#but that might b a mood thing affecting how im interacting with my interests lol

[opens-up-4-nobody]

If you have experienced this: in what way did it feel bad?

[unproduciblesmackdown]

primes And multiples of 8

oh Thank You this sure turned out to be a bunch of questions lol, what else is better for keeping occupied on go stupid sunday

2: Favorite book?

lbh i don’t have one 

3: Favorite fictional character?

oh god lmao i mean again when it comes to Favorite ___ i have no *real* answers but atm i keep just sitting here staring at the quant don’t i

5: What’s your favorite fictional ship? (Canon or otherwise)

even with the��“i don’t have Favorite anything” factor even this is always like. my ass doesn’t know how to Not like, think up a good half dozen or more potential relationships or whatever and decide they’re all fun……im rarely like “wow even narrowed down to this one particular Media i live and die by this otp within it”…….boring answer but really like even if this was applied Just to some particular work where i’m [staring at a Fave] or whatever i still dunno if there’s anything where i’m not #about [multiple possible Relationships]

7: List 3 negative traits you have

ooh fantastic. let’s lump “Too: passive / avoidant / nonconfrontational” into one, rest in pieces u_u. #2 im a lil temperamental lmao like, bit too much sometimes. #3 despite number one there i also don’t have a world of restraint lmfao which is just like. how i be but can certainly be a downside sometimes

8: How does someone become important to you?

idk i virtually always meet ppl via Mutual Interest……my social sphere is mainly “friendly acquaintances” or whatever where it’s like i may or may not have talked to most of them in the past >[0.5 years]………just a process really of “we Keep Interacting” and “we like each other” lmao like. it’s both very not difficult and also. difficult lol

11: How do you decide when it’s time to cut someone out of your life for good?

uhh not like there’s a strict analytical methodology here but i guess it’s like “hmm this person makes me p miserable / i do not even actually like having them in my life” lmao

13: What are your favorite lyrics currently?

ooh the “currently” Might make a Favorite question easier but i don’t even have Favorite Lyrics Currently lmao. it’s lucky if i’m even paying attention well enough to stuff to absorb the lyrics the first like dozen times i listen to a song and also i’m rarely like “oo Resonant” when it comes to lyrics anyway?? does it count if more than survive gets stuck in my head….even then it’s like. i always like the “of all the characters at school i am not the one who the story’s about” while Blatantly Being The Protagonist lmao b/c like…..idk i never like story structures where the protagonist is just like clearly kinda elevated like Obviously The Hero B/c They’re Better Than Everyone Around Them or something like more important / deserving than other people and i definitely find it harder to care about / connect with Protagonists / ~main characters~ who are treated like that. and obviously bmc is really not about that either lmao i appreciate that a lot

16: What is something you really want?

i think we can all agree our lives could be improved with money. also….in these times of covid…….. :| would want literal immunity for people……..april 2020……

17: If you could make a wish, what would you wish for if you knew it would come true?

i mean damn see above like. got the Wish Tiers like “personal things re: myself in particular” and “for people i personally know / smaller stuff i care about” but like damn in this day and age especially it’d be like well, Humanity Not Being Destroyed is kinda a thing isn’t it. can’t have any slightly more fun wishes b/c these [systems] will be like [exists and affects everything horribly]

19: How do you handle heartbreak? Is it something that’s easy for you to get over, or something you struggle with?

is it easy for anyone to get over!! i don’t have to deal with romantic heartbreak though which i guess is what it means. galaxy braining that issue lmfao

23: What do you want your future to be like?

man ties in with 16 and 17 but also like we sure exist under capitalism always don’t we, and it’s tricky when like “it would be nice to have a small personal apartment to live in wouldn’t it” is this fever dream for all of us. but it Would be nice. having the time and money for Making Food whenever you feel like, right. it’s always like “if i was in a situation where i could just bake something due to Feeling like it i’d probably be doing okay” lmao. love to have access to healthcare someday. it’s all like depressingly low standards that are also depressingly ~unrealistic~ lol like i do not Ponder the future much. i also don’t have like, longtime aspirations/dreams or even Not longtime ones so i can’t be like “would love to have a career in/doing ___” but also yknow im good with I Don’t Need A Dream Job, would just like jobs to be non-horrible and to have time to like, do shit on my own outside of that, b/c that’s what i like to do lol…..but then also it would be fun to like, one way or another, get to spend a lot of time putting effort into some kind of in-some-way-Collaborative Project / Endeavor and get to be really engaged. the idea of getting to be around multiple people who it’s fun to be around and it doesn’t feel super temporary is Wild like, intimidating to listen to “the bar song” b/c i’ll just cry after 3 seconds. also i just like to be around people like, used to think that being anxious and all i wouldn’t want to live in a city but probably the opposite’s true….yeah i like to have a space where i can be alone / unobserved but i also like to at any time be able to be Amongst ppl even if not interacting with them (and also im usually more relaxed interacting w/ strangers than ppl i know)…….but really i have no details i’m just fingers crossed that at any given time i’m more than a couple steps away from like the post about [body wearing the funniest hat you’ve ever seen] lmfao and like. would rather not die in a pandemic either

24: Have you ever met someone you never thought you’d become close to?

in an “and i was right” way, sure lol, but otherwise i don’t think so

29: Do you think zodiac signs can influence someone’s personality to an extent?

it’s like Not Really But How Would I Know and yet i’m gonna kill everybody doing the shit just treating it like alternate myer-briggs types like delete your tweets 

31: What does ‘self care’ look like for you? 

#selfcare idk. me passing out or making the effort of getting food? great to step outside and pet a cat i guess but also that’s just fun. i don’t have a real methodology or approach here either. is me reblogging ask memes to ask for attention / distraction self care? is Napping to reset the mood self care? you be the judge

32: If you could go back in time and re-live your life up to this point, knowing everything that you know now, would you make different decisions?

eh not really……tfw everything that is the way it is now including “knowing what you know now” is a result of everything having happened exactly the way it already did……..

37: Have you ever been surprised by someone staying in your life?

i’m like Only surprised by it

40: What makes you feel confident?

thinking abt the tweet(?) which is like “when ur walking around in public pretend crazy in love is playing”……being around the lgbtqs obviously…..feeling able to Be Funny b/c like. that depends on the people i’m around too lol.

41: How do you show you care?

love languages……..uh i will do Favors. acts of service or whatever lol. i also like to give gifts. compliments??? idk it’s hard to judge this lmao i will cheer someone on, usually figuratively lol…….Liking A Tweet idk. an attempt was made

43: Which of the seven deadly sins do you feel represents you the most?

we need better sins. am i vainglorious for being opinionated / stubborn. "being not cishet” probably would be considered lust, and that’s a pretty important thing lmao. lust for life….the illicit sexual desire of being An Lgbtq…… i feel like i can be impatient, so i supposed that’s wrathfulness……hard to choose just one and yet again also. the list bites

47: What are you passionate about?

easily a lot of stuff that i find Engaging b/c i’m just sort of like that but i mean. easy answer is just: [interests]

48: Have you ever started to try learning about a subject only to realize it’s not something you enjoy?

not really……if i’m trying to learn something myself i probably had some level of “already knowing i like it to some degree” to even have the motivation in the first place

[suguru]

Assumption: Akaashi is annoyed by Bokuto whereas Kuroo can handle Bokuto better

my claim: Akaashi and Kuroo act similarly (almost the same way) towards Bokuto but people tend to interpret Akaashi as more “cold” towards Bokuto because he’s a more stoic character.

Spoilers for: the manga (owls vs cats), the short comic (”super forgetful”)

Evidence underneath the cut:

Introduction:

I’ll start off by saying that this isn’t about pairings (I’m not as biased because I ship both bo//kuroo and bkaka as well as bkakaku/roo), this is about interpretation of relationships. One of the things that always strikes me in this fandom is how Kuroo is always portrayed as the “silly goofy one” who’s always in with Bokuto’s antics and Akaashi is a bystander that watches, judges them and is often the most annoyed.

People tend to overlook though, that Kuroo is just as harsh-if not harsher than Akaashi on Bokuto. Kuroo’s actions in matches especially are more hostile but I’ll put that aside because it’s a match and not casual. 

What I’m going to show is that Akaashi is actually just as nice maybe nicer to Bokuto than Kuroo is. 

Evidence:

1. Kuroo catches onto Akaashi’s teasing and uses it to tease Bokuto more because he knows it’s a soft spot.

in the first picture here you can see Akaashi probably not realising his teasing, I just imagine him being really blunt and stating a fact and Kuroo uses the chance to rub it in - 

also he rubs it in a bit more in a later chapter:

of course it’s just harmless teasing, it’s not like he’s attacking Bokuto but I found it interesting that Kuroo latched onto something he knew riled Bokuto up and used it again later.

2. Bokuto and Akaashi “can’t joke around” as much as Kuroo and Bokuto can 

this is a bit of a weak point but I thought it was interesting how Bokuto and Akaashi taunt/tease Kuroo a bit here:

But other than that, we only see bokuto/akaashi interact in practice and match settings with a snippet of them eating lunch together in a later chapter and Akaashi’s main aim in a match is to keep Bokuto working at his best so Akaashi has to stay focused himself but also keep Bokuto focused.

But anyway, Akaashi seems to only be more “tired” of bokuto and kuroo’s “jokes” when he’s not in on it, for example “solia k rabu”

Here Akaashi’s seemingly unimpressed with Bokuto and Kuroo fooling around but in the “super forgetful” short

Akaashi seems to respond to Bokuto and reply seriously as if either taking bokuto seriously, or joking back in his own way either that or he doesn’t understand and is trying to respond logically (either way it’s cute that Bokuto asks akaashi to ask him what’s wrong imo lol )

and here:

Akaashi’s obviously teasing but again it seems to be at Bokuto’s expense so it can be seen as a little mean but honestly, Akaashi’s making sure Bokuto learnt his lesson as always but I’d count it as banter.

3. Akaashi is “manipulative” (in the tumblr callout post sense)

Well, on what basis? That he tries to prevent Bokuto’s mood from shifting into something negative for Bokuto’s (and the team’s) benefit? We already know that bokuto’s mood swings won’t affect the team because they can function perfectly well without Bokuto doing most of the point scoring so at this point Akaashi is only trying to keep Bokuto in a state where he is at his best (which is the best for Bokuto’s state too.)

You see here that Akaashi praises Bokuto when Bokuto does well but also

he makes the team praise Bokuto too (can I point out Akaashi has to ask them to praise Bokuto like I’m sure they would have anyway but I thought that was interesting). 

I assume Akaashi does this either because 

a) he doesn’t want Bokuto to seek praise only from him

b) he want bokuto to hear praise from many people 

I’m leaning towards a) with a bit of b) because i think deep down Akaashi doesn’t want Bokuto to become to reliant on him? maybe? I mean if that’s true then Akaashi is actively trying to move away from being “manipulative”

Akaashi notices when Bokuto is distressed and he’s the only one in Fukurodani who thinks of a solution to try and make it better:

>AKAASHI is the one to ask for a time out >AKAASHI is the only one who doesn’t get angry at Bokuto

> AKAASHI is the one to think of a solution  and you know what it leads to?

4. Akaashi is mean to Bokuto

Akaashi has a few moments where he knocks Bokuto down a few pegs or acts irritated e.g.:

(I also like to think that he can see what’s coming in this panel so he’s bracing himself)

(Akaashi sensed Bokuto got complacent and tried to get him back to being more alert possibly? also notice kuroo sneering)

(look at akaashi scampering off, he knows what he did the little shit)

ok ok so we can see Akaashi being a little shit but what about Kuroo?

(is he angry bc he lost? is he angry bc bokuto is so happy? i think he’s just as petty as akaashi but there you go)

he insults bokuto in this panel^ but it’s barely malicious

^Kuroo taunts Bokuto as much as Akaashi does

and then here’s my claim, Kuroo and Akaashi act similarly towards bokuto, especially because of these panels:

^they both comment on his exaggeration and they both make the same facial expression at Bokuto’s offer to teach Hinata a feint.

Final Thoughts:

Kuroo and Akaashi’s relationship with Bokuto differ incredibly. Akaashi has to spend practically every day with Bokuto therefore he is more used to Bo’s “Unpredictability” and knows how to handle him, this means Akaashi has to stay level headed. Bokuto’s personality is all over the place, it’s unpredictable so Akaashi has to be calm and stoic. Imagine if Akaashi was more emotional? He wouldn’t be able to support Bokuto nor bring out the best in him because Akaashi being emotional would probably panic Bokuto more and Bo wouldn’t be able to trust in Akaashi’s word so much (see above how easily he accepted Akaashi’s solution when he forgot to spike crosses). This doesn’t mean Akaashi is irritated with Bokuto - which doesn’t mean he can’t get irritated, it just means he’s not in a permanent state of irritation. If Akaashi truly didn’t care about Bokuto then he wouldn’t be trying so damn hard to keep him happy.

Sadly, just because Kuroo shows more varied emotion, he seems to be seen as “nicer” to Bokuto. Kuroo can be just as “judgemental” (see mangacap above), he’s very critical of Bokuto (see above) and he’s naive enough to think that if Bokuto’s out of commission then it’d be easier for Nekoma to win (does this sound like a Nohebi tactic or what? :) ) Though he can joke around with Bokuto easier when they’re relaxed. I feel like he doesn’t take Bokuto as seriously because of Bokuto’s goofy personality but it often dawns on him that he should because one of the main reasons Nekoma lost to Fukurodani is because Kuroo underestimated him. 

Conclusion:

People think Kuroo’s nicer than he actually is and Akaashi is meaner than he actually is and it leads to people thinking that Akaashi uses Bokuto whereas Kuroo and Bokuto are just pals.

im petty as hell and wasted too much time on this

forgive me it is like 2 am so this might not make sense at all lmao

[theboykingofhell]

(acting anon from earlier!!) i read ur whole thing and its FILLED with rly good info ty!! im british and im looking to start getting into acting but i always shyed away from it in schools etc cause there's always be a dance side to it and :/ no ty id rather eat nails than dance ever. but im rly interested in the acting techniques n stuff u mentioned and id defo read as many posts abt it as u wanted to write :0 ty for your time!!

OK YEAH now that i actually have time and by that i mean i have no time there’s like three things i’m supposed to be doing rn but i want to stall starting them lmfao I’MMA TALK MORE ABOUT THIS RN

imma be real i cant remember all the things i mentioned in that post i wrote and i cant be bothered to go back and look so IF YOU EVER HAVE A SPECIFIC QUESTION LITERALLY ASK ME ANY TIME

oooooooooooh... yeah.. love... babe.... go to acting schools lol it’s not even JUST the fact that they literally teach you how to act but. you. need to network. god. especially since you ARE british, acting schools are very important because a lot of companies will pretty much hire you based on what school you went to. just the short amount of time i was there made this VERY obvious that it is VERY hard to get picked up by a company if you haven’t gone to school, and getting picked up by a company is how you get consistent theater work for YEEEEEEARS...!!! also, usually a school will give you a rly good chance to network by having some sort of showcase at the end where you can get in contact with a bunch of agents and the more famous the school, the more agents see your work and try and help you out!!!!

and, like... the whole dance bit is just a hurdle you’re gonna have to jump. it’s def rly important to just partipate in the classes, you don’t have to be GOOD but it gives you just that little bit of awareness over your body and your movement that you might not have had before and that’s rly important, especially on the stage!! i felt the same way about singing but, man, the more you work at it, the more mangeable it gets. and you don’t want to have this grudge on you forever because it’ll really limit your work :/

but i mean man you don���t actually have to, there’s no set way to become an actor! if you find work, you have that work, it doesn’t matter how you get there t b h. i just think it helps and the more skills you acquire, the better of a chance you have to get that work...

(i RLY suggest lamda, it’s a hard school get into but it’s one of the best if not the best and also the education is beautiful and ALSO lamda-trained actors get the most consistent work because the uk just nuts all over itself about lamda-trained actors)

BUT YEAH. ACTING TECHNIQUES. GONNA FINALLY ADD A CUT LOL

i’m only gonna talk about these vaguely cuz tbh i’m not as ~studied~ as i should be because i’ve been far too lazy until now to actually sit down and read acting textbooks but HERE’S THE GIST....

stanislavsky is like... pretty much the most well-known most taught acting technique. so many of the other techniques you learn BUILDS on his work. there’s a huge range of shit that he’s got to offer because his and later similar teachings are SO focused on realism (which tbh is a very new thing in acting), but some of the most important is stuff like emotional recall and objective work aaaaand character building by using yourSELF and projecting it onto the character. it’s a very psychological form of acting and it’s... MY BASIS but not actually my fave!

now, a lot of parts of it is very useful. emotional recall, for one, is SUPER nice. it’s a very good way to build that vulnerability up, tear down a lot of walls and explore how to summon emotions up....

my first exercise with stanislavsky, i remember them making us lie down and pretty much meditate, and then you listened as the teacher described a bunch of things: your favorite beach as a child and what it felt like, all these sensory memories about the smells and tastes and sights of the beach. and then it moved on to the night of your first kiss, your first love, and then your first loss. a nice basic range of basic emotions, and then you build on that.

stanislavsky (and stuff like uta hagan who wrote a RLY great book that i havent finished reading yet but it’s a GREAT way to rly build on the technique) rly encourages taking yourself and putting it into the character. SO!!!! if your character is going through their first break-up, summon the feelings and memories of your first break-up and push that into your lines, so on and so forth.

the big criticism with stanislavsky and all the techniques like them is that it COULD be very unhealthy for you... considering it’s all about reliving and reliving old memories. and i agree, i mean, one of my favorite plays and one of my monologues of choice for auditions is from a play where the main character is kidnapped and raped, and i’ve been kidnapped and raped before so i am CONSTANTLY and purposely triggering myself just to perform that monologue well. THAT AIN’T RIGHT! helps tho! 

(stuff like method acting falls under stanislavsky and his successors strasberg and stella adler, so....! you can see why not everyone fucks with it)

MY criticism about stanislavsky, which is why it doesn’t work as much for me, is that it’s very VERY heavily text-based. uhhh THIS IS LONG ALREADY SO SOMEONE SEND AN ASK ABOUT OBJECTIVES AND I’LL EXPLAIN but they want you to do a lot in the moment that makes it very distracting if you don’t have this process pinned down and that’s AGGRAVATING FOR ME ANYWAY

chekov is another technique that’s interesting, again not a fave but VERY helpful. this one builds character more from the outside in, it’s all about like... a lot of very subtle details that you can add to the background to add color to your performances. a lot of it is about atmospheres, attitudes, body language, and how that affects your character and how your character is thinking through the scene. it’s VERY reactionary and very fun because you don’t have to think NEARLY as much. 

pretty much you form... gestures, or moods for your characters, and instead of perfoming an ‘action’ (stanislavsky thingy, i’ll explain that in another post i guess), you’re using this ‘gesture’ to explain yourself. it is far FAR more abstract than stanislavsky, which is a lot more technique and exact, and it’s very vague, which does make it very hard for people. it also doesn’t stress realism like stanislavsky and company does, so it’s not as popular at the moment!

 meisner technique is my second favorite technique and kind of hard to explain because i haven’t rly gotten a comprehensive course in it yet besides a few workshops and activities, but it’s a technique that stresses STRESSES ‘listening’. that’s something you hear a lot as an actor, it’s one of the hardest things to really get but it’s also, truly, the essence of good acting. you can’t be a good actor if you don’t listen, because if you don’t listen, you’re not in the moment, and if you’re not IN the moment, you’re just... reciting lines!!!

it’s so hard to explain so i’mma link a cute video i just found because it shows a lot of variety and also shows the actors messing up a lot and it’s cute omfg

it focuses a lot of repetition (either of the same one line for each person or they’re both doing the same line back and forth) which forces the actor to not think about what’s being said but how it’s being said. you’re stuck in the moment because you KNOW what you’re gonna say, you don’t have to worry about saying anything else, all you gotta worry about is what the other person does and how you’re gonna react to it. if they suddenly start screaming in your face UHH YOU’RE GONNA SCREAM BACK HOW DARE YOU? and it’s automatic and SO natural and that’s why i love it, because you don’t have to THINK through it. you don’t rly think through your life like they make you do in other techniques, so i adore the ability to not have to do that on stage.

however i’ve never gotten far enough in the technique to find out how to apply it to a set script but it might just be about building that openness to just... DO and BE and let whatever happens happens, which is NICE

LAST THING THAT I’LL TALK ABOUT IS FUCKING GROTOWSKI YE  S. ok so a lot of techniques overlap, so by this i’m also talking about lecoq and peter brook’s acting techniques. it’s all physical theatre which is all about the GROTEQUE and like UGH there’s so many fascinating things honestly just google ‘theatre of cruelty’ because it’s FASCINATING

the emphasis is... not rly on realism altho the acting i’ve seen come out of it is the most realistic i’ve seen? it’s rly gritty and about accessing the most... EXTREME of emotions, it’s about rly grasping human nature and twisting it and bringing it on stage. peter brook especially (who has a book called the empty stage or something like that that i got to read) stresses that... theatre shouldn’t be about costumes and sets and whatever, it should be just about the actor, and that you can do a PERFECTLY GOOD show with a completely empty stage, with just the actor in the center.

it also has an emphasis on YANKING the audience into the show and being very interactive and like... nothing’s held back, it should be hard to watch, THEATRE SHOULD BE CATHARTIC AND FUCKED UP AND YES.

so physical theatre involves pulling emotions from the body through your movement. life isn’t just about the mind, after all, your body holds emotions through it, there’s chemicals and hormones and what your body does on its own and against other bodies and just. again, hard to explain so HERE’S SOME COOL VIDS THAT SHOWS DIFFERENT TECHNIQUES AND COMPARES THEM ALL

i lied there’s one more technique i wanna mention: it’s called alba emoting! it, again, builds on the idea that trying to access emotions through the brain is UNHEALTHY AND DANGEROUS and that you can, instead, try and access it through the body! how???? cuz emotions are PHYSICAL. you feel sadness and anger and love and whatnot in your gut and chest and through your head and all through every nerve in your body, right????? so why not try and mimic that for the stage???

it’s SUPER COOL because! what you do with alba emoting is: affix yourself a certain way. it involves certain body postures or positions, certain expressions sometimes... EVERY time it depends upon a different breathing pattern... and all you gotta do is do it. and your body doesn’t know better, it gets tricked into it...!

so, if i were to alba emote fear... it’s hard to describe through text rather than do it but this one might be the clearest one... part of the positioning is to have your hands up in front of you, as if you’re trying to ward someone off or shield yourself. you have your mouth open, you have your eyes stuck to the floor in a submissive sort of way, (there’s more that i cant describe but then) you start to make yourself hyperventilate by taking short, quick breaths through your mouth. after a few seconds of this, your body just starts SHOOTING adrenaline through you because it starts thinking WHOA SOMETHING BAD’S HAPPENING I’M AFRAID?FUCKFUCKFUCK

and that continues until you stop! you can stop at any time and then just go. you get left with a ‘residue’ (which is very chekov in nature in that it ‘colors’ your performance) where you can just act and do the lines and do your actions (stanislavsky) without worrying about needing to push any fear into yourself because it’s THERE, it’s PRESENT and whatever happens in the scene will either alliviate it or make it worse!!!

it’s a BEAUTIFUL way to prepare for a scene right before you go on stage too omg. last semester we were doing julius ceasar, and there was a scene where i had to play a servant who just witnessed a murder and just. go in and beg for my life and the life of my master. so i did the fear emote, and then my friend (playing my master at the moment) decided to talk to me in character and give me the order to throw myself in front of the murderers and LMFAO by the time i ran on there i was like fucking in tears i was so terrified HA

THERE ARE SO MANY MORE TOO IT’S SO FUN YOU JUST GOTTA GO AND SEE WHAT WORKS FOR YOU WHOO!!!!!! HOPE THIS WAS FUN AND HELPFUL YES