#but other stuff like not showing us mando getting grogu back even though they sorta did that in bobf

[oibkenobi]

i hope there’s some satisfying direction they’re going with this, because i don’t want the mandalorian to become one of those shows that people say should have ended season x.

[shygirlwriter]

here, have some mando s2 finale meta

yeah so idrk how everyone tags their spoilers here (I think I hit the big tags), but this contains FULL SPOILERS for the mandalorian, up to and including s2ep8, “Chapter 16: The Rescue.” and just to be upfront, I enjoyed the episode overall and think that there is potential in the new story they seem to be setting up for s3 and beyond. I do not think it completely shit the bed-- the first 40ish (out of a total 45) minutes of the episode were really great, old-school Star Wars stuff. but I 100% understand, and in broad strokes agree with, the criticisms I’ve seen from others. this got way longer than I thought it would so i’m putting it under a cut.

but I think the biggest thing about the mando s2 finale is that it indicates that the production team thinks that they’ve been making an entirely different show than the viewers have been seeing. and I think it comes down to lack of setup of themes, then constructing the finale as if there was that setup, leading to unearned (supposed) catharsis. 

I understand how Favreau, Filoni and Co. came to the decision to end it the way they did, and I think that there is a universe where this ending can be satisfying. on its face, if you don’t take emotions into account, it is indeed a satisfying conclusion to the particular story arc of the season. Din has accomplished the task (return the kid to the Jedi) he was given at the end of s1. Grogu was reunited with a Jedi who can and will train him. Din recognizes that he is unable to care for Grogu the way he needs to be cared for (i.e. he knows pretty much nothing about the Force, the Jedi or what “Jedi training” entails) and lets him go with Luke.

unfortunately, this show (and s2 in particular) has been all about the emotions. Even from the very first episode of season 1, when Din shoots IG-11 to prevent him from killing the baby. The closing image of the premiere-- Din reaching into that little cradle with his finger --became an iconic image immediately. the end of s1 literally came out and had the Armorer straight-up tell Din that since the kid is a foundling, until he can be returned to the Jedi, he is his father. and season 2 has only reinforced that-- aside from all the cute single-dad moments of him taking care of Grogu, there’s Ahsoka specifically noting their strong bond in “The Jedi,” and the fact that he willingly (albeit as an absolute last resort) removes his helmet in “The Believer” for the express purpose of obtaining coordinates to Gideon’s ship so that he can rescue the kid. Not to mention other characters (Cara, Mayfeld, etc.) referring to Grogu as Din’s child. do not act like Din was not secretly relieved when Ahsoka went back on her part of the deal and said that she couldn’t train Grogu (BECAUSE HE’S TOO ATTACHED TO HIS PAPA!) 

and then the finale comes and expects us to believe that he would willingly a) remove his helmet in a roomful of people, and b) hand over the kid, even to a Jedi. neither of these things make sense with the character of Din Djarin as he’s been presented in the show thus far. 

point the first: at no point has the show spent more than 30 seconds at a time forcing Din to reckon with the idea of having to give up the kid. this one’s pretty self-explanatory, and imo is just lazy writing. 

point the second: the show never demonstrated a crisis of faith on Din’s part. which is especially weird, since it seems like it set one up and then never followed through on it. Bo-Katan and her crew immediately write Din off as a cultist in “The Heiress,” which seemed at the time to be setting up a thematic arc of Din questioning his faith. (even though Bo-Katan is immeidately hella derisive of Din’s faith to the creed, and “The Rescue further demonstrates her (and Koska too, tbf) to be a Bad Person when she’s shown being space-racist toward Boba.) The show re-canonizes Jango Fett (and Boba, by extension) as Mandalorians, and Boba shows Din the chain code in his armor in “The Tragedy.” But while he doesn’t criticize Din’s dedication to the creed, Boba does seem to be more of the helmet-optional type in his older age. This is the perfect setup to have Din question, at the very least, the helmet-on-always aspect of the creed-- even if he doesn’t take Bo-Katan’s words on their face, Boba’s chain-code bona fides do prove his heritage and he’s seen without the helmet --but nothing really ever comes of it.

Din removing his helmet in a roomful of his friends/allies to say goodbye to Grogu seems like it wants to be a cathartic moment, combining both saying goodbye to his son and decisively violating the creed he has lived by his entire life (and I argue this is different from taking off the helmet in “The Believer” since he does not immediately put it back on at the first opportunity, like he does after the shootout in the officers’ mess), but the show did not do the necessary setup work for that to track as a catharsis. 

I don’t necessarily have a problem if Favreau, Filoni, and Co. wanted to wrap up this arc in s2 so they can move in different direction with season 3. Din bested Gideon in combat and earned the darksaber, which now I guess makes him manda’lor (a title he doesn’t even get a chance to fully accept/process before the darktroopers and Luke’s x-wing show up), and now has to contend with Bo-Katan (and possibly other members of the Mandalorian diaspora, but we’ll see.) Pivoting into a show about Mandalorian politics is not necessarily a bad idea. The problem is that, once again, there has been little-to-no buildup in this direction! The show never gave us any indication that Din had any desire to get involved in Mandalorian politics, even at the beginning of the very same episode when he tells Bo-Katan that if she can help him get Grogu back, she can have whatever she wants including the darksaber.

could this have worked? could we see a world in which Din, after meeting other Mandalorians with different relationships to the creed, questioned his own loyalty to it? could we see a world in which Din slowly comes to terms with the prospect of leaving Grogu, and being sad about, it but also realizing that the child will be better off with a Jedi who understands the Force and can train him?

on both those counts, I say absolutely yes! but we would have needed several more episodes’ worth of set-up for this to have landed with the kind of impact “The Rescue” thinks it has. Din Djarin and Grogu’s story seemingly ends with a whimper.

(And on a tangentially related note, I’m more than a little concerned about the post-credits stinger with Boba and Fennec. Do I really like what Temuera Morrison and Ming-Na Wen have done with these characters in just a handful of episodes? Hell yeah, I do! Am I excited to see an OG Star Wars character, who got shafted real hard when Disney acquired Lucasfilm and de-canonized most of the EU, get to be badass again (and be badass while being played by an older (Morrison is like 60) man of color, who’s also returning to a role he kinda-sorta played twenty years ago)? Hell yeah, I am, because I Am A Boba Fett Stan Now, I Guess!)

(I know not to put much stock in the rumors about on-set conflicts during production of s2 and Pedro Pascal allegedly leaving the show, since they’ve been publicly rebuked by the man himself and multiple entertainment-news articles I’ve seen indicate he’s confirmed by sources to return for s3. But the increased prominence of another Mandalorian character in the latter part of this season, coupled with the announcement that The Book of Boba Fett will debut in December 2021, aka the same time frame as Mando s3, does have me a smidge on edge about the possibility of making this show into an anthology with s1-2 focused on Din and s3 (at least) focused on Boba. Sure, Din Djarin is “The Mandalorian” of the title, but he’s by no means the only Mandalorian on the show.) 

tl;dr: s2 of the mandalorian sets up a lot of interesting thematic material, then doesn’t follow up on it, but constructs its ending as if it did. and that’s why I think it feels uniquely unsatisfying to a lot of fans.