#but that doesn't matter i'm a bit better now i'm not thinking about it as much anymore

[cheshirewrites]

Luka gives the girl a thorough look over, noting her knotted hair, the dirt smudged on her cheeks, and the thread-bare state of her clothing. Holes in the knees of her trousers, patches on her elbows (clearly hand sewn, he knows that much), even the fabric of her bandana fraying at the seams.

She looks like an ordinary girl, one who has faced far too much peril during his father's rule.

"Are you certain?" Luka asks his guard for a second time, because he doesn't want to be wrong about this. Doesn't want to put the weight of the world on a little girl because of a false prophecy. "You're sure-"

"Yes, my prince," Fox says, grinning their sharp grin. "My love, my dear, you know I wasn't misinformed. The Misses aren't wrong about things like this."

And they're right, of course.

Ari and Dahlia were the best advisors a prince could ask for.

So when the two of them found a prophecy, claiming that a girl who shared his birthday would grow to hate the world, would try and burn it to the ground if she was left alone? Luka just wanted to find the girl and hold her close, apologize for everything he hadn't done and everything he hasn't changed yet. Prophecies are complicyed, after all, and Luka refuses to look at someone and only see the bad in them.

People deserve more than that from their prince, their king, their- whatever title Luka gained when Fox convinced a Dark Lord to overthrow the throne.

( After all, Fox is the best person Luka knows, and Gods know that Fox isn't innocent, no matter how sweetly they may smile. )

"Do you want some cake?" Luka says, and he knows how strange it must look. The prince and his guard, offering you cake in your own home, and on your birthday, at that. "I promise it isn't poisoned or anything, my aunties Dahlia and Ari made it, and both of them think poisoning is a cheap way to fight."

The girl stares up at him for a long, long moment, until something like amusement creeps onto her face. "Sure," she says, taking a few steps closer. "I've got some questions, though, and I want answers."

Luka grins at that. "Of course!" He says, almost shouting. "Can I ask you one, tiny thing first?" A nod. "What's your name? The Aunties told me a few things about you, like where to find you, but they left that out, and-"

The girl holds up a hand, and Luka falls silent. His grin turns sheepish. "Sorry."

"Don't worry about it, Princey," she says, grinning. "The name's Cassandra, but most people just call me Cass. Now-" Cass leans forward, crossing her arms across her chest- "Tell me about these aunties of yours."

"They're actually the reason I'm here!" Luka says. "Ari and Dahlia -- yes, that Ari and Dahlia, the long dead Hero and Dark Lord, it's a long story -- told me I needed to find a girl who shared my birthday, and well," his voice trails off, "you might wanna sit down for this bit."

Cassandra -- her name is Cassandra! --gives him a questioning look, but sits down at her table anyway. "I'm seated, Princey," she says, nearly sounding reassuring. "What terrible news do you have to deliver? You look like you're gonna tell me the world is ending, for fuck's sake."

Luka looks at Fox pleadingly, but his partner only shrugs. Both of them know that this is Luka's responsibility, even if Ari would be the best at it. She is the one who found the prophecy, after all, and Fox has told him word for word what she said to them that day they first met.

Their exchange isn't subtle, though, and Cassandra's jaw drops. "You're kidding me," she says, her voice perfectly even. "The world isn't actually ending, right?"

"No!" Luka says, and this time, he does shout. "No, no, nothing like that. It's just-" He hesitates, trying to find the right words. Knows that there aren't any right words, not when it comes to prophecies and royalty and the like.

It's better to be straightforward, right? Luka thinks to himself, and then takes a deep breath. That's what Dahlia always says.

"How do you feel about prophecies?"

You are a poor girl selling flowers. Today is your birthday but no one knows. When you return home you find the prince of the kingdom waiting for you with a birthday cake. "Are you sure this is the one?" He whispers to his advisor.

[aishangotome]

[Azel] The Mean Unicorn's Greedy Desire (Bday Story) - Part 1

It had been a while since I started staying in Tanzanite as a traveling merchant---

The day of the Nativity Festival arrived, celebrating the day the living god, worshipped as the incarnation of the moon, descended to this world.

(Amazing... Everywhere is bustling with festivities.)

The shop on the right is selling palm-sized statues of the living god, and the shop on the left is selling commemorative coins that were apparently made to celebrate this year's Nativity Festival...

If I look ahead, I see a multitude of people praying around the statue of the living god, and if I look behind, I see dancers performing a dance dedicated to the god.

The market, filled with a mix of locals and tourists, was so crowded that it was difficult to even walk, so as soon as I finished the job the owner asked me to do, I rushed into a nearby alley.

(I didn't think the crowds would be this bad, but surely there's no one in the back alley��–)

Azel: ...Huh?

Emma: Eh...?

Standing right in front of me was the god himself.

(Am I having a daydream?)

I rubbed my eyes and looked again, but the scene didn't change.

Emma: Why is Prince Azel in a place like this–– Nggh!?

Azel: Don't make a fuss, don't shout, be quiet! Do you want to be sued for damages? Fine with that, huh?

(That's so unreasonable!)

Azel quickly closed the distance between us, covered my mouth with his hand, and dragged me into the shadows.

(Is he perhaps hiding?)

When I signaled with my eyes that "I'll be quiet," he finally let go of my hand.

Azel: Of all people, why did you have to find me? This is the worst.

Emma: Were you doing something bad?

Azel: If I were, you wouldn't see tomorrow.

Emma: ...I'm glad that's not the case.

Emma: But, why is the guest of honor himself in the shade on a day like this?

Azel: Did it look like I was having fun?

Emma: ...No.

Azel: That's how it is.

(No, what does that mean?)

Azel let out a huge sigh by my ear.

It tickled, and my shoulders jumped, but Azel didn't seem to notice.

Azel: Do you know what day it is today?

Emma: It's Prince Azel's birthday, right? Happy Birthday.

Azel: Thank you. I'll be collecting presents later, so please be prepared.

(Shoot, I wasn't thinking!)

Azel: I prefer presents with actual items rather than just feelings.

Emma: ...So that's how it is.

Azel: But what all the citizens want to give me are "feelings."

Azel: No, even feelings are questionable... Anyway, people don't really care much about "whether I'll be happy or not."

(Is that... so?)

Azel: What do you think would happen if I went out on the main street now?

Emma: It might cause a commotion. Everywhere is already buzzing about Prince Azel.

Azel: In other words, that's how it'll be.

(I see, I understand now. He's hiding here because he doesn't want to cause a stir.)

As soon as one question was resolved, another one immediately popped up.

Emma: Wouldn't it have been better to stay in the usual temple...?

Azel: That's why I'm here, isn't it?

Perhaps out of spite or something, he pinched my cheek.

Azel: The main event of the Nativity Festival is the divine ritual.

Azel: If I skip this, the whole nation will start making a fuss, wondering if something has happened to the god, and politics, economy, everything will collapse.

Emma: That's a bit of an exaggeration...

Azel: You think so?

Azel: But it's no exaggeration to say that for the people of Tanzanite, god is the pillar of their spirit.

Azel: If that pillar cracks even a little, people will lose their minds.

Azel: For example, you like books, right? You might not be able to read them at all from tomorrow...

Azel: If that were to happen, could you remain calm?

Emma: I might not be able to.

Azel: That's how big of a deal it is for someone to lose their spiritual support.

Azel: ...Though it's a huge pain.

(Somehow... I think I understand.)

(Azel has to go to the castle no matter what, for the sake of the people.)

(Because that's his duty as a god.)

Emma: Is there no secret passage to get to the castle?

Azel: No. The more entrances the castle has, the more invasion routes there will be.

Azel: Tanzanite Castle is built in such a way that there is no other way to get there than through the main street.

(So, a commotion is unavoidable...)

Emma: Then, I'll be cheering you on from the shadows.

(There's nothing I can do anyway...)

Just as his hand left my cheek and I was about to turn around, he placed his hands on both my shoulders.

Azel: That's not right, is it?

Emma: Wh-What do you mean?

He squeezed my shoulders tightly, putting pressure on me both physically and mentally.

Azel: You think you can just go somewhere without giving me a present?

Azel: By the way, I don't want anything you just randomly bought at the market.

Emma: But, you want a physical item, right?

Azel: A thoughtless item is the same as bulky trash.

Azel: Let me see, what I want from you...

Azel, who had been lost in thought, suddenly changed his expression to a god-like benevolent smile.

I couldn't help but tense up.

Azel: I've never had a birthday cake before, so I'd like that.

Emma: ...Eh, never, ever?

Azel: Never. Because I'm a god.

(Oh right... The way gods celebrate is different from ordinary people.)

(But, why... does his smile seem sad?)

Emma: If I can use the castle kitchen, I can make one...

Azel: I'll arrange it. But for that, you have to go to the castle with me.

Emma: Together...?

Azel: Yes, together.

(If we go to the castle together, won't we get caught up in the commotion...?)

Azel: You want to celebrate me, don't you? You do, right?

The god enveloped me in a benevolent smile, as if bathed in a halo of light.

Azel: Very well. I will offer you my divine lending service at a special price.

Azel: Just for today, I am yours... In other words, we are bound by fate. Please take care of me.

(This wicked god––!)

.

.

.

Part 2

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[hbpseverus]

for all that us snape fans say how we love his character because he is flawed and complex, i find it disappointing how many of us can't extend that line of thinking towards lily, while pretending that young severus was entirely innocent. i've noticed this a lot recently and it's been bothering me quite a bit so i've felt the need to defend lily, or to be exact, analyse the downfall of their relationship without basically giving her all the blame and instead looking at both characters and especially lily more critically.

so. let's talk about the conversation between her and severus after the werewolf prank. some snape fans harshly criticise her in this scene because she insists that james saved severus and doesn't acknowledge how serious this prank was, while insisting that at least the marauders don't use dark magic.

and i agree that she should have been more on severus' side in this case. after all he could have died or gotten seriously injured, turned into a werewolf etc and she downplays the severity of the situation and generally doesn't acknowledge how the marauders bullied severus very much. so yes, she could have been a better friend here.

but at the same time, from her perspective, she was already noticing that severus was spending more time with his housemates, all of them aspiring death eaters, how he had always looked up to lucius and was slowly heading down that same path. how he didn't truly disapprove of his housemates disgusting actions towards muggleborns - her own kind. even though it's not entirely logical, since we see through the marauders that light magic can be used to do harm aswell, this also explains her dislike of dark arts, which these (aspiring) death eaters all were fond of and using to do awful things to her friends (and hogwarts also pretty much teaches that dark magic is pure evil). by this point she had most likely also experienced discrimination at hogwarts for being muggleborn. she knew the situation in the wizarding world wasn't favourable for her, and now her best friend was starting to agree with those people?

the next notable event was of course snapes worst memory (sigh, here i go talking about it for the millionth time). and i really don't like how some people on our side of the fandom talk about lily in this scene (of course, this is not all of us).

first of all we saw that she initially smiled upon seeing severus be bullied, and yes, this was honestly quite disgusting. we know that severus saw this and was rightfull hurt, and this very well could be the reason why he snapped at her. but that is her only 'crime' in this scene. because she then does quickly turn against james and this entire crowd and defends severus. only for james to insult and threaten her, and severus to call her a 'filthy little mudblood'.

now, people say she should have done more to defend severus, that her attempt was quite half-hearted. i don't know. maybe she could have done more, but she did tell the marauders to stop, you can't say she didn't try. some say she should have hexed james herself or bring up her prefect role (although i'm not sure it's confirmed she was one at this time). but say she was a prefect, her job would be to stop fighting, which she tried to do, not to get involved in fights herself. and you can tell that james is entirely dismissive of her and clearly won't let her stop him no matter what, even threatening her in the process. lily also genuinely seems to still hate him at this point in time, she is described to have been disgusted with him to the point where even harry questions his parents marriage. so i don't believe it's fair to say she was just 'flirting' with james here.

furthermore, people believe she should have forgiven severus for being called a mudblood. i used to agree that it wasn't that serious, but i feel differently now. because it wasn't just a word, it wasn't a one time mistake or slip up or even the first time she noticed that he was slowly turning into a future death eater. that's why i brought up their conversation after the prank. lily knows that severus' descend into the death eaters arms had been going on for months, years even. being called - not even just mudblood, but hearing the words "i don't need help from a filthy little mudblood like her" out of the mouth of her former best friend was just the final nail in the coffin. it was her confirmation that severus was finally too far down that road, and she, as a muggleborn, could no longer justify surrounding herself with him. so she abandons him at the scene, and i can't blame her one bit.

of course this post is not meant to be severus bashing in any way, he is and always will be my favorite character, but i don't enjoy pretending he was completely innocent, even his younger self. this is also not to excuse the marauders, as their bullying never had anything to do with severus possibly being a death eater and was really just for fun and because they could, and because he was an easy victim. but i truly believe that lily deserves some grace and also to be analysed as a complex character like severus, rather than painting her as one dimensional, either fully good or fully bad.

severus becoming a death eater is the tragic result of his background and surroundings, and when we analyse him we factor all of this in. lily was wealthier, had a better family, was pretty, smart and popular and had a good support system in and out of hogwarts. she couldn't understand why severus made the choices he did. maybe as an adult she would have looked back and understood it all better. but as it was, she was just a teenage girl watching her best friend turn against people like her and not knowing what to do about that. and what's also important to me to point out is that it was not her job to try and stop this, to try and fix him or whatever. it was first and foremost the adults in severus' life who failed him over and over again, not lily.

finally a lot of us can't understand how lily ended up marrying her former friends abuser and use this as an argument against her, but i honestly don't want to go too deep into this topic. i personally strongly dislike this relationship, because james treated lily herself like shit too, aswell as other people. we have to believe that he truly did change, even if there is not much to prove this. even if he did, i personally wouldn't have been able to forgive him. but i don't believe that marrying james makes lily a bad person by extension or anything. ultimately, if she was able to find happiness, i'm happy for her.

[stupidlittlespirit]

You asked for some cute fun asks, so I've appeared to help!

If you've ever played (or watched someone else play) the Swooning Over Stans game, there's a scene in Stan's route where you go to a 70s dance night with him. It's very fun and flirty~

Ever since then, I've wondered if Ford would enjoy going for a dance like that with his s/o. I can definitely see him getting SUPER nervous about it beforehand because he's having flashbacks of his prom night disaster and thinking he's going to totally bomb it. But maybe his date would coax him to just have a little fun, let loose.

I agree with your thought that he'd be the kind of guy to like old classic crooner music (and now I'm swooning for real just thinking abt it), but maybe some 70s funk can get him going, too. Now every time I listen to that stuff, I can't help but picture Ford trying to teach his date how the dances really went (and possibly failing miserably but laughing over it)

GOD yes, I played Swooning when it first released and it was wonderful. I've played it through on both routes about 10 times each lol. I still can't believe we were gifted such a gorgeous game by all of those talented people for free.

I know exactly what scene you mean. That was such a nice touch.

I daydream about this fucking scenario with Ford a lot. It's so silly but I do it when I listen to that kind of music and it's really nice haha Very normal of me, I know, so expect a long answer to this under the cut:

I'm going to set this within GF, but at a function beyond the town he might struggle a little more unless he knew the people there.

I think Ford would be (naturally) nervous beforehand for the reasons you mentioned. He's not very fond of social interaction that isn't super necessary, though post portal he is definitely better at that than he was, and the thought of doing something that holds bad memories would be very daunting for him, to the point that he'd probably refuse at first. More so with the excuse that he doesn't have time or doesn't care about stuff like that than admitting he's nervous.

Mabel would definitely encourage him to go and Reader would mention that they'd enjoy having some fun/seeing him have fun as well, plus they'd certainly miss Ford if he stayed at home. They would understand his hesitation around the event but a little gentle comforting from them around the knowledge that they'd be there to support him would go a long way, I think.

"There's no pressure to stay if you get there and don't like it," and "We can just go home, you're in control of the situation and I'll be by your side no matter what," kind of thing. I think he'd find that very soothing and helpful, just to be reminded that no one will force him. Eventually, he'd give a little and agree on those terms. Plus, Mabel would guilt him a bit because she wants to see him to be included haha.

Once he got there, he'd be a wallflower to begin with. That's fine, obviously. He needs time to settle in. Maybe a drink or two, as well (I know how he feels LMAO) before he can really get comfortable. He'd look to Reader for comfort but he'd also not want to prevent them from enjoying themselves, so he wouldn't insist they stay with him all the time.

I don't think he'd refuse to engage with other people; he'd be reasonably accustomed with the townsfolk anyway so he'd know them and their demeanours a bit more than if he was at a totally new function or with people he had never met. He wouldn't start general conversation (unless it was with Fiddleford), though.

He'd definitely be more inclined to hover around the edge of the party rather than step straight in like Stan would, but if people came up to see him and say hi (and they would because the family is known and liked) then he'd be able to hold good conversation. Post-Portal!Ford is going to have developed his social skills a great deal from his time away and I think he'd be more willing to hear what other people have to say and engage with them.

When he was younger, I think he might have only really been interested in talking about the topics he knew about because they felt safer for him, they were something he was good at talking about, but obviously when you're that smart it's nigh on impossible to find that level of conversation with others so he would have considered himself a failure in terms of social ability purely because he struggled to connect on that aspect, when really he'd just be expecting a bit too much from the general populous. That, combined with general awkwardness and a lack of knowledge on how to make menial conversation would have made it really hard for him. He does talk about that in TBoB, actually, with the joke he makes about pie in the diner. It doesn't land because the waitress doesn't have that level of understanding. It's a funny joke though! He is good at talking to people, he just comes at it from a unique angle.

So, anyway, I digress. He'd be a bit shy but he'd be open to chatting to others, and eventually he'd warm up. He'd realise he's been overthinking everything a bit too much and getting in his own way, and then start to ease up without even realising.

Reader, meanwhile, would have to strike a balance on making sure he was okay and also giving him the space to bloom on his own. Maybe making eye contact with him from across the room and giving him a little thumbs up-thumbs down gesture to check in, only for him to return a thumbs up and big, warm smile, much to their relief. They'd have known he was capable of it, he just needed to remember his capability himself.

So after a bit of time and a bit of space to find his feet, he might overhear that they're playing the kind of music he used to listen to in his youth. I'm going to project here (because you guys know my affinity for 70's music) and say maybe some Baccara (Yes Sir, I can Boogie is a banger), some Bee Gees (duh), just anything fun.

Ford would know the words by heart and once you'd returned to his side, he'd be singing them under his breath or tapping his foot or whatever, and you'd ask him if he wanted to dance. He'd say no because dancing requires a level of self-humiliation and he'd be too self conscious initially, but again, you would coax him a little.

I think you could ease him into it (I think that's the trick with Ford generally anyway). Maybe Reader would take one of his hands and he'd twirl them around, just indulging them a bit because he'd think it's endearing even if he won't do it himself.

I think seeing someone else be a bit silly puts other people at ease and makes them a bit more willing to be silly themselves, so he'd kind of get a little more into it as the music went on and once things changed to those slower, crooning songs, he might just take Reader's other hand and (much to their absolute joy) slow dance with them a bit. He'd prefer to stay tucked into a corner rather than make a show of being out on the dance floor like his brother, but I think he'd be inclined to sing a little bit, just quietly, privately, and lead Reader in a dance.

He wouldn't be a practised dancer but he'd be able to keep time and count beats (it's math!) and although he'd still fuck it up, as would Reader because I doubt many of us are classically trained dancers, he'd be able to laugh along with you and have fun. He'd forget the room, as would you, and you'd be able to really have an intimate, joyful moment together.

God fuck I am so normal about this old man. This is the kind of shit they put you on medication for if you tell the therapist too much LMAO

Also shameless self plug but here is my playlist for this exact scenario. 'Misty' by Lesley Gore is my personal favourite Ford song. Don't judge me, I beg.

[mimikyusrealform]

six degrees of separation

Spencer Reid x Reader. Word Count: 1781. Summary: While circulating the photo of a serial killer around a bar in New York, Spencer gets distracted by the sight of someone who used to only exist in his memories. Notes and Warnings: Set around Season 2 before Revelations, because S2 Reid is the loveliest he's ever been. There's a bit of cussing, and mentions of bullying (not particularly explicit), so read at your own discretion.

The man in front of you is familiar. It's better to say that his face is familiar to you, but not the man himself.

He's asking something, “Have you seen this guy?” In a nervous way, his left hand's fingers, the ones not holding up a fairly young guy's picture, twist and untwist. It's like there's electricity under his skin, and a fuzz in his head. He can't stay still. “Ma'am?” he prompts at your silence.

“What did you say your name was again?” you are asking before you can think it over.

“Uh, I'm Doctor—but you don't have to call me that, it's optional, actually, forget that—Spencer Reid.” He is flustered. You can tell it's not because of you, but because you're a person. Still looking at him, you sip from your Gin and Tonic. His brown hair is smooth and carefully parted, no apparent use of gel, but brushed nicely so it shines, even under the bar's poor lighting. He wears professor clothes: a brown vest, a white button-up and low-rise slacks. He's sinewy and wiry, and you wonder if his bones are naturally thin or it's because he doesn't eat enough. You guess that it might be both.

“Are you from Las Vegas?” you ask him.

“Y-yeah.” He's changed the picture to his left hand, and his right one rubs at the back of his neck. “How did you know? Nevermind. I need to know if you've seen this man?”

It clicks, then. You think it's because of that gesture. You squint your eyes at the picture. “No, I haven't.” You stab him in the chest with your index finger. He recoils as if you had actually stabbed him. “Doesn't matter. It's you who I've seen before; I remember now. You're that kid that graduated from high-school at twelve years old. I was a freshman when that happened.”

He blinks owlishly; it's kind of cute. Then, he blinks again, and a third time. With a start, he miraculously says your name. “I didn't recognize you,” he admits shamefully; you wave your hand dismissively. “I-it's good to see you.”

It truly is—good to see you. Spencer doesn't have many fond memories of his time in high-school. But you're certainly one of the few. He never imagined you would remember him, though, he wasn't important to you the way you were, are to him.

You were short, once, this he can picture clearly, with round and rosy cheeks, and crowded teeth. You must have gone through braces, he notes. That, too, he can picture clearly; well, imagine it. You've grown up. Of course, you've grown up. It's such a menial observation that it makes him embarrassed, somehow. You're a good memory that he's kept dearly, close to his heart. After all, you saved him, twice. Twice! The first time from himself, and the second time from others. How he hadn't immediately recognized you, it was beyond him. You are just as pretty and impossible as an adult as when you were a kid.

The first time, he had been walking out of school with a dejected drag of the feet. Mary Clarkson had made fun of him in Math class, because he stammered when answering a complex question, and that had been enough to dim the sun in the sky. He needed to cross the street, and he vaguely checked both ways, head still hung low, before attempting to cross. And then, a hand pulled him by the scruff, harshly and violently, almost throwing him over his back on the ground. He reacted accordingly, jolting out of the hold, thinking he was about to get beaten up. But what he came face-to-face with was your scowl at the same time that behind him, a car exceeding the speed limit whipped through the street.

You had said, in an extremely high-pitched voice while digging your index finger into his chest, “Are you actually dumb? They say you're a genius, but geniuses look both sides before crossing the street! You're just silly, after all!” Your intonation was kind of obnoxious, but then you grabbed his wrist, the right one, pried his fingers open and gently deposited a Hershey's Kiss from your backpack on his palm. “Get better,” you had said, and bolted away to join your own friends, who were all giggling at the display. He always looks both ways after that. And sometimes, he feels true warmth in his chest, where your fingertip had marked him an eternity ago.

The second time was just a month before senior graduation. His senior graduation. Mark Brown and his two friends-slash-lackeys had been throwing him around the lockers, and everyone else either ignored them or hid their smirks behind their hands. Brown was saying something like, “C'mon, I got to teach you. You like learning, don't you, freak? Hold him, you gu—” Brown was a senior, so he was about seventeen years old, almost eighteen. And you were just a freshman, freshly fourteen-years-old. And yet you had walked up behind Brown, gripping the straps of your backpack between your bony fingers, and hurled it at the back of his head, almost knocking him down. Spencer vividly remembers the tingle that ran up his spine at the sound of your shrill yet demanding voice telling Brown to, “Move out of the way, skank! You're crowding my goddamn locker! Filthy, stupid bitch, are you blind or did your junkie father finally beat all the braincells out of your head?”

Then, you forcefully hit the other two guys with your backpack as well until they dispersed. Years later, Spencer would come to know why Brown couldn't hit you. Why Brown would never hit a girl, and instead of fighting you, he scattered. You had placed your hands on your hips and glared at him, before saying, “If you like to learn so much, then why don't you learn how to throw a punch? How to kick a roundhouse. No school director is expelling you. Or, at least, learn how to talk back at stupid skanks. If you can not be stronger, then be smarter, silly.”

Silly, silly, silly. That was the second time you called him silly, the second time you saved him.

“Is that so,” you are saying now. “Then, I suppose it's nice seeing you, too. Who's that man, anyway?”

He glances down at the picture in his own hand, like he had forgotten it was there. “Oh, yeah. Um, this is a suspect in a case I—”

“Are you the police?” you interrupt.

“O-oh, no. No, I'm not. FBI,” he explains, pulling out his badge and showing it to you. 

There's a glint in your eyes. “FBI,” you repeat, voice a tiny bit as shrill as he remembered it being. “How old are you?”

“I'm twenty-four,” he tells you earnestly. Does that impress you? It embarrasses him how much he wants it to impress you. “I, uh, joined when I was twenty-two.”

“I'm twenty-six,” you tell him, expectantly.

He isn't sure how he knows what you want him to say, but he says, “Congratulations. You look younger.”

You don't preen at his words, but you smile at him, and it's the first time he's seen your smile, despite having daydreamed about what it would look like many times before. It's nothing like his imagination. It's not wide and smooth nor is it sweet. It's lopsided, crooked; and he can see your canines are a bit askew and sharp. When you turn your head to the side to take a sip from your white-night drink, he memorizes the planes of your profile. The valley of your cheek, the crest of the bone under your eye, the cliff of your nose bone. He sees the very naked neck, the precipice between your collarbones. Your face is lovely and curious, and so is the slope of your bare shoulders. He wants to run his fingers down the spaghetti-straps of your dress, that dig into your skin. He wonders if the straps are drawing red lines.

He wants to say something, maybe all he wants is for you to listen to him, but then he hears Morgan calling him.

You hear it, too; you don't know who's calling for him, but you know it's more important than you. So you tilt your head towards him in acknowledgement that he has to go. “Goodbye, Doctor,” you say, smiling again. “Goodbye, silly.”

“No, wait,” he stumbles. “We—I still have some time. Let me—”

“Time?” you interrupt him again. “Funny business, time. It delights frustrating your plans. Don't you know?”

His brain catches up to the reference before himself. “The Seventh Doctor,” he mutters. He sounds surprised to his own ears. “From Dragonfire; Season 24, Serial 4. Broadcasted from November 23 to December 7 of 1987. I was six years old when it came out. The Doctor said it to Mel at the end of the third part.”

You are looking at him with amusement at the same time Morgan calls for him again. “What, do you think I can't like Doctor Who?”

“No, not at all,” he recomposes himself, clears his throat, and almost trips back when you grab his wrist, the right one. “W-what are you doing?” His voice is a couple semitones higher.

You don't answer him. Instead, you take a pen from your dress' pocket and write something on his soft skin.

When he lifts his hand in front of his face, he blushes terribly at the sight of what he assumes—hopes—is your phone number.

“Call me,” you say. You pause, and then add, “Don't be silly and start overthinking it. Good night, Doctor.”

You leave after that.

He's left dazzled and dazed, standing there. He feels like a raw wire, and there's a pleasant flow of warmth spreading through his body from where your fingers curled around his joint.

He runs away when he sees Morgan's arched eyebrows and mirthful expression. Not before catching the mocking mimic of, “Good night, Doctor.” He groans a quick shut up in his haste to leave the establishment.

He's such a coward. But he's not coward enough not to call you later that night during the flight back to Quantico. He texts, “Who's your favorite Doctor?” And feels like kicking himself. Who starts a conversation like that? Before he can delete it and disappear, you reply, “I'm not sure, Dr. Reid. I don't think he exists yet. Why, did you want me to say you are my favorite Doctor?”

Morgan laughs the whole flight after reading over his shoulder.

Surprisingly, he finds he can't be embarrassed about it. Not when you spend the rest of the night texting him.

[didalexiabreakupwitholgaisback]

What kind of discourse do you think this line up will generate?

Personally I'm happy about Salma and Esmee starting, Caro being rested! + APA midfield, Mapi/Ingrid CB duo.

I'm actually wondering, do you think Ingrid has been "less" played in big games simply because Mapi has made it back to starting + full games and Mapi and Ingrid have the less experience playing CBs together? Since Ingrid really stepped up as a world class CB when Mapi was injured and they didn't get to play together that much?

well, i think we've seen a fair bit of discussion about our centerbacks again and who is the better pair, etc. as well as keira's role with the apa midfield. but someone who is going under the radar is rolfö and what her role will be moving forward now that esmee has grown in leaps and bounds! 🤔

as to your question, mapi was made a fantastic comeback and is in excellent form. and now it's figuring out the best combination to pair with her. so yes, it's a work in progress. but in my opinion, there's progress with each subsequent match they play together.

well keira was a starter in both of the man city matches, and that first match certainly wasn't contingent on alexia coming back from injury. either way, it doesn't matter. people are too hung up on these things, when the fact is that keira has started in 2/3 of the matches played this season thus far.

yeah so i think there's a difference in takes that are saying mapi and ingrid aren't good together as if they never will be good together versus acknowledging that it's a work in progress and there's been improvement. i fall into the latter camp, and it's all about building on that potential. 🙏

[scrumpledorph]

Two points of preface. One, I like to talk in absolutes; 'never do this' 'always let this happen' etc. That's just a shorthand so I don't need to append a bunch of caveats to every sentence I write; in truth, there will be times where breaking the established rules will elevate your work. You kind of just need to get a sense for it, and I'm afraid I can't help you with that because it's also largely a matter of personal taste. Two, I'm not a professional, just a hobbyist with a couple friends who I solicit feedback from.

Likely the single biggest piece of advice I can give is: don't cut the tension. Marvel and its derivatives (henceforth referred to as capeshit for brevity) establish tense scenes, but they don't use them for tension - they use them as a punchline by having a character say or do something wacky right as things are getting good. Don't do that.

If you're establishing tension between two characters; an argument, a fistfight, what have you; play it out. Or, if you want that tension to linger; have an interruption that doesn't cut it, but denies them the ability to resolve it. Something more important than whatever they were fighting over comes up, and now they have to work together. This dovetails well into another piece of advice.

Have consequences for scenes. Capeshit more or less alternates between SNL bits and action scenes to make sure the audience doesn't get bored. Not much really matters. When two people shout at each other, have it mean something. Have an argument rise to blistering invective; make them want to genuinely hurt each other's feelings, and leave them raw after - towards each other and onlookers who try to make them feel better. Have a fist fight establish a power dynamic between two characters, have people lose or gain respect for the people involved based on whether they feel the attacker was justified or the loser is weak, things like that. A single interpersonal confrontation can loom over the story for chapters (scenes, episodes, etc.) if you do it right.

Treat your characters with sincerity. This is addressing lamp shading, and it's very closely linked to the first point. When capeshit has a character take themselves seriously, often the villain, other characters mock them in drawn out comedic sequences. While this can be done with intent - to show a lack of respect, goad someone into making mistakes, etc. the problem is the writers don't use it with intent: they always do this, because they're working with borrowed properties made to appeal to thirteen year old boys between twenty and seventy years ago, and think these characters are beneath them.

You should love your characters. You don't need to like them, maybe you think they're a weaselly piece of shit or an irredeemable monster, but you should be excited to flesh them out. You have to want the audience to feel things about them to elevate them above cardboard cutouts. This is a specific subset of the next point, but I felt it was a significant enough occurrence to warrant giving it its own paragraph.

Play it straight. Don't have your characters constantly questioning things if the only reason they're doing it is to signal to the audience that something is absurd. When confronted with the impossible, it becomes the possible, and the mind bends to accommodate it. No 'they fly now', no 'well that just happened'. Things are self evidently possible by virtue of them happening, and that's just how it is. If presented with enough confidence and follow through, the audience will accept it.

For an enduring example, JoJo's Bizarre Adventure constantly follows absurd leaps of logic, but Hirohiko Araki does it with such gusto and panache the reader simply can't question it in the moment, and even when they can later - they usually agree that it worked anyway.

As a closing piece, and I really believe this is arguably the progenitor of the entire problem: assume your audience likes your work. All of the things above are compromises made for a hypothetical reader, watcher, etc. who doesn't like your work, to make it more palatable to them. Cut that person out of your mind. You are creating art for yourself, and if they're lucky - a few close friends. Make your characters hyper competent and don't worry about the person saying it's unrealistic. Give your characters designs you think are cool without thinking about the Reddit dipshit who'll call it a donut steel. Let your characters give uninterrupted monologues at dramatic moments without imagining cinemasins dinging it because the other characters don't attack them while they're doing it.

To paraphrase a piece of advice from Mark Rosewater, the head designer of Magic: The Gathering; if everybody likes your work but nobody loves it, you will fail. It is better to alienate ninety people and make ten lifelong fans than it is to get one hundred fair weather fans. Capeshit ran out of steam the second the original set of characters were retired, because they were working off goodwill established back when they gave half a goddamn.

As I said at the start; every one of these points has caveats and exceptions that are too numerous to list. If I held you by the hand and told you exactly how to make every decision in your work, I can't imagine it would be very fun for either of us. But I hope I've established enough of a scaffolding for you to start building off of.

Few things I respect less than an artist or writer who lacks creative conviction. If your work is visibly self-conscious, how can you expect the reader to possibly engage with it with earnest? If even you don't believe in the work, how can the reader? Likewise I think that having artistic convictions is a boon that can guide a weak premise into a strong execution.

[peacockrulz]

I'm sorry to anybody who expected me to post smth normal but. /j

these doodles are entirely based off the text of the fic Cyn's Night Out. which is a part from a series of fics that I haven't actually read but!! this particular part of it I have so jdskfjsdkf

I dub these two,,, StillKicking (get it? because,,football?? and Cyn never fucking dies????) anway here slightly more sketchy doodles under the cut:

Your Honor. I need More Of This.

[syrenki]

post depressive episode clarity like what the fuck do you mean they'll never disappear, just fade.

[stop-breaking-my-heart-dragonage]

Okay I thought I was done but apparently I'm not. I need to talk more about this banter you can get during the Legacy DLC between Aveline and Warden Carver because it makes me want to scream.

Aveline: I'm glad you found a place with the Wardens. Carver: Well, it's not the city guard, but it'll do. Aveline: Carver... it wasn't the place for you. Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well...

In my last post, I talked about how Aveline had no place telling the guard to refuse Carver's application, regardless of if he was "right" for the job or not. But I believe he would've made a great guard, and getting that job not only would've provided for him and his family during a desperate time, but would've prevented him from either fate of becoming a warden or a templar. He was unfairly robbed of a chance to prove himself because Aveline believed he wasn't right for the guard.

This is one of the banters I brought up but didn't go too in depth about. At this point, it's been between 3-6 years since Act 1, depending on if you decided to do Legacy in Act 2 or Act 3, and every line here is important.

Carver's response to Aveline saying she's glad he "found a place" with the wardens is so telling. Not being accepted by the guard is still on his mind after all this time. He wouldn't bring it up if it didn't still bother him, and implies that he still would've preferred the guard over the wardens.

Which... yeah. Listen, I'm a dedicated "Carver joins the Grey Warden" player. I don't like leaving him behind to become a templar, and I certainly don't like him dying. For me, the Grey Wardens are the best outcome he has. It’s where he seems the happiest and finds the most fulfilment, and it fits well with how I play my Hawke. But it obviously has some tragic issues.

Like the fact that becoming a Grey Warden only delayed his inevitable death within the Deep Roads. Eventually his Calling will come, and Carver will go back down there and fight until the darkspawn eventually kill him. I'm sure that's not traumatic to think about given he was a soldier at Ostagar and then watched Bethany die at the hands of an ogre. Oh, and there's the whole nightmares and voices thing.

Carver didn't choose this life for himself. It was either this or death, but a "what if?" still lingers in his mind about the city guard.

Something Aveline ruined for him.

And continues to ruin.

Aveline: Carver... it wasn't the place for you.

You hear that? In the distance? That's me screaming.

I must reiterate; what makes Aveline believe it's her place to tell Carver whether or not the city guard was right for him? Why did she think she should get a say in whether or not the guard takes him? What's made it HER call?

And still, after all this time has passed, she believes it wasn't right for him and she's unwilling to consider otherwise. Maker forbid she do some reflection and question if she was in the right for interfering at all, too!

Carver is standing right there before her, proving everything she said about him wrong, and she just doubles down. There's no reason to say this to him unless she's trying to remind him of his place; he's a Grey Warden, and she's Guard-Captain of Kirkwall's city guard. But c'mon, Aveline, he's hardly a threat to your precious guard anymore given the whole dedication to killing darkspawn thing he has now.

Maybe if you paid more attention to the threats within your guard, Kirkwall would be a safer place with less murder going around? Just saying!

But isn't that how it's always been? Aveline putting him in his place, making sure Carver remembers she's always outranked him?

Carver: Did you approve my application? Aveline: I can't make you a guard, Carver. Carver: We were both soldiers. Why won't they take me? Aveline: I was an officer. And I follow orders. Carver: [laughs] No you don't. Aveline: I also think of others before myself. You seem tired of that, and that's dangerous. Carver: Just when it's not my choice. You told them not to take me, didn't you? Aveline: Yes.

That he should remember who he's talking to?

Carver: I'm surprised you still travel with us, Aveline. Aveline: Carver, don't. Carver: You're ever so busy with the guardsmen. It must be a burden to slum with the refugees. Aveline: It's oddly comforting that you insult me like I'm family. Carver: That wasn't... no, I didn't mean that. Aveline: I know. But you should be glad that's how I took it.

That she's in charge?

Aveline: Your form's sloppy, Carver. Stiffen up or the darkspawn will take your blade. Carver: Right. I'll keep that in mind. Aveline: And you're angry, why? Carver: You didn't fare any better than I did the last time we faced darkspawn. Aveline: If they take your blade, people die. That's not happening again. Stiffen up. Carver: Yes ma'am.

Oh, and she used to spy on him [and Hawke].

Aveline: I don't like some of the people you've been associating with, Carver. Carver: Talk to my brother/sister. He/She's the one in charge. Aveline:  Maybe, but I know you get around. This city's full of people who are dead set on ending badly. I don't want to see you end up the same way. Carver: Would asking you to stop spying on me help in the least? Aveline: No.

That's their banter.

But sure, she's glad he found a place in the wardens. I don't think she's being ingenuine when she says that, but I think it's a little more complicated than a mere "congrats on doing well, I knew you could do it."

But Carver's response? Oh Maker's ass. It actually hurts me.

Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well...

I... what can I even say?

He accepts it, but you can tell it hurts to do so. It DID cost a lot. More than Aveline will ever understand. And it doesn't matter now! He can't become a guard now anyway, so what would be the point in him disagreeing with her? Carver acts as the bigger person here because he does get it, even if Aveline doesn't.

But it's that last part... that last damn part... Don't be alarmed, that screaming you hear is still me.

Here's the deal; Carver acknowledges that he could be an ass back in Act 1. Hell, he acknowledges it IN Act 1. For example, when you talk to him after finding your grandfather's will, he's an ass to you about Bethany no matter what you say.

But y'know what? You can be the biggest piece of shit to him and have Hawke literally call him a "lazy brat with a chip on his shoulder," and Carver will still be the one to be apologetic for what he said and attempt to explain his feelings.

"Brother/Sister... I feel... I don't know. It's like Mother taking things out on us. She was just scared. I don't have a place in the life she's trying to bring back…"

Carver can be an ass, but he's aware of that and actively tries to change his behavior. If you bring him and Fenris with you on the Mark of the Assassin DLC, there's a moment where Carver says, "You still don't like me? I've tried to change." And if you bring Varric, he once again acknowledges that he used to be an ass.

BUT... that being said. If you don't remember, "I really was a bit of a tit those days, wasn't I?" is referencing back to this conversation in the barracks of Act 1:

Hawke: This must be a very different pace from serving King Cailan. Aveline: It's just one more change, though. The real end for me was Ostagar. What about you Carver? You were there. Do you feel something similar? Carver: No. Aveline: All right, then. Bit of a tit, your brother.

Now, I've already expressed my beef with Aveline over insulting Carver in the middle of the barracks just because he doesn't agree with her view point on Ostagar... but consider the fact that Carver says nothing. He just lets her insult him without a complaint! Carver Hawke, who tends to complain! And he says nothing!

Not only that, but he actually internalized that insult enough that years later he's able to repeat it back to Aveline word for word, and all she has to say is, "Well..."

This isn't the same thing as him reflecting on his past behavior and acknowledging his flaws. This is Carver accepting a snide jab Aveline made that hurt him because apparently he was wrong for not wanting to discuss any trauma Ostagar left him with as openly as she does.

Oh, and don't forget that any other companion you brought along dogpiles on, too!

Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well... Varric: No shit. Fenris: Insufferable. Isabela: Legendary. Anders: Maker, yes. Sebastian: I've heard as much. [If Hawke has a humorous/charming personality] Hawke: Spoiled, annoying, thick-headed, brattish little nitwit of a... oh, have we stopped?

Y'all ever wonder why he's so on edge or hostile with the other companions?

Also, I have to point out that Merrill is the only companion who doesn't say anything in agreement if she's there. In fact, across all their banter, Merrill's never been rude or insulting toward him. All she does is ask him if he's talking dirty to her and compliments him on what a great sworder he is. It's pretty obvious why Carver develops a crush on her, c'mon.

But to wrap this up-

This banter strikes a nerve due to how telling it is about both characters involved.

Carver has grown and done what he can to improve himself, but there's regret that lingers, a longing for a better life he could've had if given a chance. Maybe he would've failed, maybe he would've succeeded. But there's nothing he can do now, so he looks forward, just as he's always wanted to do. He's a damn good Grey Warden who wants to do right.

Aveline remains stagnant. She hasn't changed, nor has she improved, and maybe she would if she could figure out how to dislodge her head from her own ass. She still believes she was in the right to tell the guard not to accept Carver's application despite knowing the Hawke's were desperate and that Fereldan refugees couldn't find work. She knew Carver's a skilled soldier who fought at Ostagar just as she did. The guard wasn't the place for him so she's in the right to deny him any chance. Aveline knows best.

And y'know what, I think all I have left to say is...

Fine, Aveline. You're right. It wasn't the place for him.

Carver was too good for your city guard.

[menodoramoon]

That's the thing about Menodora. She doesn't grow. She holds all thought thoughts -- those seedlings of awareness and observations -- close to her chest and in the back of her mind. She doesn't allow them to morph and change and metamorphosize into new ideas, new actions, new intents. She's never allowed those crocuses to break through the snow. Never permitting those Irises to see the light. Oh… how charming, she thinks. How funny. How fitting.

She sees Tófi in different lights. The illusion of their human self and the truth of their monstrous one. They watch them closely, a look of contemplation of her face. In that alternate 1815, she's loved them as their true self. In that alternate game of gods and monsters, they'd been more human. But those dreams didn't happen. Tófi would chide her for letting her mind wander back.

All of that to say, reconciling who they were had always been difficult. It's harder now, to think of them as a person who felt. And what did they feel besides rage and a thirst for vengeance? Is it so cliche to say that Tófi felt misunderstood? As childish as that word may seem, it felt like the truest thing to her. She misunderstood them time and time again. Underestimated them, overestimated them. Didn't know them as she thought she did or perhaps knew more aspects of them better than they knew her to.

She's somehow charmed by the turn her mind takes, the vague recognitions and reacquainting they're doing. This is not like the beginning of the year where they renewed their friendship. They tore down their relationship today in fire to begin to forge it anew. Perhaps Tófi would burn her in the future as she'd burned them. But it would be earned. And that, in itself, felt right.

"You love more than those, Tófi of Septarsis," Menodora chides. Her tone takes on one where she may tease a wayward ambassador. Where she is delightfully coy with her knowledge. "Don't lie to us when you demand so much truth of me."

Those smiles she gives them hurt her head. Ping lightly, like a pin dropping to the floor, against her senses.

"If things were any different, we may be happier people. Or not," she says, her voice lighter. Pained, but lighter. This discussion is taking a toll on her, her wick was quickly being burnt through. "Because if I am happier, that must mean I'm being ignorant to your plight. And if you were happier or contended, I don't know if I'd be standing here."

She purses her lips for a moment, closes her eyes against the brightness of the hall. It feels like stepping out of darkness into the daylight, bright and blinding. She would love to live in her oblivion, pretend all was well and ignore the pain Tófi hides. She remembers how Tófi had reprimanded her in the dream, reminding her how light could blind. It revealed the worst bits of you, exposed you and laid every bit of you bare.

Could Menodora handle the truth of herself? The facts of matters she tried so hard to -- for so long succeeded to -- repress.

Tófi seems to hold tight to their even tone, their humorless tone. She can't help but raise a brow, even if it's ill-advised over her worsening headache.

"What I'm hearing, Mr Sethson," she says, with that same teasing, playful look as before, "is that you want to watch me sleep." But she's not serious. That much was written across her features. If she were bolder, she may have said something sharper. Something more accusatory. Instead, she hums a soft smile, the slight reverberation on her lips. "It's noble of you to offer keeping vigil, though. Almost sweet, though I don't think sweet is the word I'd use to describe you."

Every external upturn of her lips is a downturn of her mind. And eventually, she knows she'll give out. Her banter is temporary. Exhaustion is a shadow, slowly consuming her.

When she observes them, they're observing her back. She's watching for a hint of a smile. They're watching for the eventual overwhelming of weakness.

It was a dance they'd done when she was a child. Physically, she's only been as tall as maybe his heart when she first knew of their truest face. Now, she could stand on her toes and brush her nose against theirs, their familiarity eye-to-eye.

"Why, Tófi," she says, humor evident but her strength fading, "it almost sounds like you want an excuse to carry me."

Are they twenty feet from reprieve or two hundred? This house couldn't be that big, their manner of manor was surely not that expansive. Even if taking one more step felt like the effort of wading through deep water.

If they lingered any more in the hall, Tófi would have no choice unless they were content with 'rest' being synonymous with her crumpled, unconscious on their hallway floor.

She's a moment from a delirious laugh. Settles for an exhale. Shuts her eyes as the thrumming and drumming and darkness in her ears rises.

"I'll permit it, just this once, if you're still offering."

@ofseptarsis

genfødte sandheder || Tófi & Moon

[keelanrosa]

terfs when a study shows literally anything positive about trans people/transitioning: 'hm i think this requires some fact-checking. Were those researchers REALLY unbiased? Because if they were biased this doesn't count and if they weren't knowingly biased they probably were unconsciously biased, woke media affects so much these days. Have there been any other studies on this? Because if there haven't been this could be an outlier and if there have been and they all agree that's a bit odd, why aren't there any outliers, and if there have been and any disagree we really won't know the truth until we very thoroughly analyze them all, will we? Were there enough subjects for a good sample size? Did every single subject involved stay involved through the whole study because if they didn't we should be sure nothing shady was going on resulting in people dropping out. Are we 110% sure all the subjects were fully honest and at no point were embarrassed or afraid to admit they didn't love transitioning to the people in charge of their transition? Are we 110% sure none of the subjects were manipulated into thinking they were happy with their transition? In fact we should double-check what they think with their parents, because if the subjects and their parents disagree it's probably because they've been manipulated but their cis parents have not and are very unbiased. How many autistic subjects were there because if there weren't enough then this doesn't really study the overlap between autistic and trans and if there were too many then we just don't know enough about what causes that overlap to be sure this study really explains being trans and isn't just about being autistic. How many AFAB subjects were there because if there weren't enough this is just another example of prioritizing AMAB people and ignoring the different struggles of girls and women and if there were too many how do we know sexism didn't affect the results. Was the study double-blinded? We all know double-blinded is the most reliable so if this one wasn't that's a point against it even if the thesis literally physically could not be double-blinded. Look i'm not being transphobic, i want what's best for trans people! Really! But as a person who is not trans and therefore objective in a way they cannot possibly be, i just think we should only take into account Good Science here. You want to be following science and not being manipulated or experimented upon by something unscientific, right?'

terfs when they see a study of 45 subjects so old it predates modern criteria for gender dysphoria and basically uses 'idk her parents think she's too butch', run by a guy who practiced conversion therapy, 'confirmed' by a guy who treated the significant portion of subjects who didn't follow up as all desisting, definitely in the category of 'physically cannot double-blind this', completely contradicted by multiple other studies done on actual transgender subjects, but can be kinda cited as evidence against transitioning if you ignore everything else about it: 'oOOH SEE THIS IS WHAT WE'RE TALKIN BOUT. SCIENCE. Just good ol' unbiased thorough analysis. I see absolutely no reason to dig any deeper on this and if you think it's wrong you're the one being unscientific. It's really a shame you've been so thoroughly brainwashed by the trans agenda and can't even accept science when you see it. Maybe now that someone has finally uncovered this long-lost study from 1985, we can make some actual progress on the whole trans problem.'

[fernweald]

this has nothing to do with any mutuals, i just happened to be browsing tags and blogs by extension for stuff to queue. but. i don't feel like it's necessary to vague post about someone you've blocked. especially if it's about past details that are no longer relevant.

[turtlemagnum]

when i was younger and hung out around my uncle a lot more than i do now, i remember whenever he referred to things regarding his native heritage, he always just called it "indian". called himself an indian, called the words he taught us indian, so on. since i was a little kid who didn't know any better, i didn't know that "indian" in the context of indigenous americans was a very broad, frankly bastardized term to paint a vast variety of cultures spanning two whole damn continents with one brush. it only occurred to me as i got much older than i was at the time that there'd be more than one "indian" language, and up until now since i had no idea what tribe(s) he even is i couldn't even begin to know where to look unless i found a download of every goddamn interlingual dictionary available and painstakingly checked every godddamn one for what their word for "thunder" is

the word he taught us meant thunder was hiloha. i didn't even know how to spell it until now, because he only ever said it aloud. literally just a few minutes ago, i decided to ask my grandma (his sister) if we knew what tribe(s) he belonged to. and apparently he's a mix of choctaw and makah. which gave me a lead, which led to me finding a dictionary on libgen, which led to me word searching "thunder" in the choctaw to english dictionary. it's the only word i remember him teaching us, and i'm unsure if he ever tried teaching us others. but it was his dogs name, and he was a damn good boy, so i remembered it clear as day. though, they normally shortened it to "hilo".

so, i guess what came out of this is that i now know a bit more about my uncle's heritage, and where to look for more research. so, if you're gonna have a takeaway from this, i'd appreciate it if you remembered the word "hiloha". it means thunder. and aside from being the name of a very good boy who deserves to be remembered, i think it's even more important to remember the histories, cultures, and of course the languages of all the indigenous folks who came before us and did their damndest to preserve their cultures in spite of it all.

[realest-nilou-kinnie]

every single time i'm reading anything about him, fan fiction or not, and someone describes him as lazy, i can't help but blurt out loud to myself, "he's not lazy" and sort of roll my eyes. It's in his character bio in the game for crying out loud: he doesn't see the point in trying anymore because every time he has ever tried in his life, he has been shot down and shown that nothing he does will ever matter.

self-indulgent elaboration under the cut

also, i would argue that it's about as clear as can be that he is "rude" on purpose to push people away...because he knows he was born in a silver spoon in his mouth and thinks he doesn't deserve people being nice to him. of COURSE he is snarky and snappy when he gets the chance, he WANTS people to stay away from him. He does NOT, however, want them to talk behind his back, i dont think. We know it hurts him. He doesn't want them to whisper that he's dangerous and he could probably kill everyone within a 50 foot radius with his UM at a moment's notice. Which is true. I think he's afraid of that possibility (and I believe in the novel it's described as being a volatile spell that other second princes have been effectively cursed with, and that he could accidentally kill people around him. That's why he grew up overhearing the palace servants whispering about the spell as if it was already a known UM.)

I know we don't know how he got his scar yet, other than it being something he clearly doesn't want to remember, but I can't help but wonder how he first "got" his UM. It isn't one he developed like Azul did, for example. He was born with that being the UM he would one day manifest. I definitely have ideas about how he got his scar and how it could relate to the advent of a Unique Magic like his, but I DO NOT think he killed or seriously hurt someone. I think the King's Roar spell has been popping up in previous generations of the Sunset Savanah royal family in second-born sons, and the people know it can lay waste to everything around the user. Even the things the user didn't touch or mean to affect start to turn to sand, like the air. Idk i just think his magic hasn't killed someone but I think he and everyone around him knows it could. From past experience, if you will. So maybe he showed signs of it being his UM and people FREAKED out as if he killed someone. That can be really damaging for a kid.

With this in mind, how could it be any clearer that he is trying to push people away? Now, allow me to be a blatant Leona Kisser on main (joke intended, that's my sideblog @leona-kingscholar-kisser LOL), but....HE'S NOT EVEN DOING THAT GOOD OF A JOB OF PUSHING PEOPLE AWAY. BECAUSE HE ISN'T A NATURAL AT IT!!!!! 😭😭😭😭 I'm not saying he craves connection, yet, because i haven't seen his part in book 7, but he definitely is not just meanspirited. He doesn't enjoy pushing people away, he feels that he has no choice in order to not hurt others. Isn't that the most selfless thing of all?

Knowing how he was treated as a child during his formative years, I'd say every glimpse of kindness and generosity and selflessness and passion for life he shows is indicative of someone who is all of those things even more so than it would be for someone who had no adverse childhood experiences. To me, the fact that he is all these things even in the face of the agony he must feel looking in the mirror every day means he is an even better person than someone who only does the right thing to earn praise and be celebrated. Character is doing the right thing even when no one is watching and all that.

I literally could write 50 paragraphs about him with MLA citations, but here is what i mainly wished to impress upon the part of twstblr whom i think are a wee bit confused about his characterization:

examples of Leona not being a massive sack of shit:

he pretends not to notice when Ruggie steals jewelry from him just about daily, but he doesn't outright give it to him because that would be too philanthropic for his image. He lets Ruggie think he's getting away with it. He doesn't want a "thank you" because he thinks he doesn't deserve it

he lets Ruggie bring his own laundry to be washed together with Leona's, while giving him his credit card to buy the nicest detergent and anything else he might want to buy at the Mystery Shop

the reason he doesn't wear his uniform jacket isn't because he just wants to break the dress code or make a statement, it's probably because he gave it to Ruggie. Hence why Ruggie's jacket is massive on him.

he skips his classes because he already knows everything they're teaching. he always shows up for tests, meaning he does keep track of when they are.

- personal note: he had all the NRC-level material drilled into him from a younger age than most as a prince. That level of focus on academics takes away time in your youth that you feel like your peers are spending having fun and having social lives. If i were him, going to classes where everyone around him got to learn something for the first time that he had been forced to memorize years ago would be really hard. It might be a reminder of how he had to grow up too soon. I personally relate a lot to being faced with the reality that every other student in your class didn't have the same amount of academic pressure put on them that you did and wanting to just curl up and cry at your desk. Being in classes where you already know everything or where other kids clearly have a lot less pressure on them can make you feel even more alone and hopeless and unloved than you already felt. it makes you grieve all the weeks and years of feeling like a workhorse instead of a child that you'll never get back. So i guess in that way I'm biased towards him and I completely support him skipping class :'3

he only got held back because of missed attendance. here are two important notes about that, in my opinion:

- firstly, he obviously doesn't want to go home. he also feels unenthusiastic about the 4th year internships even though he's going to take one in his home country and hopes to make some positive changes using his ideas. Still, he knows it will not come with the recognition and appreciation from his family he wants. Even if his ideas for oil mining fracking 🤮 bring great economic growth and can feed the children starving like Ruggie was, I doubt his older brother would see Leona for what he is or praise him as things stand now. hopefully that will come later in the story

- secondly, he wants to be held back and stay at NRC another year so his dorm can win the Spelldrive tournament against Diasomnia. He literally says that's the reason he is so desperate to for HIS TEAM (not him) to win that he puts himself in the position to be the bad guy and make the hard decisions he thinks he has to in Book 2! With the actual Spelldrive team, it's slightly different because Malleus isn't involved. It's interesting. In his Spelldrive Uniform home screen dialogues, he says winning is more important than doing your best... because he thinks his team wouldn't be happy with coming in second even knowing they did their best. I think he is blinded by self-hatred. I don't think what he seems to think is actually true. I think Epel and Jack and Ace and all the Savanaclaw members who bawled their eyes out when they thought he was turned into a Tsum are just happy to receive guidance from him. That makes him different from Azul or Kalim or Idia as housewardens, for example. They literally cry lollll. He knows all his Spelldrive players and they literally never shut the fuck up about how good of a coach he is and how attentive he is to their strengths and weaknesses. He doesn't even try to change them! He doesn't insult or belittle Epel when he wants to train to aim better, he literally just compliments how he is a great player in other ways and tells him not to change a thing. For no reason, bitch. He's such a fucking softie.

he buys us a drink in one of his chats, saying he "knows how to reward good service 😒". oh come on bro you're not fooling anyone, you probably weren't even thirsty anyway

he only went to Playful Land to keep an eye on the underclassmen because he's always like that. smfh

finally, if you pay close attention, he's really only rude to people who disrespect him first. OR to people who try to drag him into annoying shenanigans he doesn't want to be involved with. if someone did all that to me during a depressive episode i'd bite their head off, too -- which is every day because i have major clinical treatment-resistant depression and i feel like i know how he feels. i get where he's coming from :( and then they all STILL call him lazy. that is so fucking mean and hurtful. he is doing what he can. he's just sick. he is enough.

okay that's all i can think of right now i just really wanted to elaborate because AHHHHHHH. AAUUGHHHHH. EEEEEUEUUUUUUUUUUAUAG HE IS NOT LAZY AND HES NOT A DICK HE JUST HATES HIMSELF AND NONE OF IT IS HIS FAULT

and while i'm on the subject, Leona is actually NOT lazy or arrogant or selfish at all but some of yall are not ready for that conversation lol

[skrunksthatwunk]

found out that rascal's owner took him again while i was out, and he's probably not gonna be back since the semester's almost over. i don't even know if his owner's coming back next semester, if i'll ever see him again. if he'll ever see me again. why do they wait until im not around to do this? why do they never let me say goodbye to him?