you.

You felt Hagakure pulling you towards the front door. “Ok, well…see you later then!” You said as you finally took off with your friend, leaving Bakugou and a few others scattered around the common room.

“Heyyy, Bakugou! You get stuck on babysitting duty too?” Kaminari taunted, his baby settled in a carrier strapped to his chest.

Bakugou growled. “It’s not babysitting when it’s your own kid you idiot. And you look dumb with that thing on.” He stood up and grabbed the handle of the car seat and went off to his room. He could hear Kaminari complaining as he left.

Now here he was, in his room having a staring match with a doll. He wasn’t sure what to do for an hour, let along with a baby. He glanced up at some math homework left on his desk and decided to finish it up so he was ahead of everyone else in class. Ten minutes past when his concentration was interrupted by whining. He looked over at the car seat that was faced away from him at this angle and sighed. He reached over and turned it around.

“Jesus. She didn’t mention how fucking annoying it would be.” He muttered to himself as he undid the straps and lifted the baby out. “What the hell is your problem, huh?” He asked, surprisingly not as loud as he normally would. He thought maybe she was hungry and remembered you said something about a small bag with her bottle in it. He looked around but couldn’t find it. In fact, he didn’t remember seeing any bag with the baby anyway. He grumbled as he picked up his phone and opened up the messaging app and sent you a private message.

In the locker rooms you heard your phone buzz and decided to look at it as you were changing. You saw a notification from Bakugou and quickly opened it.

Katsuki Bakugou: hey, dumbass. she’s crying but I can’t find that bag you were talking about

You winced as you remembered that you never actually grabbed the bag in your rush to get downstairs.

You: damn I must have forgotten it in my room, sorry. feel free to go and grab it. my room code is 6678 it should be on my desk. you know which floor I’m on right?

Bakugou scoffed.

Katsuki Bakugou: yes I know. I’m not stupid.

You: never said you were <3 have fun lol

You didn’t realize you sent the heart. It was muscle memory from texting with your friends, but it sent Bakugou for a loop.

After he had quickly made his way to the second floor and grabbed the bag you mentioned, he went back to his room where he had left the baby on his bed. Her whining had turned into crying by now.

“Alright, Alright! I got your damn stuff.” Bakugou sat on the floor and settled the doll into his arm. He removed the pacifier and held the bottle up to its mouth. He felt relieved when the crying stopped. “This is fucking ridiculous.” He thought out loud.

He rested his back on his bed and started to drift off in to thought. Why did you send that heart? Did you mean to do it? Was it a reflex? Were you making fun of him? No…that couldn’t be right. You were one of the few that took him seriously. Sure you teased him sometimes, but not as much as the others. He thought back to a time where he accidentally overheard something he probably shouldn’t have that still made his heart feel weird.

———————————————————————

Bakugou was making his way to the kitchen to get something to drink. He could hear you and the other girls of Class 1A giggling and talking about random shit.

He was going to ignore the group when something made him stop in his tracks right before he would be seen.

“Sooo, who do you like?” Mina asked with a teasing voice.

“Who, me?” You asked as Mina nodded. All eyes were on you and you felt yourself blush. “Well…I guess I kinda have a thing for Bakugou…” You answered shyly, playing with the hem of your shirt.

“What?!” “Wait, Bakugou?!” “Really?” The girls cried out in unison.

“Why is that so shocking? You guys seriously don’t think he’s at least a little bit attractive?” You inquired.

Bakugou stiffened at the confession and he felt his heartbeat speed up. You…had a crush on him? Someone actually was interested in him romantically?

“You don’t think all his yelling and name calling is a turn off?” Uraraka asked.

“Hm…not really. Sure he says some mean stuff but…he doesn’t actually mean it.” You reasoned.

“I don’t know…he always seems to be serious about it. I mean he doesn’t even know our names.” Jirou huffed.

“Yes he does!” You laughed. “He’s not stupid. He’s a lot smarter than I think any of you give him credit for.”

“He is in the top our class academic wise as well as hero wise.” Yayorozu chimes in.

“Exactly. Have none of you realized that a lot of his plans actually work? He may seem like he’s rushing into things but it’s obvious he’s put clear thought into his plans. And the fact that he can make one up that quickly is impressive. He’s also more compassionate than you’d think.” You said, leaning back on the couch.

“Well I think you’re wrong with that.” Tsu replied.

“Because you guys are only seeing the surface level. You’re not reading in between the lines. For example, remember when we just moved into the dorms, the talk Mr. Aizawa had with us outside?” They nodded. “When Mr. Aizawa left, you could feel the uncomfortable tension in the class at being reminded of what happened. Bakugou grabbed Kaminari and made him go all dumb because he knew it would make everyone laugh. And it did! The tension was gone instantly! Bakugou really does care, he just doesn’t know how to show it like other people. And remember the school festival? He totally could’ve refused to play the drums but he did it anyway! That’s what I like about him. He’s not a cold hearted asshole, he just wants you to think he is. I use to be like that too.” You trailed off, looking ashamed.

“Wait. YOU were an asshole?” Mina prodded.

You sighed and nodded. “Yeah, back when I first got my quirk. I realized that putting other people down gave me a lot of confidence. I went on a power trip and started bullying everyone. I started to realize that the “friends” that I did have were only my “friends” so they could escape my words. Made me feel like shit when I found out. Now I hate using my quirk like that unless absolutely necessary. But yeah….I see through Bakugou’s walls and I guess it just made me fall for him.” You changed the subject.

“Wow…you’re whipped for him, aren’t you?” Mina teased.

“Yeah, yeah, whatever. Just don’t tell him that. I don’t need him on my ass about it.” You blushed and waved her off.

“You sure you don’t want him on your ass?” Mina teased again.

“OH SHUT UP!” You threw a pillow at her as the girls laughed.

———————————————————————

Bakugou had zoned out at that memory. He hadn’t meant to eavesdrop, it’s your fault for being so damn loud and talking about him in the first place! It’s been a few weeks since that and it’s still fresh in his mind. Did he like you back? He wasn’t sure. On one hand he was pissed at how you managed to figure him out so easily, but on the other hand…he felt comforted knowing someone understood him and didn’t make fun of him for it. He will admit that you weren’t that bad looking or as stupid as everyone else. He did wish you would see the potential you had with your quirk, though. He could feel his cheeks start to heat up and he scoffed, snapping out of his thoughts and looking back down at the doll in his arms.

“I guess…she’s not so bad…” He said softly to Riki.

———————————————————————

Training had finished and you and the rest of your classmates were on your way to your next class.

Upon entering the classroom you noticed everyone that had skipped out on training standing around, babies either in their arms, strapped to their chest, or in the car seat. Bakugou was sat in his spot, chin in his hand looking out the window to his left.

You had a few minutes to spare before class started so you walked up to your partner. “Hey! How’d it go? Was she fussy?” You asked as you squatted down to see Riki, who was in her car seat on the floor next to his desk.

“Tch, no. I told you I know what I’m doing.” He grumbled.

“I’m pretty sure none of us know what we’re doing but it’s nice to know that you’re taking this seriously.” You replied standing back up.

“HA? YOU THINK I WOULD’NT? YOU THINK I’M NOT CAPABLE OF THIS?” He yelled as he let off small explosions.

“Course not. I did kinda think you would end up leaving most of this to me though. But it’s nice that you’re playing along.” You smiled sincerely.

Iida started ushering everyone to their assigned seats as class was about to begin. You patted Bakugou on his shoulder and left to your seat near the back of the class.

He clenched his fists and glared down at his desk, he could feel his heartbeat going wild again.

———————————————————————

A few days had passed and it was now Friday night and you were at your wits end.

It was your day with Riki and she had been crying non stop for thirty minutes now. You were pacing your room with her in your arms as the doll “sobbed” louder and louder with each agonizing minute. You had no idea what was wrong; you tried feeding her, changing her diaper, holding her, giving her a pacifier, you even tried the toys that they provided but nothing was working!

You were close to tears yourself as you thought about how this would affect your grade and how pissed Bakugou would be if you ruined it. The whole week went by just fine, it never took this long for her to settle down. You had gotten lucky with the baby you were given as she was so easy to care for, but this moment right now was proving difficult.

Feeling like you had no other choice, you left your room with your still wailing daughter in your arms and quickly made your way up to Bakugou’s room.

You knocked on his door while still trying to shush Riki. When Bakugou opened the door, he looked like he had just woken up which made you start ranting.

“Bakugou, fuck, I’m so sorry to bother you right now I know you like to go to bed early but she’s been crying like this for like thirty minutes now and I’ve tried everything but she just won’t stop crying and I don’t know what to do and I’m probably gonna make us fail cause I can’t get her to fucking stop and I just…” You panted “…can you please help me?” You nearly whined.

“Give her to me.” Bakugou reached out as you transferred her into his arms. He walked away with the crying doll, leaving his door open. You decided that was an invitation so you slipped into his room and gently closed the door behind you. You watched as Bakugou gently bounced the doll in his arms and started petting its blonde head.

You stared in awe as Riki started to finally quiet down until she was silent. You breathed out a sigh of relief but tears started to quickly gather in your eyes. Bakugou had opened his balcony door and stepped outside to the cool air. You ran a hand through your messy hair and followed them out onto the balcony. The not quite freezing but cold air nipping at your skin. It felt nice as you didn’t even notice that you were sweating from the stress. You bent over and rested your elbows on the railing and placed your head in your hands, trying to hold back your tears.

“She had been crying for so long…I tried everything but nothing worked. But the minute you have her she finally stops. What the hell am I doing wrong? Why am I such a bad mother?” You muttered more to yourself but your partner could hear you anyways.

A minute of silence went by as you tried to not let your tears fall when Bakugou finally spoke up, surprising gently. “Don’t beat yourself up over something you barely know how to handle.”

He leaned his back against the railing next to you. His arm barely grazing against your shoulder, his way of trying to comfort you. You sniffed and dropped your arms from your head and looked forward out into the dark courtyard.

“She’s been perfect this entire week. Nothing I couldn’t handle…but she just had to act like a total brat tonight.” You sighed.

“Hey.” Bakugou said sternly. “Don’t call our daughter a brat…that’s my line.”

You laughed at that, completely overlooking the fact that you called the doll “our daughter”. Bakugou softly smiled at your laugh, also not realizing exactly what he said. But her certainly felt his heart flutter as he looked down at the baby in his arms.

Bakugou decided he’d take her for the rest of the night so you could get some sleep. It was his turn tomorrow anyway.

———————————————————————

Monday had come by quickly, thus, ending the project. Recovery Girl had collected the dolls, and you couldn’t lie, you felt a little sad at the fact that you won’t have Riki around anymore. The class waited in anticipation to see whose grade was the lowest.

When the results came in, Midnight stood at the front of the class once again and started to call out the grades.

“Coming in last place is Sero and Mineta with a sixty-five.” Mineta started screaming about how unfair it was and that they got a faulty doll. “Todoroki and Ojiro have a score of thirty-four, Kaminari and Jirou have a thirty, Iida and Aoyama a twenty-seven, Usagi and Tokoyami with twenty-five, Shouji and Asui with twenty-one, Hagakure and Yayorozu with twenty, Mina and Kirishima with an eighteen, Satou and Kouda with a fifteen, Bakugou and (Y/N) with a score of eight, and lastly, coming in first place with the best score is Midoriya and Uraraka with a three! Good work everyone. I hope you all learned some valuable lessons from this experience!” Midnight finished.

There were high fives and cheers coming from the people with the lower scores and talks of what they could’ve done better from the people with higher marks.

You stared down at your desk smiling. Eight wasn’t so bad, right? Much better than what Mineta got.

At the front of the class, Bakugou has turned his head back to look at you and softly smiled to himself when he saw your relief. He turned back around to look down at his hands as he played with his pen. He could hear Midoriya and Uraraka being congratulated for the lowest score and for once in his life….he didn’t mind coming in second.

———————————————————————

Bonus:

Twelve years later, Bakugou had established himself as the number two hero with his own agency. You worked along side him as his number one sidekick. You both grew a lot since high school and grew closer from the experience. You managed to get rid of your inferiority complex and become more comfortable with using your quirk against villains rather than standing by and cheering on the heroes. You can also hold your own in combat pretty well now and you have a slew of support items to help.

But instead of kicking ass on the street you were laid out on a hospital bed after the longest 7 hours of your life. You were sweaty and exhausted, but it was all worth it as you looked at the little bundle in your arms. A head of blonde hair was peaking out of the blanket.

“What should we name her?” You whispered to the person leaning over you with their hand on your head and looking lovingly down at the newborn.

“…..Riki.” Bakugou said softly.

[heartvisor]

Not sure if I sent one yet, but 19 for the Toku asks?

19: if you could go back and change one show, what would you change

we all have those moments that we pull out the toei office explosion gif for

there's a lot to choose from.. this one isn't really a change so much as an addition, but i'm really curious about how miss kobayashi would handle a ryuki movie (since the ryuki movie and specials were done by mister inoue)

i mentioned that i enjoy the movies that she has written for rider, and ryuki is my favorite season, so i think about the idea every so often :0

[optimisticmosquito]

What if Shen Yuan was transmigrated into Shang Yuan, youngest son in the merchant Shang family and Shang Qinghua's little brother.

At first Shang Qinghua doesn't put much thought into it. He never did write much of a backstory for the other peak lords, so it makes sense the world has kind of just, written itself? Shang Yuan is several years younger anyways (I'm thinking 7-10 years) so it's not like he has a lot in common with him either. Shang Qinghua even joined CQM when he was barely out of toddlerhood. Shang Qinghua was fully prepared to just slowly fade out of sight and mind in his new family, just like he had in his old one.

Except this kid just really hates his guts? He gets letters regularly from his family, telling him how a-Yuan has been asking about him. But every time he visits the brat just shouts and kicks him around. All out of sight of their parents so he can't even go and complain to them! In their eyes Shang Yuan is their perfect little angel.

Honestly, Shang Qinghua isn't even that surprised the original goods turned into a villain if this was how he grew up. And oops, did he say that out loud? Shang Qinghua peeks down at the rigid brat he's holding under his arm in an attempt to stop him from trying to beat him up. With big eyes the kid turns his head up and whispers "you're a transmigrator too?".

From that day on Shang Qinghua can't help but feel a little bit less lonely, and maybe even a little happy. Who would have thought his number 1 anti fan would transmigrate into his didi! They start writing letters, both complaining about the system, and Shang Qinghua about the sect and his martial siblings. When he starts working for Mobei-jun he tells Shang Yuan everything about it. He even has a reason to go back and visit his family!

Shang Qinhua quickly accepts his responsibility as gege. Helping (or trying to) his little didi grow up to a nice young man and giving tips when Shang Yuan starts cultivating as well. And despite Yuan-di's tsundere behavior, Shang Qinghua knows he has his back as well.

In his own badly written stallion novel, Shang Qinghua finally finds the family he didn't have in the real world.

Now as for pairings. Bingyuan would be hilarious just because I want Shang Qinghua to ask, with a shit eating grin, how long Shang Yuan has been coveting his own nephew. And then for Shang Yuan to try and beat the shit out of him for it.

Jiuyuan would also be an interesting pairing (it can always be a jiuyuan if you're brave enough). Shang Qinghua knows his scum villain is misunderstood and not as bad as the book and rumors portrays him to be. But also he knows Shen Jiu is at least a dozen traumas in a trenchcoat. Does it really have to be his didi helping Shen Jiu deal with all of that? Sure Shang Yuan doesn't seem to mind, but Shang Qinghua also knows his didi makes some really stupid choices if you take your eyes off him. But also he's too much of a coward to say anything to Shen Jiu's face.

Hm, better to keep an eye on that from a distance.

[heilos]

Living Harmony AU relevant character sheets/info: Harmony aka the "Tree of Harmony" Stygian Somnambula Starswirl the Bearded Shadow Lock is actually an official canon character from the IDW comics No. 51-53 and I really enjoyed his mini arc introduction enough to include him as a more significant part of my "Living Harmony" MLP AU animation project. When I found out he's a direct descendant of Stygian, one of the Pillars of Equestria, I had to find a way to work him in and give him a bit of an updated design to fit more into my story setting I have planned. My good friend Ori helped vector my finalized concept redesign in the very top image. Listed below is some character and story context for these sketches provided by my myself and Ori who's been a huge help in fleshing out the world building with this cast of characters I'm using in this AU so far. Shadow Lock's main abilities and canon backstory are expanded upon and/or flavored a bit differently here as well.

Stygian’s distant descendant, the last living branch in his family tree

Lives alone in his family’s castle after they retired to the town of Somnambula

Temporary antagonist to the mane 6 that stems from a fear of the Pony of Shadows returning to plague Equestria

Believed he was descended from a monster and desperately tried to erase any mention of the Pony of Shadows from written history

Was talked down from his history erasing spree by Twilight and ends up traveling around Equestria to find more info on the Pony of Shadows, without trying to erase the knowledge this time, and prevent it from returning

The symbol on the front of Shadow Lock’s cloak is his family crest that dates back to Stygian's time period.

There’s a glamor woven into Shadow Lock’s cloak that enshrouds its wearer’s face.

Shadow Lock’s special talent is the concealment and binding of dark magic. He can effectively bind malevolent “spirits” into vessels where they’re unable to cause harm. This can also be reversed as an unbinding spell. ("spirits" in this context are more like a culmination of lingering, concentrated dark magic that takes on a will of its own)

His family castle used to be quite “haunted”. It’s quieter nowadays, but he does have a large collection of miscellaneous items that most ponies would consider “cursed…”

Always carries a healthy stack of books on his person to read and use as a weapon. His spells can pull fictional characters and monsters from stories to fight for him

Created a spell that can trap a creature into experiencing a historical event on loop by using a small amount of written text. The spell can be broken by doing something significant enough that did not occur during the looped event in history.

Shadow Lock and Stygian are extremely hesitant to meet each other at first in present time. The mane 6 and Harmony step in as mediator eventually to help them work out their issues so they can reconnect as family

Much later in the story, Shadow Lock invites Stygian to live in his castle once their family relationship is repaired, the two becoming inseparable

His original design from the comics:

[hotpinkstars]

HIIII I JUST READ YOUR BOOTHILL IDEA ABOUT PREGNANCY AND I AM WELL FED 😭 i love how angsty it is. oh boy i'm sure struggles a lot during his s/o's pregnancy. like...it has lots of cry and self-conflict because he may thinking that he isn't helping his s/o. there gonna be small arguments and misunderstandings. it's hard for the both of them and the baby. 🥹

ohhhh yes. yup. decided to take a real angsty route with this one. I added some mentions of his actual backstory here, bc my og one was written before his backstory was released lols

Boothill definitely cries during your whole entire pregnancy. He also has a lot of bad thoughts about himself during it, too. 

At first, he tries to hide it, and either subtly cry, or just simply wait until you’re no longer in the room or the house. He doesn’t want you to know that he’s not happy because of the state he’s in. 

He used to be human, he used to be flesh, and most importantly, he once had a daughter of his own, and that's what crushes him the most. He fears so much that he’s almost going to replace her, even though he knows deep down in his heart that it most definitely wouldn’t be able to happen. 

He also feels so bad about not being able to do normal human things for your during your pregnancy :(((( he knows how much you want to be able to be soft and intimate, to take baths and be able to have a cozy massage and just a cozy person around in general, and he’s the exact opposite of that. He doesn’t even think he deserves the husband title anymore.

He literally once asked you why you’re still with him and not someone else. You explained that you loved him and you wanted to be with him, and even then he never really expressed the way he felt about himself to you but you could sort of see it in his eyes. He didn’t like the way he was and the fact that he can’t be what he refers to as a “proper dad” to his kid. 

He knows it’s hard on you, too, and he also knows that you’re catching onto his harsh thoughts, and you’re catching on fast. It caused an argument a few times, on how you’re hurt that he’s not expressing his emotions, he doesn’t want to, it turns into a “do you not trust me or something?” conflict on your end, and a “I just don’t know what to say without hurting you” conflict on his end. Misunderstanding that likely won’t just dissipate. 

There was one argument that you both had when you were nearing pretty close to your due date, and he decided he was going to walk out midway through and not come back for about a week. For some reason, he chose a petty route, leaving you anxious and super betrayed, considering he refused to answer his phone, too.

The argument was over something that seemed incredibly stupid, if you both must say so yourselves. He was, once again, insecure, and he wouldn’t tell you why. That was what bothered you- did he not trust you enough? Did he seriously not want to be a part of this baby's life? Why else would he just walk out?

To say it made you super anxious, scared, and lonely was an understatement. You were left with the thought that you’d have to give birth alone, and go back to your original game plan that you already mentally set up. You thought he genuinely left you.

That was, until he walked back into the house on a random afternoon that next week. He ran up to you and apologized, allowing you to cry it out in his steel arms. He felt so horrible, and he vowed to you to never, ever do that again.

He tries to start letting you in on his troubles from that point on, but there still seems to him like there's a barrier blocking his words from coming out. Sometimes, he just blames it on his synesthesia beacon, which seems to work for now. 

He also lets you see him cry more often, but that stops when you give birth. He doesn’t need you to be more overwhelmed than you already will end up being.

[artist-ellen]

Historical mermay Prompt 8: Meiji Era -> Aztec Mermaid (Tlanchana)

So the last prompt for Historical Mermay was supposed to be Meiji era but.... last year there was a historical Japanese mermaid and a late Victorian mermaid so.... I decided to switch this one out with a different historical mermaid that had been on my list.

Aztec mythology has a mermaid-like figure, which is very exciting for me, but there's a full backstory so strap in for some lore. The origin for Tlanchana isn't Aztec at all, but instead originates from an Otomi goddess called Acpaxapo. Acpaxapo is a benevolent lake goddess who is half woman, half water-serpent. When she was adopted by the Aztecs her aspect evolved to Tlanchana, a much more mysterious and dangerous deity who would drown men with her tail.

I had hoped to make some more references to the original Otomi influence in my illustration but I was having a devil of a time looking for specifically Otomi artifacts (Otomi is technically a collection of languages and is an exonym for the peoples who speak Otomi languages ((if I've even understood what I 'm reading correctly))...and English websites barely cover the big 3) so I eventually pivoted, since I haven't done any siren-like mermaids for this challenge yet and was interested in doing something a little moodier. A description of Tlanchana described her as wearing only jewels and that sparked a lot of creative joy. And looking at all the jade ornaments in pre-colonial jewelry.... I dove right in. I kept a very serpent-like design for her tail, and made all her ornaments in jade... a series of necklaces, her nose jewelry (which I took some creative liberty with after looking at goddess depictions), and ear plugs. I wouldn't say she is accurate, there's a lot of artistic license salt in this stew... but I think she turned out pretty cool.

(And if you just had the thought that this is the most i have written in a description for ages... it's because this one had... new? research. Example: I've drawn redesigns with Ottoman fashion 3+ times, I don't have much new to say for the Ottoman mermaid. I've talked and researched a lot less on Aztec mythology so I had things to say.)

I am the artist! Do not post without permission & credit! Thank you! Come visit me over on: instagram, tiktok or check out my coloring book available now \ („• ֊ •„) /

https://linktr.ee/ellen.artistic

[venus-haze]

You're My Best Friend (Homelander x Reader)

Summary: Homelander was a test tube baby, raised in isolation in a cold, clinical lab. But that doesn’t inspire America, does it? Vought tasks you with creating the idyllic backstory for its hero, and what starts as a limited comic run spirals out of control when Homelander himself demands your help in making the story a reality.

Note: Gender neutral reader, but no other descriptors are used. Based on a request by @crash-and-cure as well as a bastardization of one of the sweetest love songs ever written (sorry, John Deacon!) This got kinda meta? Do not interact if you’re under 18 or post thinspo/ED content.

Word count: 2k

Warnings: Emotional manipulation, I guess some gaslighting on Homelander’s part? Do not interact if you’re under 18.

When Vought hired you to create their long-awaited Homelander origin comic series, you were thrilled—until they gave you so little information about his childhood to work with, you weren’t even sure you could come up with one comic, let alone the ten they requested. The details about his childhood were minimal, not even a full printed page—a loving mom and dad, played baseball, did well in school, strong sense of justice from a young age, his friends called him “Johnny.” Your requests to meet with Homelander so you could get some stories from the man himself were constantly denied.

You almost considered dropping the project, until you decided to throw caution to the wind and pull from your own childhood and set it in good ol’ generic suburbia. Some of the storylines were based on your own experiences or things that had happened to people you’d grown up with, though you changed enough names and details to not link it to anyone in particular. Except yourself, of course. Using a pseudonym professionally meant you felt no need to change your own name in the comics. Sure, making your cooler fictionalized self Homelander’s childhood best friend was a bit self-indulgent, but no one would know, really.

To your relief, the editors at Vought loved your ideas, making minor changes before bringing the storylines to their comic artists to bring it to life. The result was Finding Homelander: A Boy’s Journey To Be a Hero. The issues flew off shelves when they were first released, ironically praised for their relatability and authenticity. Vought extended your contract, asking you to produce the cartoon adaptation and another ten issues.

Still, in all of that, you’d never met Homelander. A representative from Vought emailed you to let you know to tune in to his interview on a talk show one day, saying that he’d be talking more about the cartoon project on it. You recognized the host, Tracey, always chipper and having some extravagant giveaway for her audience members. Daytime TV was never your thing, though.

“I think what resonates with so many people is how relatable your childhood is,” Tracey said, holding up a copy of Finding Homelander issue #3, where he saved ‘you’ from getting hit in the face with a baseball at one of his games, catching it with ease. It’d been the happy ending to a short storyline of him struggling to find his place on the team and you encouraging him to not give up. “You and Y/N were pretty close, do you still keep in touch?”

“You know, Tracey, not as much as I’d like, unfortunately. Adulthood can be so busy, you need to cherish those childhood memories,” Homelander said. “I did give them a call when the comics first came out, and wow, the laughs we had over those old antics of ours. Talk about a walk down memory lane!”

You guessed the bullshitting was all part of the promotional circuit for Homelander. Knowing this childhood of his was your own fabrication, you couldn’t help but wonder what else about him was fake. Maybe he wanted to maintain his privacy, you could certainly understand that. You couldn’t shake the voice in the back of your mind that said it wasn’t so simple, that the narrative Vought pushed was a cover to hide something in Homelander’s past.

“Now, I’ve heard rumors of a cartoon show based on the comics in the making, is this true?”

“It is! I’m excited for this project, getting back to my ‘roots’ so to speak. I’ll be voicing myself, of course, but it’s funny you’d bring up Y/N, because they’ve agreed to voice themself, too.”

“How fun!” Tracey exclaimed over the roar of the talk show crowd’s applause and cheers. “I guess this is the hopeless romantic in me, but I hope this reconnection leads to something a little more. I’m just a sucker for childhood sweethearts!” 

Homelander laughed along with the host’s giggles, “Well, you never know.”

You balked at the television, mouth agape. Surely he couldn’t be talking about you. ‘Y/N’ could be anyone with your same features. Vought had probably hired a professional voice actor for the role and were pushing the authenticity angle. The whole situation felt odd. 

When you checked your work email again on your phone, you nearly dropped it on the floor. 

SUBJECT: Meeting with Homelander This Week

The email contained a list of days and times throughout the week wherein Homelander would be free, apparently wanting to meet you to thank you for the success of the comic series and discuss upcoming work. Yeah. That last part you sure as hell wanted to discuss too. You responded with the soonest time available, in a meeting room in Vought Tower the following evening. As soon as you hit ‘send’, you wondered what exactly you were getting yourself into.

Anticipation filled your gut as you went about your day leading up to meeting the supe himself. What would he be like, really be like? Was there even a version of Homelander that wasn’t hopelessly manufactured for the masses? You knew then that his upbringing was a lie, and thus stood the probability that so much else was, too. 

When you stepped into that meeting room, you hadn’t been expecting his face to light up at the sight of you. 

“Homelander, hi, it’s great to—“

“No need to be so formal, Y/N! You can call me Johnny, just like old times,” he said cheerfully, in on a joke you clearly hadn’t been aware of.

“Sorry, Johnny,” you said, playing along. “It’s great to see you again.”

He pulled you in for an unexpected hug that you returned. “Figured we should catch up before things really start getting crazy, don’t you think?”

You nodded, your nose brushing against him as you did so. Just as your lips parted to offer an apology, he smiled, shooing away the assistant who’d accompanied him out of the room. 

He sat down, motioning for you to do the same.

“Gotta say, I’m a fan of your work,” he said.

“Thank you,” you said. “I’m not sure I understand exactly what’s going on, though.”

“What’s there to understand? I’m not allowed to know more about my best friend, our lives together growing up?”

“How did you know it was me?”

“Wasn’t hard for me to put two and two together, but considering everyone else around here has their head up their asses, they have no idea,” he said, before lowering his voice conspiratorially and giving you a charming smile. “I haven’t told anyone. What’s a secret between friends?”

You nodded, overwhelmed by the intensity of his attention on you. “What do you want to know?”

He sighed, resting his head on his hand. “Everything.”

So you told him. Not quite everything, of course, but enough to abate his curiosity. At least for the time being. His interviews were sharper, more specific with details rather than rattling off whatever had been in the comics. You watched in shock as convincing photos of his Little League days were posted to his social media accounts, anecdotes provided by his increasingly frequent conversations–or more like interrogation sessions–with you, but in his style, of course. It was almost scary what the graphic design team at Vought could accomplish, not that you’d ever know how, exactly, as they were all under the same strict NDA that you were.

He started spending more time with you, too, and after a while, it did seem like you were old friends. Part of you flinched whenever you called him Johnny, because Johnny wasn’t even real, but with your complacency, this fabrication was slowly morphing into a strikingly tangible memory. With each conversation, he drew you deeper into the world you’d been paid to create for him until you found yourself slipping up.

You’d been showing him a goofy stuffed monkey on your desk, a cute little thing with big sparkling eyes. A prize for getting two out of three at the ring toss. Probably spent more money winning it than it was actually worth, but it was about the effort, the memories made.

“You remember, don’t you? You won it for me at the county fair,” you said without thinking.

He laughed in agreement, as if he actually had. Except he hadn’t. Your high school boyfriend won it for you a week before graduation. Sensing the mood shift, he set down your prize and looked at you with the same intensity he had when you first met.

“It’s been a while since we were there, huh?” he said. “Why don’t we go back?”

You furrowed your eyebrows. “Go where?”

“Home.”

With a strong arm around your waist, he took off for your hometown. You could hardly tell which way was up or down, he was flying so high, but he didn’t seem to mind the way you clung to him at all. When he finally landed, you recognized the community baseball field where all of his fictional games were set. 

“Geez, it’s like nothing’s changed,” he said cheerfully.

You looked at him in disbelief. How long was he going to expect you to go along with it? Or maybe the question you should have been asking was, how long were you going to enable him? The end wasn’t anywhere in sight as he took your hand, and you walked him through your childhood, further enmeshing him in it until you arrived at the house you grew up in. 

The middle of the day, no one was home, and so you let yourselves in like you owned the place. Suddenly, the house seemed too small for a man like Homelander to occupy, but he was engrossed in the details of it. He scanned the kitchen, no doubt inspecting the contents of the fridge and cabinets with his x-ray vision. Moving onto the living room, he stared at photos on the wall, the magazines and DVDs that were strewn on the coffee table, giving away your parents’ taste in entertainment.

“Which one was your room again?” he asked.

You swore you could feel his breath on the back of your neck as you wordlessly led him to your room. Each step down the hall felt dangerous, as if you were about to walk into a trap. Face-to-face with the closed door, you opened it, standing aside while Homelander looked around, from what you had hanging on the walls to the knick-knacks you’d left behind.

An uncomfortable tension settled over the room when Homelander closed the door of your childhood bedroom. An odd blend of hurt and amusement spread across his face as he observed the way you were eyeing him, body ready to fruitlessly run from him the way a rabbit would a hawk.

“C’mon, after how long we’ve been friends, I would never hurt you,” he said, as if reading your mind. “We’ve been through so much together. I mean, we were each other’s first kiss.”

You froze. Issue #9. That was something Vought’s editors had added, claiming a romance angle would make the series appeal to the younger female demographic. You hadn’t thought much of it at the time.

He slyly backed you into the wall, leaning over you as you slinked down the slightest bit.

“Show me how we did it,” he whispered, his hand caressing your cheek. “So clumsy and nervous, I can even feel you…quivering.”

“Homelander, I don’t know what you’re—“

He tsked. “Y/N.”

You let out a shaky breath, “Johnny—“

He hummed in satisfaction. “It’s alright. I know it’s been a while.”

You let him kiss you, sweetly in a way that put your actual first kiss to shame. His lips were soft against yours, his tender movements intentional as he cradled your face, pulling you the slightest bit closer to him when you kissed him back. 

A sense of familiarity settled over you, warm and comforting like pulling a blanket out of the dryer on a chilly evening. Every time it seemed like you were beginning to overthink the situation with Homelander, he drew you back in with the kiss, a more than effective distraction until you pulled away with a dazed smile on your face.

[saylor-twift]

“he loves you, but he would never say that to your face.”

“-but he would never admit that.”

“-but he would never tell you.”

???

Are you sure? I am an avid tumblr stalker, and I’ve read so many things on silly little hat man in my time. I’ve seen things that tore my heart to pieces, that patched it up, that made me want to rip my guts out and throw up, that made me feel on top of the world.

And yet this is the one thing that bothers me so very much. I know, everyone has their own interpretations and opinions on different characters. So let me share my own.

The Wanderer is such a deeply written and intricate character, strung together with deep fears and insecurities, tragic backstories, and a beautiful story of change, healing, and moving forward. (I hate hate hate it when he is forced down to the level of nothing but oversexualization and “uwu sexy anime boy”, but that’s a conversation for another time.)

I’m sure if you’re reading this, you’re probably acquainted with Wanderer’s backstory, so I’m not going to explain. A lot of shit happened that made him who he is, and ever since the events of Irminsul, he has taken on a new path that he cannot go back on. Not like he’d ever want to. He said it himself, he never had any intention of returning to the Fatui. (And also- why choose to go backwards when you’ve got such a nice path set ahead of you?)

Anyways, point is, he’s changing. Notice how I said changing. He’s not changed, he’s just starting to. He’s getting there. Which brings me back to my argument. In the case that Wanderer ends up with a partner, things are certainly not going to be like a normal relationship. (He’s got plenty of red flags, don’t even try to deny it. But he’s a fictional character, so I suppose we can let this one slide.) Is he going to make the first move? That depends on if you make him desperate enough. Otherwise, it’s all on you, babe.

He’s not going to take it well. He’s going to deny it as hard as he can. You don’t love him, how can you? He is the furthest thing from loveable as you can get on this godforsaken planet. (His thoughts, not mine) But he certainly loves you, and, albeit with some likely pressuring assistance from Nahida, he’s come to terms with that terrifying knowledge.

“But he wouldn’t admit that to you.”

STOP. STOP RIGHT THERE.

Here is where my controversial opinion comes in. Most people tend to portray Wanderer as this cold, cut-off, aloof and irritable man, even in a relationship. And before you say anything, no, I absolutely do not think he would be the lovey-dovey, sappy, overly caring and romantic type. He’s not on either end of the spectrum, but I do think he’s somewhere in the middle (but probably leaning towards the former side).

Love is so, so very scary to him. And downright unknown. He’s traversing into uncharted waters here, give him some space to figure things out. That being said, he’s testing these waters. He’s not going to say he loves you at the beginning of a relationship. He has to make sure this thing is going to work. Your relationship is a newly built bridge, and those three words are the heavy cargo passing through. Without a strong foundation, the bridge is going to collapse, no questions asked. The only problem is, it’s going to take a long, long time to build that bridge. It’s going to be more expensive, more time consuming, and cost more materials than you had originally bargained for.

But that cargo can’t sit on one side of the bridge forever, can it? No, it has to get to the other side at some point. So if you have the patience to give your time to this bridge, the cargo will find its way to the other side. The foundation may wobble, the planks may shake, but the bridge isn’t going down.

He loves you, and he would admit it out loud. He would say it to your face. Just maybe not as soon as you want it. It’s going to hurt, and you’re going to wonder if he actually cares for you or not. Fear not, because if you pay attention to those little things he does when you’re not looking, it will feed you those little crumbs you need till you can finally be satiated when the full meal is done cooking. He mends things for you, things you had given up on because you’d never have the time nor energy to do it yourself. He cooks, and surprisingly, it’s always your preferences. He collects things that remind him of you, some he keeps out of embarrassment, and some he leaves on your bedsheets whenever you’re not home.

He’s been hurt, abandoned, and betrayed far too many times to immediately let himself fall into something as complicated as a relationship. He’s going to be distant, you’re going to disagree, probably fight a bit. He’s just seeing how far he can bend the lines, how much you really want him. (red flag maybe!! but he’s working on it, it’s going to be okay. mayyyybe you can look past just this one…) If you won’t leave even if he does this, then he thinks, maybe you’re the one. Maybe fate decides to treat him benevolently for once.

And when you finally, finally get to that point, he’s going to drown you so deep you can never get out. He’ll say he loves you, does everything in his power to make sure you never forget it. (no, he’s not going to read you love poems in the moonlight and call you darling. sorry if that’s your thing, that’s not who he is.)

This relationship will never be perfect, but relationships never are. Just as long as the two of you are willing to be patient with the other and get through your differences and clashing personalities, you are going to mold together perfectly. And even if he doesn’t say it often, (which he probably won’t. he’s certain you know it. why repeat something already ingrained into your mind? he doesn’t use those words lightly), it’s not like he’ll never say it. He won’t leave you in the dark for too long. He loves you, don’t worry. He’ll say it, but he prefers to show it.

[sarahreesbrennan]

I remember reading in one of your blog entries (years ago??) that in the new book you were writing, the main character's *sister* had cancer. Does that mean that Alice was originally the main character of Long Live Evil? Was she going to go into the book to save Rae, instead of Rae going in to save herself?

How extremely kind of you to remember!

No, that was actually a YA murder mystery that I wrote while ill, revised while recovering, and sent out into the world where it died on submission. (Which means we sent it out to about 12 editors and the editor either said no, or said yes and took it to acquisitions - a group of people at the publisher including sales and marketing - and acquisitions said no.)

One editor told me she really wanted and really tried to buy it. Another person who worked in publishing (and has since changed jobs, or I wouldn’t share this) said the response at her acquisitions was - if you like this writer, find the next her (implications about health and youth were made).

I was terrified my agent was going to ditch me too, but she said ‘We’ll sell that one day, for now let’s write the next thing.’

I remember another writer telling me she missed my work that wasn’t a tie-in, and I felt ashamed to tell her it wasn’t that I wasn’t writing other things - it was that I couldn’t publish them.

The tie-ins meanwhile were paying the bills (they still are tbh!) and I was and remain so grateful for them. But I also really loved writing them - especially my Sabrina tie-ins, you don’t forget the first, and it reminded me I want to write horror and poly one day - and how they got me to love and sympathise with so many fandoms.

I see the burnout of caregivers all around me, and I wanted to write the story of one. But maybe I also wanted to take a step back from cancer. I didn’t think I did, at the time. I had a whole lot of things I tried writing before Long Live Evil, and I think some of them were really good. One of my critique partners gave me a lipstick with the same name as someone in the murder mystery. There was a romance novel another critique partner said was her favourite thing I’d ever written. But none had someone with cancer at the heart of the story.

And even though Rae isn’t much like me, maybe I had to start there. You can’t make real magic using someone else’s liver. Maybe I had to wait to be brave enough to use my own liver.

I do get requests for advice on how to cope with rejection of your writing, and I always worried I didn’t have anything else to say, but I suppose my example says - if you can, (and I know it’s hard, you feel so terrible at writing and so useless) (and you love the work you’ve done so much and you don’t see a way forward to loving the next thing) (but still, if you possibly can) write the next thing.

Even if the first thing sells, you’ll want the next thing one day. Writing the next thing is more writing practise, so it’ll make you better. Write the next thing.

Ultimately I’m really glad Long Live Evil was my comeback book. I think it needed to be. It took the time it took.

But maybe it was a shade of that past book (where the heroine’s sister with cancer was six, so not much like any of the Time of Iron characters) that made me think of the YA version of this book, which I always had in my mind as something I was intentionally hewing away from - a more straightforward book, a book that might have sold better - in which shy reader Alice was the hero. She’s the one with the suggestive hero name - Alice through the looking glass - the heroine looks, and the more projectable-upon personality. She’d get called annoying less often (though still some, because she’s a girl), partly because she is (with love, Rae knows I’m right) a genuinely less annoying person. Much kinder, much sweeter, and much better at in-depth reading! Her sister being in trouble would’ve been a backstory, a catalyst point, and - you’re totally right - a great motivation for her to get the Flower. Saving a family member is a much more sympathetic and heroic motivation than saving yourself and one I do love (the Hunger Games, Labyrinth, Mahy’s the Changeover, and I write it a lot!). I think Snarky While Tragically Dying Rae would’ve been a pretty popular side character, too. I think it would’ve been a good book! Just not mine.

I love your question because I love thinking about POV, and all the decisions that are the building blocks of a story. To me, the Alice centric Time of Iron is a version that exists. As are several versions of the Lia centric Time of Iron. And versions centring other characters exist to me, too. (Eric, absolutely.)

Speaking of POV musing, I think Rahela the wicked stepsister featured more in the musical than the book. If the Time of Iron series ever became a TV show (and at this point in time I think I’d rather a movie because it wouldn’t… get cancelled…) and I got to write it (don’t know why I would…) I would start with the beginnings for three characters about to go on a journey to somewhere strange to them: Key in the Cauldron, Rae in the hospital, and Vasilisa in the icelands. There are so many possibilities! And I really wanted the sense that there were so many possibilities, too.

But I wanted the chronically ill one to be the centre of the story, and for it to be her villain origin story, and to ask a lot of questions (hence a lot of villains!) about who gets villainised and why. And I thought hers, to my mind, would be the most fun of all the possible stories.

So that’s the one I made. But Long Live Evil has a lot of origins. Thank you for remembering one of them! I don’t think I would’ve dared tell the story, if things hadn’t worked out for me (so far, fingers crossed).

And I also tell it to be clear my publisher was taking a RISK with me and Long Live Evil, and I really appreciate that, and I’m so happy it’s worked out for them (again so far, early days, fingers crossed, etc).

I hope some writers - whether in the process of submission, rejection or making the choices that are the building blocks of story - find this helpful, and some readers find it interesting.

Let this be one of the universes in which your story is told.

[gin-juice-tonic]

Hello. It's me again. I'm sure you've realized by now what this type of introduction to a post is leading into. I'm going to bring up another page in the bill book. This entry is going to be less about "proving" anything, but rather it's just something I'd like to discuss. (Also just a warning, this one ends up a bit long due to how many photos are included!)

As I have said before. I had many many thoughts, and I am liable to talk about them until they're all talked out. I want to focus on a single page again (Or I guess, a single double page).

Sorry for the kinda small image here, but don't worry. I'll point out the part I want to talk about.

What I find strange about these pages in particular, aside from the fact that it starts to become written like some sort of noir novel and that Bill has chosen to speak like a femme-fatale, is the new idea it suggests to us:

Bill at some point told Ford he was from another dimension.

I say "at some point" because Ford doesn't react to the idea like this is new information here. Why do I find that strange? Well, for one thing, there's never anything that would indicate Ford knew this pre-portal.

To start, we know that Bill introduces himself to Ford as "a Muse"

Notice the way Ford speaks about him. "From a higher plane, divine, otherworldly". He makes some guesses on the second page (spirit, alien, dream, etc), but nothing to indicate they've discussed the whole other-dimension thing yet. Of course, this is still early, so let's skip further ahead.

Here's where we start talking about other dimensions.

Bill has told his "weirdness dimension" lie to Ford, but there's no implication that he himself is from this dimension. And not to mention, this dimension hasn't been destroyed, so naturally it cannot be the one he talks about in the Bill Book pages.

Regardless, Bill is still being referred to as a divine thing, unknowable and even possibly not real. Safe to say he isn't inter-dimensional yet, so let's continue.

(this section has been edited from its original wording)

Here Fiddleford and his idiosyncrasies enter the fray, and Ford debates telling him. Fiddleford is aware they're building a portal to another dimension, so it would not be that far of a stretch in that vein for Ford to also explain that Bill himself is from one. But Ford's attitude toward the situation veers towards the less scientific. Ford still considers Bill to be something divine, and is worried Fiddleford would think black magic is happening.

Worrying that Fiddleford would think he's gone mad is one thing, but the emphasis on black magic and fiddlefords superstitions strike me as odd.

I understand there are likely several varying reasons why Ford wouldn't want to tell Fiddleford about Bill, even if Ford DID know he was from a different dimension, however:

If Ford had something to suggest Bill's essence was more scientific in nature, I.E. him being from another dimension himself, I think he would've put that into consideration in that when deciding whether to reveal him to Fiddleford, or at the very least would've given up the emphasis on his superstitious nature.

I'm not trying to say he would've actually fully revealed it to Fiddleford if this were the case, but I think the thought process around the concept of doing so would be different.

.

We're closing in on the portal test now. Ford refers to him here as a "non corporeal entity". He is non corporeal so long as he exists only in the astral plane... but is that what Ford is talking about? Or does he believe Bill has only ever existed in the mindscape? Does he know yet? I don't think this page actually includes much of an answer, I just figured it should be included.

The next-next page does have Ford cheekily refer to him as "imaginary" though...

Fairly soon after this, the portal incident and the betrayal happens. Could it be possible that somewhere within these pages, Bill spilt his home dimension backstory? I'm still inclined to think not.

These questions have no definitive answer, but I am led to wonder:

1) Bill's whole dynamic with Ford is that of a "Muse" inspiring intelligent minds throughout history, wouldn't the reveal of him being from another dimension call this dynamic into question?

2) If Bill is something from another dimension, wouldn't asking Ford to build a portal to a dimension totally-not-at-all-related-to-him become suspicious? Would Ford not question his motives at that point?

(A later edit: As has been pointed out in the reblogs, some of what I have discussed thus far fails to take into account the mental state Ford could be in due to Bill's abuse/manipulations. Expecting perfect logic and reasoning from him like the two questions above are asking for may not be fair. I am leaving them in this post so the aforementioned reblogs continue to make sense, but again, how his prolonged abuse factors into his logic and decision-making should be taken into consideration.)

.

.

I have just a few more post-portal pages to show to continue my long winded discussion with as well.

The pages about Exwhylia read a bit weirdly, admittedly. The first page Ford states he thought this was Bill's birthplace, the second page he states he believes Bill came from somewhere similar but was mysteriously destroyed.

If Ford thought this 2-D dimension had been reduced to an atom before he got there, how could he have planned to go? And I should hardly call being destroyed by a monster a "mysterious" method of destroying. Whatever the explanation for the way these are written is, I don't think they read like Bill has ever spoken to Ford about his home dimension.

Additionally, he mentions his "quest to defeat Bill" is what led him here, which I feel implies he learned of this place after being portaled.

I wish I had a good closer for this mini-essay, but the questions I asked above the Exwhylia section were originally supposed to be it. I don't believe Bill had told Ford about his dimension. That's the end of the sentence.

MAJOR ADDENDUM:

I can't believe I missed this (I can believe it) but.. In the book of Bill, Ford refers to Bill as "extradimensional" after their very first meeting!

Pinpointing the answer to my timeline question supposedly to this exact moment. In my opinion, if you combine this with everything I've mentioned above, no part of this idea from the book of bill makes any sense at all. You might remember at the beginning of this post, Ford guesses at what type of creature Bill is... two years after this last page here was supposed to have been written.

Additionally, if he had known there was an "extradimensional" creature in gravity falls at this point in time, I should hardly think it would've taken him two whole years after that to think of the idea that the Falls' weirdness may come from out of our dimension! (Not to mention in J3 he tells us the idea was told to him directly from Bill. Two years elapsed between these conversations? Knowing Ford, not likely. Again, even if Bill somehow did avoid telling him that whole time, I think Ford very well could've figured it out on his own by then.)

[artbyblastweave]

i only learned recently from a friend's who much more comic literate than I that magneto's backstory as an Auschwitz survivor wasnt planned from the start, which surprised me since it seemed to me a really integral part of his character. anyway, twofold question: how common is it to see capes with backstories tied to very specific historical events, and, as time inevitably passes and real world survivors of those events pass, how do they justify having their characters still alive and kicking? (stay safe on your mountaintop friend)

Depending on how wide you cast the net, this is a pretty big list! There are a lot of comics who's characters cutting-edge ripped-from-the-headlines origin later became a very specific historical event, or at least Of A Specific Moment, in a way the writers had no reason to anticipate the franchise would run long enough to have happen. But to shed pedantry and hone in on some specific ones;

The big one, of course, is Captain America. Superficially Cap's contemporary origin comes with a baked-in means of him making it to the present day- he gets stuck in the ice and then gets unthawed. The fly in the ointment, though, is when he unthaws. When they first brought him back into rotation in 1964, his stint in the ice was only around 20 years; long enough for there to be a significant culture shock, but not long enough that his entire social circle was dead or even culturally sidelined. Nick Fury is still around and kicking ass as a zeitgeist-appropriate 60s superspy. But the further the sliding timeline hauls forward his implicit date of release, the more it changes the tone and tenor of the resulting story. Losing twenty years is different from losing fifty years (as was the case in The Ultimates, where he very explicitly comes back during the Bush years as part of the book's commentary on The War On Terror) and those will both be way different from when we inevitably hit the point where he's lost 100 years and he's the cultural equivalent of a Civil War Vet or something. There's strength to all of those stories but they're undeniably different.

Iron Man's origin was originally explicitly tied to the Vietnam war; he was captured by a detachment of "Red Guerillas" while consulting for the US military and the South Vietnamese government. Unfortunately U.S. foreign policy to this day has prevented this from ever becoming an unresolvable storytelling issue.

The Fantastic Four are a case where their origin was intimately tied to the space race; their untested, cutcorner spaceflight was expressly an attempt to show up the Russians. The extremely specific political context of their test flight is something that sort of gets brushed off; the Ultimate incarnation (written by Warren Ellis) threaded this needle deftly by having the accident be a dimensional expedition instead, circa the early 2000s. I'm not actually sure how the urgency of their test flight is currently contextualized in 616 continuity. Anyone got their finger on that pulse?

The Punisher was also originally a Vietnam vet- but through the jaded cynical lens of the 1980s rather than the straightforwardly peppy and jingoistic lens that defined Iron Man's debut in the 60s. Current continuities I believe have mostly bitten the bullet and updated his origin to the invasion of Afghanistan. However, an interesting decision in the Garth Ennis-spearheaded Punisher MAX continuity of the early 2000s- where Punisher is literally the only costumed vigilante- is that they bit the bullet and posited a version of Frank Castle who really has been killing criminals nonstop since shortly after his return from Vietnam in the 70s, a man well into his 60s who's survivability and efficacy at killing are edging up against the boundaries of magical realism.

Hulk I feel sort of deserves a mention here- he's in a sort of twilight zone on this issue, as there was, uh, a pretty goddamn specific political context in which the Army was having him make them a new kind of bomb, but you can haul that forward in the timeline without complete destruction of suspension of disbelief. Pretty soon it'll be downright topical again.

To circle back around to The X-Men, Claremont introduced a lot of historical specificity with the ANAD lineup. Off the top of my head, Colossus was explicitly a USSR partisan (updated to a gangster forced into crime to survive in the mismanaged chaos of the USSR's collapse in the Ultimate Universe) and Storm was orphaned by a French bombing during the Suez War. More to the point, the timing was such that Magneto, in his upper-middle age, had a pretty strongly defined timeline vis a vis his ideological development vs Xavier; child during the holocaust, Nazi hunter who eventually rifts with Xavier during the mid-to-late 60s, and then the two of them spend their years marshalling their respective resources before coming to blows during the quote-unquote "Age of Heroes," whatever the timeline looked like for that in the 80s. And it was a timeline that held together pretty damn well in the 80s, but it's gotten increasingly awkward as time's gone on. The Fox films completely gave up on having it make sense, near as I can tell. In the comics they've had all sorts of de-aging chicanery occur that very pointedly ignores what an odd timeline that implies for everyone else in the X-books besides Magneto. The Cullen Bunn Magneto standalone from 2014-15 I remember actually leaned into playing up the idea that he's just old as shit and dependent on so many superscience treatments to remain functional that he's basically pickled, which was a take I liked; the comic ended when he died of exertion trying to stop two planets from crashing into each other, right before a brand-wide universal reset. When the MCU was at it's peak and people were wargaming how to integrate the X-Men (lol) you occasionally saw people float "fixes" for the issue, such as making Magneto a survivor of the Bosnian Genocide, or making him black and a survivor of the Rwandan genocide; I remember that this consistently drew a lot of ire from people who (reasonably) thought that his Judaism and connection to the holocaust were deeply important to his character, continuity be damned. But yeah, he's a character dogged by specificity in a way only Cap even slightly approaches. If this is a tractable problem I'm not going to be the one to tract it.

Interestingly, I'm genuinely having a lot of trouble coming up with stuff that's analogous to this at DC comics- almost universally the core roster updates into any given time period much more smoothly. Furthermore, DC stuff has always been much more willing to eschew Marvel's World-Outside-Your-Window philosophy in favor of deliberately obfuscating the time period via the Dark-Deco aesthetic of BTAS's Gotham or the retrofuturism of STAS's Metropolis.

The closest you get to this kind of friction is The Justice Society, who, pre-crisis, were siloed off in a universe where superheroes had existed since the 40s and there was no comic book time, so they were all in their upper-middle-age to old age now, with their kids and grandkids as legacy capes. Post crisis they were (and are) kind of an awkward fit in DC continuity; in the scant few JSA comics from the 90s and early oughts that I read, surviving members of the WW2-era lineup like Alan Scott and Jay Garrick were absolutely written as dependent on their metahuman physiques to have endured up to the present day. I think they're still doing stuff with those guys. I don't know how. I do understand the impulse, though. I also never throw anything out.

[thebisexualwreckoning]

Armand's backstory and how I, your local bengali vampire fucker and armand's 24/7 defence lawyer, am going to make him bengali and muslim while still keeping it showcannon accurate

(Note: this is not meant to be taken seriously and is very much just written because I was bored and had time on my hands and if i have gotten anything wrong please correct me)

One thing that always annoyed me about IWTV showcannon is the fact that armand pre-marius days were either left majorly unexplored or made absolutely no sense to the time period. Which, I find pretty surprising considering the care and sensitivity Louis' new backstory was handled with by the same creators and show writers.

We know 3 things about Armand and who he is as a character in regards to his ethnicity:

His birth is Arun

He is Muslim

And that he was taken from Delhi somewhere around the early 15th century

For the purposes of this essay, we are going to assume all of this is true and not something Armand made up to get sympathy from both Louis and the audience.

Armand's birth name being Arun, while incredibly lazy, does make his identity as a bengali man much easier to confirm. My own full blooded formerly bangladeshi grandfather has the name Arun and Arun continues to be an incredibly popular bengali name for boys to this day. The problem arises when it comes to his religion.

The thing about the name Arun is that it's an incredibly *Hindu* first name, given that it is quite literally one of the names for the Hindu god of the sun (Source: I'm Hindu and confirmed with my mom who is sitting beside me scrolling on facebook). While muslim people can have the name Arun, given that Bengal was still an independent kingdom around the time which Armand would have been born in, his parents being hindu would have been likely.

However, around a similar time, the Mughals were setting up shop in, you guessed it, delhi and the surrounding region. Now, my proposal is as such: During the same time period, many parents sold their children to zamindars (land owners) for money or food or land. Young Arun's parents did the same thing. Now, this zamindar either sells armand to someone else immediately after who takes him delhi or takes young arun to delhi himself where he either sets up shop with him or once again sells arun to someone else.

Seperated from his parents and newly immigrated indenture (because yes, mughal era punjab and bengal were different kingdoms and as such this would count as immigration) to a kingdom which had just gone through a major political upheaval and had a new ruler forcibly converting people to islam, arun, who has no ties to hinduism given that a. he is a child and b. his hindu parents very much just sold him into slavery, converts to islam as well as a safety tactic.

Thus child arun grows into teen arun and he has never known anything of his life before delhi but those first few years that he spent in bengal and has definitely had no contact with hinduism and has been a devout muslim for the vast majority of his life. Here is where things get a bit iffy. There are two ways how the rest of this can now go.

Route no. 1, armand's indenture is sold to the portuguese, the portuguese take him to europe, marius buys him, everything proceeds as it must.

Route no. 2, the overly complicated, book and show canon accurate version which requires some significant suspension of disbelief and handwaving to accomplish but i like it so i'm still writing down this crack theory. Also we're doing this in dot points now because i'm getting tired:

We know armand speaks crimean because daniel mentions it after he catches fake rashid praying

crimea was part of the ottoman empire during this time period.

the ottoman empire had relatively friendly relations with the mughals because they were afraid of babur.

crimean ottoman merchants buy armand's indenture

armand ends up in crimea

crimea and kievan rus, book armand's original homeland's complex relation means armand ends up in kievan rus.

Things proceed as they did in the books for how armand goes from kievan rus to under marius's hold

and that's all i have, this has been your local crack theorist on tonight's armand show. see you next time.

[am-i-the-asshole-official]

AITA for ignoring my friend's "advice" for my OC?

Using fake names for this and also including race because that is relevant to this.

Cast: Me (Mexican Female), Julie (16 White Female), Nico (16 Mexican Male), Gina (16 Chinese Female), and Karry (16 Black Female)

My friends and I were all making our own ocs to do an original story together. After we had completed all of them with reference pictures and backstories written, we all shared them in a discord chat.

Karry started acting dodgy whenever I would speak about my oc, and she would ignore my messages that were directly speaking to her. So Gina offered to speak to her for me on my behalf, but Karry had ignored her as well.

So Nico and Julie decided to bring it up in the main chat and Karry got mad about that. Then she started saying that she wanted me and Gina to make changes because there were some things she did not think were right about them. I asked her what it was, and she said that it was the fact that we gave our non-black ocs braids (singular thick braid). I had said I didn't see anything wrong with that.

Apparently that was a mistake because Karry blew up and me. She went on and on about how braids were a significant part of black culture and was primarily a black hairstyle. She said that it was wrong for anyone who wasn't black to be using that hairstyle and that people who did that were doing cultural appropriation. Gina argued that braids were in other cultures as well and that she would not be changing her oc, and I agreed with her. Karry called us both racist assholes for not listening to what she had to say.

Nico and Julie also sided with her saying that we were being assholes for ignoring what a black person had to say about their own culture. And that we should just change it so our ocs didn't wear braids in their hair to make Karry happy because she was not talking to any of us now. I want to stand my ground, but it feels like Karry is also right. Maybe I should change it so my oc doesn't wear her hair in a braid, but Gina refuses to change it because she says the braid style she is using is part of her culture. I'm not sure if I am doing the right thing if I keep my oc with a braid, but I also don't want to do changes because I like how she looks now.

AITA?

What are these acronyms?

[miraculouslbcnreactions]

Do you agree that Chloe only cared about Adrien cause of his social status ? Cause that's what Astruc has said on Twitter regarding how Chloe viewed her friendship with Adrien. Do you believe this intent of their relationship was portrayed correctly in the show ?

I think that this statement accurately describes the way that Chloe was written in season one. She never read as Adrien's close friend and we got scenes like these two from Dark Cupid where she wanted his autograph to show off for some reason:

Chloé: Hi Adrien, sign here please. Adrien: (sighs) Oh, come on, you know I hate signing autographs, Chloé. Chloé: Oh, that's not what this is. This is a petition against cruelty to hamsters. Have you seen some of the ugly sweaters they are forced to wear? It's appalling. (Adrien begrudgingly signs the poster. Chloé hugs the poster and Sabrina smiles before they notice Marinette who is digging through a trash can as she pulls out a sheet of paper.)

[Scene change]

Chloé: Keep dreaming all you want girls but the boy is mine. (Sabrina nods before unrolling the poster, the girls gasping) Aurore: "To Chloé, the most awesome girl in the world and the love of my life. Signed, Adrien." (All the girls begin to cry, then Chloé looks at one girl who tries not to burst out crying) Chloé: Uh, she's not crying enough.

However, much like Alya's obsession with Ladybug's secret identity and Adrien's ability to leave his house, this part of Chloe's character disappeared after season one, making it feel like something they tried and then decided to discard. While that's not a sign of great writing quality, it's also not a neon warning sign. It's not unusual for formula shows to have these kinds of growing pains. First seasons often have random things that contradict later seasons such as everything about Nathalie's season one writing.

So while season one backs this read, I don't think it's fair to say that Chloe read this way any time after season one and season one is full of things that got discarded, so it's not grasping at straws to say that season one Chloe wasn't fully formed. This is especially true because of the way the writers reintroduced her in both Origins and season two.

Origins introduced many new elements such as Adrien's social isolation and the wish that was driving Gabriel to terrorize Paris. In other words, it's the episode that lays the groundwork for the entire show. If a thing is in Origins, then it matters because the writers only had 40 minutes to establish every important element for how they want these character to be read. This is a problem because Origins didn't make Chloe a vapid mean girl who clung to new boy Adrien. Instead, Origins had Adrien walk into school, see Chloe, and call her by name, leading her to reply with a dorky childhood nickname:

Adrien: Hey, Chloé! Chloé: Adrikins! You came!

She's also the only person who knows that Adrien will be starting school this year because, for some reason, Origins made the choice to elevate Adrien and Chloe's relationship to close childhood friends. That is NOT the kind of move you make if you want Chloe to feel like someone who only cares about Adrien for his fame. While that may potentially happen in real life, this is a story. The writers have full control over the characters' backstories. Who in their right mind picks a childhood friends backstory to complicate things if they don't want Chloe to really care about Adrien as a person?

Despair Bear only further contradicts this "Chloe doesn't care" idea by having Chloe break down over the idea of Adrien ending their friendship:

Jean: Mademoiselle does not look very happy, today. (lifts up a plate of luxury chocolates and offers them to Chloé.) (Chloé grabs the chocolates all at once and eats them, concurrently, and then weeps) Chloé: Adrien says I have to be nice to everyone or he won't be my friend anymore! How can he do this to me, Jean-Michel? Jean: Uh, my name is... hm, never mind. Ah, perhaps Mademoiselle can see comfort with Mr. Cuddly? (Chloé is delighted and grabs Mr. Cuddly, her teddy bear, and hugs it)

[Image description: Chloe crying and eating chocolates because Adrien said they can't be friends anymore]

This is not the kind of reaction you give a character who doesn't care about Adrien on a personal level. She comes across as caring about him deeply. If she didn't care, then she'd probably just brush him off and say, "Your loss." But she doesn't. She reacts with the same sort of sorrow that we see when her parents are akumatized or when her mother refuses to acknowledge her.

We also see her go out of her way to try to appease Adrien by throwing a party and forcing herself to play nice so that he stays her friend. She only stops playing nice when he promises that they'll stay friends:

Adrien: That was a great idea of inviting Marinette's dad! Chloé: I know. This way, no one can be mad at me for calling the fire department. I'm really nice now, did you notice, Adrikins? Even Ladybug said so! Didn't she, Jean-Pascal? Adrien: I'm proud of you, Chloé. I think you've proven that you're capable of making an effort to be nicer to everyone. Chloé: Aww, Adrikins! So we'll always be best friends, forever? Pinky swear? Adrien: Pinky swear! Chloé: (Exhales and saunters off) (To Kim) So, those macarons are dreadfully ugly. (Kim sighs.) (To Mylène.) Those are so greasy, you can see yourself in them. (Mylène cries and faint.) (To Marinette.) Urgh. Too disgusting for comment. (To Rose.) Those look horrible. (Rose faints.)

That is more effort than Chloe has ever put into anything on screen and that's a problem because - once again - this is not how you write a vapid mean girl who doesn't care. This is how you write someone who actually cares about Adrien. They even chose to show us young Chloe and young Adrien being cute during Chloe's "flashback" to getting her teddy bear:

[Image description: Teen Chloe surrounded by drawings of important childhood memories with her teddy bear. We see her getting the bear from a faceless figure, holding the bear as her mother walks away, sleeping with the bear, holding the bear while she cries, and excitedly showing the bear to a young Adrien]

There's also the issue that, after season one, Chloe doesn't seem to actually care that much about social clout. At that start of this post, I used a scene from Dark Cupid specifically because it feels kind of out of character for her. In the later seasons, Chloe may flaunt her social status and think that it makes her better than others, but she doesn't do things like the poster thing because that requires her to care what random people think and that's just not how she reads. Chloe reads more like someone who doesn't care what most people think because she thinks that she's better than them (or, at least, she wants to think that. Chloe has the potential to be a fun little ball of self-hatred and doubt, but either way, she is acting like she doesn't care what other people think outside of a very select group.)

I think this really shows when we compare Chloe to Lila. Lila reads like someone who cares about social clout. Someone who is desperate to be seen in a certain way. Someone who sees dating Adrien as a status symbol and nothing more. Chloe reads like someone who sees Adrien as the only person of her caliber, so of course they'd get together. That's a subtle, but very important difference. It's the difference between someone who doesn't have social clout and needs Adrien to get it and someone who already has social clout and therefore doesn't need a popular boyfriend to prop her up. She just thinks dating an unpopular boy is beneath her.

I've mentioned before that Chloe reads SUPER aroace to me and this is actually why. To me, it comes across like she does actually care deeply about Adrien, but she has no true romantic or sexual feelings for him or even any clue what those feelings actually feel like. Given the way her parents' relationship is written, I also don't see Chloe having a healthy idea of what a romantic relationship looks like. I think she sees it as a way to show off how much better you are then the nobodies of the world because love is for fairytales. Marriage is about alliances of wealth and power and Adrien is both wealthy and her childhood friend, so of course they'd get married! They already know that they can at least tolerate each other. Why look for a different match?

In summary: the writers may have wanted Chloe to be a vapid mean girl who didn't care about Adrien as a person, but they completely failed to write her that way after season one, so she comes across as genuinely caring, but unable to express those feelings in a healthy way because of her own issues and poor childhood.