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inkweaver22-blr · 3 years

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Hi there! So I’ve learned that I can’t focus on multiple big fics at the same time. That means I’ll be focusing entirely on Scattered Cicadas until it’s completed! Yay!

This chapter is an important one so pay attention! Hope you enjoy!

AO3 Link

Scattered Cicadas - Chapter Eleven: Soul Searching

Tang gets into an argument with himself.

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He was, once again, in the uninteresting, featureless cave. The voices seemed to blend together as they called out in concern. His name had almost lost meaning at this point with how many times he had heard it. He didn’t even bother closing his eyes as the golden light enveloped him.

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Tang was tired.

How long had it been since this all started?

He had been experiencing these time jumps for what felt like an eternity. He’d lost count on the exact number of cycles he had lived through more than a few centuries ago.

It had been somewhere in the 800’s from what he could remember.

Tang was exhausted.

How old was he now?

He certainly didn’t feel the 41 that his body usually started out as each cycle. Each jump tended to last a year with a few outliers lasting two to four and the exceptionally rare occasions where it was hundreds of years before the start of the baseline events.

He was certainly much older than even Wukong at this point.

Tang was weary.

Did the new memories each cycle granted count towards his age?

They were vivid and detailed, so while he may not have personally experienced them, it felt like he had. The amount of times he had been the immortal Tripitaka instead of just his reincarnation would probably double his age from the memories alone.

If he factored them in, it was probably somewhere in the tens of thousands range.

Tang was fatigued.

In all these years, all the cycles and resets, how much headway had he made in figuring out what was happening?

None. Zilch. Nada.

He had scoured libraries, both mortal and celestial, learning many wonderful things. But he still was empty handed when it came to discovering what was causing his current existence.

He worried that the information he sought was entirely unique to his original timeline.

Tang was so tired.

He was close to giving up, resigning himself to this fate of infinite cycles. He could instead focus his energy fully into being there for his family.

There was a certain appeal to the idea, one that felt almost temptatious. All he needed to do was let go and give himself up in his entirety to their well-being.

Tang gave a sigh as he followed MK up the steps of Flower Fruit Mountain.

These melancholy thoughts were getting harder and harder to shake. Talking to Sandy helped somewhat, but his flame of hope was slowly dwindling.

He didn’t like to think of what he would become when it finally died.

Tang shook his head and did his best to refocus.

He was here for MK, not himself. His kid needed his help.

This cycle was particularly nasty on the young man’s mental health.

There had been cycles where he had been the actual reincarnation of Wukong and had been trained by a clone his past self had left behind, but this was worse.

This time, he was Wukong.

When the Monkey King had sealed away the Demon Bull King, he had sealed himself as well. His memories, his powers, his personality, all locked away and leaving behind a baby MK many years later.

MK hadn’t known until he had visited Flower Fruit Mountain for the first time looking for the Monkey King. Instead, he was greeted by the spirit of Tripitaka who had told him the truth and promptly left.

MK wasn’t handling it well. The pressure and responsibility had made it obvious that something was hurting him.

Tang and the others hadn’t found out exactly what was going on until they had been kidnapped by Macaque who threatened to kill them if “the real Wukong” refused to show himself. MK had saved them, but revealed himself in the process.

(The amount of times MK had become a monkey over the course of the cycles should have made Tang prepared, but it was downright shocking to see him look exactly like Wukong.)

They had managed to reassure him that they still considered him to be their MK, but it was obvious he had been agonizing over it for some time.

Which brought him back to the present.

It didn’t happen often where Tang and Tripitaka were entirely separate people with unique souls, but it did occasionally occur. Not often enough to be anything but an outlier though.

Tang was not pleased with how this version of his past life had treated his son. He planned on having words with him.

“This is it,” MK said, snapping Tang out of his thoughts. “This is where he appeared.”

MK had led him to a statue of the ancient monk. Tang couldn’t ever remember one being here in previous timelines.

“Why’d you want to come here again?”

“Well, I was hoping that by praying for guidance, we could perhaps get some first hand knowledge about the Monkey King to help you adjust to your powers.,” Tang explained as he began setting up a makeshift altar with the supplies he’d brought with him. The items he placed on the small fold-able table seemed normal enough, but were actually the components needed for a summoning ritual to call a spirit and commune with it.

Not that MK needed to know that.

“Do you really think this will work?”

“Only one way to find out.” Tang lit the incense he had placed and knelt before the statue and altar. MK quickly joined him on the ground as he began the incantation. Luckily, it sounded enough like a plea for help as opposed to a spell so he wasn’t questioned.

As he spoke, the statue began to glow a bright yellow and there was a slight tugging sensation in his chest. It was probably just the ritual creating an anchor between him and the spirit he was invoking.

Once he finished, the light separated from the statue, coalescing into the transparent form of Tripitaka. MK gaped while Tang gave a respectful bow. The monk seemed surprised for a moment before offering the pair a patient smile.

“Ah, my student,” the spirit said. “I had not expected to see you again so soon. How may I be of assistance?”

“Well, uh, Mr. Tripitaka sir,” MK said while rubbing the back of his head. “My friend Tang here thought it would be a good idea to get some, uh, stories about my past? He thinks it could help me get used to my powers if I heard about them first hand.”

“Indeed?” Tripitaka stared at Tang for a long moment before turning back to MK and smiling. “A more than reasonable request. I’d be happy to reminisce about our time together.”

The next hour was spent listening to Tripitaka as he told stories about the Monkey King. MK was completely enthralled by the tales, his tail swishing in excitement. Tang only half paid attention, making sure to have a polite smile on his face and keeping the incense lit to keep the spell going.

Tripitaka would eye him knowingly whenever he did so, but didn’t comment.

“Now, my dear student,” Tripitaka said after finishing one of the stories. “I have a request for you.”

“Sure,” MK hopped up and began bouncing eagerly. “What do you need?”

“Could you give your friend and I some privacy?” Tang sat up at that and MK blinked in surprise. “I have some things I wish to discuss with him that may potentially be… confidential.”

Tang scowled at the monk. That made it sound like he didn’t trust MK.

“Oh...” MK’s shoulders predictably drooped a bit. “I mean, if you really don’t want to tell me…”

“That’s not-”

“It’s okay MK,” Tang reassured, his interruption earning a brief frown from the monk. “He said it was only potentially confidential. I’m sure I’ll be able to let you know about anything important.”

“If you say so.” MK glanced suspiciously between the two serenely smiling figures, seeming to sense the tension, before he shrugged. “I guess I’ll go see if the stories helped with figuring out my powers.”

Once he was out of sight, the scholar and monk dropped their peaceful facades and glared hard at each other.

“Who are you and how were you able to summon me?” Tripitaka narrowed his eyes in accusation. “This ritual should not have been able to work on me.”

“Well it looks like it did anyway,” Tang said, glaring back. “I’m not sure I feel obligated to answer the questions of a master who mistreats their student.”

“Excuse me?!”

“You left MK alone.” Tang let all his anger show, making the monk step back in hesitation. “You showed up, dropped an emotionally devastating revelation, gave him an impossible responsibility, and then you left.”

“My purpose was to-”

“I don’t give a damn what your ‘purpose’ was supposed to be,” Tang snarled. “MK may not be Sun Wukong any more, but he’s still the Monkey King. He’s still your student.

“And when he needed you the most, you abandoned him.”

Tripitaka flinched as if he had been struck, his face pulled into a pained grimace.

Tang didn’t care. He had started the process of getting things off his chest and let the freeing momentum of it carry him.

“In all the times he’s returned to this mountain, not once did you reappear to offer reassurance or guidance.”

“I- I didn’t think-”

“Oh that much is obvious.” Tang had quite a lot of pent up frustrations. It felt good to have an outlet to release them on. “You left MK shattered and didn’t even think he would need help picking up the pieces!

“If you’re so wise, why didn’t you know how hard this would have been for him?

“If you’re so benevolent, why did you leave him to suffer in silence?

“If we’re so perceptive, why the hell did it take so long for us to notice his pain?”

Tripitaka straightened at that. His expression changed from shame, to confusion, and finally shocked understanding.

“If we’re so smart,” Tang was screaming now, tears flowing down his face as the years of bottled up emotions poured out, “then why can’t we figure out this damn curse we’re under?!

“Why?!” Tang pounded the ground with his fists as he sobbed. “Why?! Why? Why…”

Tripitaka knelt next to the scholar, waiting patiently as the sobs eventually subsided. He spoke only when Tang’s breathing had evened out.

“You’re my reincarnation, aren’t you?”

Tang jerked up in surprise at that. He had been under the assumption that this was one of those rare cycles where he had a separate soul from Tripitaka. If that wasn’t the case then…

“You aren’t actually Tripitaka.”

“No,” the monk confirmed with a sad smile. “I am merely a copy of his memories and essence given form and limited autonomy. I was sealed into this statue for the purpose of guiding my student when he eventually returned.”

Tripitaka gave a sigh and looked away in shame.

“As you’ve pointed out, I haven’t been doing a very good job at that.”

“I- Yeah, kind of.” Tang winced. “I didn’t mean to go off on you that much.”

“Don’t apologize,” the spirit said. “It was a truth I needed to hear. Not everyone would have been as honest or even brave enough to chastise someone as ‘wise’ as myself.” Tripitaka bowed his head in respect. “Thank you.”

“You’re welcome.”

Tripitaka straightened and gave Tang a smile before turning serious.

“Now, you being my reincarnation explains why you were able to summon me from the statue, as I am essentially a part of you.” Tang supposed that was the tugging sensation he had felt earlier, before returning his attention back to the monk.

Tripitaka stared directly into the scholar’s eyes, concern written in his own.

“But what was that part about being under a curse?”

Whoops.

He hadn’t meant to let that slip.

“I can’t tell you.” Tang sighed and shook his head, as that wasn’t entirely accurate. “I want to tell you. Part of the curse is that whenever I tell someone about it, they’ll forget the conversation even happened a few minutes later.”

“That sounds incredibly frustrating,” Tripitaka said, his voice full of understanding and compassion. “You must feel terribly lonely.”

“You have no idea,” Tang said with a groan, laying backwards onto the ground. Tripitaka hummed, seeming to be lost in thought.

“If the curse disallows anyone except for you to know about it,” he mused out loud, “and I am an aspect of your soul's past life… Or, essentially, if that means I am you...”

Tang shot up into a seated position as he caught on.

“Then you might be immune to the curse’s effects,” he finished excitedly.

“Precisely. It’s at least worth a try.” Tripitaka shifted into a more comfortable position. “So tell me about this curse.”

Tang took a breath. What did he have to lose at this point?

So he told him.

He told him about the cycles.

He told him about the many different changes to the timeline.

He told him about dying.

He told him about the love he felt for his family.

He told him how tired he was.

He told him about losing hope of ever finding a way home.

He told him everything, and Tripitaka patiently listened.

Tang sat catching his breath for a few moments after finishing, his throat raw from both the earlier outburst and from how long it took to relay his story.

He hadn’t felt this light in decades.

It would hurt if the monk would forget, but the catharsis had been worth it.

There was silence for a while as they waited to see what would happen.

“Now that,” Tripitaka said after several minutes, a grin slowly growing on his face, “is quite the curse.”

Tang could have melted in relief.

“Oh thank the Heavens,” he breathed, wiping away fresh tears.

It worked!

“I have never been too knowledgeable when it comes to spells or magical effects,” Tripitaka admitted, before smirking at his reincarnation. “I’m sure you probably knew that already though with the amount of times you’ve been me.”

“Remind me to tell you about the cycle where we were a sorcerer researching magic,” Tang said with a chuckle. It felt so good to be able to talk about this with someone. Even if it was a copy of his past life.

“Truly? Fascinating. We are getting off topic however.” Tripitaka became serious once again. “I may not know as much as you currently do, but I can certainly tell that this is no common affliction. It is a much too complicated and in depth effect to be a simple curse anyone could cast in passing.

“You aren’t physically moving between times, or else you would have stayed dead the first time you had passed or would have aged until death had you not.

“The most interesting part is that you always awaken as a version of yourself. This makes me believe that this curse isn’t just affecting your mind, but is tied directly to your soul.

“You have probably already come to the same conclusions.”

“Yes I have,” Tang said with a sigh. “But I’ve never been able to find anything on what could cause a soul to jump across timelines.”

“Hmmm…” Tripitaka gazed off into the distance in thought. “Perhaps you are focusing on the wrong thing.”

“What do you mean?”

“You have been researching the what of this curse, but not the why.” The monk turned his attention back to Tang, his eyes lit with the satisfaction of figuring something out. “There are a countless number of things that can affect a soul. Far too many to properly look into even without the complications of the random changes to the histories of the worlds you visit.

“What is most important to answer here is why your soul continues to move between time.

“If the point of the curse was to banish your soul to an alternate timeline, then why didn’t it just stop after the first jump? Why do you continue to travel between these realities at set intervals?

“By working backwards from why the curse works the way it does, the what will surely be revealed in time.”

“That’s… That’s brilliant!” Tang frowned, his excitement dowsed as he thought of a complication. “But how am I supposed to figure that out?”

“Have you tried examining your soul? Perhaps that could provide some answers.”

“Examine my soul?” Tang blinked in confusion. “How would I do that?”

“Do you not know how to manifest your soul outside your body,” Tripitaka asked, genuinely surprised.

“You can do that?”

“Yes. Or at least, this reality’s version of your past life could.” Tripitaka squinted in confusion for a moment. “You must get your tenses mixed up quite a bit from all this.”

“Remind me to tell you about the cycles that involved time travel.”

“Oh that sounds like a headache just waiting to happen.” The monk shook his head. “Anyway, your past self had to use this ability in order to create me. Since I have all his memories up to that point, I know how to do it as well. I should be able to guide you through the process.”

“What do I need to do?”

“Take my hands and begin meditating. I’ll be able to do most of the work from there.”

Tang took the monk’s hands and took a few steady breaths. Meditation came easy to the scholar after the many cycles of being the monk across from him.

He ignored the strange feeling of something moving through his arms and into his chest and focused. He soon fell into a relaxing trance.

“Oh my!” Tripitaka’s gasp broke Tang’s concentration and he opened his eyes.

Floating between him and Tripitaka was what he assumed was his soul.

It was a collection of bright golden-yellow threads wrapped loosely into the outline of a sphere with empty space making up the majority of its center. Knots of light were randomly placed across the strands and one had a thread pointing off away from the sphere, seeming to stretch infinitely into the distance.

“This is unlike anything I’ve ever seen,” Tripitaka said, examining the soul closely.

“So I assume souls aren’t supposed to look like this?”

“Certainly not! Souls usually manifest as whole spheres of light.” The monk leaned in to look at the thread that was leading away from the rest of the soul. “It looks like yours has been unraveled like a ball of yarn.”

“Unraveled?” Tang swallowed nervously at that. “That doesn’t sound good.”

“It’s not as bad as it being shattered would have been,” Tripitaka said absently. “Your soul, stretched thin as it is, still seems to be completely intact.” The monk blinked as he sat back up. “I think I’ve figured out how this curse works.”

“Don’t you mean why?”

“Practically the same question at this point,” Tripitaka dismissed. “The point is your soul has been scattered across time and space, but not shattered. It is still a complete soul.

“The reason why you’ve been jumping across these timelines is that you are following the thread of your soul to recollect the scattered pieces, or knots to go back to the yarn comparison. Each time a new cycle begins, your soul merges with the missing piece found there.

“You are literally winding your soul back together.

“I’m not sure why the cycles last a year, but my best guess is that’s how long it takes for your soul to find the next piece.”

“So that means the farther away the cycle starts from my original timeline,” Tang contributed, “the longer it takes to find the next piece. That’s why the cycles that start hundreds of years before my base time last as long as they do.”

“A reasonable assumption.” Tripitaka focused, and Tang’s soul floated gently back into his chest. “You still seem to be missing a fair amount of your soul however. You’ve already been doing this for quite some time, so I can’t even imagine how much longer it would take to collect the remaining pieces.

“But you now know why this curse works the way it does. This effect is so specific, I can’t imagine many things could have caused it.

“Once you find out what could have done this, I have no doubt you’ll be able to reverse it and return home.”

Tang’s eyes began to water once again.

The thought of continuing to be trapped in these cycles until he collected the entirety of his soul was terrifying. He had already been at this for so long.

But now there was a new hope.

He had a new lead he could follow in his research. Something specific and tangible he could look for.

For the first time in countless years, Tang felt the weight of helplessness and despair lift away.

“Thank you.” Tang let his tears fall freely as he held tightly to Tripitaka’s hands. “Thank you.”

“You are welcome, my child.” The monk squeezed Tang’s hands comfortingly. “If you ever feel the weight of your burden become too much to handle during this cycle, please come and speak to me. I’d be more than happy to offer a supportive ear.

“For now though, I do believe you are almost out of incense. It is time for me to say goodbye to you and my student who should really know better than to eavesdrop.”

There was a scrambling noise behind Tang and he turned to find MK nervously peeking out from behind a nearby boulder.

Tang laughed at the expression on MK’s face at being caught. He hadn’t felt this joyful in a long time.

“I’m sorry! I was just worried that you guys were going to fight and-!”

“You aren’t in trouble, my student,” Tripitaka said. “In fact, I should be the one apologizing to you. Your friend here was quite correct to be angry with how I’ve neglected to be there for you.

“I should have told you how to contact me during our first meeting so that you could have had someone to talk to about all of this. Instead I simply fulfilled my original duty and considered my work done.

“That was wrong of me to do. You are a wonderful person, Xiǎotiān, and it brings me great shame to have contributed in the pain you have felt.

“I am truly sorry, and hope that one day you can forgive me.”

Tang laughed once more at the stunned look MK wore.

“Say thank you, MK,” he wheezed out after a few moments when it looked like the kid was just going to stand there.

“T-thank you Mr. Tripitaka! You really didn’t have to apologize.”

“And yet I have,” Tripitaka said with a smile. His form began to fade as the last of the incense began to burn out. “My time is up for now. If you wish to speak to me again, simply channel your power into my statue and I will appear. Please do not hesitate if you ever need advice or words of comfort. I look forward to speaking to you both soon. Farewell.”

Tripitaka vanished as the incense was finally spent, leaving the area still and quiet.

Tang began to pick up the materials he had used for the summoning, MK soon joining him.

“So… You’re really Tripitaka’s reincarnation?” MK’s voice was curious as he helped clean up the altar.

“Yes I am,” Tang answered truthfully.

“Do you remember any of it?”

“Not at all.” Not in this cycle at least.

“Are you really under a curse no one can remember if you tell them?”

“I’m honestly surprised you remember even that much,” Tang said.

“Well there was a lot said in the middle and end that I can’t,” MK admitted, “which is really weird, but I do remember that part.”

“Interesting. Yes I am under a curse. I have been for a long time”

“That sucks.” MK frowned before brightening back up. “But hey! It sounded like Tripitaka remembered when you told him! It must feel good to finally be able to tell someone about it.”

Tang returned MK’s wide grin with his own.

He no longer felt tired.

“Yes. Yes it does.”

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Here we have the explanation for the fic’s title! I’ve been waiting to reveal this one for a while.

This cycle takes place in stagemanager’s story The Lost Prince. While the fic itself doesn’t say MK learned about the truth from Tripitaka, this fanart by @smallpwbbles shows that part actually happening.

The plot is picking up from here on! Hope you’re all hanging on tight! Until next time!

#Ink Writes #Scattered Cicadas #Monkie Kid #Tang #MK #Tripitaka #The Lost Prince #Lost Prince AU #stagemanager #smallpwebbles #Tang Monkie Kid #LEGO Monkie Kid

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sparda3g · 5 years

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Attack on Titan Chapter 122 Review

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Ever since the anime season this year ended, the momentum has been phenomenal. Some would believe this would not only lose it but fall off of a cliff alas jumping the shark. Fans have followed since the beginning and remain loyal to this day. After 122 chapters, I can safely say this series still got it. That itself is amazing, but what this chapter delivered is unfathomable. It didn’t just deliver the explanation we have long desired for, it rewarded us for being loyal to this very day.

It opens up with Frieda and Historia’s flashback, centering on the story of a young girl who was loved by everyone. She was called Ymir. She was deemed as “ladylike;” an inspirational figure if you may call her. As fans know, she is the founder of the Titans. They also know her loyalty is to the Royal Family alas a slave. Basically, her figure can be seen as a role model, but her background and history say otherwise. It transition to Ymir’s backstory and from there, the truth is far colder than I can imagine.

It’s heartbreaking, disturbing, and probably the darkest of the series, and that says a lot. As the chapter’s title implies, it takes place 2,000 years ago. Ymir was only a child; a slave who worked hard in the midst of agonizing environment. Throughout the backstory, she never speak a word, but her expression tells tons. This is Isayama’s finest artwork delivery. The amount of effort put in is astonishing, and it only gets better.

The king wanted the culprit who set the pigs free and all the slaves pointed at her. We don’t know if she was even the culprit, but the painted image of everyone backstabbing her for the “greater good” is hard-hitting. She must take the fall and so, she accepted it. That’s purely corrupted and disheartening. Blame a child for your foolish act. But it didn’t matter; the king took it and free her to the forest, where she will be running from death by her own people.

I like to point out how disturbing it is to use the phrase, “You are free,” in a very cruel manner. It makes me believe the ending page of the series is about her. It’s still a speculation, but the chance has increased. Her suffering aches me and the flashback just started, let alone her character. She found the giant tree and entered inside for shelter. But instead, she fell down to the river with a supernatural object that resembles a spinal cord swimming towards her. They fused without a dance and thus, a titan is born. What a great sequence.

I love how it plays off as a phenomenal event and rightfully so. It’s the beginning of everything. It has to be treated as the second coming or the Holy Grail. It’s interesting to see a supernatural element in this series. Granted, a lightning strike, changing into a giant form, and Shifters wielding a special power are supernatural, but this is the origin, before titan became a thing. It has to start somewhere, so this is acceptable. I strongly doubt we will see more of supernatural entity like aliens. This is more of mythology use, the Tree of Life if you may, and Isayama is no stranger.

One would think Ymir’s life would turnaround for the better with her newfound ability. It did not; amazingly, it’s much worse. The King paid much “respect” towards her, thanks to her titan power. By that logic, this means she is “rewarded” to be his wife. The sad part is, earlier in the chapter, she witnessed a wedding that was presented as a blissful moment for the two. She’s no longer a slave to do labor work; she’s a slave to do everything. She’s rewarded a marriage and yet, she’s left cold and depressed. It’s disheartening to say the least.

She does all the works the King command. From being sent to destroy Marleyans to bearing the children for weaponized reason, she’s a mess. Every moment should be filled with happiness, yet not once you see her happy. Not even a baby birth made her pleasant; instead, saddened and broken. Year after year of the same procedure, her life was long gone. We the fans are only seeing her in pilot mode or in other words, emotionless.

What’s interesting is the moment when she was killed. You would expect her death to be glorious or end with a bang, but it wasn’t the case. One of the soldiers took out a spear from underneath the sand and threw at the King, only for Ymir to jump and take it instead. She could have recovered, knowing she was a Shifter. However, she lost the will to live, so she never did; essentially, passed away. It almost happened with Reiner back at Marley, so it makes sense for her to go out like a normal human. I love the imagery of her soul fading away with the sight of a flower. What struck me is her family watched her dead with sadness, only for the next moment to destroy the sensation and embark a really dark scene.

If you once believe the King has any soul towards her, you’ll be dead wrong. After a shock, he recovered and angrily yelled at her to get back up and work. That’s seriously messed up. He had no remorse for her death; not even seeing her once as a person. He flat out called her their slave. It only took a chapter to hate the guy so much. It gets worse as he decided to feed his children with her corpse. That’s unbelievably disturbing. I’m surprised at the raw image as well as disgusted. At least we know the walls are named after the three children; better not reveal that history. How this series not Seinen? I guess it was missing one cuss word to be qualified.

The most heartbreaking part is, even in the afterlife, Ymir is still a slave. In the King’s deathbed, his last wish was an order for his children to spread Ymir’s blood through generation after generation. Not even a touching moment for them; selfishly placed dictatorship over family. Sadly, they obeyed his last wish and through countless generations, the titans have grown.

It explained how the titans essentially break into different traits alas Shifters, including Jaw and Colossal Titan. After spreading for so long, it eventually formed a new type. It’s bizarrely insane. The King can enjoy in hell, while Ymir is forever a slave, creating countless titans. She outclassed all the suffering characters; bar none. It’s pure tragedy. She cannot be freed for 2,000 years and counting. Her life is only used as a weapon; nothing more, nothing less. The backstory ends here. The next scene, oh boy, here we go.

Eren finally reveals his true color and the sole reason to obtain her power: to end this world. Out of context, he would definitely been seen as a villain. Joker, watch out! But seriously, it’s the Rumbling and like he said at the beach, he’s going to put an end to this madness. While the request can definitely be interpreted as a villainy act, the intention is dare I say reasonable.

The idea I get is he wants to factory reset the world. The damage was done 2,000 years ago and its effect goes on to this day. Evil brought upon the titans to its existence. The irony approach to put an end is to use those colossal titans inside the wall. What stared the madness will end with madness. I don’t remember who said this quote about World War, but the third war will be the worst war of our time; the fourth one will have people use sticks and stones. It’s something like that. Basically, it means the world will restart after mass destruction, and that’s what Eren is going to unleash. Not necessarily kill his friends, but end the tyranny war.

I love the last psychological battle between the brothers. Eren wants Ymir to know she is only human; not a God nor a slave. As for Zeke, he wants to stop Eren from unleashing hell on Earth. Out of context, this sounds like Zeke is the good guy, but it’s complicated. Their choice of words to persuade Ymir are night and day. Not because of what they wished for, but what they cared for. When it’s all said and done, it’s perfectly clear which argument matters more.

The major key difference is how they approach to her. Eren may want the world to end, but he believes it’s up to her to decide. More importantly, what she truly feels. With Zeke, all value was lost when he yells at her to grant his wish because he ordered her. He believed he’s right because he carried the blood of the Royal Family; symbolically, history repeats itself or more like, the chain never ends. Eren wants to end it and apparently, so does her.

It is clear Isayama has planned this far ahead as well as improved his artwork tremendously.Thankfully so, because the delivery is powerful. Ymir’s emotion with tears is raw; I felt her agony and now, she can finally let it go. I love the fact Isayama didn’t show her eyes until now; making this moment impactful. You feel free along with her. The pain must end now. To top it all off, alongside with great artwork, it also contain the perfect circle; one that rewards the fans for supporting the work for a long time.

Eren may have a villainy idea, but his heart still contains purity. He wanted her to let go; end her misery. He knows deeply for 20,000 years, she waited for anyone to free her, and he is the guy. It finally hits me that this chapter’s title resembles to the first chapter. It was a message to Eren to save her; this time, it’s the reply she has been waiting for. Absolutely magnificent. Now I get those panels that resemble to Eren’s dream. Not to mention, the tears. It must mean he felt the pain of a poor girl. I’m convinced the ending will have Eren carrying Ymir to let her know she’s freed. I can be wrong, but I wouldn’t mind being right. Ymir makes her decision, and by God almighty, what a crazy ending.

The last couple of pages are incredible. Isayama seriously went all out on his art. Back to reality, Eren’s spine reattach his head; basically, escape death. The image is jarring in a good way. The battle is stopped with the wall crumbling down. By this point, my jaw was dropped. The scenery is intense as hell. Gabi, the one who thought stopped the mayhem, is now witnessing it in front row. The wall is gone; out comes the mass of Colossal Titans. Translation: we’re in the endgame now.

What else can I say? Probably a lot more. The bottom line is, this chapter was outstanding. It delivered a really dark, cruel, and depressing backstory of Ymir that answered many questions and gave us reasons to feel awful for her, which ultimately led to the defining moment. When it comes down to it, the stories we heard from Eldians and Marleyans were true and false. Eren and Zeke’s final debate was mesmerizing. The full circle twist was so rewarding. The visual is among the best Isayama has delivered; perhaps the best. The atmosphere, the angle, the expression; everything is top quality. The ending got me hyped beyond the maximum level. This is it. It’s not the end of the world, but you can see it from here…

#attack on titan #shingeki no kyojin #chapter 122 #review #spoilers

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bioticgoddess · 6 years

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Songbirds and Baby Bats (X)

(Guess who’s back...)

Series Summary: Jason Todd returns from the dead and, after the events of Under the Red Hood,he goes from Gotham to Bludhaven in search of himself…and an old friend. But getting your life back is never easy and Black Mask has enlisted the aid of Gotham’s other Crime Families as well as a few ghosts of Batman’s past. He’s coming for the Red Hood and everyone of his allies.

(I don’t own the pictures of cd828studios‘s Ian Lang as Red Hood. I own nothing. Except Wren/Amy and my OCs.

Also: Go support the kickstarter! DOOO EEEEEET.... https://www.kickstarter.com/projects/1109643588/red-hood-the-fan-series-season-2/description) And now to the story...

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Part X

“I brought presents,” Red Hood chuckled, nodding at a second rucksack on the roof. He’d tucked it neatly between a set of steam vents. The questionable hidey-hole kept the back up supplies and small arsenal he’d brought safely out of sight. It wasn’t how he’d planned to get the others out of the apartment and across to the roof. But it had worked and at least they could fight with with what could theoretically be accounted for as home field advantage.

“You raided my safe house,” Nightwing’s voice was devoid of emotion, eyes narrowed and brows thin. The domino mask showed more of the thinly veiled irritation than expected.

One of the bullets from Slade’s own side arm whizzed past. Interrupting what had otherwise promised to be a proper brotherly debate. An argument much like the one they once had over a bedroom in Wayne Manor. “Well time to go,” Jason countered abruptly as Wren scooped up the rucksack and darted past them towards the far side of the roof.

They could hear the cord bend as Dustan ran along it. “Oh right,” Wren grinned, fishing a shuriken from the bag. Her fingers grazing the pouches of what had been her old utility bet. Flipping it across the back of her fingers, she cast a quick look over her shoulder behind them. “One, two, three,” each count felt like an eternity as the assassins made their way across the city ravine between buildings. A flick of her wrist, and the shuriken flew. It sliced through the line just ahead of Dustan.

“You wanna hand me that,” Nightwing asked, sliding over a steam vent. With a grin, he held out his hand for the rucksack. One of his bird-shaped shuriken flew past, driving itself into the vent he was mean to barrel roll over. It was not a good day. To top it off, as the trio moved over and around the roof, the weapons from their stolen utility belts flew past.

Looping the trio of belts over her arm, Wren pulled them free and passed him the bag. Her old apparatus had been less elegant. A utility belt with thigh holsters and pouches. Snapping the main belt around her waist as she slid behind cover, Wren chuckled. Fastening the other buckles in place, she elbowed the Red Hood playfully. “Thanks for these,” she tapped the fully loaded pouches. Jason hadn’t just raided Dick’s supplies, he’d armed his friends (and himself) for bear.

Across the way, behind another vent, Dick was fastening his own gear in place. It was his generation-one escrima sticks, harness, and utility belt. The design was based on his old Robin gear, save for the holsters he’d cobbled together for the escrima sticks. Those were modified from a design he’d seen in an old Kung Fu movie. Leave it to Dick Grayson to find inspiration in a campy film. Fully loaded utility belt and back up weapons in place, he sent the backpack - whose remaining contents were exclusively ammo for Red Hood – flying across the open space between their covers. Two more shuriken, both carved to look like birds, nicked the heavy canvas bag.

All they lacked were the tasers that both Nightwing and Wren carried – the ones in his regular escrima sticks and those in her gauntlets. Wren caught the now lighter bag as Jason popped up, both side arms in hand, “Stay down babe,” and let a series of rounds fly over the top of the HVAC unit that he and Wren had ducked behind. He was pointed to their 6-o’clock, engaging Deathstroke as the the orange and black clad assassin tucked in beside a curved vent.

Rolling her eyes, she looked across to Nightwing. Deliberately, he set a hand mirror against the corner of a pallet fillet with construction materials. Glancing at it, the veteran could see Dustan’s approach. He was more heavily armored than his lithe frame and build had suspected. The wisp of a man was creeping down the center approach. They weren’t sure if it was a conscious choice or part of a plan with Slade to try and flank the trio. No, to flank JASON. He cursed softly, slipping a trio of shuriken between the fingers of his right hand. Wren followed his lead, two kunai coming out of a pouch on her right leg.

He flashed the countdown on his left hand, eyes flitting between the mirror and his friends. 3 – 2 – 1, zero.

The second his fist was up they sprang out of their respective hiding places. Momentum and years of practice sending the weapons flying through the air as they changed positions. Now Wren, when she PK rolled to the far side of the HVAC unit he’d been behind, had eyes on Dustan. They heard someone cry out in pain and, eyes on a mirror she pulled from her belt, Wren grinned – one of her kunai stuck out the man’s thigh. It had sunk in half way up the blade and, reflexively she gave a thumbs up to the boys.

Resetting, her flitting between the mirror and the two former Robins, it was Wren’s turn for the countdown. Throwing weapons in hand, even Jason shifted along his established firing line – keeping his back to the others. 3 – 2 – 1. Zero.

They didn’t swap places with the throw. Not exactly. It was the start of their retreat to the roof’s edge fifty feet away. They needed to clear the heavy machines and construction supplies on the rooftop. Sending Dustan off balance, trying to evade the hail of shuriken and kunai, gave them a chance to move to the next cover points. Jason’s suppressing fire was keeping Deathstroke from making much ground towards them – right until he ran out of ammo. “Shit,” he cursed as Wren and Nightwing slid into their new cover positions.

That was his queue. Jason plucked a trio of smoke pellets from one of the utility pockets in his jacket and sent them flying. It was a like a cascade, each one hitting the ground a few seconds after the others until all three burst, sending up a wall of smoke that overwhelmed the rooftop. It startled their captors and would be killers, neither was prepared for the smoke. Not the way Jason employed it. He’d used several different chemical compositions in his smoke pellets. They yielded a cloud of smoke that cartoonishly heavy and seemed to have a bluish-gray tint to it.

As Slade and Dustan coughed heavily, still trying to close in on the vigilantes, the distinct explosions from grappling guns echoed around them. Even with the smoke blinding them, the two assassins knew their prey was being drawn across the sky - hands wrapped tightly around their escape tools.

Jason took up the rear guard, letting a half-length develop between himself and the others. He needed the lead time right now, if anything happened. He was sure they were being tracked by the other two. It’s what he’d do. Knew it was what Dustan - the Intermediary - would absolutely do. It was part of how he’d earned his reputation as one of Ra’s most reliant weapons. That was it. They’d been thinking about Dustan backwards the entire time! He wasn’t a member of the league, he was a weapon, a tool, not a person. “Slade’s more human than that...virus,” he snorted.

As their feet finally hit the steel garters of what happened to be the same building where Barbara’s tirade had nearly killed him. Skidding along one of the support beams, he hooked an arm around Amy’s waist, “You okay?”

“Nothing a hot bath and some yoga won’t fix,” she winked. The way yoga rolled off her tongue, the curl off her lips, it sent a shiver up Jason’s spine. Behind his helmet a giddy grin spread, ear to ear. Moments like this made their fight – Bruce’s goddamned Crusade – worth fighting. He squeezed the Irish woman in a sidelong hug, forgetting the weight of their current situation.

Then Dick groaned, the eye roll audible with every syllable, “Could you two, y’know, do this later? Maybe after we deal with the assassins trying to turn us into a paycheck? I’d really like to maybe survive long enough to, oh, see sunrise.” He was leaning heavily against one of the upright garters, muscle fatigue catching up with him. The hours spent in Deathstroke and Dunstan's custody felt like days thanks to how they’d been restrained. Their patrols beforehand hadn’t been particularly gentle and, to top it off, the sun was starting to rise. They had precious little time to get to shelter or deal with two assassins. Neither seemed particularly likely in their current state

“I hate it when you’re right,” Jason hissed through his voice modulator. Bless Dick Grayson’s heart. It sucked that his warning came too late.

Dustan came from above, the flats of his heavily booted feet slamming into Jason’s chest and sending

him flying backwards off the garter. It was like a bad flashback. At least this time he didn’t fall half as far he could have. His back hit a completed level of floor several dozen feet below. Pulling Amy with him, they twisted and he did manage to landed in a way that this chest cushioned her fall. Both of them gasped hard, roping apart quickly as the assassin fell heavily between them. If they hadn't done so, it was a certainty that the weight and force of his body would would have snapped bones and crushed organs. Neither wanted to experience that.

It wasn't looking good. They were all three tired and hurt. Well, Jason was hurting not so much hurt. The impact had, however, knocked out the sensors in his helmet’s HUD. Rolling onto his knees and popping back up, faster than he should have, he yanked off his helmet. The motion practically tore the secondary mask off his face. Chucking the dead red egg aside he received a momentary sensory overload. He could hear the clash above him of Slade’s sword edge against Dick’s escrima sticks. Heard Amy call out to him at the same time he heard the clasp sheathing one of Dustan's co-opted shuriken come undone.

Ducking, he spun on his heels and slammed the back of his right forearm into the other man’s midsection. The sharp weapon clattering to the concrete. At the same time, as he rose, he brought his left knee up and drove it hard into the assassin's face. It caught him in the left cheekbone and jaw. There was a soft crunch but not enough to make Jason believe he’d done any more than crack of partially fracture the man’s skull.

When the now injured attacker stumbled back, one hand cupped over the side of his face, Jason finished wheeling around and dropped into a defensive position. Arms raised, he stood ready to take whatever attempt at any sort of brawl that Dustan thought might stand up to him. Come hell or high water he was gonna put this kid down. He didn’t care. He’d gone after two of the people that Jason considered off limits. One more than the other but all the same. No one got to kill the other Robins except for him; if it came to it. “Well, what are you waiting for,” he grumbled, jaw set.

Dragging the back of his left arm across his mouth, Ra’s’ pet smeared the rivulet’s of blood that trickled down from his nose and mouth. The hit from Red Hood had managed to do some damage, more perhaps than either man realized. They both heard the electric charges in the gloves hum to life as Dustan clicked them on. The blood stained toothy grin cracking across his face sent a momentary chill down Jason’s spice. Voice devoid of emotion, he answered, “You are no longer protected dead little bird.”

The exchanged blows, Jason determined to stay out of any potential grapples while electricity arced and cracked off of them. The hair on his neck and face standing at attention every time the strikes came too close or he was unable to push his defense out in time. Even by Dick’s standards the battle was balletic.

Strangely, however, Deathstroke was retreating. He’d seen both Wren and Red Hood hit the concrete and witness the chance missed that Dustan had once had to kill them both. Then another when the Red Hood had smashed his knee into the other man’s face. Chuckling to himself and kicking Nightwing’s legs out from under him, he sheathed his sword. “Perhaps another time boy wonder. I’ll call us even and you can keep your head.”

Winded, Dick shouted, “You’re not getting away!”

“Don’t test your luck child.” The barrel of his hand gun pointed between Nightwing’s eyes. Deathstroke backed along their current combat platform - a steel framed grate. Eyes fixed on the younger vigilante, crouched and sucking in breaths heavily, “We’ll settle this another time.” His voice was heavy and warning.

A sickening crack reached their ears. Nightwing broke eye contact and looked down to the floor. Jason was on his back, Dustan straddling him. The two where fighting for position and the control of the other man’s arms. Amy was half a dozen feet away and moving slowly from where she’d landed earlier to get back on her feet. “Shit. Deathstroke, I-” The orange and black clad man was long gone when he returned his attention to the spot across from him. “Dammit.”

The gloves grazed Jason’s cheek and he yowled. He’d have to have words with Wren later about the voltage and simultaneously be thankful for the foresight he’d had to put electrical resistance in his gear. A thing his squishy flesh lacked, entirely. It hurt, burning and shocking his system. He felt muscles seize and his body go tense.

“I always complete my contracts,” Dustan hissed down at him, bloody spittle spraying the side of Jason’s face as he turned aside.

Teeth gritted, watching him from the corner of his eyes, Jason taunted, “First time for everything.”

Thunk-kunk.

“Feck off,” Wren heaved as the assassin reared up. Her last two kunai were half buried in his unprotected sides. She’d hit the ground wrong when she drove out of the way of his drop. While she’d been spared the blunt force trauma, she’d smacked the side of her head into a trough of other construction supplies hard enough to see stars. They’d all had it happen in the field before, however, this had been her first time. It had taken her longer than expected to recover, let alone get a good line of sight on what was otherwise an easier target.

After all, anything engaged in hand-to-hand with the boys was something she and Barbara had often considered stationary targets. Even the current Robin, Tim Drake, had developed the bad habit of trying to out-grapple an opponent. This time the daze, however, had nearly gotten Jason killed. As Dustan turned away from the other vigilante, irreverently and enraged, he found and tore the knives from his flesh. “I knew I should have killed you you mewling wretch!”

That was his last mistake.

Back turned to Jason, visibly unaware of Dick’s current combat situation, and his attention laser focused on Amy he charged the woman. All he cared about was the stumbling and unbalanced woman trying keep out of his reach. Mid charge, he crumbled to his knees. It was eerily reminiscent of Owen Selkirk’s assassination. This time, however, there was no follow up shot. Instead, Dustan reached up to the hole blow in his chest.

Wren had backed into a support beam. The same panic from that night weeks ago bubbled up to her as she watched their would be killer bleed. Her eyes were fixed on his blood soaked hands, her kunai falling from them to the concrete as he tried to stop up the wound. She missed Jason’s own Dunstan's head until it moved sharply to the side and crack.

“What the hell just happened,” demanded Dick as he finally finished the climb from his bizarre fight with Deathstroke. He’d just given up and something about that was fishy. Right now, however, he needed to take care of his family. He resisted the urge to rip Jason a new one for snapping the remaining assassin's neck. It had been, at minimum, overkill considering the chest wound. Something he was starting to suspect that Deathstroke had done. Wouldn’t have been the first time their long time adversary had done something like that instead of killing one of them.

Crouching beside the one corpse they had, he relieved it of their looted gear. In the process, he could see Jason out of his peripheral vision The resurrected Robin had crossed to Amy. They were speaking soft and furtive, as he checked her neck and head for any visible injury. “I’m sorry,” was the only full sentence he heard.

“We need go go,” Dick warned, carefully peeling the electrified gauntlets form their dead assassin’s hands. “Security or cops will be on the way.”

An explosion pierced the night, practically punctuating Grayson’s observation. None of them needed to look behind them to know Deathstroke had just sanitized the safe house and Dustan occupied. Probably took out the whole floor in the process.

Extricating himself from Wren’s side, Jason walked over to his derelict helmet. Fixing this was going to be a pain, but it’d keep him busy. “Let’s go then,” he grumbled, everything hurt and he wanted a bath and sleep. Silent nods and the soft explosions of the grappling guns was enough to communicate agreement. They weren’t finished with this, even if The Intermediary now lay dead in a Bludhaven construction site.

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aion-rsa · 4 years

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Doctor Who: Ranking Every Single Companion Departure

https://ift.tt/35el4vd

Graham and Ryan have left Doctor Who, and it was sad/joyous/on telly (delete as applicable), but where do their departures rank on the all-time list?

The question of “Who counts as a companion?” is a tricky one. Overall it’s an ad hoc combination of different criteria, with allowances made for the exceptions that are intended to fulfil the companion role on a one-off basis. The ranking system is based on whether the departure makes sense for that character, how well it’s built up to, and what it says about Doctor Who in a larger sense. The article only covers TV stories because I value what remains of my sanity.

That’s all the exposition. Please enjoy this non-linear history of production compromises.

47. Peri

Peri spends almost her entire time on Doctor Who being miserable, scared and under threat (even Big Finish doing a timey-wimey farce with Peri has abuse as a plot point), but there’s no compassionate release for her. Her mind is erased so her body can host another. She dies scared and alone, and it’s unlikely the Doctor could have saved her. While this is horrible, it could function, very bluntly, as an indictment of the Doctor and his treatment of Peri, but then it is revealed that this didn’t happen.

Peri is instead married with a pink love-heart around the flashback (the Matrix is corny AF apparently). This is because producer John Nathan-Turner changed his mind about killing Peri after they’d filmed her death.

On one hand: yay, someone not dying. On the other: she only goes to a slightly better place, and when companions return from the dead it tends to require some cost to the Doctor. Here, any previous suggestion that the Doctor mistreated his companion is abandoned. Peri’s happy ending, rather than death, is that the Doctor abandons her without explanation and her new husband is an angry warlord who doesn’t seem the type to understand PTSD.

46. Leela

Producer Graeme Williams hoped that Louise Jameson would stay on in the role of Leela, despite Jameson insisting that she was leaving, and so didn’t write the character out. Leela was a warrior, intelligent but steeped in tribal superstition, and the investment in making a potentially problematic character work in her earlier stories gave way to more generic writing, hence Jameson’s departure. At the end of ‘Invasion of Time’ Leela abruptly announces that she wants to marry the Captain of the Time Lords’ Guards.

To borrow a term from critical theory: this is total f****** dogs***.

Jameson was happy for the character to be killed off but instead she ended up married on Gallifrey. We never see her again. It’s a lazy piece of writing; disrespectful to the actress, the character and the viewer.

45. Dodo

Poor Dodo never really stood a chance. Originally intended to be from Sixteenth Century France, producer John Wiles and script editor Donald Tosh remembered that previous historical companions had been deemed unworkable and so another was probably a bad idea. Instead, Dodo started off Cockney until the BBC told the Doctor Who team that she had to speak in Received Pronunciation English.

A happy-go-lucky soul, the production team never warmed to their creation and Dodo is sent away to recover from hypnosis halfway through ‘The War Machines’, and we never see her again. Polly tells the Doctor “she’d like to stay here in London and sends you her love” two episodes after her final appearance.

44. Sergeant Benton & 43. Harry Sullivan

Sergeant Benton and Harry Sullivan appear in ‘The Android Invasion’ as if it’s just another story for them. Benton last appears as an android duplicate and Harry says nothing during the final fight scene. They never appear again. For all of the strengths of early Tom Baker stories, emotional resonance is not one of them.

42. Katarina

Katarina was brought in for the final episode of ‘The Myth Makers’as a replacement for Vicki, and then sacrificed herself in ‘The Dalek Master Plan’. The production team had decided that, as a Trojan handmaiden, Katarina’s ignorance of modern and future technology meant she’d be hard to write for. This makes sense to an extent, except that her death involves her activating an airlock. So we have a production team creating a problem but solving it by suggesting that it wasn’t insurmountable anyway. As the Doctor says at the end of ‘Dalek Master Plan’: “What a waste.”

41. Sara Kingdom

Having killed off Katarina, the production team needed a new companion to fill her role for the rest of ‘The Dalek Master Plan’, so Terry Nation wrote in a Space Security Agent inspired by The Avengers’ Cathy Gale. After killing her own brother, believing him to be a traitor, Sara Kingdom joined the Doctor and Steven’s attempts to stop the Daleks from using the Time Destructor. Ultimately Sara is killed by the device, ageing to death. As the planet around them turns to dust, Sara’s body does likewise and is blown away by the wind.

It’s a horrific fate, to the extent that cuts were made to the sequence. Sara Kingdom was always designed as a short-term companion, and actor Jean Marsh wasn’t interested in joining the show permanently.

Companion deaths aren’t intrinsically a bad idea, it’s just that they can’t be regular, expected events or else the show becomes ‘Come with me for an adventure, you’ll probably die. Yes I’m a psychopath’. They’re usually short-term solutions to mistakes but the momentum of the Doctor’s failures here could have gone somewhere. Instead, the show casually resets itself to the status quo on a flimsy pretext, so these deaths mean little. If Doctor Who doesn’t care about their impact, why should the audience?

40. Liz Shaw

New producer Barry Letts had decided that Liz Shaw was too intelligent to be a Doctor Who companion, and the interpretation most generous to Letts here is that Liz wanted to continue her own work rather than be drafted by UNIT as an assistant. While I hope this was the intention, it’s still a move that implies a reductive take on the role of the companion (that they’re a function rather than a character) and reinforces the paternalism of the Doctor: fatherly, yes, but also dominating and controlling.

39. Polly and Ben

Polly and Ben follow the Doctor into the TARDIS in ‘The War Machines’ and discover at the end of ‘The Faceless Ones’ that they’re back in London just when they left. They ask the Doctor his permission to leave, saying they’ll stay if he needs them. The Doctor is sad to see them go but doesn’t stand in their way, although he does suggest that Ben can go back to the Navy to become an admiral and Polly can… look after Ben.

It’s a pat, patronising little scene that comes and goes suddenly, especially as Polly and Ben haven’t actually been in the story since Episode Two. Polly and Ben leave and the Doctor and Jamie immediately start talking about their next adventure. The production team had decided the characters weren’t working, and the best you can say is that they were given slightly more ceremony than Dodo.

38. Astrid Peth

The thing about Astrid’s death is that it’s impossible to type ‘She pushes a mugging gold-toothed businessman down a ravine using a fork-lift truck (in slow motion)’ in a way that conveys any sense of pathos. People talk about Andrew Cartmel’s time on Doctor Who influencing Russell T. Davies’ approach, and while they’re wrong (RTD would have written it like that anyway, even if the Cartmel era didn’t exist, but fair play to Cartmel for being on that wavelength) few ever mention ‘Time and the Rani’as an influence. Russell T. Davies’ writing sometimes feels like he’s gleefully trying to combine the tone of Sylvester-McCoy-playing-the-spoons-on-Kate-O’Mara-while-Kate-O’Mara-is-dressed-as-Bonnie-Langford, with the opening ten minutes of Up. Sometimes he actually does it! This was not one of those times.

37. Adric

The Davison companions tend to get good leaving stories that are apparently based on some unbroadcast version of Doctor Who in which they’re completely different people.

So on one hand obviously the death of Adric was a memorable piece of television that affected people deeply on broadcast, but on the other hand it’s a glorified jump-scare. Adric is on board a space freighter about to crash onto prehistoric Earth and cause the extinction of the dinosaurs. He doesn’t know about that last bit, so instead of getting into the escape pod he attempts to solve a logic puzzle that is stopping him from controlling the ship. His bravery in going back to the ship doesn’t achieve anything. In fact if he had succeeded it would have changed history dramatically, so he dooms himself for nothing.

It’s brutal, in comparison with earlier companion deaths the emotional fallout is poorly handled, and it doesn’t pay off anything we’ve seen earlier. Consider Adric’s character up until his final story – a reckless know-it-all who keeps joining the bad guys – and it doesn’t join up with his final story and fate. The initial setup of Adric feeling like an outsider is swiftly resolved rather than used as motivation for his death. There’s no redemption, just a cruel and unlucky moment of bravery for the sake of a semblance of drama.

36. Amy and Rory

Steven Moffat’s first companion departures are not his best work. Initially Amy and Rory broke a trend: companions leaving as they get married off. Only then Moffat wrote a poorly handled pregnancy storyline where the characters’ emotional responses felt implausible, and unlike his softening of the Twelfth Doctor’s character the attempts to address this were bumpy. Then for Amy and Rory’s departure he has River Song, the Doctor’s wife who he rarely meets in chronological order, tell them that he doesn’t like endings and “never let him see you age”.

This reminds you that the Doctor isn’t only manipulative and scheming on an epic scale, and the fact that he tries to convince Amy not to try to go after Rory continues is more in-your-face selfishness (another example of the Seventh Doctor era being on similar wavelengths to the post-2005 show), rather than feeling like a genuine concern for her safety.

Now, I love Doctor Who, I like that the hero is flawed but that they try to be hopeful (and Moffat addresses this successfully elsewhere). The issues with giving the Doctor flaws are whether they’re dealbreakers for people watching, and whether or not they’re deliberately done. This feels like it’s aiming for a commentary on the Doctor but goes too far, and I can understand people finding this hard to watch.

As with many of Moffat’s ideas, just because it didn’t fully work here doesn’t mean it won’t crop up again later.

35. Kamelion

There are a lot of cases of a companion leaving because the production team can’t make them work, but this is a bit on the nose.

Like Adric’s death, Kamelion begging the Doctor to destroy him would have much more impact if it followed through more substantially on previous stories. Unfortunately Kamelion’s character was that of a shape-shifting robot where the robot prop didn’t work, and rather than have him just assume a human guise they simply never wrote him back into the series until his final story. As a result, there’s no real relationship in play when the Doctor grants Kamelion’s wish. On the other hand the robot’s plight is consistent with what little we know of him.

While it’s never fun to watch someone beg for death, it’s more of a testament to Gerald Flood’s acting and Peter Grimwade’s script for ‘Planet of Fire’ that his death scene works.

34. Donna Noble

Everyone remembers the sequence in ‘Journey’s End’ where the companions pilot the TARDIS and drag the Earth back to the right place while “Song for Freedom” builds and Freema Agyeman looks directly at the camera. It’s joyous. It’s huge. It’s wonderful.

The 10 minutes that follow are bleak.

Rose gets her compromised happy ending, then it’s the fate of Donna. She gets given some of the Doctor’s mind, becomes even more brilliant, but then comes the turn: this will kill her. She can’t be this brilliant, she can’t have any more adventures with the Doctor. As she shouts “No” the Doctor wipes her memories of their time together.

33. Lady Christina de Souza

Flying off in a knackered double-decker bus to further adventures is a really good way to go. This would rank higher if it weren’t for the fact that the character is hard to warm to. Unlike Donna Noble’s first appearance in the show, Christina’s role in ‘Planet of the Dead’ doesn’t allow for much pathos or depth, and the character never returned on television to show these. As it is we’re left with a bored member of the aristocracy flying away in some very British iconography, but without the promise of a Barbara Wright figure puncturing their ego.

Doctor Who: Why Jodie Whittaker’s Doctor Needs an ‘Everybody Lives!’ Moment

By Andrew Blair

Doctor Who: how Ace set the template for modern companions

By Andrew Younger

32. Mel

It’s worth stressing that any critique of Mel as a character has to firmly centre on the inadequacy of her creation. She was devised as a computer programmer from Pease Pottage who was into keep-fit, and that’s her entire character. It seems churlish to criticise Bonnie Langford for playing the part as “Bonnie Langford in Doctor Who” because there was nothing else for her to go on.

Mel leaves the series because she decides to travel with Glitz, a mercenary. Does this follow on logically from her character? All we know about Mel is that she’s wholesome and enthusiastic and seems extremely unlikely to go off with a violent intergalactic Del Boy.

However, she gets another leaving scene that would be wonderful if it reflected a recognisable character. We get a sense of the Doctor’s affection for Mel and a series of wonderful melancholy moments: the Doctor shutting the conversation down so he doesn’t have to deal with human emotion, his obvious sadness at another friend leaving because that’s what his life is. Mel’s last line about putting a message in a bottle and throwing it into space (“It’ll reach you. In time”) is brilliant.

This scene bears comparison with Sarah Jane’s leaving scene, specifically because it wasn’t in the original script but the lead actor insisted it be added in its place. It was the scene Sylvester McCoy read when he auditioned for the role.

31. Adam Mitchell

Adam joins at the end of ‘Dalek’ and leaves at the end of ‘The Long Game’, the next story, and has a piece of future technology in his forehead so whenever someone clicks their fingers a little door opens up and you can see his brain.

Yes, in the grand scheme of things this is unfair. Other companions have done stupid things and the Doctor has helped them. The Brigadier flat out murdered people. But Adam was deliberately rubbish and this is reminder that the Ninth Doctor is a damaged man who lashes out. When he says ‘I only take the best’ it seems more like an excuse to get rid of Adam than anything factual, but then the Doctor starts acting like it’s true.

30. Vicki

Vicki left the series because producer John Wiles heard actress Maureen O’Brien complain about her dialogue in ‘Galaxy 4’, so decided to let her go when her contract expired one story later. This led to her being paired off with Troilus at the end of ‘The Myth Makers’, set during the fall of Troy. A late decision requiring rewrites, this is quite an enigmatic fate. We see Vicki fleeing Troy after its fall with Troilus, the Doctor hopeful that she’s safe, but we never see her again. Given the TARDIS’ translation gifts, one imagines she suddenly has to learn Luwian.

29. Nyssa

Nyssa, a scientist/fairy princess mash-up whose entire family and planet was destroyed by the Master (who took over her father’s body) could be a great character. Her innately calm, generous and curious nature contrasted with all the horrors of her past is full of potential, and indeed her choice to stay behind at what is essentially a space leper colony is consistent with this. However, because none of this is ever seriously addressed in the show, the potential pathos of her leaving is greatly reduced. As is often the case we have to make do with a sad leaving scene, where Tegan flat out says to her “You’ll die here” to which she replies “Not easily. Like you I’m indestructible.”

As with Adric’s death, there’s the vague shape of something weighty and dramatic there but without the substance to fill it. John Nathan-Turner hated soaps, but actually using their techniques might have given us a stronger sense of Nyssa and Tegan’s relationship, meaning the audience wasn’t left to fill the gaps.

28. Jackson Lake

Considering during the course of ‘The Next Doctor’ Jackson Lake is in a fugue state, has a breakdown, remembers the death of his wife and the abduction of his child… he seems quite well adjusted by the end of the story. Reunited with his son and suggesting a Christmas dinner honouring the people they’ve lost, Lake seems to be in a better place than the Doctor.

27. Steven Taylor

Steven went through a lot: Wounded in Troy, witnessing the deaths of Katarina, Sara, and the Huguenots of Paris. Initially conceived as a replacement for Ian, meaning he took on most of the action sequences, he leaves in ‘The Savages’ to mediate between two societal factions after a story designed as a more cerebral alternative to biffing. It’s a good place to leave for a character who had stagnated (which, as you can see, happened a lot).

26. Graham and 25. Ryan

Ryan didn’t get killed or converted by Cybermen, so that’s progress. What did happen is that the Doctor accidentally returned to Sheffield ten months late. Yaz is hurt and Ryan returns more comfortably to his old life. Graham is also there.

The returning character of Robertson, an American tycoon with interests in becoming President functions as both a Doctor Who villain and a Donald Trump analogue (in a story universe containing Donald Trump) and this version of Doctor Who isn’t currently capable of dealing with that. Ryan watches Robertson on telly, unpunished by the Doctor and resolves to do something. This is a good reason to go, especially given the concerns of the Chibnall era (at its best focussing on the impact on well-drawn individuals, at its worst expositing over abstractions and sketches).

Graham decides that he will stay with his grandson after Ryan’s sudden announcement. This pays off their development in Series 11, where they had the main character arc of that series.

So far so good, but we also see Graham and Ryan deciding that, actually no, they’re not going to deal with real world problems, just Doctor Who-style adventures instead. It’s a useful microcosm of the era: good ideas present but not followed through on, being not shown Ryan’s reasons for leaving, and not successfully tethering the characters to either the forced whimsy of Doctor Who or the contemporary societal issues it wants to highlight.

And a final issue, which may be resolved: why is this the break-up of The Fam?

This ending doesn’t preclude the Doctor coming back to visit them in any way. In this respect it’s a classic companion departure: practically speaking actors aren’t always free for a cameo or a return visit (for example William Russell wasn’t ultimately available to play Ian Chesterton for ‘Mawdryn Undead’, so the Brigadier was written into the role of a school teacher instead), which means the Doctor not returning for their friends becomes a feature of the character. So while Ryan and Graham are choosing to leave, rather than being drastically and permanently separated, is the Doctor is still making the decision to cut them out of her life?

24. Mickey Smith

Mickey is given, in ‘The Age of Steel’, a proper old-fashioned companion exit, by which I mean some plot points are introduced at the start of his final story and by the end they’ve caused him to leave. Here it’s based on the Doctor and Rose’s behaviour and Mickey’s worth being dismissed until he does something heroic. He’s finally able to say to Rose that she doesn’t need him anymore and move on. Broad brushstrokes stuff in a busy episode, but it continues the idea that the Doctor makes people better that was emphasised from 2005 onwards.

Sure, he does it by being a bit of a prick here but the point stands.

23. The Brigadier

What is the Brigadier’s final story? I’m looking for a story that is written as a final departure, ideally after sustained involvement in the show. For the Brigadier that means ‘Terror of the Zygons’ doesn’t quite work, it wasn’t meant to be his final story (he was unavailable for ‘The Android Invasion’). ‘Battlefield’might have been his final bow, but writer Ben Aaronovitch set up the Brigadier’s death then found he simply couldn’t kill him off. The episode the Brigadier is initially written out of the show in is ‘The Wedding of River Song’ – where the Doctor receives news of his death by phone – and this is swiftly retconned with the divisive Cyber-Brig from ‘Death in Heaven’.

These two were written after Nicholas Courtney’s death, and the first one is used for dramatic weight but is over with too quickly. The latter does show the Brigadier, even in death and converted, saving the life of his daughter and helping the Doctor before going on to possibly eternal life – as seems right and proper – but as it involves the Brigadier’s buried body being reanimated there’s an invasive element connected to a beloved figure. As with many of Steven Moffat’s ideas, just because it didn’t fully work here doesn’t mean it won’t crop up again later.

22. Turlough

Peter Grimwade deserves credit again. Given the job of writing out Turlough, Kamelion and potentially the Master while also writing in the new companion Peri, Grimwade actually makes the brief for ‘Planet of Fire’ work. Here Turlough realises early on that his home planet is involved, and by involving his family Grimwade makes the stakes personal. Turlough also gets to use his brains here, rather than just wander around with a gun looking scared.

Turlough’s departure is developed through this story, and the farewell scene is a low-key goodbye as he admits that travelling with the Doctor has made him a better person. Again, it doesn’t follow from previous episodes, as Turlough isn’t developed as a character after ‘Enlightenment’, but in the context of this story it works well.

21. Mike Yates

An example of Barry Letts and script editor Terrance Dicks addressing how being a regular Doctor Who character might make you feel, Captain Mike Yates is shaken by his hypnosis when undercover at a petrochemical company and becomes concerned about the environment. He falls in with a plot to reduce overpopulation and restore Earth to a golden age by time scooping dinosaurs into central London, because Doctor Who, and is discharged from UNIT. He goes to a meditation centre to recover, and uncovers a sinister plot – because Doctor Who– and ultimately gets better. Yates gets an arc and closure, especially in comparison to his fellow UNIT soldiers.

20. Nardole

Nardole, chiefly a comic relief character with moments of depth, is entrusted with the task of evading the Cybermen for as long as possible while keeping a group of humans alive (a continuation from his assigned role of monitoring the Doctor). It seems likely they will eventually fall, and though this is de-emphasised to stop an already tragic episode from overloading, it’s quietly harrowing. Adric’s death shook up the children watching, Nardole’s affects the parents: the feeling of being a guardian to children in an uncertain, dangerous world is all too familiar right now.

19. Sarah Jane Smith

Sarah Jane’s departure in ‘The Hand of Fear’(written by Bob Baker and Dave Martin) comes out of the blue. An early outline for the story involved the Brigadier’s death, sacrificing himself to save the world. This was lost in development, and the story delayed while it was simplified. In the meantime Elisabeth Sladen asked to leave and for Sarah not to be the focus, married or killed off. Sarah was going to be killed off though, in a story called ‘The Lost Legion’. Script Editor Robert Holmes disliked the story, so a simplified version of ‘The Hand of Fear’returned to replace it with Holmes writing Sarah’s leaving scene. This was rewritten by Sladen and Tom Baker, with Holmes unavailable to do further rewrites. This is why Sarah’s departure is sudden. There’s no huge focus on her and then unrelated to the rest of the story the Doctor receives a summons to Gallifey where humans are not allowed (and given what happened last time he went he probably doesn’t want to take Sarah). What the scene does have is a strong sense of the unsaid to it, a sense of wistfulness akin to seeing someone else living in your childhood home.

Doctor Who Series 13: What To Expect

By Louisa Mellor

10 Doctor Who companions that might have been

By Alex Westthorp

18. Wilf

Essentially, if Bernard Cribbins is crying then I’m going to cry. It’s Bernard Cribbins, for god’s sake. He’s so lovable its actually weaponised against the audience, and while ‘The End of Time’ might not be to everyone’s tastes, Cribbins makes every scene he’s in work, so you’re thoroughly invested in Wilf and his responses. However, this is harks back to Susan’s departure. It’s undeniably moving that the Doctor is making this man cry with happiness… after lying to him (no mention of the safeguards he put in Donna’s mind, or that Donna didn’t want her memories wiped anyway) and who he emphasises is “not remotely important” before saying it would “be my honour” to save him. It’s said of the Doctor “words are his weapons” in ‘Hell Bent’, and the pattern emerging here is that they’re weapons he uses on his friends; when the Doctor says “I only take the best” this is not only another weapon, it’s asking the question: the best for what?

17. Bill Potts

Potentially eternal life you say? A walking dead person? Maybe keep the dead body aspect of it and this idea has legs. Bill follows the Brigadier in becoming a Cyberman, and Clara in returning from the dead to travel the universe. The images of Cyber-Bill carrying the Doctor, the reaffirmation of who Bill is, the arrival of Heather: all of these are great.

Steven Moffat was right that the show hadn’t been diverse enough in its casting, but presumably no one behind the scenes understood that there are unintended connotations to a white man telling a black woman that she can’t be angry if she wants to be accepted – as happens to Bill in ‘The Doctor Falls’ – or that Clara got a gore-free death compared to the lingering shots of Bill’s gunshot wound. There’s also ambiguity in ‘Twice Upon a Time’as to when Bill dies – in that episode she is represented by an avatar taken from a moment near death, but given everything that’s happened to Bill this could be tomorrow or in a million years’ time – so overall this one has some extreme highs and lows.

16. Romana and K9

After Mary Tamm left the show, feeling similarly to Louise Jameson that despite a strong start her character was reverting to the stock companion figure (a damsel in distress, tripping ankles, screaming for help to advance the plot that’s being explained to them) Romana regenerated with Lalla Ward taking over the role. Ward left the show as new producer John Nathan-Turner came on board, and while Romana’s departure was foreshadowed well in advance, Nathan-Turner didn’t want any soap opera elements creeping into Doctor Who, and so Romana’s farewell scene was understated and rushed against Ward’s wishes. Otherwise it’s a good exit for Romana, who refuses a summons to Gallifrey and, finding herself in another dimension, decides to go off on her own journey after her travels with the Doctor.

K9 goes with her because John Nathan-Turner hated K9. Compared to ‘School Reunion’ this is just completely dismissive, but there is at least a coda: another scene at the end of ‘Warriors’ Gate’ where K9 and Romana face their future together with optimism, and Adric asks the Doctor if Romana will be alright: “Alright? She’ll be superb.”

15. Susan Foreman

The first companion departure, and something of a template. Susan falls in love and stays behind. Actress Carole Ann Ford left as she was unsatisfied by Susan’s lack of development.

It’s the Doctor’s decision to leave Susan, his granddaughter, behind. He locks the doors on her, believing that she stands a better chance of happiness staying on Earth rebuilding after a Dalek invasion. William Hartnell didn’t want Ford to leave and channels that into his performance. A clip of this scene was used to represent Hartnell at the beginning of the twentieth anniversary special ‘The Five Doctors’, and with Susan’s fate unconfirmed after The Time War his line ‘One day I shall come back’ lands even heavier: we know he never did.

No wonder he never comes back for anybody else.

14. Captain Jack

‘The Parting of the Ways’ is Jack’s departure story as it’s his last as a regular companion before moving to Torchwood.

Torchwood was not announced until after Series 1 of Doctor Who, and so when it became clear that Jack – with his cheesy grin and action hero posturing – was going to die, it was unexpected. There’s a sense of inevitability about the Daleks killing him when everyone else is dead but, because this was a new series, it was never clear how far it would go. Maybe there’d be a last-minute reprieve. Ultimately there was, but as far as self-contained character arcs go Jack’s journey from con-man to sacrificial hero works, and if it had ended there, it’d have been on a high.

13. Adelaide Brooke

In Base Under Siege stories we have the stock character of a distrusting commander who doesn’t get along with the Doctor. A fun idea in ‘The Waters of Mars’ is ‘Hey, what if they were the companion for one episode?’

One of the less fun but still powerful ideas is also that the Doctor’s behaviour be so unnerving that this stock character would kill themselves in response. So here we have someone standing up to the Doctor as he states the laws of time “are mine, and they will obey me!” What’s interesting is that this is not dissimilar to the standard companion departure, but operating in the epic register rather than a more intimate one. The Doctor has previous on saying that companions have to leave and not giving them a choice, but here the controlling behaviour is scaled upwards to time itself. Possibly the show was not ready to explore this explicitly in a smaller scale just yet.

12. Grace Holloway

Sneaking in unnoticed is the fact that Grace Holloway, the one-off companion for the 1996 TV Movie, ends the film by kissing the Doctor at midnight under the fireworks but refusing to go with him because her experiences have given her renewed self-confidence. Grace is that rarest of things – a Doctor Who companion who gets to leave on her own terms without the Doctor being a dick about it.

11. Ian Chesterton

Ian and Barbara are the first humans in Doctor Who to explore the universe in the TARDIS, taken away by force when the Doctor kidnaps them. Initially they want to return home, but this desire fades. However, when they’re presented with a chance they take it. As a contrast to Susan’s departure, Ian and Barbara’s departure is joyful as it turns out that you cantravel with the Doctor and leave on your own terms as richer, fuller people.

10. Rose Tyler

Rose and the Doctor. The Doctor and Rose. It’s easy to lose track – amidst the melodrama, epic gestures and various tensions – of the way Series 2 sets up Rose and the Doctor being torn apart almost straight away. They’re so wrapped up in how much fun they’re having that it stops them from noticing other people’s feelings. It becomes clear that had the Doctor and Rose done this, the Torchwood Institute wouldn’t exist, so Harriet Jones wouldn’t have had a weapon to fire at the Sycorax in the preceding Christmas episode. However, the show is also telling you that Rose and the Doctor being split up is a colossal tragedy; performances, visuals and music tell you this is incredibly sad while the stories are reminding you they’ve contributed to their own downfall.

This is a companion departure with the heartbreak turned up to 11, to the point where the pretty loud “Brought this on themselves” track can get lost in the mix. Here’s the beginnings of companions burning out rather than fading away.

There’s also the unfortunate business where Rose Tyler, the beloved character who helped bring Doctor Who back as a critical and popular success, rips holes in the universe to find the man she loves.

Said man takes her back to the place she had the worst time of her life, gives her a genocidal sex clone and then quietly leaves when she’s making out with it.

9. Ace

Bearing in mind that Ace has left Doctor Who in so many different canons over the years, it’s specifically her departure in ‘Survival’ that I’m taking as her final story. I’m heavily indebted to Una McCormack’s book on ‘The Curse of Fenric’ here, as it makes the very good point that for everything that could happen to Ace – whatever fates spin-off media has in store for her – there’s nothing quite as perfect for where Ace has reached at the end of Season 26 as the promise of further adventures, the possibility of joy rather than darkness, an ellipsis rather than a full stop.

8. Barbara

Why is Barbara’s departure better than Ian’s? Because:

In ‘An Unearthly Child’ the Doctor asks them “What is going to happen to you?”, the single most important question in the entire series. Firstly because that is half the format of Doctor Who, and secondly because the other half is the same question in reverse. If Barbara Wright doesn’t happen to Doctor Who, then Doctor Who is a short lived 1960s sci-fi show about a cantankerous old git who kidnapped some school teachers (Missing presumed wiped).

7. Zoe and 6. Jamie

Zoe and Jamie both leave suddenly at the end of ‘The War Games’. Patrick Troughton was leaving and the actors decided to go with him, and that sense of an era ending bled into the fiction.

At the end of ‘The War Games’ the Time Lords are named and appear for the first time, represented by a group of solemn men in robes who wield immense and ineffable power. The Doctor is put on trial for stealing the TARDIS and interfering on other worlds. His companions are returned to a time after their first meeting with the Doctor, their memories of their travels erased. This isn’t built up to, but there’s a general sense of unease in the final few episodes and the Time Lords seem aloof enough to mete out this sort of punishment.

Jamie and Zoe try to escape with the Doctor, but when they’re recaptured he gives up. With Patrick Troughton’s Doctor this is especially shocking, and it’s only his melancholy resignation that convinces them to give up too. Zoe ends up back on a space station, and knows there’s something she can’t quite remember, but with Jamie – who has been with the Second Doctor for almost the entire incarnation – he ends up back at the aftermath of Culloden, charging a redcoat. In a kind touch, the redcoat turns and flees, suggesting Jamie might be alright in the aftermath of the battle.

Doctor Who wasn’t really huge on tearjerkers until 2005, but it was very, very good at quiet melancholy.

5. Martha Jones

Martha is in love with the Doctor. The Doctor spends the entire series pining for Rose and being oblivious to this fact.

Martha Jones puts up with a lot, looking after the Doctor while in his human John Smith guise and having to restrain herself while being continually patronised, racially abused and treated like an idiot. She then spends a year travelling the Earth avoiding capture as the Master enslaves and murders the population, holding Martha’s family captive while she does this.

So frankly when Martha says she’s leaving and the Doctor still doesn’t understand why (“Is this going anywhere?”) it’s hugely cathartic for the audience and for someone who deserved better. Some people do get to choose when being with the Doctor stops, and it’s usually great when they do.

4. Jo Grant

However muddled the reasoning behind Jo Grant’s existence, the casting was inspired. Essentially a remix of Jamie (which suggests that Jo and Liz could have worked if Jamie and Zoe did), Jo Grant wasn’t the brightest but wasn’t stupid, and was incredibly loyal and brave.

With the Doctor’s paternal streak fully activated, the production team decided that Jo falling in love and telling the Doctor “he reminds me of a sort of younger you” would be exactly what the Doctor didn’t want to hear. In contrast to Victoria’s departure and the Doctor’s selflessness there, the Doctor doesn’t do what Mike Yates does when marriage is announced (looks upset and does his best to mask it) but instead quietly slips out and drives away by himself. The fact that he leaves in a way that suggests jealousy or loneliness is a huge change; now we see the Doctor closer to Susan’s position and he does not like it.

3. Tegan

Coming at the end of ‘Resurrection of the Daleks’, where she’s seen a lot of people killed and the Doctor pick up a gun and announce that he’s going to kill Davros (who Tegan presumably hasn’t heard of), Tegan’s leaving scene is very close to being perfect.

Firstly there’s the line “It’s stopped being fun”, which begs the question of when it started being fun for her, but that’s ignorable. Secondly, and this is more about personal taste than an inconsistency in characterisation, there’s a case to be made for Less is More here. Tegan runs from the Doctor and Turlough as he begs her not to leave “like this”, which causes the Doctor to consider his actions before he and Turlough leave in the TARDIS. As it’s dematerialising, Tegan runs back in has one final line. For me it’s just a line too far, and Tegan being unable to say anything at all would have been more powerful, especially for the self-described “mouth on legs”.

However, that’s more window dressing rather than substance: the reasons for Tegan leaving are excellent: it’s a commentary on the stories and Doctor we’ve seen recently, and a plausible emotional response to them. It sets the Doctor on his way to ‘The Caves of Androzani’ where the show comes even closer than ever to paying off a sustained period of grimdark storytelling. Adric’s death might be more famous, but Tegan’s departure is much better writing from Eric Saward and deserves more plaudits for it.

2. Victoria

Actor Deborah Watling wanted to leave, and so Victoria goes in ‘Fury from the Deep’. Here the character has a plausible response to screaming at monsters and getting into trouble: she leaves. She says that she’s having a miserable time screaming and getting into trouble, but isn’t sure if she can go: her father died saving the Doctor, she’s an orphan out of her own time. The Doctor intervenes and suggests a family she can stay with.

Most importantly, the Doctor and Jamie stay an extra day to give her time to think it over, and the Doctor stresses that it must be her decision. On top of this, the final scene of the episode is the Doctor quietly trying to make Jamie feel better about her leaving. Rather than the usual one scene and gone deal we have something drawn out, stemming from character, full of warmth and empathy.

1. Clara Oswald

Potentially eternal life you say? A walking dead person? Maybe lose the dead body aspect of it and this idea has legs. ‘Hell Bent’ is a divisive episode (referential meta-commentary on Doctor Who isn’t what everyone was looking for from a season finale) and the ideas in it are incredibly pointed: the grieving Doctor overthrows Rassilon, shooting a potential ally to retrieve Clara from a moment before her death, and tries to wipe her mind to save her life, addressing the long-term trends of companion departures head on.

Rather than a Gallifreyan epic, this is focussed on one relationship and the shade it casts on the Doctor’s behaviour, all the while dancing in and around threads from other plotlines. The Doctor wanted Gallifrey back so badly, but now it’s simply a means to an end for him to bring Clara back.

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Clara’s final story is often compared to Donna’s departure because of the mindwipe element and the idea of Clara being a Doctor-like figure in her own right – here realised rather than excised – but looking at this list you can see how it harks back all the way to Susan: the Doctor thinks he knows what is best and often gets it wrong, and what seems like extreme behaviour in this story is actually pretty standard. Here he gets properly called out on this behaviour, the show finally able to address this in an intimate rather than epic setting.

The post Doctor Who: Ranking Every Single Companion Departure appeared first on Den of Geek.

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Classic Jean Grey vs The X-Men

This Editorial comes to us from Everett Christensen

People make sacrifices based on how important things are to them, the most common component of that sacrifice is time. The true lifeblood of any hobby are hours and hours spent focused on either consuming or producing the work. Similarly, time is something that connects us all. No one can retry yesterday and once we die, well for most of us that’s it. We grow older and if we’re lucky, wiser. Continuity is the raw happenstuffs of time in comic book form and we as an audience ask for different things from continuity from different companies. But from the X-Men in specific there has always been a focus on legacy, passing on the torch to a new generation, and continuing the work of activism for the marginalized and oppressed. Instead of telling stories about the current generation of mutant leadership, Marvel Legacy is rolling back the status quo with a pair of resurrections. Bringing back both Logan and Jean Grey undermines the strength of every story built on their sacrifice, everything since Charles died.

Let’s recap, in 2010 after the destruction of the Xavier School, Scott Summers moved all of the mutants to an island off the coast of the Northern California. The narrative surrounding Professor X and Magneto changed, both acknowledging the time had come to pass on the mantle of mutant leadership. Wolverine decided to take as many kids as he could out of what he viewed as harms way, becoming the rival to Charles’ legacy. He would be justified in this suspicion as mutants squared off against The Avengers in a costly event that saw a Phoenix Force possessed Cyclops kill Professor X. At this point Jean Grey had already been dead for 7 years.

It was the moment that left only one heir to the dream, Logan. In the years before The Death of Wolverine Logan had the remit of mutant leadership, he was the Headmaster and Scott was the activist, a status quo at once new and very familiar to readers. Logan��s death left the question of leadership wide open and Storm stepped in as interim leader, as is her wont. Fast forward to now and what do we have? It’s the house that Wolverine built. Kitty Pryde is the Headmistress, Jubilee is the homeroom teacher of the ‘new class’, Laura is the Wolverine. These are the women mentored and raised by Logan and they are now the heirs of the dream. Cyclops is dead. Jean Grey has been dead for nearly 15 years.

In a franchise that began in the early 1960s with a mostly, sorta, unbroken line of continuity it is now the generation after the generation that assumed mutant leadership from Professor X. It’s 2017, the fact that we are only on the third generation of mutant leader is wild, but comics have that sliding timeline. Aside from the revolving door criticisms, editorial has given these characters no chance to grow into their positions or examine Logan’s legacy before derailing them with line-wide crossovers multiple times before bringing him back. Bringing Logan back calls into question Kitty Pryde’s position as headmistress and strips Laura’s primacy. This is a regression to the status quo and that wouldn’t be so bad, except for Jean.

Classic Jean Grey is the franchise leading lady, let’s not get it twisted. Originally by way of being the only girl on the team for the 60’s and later by leaving the biggest mark on the X-Men, perhaps of all time, in the Dark Phoenix Saga. She has led the team more than once and was the centerpiece of romantic plotlines time and time again. Bringing classic Jean back sets back the priority for stories centered on the current cast. This was largely inevitable. It was going to happen to some cast someday, it’s the Phoenix. But the cost today must be paid by a diverse and largely female-led line of comics. As a founding member classic Jean steals spotlight that might have been given to actually advancing the state of the line.

The timing is devastating to any momentum behind the stories that we have right now. It’s another one-two punch to a line of books that have been hurting since their launch. The fear is that by rolling back the status quo on the line as a whole it will damage the foundation of the entire line once again, damage that was already done in spades by the Secret Empire and Death of X crossovers. Consider that in the last year we’ve had stories about a large number of the once-again emerging mutant population being devastated by Terrigen Mists and those that survived have been rendered sterile. Though it has not been brought up since the involuntary sterilization of minority populations and reproductive autonomy in general are devastating civil and human rights issues being fought today and must be addressed. Hydra controlled America then concentrated all of the mutants not trapped in a giant Darkforce bubble in California, the opposite coast of the Jean Grey School. Then the newly reformed American government, now without being able to use Hydra’s fascism as an excuse for this behavior, used Sentinels, actual genocide machines, to burn New Tian to ashes. Traumatic is the only word that comes to mind! By once again bringing a renumbering and renaming of the books it is as if this past year of X-Franchise comics have simply been a placeholder, a gimmick to bridge between IvX, a shaky ResurrXion, and Marvel Legacy.

Placing the entire line of X-Men into an airliner like holding pattern for a year is madness. The sidelining of the mutants from the focus of the comics alone is bad enough, but this particular tactic has cost the franchise dearly both in readers and in the narrative itself. Marvel’s merry band of mutants doesn’t need its status quo reset, it needs time to rebuild and craft a narrative that will rejuvenate an exhausted fan base. Endless events and genocidal threats have left the comics anemic, let’s get back to basics and we’re not talking about baseball. Let’s have new mutants, new enemies, new ideological challenges to overcome. Let’s start talking about bigotry and how it gets expressed today.

Generation X by Christina Strain is better than just a good book, it’s great X-Men. It is the exact kind of book we need if we are going to evolve the franchise message about discrimination. It is laying the slow-burn groundwork that hasn’t been done for years, actually giving us space and time to grow to know a familiar cast in an unfamiliar lineup. It’s the natural progression of Jubilee’s story, from a ward of Wolverine to one of the caretakers of his legacy and his school, from student to teacher. What will become of this delightfully diverse book now that Legacy begins to unspool? It and Iceman have been under-promoted in favor of Secret Empire tie-ins and Marvel Legacy hype. This book used to be in the top 10 most sold of all comics 20 years ago, the whole X-Men line used to top the charts honestly, how far the line has fallen. It would be unfair to lose the most promising book in the line because of holding pattern mismanagement!

The X-Men line of comics would be rewarded for centering books like Generation X instead of bringing back classic Logan and classic Jean Grey because we don’t need the same things out of the franchise than we do out of, for example, DC properties. In our lives as comic book readers our grandparents will retire or pass, our parents will get older or pass, we will get older or die. This franchise is 54 years old, this year saw the celebration of Jack Kirby’s centennial and the passing of Len Wein. Buried in the X-Men story is a generational tale of the disenfranchised, each group of leaders passing the torch of activism to the young heroes that will change, threaten, and save the world. It is our responsibility to safeguard the message of tolerance, equality, understanding, and love, to ensure the legacy of our beloved franchise. If either one of these characters had returned individually it wouldn’t be as damaging. It must be demanded that the comic line continues to evolve and grow, not revert to old status quos that do nothing to further The Dream.

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thementalattic · 6 years

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First time I heard and played a Zoink! game was during my first visit to Rezzed and the game was Zombie Vikings, a title I would go to pay, love and review. This year, continuing with Zoink!’s strange fascination with death, we have Flipping Death, a puzzle platformer all about being dead and influencing the living.

Flipping Death stars Penny, a young woman and Halloween fan. At the start of the game she loses her job and follows that unfortunate event with an accident that sees her fall down a chasm and land on a rock, apparently killing her. But due to a misunderstanding, Death doesn’t realise she’s just a mortal soul and hires her as a temp while he goes on vacations, leaving Penny to learn on the job, helping the dead find resolution and move on, her new powers allowing her to possess the living and invade their minds, with hilarious results.

I really enjoyed my time with Flipping Death, finding that wonderful humour and zany storytelling I’ve come to adore from Zoink! games, making me laugh up to the very end, sometimes from good jokes and other times from how surreal it all feels.

The Good

Flipping Presentation: Flipping Death has the same pop up book 2.5D cartoonish style that I now find synonymous with Zoink! The world is large, sprawling and above all, completely mad. The city you play in and the surrounding countryside is incredibly colourful and vibrant, but at the press of a button you literally flip the picture to its back, which is the world of the dead, using darker tones, various shades of purple and copious amounts of eyes, teeth and tentacles, giving the afterlife a definite Lovecraftian feel. It’s the same overall map but treks across and between worlds feel fresh because of both the aesthetic differences and the layout changes.

The Needy Dead: As a newly minted Grim Reaper, one of your jobs is to make sure the dead make it to the afterlife and don’t get stuck in the world of the dead with grudges or regrets. And boy do they have weird requests and to help them you need to manipulate and aid their even stranger living relatives and former neighbours. This results in genius multi-part puzzles that are as challenging as they are funny, and they’re really funny at times.

Charming Vocals: While the music in Flipping Death is fun, what I truly enjoyed were the character voices. Penny’s both charming and snarky in a way that just makes the comedy work ever better as she’s often the deadpan element of the joke, the “straight man,” in the insane world around her. The rest of the cast is equally amazing and watching the credits roll by it was another case where I’m amazed at just how many voices a single voice actor can perform and yet make them sound unique.

Hi I’m your Conscience: From the start, as soon as you get your standard Death Hood and Scythe, you’re stuck in the world of the dead and your only option to flip the world around is to possess the living and move them like marionettes, which is exactly how they move, making some of those experiences really silly. Best of all, you can read their thoughts, and the way they respond to this new voice in their head is fantastic. Some dig it, some get freaked out and a badass biker is completely immune. That was a surprise!

Lots to do: Aside from the main quest in each chapter, you have tons of challenges around the map. These are essentially mini quests and completing them unlocks ghost cards with the information on the many denizens of the underworld. I’m not a fan of these kinds of things, but the puzzles to complete the challenges have enough meat in them that I enjoyed the few I did complete. The Santa Claus ghost gift challenge was the best, as some of it is part of the chapter’s story.

Reaper Moves: The city you play in, as I’ve said, is sprawling, with multiple levels and paths to reach every character—and you must reach and posses them to enable fast travel—and even more so in the land of the dead, where the flipped world might lack hills and have ledges instead and pits instead. Fortunately, Penny is not only a quick learner in the arts of reaping but extremely athletic, and her scythe not only grants her teleporting abilities but if used at the right time, you keep the thrown weapon’s momentum, which means you’ll often fly to your destination. Reaching even the farthest reaches is not only quick but a lot of fun—especially if you have to collect some of the tougher to get currency. And if you don’t want to platform, there are lifts and taxis all over the place. Hell, some of the creatures you possess can fly!

The Bad

Unnecessary Recap: Every chapter begins with a skeleton recapping the one you just completed. It’s funny at first, but it’s so slow that enduring it becomes a waste of time, especially considering how much the character recaps. It’s optional, sure, but if the narrator had stuck to the important bits, the most recent developments, the entire thing would be more bearable.

Too little of a good thing: The music in Flipping Death is great, and I really enjoyed the soundtrack. The problem is that the songs are too damn short, so in every chapter you’re likely to hear the same song repeat over and over to the point where it outstays its welcome and you really want to turn the volume down!

Level Reset: Every chapter in Flipping Death is a new “level” which brings with it the most annoying of consequences: a full reset in terms of currency and characters possessed. This means that if you spent the last chapter “unlocking” every citizen and ran around collecting the necessary minor spirits—the currency of the underworld—to posses’ people, you’ll be back at square one as soon as the chapter ends. It becomes increasingly frustrating as the game progresses since the size of the map expands constantly.

Gallery

I got my hands on a review code for @ZoinkGames’ #FlippingDeath and loved every ghoulish moment of it! Our review!

First time I heard and played a Zoink! game was during my first visit to Rezzed…

I got my hands on a review code for @ZoinkGames' #FlippingDeath and loved every ghoulish moment of it! Our review! First time I heard and played a Zoink! game was during my first visit to Rezzed…

#2.5D #Adventure #Death #Featured #Flipping Death #Gaming #Ghosts #Grim Reaper #Penny #platformer #puzzle #Quests #Review #Video game #Zoink

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reading-writing-revolution · 8 years

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“What both administrations fail to realize is that the West is already at war, whether it wants to be or not. It may not be a war we recognize, but it is a war. This war seeks, at home and abroad, to erode our values, our democracy, and our institutional strength; to dilute our ability to sort fact from fiction, or moral right from wrong; and to convince us to make decisions against our own best interests.

The world order we know is already over, and Russia is moving fast to grab the advantage. Can Trump figure out the new war in time to win it?

A little over a year ago, on a pleasant late fall evening, I was sitting on my front porch with a friend best described as a Ukrainian freedom fighter. He was smoking a cigarette while we watched Southeast DC hipsters bustle by and talked about ‘the war’ — the big war, being waged by Russia against all of us, which from this porch felt very far away. I can’t remember what prompted it — some discussion of whether the government in Kyiv was doing something that would piss off the EU — but he took a long drag off his cigarette and said, offhand: “Russia. The EU. It’s all just more Molotov-Ribbentrop shit.”

His casual reference to the Hitler-Stalin pact dividing Eastern Europe before WWII was meant as a reminder that Ukraine must decide its future for itself, rather than let it be negotiated between great powers. But it haunted me, this idea that modern revolutionaries no longer felt some special affinity with the West. Was it the belief in collective defense that was weakening, or the underlying certitude that Western values would prevail?

Story Continued Below

Months later, on a different porch thousands of miles away, an Estonian filmmaker casually explained to me that he was buying a boat to get his family out when the Russians came, so he could focus on the resistance. In between were a hundred other exchanges — with Balts and Ukrainians, Georgians and Moldovans — that answered my question and exposed the new reality on the Russian frontier: the belief that, ultimately, everyone would be left to fend for themselves. Increasingly, people in Russia’s sphere of influence were deciding that the values that were supposed to bind the West together could no longer hold. That the world order Americans depend on had already come apart.

From Moscow, Vladimir Putin has seized the momentum of this unraveling, exacting critical damage to the underpinnings of the liberal world order in a shockingly short time. As he builds a new system to replace the one we know, attempts by America and its allies to repair the damage have been limited and slow. Even this week, as Barack Obama tries to confront Russia’s open and unprecedented interference in our political process, the outgoing White House is so far responding to 21st century hybrid information warfare with last century’s diplomatic toolkit: the expulsion of spies, targeted sanctions, potential asset seizure. The incoming administration, while promising a new approach, has betrayed a similar lack of vision. Their promised attempt at another “reset” with Russia is a rehash of a policy that has utterly failed the past two American administrations.

What both administrations fail to realize is that the West is already at war, whether it wants to be or not. It may not be a war we recognize, but it is a war. This war seeks, at home and abroad, to erode our values, our democracy, and our institutional strength; to dilute our ability to sort fact from fiction, or moral right from wrong; and to convince us to make decisions against our own best interests.

Those on the Russian frontier, like my friends from Ukraine and Estonia, have already seen the Kremlin’s new toolkit at work. The most visible example may be “green men,” the unlabeled Russian-backed forces that suddenly popped up to seize the Crimean peninsula and occupy eastern Ukraine. But the wider battle is more subtle, a war of subversion rather than domination. The recent interference in the American elections means that these shadow tactics have now been deployed – with surprising effectiveness – not just against American allies, but against America itself. And the only way forward for America and the West is to embrace the spirit of the age that Putin has created, plow through the chaos, and focus on building what comes next.

President-elect Trump has characteristics that can aid him in defining what comes next. He is, first and foremost, a rule-breaker, not quantifiable by metrics we know. In a time of inconceivable change, that can be an incredible asset. He comes across as a straight talker, and he can be blunt with the American people about the threats we face. He is a man of many narratives, and can find a way to sell these decisions to the American people. He believes in strength, and knows hard power is necessary.

So far, Trump seems far more likely than any of his predecessors to accelerate, rather than resist, the unwinding of the postwar order. And that could be a very bad — or an unexpectedly good — thing. So far, he has chosen to act as if the West no longer matters, seemingly blind to the danger that Putin’s Russia presents to American security and American society. The question ahead of us is whether Trump will aid the Kremlin’s goals with his anti-globalist, anti-NATO rhetoric– or whether he’ll clearly see the end of the old order, grasp the nature of the war we are in, and have the vision and the confrontational spirit to win it.

***

To understand the shift underway in the world, and to stop being outmaneuvered, we first need to see the Russian state for what it really is. Twenty-five years ago, the Soviet Union collapsed. This freed the Russian security state from its last constraints. In 1991, there were around 800,000 official KGB agents in Russia. They spent a decade reorganizing themselves into the newly-minted FSB, expanding and absorbing other instruments of power, including criminal networks, other security services, economic interests, and parts of the political elite. They rejected the liberal, democratic Russia that President Boris Yeltsin was trying to build.

Following the 1999 Moscow apartment bombings that the FSB almost certainly planned, former FSB director Vladimir Putin was installed as President. We should not ignore the significance of these events. An internal operation planned by the security services killed hundreds of Russian citizens. It was used as the pretext to re-launch a bloody, devastating internal war led by emergent strongman Putin. Tens of thousands of Chechen civilians and fighters and Russian conscripts died. The narrative was controlled to make the enemy clear and Putin victorious. This information environment forced a specific political objective: Yeltsin resigned and handed power to Putin on New Year’s Eve 1999.

From beginning to end, the operation took three months. This is how the Russian security state shook off the controls of political councils or representative democracy. This is how it thinks and how it acts — then, and now. Blood or war might be required, but controlling information and the national response to that information is what matters. Many Russians, scarred by the unrelenting economic, social, and security hardship of the 1990s, welcomed the rise of the security state, and still widely support it, even as it has hollowed out the Russian economy and civic institutions. Today, as a result, Russia is little more than a ghastly hybrid of an overblown police state and a criminal network with an economy the size of Italy — and the world’s largest nuclear arsenal.

Even Russian policy hands, raised on the Western understanding of traditional power dynamics, find the implications of this hard to understand. This Russia does not aspire to be like us, or to make itself stronger than we are. Rather, its leaders want the West—and specifically NATO and America — to become weaker and more fractured until we are as broken as they perceive themselves to be. No reset can be successful, regardless the personality driving it, because Putin’s Russia requires the United States of America as its enemy.

We can only confront this by fully understanding how the Kremlin sees the world. Its worldview and objectives are made abundantly clear in speeches, op-eds, official policy and national strategy documents, journal articles, interviews, and, in some cases, fiction writing of Russian officials and ideologues. We should understand several things from this material.

First, it is a war. A thing to be won, decisively — not a thing to be negotiated or bargained. It’s all one war: Ukraine, Turkey, Syria, the Baltics, Georgia. It’s what Vladislav Surkov, Putin’s ‘grey cardinal’ and lead propagandist, dubbed ”non-linear war” in his science fiction story “Without Sky,” in 2014.

Second, it’s all one war machine. Military, technological, information, diplomatic, economic, cultural, criminal, and other tools are all controlled by the state and deployed toward one set of strategic objectives. This is the Gerasimov doctrine, penned by Valery Gerasimov, the Russian Chief of the General Staff, in 2013. Political warfare is meant to achieve specific political outcomes favorable to the Kremlin: it is preferred to physical conflict because it is cheap and easy. The Kremlin has many notches in its belt in this category, some of which have been attributed, many likely not. It’s a mistake to see this campaign in the traditional terms of political alliances: rarely has the goal been to install overtly pro-Russian governments. Far more often, the goal is simply to replace Western-style democratic regimes with illiberal, populist, or nationalist ones.

Third, information warfare is not about creating an alternate truth, but eroding our basic ability to distinguish truth at all. It is not “propaganda” as we’ve come to think of it, but the less obvious techniques known in Russia as “active measures” and “reflexive control”. Both are designed to make us, the targets, act against our own best interests.

Fourth, the diplomatic side of this non-linear war isn’t a foreign policy aimed at building a new pro-Russian bloc, Instead, it’s what the Kremlin calls a “multi-vector” foreign policy, undermining the strength of Western institutions by coalescing alternate — ideally temporary and limited — centers of power. Rather than a stable world order undergirded by the U.S. and its allies, the goal is an unstable new world order of “all against all.” The Kremlin has tried to accelerate this process by both inflaming crises that overwhelm the Western response (for example, the migration crisis in Europe, and the war in eastern Ukraine) and by showing superiority in ‘solving’ crises the West could not (for example, bombing Syria into submission, regardless of the cost, to show Russia can impose stability in the Middle East when the West cannot).”

Solid commentary.

#russia #putin #soviet block #new world order #illiberal #disruptions #attack #warm war #cyber war

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