#but that doesn’t mean he has to give them up
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geneviveleocardius · 3 days ago
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viktor, and his way of loving you
yes babys, arcane
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viktor has a way with words, and his flirting style is sharp and witty. he’ll tease you with playful sarcasm, often catching you off guard. for example, if you ask him if he likes your outfit, he might quip, “well, it’s not terrible. you’ve exceeded my very low expectations.”
despite his often aloof demeanor, viktor absolutely melts when you lay on him. whether it’s resting your head on his chest or curling up next to him while he works, he’ll grumble about being “distracted,” but his hand will instinctively settle on your back or stroke your hair. je secretly craves the comfort and connection.
viktor loves to rile you up with gentle teasing. if you’re trying to impress him or show off, he’ll smirk and say something like, “adorable. is this your best attempt?” he doesn’t mean it harshly—it’s his way of engaging with you and keeping things lighthearted.
viktor isn’t shy about casual touches. he’ll rest a hand on your shoulder as he leans over to show you something, trace patterns on your palm while deep in thought, or brush your hair out of your face with a surprising tenderness.
viktor is reckless in his own way when it comes to showing love. if you mention wanting something or needing help, he’ll dive headfirst into solving the problem, often overextending himself. you’ll have to remind him to slow down and take care of himself, but he’ll just shrug and say, “i’ve survived worse.”
if you try to challenge him intellectually or make a point, he’ll raise an eyebrow and give a smug response like, “oh, is that what you think? fascinating. completely wrong, but fascinating.” he loves engaging with you in debates, even if it’s just to watch you get riled up.
viktor might tease and joke, but when you’re upset or vulnerable, his sarcastic edge softens. he’ll hold you close, quietly reassuring you with words like, “it’s okay. I’m here. Even when you’re being insufferable.” his way of comforting is uniquely viktor—pragmatic but undeniably warm.
viktor doesn’t get overtly jealous, but he’ll throw in pointed remarks if someone gets too friendly with you. “oh, how charming he is. do you need me to take notes, or are you already smitten?” it’s mostly to amuse himself, but there’s a spark of possessiveness behind it.
viktor’s love is as sharp and nuanced as his personality—equal parts teasing, intellectual connection, and quiet, tender affection.
viktor’s kisses aren’t rushed. he takes his time, savoring the moment like it’s the last one he’ll get for a while. a soft press of his lips to your forehead, the corner of your mouth, or your temple says more than words ever could.
when he’s feeling cheeky, viktor will give you the faintest ghost of a kiss just to hear you complain. “oh, you wanted more? perhaps if you asked nicely,” he’ll smirk before pulling you in again.
if the two of you have time alone, his kisses are deep and filled with unspoken emotions. his hands might grip your neck or your waist as if he’s afraid to let go, his lips moving with a raw intensity.
viktor loves how your eyes reveal your emotions, even when you try to hide them. he’ll hold your gaze longer than most, often smirking as if he’s read something you didn’t want him to see. “your eyes always give you away,” he’ll murmur.
viktor expresses love through action. he’ll quietly fix things, design little inventions for you, or work late into the night to make your life easier. to him, love is about making sure you’re cared for, even in practical ways.
while he’s often buried in his work, viktor treasures the moments he spends with you. whether you’re reading, talking, or simply sitting together, those quiet moments mean the world to him.
viktor loves subtle physical contact—resting a hand on your knee, brushing his fingers against yours, or tucking your hair behind your ear. he doesn’t need grand gestures; these little moments are enough for him.
viktor values your opinion more than he admits, and he loves pulling you into his world. he’ll explain his latest project with a mix of excitement and sarcasm, often teasing your lack of technical knowledge: “hmm, not bad—for an amateur.”
viktor is deeply aware of his flaws, but your understanding of him—and your ability to look past his gruffness—means everything to him.
he adores how you can match his sarcasm or challenge him in conversations. if you manage to catch him off guard, he’ll smirk and say, “impressive. i’ll allow it—just this once.”
viktor’s greatest fear is losing you, whether to time, danger, or his own mistakes. he hides this fear behind sarcasm, but it’s why he can be fiercely protective. “i don’t have time to worry about you,” he might say, but his lingering gaze betrays his concern.
viktor’s love is quiet, witty, and deeply intentional. he doesn’t always say the words aloud, but every touch, every action, and every teasing comment is his way of showing how much he adores you.
[we all know he’s in love with jayce, though]
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jjkbambi · 1 day ago
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the morning after luigi mangione x reader (18+)
summary!!! part two of is it new years yet because you do not get back together just cuz he has good dick OMG 🖕🖕🖕🖕😒 he also has a great personality and loves eating pussy
warnings: smut, kinda angsty, he’s manipulative but honestly he’s such a nice guy, you should really give him a second chance
^ not edited let’s alll just practice gratitude 🙏
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seven days, thirteen hours, and nine minutes and thirty six seconds.
that’s how long it had been since luigi had seen you. not that he’d been counting, he was truly trying to be normal about the distance this time around.
he replays the morning after on a loop, searching for the slightest hint he’d done something wrong to no avail. as a matter of fact, your quiet body was beside him until deep into the afternoon, nothing but soft snores exchanged between the two of you. he wakes before you, kissing your forehead before taking his leave. his frat brothers whistle at him as he enters the wretchedly messy house, throwing him a water.
“happy new year, big guy,” one of them, hasan, greets. “did’ya spend your night thinking about new goals or scoring the same one?”
luigi rolls his eyes. “fuck off.”
another brother chimes in, bright-eyed. “when are we meeting her?”
“in your dreams.”
he had no intention of sharing you in any way; the thought of anyone else even looking at you irritated him. but starting the new year off by your side was far too great a fate to be stoic about. he grabs a plate of what’s left of their shitty communal breakfast (jar salsa from the night before, scrambled eggs, and two pieces of mostly burnt toast) and brings it into your room.
“y/n,” he calls out while entering. the door to the bathroom is now closed, and he sees your shadow shuffling around the room.
hesitant, the door creaks open. youre back in your black minidress, holding onto your heels. “hey, pretty.”
“hi,” you say tightly, the mistakes and soreness from the night before lingering in your mind. you’ve just wiped away the tears still streaked on your face, yet your ex-boyfriend hardly looks hungover.
“dressed up just for me?” he jokes, kissing your cheek. he offers you the plate of food but you shake your head.
“lacy’s waiting for me. i’ve got to go.”
“stay,” he says, his voice honey-sweet, like the boyfriend you knew months ago. it makes you feel sick, the familiarity of it all suffocating you. the room feels too small.
you push away from him. “i have to go.”
“baby,” he drops everything he’s holding to grab you again. “what’s wrong? is everything alright?”
he always blows your mind with his audacity. “no, everything’s not alright, luigi,” you spit back. “we shouldn’t have—none of that should’ve happened.”
“what do you mean?”
“luigi,” you sigh. “we’re over, alright? it’s done.”
“y/n—”
“i mean it,” you raise your voice so slightly, but still it breaks. “you cheated on me, then pulled all this shit, i can’t do it anymore.”
“you can’t do it anymore? are you serious?”
“yes!”
“you ignored me for weeks then showed up at my fucking party, dressed like that,” his voice was low, but angry. brows furrowed, he doesn’t lose his grip on you. it scares you. “you can’t tell me you weren’t bartering for my attention.”
“i wasn’t.”
his jaw sets. “then who’s?”
“oh my god. nobody’s!”
“don’t fucking lie to me—”
“lu, stop, seriously.” your voice trembles this time, and you both notice it. he drops your hand.
“i didnt mean to hurt you,” he says, soft at your upset. “i swear—i dont remember cheating on you. i’m not gonna mess up like that again, i promise.”
he leans in to kiss you, to seal the pledge with his gentle touch, but you pull back. “it doesn’t matter that you didn’t mean to hurt me—you did. you can’t just pretend it didn’t happen.“
his big brown eyes bear into yours and he swears, “i can make it up to you.”
“luigi,” you hadn’t even realized you’d been crying until he brings his hands up to wipe your tears away. “i just don’t think this is a good idea, i’m sorry.”
“come on,” he says, frowning. “i love you. only you.” his lean-in to kiss you is successful this time. the kiss feels much better—softer—than last night’s. he’s gentle with his desperation, intent on making you stay. “‘m sorry, okay?” he says between kisses. “let me make it better.”
“no, luigi, we shouldn’t—”
“you’ve got to hear me out, y/n,” he takes your lips again. his hot kisses move down your neck—and it all feels so different this time around. even the air in the room feels lighter. his voice is against your ear when he swears, “i’ll be good to you, sweetheart, i promise.”
saying no to him is near impossible—it’s why you shut yourself off of him for weeks, avoiding places he frequented, deactivating your social media, ignoring his constant stream of messages and calls. now, he has you, and within minutes, you’re pressed against the wall again.
“feels good?” he teases, grinding his hard-on into your core. you melt underneath him, you can’t help it, he’s so warm.
“lu,” you whimper. you’re still sensitive from how selfishly he took you the night before, you can’t help but react to his touch so quickly. it felt so raw.
“wait—” he never does. his hands are on your hips again, moving your body against his.
“just let me take care of you,” he says, trailing kisses down your neck again. this time, he was sure to leave marks.
he keeps the dress on this time. he places you back onto the bed, and as you gather the courage to take him in again, he moves beneath you.
“knew i recognized these,” his voice hot against the fabric of your panties.
you told yourself the lacy black panties were just meant to match the dress, but it all seemed so intentional—the party crash, the kitchen drive-by, the fact that you were wearing his valentines day gift. whether this was a manifestation of your greatest fear or desire, you couldn’t tell.
he kisses your thighs, then runs his tongue against your core through the fabric of your panties before ceremoniously ripping them off. he kisses and sucks at your wetness. you tremble at the suddenness of his movement. his big nose is so prominent in your pussy, you can’t help but grind yourself against his perfect face and whine as he drinks you in.
“you’re such a fucking mess,” luigi says, smiling into your warmth. his unshaven stubble tickles your sensitive cunt, sending a tremor through you. “so wet, i’ve barely even touched you.”
“i can’t help it,” you whimper.
he grabs your ass, pulling you closer to his relentless mouth. it’s ridiculous how good he feels. he’s completely shameless in his endeavor to ruin you.
“look at me,” luigi orders, so you do. you look down to see him, finding that he’s already gotten to touching himself. his hard length at the edge of the bed, furiously red, as he strokes himself. “i think about you everyday,” he admits in between licking at your core. “i missed how this pretty pussy tasted. i missed having you like this. holding you down so you can’t squirm away. missed hearing you beg.”
you’re almost there, fidgeting underneath his hands. “luigi, please. it’s too much.”
“you’ve taken worse,” he growls into you.
he feels like he’s on fire. one hand moves up and down along his cock fervently, while the other lends itself to fingering your frothing pussy. you mewl at the sudden entry, back arching.
“luigi,” you whine. “please.”
“i’m trying to do a nice thing for you, y/n,” he hums, “but you want me to be selfish, hm? want me to take you?”
“yes,” you say, breathless.
“fuckin’ slut,” he grumbles, pulling himself away from your wet cunt. he grabs your ankles and pulls you to the edge of the bed. “what d’you want from me, huh?”
“want you.”
“course you do,” luigi says, surprising you with hard slaps against your sensitive clit. you cry out at the sensation, the unfamiliar storm of bliss and torment, and he chuckles darkly. “you fuckin’ belong to me.”
he grabs your chin and forces you into another kiss, your wetness now staining you both. he lifts your leg up and slides himself back into your wet warmth. “you’re dripping,” he praises as he pounds into you. the exhilarating pain sets your senses alight, you grip onto him tighter without even realizing. “all for me, yeah?”
“all for you.” you nod. this is not how you expected this conversation to go. you writhe at how big he is, how hard.
“you can take it,” he grunts. he’s not fast, this time—his thrusts are agonizingly slow and tortuously deep—just as you think it’s all entirely too much, one hand grips your clothed tit, the other lifts to cradle your chin, forcing your lips to part open. he spits into your mouth. “swallow,” he orders.
you do.
“good girl,” he places sloppy, wet kisses along your jaw, your neck, then goes to bite at your tits. “so fuckin’ pretty.”
“i thought about you too,” you admit sheepishly, out of your mind. he looks up at you, raises his eyebrows, urging you to go on. “i missed you.”
to your surprise, he scoffs. “fuckin’ bitch.” he suddenly loses the interest in being gentle with you, returning to your body rough and angry. his fingers massage against your clit, unraveling you. “you’re just as crazy as i am, you know that? running around town like you don’t belong to me. like you don’t touch yourself late at night thinking about this cock. wishing those fingers were half as good as mine, huh? fuckin’ idiot.”
“luigi,” you cry out. was this him being nice?
“be a good girl f’me,” he grunts. he feels you pulse around his cock and drives into you with even more force. “cum all over me, baby. have my fuckin’ kids.”
“luigi,” you mewl again, desperate for release.
“come on, pretty, show me how good it feels.”
his lips return to yours, hot wet and desperate, as he cums inside of you. you’re a complete mess—squirming and whimpering as you unravel onto his cock, he catches your moans with kisses and leaves you shaking underneath him.
“good girl,” he hums, kissing your forehead.
for a fleeting moment, the two of you are perfect. everything feels just right. he slips into the spot beside you, the disarray of tangled sheets forgotten as he pulls you into his warmth. you sink into the nape of his neck, and though there are no more words spoken, the air is thick with an undeniable love, quiet but all encompassing.
but when he stirs awake, reaching for you, all that lingers is the soft, fading smell of your spring perfume.
send requests ! <3
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crimsonbubble · 3 days ago
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More Than This
cw. nsfw, afab!reader, mean doms hohong, overstim, dacryphilia, praise, degradation, use of toys, bondage, size kink, size training, marking, double penetration, tummy bulge *not proofread, just pure horny*
[merry christmas lovelies 🫶🫶🫶]
taglist (dm to be tagged); @sidusvenari @sugarnspice630 @ravenempress101 @autieofthevalley @linearities @wisejudgedragonhairdo @madiexuberant @mifuelarts @straytiny127 @yun-fangz @huen1ngk41 @juyeonshour @uniq-tastic @hongjng8 @miyaluvvsyou @everyonewooeverywhere @hongjoongtime117 @oddracha @kingbloopter @jay-0n3s @ane1o2 @shinyj3lly
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Call me a whore all you want but you can’t tell me that getting sandwiched between mean doms hohong wouldn’t make you horny.
With Hongjoong’s possessive streak, his affinity for overstim and his natural ‘leader’ instincts combined with Yunho’s equally possessive streak, his affinity for seeing you cry, and his own ‘leader’ instincts, you’re in for a night.
There’s a lot to break down so let's start here; marking. As I said before, they both have possessive streaks. Sure they get jealous and whatnot but they both know they’ll be the ones you’re returning to. Hongjoong prefers to mark your neck and shoulders while Yunho goes for whatever patch of skin he can get his greedy mouth on.
Overstim; yall I could yap about hohong and overstim for hours. But seriously, they are so mean about it. Like I said in my joong blurb a few days ago, he’s a freak who loves to overstim you, drowning you in waves of pleasure when he deems fit. He makes you cum over and over just because he can. He loves to see you shaking and watch your sticky cunt ache with need.
At the same time, Yunho overstims you, so you start crying from the sensitivity. He’s a perv who wants nothing more than to have a pretty whore on his lap, clinging to him while sobbing from the feeling of him pushing his fingers into your sore cunt alongside the toy he already pushed into you.
Size kink/training; this is indeed Yunho’s domain. Don’t get me wrong, Joong’s big, but Yunho’s big. Freak meister Yunho over here buys all types of dildos to ‘train’ you with; yes this includes dragon dildos and tentacle dildos. Oh, he also gets replica dildos made of him and Hongjoong just so he can stuff both of them inside you and watch the bump in your abdomen appear and disappear with each thrust of the toys. Def says things like “If you can’t handle this, how’re you gonna handle the real thing, tiny?”
Toys/other sex paraphernalia; they have an extensive collection of sex toys because Yunho buys all types of dildos. But Joong buys all types of vibrators; different shapes, sizes, speeds, and power levels. He also has a fuck machine but he hasn’t shown you that yet. Collectively they may or may not have some spreader bars, handcuffs and silk ropes just for fun.
Dirty talk; god, the absolute filth that pours out from Hongjoong’s mouth is insane. Loves to fluster you when he talks dirty, lowering his tone against your ear to a low purr as he speaks. “You hear that, sweetheart? Hear how fuck wet you are? Huh? All wet for us? Hm?” “Aww, our pretty slut just needed their cunt stuffed, huh?” “Oh, empty-headed already? That’s a new record, princess.” Oh, the mix of praise and degradation from these two is mind-boggling.
Oral; now this is Hongjoong’s forte. Not saying that Yunho doesn’t do a good job, but he’s not Hongjoong. When Yunho eats you out, his mouth focuses on your clit; sucking the swollen bud into his mouth while his fingers reach for that one spot deep in your cunt. Hongjoong focuses on fucking your pussy open on his tongue while his nose bumps against your clit. Joong is also a lot fucking messier, oh, and a clit kisser. He’ll spit on your already sloppy cunt just to make an even bigger mess.
Recording; listen, they love having all three of you there but Hongjoong stays cooped up in his studio for hours on end so sometimes you need to give him an incentive to come home. Yunho takes it very seriously to take a clear shot of your pussy stretching around his dick as he splits you open on his lap. He’ll mute the audio because he knows Joong loves to hear how needy you are.
Aftercare; listen, they can be rough with you most days but they will always care for you at the end of the night. They usually run a bath for you but if you can’t be bothered to move, they’ll settle for some warm washcloths. Kisses on top of kisses; the soft and sweet kind as they kiss over every marking and bruise you might have gotten that night. Snuggling together on clean sheets and under a warm blanket.
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spxllcxstxr · 23 hours ago
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Jayce and Viktor Dating Someone with ADHD • Headcanon
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(Gif not mine)
Request: Hiiii how are you? I love your stories so I was wondering if you could write more jayvik x reader but who has adhd? TYSMM -- anon and Your Jayvik + reader headcanons have me are giddy and are healing my soul. Is it possible to ask for a some headcanons with a reader who has ADHD and also forgets to eat because of it?? I hope your day is kind to you! -- anon
Warnings: gn!reader, reader has ADHD, mentions of food and eating/not eating, these are lowkey kinda short im so sorry lol
A.N: Disclaimer: I don't have ADHD but I have many friends that do and while ADHD presents itself differently for people, I tried to keep this a bit generalized, I hope that's ok!! If anything needs changing or needs to be deleted for being inaccurate or anything, just let me know! Hope you guys enjoy!!
Jayce and Viktor are both very understanding people, so when you told them you had ADHD they didn’t have a problem with it. They are, however, problem solvers (they are inventors with the dream of making Piltover and Zaun better for the people), meaning they are very curious about your habits and how they can help. They don’t want to “cure” you, because there’s nothing to cure, but they want to understand how to reassure you and how to make living with ADHD easier on a day-to-day basis
If you’re someone who fidgets with things a lot, Jayce will happily pick up the task of making something that satisfies your need to occupy your hands and your thoughts. He loves being in the forge and he’ll gladly let you sit in there with him and listen to you describe what you would want. He’ll sit next to you, sketching out the design while you ramble about what textures are better than others or how weighty it should feel in your hand. Jayce honestly loves this little side project; not only does it let him work on something other than his research, but it also puts a smile on your face
If you like rambling for hours about your latest hyperfixation, Viktor is the best for that. He has a naturally curious mind and would love to learn something new. He especially likes it when your head is resting on his chest in the middle of the night. Viktor likes watching you move your hands as you talk excitably about the plant life in Ionia or the history of the Yordles. He doesn’t just listen—he’ll ask you questions or give you reading material he thinks you may like as well
Going to Council parties or even just walking through Piltover can really overwhelm you sometimes, either with all the noise or the texture of your clothing feeling off, so your partners are very attentive to your wellbeing. The three of you set up a codeword for anyone to use when someone needs or wants to leave. They try to make it something funny every time to hopefully ease the panic a little bit. Usually Jayce and Viktor are glued to either side of you hip, but in the off chance they have to roam around the room, the two of them will try to keep an eye on you. They will always reassure you that it's ok that they are leaving these sorts of events early (Viktor barely wants to go in the first place), and when you get home the three of you will do something to calm everyone down and get into comfortable clothes
Having ADHD, you tend to get distracted/forget to do certain things. This usually includes eating. Your partners never want to seem overbearing or like they're smothering you, so they will try to subtly remind you to eat/do certain things. Jayce likes writing you little notes and putting them in the apartment. Usually they have little hearts in the corners with some encouraging remark after "remember to eat!" Viktor will usually try to eat with you, so you won't feel alone while eating. He'll be making something and he'll set the table for either two or three and that just reminds you to actually sit down and eat what Viktor makes
Your partners are very patient and are always open to new ideas. if you want them to do something different or if something works really well, they would love to hear it. They absolutely will not be mad at all, they love you so much and all they want to do is help make things easier for you
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supermenz · 2 days ago
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one
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summary: One is the loneliest number that you'll ever do; two can be as bad as one, it's the loneliest number since the number one. Or: you're two years old when you lose your parents. Your brother, a kid himself, is unable to give you the love you deserve, and you end up at twenty being as burn out as only a Gotham University student can be. So, what do you do? Change scenery, of course.
pairing(s): clark kent x wayne!reader, bruce wayne x sister!reader, eventual platonic batfam x reader (no use of y/n)
warnings: genius kid trope, kinda doomed siblings, language, there are reference to what happens in "the batman" but there will be a merge of both comics and films, written with david!superman in mind cuz he's my pookie 😞, bruce is so pathetic i love him sm
word count: 2.2k
author's note: my first ever fanfic for the dc universe!! constructive criticism is welcomed as english is not my first language,
next | series masterlist
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Gotham has left you feeling more claustrophobic in the last few months than it did all your life. 
Maybe it’s because you’re seeing your brother slip into his work — aka beating criminals in the night as a hobby — more and more, or maybe it’s just your brain playing tricks on you. It’s probably the latter. 
You’ve never been good with emotions — it comes with being a Wayne, and surely, having your parents die before you were three didn’t help your situation. Bruce spending most of your childhood abroad with barely any contact with you also probably didn’t help either. 
“But I’m here now,” he had said once, “Am I not?”
He is, but even if you love him with all your heart, sometimes you think that you’re more like colleagues rather than siblings. Your bond is strained, with him being so closed-off and spending most of his free time cosplaying as a bat, and you having just entered your twenties, trying to get your second degree in biology after an early graduation and an even earlier PhD in engineering. And since his first big case four years ago, neither of you has been the same. 
Your relationship has never been easy. The flood and the Riddler’s case basically forced you to trauma bond over what you both had experienced, as surely no therapist would’ve wanted to hear about all the horrors that you two experienced, even for all the money in the world. Besides, it’s not like Bruce could just enter a therapist’s office and tell them that he’s the fucking Batman. 
As of now, you tend to have your… ups and downs. Both prefer to just hide behind paperwork, projects, cases or research rather than just talk some things out. Because yes, Bruce’s your brother, but that doesn’t mean he’s easy to love. There are some days where he seems to be barely able to talk to you, others where you know he just wants to scream at you for whatever reason, others where… others where you think he might just crumble at your feet and start crying. 
You don’t have a lot in common. Maybe that’s why he manages to stay in Gotham even after all that’s happened — combined with the fact that he’s spent ten years or so abroad. Maybe you need that, too. 
“I’m thinking of moving out,” you tell him during one of your rare dinners together. You have already talked about your plan to Alfred, who has shown his support towards the idea and urged you to get out of Gotham as soon as you could, but you also wanted to tell Bruce — just to be honest with him. 
Yes, he left you to study abroad all those years ago without any kind of goodbye or anything, but you have no intention of leaving him behind like he did to you — you may be grown adults now, but that doesn’t mean that being left behind doesn’t exist anymore. You doubt Bruce would ever feel left behind by you, of all people, but still. “Found a faculty in Metropolis that will be able to transfer all my credits and studies and a nice flat downtown near the Wayne Enterprises’ site there. I think I need a breath of fresh air– I need to go somewhere where the sun actually shines and not everyone has hidden agendas.”
You’ve heard good things about Metropolis, and you think that the Martha Wayne Foundation could be expanded a bit more — somewhere far from Gotham, where surely there are other orphanages, other people in need that could use some help. “I could handle Wayne Enterprise’s gestion and settle our matters there while continuing my studies in a more… calm environment.” calm is a big word for a metropolitan city as big and populated as Metropolis, but every city is calm in contrast to Gotham.  
Your brother doesn’t say anything. He just stares at you, wide-eyed, fork still raised to eat the potatoes Alfred cooked, his face blank. Is he having a heart attack? You didn’t think that you moving out would’ve been such horrendous news for him. Yes, even if you are not that close he’s still very protective, but he went to live abroad at ten. You’re twenty and you’re just… moving to Delaware. It’s not like you’re going to the fucking Himalaya mountains as he did. 
(Meanwhile, Bruce is spiraling. He wonders when the hell did his little sister grow up, how it can be that she isn’t the little girl he used to sway around anymore, and why would she ever want to move out. Is it because of him? Did something happen? 
Isn’t Metropolis in another state? Is he so tremendous that you have to move states in hopes to forget about him? Is he too overbearing? He thought he had always given you enough space to do your own thing–)
Instead of saying all of the things he’s thinking, he tries to muster up a smile, even if it comes out as a grimace. “Alright.” 
He nearly jumps out of his seat when you beam at him — is he really that obnoxious that you can’t wait to move out and have him out of your life? “Oh, I’m happy that you’re taking it well! I was afraid you’d freak out.” you get up from your seat and move over to hug him, and he chuckles nervously. “Why would I? You’re an adult, you can do what you want.” 
(What do you mean?!, his conscience screams in his head, She isn’t even twelve! Just yesterday she was talking about going to the homecoming dance with her friends–
But time has passed, and even if Bruce feels that it was particularly hard on him, he didn’t think it’d affect you too, somehow. It’s weird acknowledging something’s — someone’s — changes in the years in… so little. He had gotten so used to you being his little sister that he didn’t even think about you becoming a full on woman. He still remembers the pink bundle of blankets your parents had given him that day at the hospital, telling him to be careful with her, she’s your little sister.
When have you grown this much? Where did the time go? He swears it was just yesterday when you were admitted to Gotham University.) 
“But… a flat? Are you sure you’ll be comfortable there? It’s not exactly as big as a manor.” 
You avoid his gaze, scratching the back of your head. “Yeah, about that…”
He raises an eyebrow, “Let me guess, you bought the whole building?” 
You snap your fingers, “They don’t call you the greatest detective for nothing!” you sit back down, cutting the meat on your plate, “I plan on making the floors I won’t live in into a laboratory of sort– almost like the Batcave, y’know, so I can continue working on the models I designed undisturbed.”
When Bruce had started his crusade as Batman, you had just gotten your bachelor’s degree in engineering, and were working on your master’s degree. You had basically given him the head-start, creating the software of the Batcomputer (or of the computer, as he calls it), designed and adapted a sport’s car to the Batmobile (just call it the car, Bruce always insists) and basically modified and created every single one of the gadgets and systems he uses. 
You just hope he won’t let the Batcomputer get hacked as soon as you land in Metropolis — you spent weeks programming her and years perfecting her system. You spent so much time on her, she might as well be your firstborn by now. 
“I’ll always be a call away,” you murmur when your brother’s eyes get a little dazy, unfocused– like he’s in another world, always thinking about the worst that could happen. “You know that, right?”
Bruce blinks. “Yeah. Yeah, I– I know that.” 
(He isn't sure about that.) 
You pat his hand, mustering a smile. "Maybe you should take a break, too. Why don't you book a vacation in, let's say... the Bahamas? Just to get a bit tanned and remember what the sun actually looks like."
He shakes his head. "Can't. Batman doesn't go on vacation."
You raise an eyebrow, sighing in defeat. "Well, I'm sure the GCPD could handle Gotham for a few days, but do as you like."
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Your arrival in Metropolis is, of course, followed by an unhinged swarm of journalists and press that surround you as soon as you land.
You can already see the headlines — THE PRINCESS OF GOTHAM NOW IN METROPOLIS or some other corny predictable shit like that — as they shove their cameras in your face, screaming and trying to grab you, as your bodyguards try to contain them. You're much calmer than they are, having already endured years and years of invasive journalists.
“Miss Wayne, would you care to tell us the reason for this abrupt change in scenery?”
“Has your move got anything to do with your relationship with your brother?”
“Miss Wayne, look here! A smile for the front page–”
“Miss Wayne, why Metropolis, of all places?”
“Miss Wayne, a word for the Daily Planet?”
The guy for the Daily Planet catches your attention– he seems far too nice and isn’t elbowing anyone; he must be either new at the job or is too nice for it. He’s got a mop of curly, black hair atop his head, thick glasses perched on his nose, baby blue eyes behind them. His posture is a little crooked — he’s getting squeezed by reporters on both of his sides — but, even as disheveled as he is, you notice a thing. 
Ohh, he’s pretty. Like, jaw-dropping pretty, the kind of pretty that makes you want to bite his cheek and never let go for the rest of your life. 
You stop in your tracks, lifting your sunglasses to your head, bodyguards panicking at the swarm of journalists that suddenly all point to one direction; you reach for the pocket of your jeans and take out a business card that you pat on the pretty reporter’s chest. “Another time, pretty boy,” you promise as he takes the card, his fingers brushing yours, the other journalists speechless around you. “I’m kinda busy right now.” 
You don’t stay long enough to see him blush and hold the business card tight in his palm so that the other reporters don’t snatch it out of his grip — the bodyguards urge you forward, towards the SUV with obscured windows that is waiting for you right in front of the arrivals’ exit of the airport. One of them opens the door for you, and you don’t hesitate to get inside, the car speeding off as soon as everyone’s inside. 
“Never seen anything like this,” one of the men mutters.
You shrug, “I’ve had worse.” 
The ride to your building is short, mostly because it’s late in the evening and there aren’t many people still around. You leave a generous tip to both the bodyguards and the driver, thanking them but assuring them that you can walk alone the thirty steps that separate you from the entrance to what’ll be your home for the foreseeable future. They help you take out your trolley and duffle bag, which you swing over your shoulder right after taking the keys of the building out. 
You open the front door, carefully closing it behind you, taking the elevator right in front of it. You press the number thirty out of thirty-four, which turns green with a ding, and wait for the doors to open back up. And once they do, you’re not disappointed. 
The loft is arranged just like how you asked the movers to — it would’ve been hard not to, as you sent them the 3D interior design plan you had made, but still. You’ve been raised with the idea that if you want something done well, you have to do it yourself, so you’re pretty happy about how it turned out. 
Still, something’s missing. 
You check around the loft for any pieces of missing furniture or something like that, not finding anything. You even go back to the 3D model to make sure that everything got here safe and sound, only to find that yes, everything is in the colour you ordered and exactly in the place you asked for it to be. 
You sit on the U-shaped couch that sits right in front of the giant windows that let on the skyline of Metropolis, eyebrows knit in deep thought. The house is nice — for fuck’s sake, you bought a whole building just for you and your projects — but it’s weird not having anyone else around. There’s no Alfred to welcome you, no half-asleep Bruce roaming without an idea of where he is, no squeaking and creaking of the floor when you walk. 
You sigh. “Maybe I should get a cat.” 
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koalayoo · 3 days ago
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ɢᴏɴɴᴀ ʟᴏᴠᴇ ʏᴏᴜ, ɢᴏɴɴᴀ ɢɪᴠᴇ ʏᴏᴜ ᴀʟʟ ɪ ᴄᴀɴ, ʙᴏʏ
michael kaiser x gn!reader
content: pure fluff for the most part, soft! bf kaiser, reference to his backstory, kind of cocky, better than my last fic for sure
author's note: wanted to write a good christmasy bday fic for him. bit late, apologies. not really proofread or beta'd. apologies again.
wc. 1.3k
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Kaiser had never celebrated Christmas.
Christmas was also his birthday.
That means Kaiser has never celebrated his birthday.
This was what had become apparent to you in your relationship with Kaiser, when all the walls between you two had become bulldozed and you realised, yeah, this is the person I want to spend the rest of my life with. You had come to understand that with Kaiser’s upbringing and all that he would have probably never received a gift from his father. You wonder if at that age he knew what Christmas was.
Then you started tumbling head-first into a hole of unanswered questions. What would he have even done for his birthday? Was anyone there to ever celebrate with him? You knew how bad he had it growing up, you regrettably knew. Part of you wished you didn’t know how bad it was, hoped that sometimes his father grew to be lenient or that maybe the old women in town that would see him around knew his name. Knew him to be more than Michael “professional neighbour thief” Kaiser and instead as the kid he was. That was just wishful thinking though.
He had received gifts, which was expected. He was a pro athlete but he also had Ness from the age of 15 who had most definitely gifted him something you assumed but weren’t privy to the details. However, he hadn’t celebrated. Hadn’t experienced true Christmas joy. He doesn’t know the feeling of waking up early and ripping open the wrapping paper on specially curated gifts that sit under the tree you both decorated together. Hasn’t felt what it’s like making cookies with the radios ruffled Christmas carols sputtering in the background. Wearing matching sweaters while watching stupidly predictable themed rom coms. Making a wreath to put on the front door. Kissing under the mistletoe. Ughhh, there was so much you needed to show him.
So, you did just that.
As soon as December started, you did your utmost best to get him into the festive spirit.
On the 1st, you brought home a tree and excitedly decorated it with Kaiser. Putting various coloured ornaments on, some the typical solid coloured balls, others with stripes and patterns, differing sizes, differing shapes. Then, Kaiser had placed you on his shoulders so that you could place the star on the tippity top despite your insistence it be him.
On the 5th, you went shopping with two very important things in mind. A wreath, and some ugly sweaters. On the way you slipped in some ingredients for cookies too.
On the 14th, you had started wrapping some presents. You had both agreed 3 presents was a good amount to give one another but you couldn’t help but feel a gnaw at the back of your head. It was also his birthday, you just had to double it.
On the 17th, you had put the wreath up which welcomed him home from a long day at practice.
On the 22nd, you had finally worn the sweaters which you had taken a polaroid of before promptly taking them off, sweltering from the heat of the oven that was baking the cookies you both had put hours into making. Later that night, bad christmas movie #1 was watched.
The 23rd and 24th followed a similar routine. Jam out to a different song before you got sick of it and watch another bad christmas movie. 
Then, it was the day.
All the extra presents you hid from him were placed under the tree and you made hot cocoa for two. You had to work quickly, Kaiser was used to waking up at the odd early hours of the morning and there was no doubt he would feel you missing next to him.
Soon, he had stumbled down the stairs and was greeted with you wrapping a blanket around him. You had pulled him down onto the floor and planted a present in front of him, a chaste kiss pressed against his forehead.
“Happy Birthday, handsome.” You whispered softly into the air.
He had begun to wake up more and noticed the excessive amount of presents under the tree. He looked at the presents, then at you, and an eyebrow raised comically.
“And, Merry Christmas too, I guess…” You playfully rolled your eyes with a small smile appearing on your face. “Although that one’s of lesser importance.”
He sighs although he can’t help the small upwards tilt of his lips. “Thought we agreed on 3 each?” “Yeah, but it’s your birthday too! I wasn’t gonna be one of those people, ya know? The ones who just say the Christmas presents are also their birthday presents. You deserve to be celebrated twice.” 
“Yeah but-” And you briefly cut him off because if there was one thing you knew about Kaiser which was wrapped behind layers just like the presents was this feeling of foreboding. That he didn’t deserve this. However, your job as his brilliant partner was to teach him to sit there and take it.
So you started to celebrate, taking turns ripping the presents you both put love and care into wrapping. For every 2 gifts Kaiser opened, you opened one of yours in tandem. You giggled seeing him get you exactly what you wanted and teased him when a small blush appeared on his face when he got the same.
Although, there was one last present you wanted to give him.
A house full of love.
You wanted him to learn this holiday season that you were truly never leaving. Not like his mother, or even his begrudging father. That you were full of love for him and everything that came with choosing him. The arguments, the boundaries, the fear; you couldn’t fix it but you could help and that’s the sentiment you hoped to get across.
Later that day when you finished putting your gifts away and throwing the egregious amount of wrapping paper, you enter the living room to see Kaiser plotting. 
Before you can fully enter he spits out, “Stay right there.” You murmur in acknowledgement and stay put, eyes trailing the figure that is walking towards you suspiciously, one hand placed firmly behind him. You shoot him a questioning look to which he shakes his head, not budging.
“Should invite Ness over.” 
“Why would we do that?” He questions. “Fine with just me and you here, no?”
“Season of forgiveness, champ. Do I need to teach you how to be a good friend too?”
He’s stalked all the way over to you now. He towers above you and the hand he isn’t hiding comes to hold the top of the frame, leaning down towards you. His shirt lifts a little. You look. Then you look back at your boyfriend who has leaned in even closer.
His nose nudges against yours and you knew this was one of his ways of trying to assert dominance with the way a small brazen smirk made its way to his face. Could this guy try not to be a dick for one day? You notice the way his lips brush against yours slightly and you sigh, trying not to be pulled in.
“Answer?”
“Mmm, I’ll think about it?” He chuckles and leans in to swoop your lips against his in a passionate kiss. It didn’t last long because his smile broke the seal between you two apart. His eyes have a gleam in them and they flick up causing you to do the same.
Oh. 
A mistletoe.
“When did you learn about this one?” You whisper softly, genuinely curious.
“I had a tough childhood, doesn’t mean I lived under a rock.” He laughs again, this time more joyfully. You’re not sure whether it’s the fact that he successfully tricked you or that you truly rendered him this clueless.
Then, there’s a knock at the door. You see the sliver of magenta hair through the window panels near the door before you hear him.
Oh.
Maybe Kaiser doesn’t need you to guide him after all.
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Likes, reblogs, and comments are always appreciated! Title is from December by Ariana Grande. Thanks for reading!
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starshideurfics · 2 days ago
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Thirsty Thursday - Stevie’s Garage
steddie, omegaverse, 1960s, omegas entering the workforce, single parents, cw: vague references to suicide
Steve liked working with his hands. As a child that meant playing with lincoln logs and tinker toys, after he presented it meant baking a sewing. Then his no-good, two-timing alpha left him for his secretary, with two pups, Danny (6) and Jenny (7 1/2). Steve won full custody in the divorce, and at least his ex pays his alimony on time.
But it isn’t enough to live on, not with the mortgage and the kids. Fortunately, he doesn’t have to worry about the house falling apart; he’s been doing home repairs the entire time, learned to change his own oil in his car, can fix a flat tire with ease.
More and more omegas are driving now, and Steve figures they would appreciate service from someone who won’t talk down to them. He gets a loan from his aunt, a maiden omega who invested well, and opens his own automobile service station: Stevie’s Garage.
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Robin helps him get set up: painting the sign, ordering supplies, answering phone calls, while Steve gets under the hoods and gets his hands dirty.
He does well enough that after the first month he puts an ad in the paper to hire a second mechanic. He figures it will take a while to find an alpha (or even a beta) who can stand working for an omega.
Much to his surprise, a man with dark curls and a shy smile comes by later that week asking if the job is still available. Steve has Eddie check the car on the lift, and he finds the loose fan belt in a couple minutes, changes it out.
Steve hires him on the spot.
It turns out Eddie’s got a pup, too. Carrie’s in Danny’s class at school, and all Eddie will say is that her mother isn’t around anymore. Steve doesn’t pry. It means the three pups ride the bus to the garage after school and play together there until the workday is done. Jenny’s bossy, a bit feral, and loyal to a fault. The first day Carrie gets off the bus with them, she asks why she isn’t going home to her mom, all childish bluntness.
“Mama died in the bathtub when I was really little, then I went to live with Daddy,” Carrie answers, just a statement of fact.
Steve’s glad he didn’t pry.
After that, Jenny is as protective of Carrie as she is of her brother.
Three months after he hired Eddie, Steve admits to himself that he likes the alpha. More than likes him. Eddie smells nice, and he’s gentle with the pups, never raises his voice in anger—only in excitement or fear—he tells jokes and stories to pass the time, sings along with the radio. But mostly, he looks at Steve like a starving man looks at bread when he thinks the omega isn’t looking.
Steve wants to feed him.
They both have engine grease under their fingernails, are covered in heavy-duty cotton, Steve’s hair is under a kerchief; there is nothing particular sexy about the moment. But Steve can’t wait any longer, and he presses up against Eddie, pins him in place and kisses his mouth.
“I’m dead, yeah? The lift fell and I was crushed by Mrs. Wheeler’s Bel Air, and I’m dead,” Eddie babbles when their lips part.
“Not dead,” Steve replies with a grin. “I’ve been wanting to do that for a while.”
“Yeah?”
“Yeah.” Steve leans in for another kiss, one that Eddie deepens, his tongue slipping easily between parted lips. “I’ll need to get Robin to babysit.”
“Oh?”
“Yeah, Munson. You’re taking me out dancing.”
✨✨✨
Steve answers the door with his housecoat still on, crouching down to say hello to Carrie first, the pup throwing her arms around his neck. “Head into the living room, honey, the kids are doing a puzzle with Robbie,” he says, watching her scamper past him into the house. He turns to Eddie with a soft smile, “Just give me a couple minutes and I’ll be ready to go.”
“Yeah, sure,” Eddie agrees, smile just as soft.
Steve disappears to his bedroom, and Eddie waits awkwardly in the doorway. He hears laughter from deeper in the house, followed by Robin saying, “Hey there, Care-Bear, come sit by me.”
He’s ruminating on how nice it is to have people who adore his kid as much as he does around, to give her that big family feeling, at least a little bit. Then Steve comes down the hallway wearing a proper dress, and Eddie quite literally stops breathing.
Dressed to the nines, Steve is a revelation, but he simply takes Eddie’s hand and says, “So, where are you taking me?”
“Enzo’s,” Eddie answers, no longer worried that it’s too much. Steve deserves the nicest restaurant in town for their first date. Steve deserves the best of everything.
Not that either of them has fancy tastes, not knowing what half the things on the menu are. Eddie gets spaghetti and meatballs, and Steve gets a chicken dish with some kind of red sauce. They talk and trade bites of food, both careful as they eat—Steve due to a lifetime of practice, Eddie because he realized as soon as the waiter took their order that he’d made a mistake and that leaving without marinara on his shirt would be a miracle.
After, he tells Steve to order dessert, and they split a tiramisu. Eddie pays the bill without really looking at it, having kept a tally in his head of the prices by habit, leaves a nice tip, and helps Steve up from his seat. “Ready for that dance?”
Steve smiles and nods, following Eddie to the dance floor. Enzo’s has a live band on the weekends; “Unforgettable” by Nat King Cole starts just as Steve steps onto the parquet dance floor, his arms settling easily around Eddie’s neck. “I love this song,” he murmurs as they start to sway.
“Makes sense,” Eddie murmurs, “You’re certainly unforgettable, Steve.” They’re silent after that, moving to the music, bodies pressed close. A new song starts, and they keep swaying, dancing merely an excuse to hold each other in public, to trade small kisses.
“Robin’s planning to spend the night at my place,” Steve says once they are safely back in Eddie’s car.
“Oh?”
“We still have plenty of time…”
“Steve?”
“Take me back to your place, Eddie.”
He doesn’t need to be told twice, driving on autopilot, as Steve rubs his hand up and down Eddie’s thigh.
Steve pounces on him as soon as they get through Eddie’s front door, kissing him hard and reaching for his belt. They shed clothes down the hallway, until they reach Eddie’s bedroom, leaving the lights off, everything illuminated well enough by the nearly full moon.
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Eddie stops breathing again. Steve is a vision in only his slip, white satin and lace showing off so much more of his skin than Eddie’s ever seen. Carefully, he reaches out, suddenly nervous—a crass, unworthy man standing before the loveliest omega on earth—and pinches a bit of fabric at Steve’s waist, afraid to touch more.
“Hey,” Steve whispers, placing a hand over Eddie’s, “It’s okay. I’m still just me. Not gonna break, Ed.”
Everything after that is slow and sweet. Perfect.
Eddie cries tears of pleasure as he sinks into Steve’s wet heat. Steve mewls at being properly knotted for the first time in years. They fall asleep tangled together, the most relaxed either of them have felt, possibly ever.
Steve wakes early, before the sun is up. Eddie stirs beside him as soon as he moves, and Steve is happy to take a couple minutes to kiss.
There’s plenty of time to get home before the pups wake.
✨✨✨
Big thanks to @itcanbepalped for sharing the inspo with me and then riffing for a bit! Love you, Mads!!!
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quirekey · 2 days ago
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Hello can you make a headcannon with Orion and d-16 with a femme mining bot who has over controlling guardians? Not letting her go out too much and only for work. This means no boys either. Would they sneak her out? Sneak in? How would they’re relationships be?:3
EHEHE I love this concept, her parental figures being controlling and stuff is such a fun one
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[ ORION PAX ] x [ D16 ] x [ FEMME!READER ]
[ orion pax x d16 x cybertronian!femme!reader ]
HEADCANONS
- You, D16 and Orion were really close, like to the point where ‘kissing the homies’ seemed romantic between the 3 of you. You guys hung out a lot when you were on break, just chatting and joking around. You guys were like friends with romantic strings attached, afraid that a relationship may cause some problems with their jobs.
- Your guardian (or father) was a high-guard, so he knew where you were and what you were doing quite often. He was extremely strict and he always said it was to ‘protect’ you. He never let you add anything to your schedule, never brought you so those fun celebrations and most of all, did not allow mech-friends. Though you understood, there weren't many femmes and also you loved Orion and D16, so you weren’t gonna leave them.
- When your guardian found out about your ‘friendship’ with Orion and D16, he was absolutely furious. The moment he saw you hanging out with the 2 was the reason why you sometimes have to do double-time in the mines.
- You don’t usually stand up to your guardian, he can literally offline you and there will be absolutely no consequences, so you prefer to just go with it. You do rebel every so often though, ringing your audio receptors out or just dismissing his lectures.
- D16 is pissed at your guardian. All he wanted to do is hang out with you. He understood where your guardian was coming from because of the harsh job his daughter had. He has many urges to talk to your guardian, but he’s too afraid to. He wanted to get along with him, not confront him.
- Orion Pax does try to talk to father quite often. Orion says that he will ‘confront’ your father then casually has a fight with him a klick (minute) later. You and D16 just watch Orion Pax get his life beaten out of him. Luckily your guardian doesn’t go that far and just gives him ‘a few soft punches’.
- D16 and Orion do have each other when you're gone. Though they are able to cope whenever you're gone, not having you is literally like an incomplete sandwich. It’s sad and it just doesn’t feel right, you need all of the ingredients or it will taste wrong. They both talk about you quite often when you are gone too.
- Sometimes D16 forces both himself and Orion to come with you when you have double shifts to accompany you. You are extremely grateful for their presence. Somehow your guardian doesn’t find out, I guess he’s a busy high-guard?
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redocity · 1 day ago
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>> Person A starts calling person B during their lunch break everyday. Person A's coworkers, who they USED to hang out with during lunch, are all super interested in this new supposed paramour. They start gossiping, theorizing, as well as hustling person A trying to get information about person B like its high school.
For your holiday event?
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𝐛𝐮𝐜𝐤’𝐬 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐬𝐞𝐜𝐫𝐞𝐭 — 𝐄.𝐁𝐔𝐂𝐊𝐋𝐄𝐘
Person A starts calling person B during their lunch break everyday. Person A's coworkers, who they USED to hang out with during lunch, are all super interested in this new supposed paramour. They start gossiping, theorizing, as well as hustling person A trying to get information about person B like its high school.
evan buckley x fem!reader | fluff | 1.2k | masterlist.
𝐫𝐞𝐝𝐨𝐥𝐢𝐝𝐚𝐲 𝐬𝐥𝐞𝐞𝐩𝐨𝐯𝐞𝐫 !!
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You’ve gotten used to your phone ringing right around noon. It’s become something you look forward to, the sight of “Evan Buckley” flashing on your screen making your heart flutter in a way you’d never admit to him—not yet, at least.
The first time he called, it was unexpected. You had barely unwrapped your sandwich when your phone buzzed, and his voice greeted you, cheerful and warm. “Hey! Just thought I’d check in and see how your day’s going.”
Since then, it’s become routine.
Buck calls you during his lunch break without fail, whether he’s at the firehouse, in the field, or even in the middle of a chaotic day. For half an hour, you talk about anything and everything: the weird things your coworkers do, the absurdities of his job, and those little moments that don’t seem like much until you share them with someone who listens the way Buck does.
What you don’t know is that your calls have not gone unnoticed.
At the 118, lunchtime used to mean loud banter and ridiculous debates. Buck was always in the middle of it, whether he was challenging Chimney to a chili-eating contest or trying to convince Eddie to finally pick a side in their pineapple-on-pizza debate.
Now?
Buck’s spot at the table is often empty, his voice heard only as he heads to a quieter corner of the station, phone pressed to his ear.
And it’s driving his coworkers insane.
“Who do you think he’s talking to?” Chimney asks, leaning back in his chair and squinting toward the kitchen, where Buck has just disappeared, phone in hand.
“Obviously someone special,” Hen says with a knowing smile.
“Special how?” Eddie raises an eyebrow.
“Oh, come on,” Hen says. “He’s sneaking off every day, giggling like a teenager. It’s gotta be a new relationship.”
Chimney’s eyes light up. “Wait—are we talking girlfriend material? Or is this like… a *situationship*? Because you know Buck.”
“Maybe it’s neither,” Eddie says, though even he doesn’t sound convinced.
The gossip escalates quickly. Chimney starts jotting down theories on the whiteboard in the common area, turning it into a full-on investigation.
Hen provides commentary, while Eddie does his best to pretend he isn’t interested—even though he’s quietly keeping track of Buck’s absences during lunch.
“Do you think it’s someone from his gym?” Chimney speculates one day.
“Could be,” Hen replies. “Or maybe it’s someone he met on one of those dating apps. You know how Buck is.”
“What if it’s a long-distance thing?” Eddie chimes in, finally caving in showing his interest.
“That would explain why he’s always on the phone,” Chimney agrees, scribbling it down.
They even try to corner Buck for answers, which only makes him laugh.
“Come on, guys,” he says one afternoon, grinning as he leans against the kitchen counter. “It’s not that big of a deal.”
“Not that big of a deal?” Hen echoes. “Buck, you’ve practically abandoned us for this mystery caller. I think we deserve to know who’s stealing you away.”
“Yeah,” Chimney adds, crossing his arms. “Give us a name. Or at least a hint.”
Buck just shakes his head, clearly enjoying the attention. “You’ll find out eventually,” he says. “We’re just— taking it slow for now,”
The truth is, you have no idea any of this is happening.
To you, Buck is just Buck: funny, kind, and entirely too charming for his own good. You don’t think twice about his daily calls or the way he seems genuinely interested in every little detail you share with him.
You certainly don’t realise that his coworkers have turned your lunch break chats into a full-blown conspiracy.
One day, as you’re finishing up a story about the vending machine at work eating your dollar, Buck laughs—a soft, happy sound that makes your stomach do a little flip.
“You know,” he says, “I think my friends are starting to get jealous of you.”
“Jealous of me?” you ask, confused.
“Yeah,” he says. “They’re all trying to figure out who I’m talking to during lunch every day. It’s kind of hilarious.”
You pause, sandwich halfway to your mouth. “Wait. Are you serious?”
“Dead serious,” Buck replies, his grin evident even through the phone. “Chimney’s got this whole theory board going. Hen’s playing detective. And Eddie—well, he’s pretending he doesn’t care, but I know he’s keeping track.”
You laugh, the sound bubbling up before you can stop it. “You’re telling me the 118 is trying to solve me like I’m some kind of mystery?”
“Pretty much,” Buck says, and there’s that warmth in his voice again, the kind that makes you feel like you’re the only person in the world. “It’s actually kind of sweet. In a very weird, invasive way—”
“What do they think? That I’m your secret spy contact? Your long-lost twin?”
“Oh, the theories are wild,” he says, leaning against the wall of the firehouse kitchen. “Long-distance girlfriend, someone I met in a bar, a *matchmaker* trying to help me find someone else—Hen’s personal favorite, by the way.”
“Wow,” you say, shaking your head in disbelief. “I didn’t realise our calls’d become the talk of the firehouse.”
“Don’t worry,” Buck says, his tone softening. “I haven’t told them anything. I like having this… whatever this is, just for us.”
The admission makes your breath catch. It’s the first time he’s really acknowledged the unspoken connection between you, the one that’s grown stronger with every call, every shared laugh, every small moment that feels far bigger than it should.
“I like it too,” you admit, your voice quieter now.
There’s a comfortable silence between you, the kind that speaks louder than words ever could.
“So,” you say eventually, trying to lighten the mood, “what happens if they figure it out?”
“Oh, they will,” Buck says, laughing again. “But until then, I’m having way too much fun letting them wonder. And honestly? I think they’ll love you.”
The words hang in the air, full of meaning you’re not quite ready to unpack.
“Bold assumption, Buckley,” you tease, though your voice is soft, your heart racing. “What makes you think they’ll even meet me?”
“Why wouldn’t they?” he says confidently, and there’s that grin again, the one you can hear even without seeing it. “One day, I’m going to bring you by the station. You know, when we’re ready.”
“When we’re ready,” you echo, the words settling somewhere deep in your chest.
“Yeah,” Buck says, his voice steady. “And they’ll love you.”
And somehow, you know he means it.
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currentfandomkick · 1 day ago
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Frankly i always read it as Danny choosing to take the shots for the JL’s victims as he wishes someone would do for him, and to take the blow back once he realized there would be little to no negative affect on him.
This is more from the Superman-hates-Kon or JL-is-team-Clones-are-to-be-killed as he has experience with that and doesn’t necessarily see the individual clones in their own fawn and freeze or flight and fight modes.
He sees his clone, Dani, and imagines her in that position.
Danny is more than willing to fight for others (see the show) and while he’s willing to let Mikey get bullied in his place he still winces at it and has tried to redirect Dash a few times to himself when he gets more comfortable and confident in his ghostly abilities and how low the impact will be for him long term on healing and such as a halfa and hero compared to very human Mikey.
So i always figured Danny was doing a mixed projection of his own neglect from his parents, which he absolutely sees Superman doing if he refuses to interact with Kon in any story where Kon is kryptonian (and you know, needs a fellow kryptonian to help with his powers and none were available (only superman and Kon exist) or are actively against Kon’s existence (versions where Kara is against clones existing). Danny can clock that as Severe Neglect and goes ‘wait a minute there’s no one else with his power set to help! You say you’re a hero (good, kind, benevolent) but are lying (as neglect to child/clone in need of guidance that this situation boxes you in as only option) what the fuck is wrong with you!’ As his initial reaction.
Becuase in these Kon is in a mixed parallel to Dani (clone, made to hurt creator but Danny is unaware of that) and Danny (a mildly neglected child taught to not fight back) after Danny has grown confident in his abilities to defend both Ghosts and Humans from one another and likely is working up the courage to do so with his parents or has done so already.
Danny is seeing Kon as someone Dani could have been is obvious, but Danny seeing himself in there, the neglect and (seemingly) having one option to mentor in your abilities but is not allowed to be (For Danny as Vlad demanded Jack’s death, for Kon as Superman won’t interact with him period) means Danny is doing what he wished someone did for him when he was younger and acting as that person.
Is he petty about it? Yep.
Is he also deciding to be the rudest version of a wakeup call possible in the Kon case where he’s projecting Dani and himself on Kon? Yep!
Would Danny forgive them later? Forgiveness is Kon’s to give and Danny will follow his lead, but will hold the grudge to guilt superman during backslides.
For Flash i always assumed its a longstanding grudge from cleaning up the mess to keep timelines functional and a longstanding thing on Danny’s side (possibly meeting flash out of order/non linearly) and his beef is with how many times he fixed the various flashes (as yeah. They pass the title around and have multiple flashes besides Barry and Wally. Bart’s been flash as have Jay Garrick and a lot of others. This is a borderline bloodfued with the Phantoms who keep going off to fix Flash Fuckups and see what the timelines could have been had the Flash not played musical chairs with the timelines.
The flash fam just has not learned that yet (besides maybe Bart who’s either aware and figured the rest were too, or was given an exception as Clockwork’s favorite for not playing with timelines like putty constantly).
GL idk about havent seen alot of that, atleast with his character. General ‘dont ask how i died’ things sure but usually related to summoning danny after trying ti bind him… and at that point JL usually have screwed up something else apart from summon.
Interdimensional warcrimes i tend to only see with Ghost King summonings and them demanding he do xyz or banish him from their dimension and the like. Or a deal to handle a big bad with that as Danny’s price, so it may be a matter of what our feeds are getting there.
And yeah, set up is a skill in writing that takes ages to learn (as someone who is iffy on that skill, can confirm its a bastard to learn if you’re not a writer who is good at corralling the characters and plot.)
So i assumed these were usually just drabbles and snippits and the rest was for imagination to work out esp if its mostly dialouge in character action: dialouge format 🤷‍♀️
Why is Danny everyone’s mouthpiece for their random grudges against various superheroes? Why is it SO COMMON for Danny to show up and immediately start chewing people out?
Like. Danny? Mr. ‘My Parents Shoot At Me But It’s Fine’? Mr. ‘Dates The One Ghost Hunter At His School’? Danny ‘Dash Can Shove Me Around I Guess’ Fenton? Holds a bunch of grudges against popular superheroes and tries to punch them at the first available opportunity??
I know it’s become a pretty popular characterization in fandom for Danny to be pretty testy/spiteful, I just don’t really get it
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revelboo · 19 hours ago
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Rodimus is too damn charming for his own good! 😤
He is
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Attractive Today Pt 5
Rodimus x Reader
• Standing up with your blanket draped around your shoulders and dragging behind you like a cape as you walk to the edge of the berth and look up at him, Rodimus feels the tension from his duties drain away. Because you’ve started greeting him when he returns. And he enjoys seeing you smile for him. Though it could be that he tries to bring you things he finds about the ship that you might like. Withdrawing the bit of metal he’d shined to a mirrored polish, he holds it up so you can see yourself and you grin up at him, smile fading as your fingers drift to your hair. “Oh, that’s bad,” you say, finger combing your hair.
• “I like it. Wild and untamed,” he says as you make a face at him. It’s certainly that. You look like you’ve been grubbing about in the wilds in a cave somewhere. Of course, it’s not like Rodimus cares what you look like. You’re pretty sure he views you like a stray cat he started feeding. Not really his pet, but he feels obligated at this point to keep taking care of you and would pet you, but suspects you’d bite. “Fierce,” he adds to make you laugh as he reaches out a servo to touch your hair.
• “You mean scary. That’s the word.” Because you’d kill for a hairbrush. Some deodorant. Your soaps. Your clothes. All those stupid little things you just take for granted. You’re missing them now and suddenly want to cry you’re so frustrated. “I’m a mess.” That warm servo hesitantly touches your cheek and you grab onto it as he looks away as if embarrassed. Refusing to let go as you curl yourself into the heat of his palm and he’s makes a little noise at the contact, but he’s warm and it’s freezing in his quarters. So you’ve started taking advantage of your alien space heater every chance you get.
• “As the king of being a mess, I think you’re doing fine,” he says, one shoulder lifting in a shrug as you snuggle into his palm, holding onto his servo as if to keep him from escaping. But you smile up at him again. “You’re stronger than you think you are.” When you arch your brows at him, he vents at you. “Seriously.” Knows you don’t believe him, but if your roles were reversed? He’s not so sure he’d be dealing with it as well as you or the other humans are. But that’s what he’s come to expect from your kind. An almost admirable kind of stubbornness to survive no matter what you’re up against.
• “You’re a sweetheart.” But a liar. You’re coping because it’s either that or spend your time stuck with him crying in a corner and hysterical. Maybe humans are just good at dealing with whatever shitty hand they’ve been dealt. Life saying screw you and instead of giving up, just shrugging it off. Rolling with it when all you want to do is cry. But seeing Rodimus have a breakdown has firmly shifted him from big, scary robot, to someone needing help. You know it’s stupid to want to take care of him, but realizing it doesn’t lessen the urge. He needs you and you definitely need him.
Previous
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theglassesgirl · 19 hours ago
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The Ithaca Saga: What IS a Monster, how it’s presented, and when fictional S.A is integral to the plot.
So -
This was originally a response to @ / anniflamma which you can still find on my page unedited. But with the new discourse surrounding the suitors, I figured I could retool it as a standalone essay to express a topic I’ve been trying to pin down for a while now; What exactly does the mean when they call a character a monster? What do they do, do the reasons matter, and how does the subject of rape affect how the fandom consider some monsters more unforgivable than others? When IS rape in fiction “necessary” and why such questions defeat the purpose of exploratory creative works.
In this post we will discuss all the major antagonists of the Epic Musical, Penelope’s agency, the label of Monster and the types of moralizing one might do when faced with uncomfortable subjects in fiction and how to prevent these feelings from blinding is about what a story is trying to say.
For those who read my original response; there’s new content to read here and posts that will be referred to, if you’d like to give it another gander!
Thank you,
Let’s begin;
I think making the threat of rape explicit was very much needed, actually.
It’s come to my attention that there are people here and on tiktok who are so uncomfortable with the subject matter in this CENTURIES old tale that they’re both refusing to accept that it plays an important part in the original poem and musical, AND are bizarrely insisting that Jorge should have magically done away with it to make more palatable.
This is beyond juvenile - it’s a clear sign of media illiteracy.
What, if I may ask, do you think it means when you say that the suitors are going to force Penelope to choose one of them to marry.
You may respond that they want to take over Ithaca. That they want to be king. But take a moment to consider what forcing a woman to marry one of them will entail. I wonder if you think that one can divorce the idea of sexual violence in this plot.
It would be…unfathomably difficult to do so. Because you CANT. There is an implicit threat of Penelope’s will breaking and having to have unwilling and reluctant sex with any one of them in the event she just gave up and picked one.
This isn’t a storyline that depicts Penelope of being willing to marry any of the suitors. She is WAITING for her husband’s return. Even if he doesn’t, she doesn’t WANT to marry someone else. Her consent is being violated by the very merit of them being in her palace, eating her food, and threatening her son.
They’re doing ALL OF THIS in order to bend her will in the HOPES of raping her as a bonus to becoming king of Ithaca.
My contention is the use of “unnecessary” when it comes to this trope in media - though themes of rape can be uncomfortable, to call them unnecessary HAVE to meet certain criteria. Which this specific instance doesn’t.
By observing various responses, it’s clear that the threat of rape went completely over many’s head in this instance of the story. So I very must appreciate Jorge making it SO clear that it’s upsetting.
This part of the odyssey, and the musical, is very much about Penelope suffering under the threat of assault for YEARS. In the same way Odysseus was (a thing I touched upon in my calypso essay, in terms of his ambiguous situation in the musical) - it’s a parallel that works as both Antinous and Calypso were introduced (regardless on your personal interpretation of what Calypso did or did not do, but that’s neither here nor there).
It has taken an emotional and psychological toll of either spouse. And the kicker is that neither of them are freed of this situation on their own - they are both rescued by outside forces. Athena/Hermes helps free Odysseus; Athena/Odysseus will help free Penelope.
The looming threat of rape is SO necessary that it helps the catharsis factor we feel toward PENELOPE’s story - it’s nothing to do w Odysseus who by now is a force of nature as big as Poseidon, his actions happen TO her, and it’s up to her to decide (per “would you love me” ) what she feels about that. She can very well reject him! She’s suffered under male violence for YEARS. Odysseus’s violence and those of the suitors toward her are basis enough for the comparison.
Do all men, including her husband, become violent? Does she want to put up with that? We know from her song snippets that she is NOT a woman that simply succumbs to the Rape Rescue trope as suggested by ignorant consumers of media - and I call it ignorance and consumerism because there’s a clear lack of engaging with the material in an intuitive way. It’s just blind consumption - as if one bites into a burger and find a pickle, which you personally don’t like, and having it removed - you can’t treat ART that way .
Penelope is a very intuitive and emotionally intelligent queen. Stop infantilizing her. Her own husband suggests that like the suitors, his actions make him just as bad as they are and presents his hope as being understanding if she rejects him on those grounds. But those ARENT her grounds. She has full autonomy and can make a distinction FOR HERSELF whether she considers her husband equal to the monsters who have harmed her.
So let’s talk about the “Monster” label as it is presented on the entire musical.
Some have erroneously suggested that Odysseus has been given an out to commit cruel and ruthless deeds with out “good justification” - he does it for his family,, after all!
Which is a misunderstanding of everything every antagonist of each saga has done.
Let’s start with the Troy Saga: Odysseus has killed a BABY. He made the choice to put his family over this child. Everything he has done and lost would be for literally NOTHING if he hadn’t, as even if he had killed the suitors and regained everything - the GODS themselves would make sure that child would come to an aged Odysseus and slaughter him, Penelope, Telemachus and his entire kingdom when he came of age.
Odysseus STARTS as a monster. We have been rooting for the man who laid Troy and its children asunder. As such, the label of a monster is NOT so much a morally subjective label - it simply a thing that IS. Or rather. It is what ALL the antagonists ARE, but it’s hardly a condemnation of any of them.
(Peep that one of the first lines Ody says refers back to in the Vengeance Saga is what he did to Troy - he STILL views his actions over there as unforgivable, so not even HE will ever see himself otherwise, the problem was that he felt so guilty over it that he became a detriment (a different kind of monster) to his friends and family when they were all guilty of the same thing and trying to get home.)
ALL of the antagonists have a “good reason” to kill ALL the soldiers (who again, have looted and slaughtered the Trojans) Odysseus and his close friends included. Whether your AGREE is almost irrelevant…because the story itself proposes that it’s irrelevant.
The next saga introduces the cyclops: his motivation is primarily that his FRIENDS the sheep have been slaughtered. You can argue in the scope of things, you can’t empathize with this but it’s his good reason. He’s the son of a god, and these sheep are all he has. His friends, who matter to him as much as Polites does to Ody, are being taken and slain, he is being drugged, attacked and maimed. VERY much was Ody goes through in the final saga. And even so.
The Cyclops is antagonistic to the party, he’s a monster who feels justified killing to avenge his killed sheep. A monster is a thing he IS.
As Poseidon’s son, he asks his father to kill the 600 men who have ransacked his home and beat on him. He doesn’t view his father as being wrong for this. In the same ways Ody and Telemachus don’t waste any time addressing the slain suitors later on. Poseidon is a monster of a god - it’s just a thing he is. Not even being stabbed 100 times is enough to repay the harm he’s done - to most everyone, not just Ody, but we are not asked to quantify that. Just live with it.
Circe has killed NUMEROUS men over the years. HER “good reason” is that something bad happened to her nymphs when she let a stranger in her islands. She doesn’t even promise that she WONT kill in the future - her song ends w the suggestion that the world may continue to need her to puppeteer! Because she does not exist to be “redeemed” - she is somewhat more reasonable and capable of empathy than even the likes Athena, who being a greater and more powerful god, does not have the one on one affection to her follows as Circe does. She’s a monster! It’s a label, a thing she IS.
So here we begin to ask; is it LOVE that gives people the capacity to do monstrous things? Because the cyclops loved his sheep friends, Poseidon loves his son, Circe loves her nymphs.
And by now you’re saying now wait a minute didn’t the Underworld Saga go over this? Why yes it did! And Odysseus decides to “become the monster” - he already IS one by the standards of the cyclops, Poseidon, Troy - they all see him as a monstrous being. But he accepts that, after being one in Troy, he held back and ruined the lives of his men, making him a monster to THEM. His “good reason” for being so!
He attempts very hard to be the General he was in Troy and prioritize them going home, sparing no sympathy towards his enemies - but in the Thunder Saga we see the gods further push him to be completely self-serving like they are. The sun gods cows are harmed, he sends Zeus in relation - his “good reason” being his friend were personally harmed.
Odysseus’s “good reason” is ultimately decided to be the same good reason he had to slaughter the Trojans - to get back home to his wife and son.
Like with the Cyclops sheep, Circe’s nymphs, The Sun gods cows, and Poseidons son, WE are shocked and made to feel some type of way about Odyseuss’s reasoning. Surely HIS personal suffering shouldn’t cost the lives of “innocent” men…but it does! It surely does.
He is a monster. It’s just a thing he IS.
Now, Odysseus spends the next seven years under the thumb of ANOTHER monster. And through calypso own reasoning, despite her tragic backstory, her “good reason” she IS a monster. She’s incapable of understanding why she wasn’t reciprocated. Incapable of empathizing with a human because as a god who has spent eternity alone, it stands to reason she, like all the other monsters mentioned before, prioritizes HER personal suffering over everyone else’s. In some versions she either kills herself or does spend the rest of eternity alone. She’s a monster. This is a thing she IS.
Now what the HELL does all this have to do with the suitors?
Odysseus started the musical a MONSTER. He’s worn different hats, but it is what he IS. It’s a label, not a moral critique.
ALL of the antagonists of every saga have a “good reason” NONE of them are ruthless for ruthlessness sake! It’s immaterial whether you agree with them or not, but to understand them for what they are.
Odysseus is the antagonist of the ithica saga, md while the suitors are the antagonist to him and his family, we see their fate form THEIR POV
The suitors could not have been depicted as “rude youthful men” like Telemachus. That Odysseus killing them should be shocking - a frightening condemnation of everything he’s done and became. But I ask once again - in what world are the suitors not implicitly set up as monsters?
Because again. They aren’t being rude for rudeness’s sake! They aren’t JUST eating Penelope’s food and sleeping in HER house. Them threatening Telemachus, as you propose, isn’t “enough” of a reason because they didn’t wake up one day beefing w this boy. Everything they do is for the express purpose of sexual violence towards the Queen of Ithaca, who upon assaulting, will make it so any one of them will be King.
You can’t separate the one from the other. You get a nonsense scenario. The whole REASON they’re there in the first place.
Even if you create a fanfic where 108 men wake up one day and raid the palace to slaughter the royal family with no intent of sexually assaulting either (because remember Telemachus is also the subject of Hold Em Down) and then fight amongst themselves to be the next king, but then isn’t that STILL a “good reason” for Odysseus to slaughter them?
Now I hear what you may be asking: but if all the monsters of the sagas, Odysseus included, have a “good reason” even though we might not agree with it, what kind of monsters does that make the suitors? Surely and clearly THEY aren’t doing what they’re doing for noble reasons.
I consider them akin to the 600 men who died under their captains command.
Because, as stated before. Odysseus views his actions in a Troy as his start of monstrosity. He did all that to finish the war and do back home. He ruined the lives of all Trojans.
So did his soldiers.
The only moment in time (even in the deleted songs) that the bulk of them repent about the war is in terms that it left them without food.
But glasses! They were just following orders!
Which is what one of the suitors suggest in song 38. Their serpents head is dead, THEY were just going with Antinous’ flow, they are innocent.
Like the 600 soldiers, the 108 suitors sacked a home that wasn’t theirs and harmed a wife and child - does them being the queen and prince pale in comparison to the hundreds of wives and children slain in Troy? Homer is a genius to ask us to see these parallels for what it is.
The suitors ARE monsters. That is simply what all 108 of them are. In the context of the story itself, their intent is to break Penelope’s will, commit martial rape, and become king of Ithaca. They aren’t there for kicks, they aren’t ignorant boys, they’re socially accepted adults abusing the hospitality rule with an express purpose.
So a GROUP of monsters are slaughtered by ANOTHER monster, and though in this instance we can argue it’s morally justifiable, it doesn’t take away from Odysseus’s fear of being rejected by his family. He has ruined the lives of the Trojans, his men, AND multiple gods! To get to this point. He IS a monster. And the story asks US, through Penelope, if he is still worth loving.
Seeing Penelope as merely his reward is so backwards and bizarre. It’s very clear that bad faith interpretations of her are based on objectifying her erroneously, when the narrative presents her as a fully developed character.
In the story both in the poem and the musical that the suitors ARE NOT her guests. She is being sequestered against her will.
In what world could the suitors be “just” murderers and not….very clearly rapists? It’s BUILT into their motivation. You would have to change the very FOUNDATION of the Ithaca plot line and Penelope herself??? To say nothing of Telemachus’s role!
What’s the proposal here? That Penelope invited these suitors? That’s she’s actively looking for a replacement husband? Okay, again, that changes literally SO MUCH of the story, but wouldn’t that put Telemachus in a position where he too has to change? Does he resent his mother for doing this? Is he helping his dad out of spite or because he wants him back? How are we meant to view Penelope in this radically new and hip Epic the Musical? Is she savvy and in her right to choose a new boo? Okay…okay, so then….you want Odysseus to be the only one unchanged and go axe crazy because….hes jealous? He kills these upstanding men….curtain call. That’s all folks!
Absurdity at its finest. You throw Penelope’s agency out the window. Her weaving and unweaving her loom is meaningless or simply doesn’t happen. Or maybe it’s that she wakes up one day and goes hey yknow what I WILL consider marrying one of these guys with no sense of dread and fear. Oh wait Oddy has killed then all! Never mind me feeling unsafe a week ago, he’s done a Bad.
Crazy.
It’s just…not going to end up making Penelope look like a well written female character if Jorge has done what you wanted! THAT would make her a mindless prop. You seem to think she is one, and that’s not the case. Historically, in fact!
She is a whole person in the poem and musical whether you understand it or not. You would have to argue so thoroughly why she sucks and let me assure you - there are entire DISSERTATIONs on why you’d be incorrect.
So, no.
No, you CANT take away the rape in Penelope’s storyline. It matters ALOT. It’s the ROOT of the matter! Could old school vegetales make something up that’s more to your sensibilities? Maybe at its peak but god, I couldn’t possibly come up with a draft that could reflect that. I won’t even try.
The rape aspect of the Ithica Saga isn’t unnecessary - it’s INTEGRAL to the plot. It can make you uncomfortable, but it’s BUILT into the royal family’s suffering whether it’s explicit or not! And it SHOULD be explicit! Because you seem to think because it usually isn’t, that the rape aspect isn’t there!
I cannot imagine coming to this kind of conclusion.
They are not random men going on a siege of the palace one day - you cannot “sanitize” the SUITORS because by the very merit of them calling each other THE SUITORS there is an implicit threat of sexual violence. Because Penelope doesn’t WANT suitors. She rejects them. They’re already violating her consent.
How the FUCK to do you censor the rape when it’s in every action they take? And I know what you’re saying: but didn’t Jorge censor the rape aspect that both Circe and Calypso commit towards him?
Further reading: suggests that ALLUDING to it is not the same as censoring, that it still FITS the PURPOSE of these characters in regards to Odysseus’s suffering under them. That after ambiguity, it is NECESSARY to make the rape aspect CLEAR in order to create both catharsis and MEANING at the end of the narrative. The THEME is still respected and present, it is not REMOVED. Please consider reading the linked follow up that answers this question.
In short.
It’s truly a matter of using one’s goddamn head when it comes to view fictional depictions of rape as “necessary” - because though some depictions can be presented BADLY, to suggest they should not EXISTS lends itself to rape culture. It silences the voices of victims. Its representation denied. Don’t talk about it, don’t even suggest it, because rape is bad.
It’s an action that happens to people. It’s a crime in civilized society. It’s a physical and psychological trauma that has always been. It happens daily, in fact. Though epic the musical is a source of entertainment for you, it doesnt exist solely for that purpose.
When Homer included it within his original oral story, he did so as a storyteller trying to get his audience to philosophize, not simply have fun.
I think we’ve come to some abysmal conclusion that men can’t write about these topics when we have historical evidence of at least one man knowing what the hell he’s talking about. And Jorge has done a phenomenal job even when he hadn’t depicted blatantly.
If you’re uncomfortable to the point of not wanting to see it at all, that is entirely on you, art and creative works allow us to explore these topics safely. Whether it’s from the POV of the assailant or one of the victims commenting on it, fiction is one of the only places we can talk about it and learn about ourselves in a way it doesn’t harm real people.
I don’t even want to BEGIN discussing all the losers who are still harassing Antinous fans or people who genuinely enjoy his song despite/BECAUSE of the subject matter. Its purpose in the story matters more than you policing how it’s presented and how it’s consumed. No amount of people enjoying themselves will take away the foundational POINT of the character and song. It’s perfect the way it is.
Like with the chaos that calypso discourse wrought, you cannot control how people treat a NOT REAL CHARACTER or the songs they sing - if it bothers you that one type of fictional villian is treated one way or another, it is on you to find likeminded people instead of going into others faces and pretending to be a self-righteous prick. You can throw whatever buzzwords you want, the CONTEXT these characters live in has nothing to do with how others want to play with them. If you don’t understand the difference between the two instances, fandom is certainly not for you and will not be changed to suit your sensibilities.
To end this post, I want to thank those who further asked me questions and bounced ideas off with me, and wow, what a phenomenal ending to a grandiose musical. I hope I can see it live, animated, streamed, developed into a game etc whatever form it takes now that the concept albums are published
Thank you all for engaging w my work💖
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wihellib · 2 days ago
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To answer your question of what we did to Raphael last year. There was no Christmas event last year. There was just the release of the three seraphim L cards.
They all start with the same premise. Minhyeok made a sincere Christmas wish for peace. And it was granted as a Christmas miracle. Devils and angels couldn’t hurt each other.
In Raphael’s card, MC was in Abyssos celebrating Christmas. Beel shows up and gives them a gift of devil horns, wings, leash, ball gag, and devil tail butt plug saying it suits them.
Raphael crash lands in Hell as part of the Christmas miracle. Him and Beel try to attack each other but find that it doesn’t work. Recognizing the Christmas miracle and wanting to take advantage of the situation, Raphael is overrun by sheer numbers. They tie him up and take him to a SM club. MC follows later.
Beel tells MC to take charge and use the gift he got for them on Raphael. MC starts to mess Raphael up with the other patron devils and Beel and Bael watching. Raphael is extremely angry by this turn of events, but is physically reacting.
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Raphael is confused by what he’s feeling and the MC encourages him to be honest and allow himself this pleasure.
Raphael has never touched himself before or climaxed, so he gets even more confused when MC starts to touch his chastity cage, all while they’re still telling him that this feeling isn’t wrong.
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He starts thinking that the only reason his body is feeling this way is because this is God’s will. And your encouragement is reminding him of God, which means this pleasure he’s feeling must be what God wanted, so he begins to give himself over to it.
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MC is able to take off his chastity belt (the only one of the three seraphim cards where this happens), even though they shouldn’t be able to. Raphael then comes to the conclusion that this is God’s will and He wanted to teach Raphael this feeling to make him into a higher angel. Raphael give himself over entirely to this new feeling and then MC makes him cum for the first time in his long life.
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After, Raphael had calmed considerably and pulled MC towards him and kissed them. Said he’d see them later and that he’d kill them, but also that he liked them.
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Each of the three seraphim cards had a brief scene in heaven at the very end with the starring seraphim and Raphael is the only one who’s happy.
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So, Raphael’s mind shifted during this card to associate MC with God and the pleasure they give him as what God wanted. This didn’t happen in the other two seraphim cards which is why Raphael is the only one that really shows favour to MC.
Raphael
Aesthetically Michael is definitely my favourite angel. But on all other metrics Raphael takes the cake.
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The other two seraphim don’t talk about their L card, whereas Raphael does. So, Raphael’s Christmas time in Hell last year with you and Beelzebub canonically happened.
It’s interesting how much more fond of you (in his own way) Raphael is compared to how the other two hate your guts.
Raphael by far has the most potential of the three to become a fallen angel. And, if he does, it’s going to be because of you.
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l0v3r666 · 3 days ago
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Hi, hi!!! I've been a silent lurker in your account but when I saw that you now allow multiple characters I just knew that I wouldn't want to miss the chance! :>>
Can I request Jamil, Vil, and Rook with overprotective? I'd prefer it if it was obsessive love because I do appreciate a little bit more darker things but you don't have to!! ^^
Thank you sm and take your time! <3
omg so cute!! I had to take some time w/this one because they aren’t really connected (like year/club/dorm), but it was so fun to write!!
All of them are secretive people- putting up fronts to become palatable, but they’re equally possessive. Just with different strengths.
When obsessive!Vil wants something, he gets it. He knows you’re beautiful behind the layers of grime, and only he has the skills for you to reach your full potential.
It means nothing to Vil that you have other admirers, it’s not like he’d ever keep your shine for himself. He feels all fluttery whenever you become possessive over him. Many others would argue that your relationship is far from exclusive on account of his fame, but what the two of you have is special, and he’s not willing to let it go.
Obsessive!Jamil gets ugly with how fiercely he keeps you to himself. If you’re in Scarabia (pre ob) he keeps you nearly sedated with how often you’re hypnotized. It’s not very economical, but he has read that romance improves pain tolerence and reduces stress..
Jamil needs all the help he can get! Can’t you see how hard his work is? Not even mentioning the load he takes on to keep his favourite prefect afloat. You can repay him with a little quality time, can’t you? “The one you behold is your master. When I ask you a question, you will answer. When I give you a command, you will assent. Snake Charmer.”
Obsessive!Rook doesn’t gatekeep you by any stretch of the imagination, but instead forces you to be the protector of your privacy. It’s not like he’s sharing anything invasive (that’s all for his personal collection), but it’s just too much for any strangers to be approaching you in good conscious while knowing all your dirty laundry.
Rook becomes “possessive” only in the face of someone who gets more time with you. Sure he may be the most perceptive on the island, but what’s he supposed to do against Adeuce, or Grim when you spend all your time with them? Eventually he gets to know you well enough without actually meeting you that he greets you- confident that he knows your every move. But you’re full of surprises, so there’s no guarantee he’ll woo you right away. A good hunter knows when to lie in wait <33
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Up the stakes
Written for day 26 of the @steddieholidaydrabbles, and the 12 Days of Christmas bonus card of the @steddiebingo
Prompts: Hanukkah & Robin Buckley
Rated: T
Tags: Post-Vecna; Everybody lives;Jewish Byers family; Hanukkah; Pre-Steddie; Pre-Ronance; POV Robin Buckley; Robin Buckley has a crush on Nancy Wheeler; Eddie Munson has a crush on Steve Harrington; Eddie Munson is a horny shit; So is Will Byers
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“Robin, dear, do you know where Will is?” 
Robin stops what she was doing (the official version being that she was setting the table, the unofficial one being that she was staring at Nancy and Jonathan whispering at each other on the sofa and trying to ignore the lump in her stomach) and looks over at Joyce. 
“Erm, in his room I think,” she ventures. “He was gonna teach Eddie and Steve the dreidel game.” 
Joyce nods absentmindedly, checking her steaming and sizzling plethora of pans and pots on the stove. 
“Can you tell him to get the extra chairs from the porch? Oh, and ask the boys if they want applesauce or sour cream with their latkes, will you?” 
On the sofa, Jonathan says something and Nancy's giggles.
“You got it,” Robin says, slamming the last plate down so hard she's surprised it doesn't crack and beelining it for the hallway. Lucas, locked in a tangle of limbs against the bathroom door with Max, flinches and gawks at her with a caught-out face, but she just gives him a grin and an awkward thumbs up. Good for him.
The door to Will’s room is slightly ajar, a thin sliver of light falling out into the hallway. As she approaches, she hears Steve groan in annoyance.
“Oh, look at that,” Eddie cackles. “Gimel! Or should I say gimme?” 
“Hey, guys,” she mutters, not waiting for a reply to her knock. “Joyce says-” 
She's just in time to see Steve strip out of his polo. Eddie wiggles his outstretched hand invitingly and he rolls his eyes, tossing it over the dreidel in their middle and right into his grinning face. 
“Oh hey, Rob,” Steve says, leaning back on his hands and looking up at her. The light of the bedside lamp catches in his chest hair. Eddie, seated opposite him and missing one sock and his battle vest, smirks like the proverbial cat with the cream. “Something we can help you with?” 
“I, erm … no,” Robin says. “I mean, yes. I mean … what in the name of all that's kosher are you doing?” 
“We ran out of tokens,” Eddie says, gesturing offhandedly to the pile of plastic coins beside him, half buried under Steve's polo and sweater. “But Stevie here's a sore loser and didn't wanna admit defeat, so we upped the stakes a little. Right, Will?” 
Will, who is seated between them, makes a vague sound of agreement but doesn't nod. Which is probably just as well because his eyes would probably pop out of his head if he so much as moved wrong. The poor kid looks like he's about to have an aneurysm. He also looks like he'd die happy. 
Robin groans. Eddie makes a pouty face as she snatches Steve's clothes off the ground. 
“For Christ's sake, get dressed, dinner will be ready any minute. Will, your mom wants you to get the chairs from the porch.” 
Will keeps staring at Steve, eyes locked on the way his stomach flexes as he shrugs into his polo. His mouth is hanging open. 
“Will?” Robin hisses, and he flinches back to attention. 
“Chairs, right,” he mutters, almost face-planting onto the carpet in his haste to clamber to his feet. His neck glows like a beacon as he flees from the room. 
“Hey,” Steve calls after him. “Should I help you with-” 
“I think you’ve helped enough,” Robin snaps. He looks at her like a puppy that doesn’t know why it just got whacked over the nose with the newspaper, and she sighs. “If you wanna make yourself useful, go and round up the rest of the brood. But knock before you go in the bathroom!” 
He gives her a bewildered look, but then he shrugs and walks out. Eddie, crouched on the ground like a goblin and gathering the game pieces, snickers. 
“And you,” Robin growls. Eddie freezes. “Don’t think I don’t know what you’re doing.” 
He rolls his eyes, pulling on his vest as he stands. “Aw, c’mon Buck, don’t be a spoilsport. Weren’t we all young and gay and desperate once? Baby Byers has gone through literal hell, he deserves to look at some boy titties.” 
Robin slaps his arm, secretly thinking how she's still very much gay and desperate. 
“Okay, first: ew,” she says. “Second: ew! And third: stop pretending this was some great, altruistic deed from the kindness of your heart, I've seen how you look at Steve!” 
Eddie blushes and pulls a fistful of hair in front of his face. 
“So?” he mutters. “A guy can dream, can't he? Not like there's anything coming out of it.” 
She sighs, patting the spot she just slapped in a silent gesture of camaraderie. “Whatever, Munson. C'mon, let's go eat.” 
He nods, picking up his lone sock from the floor and stuffing it into his back pocket like a weird extra bandana. 
“Hey, Buck …” He slings an arm over her shoulder, leaning in for a conspirational whisper as he steers them towards the living room. 
“I've been thinking… Maybe after dinner, we can have another game? I'll even ask Nancy and Jonathan to join. The more the merrier, right?” 
He winks at her, prancing off towards the table and leaving Robin to her own rapidly evolving blush. She huffs, biting back her smile as she trudges after him. 
Maybe, if things go well, she'll tell him about the way Steve’s been looking at him. 
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More holiday drabbles
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fairyysoup · 19 hours ago
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it will come back
part 3
a.k.a. sever the blight (eddie’s version)
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pairing(s): werewolf!eddie munson x fem!milkmaid!reader
summary: It's May Day, so naturally you'd have a hedonistic time. Except there's nothing natural about any of it.
cw: smut, consensual noncon is negotiated, primal play, literally i cannot stress how consensual it is, public sex (no one gets caught), knotting, biting, marking, possessiveness, reader is bitten by a werewolf, marriage proposal of sorts, dark themes, physical abuse, reader is a servant to an abusive master, misogyny, minor character death, blood, fairytale au, some kind of historical fantasy period, inspired by The Company of Wolves by Angela Carter
a/n: hiiiiiiii :) do I like this? no, but I've been working on it for half a year and if I don't publish it now I don't think I ever will, so pls enjoy it and if you don't shhhhh don't tell me ok love you bye
ALL MY WORKS ARE 18+ MINORS DNI
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The bouquet of flowers on your doorstep is beautiful, and not lacking in symbolism. Purple lilacs, for the first emotions of love. Bluebells, for consistency and everlasting love. Red roses, for true love.
In the center is one singular, bright yellow marigold. You figure you know who left them.
You’re stunned by them when you first open the door. Your hairline, already covered by your flowers from last night, prickles with sweat. You had hoped for something, some kind of affection or gesture this year, as you do every year, but you hadn’t imagined it would actually… happen. You’d hoped a bit like a child hopes for rain on a clear day. It’s possible, but it would take a lot, in the grand scheme of things. 
You turn it over in your hands, your heartbeat thudding in your chest. You’re not sure what to think. You don’t know how Eddie would have known that this particular shack, in all of your Master’s sprawling estate, was yours. You don’t know what he means by this gesture. Is it an apology for turning you away last night? For embarrassing you? Is it a promise of some kind, that he intends to do something tonight? Is it a real declaration of love, or is it something else entirely? 
You sniff, getting a waft of fragrant lilac when you do, and turn to place it inside. There’s nothing to be done with it now, aside from finding a vase for it. You don’t know where Eddie lays his head at night. You don’t know where he is now, or where he’ll be later. You have to trust that he’ll find you. 
I’ll always come back to you. That’s what he said, before you walked away last night. You have to believe him, because otherwise you have nothing else.
“Just where do you think you’re going?” snaps a stern voice when you jauntily march out the door of your shack. Your Mistress stands with a sour look on her face, eyeing your day dress, free of an apron.
“To the town square, ma’am,” you tell her honestly, your head bowed. “For the… festival.” 
“Just because it’s May Day does not mean you are exempt from your daily chores,” your Mistress reminds you, shoving a pitchfork in your hand and ordering you to go bale the hay. 
You do as you’re told; you always do. You also know that you’ll probably be baling the hay until nightfall, when the festivities are sure to be picking up. 
It gives you time to think. You don’t know what you’d do if you ran into Eddie at the bonfire tonight. Or, maybe you do… you have some ideas about what you’d like to do, anyways. But you can’t speak for what he wants. 
He told you not to go near the woods, which he also said is where he lives. If he wanted to take you somewhere… wouldn’t it be to his own home? If so, has he already given you his answer, that he doesn’t want you in the way that you want him? It’s hard to believe, based on everything he’s done up to this point. 
Well after noon, and several hay bales later, you’re sure the maypole in the center of town has been decorated by now. You’re sure that the town square has been covered with flowers, and you’re sure that Victoria and Hyacinth and the rest of the maidens in the town have determined which eligible bachelor they want to celebrate with tonight. 
A flame of jealousy sparks in your gut. You hope that none of them have set their sights on Eddie. The mere thought of it is enough to make you see red. 
As the sun sets on the horizon, shining golden light in through the open doors of the barn, you’re sure that people have noticed your absence from the festivities. It’s common knowledge around town that your Master is crueler than most. Less lenient, more forceful. You’ve heard whispers behind your back, and you pay them no heed, usually. That the Master intends to take you for a wife after your Mistress dies, whenever that may be. That he keeps you close for his own twisted purposes. And, you suppose, there’s merit to those rumors.
You’re not unaware of the way the Master sets his eyes on you sometimes. He isn’t good at hiding it, you should say. Not that he really tries; on more than one occasion, you’ve incurred the Mistress’s wrath simply because the Master stared at your chest for a little too long. Yes, you could say that the Master is attracted to you, in some way. And, once, you might have counted yourself lucky.
If he wasn’t attracted to you, he could be crueler. And you could do worse than to catch the eye of a powerful, wealthy landowner. If he married you, you would be financially secure, and you would never have to seek a place to live. You would never worry about being labeled a whore or being thrown out on the street. At one point, you’d accepted that this was the best case scenario for you.
But something has changed your perspective, recently. Something that has dark eyes and a mischievous smile and rings on his fingers. Fingers that, you know, are very skilled.
And what if… What if you were to marry Eddie? As you had imagined in the field last night, your mind wanders to the idea of being Eddie’s wife. Tending to his house, you imagine, a stone cottage in the woods. To lie in bed with him on a rainy night, warm against his burning chest. Being able to gaze into those sparkling eyes as often as you like, being able to wake up to him. 
For the first time since you were a young girl, you really consider the possibility of being… happy. Your happiness. The idea of a happy future is something that has been such a foreign concept for so long, it almost makes you uncomfortable to dream about it. 
When you were little, you’d dream about being a beautiful princess in a tower, saved by a knight in shining armor, who also happened to be a prince. These dreams went away once your family sold you into indentured servitude; princesses don’t work. Princesses aren’t covered in shit and filth on festival days, baling hay in a cow pasture. Princesses would be dancing the maypole and crowned the may queen–
“And I crowned her my sweet queen of May.”
–Princesses would be showered with flowers and gifts–
Bluebells for consistency and everlasting love.
–Princesses are whisked away in the night from their troubles and marry princes. 
I am not a princess.
You throw your pitchfork down beside the last bale of hay. The sun has set, finally, and the moon is already high in the sky. The bonfires in the town square will be burning down. If Eddie was there, he’s sure to have found someone else by now. 
Your cheeks, dusted with dirt, feel crusty and filthy when you cry. You are no princess, despite the crown of flowers on your head. Eddie isn’t going to save you. And really, what would it say for your honor if he did? Can you not defend yourself? Are you so helpless that you need a strange man from the woods to save you from your life?
Marching out of the barn, you feel hungry, and tired, and you figure that you would probably be best suited to go to bed. But there will be food and drink at the festival, even if it’s late. There could still be time to meet someone, anyway.
“And where do you think you’re going?” It’s a deep and gruff voice that asks this time, and you’re about sick and tired of hearing that same question. But your irritation is easily replaced by dread, when you turn to find your Master standing by the entrance to the barn you just stormed out of.
“The bonfire,” you reply, with less heat than intended. “It’s May Day, and I’ve done my chores.”
“You’re not going anywhere,” your Master says. 
He’s not a tall man, but what he lacks in stature he makes up for in intimidation. He has cold blue eyes and a sneer that could freeze a King in his place. You know what it’s like when he’s on the other side of a cane, and you don’t relish the idea of a beating just because you wanted to go to a festival. When the Master steps up to you, he smells like liquor, so strong it stings your sinuses.
“You think I don’t know what you’ve been up to?” He growls at you, a nasty sounding thing in the back of his throat. You flinch. “That girl from the Werther’s house– Victoria, is it? She told me all about you and some… some boy in the woods. The one they call the Beast in town. Is that what you’re doing now? Dallying with any boy who comes around? Even ones from the woods?” 
Your cheeks burn hot, and you step back just as he steps forward, looming over you in his drunken state. “No, I… I don’t dally–” 
“Not from what she says,” he snaps back, and you briefly consider wringing Victoria by her stupid neck. And then you think, Hyacinth would have never betrayed me. “Running around in your night clothes, fooling around with some woodland freak. I ought to whip you where you stand.” 
Your heartbeat pounds in your ears as he backs you into a corner. The fence for the pig pen meets the edge of the barn where you end up, your back hitting the barn door and earning a loud creak from the hinges. 
Your Master reaches for you with a snarl. Instinctively you curl into a ball, your arms coming up to protect your face and neck. Your instincts don’t take into consideration that he doesn’t have a cane in his hand, and he’s too drunk to throw a good punch. You cry out when his hand clamps tightly around your wrist, and he yanks you toward the barn. 
“What are you doing?” is your undignified shriek when he throws you into the barn, and you fall into the pile of hay bales you just stacked.
“You’ll sleep with the cows tonight,” the Master growls, and spits a glob of phlegm at your feet. “It’s what you are.” 
“No, please–” you rush forward just as the barn doors slam shut in front of your face, locking you in darkness with the stench of manure and dirt. The cows are down at the other end of the barn; you hear them jostling unhappily in their restraints as you bang on the door with the flat of your hand. 
You finally let yourself cry. You’re filthy. Covered in sweat and grime, mud all over your skirt from working all day, the crown of flowers on your head wilting. You don’t know what you expected. You’re not Cinderella; you don’t have a fairy godmother, and you don’t have anyone coming to save you and let you go to the ball. This isn’t a fairytale. The stories you were told when you were a child were just that.
Even as you continue to bang on the door, you’re already starting to accept it. You won’t be getting out of here anytime soon. They’ll let you out of the barn in the morning, sure, but you’re not going to leave this farm, or your Master, or this life of servitude until you’re dead, or otherwise ripped from your mortal life. 
Then there’s a scuffling. On the other side of the door, you hear your Master shout once, shortly, before it’s muffled and frantic. Footfalls in the dirt. A growling, snarling. Yelping. And then something bangs on the barn door, making it jostle so hard you scream and jump back. 
Your Master, just on the other side of the door, like he’s been thrown against it, screams loudly. Something snarls, and then there’s a wet squelch, like the sound of something alive being torn open. A chicken being gutted. You stand away from the door, your eyes bulging in the darkness, your hands clamped over your mouth to quiet your frantic breathing. 
Something just killed your Master. The fact sinks like a stone in your stomach. He’s no longer shouting. There’s no movement, nothing to indicate that there’s anything alive on the other side of the door anymore. Only dead silence. 
And then another scuffle. A heavy thud, like something being thrown aside. And then something, or someone, is unlocking the door.
In the darkness, you panic. You back away quickly, your hands searching, feeling for anything that you can grab to defend yourself with. You find nothing, but collapse into the stack of hay bales just as the doors swing open, and you come face to face with your Master’s killer. 
“Eddie?” 
It’s him, all right. He stands with his arms outstretched to either side, holding the barn doors open with the light of the full moon shining in behind him. You don’t know how it’s happening, but his eyes reflect the moonlight with a bright red hue to compliment the red blood that’s all over him. 
It drips down his face, his neck, his chest. It’s on his hands. When he smiles at you, it’s in his teeth.
“Hi, sweetheart,” he says, and you feel like your heart could leap out of your chest with how hard it pounds in its cage. He tilts his head, seeing your tear streaked face, the way you cower against the bales of hay in your muddy dress. “Rough day?”
“You– you–” and your brain has stopped working. You know what you’re looking at; Eddie killed your Master. Eddie is covered in his blood. Eddie, Eddie, Eddie, is a killer, a murderer, looming over you with a smile that could scare ghosts back into their graves. 
“Yeah, me.” He takes a step forward. You scream and jump back, putting a bale of hay between you and the man covered in blood at the door. Eddie puts his hands up in defense. “I’m not going to hurt you, princess–”
“Stop calling me that.” You grab your pitchfork off the ground, and hold it up at him. “You killed my Master. I don’t even know how you did it– but do you know what that means?” You thrust the pitchfork at him. He jumps back. “Do you?”
Eddie blinks. “It means… you’re free?” 
“It means I get passed off to his next of kin,” you snarl at him. “Like a fucking cow. That’s all I am to them. I’m cattle. And the next person who gets me may decide to slaughter me. Do you understand?” You jab the pitchfork at him again, and he backs away into the moonlight. “Why would you do that to me?” 
“Because he hurt you!” Eddie retorts, flailing his outstretched hands, exasperated. “Because he locked you in a barn! I could– I could smell the rage on him. He wasn’t going to leave you here, he was going to do something worse. Just give it another drink, he would have been back out here. And I wasn’t going to let it happen. I couldn’t… I couldn’t watch it anymore.” He drops his arms with a sigh, and his hands smack loudly against his thighs. “You’ve helped me twice. Let me at least return the favor.” 
“I helped you once,” you snap.
Eddie shakes his head. “No, sweet pea. Twice. You just didn’t know it.” 
He raises his right hand, his bloody fist tight. He shakes his arm until his sleeve falls, and exposes the light pink scrap of fabric tied around it– the one you swore was yours. The one you swore you tied around the leg of the wolf you nursed last month. 
“You–” the pitchfork in your hand lowers. You think you’re halfway to crazy. Or, maybe you’re already there. “You’re the wolf.” 
Eddie nods. “I am.”
“You’re a… a wolf-man?” You’re shaking your head, but even so, the entire thing makes sense. It’s why you’ve been so suspicious, why something seemed so off about him. Why his smile is always so sharp. Why you always feel a little bit like a frightened animal around him, in spite of it all.
“I am,” Eddie repeats, and he turns to look over his shoulder.
You shake your head. “I don’t believe in that. I don’t believe in fairytales.”
“Doesn’t matter what you believe in, sweetheart.” He spits something out of his mouth, grimacing as he licks his teeth. “The moon will peak at midnight, and then I change. I need to be far away when that happens.” He looks at you, his eyes pleading. “Come with me.” 
As incredulous as you are, as slowly as you’re coming to terms with what’s been in front of you the whole time, you still drop your pitchfork to the ground. “Where?” 
“To the woods,” Eddie shrugs, his smile disarmingly sweet beneath all the blood. “Maybe I can be your new Master, hm?” 
“Fuck you, Munson.”
“That’s the name of the game.”
“You’re a goddamn demon. I shouldn’t have trusted you– I shouldn’t have talked to you.” 
Eddie crosses his arms. “Listen. I think God’s got a sick sense of humor; otherwise, I wouldn’t be what I am, and you’d be a lady in a castle far away from any of this. So why don’t we make the best of a bad situation, hm?”
You narrow your eyes at him. You can feel yourself doing something stupid even before you say it. “I’m… listening.”
“Great!” He claps his hands and launches into a spiel that leaves you wondering if he’d spent the entire time since last night concocting it. “I’m gonna turn into a rabid beast in, oh, I dunno, maybe two hours. Give or take. But if you want to stay in my home, safe, where wolf-me can’t work a latch, I’ll be back in the morning. And then we can get married and fuck and have lots of babies and be that old couple who lives in the woods. Or something. Really, I haven’t thought that far. Maybe just stay the night? Or forever. I’m not picky.”
You’re frowning when he turns to you with a half-crazed grin. “That’s the worst proposal I’ve ever heard.”
Eddie gestures to himself. “Not exactly a poet.”
“So, what are you, then?” You raise an eyebrow at him. “No riddles this time. Tell me, honestly. What are you?”
Eddie sighs. He tilts his head to the ceiling, kicks the ground with the heel of his boot, and then he says, “I’m a monster. I’m a man. I’m a woodworker and I’m a charlatan. I cheat, I lie. I turn into a wolf and I kill men because they’d do the same to me. I can’t help it, comes with the territory. I have a family of other wolves who look after me and I look after them, and you’ll meet them if you want. But…” He peers at you for a moment, and then averts his gaze, “But really, I’m yours. I’m in love with you. I have been since you helped me that time Thatch shot me, and I’ll be yours even if you run to town and turn me in, and I’ll be yours if they hunt me down and throw me on a pyre. That’s all I am, really.”
You can barely find it in you to breathe. You’re still shaky on your feet and you don’t think you’re quite in your right mind, but you find yourself thinking about the last night, about his hands and his lips on you, about how it was so easy for you to get lost in him. How you spent all night and all day thinking about him, wanting him, wishing for precisely this. 
Just not with the caveat of fur and four legs. 
“You’re looking at me funny,” he muses, his eyes flaring. His smile is wider than it should be. His teeth are more pointed than they should be. 
“I’m not looking at you any sort of way.”
He laughs. It runs clear down your spine and shudders through your limbs. You have to swallow past the dryness in your throat. 
“Always so proud– you know you don’t have to stand on ceremony anymore, right?” He tilts his head at you. “There’s no one around to judge you here, princess. Least of all me.”
 “I’m not standing on ceremony,” you press, but you feel like an indignant child the more you argue with him. “If I was, I wouldn’t be talking to you. I’d be trying to get out of here.”
“You want to leave?” Eddie asks, his voice clear and frank. He points over his shoulder. “Don’t let me stand in your way.”
He holds his hands out at his sides, palms up. His fingernails are long and sharp– like he’s slowly transforming into a monster, right in front of you. He stands aside, and there’s a clear path between you and the door. 
You could leave. You could run. You could find a place to run and hide, disappear by morning. 
But you don’t. You don’t want to leave. Not him. Not yet. 
His eyes are different now as they peer at you. They seem iridescent, glinting in the darkness. He sizes you up and down, and you feel more and more like prey. You… should be scared.
“Am I to take that as a no?” Eddie asks after a lengthy pause. 
You don’t exactly have anything to say in your defense. If he was wrong, you would already have tried to bolt. 
“Will you chase me?” You watch his eyebrows shoot up when you ask the question. You wet your lower lip with your tongue, an inch away from gnawing on it. “If I run, will you come after me?”
“Do you want me to chase you?” 
Your breath sticks in your throat. It would be so easy to just say yes. Yes, I want to be chased by you. I want to be pursued and I want you to make me yours in every way possible. But the words won’t come. They can’t come, as if it would soil you just to say them. It would be admitting defeat.
“I don’t want to be given a choice.” 
Eddie shakes his head, his frown of confusion deepening. “You always have a choice with me.”
“Eddie,” you say slowly, inclining your head. “I don’t. Want. A choice.” You stare at him heavily, willing him to gather your meaning without having to say it. I want you to force me.
You watch as the fire of recognition ignites in his eyes, and he opens his mouth with a noise of understanding. Ah. Yes. This is your choice. He smirks at you, then looks down at his foot as he digs his heel idly into the dirt. 
“I’ll count to three,” Eddie mutters without looking up at you. Still, you can see the ghost of a playful smile on his face. “One-”
You take off like a shot. You don’t have time to hear him continue counting. You’ll probably make it to the pasture before he catches up with you, unless he’s stronger than a normal man. If the bloodied carcass of your Master is anything to go by, though, you imagine that he is. 
You don’t make it to the pasture. You don’t even get close. You come to the doorstep of your pathetic little shed, your feet slamming the dirt, kicking up dust all the way, the air in your lungs burning with the labor of your breath, when your back is hit by something solid and unforgiving. Your legs are ripped out from beneath you, and you topple to the ground in front of your door with a thud.
“How fitting,” Eddie’s voice says in your ear, deep and husky, while his hand cups your chin, yanking your head up from the dirt. “Right where we met, isn’t it?”
He crowds you, half-laying on top of you, his weight pressing into your back and his hips meeting yours from behind. You gasp at the feeling of sharp claws pricking your cheeks where he holds your jaw in his hand, while the other creeps beneath your skirt and along your thigh.
“I never got to finish what I started last night,” Eddie purrs, his voice resonating in his chest. It’s enough to make you shiver, while goosebumps erupt on your skin. “I never like to leave a lady wanting.”
He scrapes his nails along your inner thigh, coaxing your legs apart. You jerk a little in his grip and whine when his claws dig in. Your face burns, your skin feeling like it’s on fire. It would be so easy for someone to find you here, flat on your stomach with a monster at your back. 
A whimper escapes your lips when his finger circles your clit, just like he did the night before. You shouldn’t want him, especially not like this, but it’s almost as if everything about Eddie begs you to go against your own nature. It began when you invited a wild animal into your home. It doesn’t seem like it will ever end. Nor will your want for him. 
“Eddie,” you sigh out shakily, and he shushes you while his finger plays through your wetness. He touches you like he knows exactly how to set you on edge. He’s cruel with his gentility, even while you want him to tear you apart. 
You arch against him, driving your ass back against his hips. You feel his cock press against you through the layers of fabric still separating you, and it makes you want to whine in frustration like a spoiled brat. It’s not enough to have him here, pinning you, touching you. You need him everywhere. You need him to consume you entirely. 
Gasping, you open your mouth to say something else– urge him or taunt him, you’re not sure which– but his hand clamps down over your mouth before you can manage it. 
“I told you to be quiet,” he growls, grinding his hips down into yours harder. “I’ve already been shot once, I don’t need it to happen again because you can’t keep it down.”
Eddie flips your skirts up over your hips, and your bare skin meets the cool air. There’s a moment of heavy anticipation, of Eddie’s harsh breathing against your ear, of the scrape of his trousers against your thighs. And then there’s the press of his cock against your entrance, and you tense. 
“Do you believe in me now?” Eddie whispers in your ear. His voice has taken on a ragged tone, like he can hardly contain the animal lingering beneath his surface. His fingers have just started to tremble against your cheeks– just enough to let you know that he, damn him, is holding himself back. 
Your eyelashes flutter. You have a mind to grind against him, to spur him on. “I have to, don’t I?”
He chuckles, and the sound raises goosebumps on your skin. Your heart pounds in your chest, and Eddie takes a long, slow inhale. “Your heart’s beating so fast, princess. Something on your mind?”
“Fuck you,” you seethe. 
“As you wish.”
He grabs your hips and pushes in deep. You cry out, digging your fingers into the dirt to steady yourself, scrabbling for a sense of stability. Eddie holds you close by the throat, pulling out and pushing back in with the same brutal force. 
The sounds coming from your mouth can’t be real, can’t be you. You aren’t proud of yourself, but you can’t stop while he’s being relentless, fucking into you hard and fast. 
Eddie groans low in your ear, his hand around your throat slipping down. His claws wrap around your neckline and he tears through the fabric, ripping the layers of clothing to expose your shoulder to him. You feel the whisper of his sharp teeth along your skin, tickling at your pulse point, and it’s all you can do not to cum right then. 
Your eyes roll, your back arching against him. “Eddie, I–”
“Don’t be afraid,” Eddie tells you. His words vibrate on your skin. “I won’t bite.”
You reach back, and your hand finds his hair, thick and curly between your fingers. “I want you to,” you pant, while your orgasm mounts, pleasure gathering between your legs with every move that he makes. You moan, your breath catching in your throat. “Please, Eddie–”
His nose pressed to your shoulder, Eddie shakes his head. You can’t see the way that his pupils dilate, his limbs shaking with the effort of holding back. 
Instead, his hand slips between your legs again, and when he circles your clit with his gentle touch and his sharp claw, you cum with a silent scream of relief. 
He keeps going, hard and fast as you ride out your orgasm. And finally, Eddie lets out an animalistic growl loud enough to shake the earth, and he spills inside you. 
Your legs threaten to buckle out from under you, but Eddie catches you at the last second just before you both slump to the damp ground. Gasping for breath and still coming down from your high, you barely have the energy to object when your clouded mind registers the swell of a knot keeping him inside you. 
Eddie wraps his arms around you and pulls you closer, until you fit against him like the missing piece of a puzzle. The full moon overhead douses the pastures with silver light. Far off in the tall grass, crickets sing. 
“You didn’t bite,” you croak, your voice sounding distant and hazy. He shifts, and it makes you squeak when it moves the knot inside you. 
“Didn’t want to do it to you if you didn’t mean it,” he murmurs. His breath is hot on the back of your neck, and you find yourself wishing that you could turn and look at him in the moonlight. 
“I meant it,” you tell him earnestly, running your hand along his arm. “I want… I want it. Make me yours, Eddie.”
He makes a weak noise in his throat, his arms tightening around you even further. “Don’t say that unless you want me forever.”
You laugh. It surprises you, but you can’t help it. “I don’t think I could let you go even if I wanted to, baby.”
He stills for a moment, like he’s trying to process what you’re telling him. “So… so you’ll come with me?”
You sigh, with a gentle smile curling at your lips. You consider the dreams you’ve had, of running away with him, of living with him, of having him whisk you away like a knight in shining armor. Even if he isn’t a knight, it is what you’ve been wishing for, isn’t it?
“Yes,” you tell him softly. “I’ll come with you. Just make me yours.”
When he pulls your hair away from your neck, Eddie’s touch is so tender that it could make you cry. His lips touch your skin, and your eyes flutter shut in anticipation of the sting of his teeth. 
“I’ll always be yours,” he tells you again, this time so quiet that it sounds like a prayer for you alone to hear. “Always.”
And when Eddie sinks his teeth in, the world goes black.
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You wake with your head on a pillow of soft cotton and your back on a mattress filled with hay.
Wherever you are, there isn’t much light in the room. There’s an open window somewhere over your head; you hear birds outside. The forest sings in the morning. 
The cabin you’re in is much like your own, except it affords more room to move around. The floor has a decadent rug thrown across it, something that you wouldn’t expect a cabin like this to have in its inventory. It isn’t much bigger than your own shack. You old shack, now, you suppose. 
The more you look around, the more things seem… eclectic, to say the least. The bed is simple wood, but the blankets and linens are fine, like something an aristocrat would use. The ring dish on the window sill is an abalone seashell, shining iridescent purple and blue in the morning light to reflect the rubies and sapphires on the rings inside of it. The humble dining table is worn and covered in knicks and scratches, but the silverware is finer than any you’ve ever seen. 
When you finally pull yourself out of the bed and take a look around, you see Eddie’s burgundy blouse tossed across a rocking chair in the corner by the hearth. So, you conclude, this is Eddie’s domain. His home. The cabin in the woods you’d been dreaming of. 
And with a bit more snooping, you conclude something else. Eddie Munson is a goddamned thief. 
He has pocket watches engraved with names of nobility from all around the country. The platter on the table is monogrammed H.R. Cheshire. Eddie’s wardrobe has a large amount of men’s and women’s clothing piled in it, and all of it is fine silk, taffeta and lace– not something a simple woodworker living in the woods would be able to afford. 
You stumble to the door almost like you’re drunk, and when the door bangs open on its hinges, it’s Eddie who startles backwards in the bushes this time. He yelps, and you see just enough of him to catch him losing his balance and toppling ass-over-head over a log past the treeline. 
“For god’s sake, Eddie,” you chastise him. 
“Wasn’t expecting that,” he retorts, his head popping up over the top of the bush. He’s cleaned himself up, at least, so his face isn’t covered in blood anymore. He still looks so beautiful, though, and you still feel your heart skip a beat to look at him.
“You– you’ve stolen half of everything in here.” You gesture vaguely over your shoulder at the cabin. Your shoulder aches and stings when you move it, leading you to believe that everything that happened in the night was not a dream. It was real. 
Everything you’ve thought didn’t exist is real. 
Eddie is just a flicker of a shadow through the trees as he rounds one and steps into full view. “Had to make a living, somehow.” 
“And yet you walk around in the woods naked?”
He holds his hands out at his sides. “Um. Didn’t have time to get changed after I brought you here. It's kinda… it’s hard to hold it off when it happens.”
“When you turn into a wolf, you mean?”
“Yes.” 
You nod slowly, trying to only look at his face. It’s inordinately difficult. “Am I going to turn into a wolf?”
“Eventually.” Eddie tilts his head and looks at you warily. “Did you… not want it after all?”
“No, I–” you pause. It’s hard to put into words what you’re feeling, but you know it’s not regret. Your voice wobbles when you finally say, “I think it’ll just take some time to get used to it. Things have been the same for so long, and now…”
“Hey,” Eddie says, sounding almost the same as you had when he showed up the first time, crying at your door. He holds out his hand, his palm facing upward. “I’m not going to let anything happen to you. Okay? Let me help.”
You look at him through misty eyes, and you almost laugh at how blatantly your roles have reversed, now. You, standing at his door, crying. Him, trying to be of service to you. 
You give him a meager smile, placing your hand in his. “Can I stay?”
“Stay forever,” Eddie tells you, looking up at you with kind eyes. “But I can’t promise I’ll be polite for all of it.”
“Then it’s a good thing I’m in love with you,” you admit, and watch as he absorbs your words slowly, almost as if he never imagined he’d hear you say it. 
And when he kisses you this time, you don’t even mind the sharpness of his teeth.
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