#but that only really makes sense in the first storyline of his

[judesmoonbeauty]

My Thoughts & Spoilers On Jude's Route

This will contain detailed major route spoilers. If you do not want to be spoiled, please move on because I will not be filtering my review. Also, not all spoilers and details are being shared. This is intentional. Bear in mind this is written prior to my thoroughly translating his route, so the translation may have some adjustments to this information.

So, I really LOVED it!! It's a very good storyline. Am I biased? Yes. However, whether you're romantically interested in Jude or not, I feel like you'll like in route in general. I do highly recommend reading his and Ellis' Past Records before his route if you can. His route does bring up clips from PR, but it's very minimal and there's a lot of context and extra details in PR that you don't get in this MS. I did my best with this, but my thoughts are still every where, so if it doesn't make sense. My bad.

Tropes: Enemies to Lovers....of sorts?, Slow-burn. Key Side Villain Characters: Ellis, Nica, Victor New Side Characters For His Route: Theodore, Gilbert Murphy, Oswald Simmons Love Language: Physical Touch (I'd just like to say that I called this.) Who Falls in love first: Kate First Kiss: Kate Kisses Jude First Snu-Snu: Chapter 24 Both Premium ends Jude's Fate Tragic End: He will die bearing a grudge against/hating the world. Route CW: Violence, Smoking, CA, Neglect, Mentions of a child's death. Jude's Age: 28-30. Jude's Heritage: Irish-British Jude's Curse: 13th Fairy (An endless cycle of hatred) Jude's Fated End: To die with a hatred/resentment against the world.

Plot: In a nutshell, Kate is trying to find one good thing to like about Jude prior to her term of FTK (fairytale keeper) ending, as per their first promise made together. If she finds one, Jude must fulfill any one request she has. Amidst working for both Crown and Raven, Kate tries to come into her own in terms of standing as Jude's equal, seeing the world as he does, and essentially saving him from not only own his death wish, but from being framed for treason against their country.

My thoughts: Jude's route is very lively, it's got a healthy amount of funny moments, action packed moments, and it's quite wholesome overall. However, it still retains some darkness in the sense of his past, and the fact that he's literally on this tightrope of life and death.

Kate: She is not afraid of voicing her thoughts and feelings, or speaking sarcastically to Jude. I almost died when I read that she stuck her tongue out at him LOL. There's this scene where Ellis tells her she's thinking out loud when she doesn't realize it, so she apologizes. A few minutes later after she greets Theodore, she sees Jude behind him:

Kate: ....And thanks for your hard work too, Jude. Jude: Can ya please stop greet me so sourly? Makes me wanna vomit my mornin' tea. Kate: I wonder if I'm under a curse that'll kill me if I don't say something sarcastically...

So, she is very courageous and gutsy, but she also thinks things through. There are times where she wants to act because she loves Jude and wants to be there for him, but she also knows not to act rashly because her movements can hurt him and Crown, so she opts to bide her time instead.

Out of all of her versions, I think she is the one who gets the most frustrated, the most angry, and laughs the most at certain situations such as getting locked in the office with Jude. She is very optimistic and kind, but not saintly kind.

She is a fighter. She learns self-defense and how to use a gun, a lot this takes place off screen, but she does develop this over time. Which is nice because it's more realistic.

Jude & Kate Relationship: Starts off very rough, and I say it's an enemies to lovers trope, but no one actually hates the other person, they simply don't get a long and it has that vibe. Jude is trying to kick her out of Crown, and Kate is trying to find something she likes about him.

Overall, they bicker and banter a lot. It's cute because in MLE Kate says, "If I say one thing, he has 10 things to say", and in BLE Jude says, "If I say one thing, she's got 10 things to say." They're adorable together.

One scene I loved was when Jude is being attacked by a group of thugs in his office after closing hours, and Kate barges in with her gun. She yells at the men to stop what they're doing, and then she tells Jude to step away from them. And so, Jude and Kate are having this full blown conversation as they're surrounded by these thugs as to why she is at his office, who's fault it is, etc, etc. And when the head thug starts to complain, both Jude and Kate say, "Shut up!" at the same time. This seems like it actually becomes a thing for them, they say it in MLE as well.

Were they childhood friends? No. That was an AU thing only, and a clever misdirection from Cybird. I think key take aways from Dark IF and Prison IF are that they made promises to each other, and that Kate tries to return to little Jude in Prison IF. Additionally, it does hint that two children were involved in Jude's past, just the other wasn't Kate, it's his sister. While some may be disappointed by this, I loved that it turned out this way, it surprised me.

Love Language: Physical. Touch. Lemme say it again. Physical Touch. While their relationship is a slow burn, it's not without it's tension along the way, and the pay off is hella worth in my opinion. I just knew that Jude was going to tear into her, and he does.

But more importantly, Jude touches Kate a lot especially before missions. For example, in BLE just before Kate goes undercover at a criminal organization that is using Raven products, she and Jude are in his office reviewing the plans, and while he does this, he touches her bare skin, kiss or bite her, and then after the mission he'll make love to her. Why? Because Kate made another promise to Jude earlier in the route that she would never die before him, so he doesn't have to suffering loss ever again. So, prior to any missions, he'll touch her up to a certain point like a promise she won't die, and then finish once she returns safely. I can't...he's so damn precious.

They love each other very very much, but Jude doesn't like saying the words. "I love you." Not because he's a tsun, but because they're easily said. So, he'll convey his love to Kate with words like, "I'm taking you to hell with me." If you read his side stories, he'll tell you just how much he loves her, and he admits that there is no other woman in the world that he could ever love like her.

Important Side Characters: Theodore: 21 y/o and he works in the sales department at Raven. Every one calls him Theo, even Kate. It seems that he's worked for Jude for a long time as well. He's very personable, and chatty, and he gets nervous about things like when the president forgets his custom fountain pen as he's on his way to business meetings. He even says to Kate and Jude that Kate is his type, and everyone is like.....um what? I'm really happy that Theodore isn't a traitor. I like him. I thought Cybird would use him the way that contract worker in Jude's first story event would be used. But no, he's just a loyal young man who cares about his job. I hope to see him again.

Oswald Simmons: He is the doctor who treated Jude and his sister after Jude memorized an entire medical textbook in a week. After Jude's sister was sold off, Jude ran to Oswald and asked that if he put Jude through school, let him lodge with him and provide him food, then Jude would pay him back with interest. Oswald agrees and in time, Jude does pay him back with interest. Oswald treats everyone equally, and he finds Jude's intelligence and ability to memorize things amusing. While he does not offer to take Jude in of his own initiative, Oswald does have a soft spot for Jude, as he tries to gift Jude a new pocket watch upon graduation and the success of his new company. He even tries to dissuade Jude from seeking revenge that will only force Jude into be lonely. In the route, he tells Kate to relay a message to Jude, that if he ever gets into a pinch to comeback and he'll give Jude a run for his money. To this day, Oswald still has the watch that Jude refused to take.

I honestly, hope that they reunite one day. Jude doesn't wish Oswald any ill-will (though he calls him a weirdo), and he wished Oswald a long life when he said goodbye.

Gilbert Murphy: He is a high-ranking officer of the British military who colludes with the Privy Council and a criminal organization to frame Jude treason and building military weapons. However, Gilbert truly does think that Jude is going to the moon for monetary purposes. While he is being an asshole for framing my beloved, his motives are to protect the people from potential weapons that can be created with Jude's research. Still, it's sullying Jude's innocent and pure motives. Still, he testifies in Jude's favor and takes the blame of the dead privy council member, as his own form of justice for trying to frame Jude due to his becoming blinded by his obsession to protect his country.

The other villains: Ellis: Ellis is Jude's right hand so he is heavily involved with the plot, especially in MLE. We know about Ellis.

Nica: Darius asks him to investigate Jude, so he does. Twice, he offers information to Jude that he's gathered after he lets him know he's aware of what he's building.. The first time, he tells him that a part from the criminal organization Jude has already been dealing with, the British military want his plans too. And wouldn't it be something if they teamed up to get Jude's research. He asks if he can snatch the robin away from Jude, but Jude says she doesn't belong to him, and no matter whom she dated she belongs to herself.

Nica leaves the bar after getting scolded by Jude, but prior to that, he tells Jude that the robin is in the most danger because she's around him. A few chapters later, Nica appears again and tells Jude that his assumptions based on the previous information given have come true, and because he didn't let go (of Kate), he's letting her know the facts. After he explains the situation to her, he tries to whisk her away on a date, but Kate declines. While Nica is a "playboy", it seems that he does care for Kate's well-being.....I am letting my current knowledge of his past events, and bond stories influence me by saying this.

At any rate, at the end of BLE, Darius asks Nica why he follows his orders so complicitly, and Nica says it's because he's on the winning side, and to him, Darius will be or is the winner. Darius is satisfied with this, and when he leaves Nica looks at his palm and says that he will be the happiest someday. It's already been established that becoming the happiest person is important to him, but this has now been reinforced.

Victor: Lore crumbs are very little, but what we do know is that when Kate asks him if he is angry, he tells her that he's forgotten loneliness a long time ago.

Further, when he approaches Jude and asks if Jude is hiding something from him and Crown, he tells Jude he has the means to help him. Jude asks if Victor isn't the one hiding something, and remarks that's why Harrison hates him so much because he knows he is lying. Victor simply smiles and stays silent. Upon leaving his study, Victor does tell Jude no matter what, he doesn't want their freedom disturbed and those are his true feelings.

Further, Victor later tells Kate in the BLE that when Jude says he abuses his power, Jude wasn't lying about that. Later in chapter 24, all of Crown are gathered together in front of her Majesty the Queen for a very important meeting. Victor speaks saying that they wish to grant Kate the position of fairytale keeper permanently, and when Jude finds out, he leaves angrily. In the middle of all this, the Queen never utters a word.

I don't think we learn anything new that we weren't aware of before with Victor to be honest, unless I missed something while reading. But, it's nice to know that we should see something big for his route. We better for how under wraps his lore is kept.

Jude's age: He can't be any older than 30 because in his Past Records he definitively says that he is five years old. In the MS, Oswald states the events he recounted to Roger and Kate took place over 20 years ago. Kate reason's that if it was 20 years ago then Jude had to be under the age of 10. I think he's 28-30.

Jude's Curse: Jude's curse was born when his heart was completely broken, and he vowed to get revenge on those who made him and his sister suffer. It's manifestation was described as a black flame of hatred in his heart. Essentially, Jude has entered a vicious cycle of hatred that never really ceases. Jude fuels this cycle by acting in a way where people want to get revenge on him, and a part of that is because he want's to die.

Jude's Fated End: Jude is fated to die bearing a grudge/resentment/hatred against the world. Jude himself says that his death will not be an honest one. Some have made comments that his fated end is a bit underwhelming, but I am pleased that Cybird left Disney alone, and stuck with Grimm's ending for the 13th fairy. I love it because no one knows what the fairy was thinking or what happened to it, it just simply disappears. This is something that is mentioned quite a bit in Jude's route.

In the MS there is a beautiful chapter with all of Crown gathered for a fireworks beach day, and while Jude is looking at the fireworks, Kate is looking at him. She thinks he is like a firework, beautiful, dangerous if you get too close, and then simply gone.

In BLE, Kate watches a Sleeping Beauty play hosted by local town children where she is staying and even though she knows that the outcome of the fairy is unknown, she is hoping for a different outcome. When the kids stick to the fairytale, it's then she realizes that Jude too - while still stuck in his cycle of hatred - will die. He will never know happiness, and disappear like the burnt body of cigarette smoke, like a firework in the sky.

In chapter 18ish, while Jude is being held captive and being tortured by the British military for information on Crown, he laughs self-mockingly and says that this is the perfect fit for him to die bearing resentment/grudge against the world.

Is Kate Trying to find a way to break the curse? No. Unlike Alfons and Roger's route, Kate is willing to accept Jude's fate, stay by him, make him happy and be his reason to live. That is her sole purpose, to make sure he doesn't die. Kate is obsessed with keeping him anchored to the world no matter the cost, and she even mentions to Victor that even though no fated ends have ever been avoided, that doesn't necessarily mean they are tragic.

Is Jude happy by the end of the route: Yes. Though he won't admit it out loud being the tsun tsun that he is, Jude's first glimpse of happiness occured when he told Kate about his dream and she didn't laugh at him. By the time he puts her to sleep and leaves her behind, he tells her that being genuinely liked wasn't so bad. And of course, Ellis asks if he can kill Jude in his BLE epilogue because it's obvious that he's happy......Jude tells him he can go die, and Ellis is like okay okay. FR though E, I need you to calm TF down.

The depth of his love for her is so great that he tells her that if she ever tries to run from him, she should just kill him. The reason is because she is his only happiness - she is the moon that he's been trying to reach for so long. He'd have no reason to live if she left him.....

Hmmm, here are some of my favorite parts in his route:

He tries so hard to protect Kate, from throwing her out of a window when a house is on fire and telling her she died in that fire so she wouldn't have to return to Crown, to lying to her and accusing her of making a 10,000 £ mistake and firing her from Raven, and other things.

I love that he even assigned people to watch her secretly after he's left her behind in a seaside town, with the intention of doing so for a long time since she is known throughout London for said involvement with Jude. He says things like, if she can live a calm, normal life, then that's enough for me. So, he's resigned to love her from afar.

He does everything in his power to protect even Crown from getting involved with his research so they aren’t crushed and hated by the privy council or others, even undergoing brutal torture.

Jude promises to make Kate the happiest he can before they go to hell, and there are many, many more things he does to endear me even more to him. I nearly cried when he introduced Kate to his sister at her grave he had made for her, saying she (his unnamed sister), was the only family he had left.

Even though he knows his dream of going to the moon is going to be difficult, he is more determined than ever to achieve it, because he's got two promises to keep.

Ultimately, we have our teasing Jude and Kate kicking ass together, and loving each other until their ends come.

Ugh, I'm gonna make myself cry. Well, this is it in a nutshell. Sorry for rambling!

[sticcmann]

i compiled my season 2 thoughts

its just not that good! its really not that good! Compared to season 1 of arcane, it really is a downgrade, which is such a shame. It's too much crammed into one and I have some other points.

In no particular order, first I'd like to talk about the recontextualization of the relationships between Silco, Jinx, Vi and Vander. The Felicia bits were UNNEEDED!!! Silco adopting Jinx because he projected onto her and Vander adopting those kids because he realized his failures was so beautiful. The fact that Vander and Silco were their godfathers already does a great disservice to Claggor and Mylo.

The letter doesn’t make sense at all either. The way Vander says “there’s worse things than enforcers out there” does not say “yeah I kind of want that guy back” (+ Benzo being mad at Silco too) and so the good timeline au also doesn’t make sense. The two concepts of “oo yeah this guy is bad I don’t want to associate with him anymore” and “oo yeah what I did to this guy is bad” can coexist in Vander’s head seeing as he says that he can’t forgive himself for drowning Silco. Maybe I’m just reading too into it and Vander is alarmed about Silco because he’s hearing rumours of his uprising or something. The whole woman died I’m angry and this is our big drama thing is just not a good explanation still.

Second, the sidelining of the oppression storyline. That was easily the most compelling theme for me in season 1, and the fact that it’s resolved by a banding together to defeat the real enemy plot is lazy and frankly disappointing. I’m sure others can give a better take on this with more problems but I’m not qualified enough.

Third. Jinx’s self sacrifice. Jinx was such a good representation of mental illness, and it pained me to see her go. The arc leading to her death does not make sense! Was Isha’s death for nothing? Jinx learning to appreciate life and healing from her trauma only for her to never get the satisfying conclusion of a happy life is cruel. My personal opinion is that she was written off to eliminate problems for Caitvi.

Lastly, did not like how Ekko saved the day with the saving the day machine. Cheap.

Now for some personal takes which you can ignore:

Viktor’s new design sucks and they should have given him cybernetic shit for more robot. I like the cyborg mage a lot. Also he didn’t get to be evil long enough.

Warwicks design also sucks and they should give him the wolf head but I hear rumours they will so I won’t dwell on it.

Not enough dictator Caitlyn! She got redeemed too easily. Also caitvi happened too fast frfr like dude they had domestic violence? And gas? And the almost killing a child thing? And the jinx imprisonment thing? Jinx was literally about to end it all and these two are going at it in jail.

Ambessa is a weak villain. That’s it

Tl dr

Silco Vander and Felicia bits are not great

Sidelined oppression

Sidelined Jinx’s arc

Time Machine deus ex machina is not great

Viktor and Warwick look like ass but that’s just my opinion

Bad caitvi resolution

Ambessa is not interesting

Now I can only hope that they don’t mess up on the Noxus spin-off, because I’m really looking forward to that! Mel interacting with the hardened politicians of that region would be so interesting to see. Swain is one of my major favourites and I wonder what they’ll do with him.

[aristaspark]

You're like, the greatest Kenlynn shipper I know. You have any idea of why do Darius love Brooklynn if they're not going to be canon? That kind of plot is very common and Kenlynn already break up. So why? I know Brooklynn didn't wanted their relationship to end, but I don't see how they will keep going... You said something like "Darius learning how to deal with rejection is a mature theme they would bring here". But Kenji learning to let go wouldn't be a mature theme too? Or Kenlynn realizing it can't work is also a mature theme...

Hello, well, first things first thanks for the compliment 😭 (?)

So to adress your point, me saying that Darius's arc being about dealing with rejection (and his guilt) makes for a compelling storyline doesn't mean that I think the same can't be said for Kenji and Brooklynn.

That's why I wasn't even mad when they introduced the storyline in season one, because it was believable that Darius could fall in love with her and it was very in character for Brooklynn to be obsessed with an investigation to the point where she neglected Kenji, it made sense and was simply very good writing. So, yeah, coming into season 2 I was sure they were going to take the "kenji/brooklynn both realize they could never work" route and shove dinostar down our throats to build them up, because looking at the story as a media with a fandom, that was what seemed more likely.

But then there was the promotional material in which Brooklynn only wrote to Kenji, which made me really doubt my conviction. And then season 2.

I think I already listed pretty much everything that suggested, at least to me, that the writers were going for Kenlynn, or AT LEAST that dinostar would remain platonic.

I wouldn't have been mad if they had made dinostar canon (still possible), it was kind of expected since they had Darius fall in love with her. But season 2 suggests it's not the direction they're heading towards (according to me at least) and honestly, I'm glad.

I'm happy because they really stepped up the writing and character conflicts since jwcc, and to me having Brooklynn reciprocate his feelings would be REALLY questionnable writing at best and straight up fanservice at worse.

In universe Brooklynn has been with Kenji for 6 years. They have being a couple for far longer than they have ever been friends. And it was Kenji who broke up. And you want me to believe she would fall for her a guy she has always seen as her best friend only a week after her break up? 😭 Mind you, a best friend she only visited because she was still obsessed with her investigation, not because she wanted to see him (proof she was like that with everyone, her relationship with Kenji wasn't the problem, it was her).

My take on Darius's arc was basically me trying to understand where they were taking his character, why they had introduced this storyline in the first place if it wasn't gonna go "anywhere" as everyone puts it.

But that's the point, we're so obsessed with shipping that we basically forget that it's not all that makes a story, and IT SHOULDN'T BE.

Darius having this arc wouldn't have been in vain even if he doesn't end up with Brooklynn. It gave him his entire arc in season 1, with him being filled with grief and guilt over her death, and it also gave him his conflict with Kenji. It made his character compelling, relatable, interesting. Like, shipping isn't all that matters, whether they end up together or not it's such a compelling story, so why would they refrain for telling it simply because of fandom culture? And to me it's just a testament of how better the writing has gotten since jwcc. The characters no longer have one dimensional relationships/conflicts with each other but have real conflicts/problematics. I'm not only speaking in terms of shipping, but also other storylines. Sammy not speaking to her family, her and yaz struggling with their long-distance relationship, Ben's paranoia, Kenji loosing two of the two most important people in his life back to back, having a death wish, Brooklynn loosing a limb, being cut from all the people she loves for months...

It's clear the writers are putting the characters in very uncomfortable situations, like, death wish and the loss of a limb, please ???

So why would Darius be any different? Why would they refrain from tackling the subject of unrequited love, of messy feelings and confusing friendship with love?

I think that what I'm trying to say is that it's a mistake to look at jwct the same as jwcc/as a kids show cattering to the fans. They're clearly not writing storylines to please the fans, but want to tackle very real subjects, and treat their characters as real people and I respect them so much for that.

I'm gonna stop here because I feel like I'm repeating myself (which I totally am, I'm sure I already wrote that in my endless ramblings). Sorry if I got carried away 😂

And (because I feel like I need to say it) I could be TOTALLY wrong. I'm only making theories on my account, I don't know sh*t except from what's in the show, so it's totally possible dinostar will end up together making me look like a clown 😂

[miwiheroes]

Narrative-wise and character-arc wise based on what we know up until s4, do you think Mike and El break-up is better before or after the time skip?

aghhhhh this is such a hard question because it could actually work both ways tbh but it would just have to handled differently <3

If it's before the time skip:

this would feel extremely rushed and disingenuous if it is not done correctly. It would honestly feel like the Duffers just decided to fuck with their viewers by giving milkvan a 'good' moment in the last ep of season 4 and then taking it all away in season 4. I think if they were to do it before a time skip, the whole of the first episode would have to be before the time skip so it feels like the episode doesnt just BEGIN with like a big breakup, because closure to a storyline doesnt usually get done in the first episode or the beginning of the first episode.

I know, I know, we really want milkvan to break up immediately and have no romantic moments or whatever. I don't think this will be the case, I think if it's before the time skip, then El will likely break up with Mike, but honestly I have no clue how they will write it. Because the situation is way way more complicated than people actually write in fanfiction (I have literally written a milkvan breakup but i dont think it will happen in that way).

I think the only way that Mike can know about the painting is if he hears it from El, and I think it makes the most sense for her to tell him during the breakup, but this will make less sense if this breakup happens before the time skip. HOW IS MIKE MEANT TO RUMINATE ON THIS FOR A WHOLE YEAR AND A HALF ??????????????

If it's after the time skip:

this would be so weird because like <3 what do you mean they've been in this weird limbo space for a whole year and a half?

however, i think if it's after the time skip, it would make sense if mike keeps saying i love you to el and is now able to because he said it in the pizza place, but el still thinks that he is being fake. but then again it makes NO SENSE for her to not confront him about this for over a year yknow? therefore if this happens after the time skip then it would have to be mike breaking up with her after realising he's gay or something - therefore it would not be in episode one and would have to be after he's had a self-discovery arc. Maybe he realises what the painting really means, leading him to break up with her.

i would not like this however, because it does not make sense for his character to do this up to this point, since he has been so afraid of losing her, so honestly i think it needs to be el exercising her autonomy to break up with him if that happens, but this again makes no sense to do after a year and a half IM JUST SO CONFUSED ON WHAT THEY WILL DO HELPPPPP THIS IS JUST A STREAM OF CONSCIOUSNESS AT THIS POINT................

okay sorry for that rambling: honestly i think that it should happen before the time skip, and that pre-time skip should occur for a whole episode (episode 1) and the break up should happen around the end of the episode, where mike finds out about the painting so he can think about it for a longer time (1 year) which i guess means he can be the one pining yay

TLDR; i have a breakdown

[glitter-stained]

But of course, the story does not have a happy ending. And The Dumpster Slasher, the Diplomat’s Son and A Death in the Family actually make a lot of sense for that theme when considered under that angle. Consider : in The Dumpster Slasher, Batman and Robin are powerless to stop the villain; Judy, however, is the one in control of the story, and when Jason praises her at the end, Batman condemns her and makes it clear this isn’t an option for Robin to take this course of action. The storyline is dumb in many ways but it really comes in as a first confrontation to Jason of the limits of what Robin can do. Then, of course, there’s the Diplomat Son, another Batman and GCPD epic fail where they are, this time, completely unable to get to the “happy ending”. The abuser isn’t gonna face justice. He is going to go right back to his country where nothing will protect the women there from his violence, and on top of that not only couldn’t they save Gloria from getting assaulted, but they couldn’t stop him from pushing Gloria to suicide right in front of them. And all of this is thrown directly in Jason’s face, first when he is the one to find Gloria in the immediate aftermath of her rape, and second when he finds her dead body. Jason’s reaction to refuse Felipe impunity and immediately rushing after him makes a lot of sense. And then? Well, either he kills him or he doesn’t, but what matters most is that Batman believes he did it – a direct mirror to Judy’s actions- and condemns it. And though he does not bench him for it then, it’s clear that this is a turning point in Batman’s trust in Jason as Robin, that not only does Bruce condemn it but it makes him question Jason’s place as Robin, the imprinted idea that Robin, which used to give you the magic to fix the bad things that happened in the past, is incompatible with the possibility of fixing the bad things that are happening now.

Jason Todd Meta: My opinion on the csa headcanon

Does Jason's behaviour suggest he was a victim of csa?

There is very little, in terms of clinical signs, that’s going to point to csa specifically, because most symptoms, for psychiatric disorders, aren’t specific to one disorder or cause. One thing that’s usually a good hint would be children making very sexual statements/references/jokes/behaviours that are very inappropriate in context (a good example of this would be Roman Roy from Succession); night terrors are bed wettings amongst children/teenagers over a certain age. But that is absolutely not necessary: many, if not most victims of csa don’t display these specific signs, and a twelve years old that suffers from night terrors is not necessarily a victim of csa. The one thing that tells you for sure, in a person with trauma, that they have been a victim of csa, is that they’re telling you they have been a victim of csa. I’m insisting on that part because there’s a whole bunch of therapists (cough cough psychanalysts) that will tell you confidently that your psychiatric symptoms stem from a childhood sexual trauma (cherry on top of the shit cake if it’s incestuous) that you didn’t know about because you’ve repressed it. I repeat, that’s bullshit. If you meet a clinician who tells you that, RUN. So, a warning: this is probably the least “psychological analysis” of my “Jason psychological analysis posts”, because Jason’s symptoms do not allow us to conclude formally for or against a history of sexual abuse. But that doesn’t mean we can’t do some meta, make sure we're on the same page with what's analyzed here, some textual analysis, discuss what the csa headcanon does and does not imply in terms of his behaviour. I think it’s a good idea to start with it so we know where we’re standing with our analysis, regardless of the fact it’s maybe not the most interesting in terms of psychopathology and neuropsychology.

A couple of disclaimers:

I only talk about the comics I want to talk about. This is for two reasons, which are that 1) I do what I want and if I don’t like/don’t find something interesting, I’m not gonna waste time on it; and 2) I’ve been reading comics for a couple of months only, and there are, like, a lot of them. If there are comics you wanna see analysed under that lense, feel free to suggest them! I might not want to, but it also could be that I haven’t read them yet. Additionally, I'm not interested in questioning the morality of Jason's actions here. Ethics are fun, and I like talking about them sometimes, and morality sometimes has a place in talks about demonization but largely speaking this isn't the space for that. I separate talk about morality and psychology stuff as much as I can for a reason, so if you are looking here for excuses for his behaviour or arguments as to why he is a bad person, you're in the wrong place. Moral judgement is irrelevant here for the most part.

On the events of Red Hood: Lost Days:

Jason has, at some point in the comics, been a victim of csa. When Talia kisses Jason before pushing him off a cliff right after he got out of the Lazarus Pit, and when she initiates sex with him in Lost Days, that’s not consent!! That’s a grown woman taking advantage of a traumatized teenager who is, on top of that, deeply indebted to her. That’s a predatory act, with a steep power imbalance, it’s sexual assault, and on top of that there’s an element of suggested pseudo-incest. That decision was retconned, and thank god, because it was a brutal assassination of Talia’s character based on a good bit of racism, and also because the way it was portrayed doesn’t make it clear that Jason is a victim in a situation rather than that super annoying trope of “teenage guy gets to bang a hot MILF and hahaha lucky him”, writing a male character in a situation of SA without acknowledging it as SA or taking it seriously is one of the tropes I hate most, it reinforces stigmatisation and isolates victims. For all of these reasons, I’m not gonna include that element in my analysis, but it’s important to note that if you do include those scenes in your conception of it, then Jason is undeniably a victim of csa and everything discussed about it applies to him.

What if it were a lie?

I’ve said it before (and I’ll say it again), I deeply, violently hate headcanons/tropes where a character lies about being a victim of csa (whether it’s for manipulation, personal gain, any reason really I don’t care). It’s rare as fuck in real life, however it’s a common trope that feeds into fear of being wrongfully accused that causes push-back and increases social stigmatization. CSA is a painful thing associated with intense feelings of shame and already a deep fear of not being believed. Imagine making a considerable effort to seek help after something terrible happened/is happening to you, and you have to brave your fear of not being believed on top of that, and once you’ve made all that effort you get rejected and villainized because it’s just easier for the person you’re reaching out to not to believe it. So I’m awfully weary of this type of headcanon, and I think a general rule of thumb is “if your interpretation of what the character is saying is that he’s talking about how he was abused, especially if he’s talking about sexual assault, then it happened.” If you don’t like that, if you don’t feel like that’s good representation, then you can question the story, think it should be retconned, or rethink your interpretation of what the character says if it’s ambiguous, but hcing that the character lied about his assault is not a hypothesis we’re going to accept here no matter what. So we can start by scratching that one out: Jason never lies about being a victim of csa, or wilfully hints at it even though that’s untrue, at any point.

Two other ideas I’ve seen floating around that I think are worth mentioning:

No, just because Jason lived in the streets as a kid doesn’t mean the only way he survived was through underage prostitution. I genuinely don’t understand that idea, yes being a street kid makes you extremely vulnerable, yes it makes the risk of resolving to underage prostitution to survive higher but it’s absolutely not a fatality. That idea is, quite frankly, weird. Do you automatically assume if a real life person tells you they were in the streets for some time at a kid that they are a victim of csa? Also, I've seen the idea go around that because some people have a strong reading/hc of Jason as bi (which I have no problem with I love bi Jason), that would be an argument in favour of the csa hc. Please don’t do that. There’s no link between queer sexual orientations and childhood sexual abuse, that’s a harmful myth that we should work to deconstruct or, at the very least, not continue to vehiculate.

Another important thing to keep in mind: childhood sexual abuse =/= childhood sexual trauma.

Now, a traumagenic situation is a situation that might induce trauma (so development of, acute stress disorder, ptsd, cptsd, derealization, any traumatic pathology really). These situations exist on a continuum of probability to be traumatized by this situation. For example, a flood, a car accident, witnessing a murder and being sexually assaulted are all traumagenic situations, but the probability of developing trauma from them are very different. It hinges on personal, situational, social, and environmental risk factors (that have nothing to do with being weak, anybody can develop trauma). A definition for traumagenic situations can be found in the diagnostic criteria for ptsd in the dsm-5:

A. “Exposure to actual or threatened death, serious injury, or sexual violence in one (or more) of the following ways:

1. Directly experiencing the traumatic event(s).

2. Witnessing, in person, the event(s) as it occurred to others.

3. Learning that the traumatic event(s) occurred to a close family member or close friend. In cases of actual or threatened death of a family member or friend, the event(s) must have been violent or accidental.

4. Experiencing repeated or extreme exposure to aversive details of the traumatic event(s) (e.g., first responders collecting human remains; police officers repeatedly exposed to details of child abuse). Note: Criterion A4 does not apply to exposure through electronic media, television, movies, or pictures, unless this exposure is work related.”

Note that the this last criteria has been added from the DSM-5 in order to explain cases of PTSD observed in at-risk jobs like cops exposed to repeated detailed child abuse, first responders collecting human remains, or, crucially, vigilantes repeatedly exposed to brutal crimes. This means that Jason, when he works on the Dumpster Slasher case, when he is horrified to find Gloria in the immediate aftermath of her rape (and later finds her dead body, because witnessing the consequences of these traumatic events is also an important component of that second-hand trauma), is being exposed to a very traumagenic situation. As I said before, that doesn’t necessarily mean you will experience trauma (thank fuck for that), but there are factors that influence that. SA related situations has an already pretty high probability of inducing trauma. On top of that, age is a big factor in that: the younger you are, the less resources, emotional regulation, development and coping mechanisms to face the traumagenic event you have (though there is such a thing as “too young to have PTSD" -when your memory is simply not developed enough for the memory to traumatize you because you will not remember the event.) At fifteen, with his memory fully developed but his brain going through so much changes because of teenagehood and his past history, Jason would be at risk. On top of that, you’re more at risk to get traumatized if you’re already stressed out when the event happens, so Jason’s mental state at this point in his robin run is also a risk factor. All to say, it’s very plausible for Jason to have sexual trauma without being a victim of sexual abuse in relation to canon events. Besides, in headcanon territory when it comes to Jason’s childhood before Robin, there are so many ways to be exposed to sexual violence : witnessing/finding his mother being a victim (considering the position of extreme vulnerability Catherine was in), witnessing assault in the streets, being the victim of attempted SA and escaping, watching street kids get picked up and later find their bodies/being told by other kids, as a cautionary tale, in excruciating detail, testimonies of their own assault… Or for example, if we’re thinking about Arkham Knight, being constantly threatened with SA, it being hinted and joked about and hanging over him like a sword of Damocles is something I could see Joker and other inmates do that could definitely induce sexual trauma even if it doesn’t happen ; what matters most, in trauma, is that the fear is real. Mechanically, when we’re looking at the way trauma works even on a biological level, the overwhelming fear is at the core of the pathology. (This is also why you can develop PTSD after a psychotic episode.) Like, my point isn’t that one of these things happened to Jason, or that he has to have sexual trauma from the events of the Diplomat’s Son or anything -mostly just that this is a possibility, something very serious that happens and an important nuance that I never see in discussions on the csa headcanon, and while it’s not exactly what the debate is about, I think it’s something important to ponder.

Do you consider the csa hc to be canon?

So, there are a lot of Jason stories, and I’m very pro “not take in account what is said in comics you dislike in your conception of canon” because if I did that absolutely no bat character would be readable, I have to believe that no character is defined by their worst writers. And boy, does Jason have a lot of bad writing… On top of the personal retcons, there are also the canon retcons: like Battle for The Cowl is retconned… Unless someone decides to reinject/revamp it into the narrative (please don’t please don’t it’s irrecuperable let it lay with the Flying Todds where it belongs). So, let’s see. There are three writers/arcs that imply/mention the csa hc: Starlin’s writing of Jason’s post-crisis Robin Run (canon though some stuff in it seems to have been retconned), Winick’s writing in Green Arrow: Seeing Red (canon as far as I know), and Battle for the Cowl (retconned). It’s worth noting that one of those are considered to be foundational works for Jason’s character (Jason’s post crisis Robin Run and Starlin’s part in it), and another was written by Winick, who wrote the other two foundational Jason stories: Under The Red Hood and Red Hood: Lost Days. On a personal level, I’m very mitigated about what I like and accept about it. I base my whole love and characterization of Jason about his post-crisis Robin Run, I love that little guy so much, Starlin’s take on Jason’s Robin Run is absolutely canon to me (which does not mean I like Starlin as a writer, thank you very much). On the other hand of the spectrum, the only reason Battle for the Cowl isn’t my least favourite comic ever is because The Killing Joke exists, absolutely not canon, get this thing away from me. And then in the middle, my feelings on Seeing Red (on the entirety of Winick’s Jason really) vary depending on the day, because I do like a revenge story that challenges the status quo with tropes of “bad victim” and it sets up Jason as a character based on love rather than morals which I adore, but there are also some elements of psychophobia in the writing that I (who approach stories through the filter of psychopathology first and foremost) can’t just look past, and also the way it intertwines with classist stereotypes. So do I consider Seeing Red to be canon? In good faith, yes, but whether I’ll accept it as such really depends on the day. In terms of the csa headcanon: it’s heavily hinted in BTFC but not outright said, it’s there as a undercurrent in Starlin’s run because of his intention (to make Jason die of AIDS). And then we have Seeing Red. Basically Jason lists elements about Mia’s life, including her past with underage prostitution (so, just to be very clear, csa), and says they’re very similar, having both lived on the streets, and understand having to do bad things when it’s necessary. This is not the same as saying “I was a victim of csa”, and what he’s saying could be interpreted differently (we know that he was stealing tires, and “only what he needs to survive”, so he could have been referencing small-time theft.) So, it could be a reference to something else, I totally understand why some people want to interpret differently. It just… Feels like such a weird and weak argument to be equating boosting tires to underage prostitution, to me it’s very ooc (in comparison to UTH Jason), and it would feel like weak writing from someone like Winick. Aka it’s not technically canon, and you don’t have to accept it as such(I understand the mentality of "I'm rejecting this interpretation because it feels like demonization of csa victims" perfectly), but personally I think it takes a lot from Jason’s character in Seeing Red and from this story in general.

[hoperays-song]

Johnny’s Clothes

Can we just quickly talk about what Johnny wears throughout the two movies? Because it’s really insightful character design and actually was one of the first things that hinted to me why the gang might be stealing in the first place: they’re all hand-me-downs. 

They all fit weird, sleeves too long, legs too long, sitting off the shoulders, and visibly worn. It also shows his transformation between movie a bit as his clothes seem to be in better condition in the second movie, like he could now afford to repair or replace them. The only clothes that fit him perfectly being his costumes however could also symbolize how he feels more at home and like he fits in there as well, if we’re looking at it symbolically as well. 

Anyway! Why do I think they’re hand-me-downs? Well...

Johnny’s Jacket

The most obvious hand-me-down as a lot of the fandom even headcanons it as his dad’s old jacket and I’m inclined to believe this as well. While this jacket is arguably the only piece of Johnny’s wardrobe that fits somewhat well with only the shoulders being to big, it is so worn down and clearly well loved that I doubt it was just a thrift store find. Johnny clearly treasures that jacket and takes care of it, even seeming to repair it a bit in between movies. This indicates to me that it has sentimental value and being a hand-me-down from his dad, a jacket his mother might have worn once as well, would definitely make it sentimental.

Johnny’s Jeans

Johnny’s jeans are more obviously ill-fitting in the first movie. They’re cuffed, but not stylishly, more out of necessity. And since he doesn’t wear his clothes to sag on purpose, this indicates that the jeans originally belonged to someone much taller than him, say any member of his family, or he might have even thrifted them. And as someone who’s worn jeans literally their whole life, I can tell you that the wear on the knees of the jeans from the first movie are not from stylistic choices. In fact, due to the light wash of the actual jeans themself, I can tell you that those jeans are seconds from falling apart at the knees, and can only be fixed with a patch. They are that worn down. However, in the second movie, they do look a bit worn, they are clearly newer and in much better shape, judging by how you can see that bronze side seam that is really prevalent on new jeans. He got a new pair but since they’re still too long, I’m gonna go with they were bought hastily and on sale.

Johnny’s Shirts

Johnny’s shirts are way too big for him. The sleeves end at the center of his hands, and while all mine do too, that’s because I deliberately buy 1 to 2 sizes up. That means that those shirts aren’t Johnny’s size and if he had thrifted them, you would think he would have gotten the correct size if he could. That implies to me that they might be hand-me-downs from his dad and uncles from when they were teenagers, explaining why they’re too big but why Johnny’s never altered them like he has other clothing items.

Johnny’s Shoes

So I’ll admit, I’ve never owned a pair of converse high tops in my life, however, I did some asking around and some googling and my report is that converse last around, on average 1-3 years. Now, it’s important to take into consideration here that Johnny’s primary mode of transportation is his skateboard, therefore apparently decreasing their lifespans to 2-8 months. However, since these shoes cost between $40-$65, I’m less than inclined to believe that the family that has turned to committing felonies has that amount of money laying around. So those are almost definitely the same shoes a year later in Sing 2, and since they didn’t look brand new at the start of Sing 1, they are probably much older that 2-3 years old and almost definitely being held together with duct tape.

Johnny’s Tank Top

So this has literally bugged me since I first saw it to be honest. I might not be an expert seamster or tailor, but a quick google search did confirm that there is not usually a giant seam across the chest of almost all clothing. That, along with the strange looseness we can see in the sides of the shirt when he moves stood out to me, so I did some research to confirm my suspicions. That kind of seam is used to shorten clothing. And why it might be that high up would be potentially due to that area not fitting correctly, and judging by how un-formfitting the sides of the tank top is, it probably was too loose. Besides, we’ve literally only seen Johnny wear long sleeves, like every shirt and costume has long sleeves. The only member of Johnny’s family we’ve seen wear a tank top is Marcus, who we see wear them to work out. And as we can clearly see that none of Marcus’s clothes would fit Johnny, he’s easily twice his size. Therefore, it’s likely one of his dad’s old tank tops they altered to actually fit him.

Johnny’s Watch

To be completely honest, I forgot that Johnny wore a watch in the first movie entirely. However, upon some research, the closest look alike i found cost $80. ...Yeah, I don’t think the guy who has hand me down shirts is gonna prioritize getting a watch. Besides, it looks really old judging by how worn the band appears. That leads me to believe it’s a hand-me-down/ family heirloom, or he thrifted it awhile ago.

Johnny’s Dance Shoes

Just look at how spotless and perfect those shoes are. Those are absolutely a loan from the troupe. Besides, those are not sneakers, those are shoes especially made for dancing. Not only has Johnny not ever had a reason to have them before, but as a former dancer, I can attest to how they can cost anywhere from $25 to $150 a pair. Johnny definitely did not just happen to have a pair laying around and neither did the theatre troupe, so those would have been a loaner pair from Klaus’s group. 

Johnny’s Sweatpants

These are clearly the newest of Johnny’s clothes and at first I thought they might actually fit him perfectly. That was until I actual dug into the standard fitting of joggers and realized that they also were the smallest bit big on him. But since they seem to be in such good condition, I’m more inclined to believe these were a gift that was estimated in terms of sizing. Another reason I think these might have been a gift is that we only see Johnny wearing dark and cool colours, bright red joggers, even if they are a bit ombre at the bottom, don’t seem to be within his typical style range. Also, the closest pair of joggers that looked similar to his that I found cost $70, an amount of money Johnny clearly doesn’t have to spend on clothes so, they were definitely a gift.

[paigemathews]

@fullybeautifultheorist replied to your post “I know I have some drafts that at least mention...”:

Tbh the fact that Cole was possessed doesn't really change much. Cole was egoistical and obsessed murderer in season 3 as well as in season 5. There is literally no meaningful change in his behavior during all 3 season. And even un season 7 he is playing peeping Tom

​Hmm, honestly, I see your point, but I think I would disagree. I’m not a fan of Cole’s, by any means, but I think knowing that he did not purposefully become the Source of All Evil and he wasn’t in full control would change things for at least Phoebe. I don’t want to whitewash his sins, because there are many but there is at least some kind of inherent tragedy in his loss of agency and autonomy after he tried to redeem himself. He really was trying to become good, even if it was for flawed reasons. I also think that it could bring either more pain or comfort to Phoebe and the sisters, because on one hand, they hadn’t been tricked so badly that Cole had never actually changed sides but on the other, they’d still been manipulated enough that they thought he never did if that makes sense.

[darabeatha]

[jeremy-pakhitou]

I love Crocodile x Dragon because it only makes sense to a very few crazy people ///

Keep reading for my head canons/storyline (spoilers Headegg)

I'm rolling with a transmasc Crocodile headcanon who was part of the revolutionaries (or what precedes it) and he ended up leaving after loosing his hand in a conflict that could have been avoided. He wants to overthrow the World Government but he thinks Dragon is too soft and slow and that's why he'll try to take over Alabasta and create Cross Guild later on. He still very much wants to destroy the government but he wants to be a pirate not a revolutionary. He's also Luffy's second dad hehe

He met Dragon in his early twenties. They had a pretty big age gap but when it comes to power imbalance Dragon was not winning. Crocodile was savage and ready to shoot a bullet between your eyes if you annoyed him whereas Dragon was bad at communicating and a bit creepy at first when he was just a big softie with great goals and ideals. He was also really chill with queer people as some of his best friends are Queen Emporio Ivankov and my favorite transfem egg : Vegapunk ! (but that's a theory for another time krkr)

In the end Crocodile became attached to this big idealist with a pretty pleasant personality while Dragon was fascinated by the cold and intense Crocodile. But their relation didn't last very long and Crocodile was fed up with the revolutionary army and took his leave. They both didn't really have another relationship after and none of them really took care of the offspring their union created. (Dragon was looking at him from afar and Crocodile completely lost track of him but was reminded sometimes that this child existed, he only realized his son was Luffy at Impel Down/Marinford)

Anyway I love this ship because it's really the biggest white canvas, we know nothing about Dragon and Crocodile's past and I love to make up things. I love how Crocodile is the melting pot for theories too (is he the former Kuja impress ?? Is he Whiteboard son ?? Rocks D Xebec's ??? (I like this one because we don't know sh*t about Xebec either ))

If you read all of this damn thanks first + don't hesitate to share your headcanons you probably have some fjdkdl

[tarysande]

The best part about coming back to the source material after a looooong time is you sorta get a fresh look at canon in comparison to whatever the dominant strains of fanon have become. Or, in fact, whatever your own dominant strains of headcanon have become.

I mean, yes, Garrus “I’m not a good turian” Vakarian gets infinitely cooler (and more competent!) by pretty much every metric as the storyline progresses. He does. But fresh out of ME1 and into ME2 through his recruitment, I find myself genuinely amused by how thin the veneer of badass is over a pretty dominant core of straight-up nerd sprinkled with idealism mixed with self-doubt.

When you have Garrus in the squad all the time (and thus get all his ambient dialogue and remarks), you really pick up on the number of times he calls out bad behavior, unethical actions, cruelty, and rule-breaking, especially in ME1.

He’s not actually a hothead who can’t abide rules of any kind. In fact, most of the time he’s pretty pro-law-and-order, and he gets amusingly hall-monitorish when people are breaking rules he considers important and worth following.

Fundamentally, Garrus chafes when his sense of what is just is at odds with what the authorities do about that injustice (or what they stop him from doing). And I would hazard a guess that the reason his actions seem so intense or harsh or "of course we should have shot down that ship in the middle of the Citadel" is indicative not of his impatience but of the degree to which he thinks the authorities have failed to uphold that justice. We know he can be patient. He's a sniper. His whole modus operandi on Omega is precision kills without civilian casualty. But when that long fuse finally burns down, he goes from zero to shooting down ships in the middle of the Citadel in what looks (from the outside) like a heartbeat.

And yes, injured pride hastens the burning of that fuse; he doesn’t like losing. Or admitting defeat. Or failing.

Having just replayed his recruitment mission, a few things really stood out to me this time.

The merc bands really hate him--and they also reluctantly admire him (he's described as smart, resourceful, dangerous, idealistic, brave, slippery; they all agree they only way they managed to get this far is by isolating him and employing dirty tactics). I mean, there's literally a station-wide announcement that Omega can return to "business as usual" once Archangel is out of the picture because he was disrupting things so completely.

The way Garrus blames himself for the deaths of his squad is so freaking turian. Failure reflects on the leader who places his people in danger they can't handle, not the individual who fails. Heavy is the head that wears the crown. Yes, Sidonis betrayed him, but the person Garrus blames the most? Is himself. For trusting Sidonis in the first place. For raising Sidonis to a position where he had the means and opportunity to harm others--and the weakness of character to turn coat, to save his own hide, instead of dying to protect the others.

Garrus mentions more than once that he was trying to emulate Shepard. And his tone always implies that he knows he failed because Shepard would never have let a Sidonis into the fold. Again, he's blaming himself. Like a good turian. Yes, he wanted to avoid the red tape and bureaucracy of C-Sec, but his code--Archangel's code--certainly aligns with Paragon Shepard's morality (with a Garrus Vakarian twist).

And since it wouldn't be meta without adding a Tara's Headcanon Twist ... I've always wondered why "Archangel" when it's such a ... human concept. But this time, when I noticed how he spoke about Shepard's influence, and how quickly he brushes aside the name when she asks him about it, I wondered if it wasn't actually his way of honoring the mythology of the dead woman whose example he was trying to follow. Not that Shepard is a God he's worshiping, but ... there is something about the way he talks about her. Garrus doesn't make himself over in the image of a God, though; he's the soldier, the right hand, the avenging angel responsible for carrying out divine punishments suited and proportional to the crimes committed, the rules broken, the selfishness or cruelty of the perpetrator.

[stormgardenscurse]

pillow stacks

Summary: Sleeping over with them! Ace’s is longer in honour of his birthday!

Characters: Ace, Vil, Azul, Charming Stranger (that new Gojo-guy in the next halloween event)

Ace

The idea begins when Ace realises how quiet Ramshackle Dorm is at night. Sure, you say that you’re used to it and it’s not a big deal, but a part of Ace feels bad for not realising that no matter how he and Deuce may try to liven up your daily life, you still are, first and foremost, a student displaced in another world.

And with that comes a certain sense of loneliness that Ace can’t stop thinking about. At this point, it’s less pity that he feels for you and more of a desire to hang out with you after your usual hours. He wants you to feel like you have a home in Twisted Wonderland, too. And, well… He’d like to include you in his, by letting you into his personal world, if he has the chance.

…Which is why you’re here now! Doing typical things like a movie marathon, nail painting, and snacking on cup noodles. Ace claims that everyone just needs some TLC once in a while (including him, though you can’t imagine what’s stressing him out), so he’ll even let you do his nails (if you do a bad job Ace will have his revenge by doing your makeup after).

But Ace has always been a best friend who involves you in everything, so the activities up until now haven’t really struck either of you with a sense of ‘something more’ yet. That is, until you guys were fighting over the makeup palette and it stains your shirt - you didn’t bring a spare, so it was left to Ace to give you one of his instead.

That was the moment Ace realised that not only was he dressing you up, but he was doing so in his clothes; just what kind of crazy scenario is that?!

Suffice to say, he couldn’t help but stare as he saw the way one of his baggier shirts looked on your frame. It had to be one of his sleepwears too, which most people wouldn’t see him in - which only makes his thoughts race even further, knowing that this was a side of you that only he would be privy to. And he’d very much keep it like that. 

(The next day, Ace just borrows you one of his uniform’s dress-shirts so that you can escape the dorm without looking too suspicious. You get caught regardless because he’d forgotten to retrieve one of his hair pins from you, in the design of a bright red cherry.)

Vil

It’s not often that you get to spend a quiet evening with Vil (or simply a quiet, extended amount of time at all, considering how busy the both of you are). So to summarise the sleepover as therapeutic wouldn’t be too far off.

Vil wastes no time in beginning an elaborate skincare routine, and the two of you watch movies while waiting for your face masks to dry. 

You even manage to convince Vil to try one of your favourite games. If it’s for two-players, you’ll quickly get engrossed and experience a bit of drama (just typical, childish arguments about how one of you keep falling off the platforms). If it’s a visual novel or otome type of thing, you finally have the chance to witness what Vil Schoenheit, real-life celebrity and crush of thousands, has to say about romancing a 2D fictional man who is pretty, by the game’s standards, and critique how the storyline goes. 

Spoiler: he thinks you just decided to torture him for your entertainment, specifically because you chose an otome where the male leads were all pigeons. 

In the case where you played a normal two-player game, Vil will ultimately try and fail to forget about it so that he doesn’t get addicted/distracted by the game in the next few days, but of course, you soon get asked when you’ll next be free to play. He needs to get the ending over with so that he can move on with his life.

Your main souvenir from the sleepover is a new phone wallpaper — which Vil swapped for you when you were still setting up the game on your laptop. It’s a selfie with the two of you together, a far-cry from the usual celebrity and prefect personas you wear in everyday life.

Azul

No one can fathom how you managed to convince Azul to do this. Even with the pretence of this being a study-sleepover, he was generally much too self conscious about how he’s presented to let people witness him unguarded — let alone sleepwear.

Azul’s stuck; he can’t wear anything too tight fitting or hugging his silhouette because he knows he’ll just be too busy stealing glances, checking to see your reaction and overthinking about whether it’s a good one or not. So, instead, Azul wears something baggier (very unlike him), which also covers all his skin.

His plan works pretty well, up until the point where you almost roll off the bed by accident, and while catching you, Azul realises - ears red and face following - that you were leaning your entire weight on him. And your hands are right on his abs.

It’s almost phantom-like how fast the two of you dart away, trying to salvage your dignities. You’re left flustered because his muscles felt unexpectedly defined, while Azul is considering if he should make a contract with you and try to confiscate your memories of the past minute.

The paper that you both were working on is submitted successfully the next day, but Professor Trein notices an embarrassing spelling error on your names.

Just what could’ve caused this kind of mistake anyways? Well… it may have to do with your innocent question of how your names would be written together if you had the same surname instead. 

Just yours ‘and Azul Ashengrotto’ together in one line, or separately as you ‘Ashengrotto and Azul Ashengrotto’? Wouldn’t that sound redundant?

Azul had quite enough of your questions after that, scribbling your names and shutting the folder like his life depended on it. He’d forgotten to include your surname, making it look like the former hypothetical above.

Charming Stranger (Pumpkin King, Gojo twst, etc)

For a second, you thought you’d woken up in yet another coffin like the one that brought you to Twisted Wonderland. But you were soon proven wrong as someone cleared their throat next to you, causing you to jump and hit your head against the coffin door in your alarm.

It’s more spacious than you realise, accommodating a man beside you without it feeling too crushed. But judging by the lack of panic on your part about how claustrophobic it is, you assume that this was some sort of odd dream.

An odd dream with a charming-looking stranger. Perhaps you wouldn’t want to wake up just yet.

The stranger welcomes you to his humble abode, mentioning that it’s the first time that anyone has entered here other than himself. That ought to make you quite special, seeing as he doesn’t even feel irritated by the lack of space. Are you perhaps a ghost seeking some warmth? He regrets to inform you that his vessel is equally as cold as the ‘bed’ around you.

He’s also quite enamoured by your nickname for him. ‘It makes it sound like we’re in a romantic tale~ If you do not mind dancing in a graveyard of wilted flowers, then I would be more than happy to share a never-ending waltz with you.’

You bat off his comments, saying you probably won’t meet again after this - only to be taken aback by his smile.

Confident, knowing, and stretched as wide as a jack-o-lantern’s mouth. For a second it finally hits you that he is a type of powerful being, and that if he wanted to, may gain a permanent hold on your soul.

Then, the alarm flees your veins as his expression relaxes, taking your hand to place a parting kiss on your knuckles. Until you meet again…

Like how most dreams evade memory, you’ve already forgotten about this encounter the next time you see this man. His eyes land on you within he crowd of students at the college, and seems delighted that you’re there.

A wink, a finger to his lips. Just wait a little longer, and you can share that waltz he promised you atop his bed.

[rawopinions]

At this point, I honestly don’t even understand the point of Sky and Viktor now. She was introduced in season 1 as a kid, had a crush on him as an adult, then she was killed off. Viktor cried over her death, making it seem like he cared for her. But then, in season 2, they bring her back, only to turn her into a symbol of Viktor’s humanity and use her for his storyline. They kill her off again, and the last thing we get is the “No, you won’t” line to end them. I honestly thought they’d give us a flashback to flesh out their past, but they didn’t. Outside of being a plot device for Viktor, what was the point of her character in the first place if this is how they were going to treat her? It just doesn’t make sense. I really had high hopes that Sky wasn’t just going to be fridged for the plot. I thought the writers had something meaningful planned, especially when they brought her back in season two. I trusted that they were building towards something more, but unfortunately, I was wrong. It’s shameful to see how they handled her character. ☹️

[tarlosislove]

For those who are new to the 911verse because of Buck, hello! This is just another post I'm making to show that there's been Queer characters here all along! 🏳️‍🌈

I'm so glad because of Buck being canonically Bi new people have started watching the show, maybe you didn't know there's been Queer characters the whole time, maybe you don't know that there's a spinoff that is also v queer.

Both 9-1-1 and 9-1-1: Lone Star have been Queer from the very beginning.

9-1-1: Hen and Karen are Lesbians, they're married and have a son together. The first season is.. rough with them but we as a fandom have basically agreed to ignore that storyline because they are incredible now and have been for a long time, just push through that storyline and it's all good from there. Shipname: Henren

You'll see Michael and David for a few seasons, they're really sweet and I love them, they're said to still be together but they're not on the show anymore. (That is completely the fault of the actor for Michael)

Josh is a recurring character, he's gay and Maddie's friend and co-worker at the dispatch center.

Buck has had so many moments throughout the show that just makes complete sense that he is now discovering his Bisexuality. So don't worry you're not gonna have to wait 7 seasons to see Buck have Queer moments.

There's also several times we see Queer characters that are just there for an episode because they were part of the rescue.

•

9-1-1: Lone Star: Carlos and T.K are gay and get together at the beginning of the show and are still together as we're going into season 5. Shipname: Tarlos

Paul is a Trans man firefighter. As a Trans person Paul means so fucking much to me.

Nancy is Bisexual, while there has only been one comment in the show both the writers and the actress for Nancy have confirmed she's Bi.

Again there are times when you see Queer characters that are there for an episode or for a rescue. I love when shows do this because it just normalizes Queerness throughout and it's not just main characters that are Queer.

These are both gay firefighter shows and I truly hope you love them! ❤🧡💛💚💙💜💖

[jaehaeryshater]

“Near the end, [King Jaehaerys] grew certain [Alicent] was his daughter Saera, returned to him from beyond the narrow sea.”

artist: @riotarttherite

I had the great pleasure of commissioning, in my opinion, one of ASOIAF fandom’s greatest artists on this gorgeous piece. I had never commissioned any artwork before and didn’t know what to expect, and this far exceeded my expectations. The attention to detail is beautiful and the overall piece conveys exactly what I was envisioning in my head, so I wanted to start off with a big thank you.

The idea for this art piece was originally a “what if” or AU where Saera either didn’t get caught at the brothel or was brought back from the Silent Sisters as was allegedly Jaehaerys’s plan (or if she had bonded with Balerion and gotten to stay! Would have loved that for her) so she stays in King’s Landing and becomes his caretaker in his old age instead of Alicent Hightower. As his daughter, she would have significantly more influence in being able to “speak for him” instead of a caretaker for another House, so although I do not take Saera as someone particularly obsessed with power, I do find it very interesting to imagine her deciding to cause chaos as the Old King’s mouthpiece. The streets of King’s Landing are burning as we speak! Even before Jaehaerys seemed to succumb to dementia, Saera did appear to have a strange influence over him, so once Alysanne passed away, it only makes sense that Saera would become the person in his ear. Not all that great for the smallfolk or even Lords of the realm, but great for drama and storylines. And Saera, of course! I’m sure she would have paraded everywhere, weighed down by jewelry and the finest wines. Perhaps she would have had a full menagerie, as she appeared to love animals. Definitely an elephant there somewhere.

As this piece was being worked on, however, I did think of a second meaning to the art that I also think is really neat. You could also view this as what Jaehaerys is seeing as Alicent is caring for him. He did believe her to be Saera in the end, as his mind was being lost. His Saera had come back to him, and although I do not like Jaehaerys and think he probably deserved worse, he most likely died happy at that thought, believing Saera was reading to him. So if you prefer to interpret this as viewing things through Jaehaerys’s mind, I welcome you because I love it at least equally to the first idea.

Lastly, the detailings are beautiful so I wanted to touch on them and give them the attention they deserve for the moment. I asked Riot to have a caring but sinister vibe, that she is caring for him for a plethora of reasons but certainly that includes self-serving reasons. I believe this was captured really well! I wanted it to be illustrated that Jaehaerys had lost his wits a while beforehand, so he has a vacant look, and Saera has the keys, showing that she is the real power behind the Crown. She has several expensive jewelry pieces (she has many from her lovers, but she doesn’t bother with them, leaving them to collect dust, only thinking gifts from the King are worthy to wear), but my favorite was one I specifically requested. Her jeweled bodice, which contains replicas of the King’s jewels that are present on his crown. Dare I say, she had her mother’s crown repurposed for herself? The intention is clear, Saera is effectively the Queen now, not in name, but Queen nonetheless. As for the general fashion, I told Riot that my favorite era of fashion was the Tudor era, more broadly 1300s- 1550s. As you can see, this was more than delivered and extremely beautifully inspired by historical fashion. GRRM doesn’t always describe his character’s outfits, and the GOT and HOTD outfits were often lackluster. This was exactly the type of beauty I was looking for. The dragon embroidery on Saera’s sleeves? Mwah!

Anyway, thank you so much for geeking out with me! The Saera/Jaehaerys dynamic is one of the most interesting dynamics to me. There’s simultaneously so little and so much there. It’s complex and layered, I can’t stop thinking about it. If you have been on my tiktok, you may have heard about my extensive theory regarding that dynamic, iykyk. If you ever want to talk about them, absolutely feel free to inbox me. More commission ideas coming this year definitely, at least a couple more of this dynamic, but I don’t know how a piece could be any more perfect <3

[revelboo]

Hello, sorry if I'm being annoying. But I’d love to see something with IDW Ratchet or Tarn if you could write anything with them—especially Ratchet. I just don’t see enough good stories about him. I really enjoy your writing style and can’t get enough of it. Sorry for any mistakes; English isn’t my first language.

Sure, I’ve been meaning to do an IDW Ratchet. Tarn’s on my list, too, but he and Ratchet will likely be the last new characters for a while. I’m currently over 30 ongoing storylines at this point 😅

Feel Like Rain

IDW Ratchet x Reader

• Sometimes it’s all too much. Even with First Aid helping, there’s just not enough medics in the Ark to support so many Autobots. Wheeljack and Perceptor can help if push comes to shove, but even then once the fighting begins again it won’t be enough. He’s never enough. And when he can’t get his processor right, when it threatens to drown him, he goes driving in his alt mode. Feels the sun baking him, the sand and hot asphalt under his tires. No real destination in mind, just trying to calm the panic that’s always there, the worry about what might happen. Driving for hours sometimes in a widening spiral about the Ark. Never going too far in case he’s needed. As he turns, he almost misses the car down in a crevice, only part of the bumper still visible, emergency lights flashing. Not his problem, but he’s still slowing anyway. Because he’s still a medic and someone might be hurt.

• Transforming and sliding down next to the car, he lays a hand on the roof feeling the heat of the metal and knowing it’s been there a while. Leaning to look inside anyway, there’s a human slumped forward against the wheel, broken glass glittering in their hair. Unmoving. Too late, then. Spark constricting, he’s turning away, pushing off the car to make the metal groan, when their little fingers flex and you make a low, guttural noise of pain that freezes him.

• It takes time to carefully peel back the roof of the car, snap the seatbelt and pull the door off to remove you. Feeling how hot your skin is against his servos as he lifts your limp form. Your eyes never open but you mumble incoherently, broken fragments he can’t make sense of. That make him wonder just how long you’ve been here, trapped and waiting to die. Because there’s no leaving you now that he has you in his hands. Carefully transforming around you to carry back to the Ark.

• Wheeljack’s in Medbay when he returns, digging through his tools and looking up guiltily, vocal indicators flickering green before he notices the human. “Haven’t seen that one before. Looks rough,” Wheeljack murmurs, moving closer as Ratchet lays you on a berth, your tiny form looking even smaller in the bot sized space. He’s almost absurdly glad Wheeljack’s there. Even though he’s been trying to brush up on human medicine since there’s so many of them now in the Ark, he doesn’t know nearly enough. Doesn’t know how to help you, but Wheeljack has a human. He has to know something.

• Snatching a scanner to run over you, he frowns at the results. Wrist and arm broken, one leg fractured. Body temperature well outside of normal parameters, dehydrated. Blood pressure off from normal, too. And he doesn’t know enough to know which problem is a priority. Which will kill you if he doesn’t fix it first. “Get your human,” he says softly. Temperature? It’s a place to start, cooling you off. “Now, Wheeljack,” he adds without looking up when the other bot doesn’t immediately move. Using a servo to brush your hair from your face, he can see the glass glittering on your skin and in your hair. “You held on this long.”

Next

[spxdyr]

im going to try to be nice because bucktommy's are going to inevitably see this and im not trying to start shit.

i'm seeing a lot of confused bucktommy's about the breakup. claiming it was a last minute decision, it was because lou didn't want to keep dealing with it (wtv that means), that it makes no since because of 8x05, and a lot of other spiraling bs.

i even saw someone say that buddie is never going to happen because oliver said eddie is straight...

i'm going to break this down as clearly as i can, because i've historically had issues with bt's and comprehension skills.

1. the bucktommy breakup was inevitable from the moment they got together. if for no other reason than tommy himself. from the beginning of their relationship, tommy has decided if buck was ready. not buck. tommy left buck standing on the side of the road aftet their first date because tommy decided he wasn't ready. because buck was nervous to come out to his best friend in public. tommy decided that buck would break his heart and that he wouldn't be buck's last. tommy came into that relationship assuming it would end. not buck, and not the audience. we were just picking up on what tommy was telling us. especially, given the fact that buck was fully ready and able to move past the abby clark of it all. tommy was a bad partner to buck, that's why they broke up.

2. i said this after 8x05, it wouldn't have made since to give us an on screen breakup if the only thing we saw of tommy was the thirty second birthday scene in 8x01. 9-1-1 loves a three ep arc and buck's side of whatever realization he might have started on 8x05. we needed to see more of tommy so it made sense when he broke up with buck. throughout all of 8x05, we saw the seeds of doubt being sowed in tommy. from the hospital scene after denny, to the closing one, tommy realized he didn't fit or at least wouldn't for long. because he never got that built-in family. he doesn't trust/believe that anyone would have his back like that. and he made that choice all on his own.

3. lfj is fine. he's a mulit-million dollar nepo baby. one whose been callled out for negative past behaviors and some people consider that bullying. lfj knew how long he was going to be on the show when he signed the contract to come back. the networks choice not to renew that contract had nothing to do with buddie stans. his storyline was over.

4. i can't even be confident that he's gone. there was a lot of stuff left unsaid or moved past too quickly. now 9-1-1 has a history of bad writing in that regard but they also have a habit of dropping things to only come back to them episodes or even seasons later. if he's really gone well thank god, but if he's not im not totally shocked.

5. i don't know how many times i have to say this. if eddie is gay or bi or demi or wtv, the cast wouldn't be able to say so because it would be a MAJOR spoiler. does no one remember andrew garfield and tom holland lying their asses off about spiderman ffh??? actors are liars, its like the whole bit. buck was straight until he wasn't. let's stop being dense and accept that maybe they aren't telling us everything because that would the defeat the purpose of the show.

look at this point im not just in this for buddie. im in this for an eddie that gets to be unapologetically himself. and im going to emphasize one more time how dangerous and disrespectful it is to force eddie back into the proverbial closet because it doesn't fit your ship.