#but the fact that we're only getting 4 episodes

[rootspiral]

Agatha All Along deep dive: episode 9 part 6

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

billy drives to westview again, I guess flying right now feels weird while he's so conflicted about his own witchy nature. and who boarded up agatha's door? were the neighbors afraid some other unspeakable horror was going to jump out of the house?

we get another good view of agatha's grave, with all the purple flowers and mushrooms rio grew for her

agnes' bike and señor scratchy's cage (I hope that fluffer bunny's okay somewhere)

NOT HELPING, AGATHA. did she just run down to the basement so she could do her 'it's britney bitch' face? (she does look like britney here)

sure, sure, you'll get your brooch back and then you'll be on your merry way doing ghostly shit with no regrets whatsoever. it's not like you've been following billy around like a lost puppy or anything

agatha sees billy drawing the circle and is all posture again, a big slice of "I'm cooler than you and you don't scare me little kid" with a side of "ooooh are we doing magic?? I love magic lemme see lemme see!"

she's truly embarrassing

you're the one with a buttload of black candles in your basement agatha who do you think you're mocking

a pentacle, the symbol of our coven surrounding him. wherever you are, a coven there shall be.

oooh book through the heart! we get it, symbolism.

agatha sees the brooch and gives a deep relieved sigh, immediately followed by more bullshit. JUST TELL HIM THAT'S YOUR SON'S BROOCH AND IT'S IMPORTANT, YOU USELESS DISASTER. JUST OPEN UP FOR ONCE.

the spell is vade (not valia) a lucem, relinque terram, noli esse phantasma. go to the light, leave the earth, don't be a ghost (bit on the nose.)

what's wrong agatha, not feeling so confident all of a sudden?

you know the drill by now, she won't go quietly. so she sneers.

ooh we're appealing to his better nature now? after your many 'never apologize for murder' lessons?

idk man, it's almost as if the people you keep pushing away will eventually get tired of your bullshit. it's almost as if billy here, the kid you supposedly care a lot about, just went through a terrible experience and could really need a wise mentor right now - instead of whatever you're doing.

and now we're begging. better make a decision there agatha, you're starting to fade away!

sure, that will help. great plan agatha, masterful gambit, turning into a ghost and losing even more of your agency

there you go. it only took this poor wretch nine episodes, killing three people, scaring away forever the love of her life, thoroughly traumatizing a kid and somehow losing her entire body to express ONE honest, uncensored feeling.

it's the little steps.

heartwarming: local 350 year old experiences for the first time the mortifying ordeal of being known.

another thing billy and agatha have in common is how good they are at reading people. with billy it's a natural talent (comes with being a mind reader) that he's still learning how to use, he can read people but doesn't know how to interpret what he finds yet, hence the whole trials fiasco.

with agatha, he's been trying to reconcile his instincts with facts and logic. on a surface level he shouldn't trust agatha at all, indeed she's the last person anyone should trust. but since he was that kid who liked hanging out at agnes' house, billy guessed something else in agatha, a vulnerability behind all the darkness that he's been (awkwardly) trying to bring to the surface.

why? I think it's for the same reason agatha has been reaching out to him: because they're so similar. billy wants to reconcile agatha's two natures because he wants to do the same for himself. he is the son of the witch who tortured westview, he has all this scary power. there is a darkness in him that he doesn't know how to deal with, but maybe, if agatha is redeemed, there is hope for himself too.

in other words, these two are kindred spirits (spiritual mother/son, mentor/mentee, whatever you want to call it) who recognize each other and instinctively want to stick to together, even though it's a bad, bad idea.

(I cannot believe it took agatha turning into a ghost to finally get a manicure for her nasty witchy nails)

and this is all it took to win billy over, that's how ready and eager he was to believe agatha has a heart! the moment he realizes that of course agatha loved nicholas! of course she's devastated after losing him! he steps back and dries a tear, moved. for the first time he sees agatha's pain and, the good kid he is, he's earnest to give her sympathy and comfort. he's still too young to fully understand what agatha has been trough, but he doesn't need to. he just needs to care and be there for her, and that's enough, that makes all the difference.

the salemites taught agatha that she cannot trust others, that if she shows who she really is people will hate her and hurt her. when nicky died she tried all she could to exorcise that devastating pain, except asking for help. she never allowed someone to give her even the most basic forms of comfort, no hugs, no crying on someone's shoulder, no 'I'm sorry this happened to you'. no 'I'm here for you, if you need anything'. no 'I know it feels like that, but I promise it wasn't your fault.'

agatha set out to mold and raise billy as another version of herself, but what she got instead is a kid who, just like nicky, is simply glad to love her back. yes, people will leave you if you keep pushing them away, but the opposite is also true: if you stick by and make an effort, no matter how many mistakes you make, most people will recognize what you're doing and respond in kind. it sucks that agatha can do that so rarely and with so much difficulty. but it happens sometimes, even to her.

I've talked about how a "coven two" is never sustainable on the long run, how you cannot just have one person be your whole world. humans, social animals we are, simply need a community. but for now it's a start, it's agatha cautiously letting herself be around another person again. and oh god she's going to be such a bad influence on this poor kid. I'm glad *he* has other people in his life, at least.

she's like, faIR WArNiNG

ookay drama llama. these two gays, I swear. already trying to outdrama each other.

she's all proud!! look at her boy paying homage to the dead and expressing his grief like a champ! meanwhile I'm sitting here like guys, guys, you cannot just write their names on the floor and call it a day, have you CHECKED if you have to break the news to their loved ones?! did sharon have children? did alice have friends or a partner that are looking for her right now?!?!!?!?! please make ONE phone call I beg you! is there an ADULTIER ADULT in the room, you CANNOT LEAVE THESE TWO IN CHARGE

and off they go, merrily causing chaos and mayhem. if I had to guess what happens next, agatha is going to love and help and teach that kid while making soooo many mistakes and causing soooo much emotional damage, and also very much try to manipulate him into giving her a new body, because lbr, this asshole didn't get herself close to the one person on earth who can do that by pure accident. all immaturity and ulterior motives aside, agatha is taking baby steps in the right direction and I'm SEATED for it.

AND WE'RE DONE. I cannot believe I got to the end of this?!!?! thank you from the bottom of my black heart to all the peeps who reached out and encouraged me, thank you for all your likes and reblogs and engagement, and special thanks to @idkbroletssee, @yodladi-yodlada, @aquaaquila, @onceuponalegendbg, @vinspiration-book, @sallysetonagathario, @2-the-moon-and-2-saturn, @yourlocalegotisticalqueerishere, @isagrimorie, @jojobobapalooza, @netellie, @nutella-icecream, @talysalankil, @ragnarockz, @misschanandlerbong25, @westviews-nosiest, @liminal-smith, @kendrysaneela, @whogirl42, @witchtwig, @nerdybeachbum299, @bogcrowe, @the-silence-in-between, @farminglesbian, @lazyreinelle @fantasticvoidnerdshoe, @ofutopia, I'm sure I'm forgetting many but I promise I see you all!

Last but not least, big, grateful thanks to @crybabyheathen for always messaging me and forcing me out of my shell and encouraging much needed human interaction 😉. And lots of love to @april-december, don't tell anyone but I look forward to your comments the most, it truly means the world that you appreciate and engage with my posts like you've been doing.

Happy new year, everybody!

[theliterarywolf]

Bruh, I've been holding myself from talking about the Adult Swim Uzumaki adaptation because it's one of those narratives that works better when you talk about it as a whole...

But the fact that, apparently, the producer of it is being a tool and blaming production difficulties on everyone except for himself as well as how Adult Swim apparently pulled a Korra between episodes 1 and 2...

I'm just going to flat-out say it: Episode 1 was the equivalent of watching the original Jurassic Park for the first time while Episode 2 felt more like an Asylum film.

... Seriously, if you wanted to adapt a Junji Ito story but not put out the necessary funds, they should have just adapted a random assortment of Junji Ito stories like the Netflix series did!

[scarlettfevor]

There's this guy whose channel is rly popular on booktube whose rant reviews of bad books come across my feed sometimes, but I refuse to watch any of them because 1.) I like how majority of the people in book related communities are women 2.) I hate men but most importantly 3.) I honestly don't see how you can make these 3, 4 even 8-hour videos about one bad book

[mxactivist]

Support the BBC for having a trans character in recent episodes of 'Doctor Who'

Apparently the BBC (UK) has had 144 complaints about a recent episode of Doctor Who because it contained an openly trans character.

I've made a complaint to the BBC that there weren't enough transgender characters in Doctor Who. I would love if 144 other people did the same thing. Here's the link: https://www.bbc.co.uk/contact/complaints/make-a-complaint/#/Complaint

(For your easy reference: "The Star Beast" aired on 25/11/2023 on BBC One, and the trans character is called Rose.)

Please note that the complaint form asks for your UK postcode, so only UK folks can join in with this - but if you suspect you might have any UK-based followers, maybe give us a reblog to boost the signal?

Edit: I'm told that you can fill in the form even if you're outside of the UK, because the BBC provide service to many countries other than the UK, including the USA! Go for it. :D

Reply to confirm that you've done it, so I can keep a count!

Here's my complaint:

I recommend:

Avoid sarcasm or irony. Assume your post will be taken literally. If you are clearly joking or being mean you will be ignored or misunderstood.

Include some gratitude/appreciation. It's pretty great that they included a trans woman in a positive way, and they should know that they have explicit support for that.

~

Edit again: I'm seeing some concerns in the replies/reblogs that the BBC might not distinguish between "less trans people, please" complaints and "more trans people, please" complaints. Rest assured, this is nothing to worry about - the BBC publish fortnightly complaint reports, and they do pay enough attention to know when a complaint is in favour of or against trans inclusion. In fact, their 20 November – 3 December 2023 report is where the various news articles are getting the 144 complaints figure; that report says there were precisely 144 complaints that they have categorised as "Anti-male / inappropriate inclusion of transgender character".

That means the next complaints fortnight window is 4 December - 17 December. We have 8 more days to beat 144. By my count, over Tumblr, WhatsApp, the Fediverse and Telegram, we have 85 so far, which is well over halfway there.

Also, when you've done it, please reply to confirm you have done it, so that I can count us!

Thank you, everyone!

~

Edit, 2023-12-11, 1am UK time:

We did it! I've just been counting up responses, and it looks like sometime yesterday evening we hit 144 complaints/comments in favour of Rose Noble and more excellent trans characters in Doctor Who! (We're actually up to 157 now, fantastic.)

So, my next plan is to submit a Freedom of Information Act request to the BBC sometime in the next few days, asking for complaints and compliments figures. Then I'd ideally (energy and time permitting) like to put together a press release that I can send out to the publications that promoted the tiny "144 anti-trans complaints" figure, showing them that there has been far more feedback in favour of trans representation than against.

I'll keep you posted.

[hamliet]

Derry Girls: A Masterclass in Detailed, Thematic Writing

Several years after the end, I finally watched Derry Girls, and it's become one of my favorite shows. Not only for the way it captures the absolutely unhinged aspects of Irish families (askmehowiknow) but for the sheer writing skill.

The vast majority of the episodes are laugh-out-loud hilarious, while also offering insightful commentary on the Troubles and on humanity's foibles as a whole. The characters are allowed to be human and act in unlikable, unsanitized ways, and to still be human and come back from that. (Almost like a metaphor for the Troubles or something.)

The story is also incredibly detailed; for example, when the girls are accused of killing a nun and Erin points out the nun was like, 98 years old and askes "might that shed some light on the situation?" there's an hourglass behind Sister Michael--emphasizing the idea that her time was up. Even more than that... the window is behind the hourglass, literally shining a light on it.

But that's a micro level. On a macro level, I also appreciated the way the story discusses the political backdrop that is part of its premise. Even as Erin, Michelle, James, Clare, and Orla grow up in a place that's been in a state of low-level warfare for decades, they live full lives. In fact, that's kinda the point.

Case in point: episode 4 of the first season, wherein Erin gets an exchange student from Chernobyl. The way the Northern Irish in general treat the Ukrainians is hilariously awful and patronizing, believing that they are giving them a respite from the troubles "over there" while Northern Ireland isn't in a much better state. But, as Sister Michael assures the Ukrainian students, the Irish troubles don't matter because "we're the goodies."

This line gets to the heart of what the episode is saying about political divisions and the way people view an "other." Everyone sees themselves as the "goodies." Because of that, they don't self-examine and wind up hurting the people they see themselves as wanting to help/save with their ignorance. It's a paradoxical egotistical (and frankly teenage) worldview that is also unwilling to look critically at oneself. The focus on their own perceptions over focusing on the actual humanity of the other results in ruining gifts that could come with cross-culture interaction, as seen in how Erin's misunderstandings and petty jealousy of Katya leads to her literally ruining a surprise gift Katya had prepared.

And the end of the episode also comments thematically on the story. One of the Ukrainian boys turns out not to be Ukrainian after all--he's actually Irish and from just down the road. He just didn't know how to say that. The ironic message is clear: despite differences in culture and views, they are actually all human beings, and assumptions make it hard for people to speak. If they could actually talk openly and without presumptions about who is "good" and who is "bad," they could prevent and solve a lot of problems.

This kind of background, symbolic commentary on the Troubles continues in just about every episode of the series. For example, even after the ceasefire, season 3 has an episode where it's discussed how negotiations are stalling, and the entirely of the rest of the episode takes place on a train that stalls between two separate places.

The Troubles are always something affecting their lives, but the only time the Troubles ever become the main story is in the finale episode. Which is also an episode that makes everyone cry. Michelle's brother is finally mentioned for the first time the entire series, yet it doesn't feel like a retcon so much as a recontextualization, and again mirrors how a lot of society (and Michelle's own family) have treated those who murdered others during the conflict.

Erin and James' relationship also works as a metaphor for the Troubles--an Irish Catholic girl and an English boy. Earlier in season 3, after they finally kiss, they're told they can't be together, that it's wrong, and that it'll create problems for everyone around them. Michelle doesn't want things to change. And Erin agrees that it's not good to pursue something.

But, in the final scenes, as Erin prepares to vote in the Good Friday Agreement and talks to James, she directly states she thinks things can't stay the same forever--thereby countering what she said to reject James earlier:

There's a part of me that wishes everything could just stay the same. That we could all just stay like this forever. There's a part of me that doesn't really want to grow up. I'm not sure I'm ready for it. I'm not sure I'm ready for the world. But things can't stay the same, and they shouldn't. No matter how scary it is, we have to move on, and we have to grow up, because things... well, they might just change for the better. So we have to be brave. And if our dreams get broken along the way... we have to make new ones from the pieces.

Symbolically, also, given that we know the outcome of the Good Friday Agreement, I think it's pretty clear Erin and James end up together even if we're not directly shown it.

That the last shot of the episode (besides the funny epilogue) is Grandda Joe, one of the eldest characters, helping his youngest toddler granddaughter Anna leap over a threshold as they leave the voting station, is also incredibly clear in its symbolism.

Erin: People died. Innocent people died, Grandda. They were someone's mother, father, daughter, son. Nothing can ever make that okay. And the people who took those lives, they're just gonna walk free? What if we do it, and it's all for nothing? What if we vote yes and it doesn't even work? Grandda Joe: And what if it does? What if no one else has to die? What if this all becomes a--a ghost story you'll tell your wee-un's some day? A ghost story they'll hardly believe?

I dunno, I think this is a sentiment we need more of in the world. A peaceful future means taking risks and accepting that punitive justice will not be perfectly doled out; however, if you allow more people to be hurt, is that not also injustice? It's a paradox that the story leaves us without a dogmatic answer to (for example, we never find out if Michelle's brother gets released), but it's also hopeful--because we know that the Good Friday Agreement largely worked.

(For further analysis of the final scene, I recommend PillarofGarbage's analysis on YouTube!)

[finniestoncrane]

Is That A Threat?

Cooper Howard x Fem!Reader, word count: 500 episode 4 really did something to me!! no spoilers for the show, just cooper and reader out in the wasteland together being filthy and flirty🤎 request info • prompt list • send me a request • kofi • masterlist minors DNI!! 🔞 cw: teasing, rope restraints, just some tension loaded flirting

"Boy, you just aren't afraid of me at all, are ya?"

Cooper flicked the brim of his hat with a gloved finger, his deep set eyes meeting yours, squinting slightly as the unbearable glint of the sun obstructed his vision. Despite the jovial undertone of his words you could tell that he was, even slightly, put out by this fact. Fear was one of his strongest tools. It gave him his power, and he wanted to be able to exert that over you, even just a little bit. So you shuffled your feet in a false display of naiviety, kicking up the dry dust.

"Should I be? I mean... are you going to shoot me, Mister Howard?"

"I was more thinking that maybe you should be afraid of my demeanor, or at least my looks, little lady. But you should always be afraid of me shooting you..."

He raised the shotgun, pointing the barrell at your chest, winking as he aimed, his finger far away from the trigger.

"...That is a permanent source of danger."

With an eyebrow raised, you took a delicate step forward, everything else about the wasteland blurring around you as your attention focused on the ghoul who stood before you, casting a still and steady shadow on the wall behind him. It only moved when he shifted back a step, keeping the distance between you both.

"Is that a threat, Coop?"

"You’re getting’ to be awful Informal, missy."

"I think we're past formalities, don't you?"

You raised your hands, ready to grip the lapels of the tattered, leather duster coat he wore, but Cooper was quicker than you. In what felt like the length of time it took you to blink, albeit a slow and sultry one, you could feel the ropes of his lasso around your wrists, tightening, sharp on your sensitive, sun damaged skin.

"We ain't past nothin' yet, darlin'... not till I know you can behave the way I expect you to. Now can you do that?"

Sinking to your knees before him, you rested your fingers against the buckle of his belt, leaning towards him, mouth slightly open. But your attention was pulled from the tenting at the front of his dusty, worn pants as his gloved finger settled under your chin, tilting your gaze up to meet his, deep set eyes surrounded by wrinkled, leathery skin, worn with the sun and his deceptive age.

Knowing what he expected, how he liked it, you pulled what little saliva you had left in your mouth, sucking it from your cheeks and letting it spill out in a pathetic drop over your lips.

"That's a good girl right there. Won't have to punish you at all if you keep that up."

"That a threat, Coop?"

His thumb tapped the barrell of the gun on his hip.

"It is indeed, darlin'. It is indeed."

[kanmom51]

Jikook in bed - Part 3

Are you sure?! Episodes 4 and 5

Before we get started, a little reminder of parts 1 & 2.

Let me start by saying that the occurrences in this post directly follow the whole ramen convo saga.

After speaking ramen and showering (notice how I haven't added the word "separately" there?🤣 ), and spending some time together downstairs all cozy and everything, they both decide to go to bed.

Let's talk about the pre-sleep coziness for a sec before moving on.

Watching the SNTY choreo and talking about it. JM loving the choreo.

Nothing new here folks.

We also got to learn, once again, just how 'informed' they are of each other's business. That's a nice way of saying they know shit about each other even if we don't tell us they do. Like, JM knowing that JK hasn't slept since NY, including on the flight. And if we're on the sleep talk already then funny how JK didn't know his 'husband' 'is struggling with sleeping lately.

And then, as we got to learn throughout the show, the two, once again, make a joint decision to go to bed.

Enough of that.

Let's get to the juicy part of this post, why don't we?

We start it off the two entangled.

JK has zero issue with JM's feet basically in his face.

Well, he did say JM's toes are cute, so...

Do we notice how JK goes for JM's ankle?

Now holding on to JM's foot with both hands (his mobile in his left hand).

And then letting go.

Reminded me of this moment.

And this one too.

JM going for the hug and JK pulling his hand in.

And they stay like that.

We don't know for just how long.

Discussing sleeping together.

It's not about "are you sleeping with me here?" or "where are you sleeping?"

It's "don't hit my nose today... if you do I'll hit you too..."

No questions asked.

Just facts!!!

How long were they just laying like that, calm, intertwined, BEING?

And they clearly do fall asleep together both laying over the covers.

The editors making sure to let us know that the two were sleeping on that one bed.

That angle of the lone empty third bed. Was it really necessary?

But you'll say: JK moved at some point to the third bed. Yes he did. And why? He already fell asleep on the bed with JM.

There is a purposeful omitting of JK waking up and moving to the third bed. They cameras were rolling, and they clearly could have shown us what happened. Makes you wonder why they didn't show us.

My uneducated guess would be that he moved to the bed on the floor because he was cold at night, and didn't want to wake up JM (they fell asleep over the covers and getting under the cover might have woken JM up). We do see JK covered in the morning. A guess, no more.

That was night 1 of Jeju.

Night 2 is a little different. This time they automatically split into 2 beds. Question I ask is why? Were they told to? Did they think it was better that way?

Either way, we see how JK insists on taking the bed on the floor.

And no, that flimsy excuse of preferring the less soft bed doesn't stand with me. I'm going to go with JK not wanting JM to sleep on the floor. Where Tae was supposed to be sleeping, btw. Funny how that worked out...

And yes, they didn't share a bed for the night, but JM sure couldn't go without his morning cuddles.

Understandable.

Notice how we never see JM getting up? We have zero idea just how much time they lay on JK like that cuddling him. Sob sob. I'm going to go with it not being short lived, which is why they cut the footage.

Ok, so that basically wraps up the 4 nights. 2 in CT (the actual night they spent together in bed the whole night we got zero footage of) and 2 in Jeju.

But how can I end this post without JM's wake up alarm for JK? Waking up is still about bed, right?

When I first saw this I didn't get what was going on... and why JM thought it was so funny.

Well, until I saw this.

Those two...

🤣🤣

[vidavalor]

I was wondering if you've talked about why Gabriel was on a jog in season 1 episode 4. It always felt off to me since it's such a human activity

Hi @anxious-al! 💕 Hope you're having a nice week so far. *gets the mugs* as there's always hot chocolate available for Gabriel-themed questions. 😊

What a time to be going for a "human" jog, eh? This takes place on the morning of The Last Day of The World:

Gabriel is supposed to destroy this planet later that day and he's down on it, alone, jogging in the park... why?... and what of the human woman dressed as an angel at the edge of the park?

The scene wherein Aziraphale interrupts Gabriel on a morning run in the park begins with one of the strangest moments in the series-- Aziraphale being distracted by a human woman dressed in head-to-toe gold with harp-like angel wings. She is a performance artist and her art is that she is dressed as an angel. She stands there, silent, sending her artistic message for both the characters in the story who notice her and for us as the audience to interpret. This makes her a bit meta for the story of Good Omens as a whole.

What message is The Angel Woman saying to her fellow humans with this? is a question that leads us to another one as a result:

What is Good Omens saying by using angels and demons in their story written for us humans?

Perhaps that there is divinity in humanity? Perhaps that we spend all this time glorifying holy beings that we can't prove even exist when, really, we humans embody the angelic and the demonic and everything in between? That we're really the magical ones?

The Angel Woman is a character in a story written by humans who are using angels and demons to make points about human living... and who are the other characters in this scene? Gabriel and Aziraphale... a pair of angels on Earth and who are both engaged in aspects of what they might see as "human" living.

This scene is one in the story pointing out that "human living" is really just living, period.

Aziraphale stops and contemplates the angel-dressed performance artist and that is the start of the scene. The "human cosplaying" Gabriel then jogs by them-- paralleling both the angel who lives like a human and the human who is dressed as an angel. Here's The Supreme Archangel of Heaven on the last morning on Earth and what is he doing?

He's jogging in the park. Like a human.

The episode is called "Saturday Morning Funtime" and has more Gabriel in its front half than any episode prior to it, as we begin to see that he's actually who it's named for. Everyone is miserable ahead of Armageddon but the one who has a Saturday Morning Funtime routine is Gabriel. This guy who is the commander of the armed forces of Heaven and entrapped by a supernatural fascist regime hellbent on destroying this place?

Yeah, he secretly kinda loves Earth.

Gabriel is keeping himself from going mad by carving out some escape time on Earth where he does some moderate exercise in the fresh air and clears his head. No one knows who he is down there. He's just another hot dude running in the park. It gets him away from the other angels always circling him like vultures and gives him some precious alone time.

There are other scenes that indicate that, as Earth has gone on, Gabriel has been using the power of his position to escape to it from time to time. Gabriel's only possessions until S2 are his custom-tailored clothes and they were made on Earth. He shows a curiosity about how Aziraphale chooses to live in the sushi scene in 1.01. Yes, he's judgy about it but he's judgy to hide the fact that he's asking out of interest-- rather than using the power he has to order Aziraphale not to make his own choices over it.

Gabriel is shown to be a lot more "live and let live" than he might initially seem to be. He is one of the only angels who doesn't view the demons as beneath them and he covers for Michael's relationships with them. Several scenes suggest pretty heavily that he's known about Crowley and Aziraphale for ages and has been keeping that knowledge from The Metatron. He doesn't care that Aziraphale does human things on Earth like eating or that he wants to live a more human-like existence. He doesn't totally understand all aspects of it but that doesn't stop him from being more fundamentally curious about it than anything else.

Gabriel actually doesn't care that Aziraphale's in love with Crowley. Gabriel can get the appeal, actually. Gabriel knows how it goes anyway... he's got a bit of a thing for the "informant" he references to Aziraphale in 1.01-- Lord Beezlebub, the only being he feels like he really be anything close to his true self around, who also happens to be a demon. The demons are supposed to be the angels' mortal enemies but Gabriel thinks that's kind of bullshit. They're just people and he remembers what a lot of them were like before Hell became a thing. They were smart, creative people, most of whom did little wrong but for asking the same questions that Gabriel privately asks himself daily.

So, he's been coming down to Earth to check it out for awhile, when he can come up with an excuse to escape his prison. Sometime pre-S1, he started to do more than observe and basically got himself a hobby in jogging, like a human might do. Something for him and him alone. This is a big deal because Gabriel has virtually nothing else that is own.

Gabriel doesn't own a single, non-clothing material object in S1 and never has at this point. The first present he'll ever be given is the fly in the matchbox from Beez. His clothes are his only possessions, which is partially why he's so vain about them. They are the only way he's allowed to express a sense of individuality in Heaven-- and he made that happen.

This is related to the jogging and is a much, much bigger deal than it might initially seem...

In S2, when we go back to the Job minisode era, we see that all of the angels used to dress in, more-or-less, the same thing. They all look like what they are-- members of a cult. Even The Supreme Archangel is wearing basically a white sheet roped off in gold. The homogeneity of the look is the point.

There's a psychological reason why cults of all sorts-- and armies of all sorts-- have an uniform. It's to reinforce a sense of negative groupthink over a sense of individuality. When you are allowed to dress as you wish, you have freedom of expression, and this obviously causes you to consider how you wish to express yourself to others. It gives you the free reign we all should have to be who we are-- and to be able to consider who that is and evolve our sense of self over time. This is absolutely against the mindset of dictatorships and cults and anything in that vein.

The last thing they want is for people to see themselves as individual people because that stuff gets dangerous. They might get ideas. They might form their own opinions and start to act on them. It makes people harder to control. This is why Gabriel and his clothes are so important.

The only way the whole 'everyone is basically wearing a table cloth' situation changed for the angels sometime post-Job is if The Supreme Archangel okayed it. He's the only one with just enough power to have made this happen, if not enough power to overthrow The Metatron on his own. Gabriel saw Aziraphale begin to wear different things on Earth with the built-in excuse of Aziraphale having to blend in with the humans and white robes were no longer a style that would work.

Aziraphale, as a result, became the first angel to have an excuse to express himself as an individual because he got to choose what he'd like to wear while he was on Earth. Gabriel noted this and basically said to himself that looks fun. Our dude was very tired of this white robe situation and seeing Aziraphale get to play made Gabriel want to as well so he went to Aziraphale at some point and basically said teach me about what the humans are doing about clothes.

Gabriel had an excuse to change his look, too-- he'd have to go to Earth sometimes to do Supreme Archangel Checking Up On Stuff Things. He'd have to look like a human, too. He loved it. Playing human dress up was super fun and brought all new kinds of thoughts. What fabrics he liked, what looks he liked, what he thought about how the different clothes looked on him, what made him feel different ways about himself. Clothes are self-expression, after all-- they reflect how we feel about ourselves and support the image we are trying to project. Gabriel got into this, big-time, and then turned around and asked the dangerous question to himself:

What if we did this in Heaven, too?

What if he used what power he had to change the rules about what the angels wore? What if he told everyone they could wear whatever they wanted? The army would still have an uniform for when they were running drills or whatever and maybe there'd be a color-scheme because Gabriel knew The Metatron was going to lose it about this so he came up with some parameters but he basically overthrew the tablecloth tyranny and told every other angel that they were free to express themselves the way they wanted and, if you ask me? That's why he and The Metatron are snarking about Gabriel's suit during his trial.

The Metatron never got over the fact that Gabriel pushed the clothes thing and knew how to get just enough of what he could without making it more trouble than it was worth to kill him over it. The Metatron takes some evil delight in telling Gabriel that "appropriate raiment" will be provided for him-- he'll have to wear what The Metatron dictates, in other words-- now that he'll be a bottom-of-the-barrel junior recording analyst. Gabriel, though?

He got the last laugh. He used taking off his suit as a reason to leave, along with clearing out his non-existent desk, and fled Heaven buck ass naked rather than put up with The Metatron's bullshit for another minute.

The moment Crowley fell in love with Gabriel was when he saw just how much Gabriel loathes The Metatron in these just take me out back and shoot me ffs faces he was making during his trial:

Anyway, the point is that all the angels are following Gabriel's lead and that's probably half the reason why almost everyone in Heaven dresses in a variation of Aziraphale or Gabriel's styles. (Ever notice how Michael and Uriel look like they're in some kind of suit battle and both of them are trying to emulate Gabriel a bit?) While many of the angels aren't really reinventing the rules of fashion up there, the idea worked: they all look different from one another. They all can express themselves as they desire when it comes to how they look. They've all had to think about themselves for at least long enough as it takes to come up with outfits and view themselves as an individual person to do so.

It's perhaps worth noting in here then, too, how funny it is that The Metatron is a floating head... that's how he presents himself. He's the one character who doesn't have a body. It's symbolic of how he feels he's above even the idea of having anything like the pesky needs of human corporation. The ideal of Heaven is him, in his eyes, and he is above the vessel through which all living beings actually live...

...and the one challenging him every step of the way as much as he can is The Supreme Archangel...

...who, amusingly, happens to have a rather pleasing physical corporation appreciated by many, many different sorts of beings.

Looked at that way? Gabriel's peacocking about his clothes is not pure vanity but just the best example of what little rebellious fires he's been able to start Up there. A focus on clothes is also a focus on your body-- for better or worse-- and so it's not really surprising that Gabriel's Earthly hobby is looking goooood in some grey sweatpants while he escapes a little from the pressures of his world.

There's something kind of delicious about Gabriel deciding that he has some Saturday Morning Funtime now-- he has an exercise routine. He's like peace out, MetaT-- I'm going to take my fantastic corporation *jogging*. Rot in Hell, you fascist Mr. Potato Head...

Aziraphale is interruping Gabriel's alone time in 1.04 and if you look closely, you'll notice that Gabriel actually looks upset as he's running before Aziraphale sees him. He doesn't actually want to destroy Earth. He feels he has no choice and he's terrified of The Metatron but he likes Earth. He doesn't fully understand of it-- to be fair to him, no one really does lol-- but he likes it enough to have been escaping to it for awhile now.

By S2, in a parallel scene to the jogging one, Aziraphale will be beginning to get the idea of him and Gabriel both having versions of the Heaven-induced perfectionism and anxiety a bit more, though... and about how that's not any different from humans who go through the same thing.

The angel human doing performance art (complete with foreshadowing the discus halo) in S1:

The art of the Gabriel statue in Edinburgh in S2:

In S2, the art is a human-made sculpture deitifying Gabriel. It causes Aziraphale to further consider what life might have been like for a being who is, really, just some dude, but who has been held up as a holy symbol in this way by angels and humans alike.

Adding to this is that the statue of Gabriel is in the middle of a human graveyard. While this has a really eerie layer in S2 considering that we see it after Gabriel has fallen, which is a kind of death, and now lives among the humans, there's a way of looking at it that is also in keeping with what S1's human performance artist angel was talking about-- there's not this big line between these kind of beings.

Emphasizing this? The Angel Woman isn't just dressed as an angel-- she is also wearing a dress and a human sun hat. She reflects how having a halo hanging over your head symbolizing your need to be perfect in a way that causes you to see yourself as someone who should be above humans is not just an angelic thing-- it's a very human thing, too. That's the point of these angels and demons in Good Omens. They're just like us in every way that really matters and their stories are no different at the core from what we experience.

Crowley and Aziraphale actually have it a lot better than most of the angels and demons. They have been able to live on Earth since the beginning. They aren't completely free of the regime that threatens them but they've found a way of escaping it as much as they can. They've been free to learn and explore and experiment and enjoy much more than the others have. They've been free to have a relationship with one another-- to have a friend they can trust and talk to-- which not all of the angels and demons do. (Not all humans do, either.) Of all of the less fortunate characters? Gabriel, despite having some power in Heaven, might have actually been one of the worst off.

Why is Gabriel jogging in the park on the morning of the last day of Earth? Because Gabriel likes to go for solo jogs in the park...

... just like many humans who have stressful jobs and like to wake up on Saturday morning and throw on a sweatsuit and sneakers and get outside to get some fresh air, move, and try to quiet their thoughts.

That Gabriel is already in this place in S1 is a surprising twist thrown into 1.04 that actually makes us kind of want to scream at Aziraphale 'ask him why he's fucking jogging, Az!' Aziraphale is trying to make the point that they don't need to destroy Earth but the one thing he fails to point out is that Earth is the planet that they're currently both standing on and which Gabriel seems to really be enjoying.

Gabriel couldn't agree with Aziraphale in the jogging scene, though, even if he wanted to, for the most ironic reason possible. This one:

Crowley and Aziraphale don't realize it because they're afraid of Gabriel until S2 but he's as trapped as they are. He's as watched as they are. Ducks have ears-- there's always someone listening in the fascist regime of this Heaven/Hell system. Gabriel couldn't say in a public park anything that sounds outside of what he's supposed to say, even if he wanted to, or he'd be in danger for it.

Gabriel is wearing human clothes that are appropriate to the time period he's in while he's jogging. He has a preferred park and route. He's gone through a whole thing to get to this point-- seeing this activity, learning about its benefits, deeming it appealing and something he'd like to try, getting what he needs to do it, finding a time to do so, trying it out and getting good at it... he's done all this already by this scene, showing that he's already subtly rebelling.

There is also that a lot of humans jog, at least in part, to manage mental health issues. It's prescriptive for depression and when we see Gabriel in the post-S1/pre-S2-set flashbacks, he's exhibiting signs that would have gotten him instantly diagnosed with depression had he been a human. It was not new-- more like his default state-- before talking more intimately with Beez started to help him manage it.

This might indicate that Gabriel was already in a place pre-S1 where he viewed humans as having knowledge that could benefit him and other angels-- a point of view that Crowley and Aziraphale also share. To get there, he'd have to have stopped seeing himself as superior to humans-- if he ever did in the first place, which isn't really known. Gabriel does show a surprising aptitude for subversive thinking so it's possible he never really bought the idea that they were superior beings but, even if he did, he doesn't by sometime prior to S1 because the human activity he's gotten for a hobby is one known for helping humans manage the anxiety and stress he knows he also feels.

It's also an activity that Gabriel can get away with doing because it's physical and he's The Commander of The Heavenly Host, Heaven's armed forces. No one can question why he wants to go to Earth to work out because it seems like he's just a devoted soldier when, really, he's doing it to get away from everything for a bit. Jogging gives him time and space to think and to be alone, away from Heaven. It's peaceful when he knows precious little peace. He's also quite literally running from Heaven lol and this was already happening for awhile before S1 happened, let alone S2.

You might say: ok, but Gabriel doesn't *need* to jog... he's magical!

Yes, he's magical... which seems to be like having an extra-long, somewhat-eternal backup battery. It doesn't actually mean that Gabriel doesn't need to exercise. Living beings can go a surprisingly long time repressed from what it is that they need to survive and being magical is suggested to have caused some of these angels and demons to remain alive so long without what it is that they truly need to thrive as people that they've convinced themselves that they don't actually need these things.

Sure, the angels and demons have superhuman powers but they are also very human at the same time...

In S2, Gabriel will describe having what we might call human physical sensations on his way to the bookshop. His arms got sore from holding a box at a weird angle for awhile on his walk-- just like ours would. He was cold from being naked until Aziraphale gave him a blanket. Aziraphale was winded trying to jog with him in this scene in S1. Crowley has basically developed a human sleep schedule over the years to a point that while he can survive missing a night of sleep, he feels the effects of it, as he was mentioning in S2.

To say that these characters being magical means that they're "flawless" would be to get a little "master race" gross, right? And the show does not. The angels and demons have human corporations in all shapes and sizes. Human corporations are just one option for them, even if also the most common, and those options are not built to be without any challenges-- they're built to be human.

Crowley, for instance, is basically a god in terms of power and he's also canonically far-sighted. He built the known universe but he also can't read the paper you just put in front of his eyes without his reading glasses. He can make it rain with his fingertips... and he also has an anxiety disorder. All of this is a story that is using angels and demons as metaphors for human living. We humans have more power than we think, as shown through how the magical angels and demons in the story are more "human" than many of them have been led to believe.

All of the angels and demons might not be at risk from most major human disease, for example... but that's if you're talking about things like Covid and bubonic plague... not if you're talking about the most common ailments plaguing humanity. The major supernatural characters in this story have things like anxiety disorders, depression, and PTSD. Many of them have complicated relationships with food and insecurities about their corporations. They deal with issues of loneliness and the effects of different kinds of trauma and abuse. Every one of them has trust issues for days. Aside from the main four, most of the angels and demons have no idea how hungry, tired, lonely and unfulfilled they are because they think they aren't actually supposed to want things like food, rest, creative outlets, and friendship. If they do feel a desire for these things, they think there's something wrong with them because they've been told they not to want or need in this way.

The few of the angels and demons that can get beyond the b.s. they've been taught and consider that they might not be superior to humans and might have some things in common with them? They break through and start to learn from humans.

Even though they both see each themselves as not fully human and as basically living amongst-- rather than with-- the humans, both Crowley and Aziraphale have experienced enough of the world to know that they're not terribly different from humans. They don't see a lot of their own challenges and experiences as different from that of humans and they actively seek out human knowledge and thoughts on how to manage their way through life. They recognize that their full range of emotions is not any different from that of the humans-- whether the emotions in question are the love they feel for one another or something they have to deal with, like anxiety.

As we see in S2, the choice of corporation for a supernatural being can have consequences that can affect them as a whole. Yes, these beings are more protected than humans, as they can morph into whatever they want and they have miracles that they can use to protect themselves in most situations... but they can actually die if they get into a situation dangerous to them enough, like what The Bullet Catch could have been.

Furfur said that if Crowley had missed and Aziraphale had been shot in the head, that "they might not have been able to put him together again"-- meaning, that Aziraphale could have actually died from a bullet to the head... just like how humans can. While in human form, the angels and demons' minds really are contained within their brains, like is the case with humans. Supernatural beings have a mind-body connection to their corporations of choice-- just as we do with our bodies-- and they're basically all out here choosing human bodies as a default option, right? So, how different are they from us, really? Not that much.

This would mean that their corporations do need the same things that human bodies do. The difference is that, being magical, they can go for eons without addressing these needs, whereas most of us who are only human over here get hangry after four hours without a snack and need to sleep for several hours every day in order to function.

They do need to breathe to be healthy, if not to completely stay alive, because their corporations prefer oxygen and breathing causes the human body to function properly. They can go for millennia without eating... but that doesn't at all mean that they should. When they finally do, they can eat an entire ox without a second thought and why? Because they're starving. They can magically last an absurd amount of time in their repression but they're unnecessarily suffering in doing so.

Crowley and Aziraphale know this. They've learned it themselves. That's why they're giving out warm beverages and sarcastic masturbation tutorials to whatever interested supernatural beings shows up at the door for much of S2.

This is Gabriel's office, shown to us moments after his jog in the park:

That is where he's spent thousands of years. This is his office and what counts as his home. This dude doesn't even have a chair. Look at how huge that space is and how small he seems in it. He can't go out on that balcony. This isn't an office or a house so much as it's a prison cell. This scene shows us why he jogs in the park-- it's his time in the yard during his prison sentence, basically.

Look at how we and Michael come into the scene and see that Gabriel is just staring out the window at the world, tapping his finger against his mouth, lost in thought. This is not a being who is super jazzed to destroy this place later in the day. He's up there like a damn fairy tale princess, trapped in a glass tower in the sky, looking down at the human world and wondering why it is that it's only humans can have it when they really don't seem that different from the angels and demons.

All of us humans with terrible jobs and other stressful situations can usually find a way out of it, except for maybe those of us trapped in an active war zone. What do we humans do? We sleep, we shower, we do some yoga or meditate, we enjoy stories, we make art, we have some good food, we find things that make us laugh and share them with friends and loved ones. Some of us also seek other kinds of connection as well-- a sexual and/or romantic partner. S2 shows us that Gabriel is not aromantic, as he's fallen in love with Beez-- which just emphasizes that, for thousands of years, this sort of thing was never an option for him and another need that was not being met.

Michael is correct in S2 that Gabriel doesn't have a desk to clean out. He has a single, white pedestal without any drawers onto which the occasional file folder can be placed if someone has a meeting with him. (One wonders if Heaven only even has physical file folders as an excuse to have the occasional barely-there table just to break up the expanse of empty space to keep them all from going mad.) Aside from his clothes, he does not possess a single material object, as he's not allowed to.

Imagine not owning a single book. Not having a favorite blanket. Not having a favorite mug. Not having lost these things but having never had them before at all. No presents because you have no friends. The first person to ever give Gabriel something is Beez and that hasn't happened by this point in the story.

We know Aziraphale understands this. Aziraphale wanted a home with a door he could lock and privacy enough to try to live a life of sorts with his partner and a place to store the material objects that he owns. His own, cluttered desk with a million little nooks and shelves. A chair, books, a bed he can be in with Crowley without Head Office finding out and killing them for it. That's the genius bookshop embassy that Gabriel will run to when he finally cracks but Gabriel himself?

He's had almost none of that kind of freedom for himself.

Aziraphale knows what it is to have nothing of your own and that's why he gives Gabriel his angel mug. He's literally writing Jim's name on everything that Jim owns because he knows that while it's not about material objects, Gabriel doesn't have anything of his own. It's about choice-- down here on Earth, Gabriel can choose to call himself something different. He can have a more peaceful and satisfying job and books to read and a favorite drink and a mug of his own and friends to talk to. He can try the hot chocolate and the tiny dinners if he wants without anyone judging him or trying to kill him for it. He can be free to be his own person on Earth.

Consider the contrasting shots of Gabriel in 1.04, shown staring out the window of his prison walls at the Earth he was supposed to destroy... and Jim waking up on Earth, in cozy pajamas, to look out the window of the bookshop while making himself a warm, morning drink in his own mug.

Kind of makes you want to hug him, doesn't it?

Back in 1.04, though? The scene in Gabriel's office showed us what he's up against Up there and just how isolated he is at that time. Michael is the one angel you'd think he'd be able to trust, as they've been through it together for thousands of years, but we see very clearly why Gabriel does not trust them.

Michael is a hypocrite. They talk to the demons unofficially and Gabriel has been protecting them for it from The Metatron. Yet, at the first opportunity, Michael throws Aziraphale under the bus by reporting him for doing the very same thing they are. After S2, we see that this is also a swipe at Gabriel himself-- Michael knows that Gabriel knows about Crowley and Aziraphale and has never done anything about it, even though he "should" by the rules of Heaven. This isn't just Michael selling out Aziraphale-- it's Michael taking a shot at Gabriel himself. It's a reminder that there's always someone who seeks favor with The Metatron watching and Gabriel is completely trapped-- more so, even, than Crowley & Aziraphale.

He doesn't have any choice but to tell Michael that they can pursue it but he's gloriously bitchy about all of it. He doesn't so much as blink in telling Michael that he's sure there's "a perfectly innocent explanation"-- meaning: sure, go ahead, take a shot, but I am in charge and I will continue to be doing fuck all about Aziraphale boffing Bildad the Shuite, Michael.

He also is sly as all hell when he reminds them that "there are no back channels"-- by 'back channels', you mean you're calling your demon boyfriend, have I got that right, Michael? The one I happily pretend you don't have? God, you're awful...

Michael wants Gabriel's job and the brownie points with The Metatron so they're pursuing Aziraphale to show that they're willing to go after subversive angels and they're threatening Gabriel with exposing that he's known for ages about Aziraphale and did nothing-- which makes him an accessory to it. Gabriel has no other choice but to tell Michael to keep pursuing it but it's an example of how the wolves are always circling for Gabriel and how trapped he really is. His only defense is his you're going to regret fucking with me attitude.

As Michael leaves, the scene ends on Gabriel picking up one of the pictures of Crowley and Aziraphale. He's drawn to the one of them sitting together where?

Where Gabriel himself just was.

In the park.

What would it be like to live like they do? he seems to be wondering, for probably the millionth time. How much longer am I going to be able to keep them alive? Am I going to go down with them?

Nah. It's their turn now, Gabriel...

[dramadramallama]

not really analyzing much, just making a few notes of the things that stood out to me in the first 4 eps of light shop. i haven't read the webtoon so it's more like i'm blindly pointing at things like a child hahaha

NAMES

All (?) the names called out when the teacher does attendance in the first episode have a (direct) translation (to something positive.) I noticed because 1. some of them are really unusual, and 2. they ALL are words, like no one's just named Ji-soo or something in this class lol:

Ip-sae (입새) - entrance/beginning

Nu-ri (누리) - (old fashioned) world/universe

Ha-neul (하늘) - sky/heaven

Gi-ppeum (기쁨) - joy

Eu-tteum (으뜸) - fundamental/basic (possibly: "the first")

Ga-eul (가을) - fall/autumn

Chuk-bok (축복) - wishing happiness/blessed

Bo-bae (보배) - treasure/priceless

Mi-rae (미래) - future

Do-dam (도담) - (possibly from 도담하다) be bold/stand out/accomplished (?)

Haet-sal (햇살) - sunlight

Now you're gonna say, well Hyun-ju (who keeps going to the light shop as an errand for her mom) is also in that class! She's seemingly the only one with a "normal" sounding name. Out of curiosity I did search hers, and interestingly, I found a few meanings too: 1. address of residence, 2. water used in ancestral rites (!) 3. stay in the present, live life (!!)

Side note: Haet-sal is also the name of the Detective's (unborn?) child. He chooses the name himself out of the ones his wife wrote down. It could be a coincidence, except most of the first names she pre-selected are the exact names of the students in that class.

I can't read all of them, but there are a few I recognize: Gi-ppeum, Ha-neul, Chuk-bok, Eu-tteum, Bo-bae... (there's also Sa-rang "love", or Haeng-bok "happiness" in the list)

HYUN-JU AND HER MOM

We're not shown Hyun-ju unconscious in the hospital, like all the other main players who are trying/failing to find a way out (the will to live/the will to move on)... But she clearly also is at the threshold between life and death. Maybe she is living, but able to unknowingly go between worlds?

The light shop seems to be the doorway to "home" or maybe "heaven" (as evidenced by Mr Twisty Legs, who keeps trying to "reach" the shop, and when he does get there, he doesn't cross the threshold and loops back to his solitary karaoke session in the dark rainy alleyway.

Dead or alive, Hyun-ju is basically invisible. She hangs out with her friends but she is not interacted with. It's really fun, if you go back and watch the scenes, no one directly talks to her, looks at her, or touches her. When she speaks, she's not acknowledged by the three friends. It's really clever: something's off, but it can be attributed to the girls being chaotic, not purposefully ignoring her. Eu-tteum is the only one who, barely awake, at the frontier between dream and reality, finally "sees" her. It's directly after that event that she sees the other ghost/spirit, whose body is missing (and whom the Detective is still looking for)

Hyun-ju's mom is revealed to be the body being embalmed. Her spirit (soul?) has a conversation with the Funeral Director and when she asks, "am I alone?" she surprisingly sounds relieved when he replies that she is. Is she relieved her daughter is not with her (meaning not dead yet?) She also cries and is worried about being left in the dark, which parallels painfully with the fact that she keeps seeking light, apparently asking her daughter to get her light bulbs over and over. The Funeral Director reassures her that she'll go to a place where it's very bright (=the Light Shop being very allegorical here)

Hyun-ju and her mom also live on the 8th floor of that apartment building, while the Intensive Care Unit is also on the 8th floor at the hospital. Bus Stop Guy also lives on the 8th floor of Hyun-ju's apartment building.

BUT... maybe Hyun-ju is the one keeping her mom from passing on, stubbornly buying her light bulbs that bring no light, and inevitably end up in the trash. Or is she helping...? Has she been dead ever since she was little (she still has that necklace she had as a kid, with her info on it in case she gets lost) and has been waiting for her mom all this time? The Shop Keeper even emphasizes that he sees her as a small child, unwrapping the candy for her.

When offered, Hyun-ju always picks the yellow (=light/sun) candies. The whole show feels like a giant allegory about Light and Dark, Life and Death.

SYMBOLISM/FOLKLORE

I don't know much, but I do remember that a common horror trope in Asian legends/stories is that ghosts can be recognized because they "clap with the back of their hands". I immediately thought of that when they show the Lady in White's weird hands (the inside of her hands is actually the back of it. The nails are all wrong, I FLINCHED) She's strangely interested in whether people are "alone" or "together", and who "knows" each other. She also needs to be invited inside explicitly to step into Bus Stop Guy's house, like creatures in a lot of folk tales.

The Shop Keeper never welcomes his customers inside... but greets them by asking a question: "how did you get there/what brings you here/how can I help?" The lights in his shop are not to be touched.

The Detective has a defective lamp on his desk, and cannot seem to light up his lighter anymore. He also sees people/things he shouldn't. The Nurse says "if you see people who are on the border of life and death, doesn't that mean you are too?" which obviously, he is now, since we see him in a hospital bed in the ICU. Maybe his wife and child are waiting for him to wake up...?

Lots of imagery with mirrors, which are common symbols for doorways, a limit between two worlds.

I know it's not, but New Tenant's outfit is also very reminiscent of a hospital gown (first image). When she settles in the new house, she puts away her shoes and does not seem to notice the bright red heels (the same ones the Very Tall Extremely Scary Woman wears, indicating she is inside the house with her).

The song my guy Mr Twisted Legs sings (badly) to give himself courage is the same one the Nurse makes her patients listen to (and the same one she was listening to when she was in a coma herself, "wandering aimlessly," "almost giving up" before she found her way back to the living). The characters on life support can all interact with each other in the alleyway, but are also completely isolated from each other: New Tenant does not hear Twisted Legs' cries over her own, and vice versa, even when they cry out for the same thing, "to get out of there."

They all share the same space in the ICU, but are locked in their own world. Do their collective consciousness populate that "other" world, mixing up elements of their life and memories?

Clearly, the theme of the deceased, unable pass on peacefully, who remain behind (due to something unresolved?) is prevalent. Does it create--not ghosts exactly--but an energy, an entity embodying the "regret," the "mourning [of] something they lost"?

Now, what I find interesting is: what does "I want to leave, I want to go home" mean for each of them? To peacefully pass on, accept death, move on, and forget? Or does it mean to fight, to find the will to live, thanks to those who wish us well? Is the Light (shop) the way back to life, or the way to the after-life? Or both?

[thebestofoneshots]

Gilded Constellations | (wolfstar x reader)

Series Masterlist | Previous episode

Pairing: Wolfstar x Reader Word Count: 8.2 K Warnings: None Prompt: It's a snow day! This IS a Wolfstar x reader fic, but it's incredibly slow burn. They won't start all dating each other until we're very deep into the story, but I promise the long wait will be worth it. Proofread by lovely: @aremuslupinsimp

THIS CHAPTER CAN ALSO BE READ AS A ONESHOT

Chapter 35: Chill of Desire

Tuesday, December, 14th, 1976

“It’s snowing!” you heard Mary squeal, her excited tone waking you up instantly, and causing you to smile as you looked through the window. Mary had propped the window open and extended her hand as she stared outside.

It wasn’t only snowing then, in fact, it had been snowing all night, all the towers, the fields and the valley were covered by a thick layer of snow. The trees stood tall, their branches delicately coated, creating a magical-looking scene, more magical than Hogwarts already was, anyway. 

You had the view of the forest from your window, and you could see the Whomping Willow shaking off the layers of snow that had fallen over him at night, which made you smile, the memory of the devious night having been replaced by so many cuddles with the boys that the looking at the Willow was not as stressful as it had been at some point, you didn’t think of how Remus had gotten hurt by it, but rather you thought of how you had kissed Sirius under it. And how you might be going to meet Moony later that month, as Vixen this time around. 

The courtyards and pathways were like winding paths through a snowy maze, and the usually bustling grounds were hushed under the soft blanket of snow, you could see a few students outside enjoying the white fields –especially the younger ones– you still had hours before you had to get to class, you realised when you eyed the small cuckoo clock your mom had given you at the beginning of the year.  It wasn’t even time for you to go on your morning flight yet, but you thought perhaps it would be a good idea to skip flying in favour of playing in the snow, even if it was just for a day, you were sure you’d be able to convince James if you managed to recruit Remus and Sirius first. 

The world outside seemed to have taken a pause, wrapped in the serene beauty of winter, with barely a few students playing in the snow and trying to get from one spot of the castle to the other without making much noise. Of course, that wouldn’t last long, not as long as you could help it. You stood up and changed into something warm, putting on Remus’ sweater. You had taken the habit of wearing a lot more often since you wanted to test a theory that had cemented itself in your brain since the day of the Slytherin sweater incident. 

Once you were ready you turned to the girls “Come outside in like…” You pondered for a second, 5 minutes to wake up Sirius, another 5 for the two of you to convince Remus to join your shenanigans. Like 10 minutes to convince Prongs and about 4 for them all to get ready. Peter would be coming the minute you convinced Potter, so you didn’t worry much about that, “30 minutes,” you said, adding a few minutes to spare  “It’ll be fun.” 

“How fun?” Lily asked, a look of worry on her face that made you laugh. 

“It’s a snow day Lils, it’ll be brilliant, I promise!” you said with a smile plastered on your face as you put on a pair of boots and disappeared from their sight. Returning just a second later to take the invisibility cloak you had borrowed from James the previous night. You had it on a ball, and neither of the girls asked about it since they had assumed it was just a blanket you borrowed from Sirius or something. The minute you stepped out, you turned over a corner and put it on, walking straight towards the boy’s dormitories. 

Once outside their door you took a deep breath and leaned your ear close to the door, just wanting to make sure they were all still asleep. Which, as you predicted, they had been. You smiled and used your wand to open their door with a tweak on the classic “alohomora” that Remus has taught you. 

They had charmed their door, obviously, they had, but Remus –who often left his keys since he rushed in the mornings– had found a way around their own charm and taught it to you since you had been sneaking in to cuddle him and Padfoot, as Vixen of course. It hadn’t been every day, but you had all agreed that you’d have to do it a lot more often closer to the moon, to make sure the smell of the pack was well rubbed. 

You thought you already smelled like them enough, but neither of them seemed convinced. Or rather, neither of them wanted to stop cuddling each other, and you didn’t either. Padfoot was fluffy and Remus was always warm, which was especially nice on colder nights, the kind that were already much more common because of the time of the year you were in. And, sometimes, rather often, Sirius would turn back into himself and cuddle both you and Remus, only to turn back into Pads in the morning. If either Pete or James knew, they didn’t say a thing. Remus had always been asleep, or at least pretended, so neither you nor Sirius noticed, and you, who would lay half a top of Remus half a top of Sirius who had now learned exactly how to pet you, weren’t about to complain either. 

Once inside you looked at the boys and opened one of the windows with a swish of your wand, bringing a small blizzard inside the room and leaning in over Sirius’ bed, letting the snow fall slowly over his delicate features. He had his mouth slightly parted, and his hair sprawled all around him. He was the loveliest thing to look at; he looked like a princess, like Snow White, you thought, especially when a small snowflake got stuck on his thick black lashes. No wonder Prince Charming wanted to kiss the girl awake. You too felt tempted to kiss him.

“Sirius,” you whispered. 

He groaned, and you whispered his name again, giving in and giving him the kiss you wanted, a quick peck over one of his eyes, feeling how the snowflake over his lash melted away with the warmth of your mouth. He opened his eyes and looked at you, and then around, there was snow all over, coating you, himself and his bed as you leaned over him with a sneaky little smile on your face. The smile that oh so clearly stated, you were up to something. 

You were looking at him in such a way that he forced himself to clear his throat, trying to think of anything other than his morning discomfort. On days like this, he would get a shower and release himself of those thoughts, and something else. But clearly, that wasn’t an option at that particular moment, let alone with you leaning on top of him like that. You licked your lips and he almost cursed. 

“Sirius,” you said again “It’s snowing!” 

“I can tell Starshine,” he said as he picked a small snowflake that had gotten stuck in your hair, watching it dissolve in his fingers before he turned back to you. Well done, Sirius, she hasn’t noticed, he applauded for himself. 

You smiled and leaned in closer to him, his breath hitched in his throat, you had no fucking idea what you were doing to him. You leaned enough to whisper in his ear. “Help me convince Prongs to play in the snow instead of practice.” 

He almost frowned, turning to get a better look at you. “You’ve never had a snow day?” 

“I’ve had…” you said, “but never with you.” 

He sighed at your words but turned to you with a warm smile. “Fine, let’s go,” He said as he sat on the bed, still thinking of ways to get rid of his problem, his covers falling discreetly over it. If only there was a spell for that. 

“No, first we must convince Remus.” 

“Remus, why?” 

“If Remus is in, there’s no way Prongs will  say no, even if we’re skipping practice.” 

Sirius seemed to be processing what you said but nodded. “Go ahead, I’ll go change,” he said, motioning for you to move as he leaned over to find his shirt “bet he’ll like it if you wake him up with snow too,” he said with a devious smile and you rolled your eyes, giving him a soft peck in the mouth before walking over to Remus, bringing the small blizzard along with you. 

Had it been a few weeks ago, you might have been hesitant to do exactly what you were about to do, but you had climbed onto Remus’ bed so often in the past few days, either for cuddling as Vixen or just for chilling, that it was almost more natural than it was to climb onto your own. It was like climbing onto Sirius’ bed even, although, lately the two of you spend a lot more time on Remus’ bed than his own, because of the scent thing.

You leaned over and watched the small snowflakes fall over Remus’ face, he looked just as handsome as Sirius had. Or perhaps, the way to describe Sirius correctly would be ethereal, Remus was handsome. 

“Hey Rem,” you said softly, placing his hand over his shoulder. This time around, you decided to be softer, and more careful, not forgetting that one time he had pinned you on his bed. He stirred, brows furrowed lightly and nose almost imperceptibly scrunched up. 

“Sirius?”  he asked, not opening his eyes, you smelled like Sirius, and you and him. Your scents had been so mixed at this point, he just assumed it was Sirius since it would make more sense for it to be him, especially to be bothering him so early in the morning, not that he minded, not as long as it was him.

“Try again,” you said with a smile. 

Remus hummed content, “Little Witch.” 

You eyed him cautiously, his eyes were still closed and you leaned a little closer, shaking his shoulder lightly. Then he all but grabbed you by the waist and pushed you to him, Remus was still way too asleep to process what he was doing, and you fell over his torso as he tightened his grip. When Sirius walked out of the bathroom he spotted the two of you and thought it was the most adorable thing he’d seen, even if you had a small frown as you tried to fight your way out of the werewolf’s grip. But Remus was way too fucking strong. 

You huffed and turned to Sirius “Mind a little help?” you mouthed, he smirked in response. In seconds he turned into Padfoot and walked over to the two of you, leaning his head into yours for a second before jumping so his paws were on the bed and then, he leaned over and started licking Remus’ face. 

You barely managed to see Remus scrunch his face before he opened his eyes, looking rather startled. First, there was snow; second, Sirius had woken him by licking his fucking face; and third, you were laying horizontally across his torso, your head tilting slightly to the side with a rather amused expression, and he was holding you there. 

“What the fuck?” 

“You’re very grabby in the mornings,” Sirius said, now back in his human form and staring at Remus with his face laid over his crossed arms, which were leaning on the same spot Padfoot’s paws had been on, smile plastered on his lips.

 Fucking hell he looks adorable, Remus thought. 

And so did you, calmly lying there as you waited for him to loosen his grip. You didn’t mind waiting all that much either, Remus was comfortable. And then Sirius turned to you, placing one of his hands over your hair and letting it gently slide out, causing your head to turn towards the two of them in his action “Look at the poor thing, waiting there patiently for you to let her go Moony.”

You frowned, condescending. You were about to argue, but there was something about the way both boys looked at you that also made you want to shut up, as if you didn’t want to break whatever spell had been cast over the three. And it wasn’t the first time either. You blinked a couple of times. “Poor thing my ass,” you managed to say to Sirius, even if you let him play with your hair still. 

Remus almost reached to do the same, his hand twitched, but you didn’t notice, you had closed your eyes as Sirius continued to play with your hair. Looking rather content in the position. A small spark of rage came to Remus and he tightened his grip around you, only for a second until he realised that he was way out of line and let you go. You didn’t move, just enjoyed Sirius’ hand for a few more seconds and Remus wished he could be the one to make you feel like that. Eventually, you took a deep breath and opened your eyes again, biting your lip as you looked at Remus “It’s snowing.” 

He looked around and raised his eyebrows at you, his face clearly stating “no shit Sherlock”. 

“Starshine here wants to go play out there in the snow with us,” Sirius said. 

You were about to swat him for being so haughty with you, but you realised by the way the corner in his mouth lifted forward, he was just doing it to piss you off. You didn’t even realise the way Remus had gulped with how intensely you were glaring at Sirius. 

“Or we could just stay and cuddle,” you said with a sneaky little smile, you knew Sirius was already eager to go out there and play with the snow. Two people could play his little game. But both boys liked the idea just as much as the prospect of going out in the snow with you. 

“Let’s go,” Remus said as he patted you on the leg casually, a signal for you to get off him. If Sirius noticed his gesture, he didn’t seem to care much that he had done it, and you didn’t seem to notice either. It was almost as if the three of you had special concessions with each other that wouldn’t be allowed to many others. For example, Sirius would surely be pissed if you had been cuddling Tom, or even Peter, but with Remus, he didn’t seem to mind, heck he even encouraged it sometimes. Not that any of the three noticed these little things, but some people did. 

“Get changed,” You told Rem with a bit of a smile, “We’ll go wake James.” 

Remus nodded and both you and Sirius stood up. You walked over to James’ bed, and Sirius was about to jump over him to wake him up with a thud, but you stopped him, bringing in your small blizzard over his friend. Sirius smiled and took his wand out, making more snow come inside, and having relatively strong –and cold– winds blow over Prongs. 

Neither of you was being half as gentle as you had been with Remus, was it because you knew Moony’s short temper or… something else? Perhaps it was part of those special concessions you allowed one another. 

James started to shiver, pulling his covers higher up only for Sirius to slide them down again with a swish of your wand. Only then did you realise Prongs had been shirtless under the covers. You gasped silently at the sight, covering your mouth and staring. Prongs was fucking ripped, not as much as Remus but certainly ripped. You did not remember him being so fit back when you had been him.

Sirius nudged you with his shoulder when he noticed you were staring “Stop ogling him, will you?” he said slightly annoyed, he tried to hide it, and it slipped pass you. 

You shook your head, still amazed. “Do you have a camera? Lily should know.” 

Ah… so that’s why she’s staring at Prongs, fair enough, Sirius thought. He stared too, also thinking that while Prongs was ripped, Remus was much better. The snow became thicker around Prongs as Sirius’ thoughts focused on his other friend, the wind became even stronger, blowing on James’ hair, and making it even messier than usual. You were about to tell Sirius to hold back a little when James woke up, sitting on his bed fast and in panic. 

“Wakey-wakey Rudolf!” You said with a smile. 

Remus, who was just stepping out of the bedroom, looked at the two of you, wicked smiles on your faces while James stared, almost horrified, and he smiled. His two naughty little crushes. He wondered if you’d reach in to cuddle him and Sirius tonight, he wanted you to do it, he wanted you to do it really bad. 

“What in the bIoody–“ 

You were about to speak, but Sirius stole your line “It’s snowing!” 

“It’s freezing, that's what is!” he said as he pulled the covers, but you took them from him and dangled them in the air. 

“No-uh Prongs, it’s time to get up!” He gave you a reproachful look, “Come on! It’s a snow day, we must play in the snow a little before it melts away… and class starts.” 

The blizzard you and Sirius had caused was already dissipating, leaving the beds of the boys, and their floor, just a little slippery. But James peered to the window. “I highly doubt the snow’s gonna melt away anytime soon, luv… Besides, what about flying?” 

“No flying today mate,” Remus intervened from behind the two, gently placing his hands on both yours and Sirius’ shoulders, “It’s snow day, and the first one of the season.” 

“But…” 

You sighed. “Lily will be there,” you added. 

James’ eyes pretty much beamed after you said that and he ran up to his trunk, throwing a pillow towards Peter’s bed who woke up completely confused, “Why am I being attacked?” he asked with a frown. 

“It’s a snow day Pete, we’re all coming out to play!” You said excitedly, Peter blinked as if wondering why the hell you were in his room before remembering you had been over more often than not lately, and because of his idea, that is.

“Morning Vix,” he said politely. “Fancy seeing you here,” he added as a joke.

“Oh.. piss off and change before you start teasing us all over again,” Sirius responded.

And he had been teasing you rather often. Since you started cuddling Remus together, he wouldn’t stop with the canine jokes. Either Puppy cuddles, lovable howlers, or whatever the hell came into his mind at that moment. He found it hilarious that the three of you were so close and that the three of you were a variant of the canine family. Something about being meant to be or whatever. 

Peter just snickered and walked into the bathroom with clothes in hand, James didn’t even care, he straight up turned around and took off his pants right there in front of you, which had Sirius pull you to look at him and Remus cover your eyes with his hands. You laughed at their silly reactions. “Yo, Rem, when I said I would let you blindfold me, I didn’t think you’d actually go through with it.” 

“Sly little fox, promising things without meaning them, are we?” He teased. 

You laughed again, letting your head shake. Remus was eyeing Sirius then, and Sirius returned the stare, the two of them stayed like that, almost frozen as they looked at each other, your laughter almost fading into the background as Sirius turned his gaze towards Remus’ diverted smile. Remus has a pretty smile, pretty like Starshine’s, he thought. 

“Is he done?” You asked, pulling on Moony’s hand to try and see a little bit better. That broke their trance and the two of them turned back to look at you, Sirius’ eyes flickering to your lips for a second, thinking he might actually be going insane. 

“Yeah, I’m done,” James said as he leaned over and placed an arm around your shoulders. “Why are we hogging Vixen?” 

“She came to wake us up with a fucking snowfall, now she must suffer,” Remus said as if it were the most natural thing. You nudged him lightly, about to say something when Peter stepped out, several layers of sweaters over him. 

You smiled “You get cold easy, Wormy?” 

“He’s got no tolerance,” James said, “and he always forgets the warming spell.”

“I could help you with it,” you offered.

“Thanks,” he said with a genuine smile, “but I’ve come prepared,” he added as he pulled a small piece of parchment from the pocket of his coat, showing it off in between his index and ring finger. “Annie gave it to me and charmed it so I wouldn’t lose it,” he explained, “It always reappears in my pockets now.” 

“What? That’s brilliant!” you said reaching for the parchment and taking it from Peter’s hand for a second, looking at the symbols in the back. Remus approached you from behind to take a look.

 “It’s complicated magic,” he said. 

“It looks like an altered version of Homunculus,” Sirius said, he too had approached you and stared at the back of the small paper. 

“Mixed with a clinging spell and a respawn one,” you added perplexed, “It’s incredible…” you said breathily, disbelief lacing your tone.

“Indeed.” Peter proudly raised his head. “Annie is insanely clever.” 

You smiled and gave the paper back to him, before frowning and turning to the boys. “Do you guys think the Homunculus charm could help with the map?” you asked with a frown. 

Remus bit his lip as he thought about it and then turned to you, “Vixen, that’s it! If we take the homunculus cham and somehow connect it to Hogwarts Magic–” 

“And then bind it to the core of the map then… we could have absolutely every single student, teacher and visitor to the castle tagged at once!” 

Remus nodded, “No more sneaking charms in their robes and backpacks! Fucking hell, we’ve cracked it!” 

You and Remus were staring at each other with such sheer excitement over it, so hyped up that the boy almost reached out to kiss you, managing to stop, and clenched his fist by his side. 

“Nerds,” Peter teased, dragging out the e slightly. 

“But hot ones,” Sirius added inadvertently, giving a small shrug as he did.

Remus turned to Sirius with a frown, but you just placed your hand over one of his shoulders and nodded. “Indeed we are,” you said and sent a wink his way. You then spun on your heel back to the rest of the marauders “Shall we? The girls must be waiting for us by now,” you said, standing on your toes to look over Sirius’ shoulders, at the clock. 

 A few seconds later, and due to James’ idea, you were all running down the stairs and through the halls, in an attempt to get to the orchards as fast as possible. 

“Do not run in the halls!” you heard a couple of scandalised paintings scream, and you just giggled as Sirius threw a silencing spell their way. The portraits looking at him enraged as you all kept running. By the time you reached the doors to the grounds, you were all panting, cheeks burning and grinning like fools.

You were bent down trying to catch your breath when you felt a snowball that came from the outside straight to your face. The boys gasped and started laughing as you dusted off the remnants of snow and looked up and tried to spot where it had come from. You continued to scan the field, only to find Lily Evans, smiling and waving at you with the most guilty expression you had ever seen in a person. 

Now it was your turn to gasp. “That’s what you get for waking us all up early,” She shouted from a few metres in the distance. 

“Mary woke us up!” You argued, “I only made arrangements.” 

“No, no,” James said, a wicked smile on his face. “You did wake us up early,” he added as he pointed at all the marauders. “And with a fucking blizzard,” the boy was already walking towards the redhead, “I say it’s time for payback.” 

You were about to say something when you received another snowball in the face, you looked at the boy with an expression of absolute betrayal as the leftover snow fell over your coat. “James Potter you little shit!” you said. He gave you a daring look in return. And you scoffed amused. Then you leaned down and made a small ball, packing the snow gently before throwing it his way. James easily veered out of the way, which you should have expected, since he was so used to dodging bludgers. 

“That all you got? You’d make a terrible beater, luv!” he teased, taking the ball Lily gave him and launching it your way, this time around you managed to dodge, but the ball fell right on the side of Sirius’ head. 

“Prongs, my hair!” he whined. Both you and Remus snickered, the taller boy was now the one passing you a snowball, allowing his hand to linger just for a second too long, as he did, not that anyone noticed, Sirius was too busy taking snow out of his hair and Peter had run off somewhere earlier. You smiled and brought the ball up to your face.

Using what you learned from charms to perform a small, wandless spell, over the projectile, you smiled wickedly and threw it his way again. James dodged to the side but the snowball turned with him and landed square on his face. You laughed as James looked at you with absolute shock, trying to remember if you had –at any point– taken your wand out. When he realised you hadn’t, he was half impressed, and just as he was pushing his glasses back on his face, he received another ball on the side of his head, his hair getting filled with snow as he gasped. 

Sirius –who had thrown the ball– was waving at him with a smile. Until seconds later he too received a snowball on his face, a laugh from Marlene as she nudged Mary echoed in the distance. 

Remus was about to pass you another snowball when he too got hit, square on his chest –the lucky bastard– by none other than Beth Doxon. She smiled, her bright red hair being covered by a warm Gryffindor cap. “Come on Professor Lupin! Stop passing balls and start throwing them!” she taunted, Remus took the ball in his hands and threw it her way. 

“Kind of fits you,” you said with a smile as you leaned down for another ball and moved it to your mouth to charm it again, “Professor Lupin, it’s got a ring to it.” 

“I much prefer the sound of Professor Moony,” Sirius teased from behind, “encapsulates his personality better.”

“Sod off, Pads!” Remus said, also crouching down to get more snowballs, when he stood up, and another ball came your way, you quickly moved behind him. He turned to you in disbelief. “What am I? Your human shield?” he asked, just as a snowball fell on the side of his face. 

“And an effective one, isn’t he Kit?” 

“Very,” you responded with a light giggle. “It’s about his broad shoulders,” you said as you placed both hands on them, Remus tensed, looking at Sirius, thinking he might be angry, or jealous, or something. But neither of those things happened, instead, he joined your praising. 

“And he’s tall too,” Sirius added, walking right behind you, and placing his hands over your shoulders, really close to your neck, in fact, close enough so his cold fingers crashed against your warm skin, which caused you to hiss and step away from him, crashing onto Remus. 

“Shit Sirius!” You complained as you attempted to tighten the scarf around your neck “You’re cold as fuck.” 

“But you warm my heart baby,” he teased, an overly gooey tone in his voice as he extended his hands towards you again, you knew exactly what he was about to do and you scurried out of his grasp and ran towards the snow, even if you got a few snowballs thrown your way as you tried to cross the field. You found a statue and with a quick confringo, melted the snow at the top to make a dent and take cover.

You quickly made a ball from the snow at your side and threw it on Sirius’ hair, leaning your head just enough time for him to notice it had been you. He eyed you, diverted and then you felt a snowball hit the back of your head, you turned around just enough to find Remus with another snowball in his hand.  

“Scoot over, will you?” He said as he leaned down, as if ready to enter your improvised trench. 

“No, you threw a snowball in my head,” you responded, feigning annoyance. 

Remus chuckled and placed one of his legs inside your trench either way, “And you used me as your shield, we’re even.” 

You shook your head in amusement but scooted over either way. Remus swished his wand and suddenly a pile of snowballs appeared behind you. You smiled and took your own wand out, whispering the same locating spell over all of them. Remus raised his eyebrow at you as if he was impressed, and you shot him a wink as you took a ball and leaned over to throw it towards Lily, meanwhile, Remus was throwing some Beth’s way. 

“You’ve abandoned me for a sexy werewolf I see,” Sirius whispered in your ear, he had apparated just behind the two of you. He had been practising since your last class when Professor Dumbledore allowed you all to try doing it for the first time by yourselves, and he was insufferably good at it. 

“The werewolf doesn’t want to bury his freezing cold hands on my neck,” you said –if only you knew where he wanted to bury them– without even turning to look at your boyfriend, if you had, you’d probably go soft at the sight of his eyes. He often got what he wanted from you with just a look, and he fucking knew it all too well. Not that you didn’t have the same effect on him, hence, you two were absolutely chaotic together. 

Your small trench was barely enough for the three of you to fit in together, and it’s not that either of you was a stranger to touching each other, but Remus was feeling the heat rise up to his cheeks as your shoulders brushed against his, but much more worse when his back brushed against Sirius’ smaller chest. It was like the Halloween party all over again, but this time Remus didn’t want to run away. 

Well, perhaps a part of him did, but the rest of him, the part that had thoroughly enjoyed cuddling Vixen and Padfoot, wanted to do the exact same to you and Sirius. He wanted the two of you to be his, to slather you with his scent so much that the entire world knew who you belonged to. 

Of course, that was ridiculous, Remus knew, but he was hungry, Moony was hungry, the problem is he didn’t want food, he wanted his two best friends. 

A nudge in his stomach pulled him out of his thoughts. “Mind teaching me how to make so many balls at once Professor Lupin?” 

“It’s Professor Moony,” Sirius insisted, he had to duck as a ball flew towards his head in that instant. 

You rolled your eyes “Rem?” 

He was still a little shaken by the thought, almost hazy with how thrilled being so close to the two of you made him feel. “Yeah sure, just… whisper pila nix,” he said as he showed you what he did. “It’s a simple swish and curl.” 

You did as told and in seconds there was another pile of snowballs ready for you to use. Sirius looked at Remus surprised. “You’re a great teacher mate,” he said, “should try helping her with transfiguration.” 

You groaned at that “You know I’m a lost cause,” you said as you ducked, the small ball falling straight on Sirius’ face. He tugged your hair lightly “Oi, what was that for?” you complained, turning to look up at him.

“So you warn me next time.” 

You looked at him amused, and grabbed some snow from the side of your trench, “Hey Puppy, there’s a snowball coming your way,” he looked around, as if trying to find the offender, only to receive one right from where you were crouching. 

He turned to look back at you shocked and smiled as he shook his head, “Oh you little Minx!” he said as he bit his lip, “I was letting you go scot-free earlier.” 

“Not my fault you didn’t see the ball,” you said, unconsciously etching closer to Remus. 

“Aww darling…” Sirius said as he crouched next to you, and pulled you into a hug. 

“Sirius, what– what are you, fuck…” you said springing up from the spot you were on, his hand –his freezing cold hand– that he had slipped under both your shirt and sweater had landed on your bare back. You stood behind Remus again, using him to shield yourself from Sirius. “Treason!” you said dramatically. 

“You don’t want another hug from your boyfriend?” he asked with a playful pout. 

You shook your head, still feeling the cold of his hand. If the snow fight was still going, neither of you was paying too much attention to it. Let alone Remus, who was really struggling not to let the feeling of you pressed against his back get the best of him. Only made worse by the way Sirius’ wrapped his arms around him and pressed himself to the boy as he tried to reach you either way.

Do they not fucking know about personal space?, he thought. But of course, you didn’t, not when the two of you had been cuddling him every other night. Needless to say, it was different for him, he was just cuddling two fluffy animals when he fell asleep –except in those rare occasions Sirius would turn back– meanwhile, both you and Sirius were just cuddling good old Remus. This wasn’t any closer to him than you’d been already. 

Remus didn’t speak, he was holding his breath. Sirius kept fucking pressing against him and you kept squirming behind his back. The golden specks of his eyes were so golden they looked like a different colour altogether, more like Moony’s than his own. The chocolaty brown shifting into dangerous and shimmering aureate. 

“Moony! Moony help!” you called out in between laughs.

“Don’t you dare, Moons!” Sirius warned. 

Sirius pressed harder as you tried to squirm away and it was enough for him to feel bIood run south. He had to stop this before either of you noticed what was happening to him, so he turned around and grabbed both of your shoulders, digging his hands in between your necks and the back of your heads, enough force to get your attention, but not enough to hurt either of the two. 

Sirius seemed to be shocked at how much warmer Remus’ hands were in comparison to his, to yours. You were not, you knew Remus tended to run on the warmer side. Hence, cuddling him on cold nights was so useful. “Enough,” he said, flashing his golden eyes at the two of you, the colour slowly sinking back into brown as the two of you looked at him as if his eyes had been those of a basilisk instead of his own, frozen. 

And then, you eyed Sirius, a small smirk playing on the corner of your lips as you sank your hands back in the snow. He smirked in return, sinking his hands as well. By the time Remus noticed your intentions, your hands –icy and freezing– were on his neck and Sirius had slid his hand under Remus’ shirt. 

Merlin knew who had been more startled after that. You, who had tumbled as you pulled on Remus and had him fall on top of you. Remus who had been shocked at the way Sirius had gone straight for his stomach –which in truth, had been a lot more shocking than the cold– and had his breath hitch in his throat. Or Sirius Black, who was only now contemplating his actions, realizing how awkward it must have been for his friend, and having a mini panic attack over the fact that digging his hands under Remus’ sweater felt as fucking thrilling as it did. 

Remus was a lot less soft and a lot more firm than you were. And he adored your softness, but fuck, Remus’ harder frame felt impious under his hands. It felt lurid, licentious, beguiling… and it placed some rather salacious thoughts in his head. 

Thoughts that… would be worthy of a muggle rock star. Of Freddie and Bowie, and perhaps even Elton. But Sirius was not– he wasn’t because if he had been… he’d know, right?

As you still had Remus pulled by the neck, you received yet another ball on the head, the leftover even splashing onto Remus whose head was so close to you that you could smell his hair, and then, you started laughing. So hard that you weren’t even feeling the cold against your back, the snow slowly sinking in your robes and soaking them. 

Sirius was the next one to laugh, taking his hands off of Remus’ stomach and letting himself fall next to the two of you as he continued to cackle. And lastly, Remus joined, you still hadn’t let go of his neck, almost using it as a personal heater at that point, he didn’t seem to mind, and eventually he just sort of relaxed into you, if you felt the shift in weight as he let go, you didn’t seem to mind at all either. 

“Well, well, well, would you look at the love puppies all cosied up while we continue the snowball fight.” 

Sirius grabbed a snowball from the side and threw it his way without even looking, and since they all had the missile spell it landed straight onto Peter’s face. “Shut it Wormtail,” he said, borderline rudely. 

While Sirius had never minded being called “Love Puppy” or whatever other joke Peter came up with, that was before he started doubting himself about whatever the hell was happening to him whenever he spotted Remus. Especially after exactly what he was feeling after he placed his hands under the other boy’s shirt, especially because it had been so fucking similar to the feeling he got when he did it to you. 

“We’re off for breakfast. You are not planning to stay all tangled in your little love trench, are you?” Peter asked again, whipping his face off the snow and paying no mind to Sirius and how rude he’d been. 

“We might be,” you joked, your hands had unconsciously travelled to Remus’ head after he laid down and you were now toying with his hair. He had silky hair, a little thicker in comparison to Sirius’ curls. Remus hummed in agreement, closing his eyes as he enjoyed the way your hands felt on his scalp. If Sirius thought it was weird, it had been his fault he ended up on top of you anyway. A part of him was telling him how bad of an argument that was, but it was easy enough to ignore it when Sirius didn’t seem to mind, and your hands felt heavenly. 

“Suit yourselves, I heard there was going to be an assortment of Christmas pies today,” he said with a shrug. 

Your head snapped his way. “Christmas pies, you said?” you asked, eyes shining and mouth watering at the thought. Your soft touch on Remus’ head switched to an unintended pull of his hair as you turned.

“Ouch!” He complained. 

You winced, “Sorry Rem,” you said, not even turning to him as you patted him on the shoulder and wriggled your way out of the sandwich he had trapped you in with the snow. He tried not to look disappointed as he stood back on the small trench. By then you were already standing outside of it, and looking at Peter as if you wanted him to elaborate. 

“The elves mentioned something,” he said simply. “Apple, pecan, peach, chocolate, some savoury ones too I assume.”

If you were a cartoon, you’d be drooling. “Well boys, pleasure messing with you and all that, but it’s pie time,” you said as you turned to walk behind Peter and the rest. 

“Who’s the traitor now?” Sirius shouted with a smile. 

“I’ll save you boys a seat,” was your only reply as you started sprinting towards the Great Hall, determined to be among the first to arrive so you could choose from the assortment of pies available. 

The boys caught up with you as you were taking a seat, already having walked through the length of the table and picked out the pies that you’d be eating. When they sat down, Remus at one side of you and Sirius purposely taking the other side to keep some distance from himself and the source of his thoughts. You picked two pies from your plate and placed them in front of each of the boys. 

“What’s this?” Remus asked as he picked it up. 

You were about to give a bite to one of the tarts you’d picked and said “Pie,” with a shrug, taking a bite right after and moaning at how good it was. 

Sirius’ whose head had already been messy that day, had to adjust his pants uncomfortably. First, you woke him up and he couldn’t complete his morning routine, then there was the whole confusing thing whatever the hell was going on in his brain when he was close to Moony and lastly, you moaning shamelessly as you ate. 

“No shit Sherlock,” Remus said as he pushed you lightly, shoving you against Sirius whose breath hitched as you laid your cheek on his shoulder and pressed a light kiss. “I mean, what’s it made of?” You sat straight and pushed Remus in return. 

“Try it, I know you’ll like it!” you said with a smile and gave another bite to yours. He gave you a distrusting look. “Oh come on, Moony! I wouldn’t give you something you don’t like! You’d get all pissy and Pissy Moony is no fun.” 

“Pissy Moony?” he asked, almost offended. “You have a term for that?” 

You left your pie on the table and raised his up to his mouth. “Sirius told me about it,” you said, “Now eat up, I promise you’ll like it.” 

He gave you one last side eye and then gave it a bite, missing your hands the moment you brought them back to your plate to take a bite of yours. 

“Cherries and chocolate,” Remus said with a smile as he turned to you. “I love it. How did you know?” 

You shrugged, “I’m just that brilliant.” 

“Will you also mouth-feed your boyfriend or is that only reserved for dear Moony?” Sirius flirted, trying to regain some sort of control of the dire situation he found himself in. 

Sirius didn’t mean anything by it, but the way he’d said “your boyfriend” straight up felt like a jab on Remus’ heart. Sirius was right, the two of you were dating and he seemed to be intruding more and more lately. But then again, the only times Sirius seemed upset about how close you all were, were when he was teasing. 

You rolled your eyes, but decided to take his pie in your hands either way “Close your eyes,” you instructed. Sirius gave you a weary look but did as told. “Try and guess what it is, deal?” you asked as you leaned it closer to his mouth. He leaned enough to give it a bite and then turned to you surprised “Is that…? Does it have firewhiskey?” 

You smiled and pulled out a small bottle from your pocket, “Thought you’d like something a little different,” you said with a smile “peaches and firewhiskey.” Sirius took the pie from your hands, his discomfort almost fading in the background as he took a look at the pie you’d given him. 

“But how?” 

You shrugged “Added the firewhiskey and then did a small warming spell so it cooked a bit. I’m sure it would be better if they were cooked together from the start but I thought you’d appreciate a little spice…”

“I do, wanna taste it?” he asked as he passed it over, you gave it a small bite and all but moaned again, even closing your eyes and letting your head fall back just a little, exposing your neck to both boys, who could barely keep their eyes away from it, especially Remus. “Fuck I’m an incredible cook, Moons taste this out too!” you said as you, for the second time that day, shove a pie close to his face. When he gave a bite he couldn’t help but taste both you and Sirius in it. It really was fucking delicious. 

He nodded as Sirius leaned over you to take the pie from Moony, their hands brushing against each other and giving both boys an electric-like feel, not because of actual electrical shock, but rather because of what they felt for each other. Sirius reclined back on his seat and placed his hand on your leg, seeking the hem of your skirt before sliding it over your skin. 

Same fucking feeling. 

You looked at his hand and nudged him lightly, he gave you a flirty wink in return that made you laugh and Remus tried to avert his gaze from both Sirius’ hand and the way your skirt had ridden up a good deal. 

You gave another bite of your pie and turned to Remus, as casually as you could muster –even if you were a bit nervous to ask, which you shouldn’t be because he was your friend– “Wanna come to Slughorn’s Christmas Party with me?”  No better time than now, right?

Remus wasn’t so sure about that, he almost choked on his own pie, he wiped his mouth with the back of his sweater before turning to yours with a frown “I’m sorry, what?” 

Sirius started drawing circles on your leg, the way your skirt moved with each of his strokes didn’t escape Remus’ nervous gaze on you. “The Christmas Party from the Slug Club, I’m supposed to bring someone with me” –you tilted your face with a smile– “Want to come?” 

Remus turned to Sirius, giving him a look, the other boy just shrugged with a nod but that wasn’t enough. “What about Sirius? Your boyfriend?” The words almost hurt to say. 

“He doesn't want to come,” you said. “Right, Siri?” 

“That’s more your kind of nerd stuff,” he said after he nodded, and pointed at the two of you. 

“Slughorn has never invited me, he doesn’t want me there,” he said, not sure if he was supposed to feel dejected because you were his second choice or fucking delighted because you’d want to take him and not Sirius, thought he had to remind himself that you probably did want to take Sirius. 

Remus didn’t stop to think that you would have, had you actually wanted to, easily convinced Sirius to come along. Let alone, would he have imagined that you had asked Sirius if you could take him instead. 

“That’s exactly why I want to take you”– you said as you placed his hands around his arm– “I want to show that old snake how freakin’ clever my best friend is. You deserved an invitation much more than I did anyway.” Remus gave you a reproachful look when he heard the last thing. “You’re coming, yeah? It’s always fun to prove the snakes how wrong they are with you.” 

Sirius smiled. “Come on mate, don’t make her beg,” Sirius said, flicking his finger on your thigh and letting them rest closer to the inner side, still at a prudent distance, and while you did feel the shift, you played it cool and tried not to even look. “Girl might end up taking Pete if you reject her,” he teased. 

You elbowed him softly, not because you didn’t want to take Peter, but because he was implying it would be such a terrible choice.  Of course, you’d much rather take Remus or even some of your other friends, like Tom or Minho (he was already invited) but that was because you were pretty certain Annie Doxon would hex you if you took her boyfriend. James was going with Lily, so he was completely out of the question. 

“Okay,” Remus said with a shrug, trying to seem as natural as possible. “I’ll come but… what about the date though, you know near the end of December it’s the…” 

“Moon’s on the 22nd, party is on the 21st. I know it’s just a day before and I’ll totally get it if you’re not feeling up for it by then. I wouldn’t want to make you into a Pissy Moony.” 

He pushed you with his shoulder again, “Sod off!” he said jokingly and both you and Sirius started to laugh.

Series Masterlist | Next Chapter

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A/N: Some people were asking for a snow day chapter, and this felt about the perfect time for it. Love playing in the snow with the boys <3 Upon some requests, we have a DISCORD server now and you can all join in and chat about marauders and/or GC with other lovely people. If you wanna discuss a new oneshot or even the new chapters of GC this is your place to go. The announcement for it is here and I'll leave links to it on a reblog of this post ad in the comments.

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[coraniaid]

It's true that the Buffy writers' answers to the closely related questions "is there a meaningful distinction between a vampire and the human being who was sired to create them?" and "when you get down to it, are vampires basically people?" clearly undergo something of a shift in the second half of the show.

This is a transformation that starts with Buffy's reluctance to stake Willow's vampire alter ego in Season 3's Doppelgangland and continues at pace with the gang's collective reaction to finding out that Harmony has "become" a vampire in Season 4. It's a process that continues as long as Harmony remains a recurring character on the show, until, by mid-Season 5, Buffy (and Buffy) has essentially undergone a complete switch in its view of vampirism. The later seasons handling of vampires are very hard to square with the speeches made by Buffy in Lie To Me ("you die, and a demon sets up a shop in your old house [...] but it's not you") or Giles to Xander [about the late and largely unlamented Jesse] in The Harvest ("you're not looking at your friend: you're looking at the thing that killed him"). Whether this is a change for the better or not is a matter for debate, but that it is a real change that happens is pretty hard to dispute.

It's also true that the writers are obviously increasingly reluctant to show their show's protagonist, the titular vampire slayer, actually going around killing vampires. At least any vampires who've had a chance to establish some sort of personality. How many of the dozen or so named, recurring vampire characters does Buffy actually kill over the course of the show? Not very many.

I make it two in Season 1 (if you're generous and count Luke as a recurring character), one in Season 2 (if you're similarly generous and count Buffy sending Angel to hell for almost three whole episodes as killing him) and ... that's it, right? Somebody other than Buffy kills Darla [=Angel], and Colin the Anointed One [=Spike], and Dalton [=the Judge], and Mr Trick [=Faith], and vamp!Willow [=wishverse!Oz, twice] and Sunday's only-named-in-the script henchvamp Tom [=the Initiative], and Sandy [=Riley], and Spike[=... well, Spike, ultimately, I guess]. Nobody ever kills Drusilla or Lyle Gorch or Harmony, all of whom make multiple appearances on the show and (un)live to the end of the series. And Angel and Spike (and even Darla, eventually and temporarily) all come back after apparently being killed.

Buffy might have a sacred calling to slay vampires, but the show is very uncomfortable about her killing non-human characters who've had a chance to establish themselves as people. Perhaps that's why the show stops having vampiric Big Bads completely after Season 2, and why Season 7 tries to introduce a whole new category of personality-free, definitely-not-people monsters to replace its existing vampires. (Perhaps not entirely succesfully, if we're being diplomatic.)

It's certainly true that the show does not have a consistent take to offer on vampire lore. Like everything supernatural in Buffy, vampires are essentially walking metaphors: and the things that they exist to represent and comment on change and evolve throughout the show's run. Buffy's worldbuilding is not very deep or rigorous.

But what's not true at all, and what I wish people would stop claiming, is the idea that Angel's awkward "well, actually..." when Buffy assures Willow in Doppelgangland that "a vampire's personality has nothing to do with the person it was" represents some sort of big departure from the show's established or implied lore up to that point. It does not. At all.

In fact, it's Buffy's claim that is at odds with everything that the show has been saying up this point. A vampire's personality has always, always been something that the show wants us to believe is informed by the personality of the person who died to create them, This goes all the way back to Season 1.

In Angel, Giles does tell Buffy flat out that "a vampire isn't a person at all", but he also says that a vampire may have "the memories, even the personality of the person that it took over". In the part of her speech from Lie To Me that I elided earlier, Buffy admits that if you're turned the resulting vampire "walks, and it talks, and it remembers your life" [and the clear implication here is that the vampire walks and talks like the original person did, otherwise what is this supposed to be saying?].

If the show's original position was that a vampire's personality had nothing to do with who they were in life, why would Giles have felt the need to tell Buffy (in Season 1's Never Kill A Boy On The First Date) that Andrew Borba had been on the run for a suspected double murder the night he died and rose as a vampire? Why would he have told her in Season 2's Bad Eggs that the Gorch brothers "massacred a village" before they were vampires? Why would he warn her in Season 3's Helpess that Zachary Kralik was a "criminally insane" serial killer even before being sired as a vampire? If the show -- or even just Giles himself -- really did have the position that a vampire's personality has nothing to do with the person they were before death, as Buffy claims in Doppelgangland (and some fans apparently believe), how would any of this make sense?

If we weren't supposed to think vampires inherited at least some part of their personality from their host then why, in The Harvest, would vampire!Jesse still be obsessed with pursuing Cordelia Chase? Why would Drusilla still be driven mad as a vampire as a result of the pyschological tortures that Angel inflicted on "her" when she was a mortal? In Halloween, why would Buffy be trying to find out more about the sort of person Angel was as a human? Why would Willow and Xander still be together in the world of The Wish?

The idea that a vampire inherits the personality of the person whose body they take over [or who they were before "becoming" a vampire, in the later seasons' parlance] isn't any kind of retcon. It's one of the few consistent takes on vampires the show had from beginning to end. Continuity of self; moral standing as a person; capacity for self-reflection and personal growth, whether or not vampires can breathe ... these are the things about vampires the show changes its stance on. But a vampire's personality was always informed by who they were in life, right from the very first pair of episodes.

(Spike and Drusilla being capable of at least some kind of romantic love and mutual jealousy in Season 2 is also not a retcon, incidentally. We saw that with Darla and Angel in Season 1 as well. And even the Master clearly felt emotions and had some sort of affection for his favorites among the vampires that worked for him. Spike and Dru do represent a significant -- and welcome! --change in the tone of the show, but they aren't somehow a walking refutation of what Giles has been telling Buffy (and through her, us) about vampires for the past year.)

I mean, I don't really have a big point to work to here, it's just that I keep seeing takes on my dash about how this particular scene represents a big change in the show's lore about vampires. And that .. just isn't true?

[rootspiral]

Agatha All Along deep dive: episode 1 part 4

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2])

well, well, well, if it isn't the consequences of my own actions

do you think it took Rio a long time to choose her revenge dress? did she agonize over every detail? I picture her process like, okay I need an outfit that says fuck you (threatening) but also fuck you (horny) and fuck me (very horny) and then circle all the way back to FUCK YOU THOUGH (VERY threatening)

as to why Rio goes from super soft to *that* - I see it as the equivalent of the TV trope where someone almost dies and their loved one is very concerned, but as soon as there's no danger they slap them around the head and call them a fucking idiot. this is Rio's WELCOME HOME, CHEATER moment (Agatha has been kiiiind of been cheating death, lbr)

this is the best way rio could choose to approach agatha too, and not only because it lets her express all that pent up anger. what would be the alternative? sit Agatha down and have a honest chat? Rio knows her too well, she knows it would be simply too much. Agatha *is* more comfortable with big bombastic scenes, with violence that is a lot like foreplay. Rio is looking out for her right now, she is making it as easier for Agatha as she can, while also not letting her get away with her bullshit any longer.

one little sentence, so many ways to read it

only physically. she's not letting you in. not anymore. you'll have to save her from herself kicking and screaming. dear god she's actually honestly crying. this is a WHOLE fucking deal. and it's also the first time she sees Rio while knowing WHO rio is. she's feeling all the feelings

girls. GIRLS. how am I supposed to take decent screenshots if you keep flinging each other at walls. keep STILL! (look at the furniture btw, isn't it a bit curved? I think they're still using a fisheye lens. reality is still shifting. almost as if we're in the presence of an otherworldly being)

oh the metaphor of it. sometimes you just have to reach out and connect, even if you get hurt in the process.

BECAUSE SHE'S BEEN SHIELDING FOR SO LONG TO HIDE FROM PAIN. OH MY GOD. did a 2000s emo kid write this

every other MCU fight wishes it were this perfect storm of hot and emotionally devastating

Rio cannot physically kill Agatha, it's not allowed, she's only the collector. So what is she trying to do, exactly? Has Agatha really been cheating death for so long that Rio has no choice but to bring her in? Or is she not here to collect at all and this is just her way to get back at her ex (and possibly win her back)? I adore both options, they're tragic in different ways.

time to bullshit! time to bolt! time to get to that escape route! this is what Agatha does best. anything but face the truth

funny how agatha usually has no problem looking undignified. it's almost like this is not the point at all. so let's review: wanda has stripped agatha of the powers that have been keeping her hidden from rio. rio comes over to confront her - and not kill her, she wouldn't be allowed anyway. she does it in a way that agatha would find less scary than having a mature convo. still, agatha has to face things she's been escaping for so long and it's simply too horrifying, too overwhelming. the fact that she's joking around so much (while her future conversations with rio will be sad, soft, dramatic) tells you just how scared and how miserable she is. She's begging rio to stop, because even fighting and flirting, which is their comfort zone, is proving too much. And what does rio do? She listens and goes away. only temporary, she won't let her off the hook now that she has found her. but she's still willing to go at Agatha's pace.

aubrey plaza I would die for your evil little face

can I just say that agatha trying to flirt right now is devastating? she is at the end of her rope. she does NOT want rio to stay, doesn't trust herself around her in so many ways. but she knows how much rio wants her and just... she tries to manipulate her with flirting. it's a desperate gamble, completely undignified, completely in character for agatha. she offers herself to rio, but only physically. when what they had was infinitely more than that, it was beautiful, it was sacred.

and rio... forgives her. she laughs another one of her little soft laughs and lowers the blade. plaza is so good here, the way she says "okay, agatha," is a perfect blend of resentment and tenderness. she knows agatha better than anyone ever had or ever will. she knows why she does everything she does. and she follows her lead. one last time.

agatha's relief. she's trembling, deflated but still on her guard. she looks completely traumatized. the masterpiece that this scene is: you feel smart when you realize that they're flirting rather than fighting. when it finally dawns on you the real weight of their encounter... it's too late.

"by the way there's a bunch of scary witches after you and I totally want them to kill you, that's why I'm telling you exactly who they are and when they're coming"

agatha tries with all her might to believe that rio is heartless. because anger is easier than sadness.

we're leaning, we're leaning, we're leaning!

rio licking agatha's wound to heal it perfectly encapsulates her feelings: anger, horniness, and infinite tenderness. what a power move. rio was the one in control this whole scene, and it wrecked agatha.

"te veo" (I'm gonna go scream in a pillow)

she's gone, honey, she's gone. breathe.

Billy walking on the two of them having sex would have been less awkward than this

she was a BIT preoccupied, kid

and episode 1 is in the bag!

next stop: IT'S LILIA TIME

go to episode 2 part 1

[heartofbusan]

A Tale of Two Earpods

Have you ever sat on a train while listening to music, and while you're watching the landscape, you feel heightened emotions? There's probably a name for this occurrence. It's almost cinematic even. When you're listening to music, it enhances this wonderful sense of detachment as the world passes you by at high speed.

That's probably what jikook were feeling, too, traveling past the pretty and snowy coastline. A little detached from the world inside the train, yet grounded in the music they're listening to together. We are invited into that bubble through the sounddesign as it gently invites us to come into their mindset.

There's a reason why this scene stands out. Something beyond the fact that when Jungkook gently laid his head on Jimin’s shoulder, he crushed the last dregs of sanity I had left, I mean.

----

The actual music we hear is considered a 'non-diegetic' layer. It's not something Jikook can hear, but it's added in later in post-production. This way, it functions as a guide for the audience to feel something. BUT, there is a very important physical element at play in this scene that gives an extra emotional entry into the minds of our main characters. The earpods.

Jikook are cutely sharing a pair of earpods 🥺 This places them inside a little auditory bubble separate from the audience: we can't hear what they're listening to. Luckily, Jungkook provides us with a genre: anime music.

So when Jimin remarks that it feels like they're in an animation (little did they know the scene would include actual illustrations), it was all those elements at play for him as well. The music is giving him the feels.

The soundtrack tries to let us in on their earpods by overlaying this moment with violin music, but it doesn't quite cut it tbh. I'm sure copyrights prevented them from sharing the actual music they're listening to. When Jimin starts to get playful and pretends to be a crying dog!?!?!? the cutest little flute/accordion piece starts playing. It's adorable and kind of folksy.

Then suddenly, the music switches to this soft electric guitar piece we've heard before in AYS, often at the end of sentimental scenes, like at the end of episode 4 when they're on the catamaran. It's a very melancholy yet hopeful piece, promising that this is not the end but a new beginning. At least, that's what it makes me feel.

In the train scene, this piece isn't used to end the scene, but it surprisingly builds towards something, a high point.

Here the music is reflecting not only their emotions: the train ride is amazing, they're really enjoying themselves, and it feels like another core memory being made, but it's also a guide for US watching THEM in THEIR moment. Like a little snapshot made for the audience. This is also OUR core memory now. Again, linking us directly to jikook, but also keeping us at a safe distance.

This concept feels foundational for AYS. Truly a show for them AND for us.

The actual highpoint of the scene ends with a beat of silence as JK puts his head on Jimin’s shoulder. After all the music, the silence at this exact moment is VERY LOUD in order to emphasize this gesture. A WORLD STOP.

And that's what I felt when I first saw it. That little beat of silence was an exclamation point, a silent scream. Your heart stopped beating for a second there, right? The sound design danced us right up until that point, swaying us gently from side to side and then suddenly it dipped us and made everyone take note. The shot fades out, the diegetic noise of the train can still be heard, and almost like we had to take a breath to clear our head, ... we're back to reality with JK's voice. Sigh.

If you're still reading this, I don't know what to tell you,...you too are obsessed with jikook 😮‍💨 send help.

----

I rarely travel on trains anymore, but next time I do , I look forward to emptying my mind of real-world problems, and I'll think of this little Jikook snapshot instead.

[whor-pheus]

BIG WILD LIFE FINALE SPOILERS!!!!

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ive been thinking ab joel's final death sm since i watched his episode and im gonna get tism about it

Disclaimer that i DID realise some of this from another post but i cannot for the life of me remember who it was from aaa

SO! Lets look at all the other winners' deaths first. and lets take the context of minecraft out of this, esp for when we get to joel's Grian - Jumped off a cliff. Simple and effective, but also quick considering he was low health and had no armour. In a real life version, he probably would have broken his neck and died instantly Scott - Struck by lightning. I know technically it was the Watchers, but 'divine intervention' isn't exactly an IRL cause of death, nor are 'kill commands' from a non-story pov, so we'll stick with the lightning. ANYWAY, yes, lightning. In terms of death, it stops the heart. So, pretty fast, but definitely painful Pearl - Exploded. Once again, technically that's not her actual C.O.D but once again, soulmates do not exist (in the same capacity as DL, at the very least) in real life, so we're going with this. Because of how close Pearl was to Scott when he set off the TNT, she likely would've died from internal organ damage, possibly even having her heart muscle walls rupture, plus any additional damage from the schrapnel that no doubt wouldve hit her (although she definitely would've already been dead by that point). Alternatively, you could say she died of 'Heartbreak' (because her soulbound died), which I'd probably compare to a heart attack. While you can't say for certain how long the explosion death wouldve taken because of the variables, a heart attack has an upper limit, so to speak, of about 3-4 hours. Unless we're talking about Sudden Cardiac Death which is, as you might expect, instantaneous suspension of heart activity. It's pretty interesting that both of Pearl's death possibilities link back to her heart in some way in DL, but I digress Martyn - Same as Scott's lmao Scar - He's actually the only one, to my knowledge, who did not die. Which, again, is very interesting when you tie it back to his Earth (? i think? i forget lmao) association. hes not allowed to die

NOW we look at joel. Teleportation is, naturally, not a thing we can do irl (at least currently lmfaoo), so there's not an easy way to compare it like with the others. BUT that doesnt mean we can't do our damn best first, teleportation is what kept Joel alive for so long during part of the session. The fact that he uses the very thing that saved his life for so long to end it is just beautifully symbollic. not to mention the way he was laughing and making fun of his literal hunters as there were at least 5 or 6 people trying to kill him at any given point despite the fact that the entire episode he was nervous and worried about dying last minute is so painfully joel. but lets look at the actual contents of his death for a minute. Joel dies from fall damage after repeatedly throwing enderpearls into the air. He does not remove his armour for this and is at almost full health. He is, effectively, torturing himself. In minecraft, you can throw an enderpearl directly up into the air about 30 blocks. since he was throwing them forwards, as well, we'll say its only going up 25. that would still be 25 square metres, and almost 270,00 feet. but, obviously, we're taking liberties here because it's minecraft, so lets just say its 25 feet. Still, that is an insane number. That is half the length of a basketball court, the width of about four cars (on average) and four fridges (again, on average) stacked on top of eachother. And he does this (by my count) seven times in a row before dying. Everyone else died instantly in game, and more-or-less instantly from a real life standpoint, as well If that doesn't put in perspective how violent Joel's death was, i dunno what could

big fan of the angst potential here chat

[tealvenetianmask]

I rewatched the Helluva Boss trailer today and tried something different. Instead of looking for upcoming details or clues about what might happen, I looked for a narrative. I tried to imagine what the editors were thinking as they chose clips (both visual and audio) to include, and why.

I thought that MAYBE in light of having seen two of the episodes (and weeped over them, and analyzed them into the ground) most heavily featured in the trailer, I might learn something from doing this.

My conclusion is *drumroll* that the clips were chosen to introduce problems. AND NOT TELL US ANY OF THE OUTCOMES SO WE WOULD FUCKING SUFFER. Not too different from a movie trailer really.

So there are four main problems set up. Each of them are set up to make us ask questions.

Villains: Oh, what an array. Cherubs, Dhorks, new John Waters villain, Andrealphus, shadowy figures in hoods, Mammon flipping off the camera, etc. We're given very little information about how any of these confrontations will go. We just know there will be conflict/danger.

2. Blitz vs. self: "you always take from those around you . . ." "do you feel any kind of remorse for what you do?" "I make everyone's lives worse." "I don't want to be this way, not forever." One could argue that we've already seen tremendous growth with that last quote appearing in Apology Tour. I think that if I saw this group of quotes together without the context of the episodes so far, I would have assumed it would come last. But I think it's the beginning of a journey. We haven't heard all of these lines yet. And the ones we haven't heard might get closer to the self-loathing Blitz is dealing with than anything we've seen yet. These lines are telling us about a problem- again, the outcome is left blank. How will Blitz transform once he discovers that he wants to change and starts confronting the truly scary things living inside of him.

3. Stolitz: Okay so ALMOST everything in the trailer that has to do with their relationship is from either The Full Moon or Apology Tour. And in retrospect, it was pretty spoiler heavy. Maybe this is my shipper delulu speaking, but I think the writers/editors were okay with the trailer giving this much away from these two episodes BECAUSE these episodes set up the problems with their relationship and do not reveal the outcome.

The problems are ones we knew existed but have now seen tear them apart: Stolas wanting someone to care and Blitz wanting to be respected, the fact that they both love each other and want to be together but each think they're not wanted. Then there's the cruel as fuck framing where the trailer puts together Blitz looking at Stolas in awe and Stolas smiling as if they're in the same moment, only for us to find out in the actual episode that someone else is making Stolas smile.

Anyway, this is all to say that yes, I think that narratively they will get together at or near the end of the season. The trailer tells us that they both love each other despite the problems that are laid out. The solution IS for them to come back together somehow. And the trailer gives us that split second clip of Blitz defending Stolas to . . . I don't know . . . stop heartbroken shippers from rage quitting the show altogether after Apology Tour.

4. Stolas and Octavia: when it comes to the first two episodes in this group, this one has been visible in the show only through Octavia's absence . . . But if we look at the trailer as setting up problems, the problem is clear. "You never loved mother and you don't love me. You love him." Shit is going to hit the fan. And again, we have no idea what the outcome is going to be.

So conclusions?

Trailers are a cool art-form. They have to be narratively cohesive without giving away any outcomes. They have to make us want to see more. They can scare us but they can't be so depressing that they make us give up.

We didn't get random parts of the upcoming story. We got the earlier parts. At least, the earlier parts of each conflict (likely to be spread out somewhat), but please notice that the trailer has told us VERY LITTLE about Mastermind and Sinsmas.

There's very little reassurance in the trailer. It's supposed to be that way. But we do have hints that stolitz will be okay. Trust.

[mazzystar24]

Breaks my heart how evil they are to them. I know they're grown men and can handle it and all but they shouldn't have to! Oliver has been so respectful and put so much care into playing buck. He's always been honest about this story being about BUCK, not tommy, and that nobody should be ringing wedding bells

The fact that even the 911 account isn't posting anything because bt fans flood things with hate... and we know oliver sees this shit, he even shut down his comments and DMs. It makes me so fucking sad. We're so close to exploring this beautiful story we've been waiting for and they ruin it over someone who was hired for 4 episodes??

No same the level of care and respect that Oliver has had has been unreal

I say this as a bisexual

I don’t think I’ve ever seen a presumably straight actor handle a queer storyline with this level of respect and understanding

And unlike their fav he hasn’t done it for fame or money or popularity

He has stood up for buck and buck’s bisexuality in cases he didn’t have to

He didn’t have to correct that reporter he didn’t have to make statements in his Instagram calling out bigots he didn’t have to show all this love understanding and excitement for bucks bi arc but he did it even when it’s put him in the firing line and he’s done it with words so well crafted you can tell he fully understands his character and also what bisexuality means to his character

Ik I make jokes but I’m not saying this in a parasocial way- truth is we never know what these actors or famous people are really like- but we still have to recognise good behaviour and the way he has handled this storyline does not elicit the hate and claims of biphobia against him in the least and it’s honestly sad that he has done everything right and is still receiving this from assholes who genuinely do not care or understand what biphobia is

Just because they can’t distinct what the story has been telling them AT EVERY FUCKING TURN and how Oliver tried over and over not to get their hopes up AT EVERY FUCKING TURN and what they built up in their head sometimes with the help of a man after their money. It’s ridiculous

Like not only did he have to turn off comments and DMs he also made a response apparently and probably second guessed himself and deleted it:

And everything he said both here and the interview I stand by, good bi rep doesn’t have to be only fucking if they’re your committed partner y’all are over correcting

Also the claims of biphobia - y’all learn nothing about not assuming sexualities or making these claims huh?

Well at least they’re consistent- when threatened they pretend anything and everything is somehow homophobia cos I (a bisexual ) have been called homophobic so many times by bt fans it’s insane

Rant over cos this is super long but they better leave Oliver stark alone cos that man genuinely doesn’t deserve this shite