#but now that I know it I cannot unknow it

[sanguinarysanguinity]

Thank you for the tag, @acrossthewavesoftime!

Last song: “Bushel and a Peck” from Guys and Dolls. I was just this minute wondering if I could profitably apply the “talking in my sleep... ABOUT YOU” line to Ewen Cameron.

Last show: Just finished catching up on Leverage: Redemption; will probably begin Bletchley Park: San Francisco later in the weekend.

Currently reading:

A Study in Scarlet (Arthur Conan Doyle)

English Sexualities: 1700-1800 (Tim Hitchcock)

Another Appalachia: Coming up Queer and Indian in a Mountain Place (Neema Avashia)

The War that Ended Peace: The Road to 1914 (Margaret MacMillan)

The Wounded Name (D.K. Broster - aloud to @grrlpup)

Moby Dick, Les Miserables, The Lightning Conductor, and Dangerous Liaisons (all in ‘daily lit’ format)

Current obsession: Arthur Wellesley (the to-be Duke of Wellington) taking nine copies of Fanny Hill to India with him.

Tagging: @tgarnsl, @phoenixfalls, @sailorpants, @lacnunga, and anyone else who feels like taking part.

[dragonseeds]

maybe like four blogs ago i wrote the most insane book-focused meta about will as john the baptist and starling as a sacrificial christ figure who becomes one with god in a way john cannot and is absorbed in the process of her apotheosis—but the point is the story is about her and will’s only the forerunner, the prologue. like, i love hannibal the show and will graham is my favorite unhinged wet dog, but i’m still a little bitter starling’s story was dissected and given predominately to a male character instead of fuller just coming up with something unique for will and hannibal.

what’s most interesting to me about them has always been will’s fundamental inability to handle the work that he was asked to do and that everyone knew this but they kept asking because he’s so Special—whereas starling could handle it, being clever and hard-working and exceptional at compartmentalization, but was never allowed to do so because she wouldn’t compromise herself to get ahead. it’s stings because gender is precisely why they ended up where they did; the horror and violence of gender is so thematically significant and inextricable to the series for me. will caught hannibal almost by accident in the books. hannibal caught starling not by devising a trap for her or gaslighting her (that came later) but simply because the systemic misogyny she faced pushed her out of her career and her life, and her contempt for the corruption of system grew and grew and crystallized inside her until she was forced to make a choice—shoot the dirty cop or let hannibal be eaten by the pigs—and in making it she revealed the truth of herself: that she believed she was above the law, above the broken system, above the men who uphold it. that choice drove her straight to hannibal. he didn’t have to do anything at all to isolate her. she came for him; he just had to wait.

[justatree75]

finally getting into cats means that i now have context for my friend who had jacob brent as a professor in college and hated him

[unironicallycringe]

oh

uh btw the chapter is finished I just need to finish the important illustrations now 👁️👁️

(yes it's been like six months)

(it's been a weird six months)

and I guess I should make a dedicated sideblog, those AO3 Numbers Go Up so it seems more appropriate now (???) I am a startled raccoon who didn't expect the porch light to come on

[skulldae]

.

[snapdragons-sunshine]

just read a lot of First Storm spoilers and I am f e r a l

[anantaru]

cw. ⪩⪨ fem! reader, rich boy au, rich boy alhaitham, semi public sex (in a library), he's insufferable, possessive (he's used to getting what he wants n wants you all for himself), a little yandere i feel like

rich boy alhaitham has never experienced the idea of not getting something he so terribly longed for— in fact, the very moment he laid his eyes on you, desire flooding his veins and invading his taste, it's with immediate certainty that he will make you his no matter what.

because you see, it has almost always been that way for him, the idea of something being too expensive has never really crossed his mind in his adult years— although it was safe to say that in order to make you stay forever, he must add more than the couple gifts he had already planned to send your way, such wasn't enough, despite the fact that they certainly would make things a whole lot more easier for him.

because who on earth doesn't like a costly, with diamonds paired piece of earrings from fontaine? hand crafted of immeasurable worth. or would you rather choose the extravagant silken garments from the nation of electro? oh, you forgot already silly? you're of course, getting both, it's on alhaitham after all.

he doesn't understand that this emotion growing in his heart might become quite dangerous in the future, although again, the man was of smart kind, highly aware of the power he held not only with his fortune alone, but his cleverness as well— and there would never be a time in his life where he couldn't utilize the one or the other, or use them all together to get the result he planned to achieve.

dear, dearer, dearest you, alhaitham ponders, as long as the sun was alive, as long as desire merges with his addiction,

"i will pursue you".

alhaitham knows that from the bottom of his heart, he will make you his, and not just have you for a short period of time during those special days— where two people simply let go of steam, soft fingertips glissading over the edges of sweaty skin as you're wrapped around his fingers, the slight swell of your lips, the strong blush on his cheeks, both vividly showing that the two of you cannot keep your hands away from each other.

as expected, you find yourself hidden behind a bookshelf in the house of daena, and alhaitham kisses you like he has been imagining it for decades on end, soft lips dancing over yours as he forces his tongue past your mouth, his hands greedily skimming through your trembling figure— soul catching soul, like each touch of him felt like it was searing through you, burning your clothes.

there, in those precise rolls of fingers repeatedly crossing your sensitive nipples, alhaitham makes himself acquainted with your trace as he graciously feels around the curves of your body and how well you reacted to his touch, kiss and tremble— an immediate reminder for him that you like it when he touched you like that, lapped his tongue over yours like that or pressed his muscular thigh against your wet cunt like that.

alhaitham was cruel in a way— one might even go as far as to assume that pairing an excessively clever man with a boundless amount of money harbors a much darker meaning in on itself.

but right now, he was slightly cruel to you as well when it becomes more and more painful and he knows, he always does, especially when he notices how you're having trouble breathing from his antics, quite wobbly on your footing as you look up at him through soft eyes, lips parted when each kiss of him made your heart clench, unknowing of everything, only waiting until he finally fucks you like you wanted to.

what you do not realize is that rich boy alhaitham was already weak for you, and he could barely wait himself, his mind fighting with his rationality, being overthrown by nothing more than the addictive scent of your perfume blossoming across the skin on your neck.

he flips you around instantly, your figure now squished between his chest and the bookshelf before he flicks your skirt up with ease, almost territorial like he's the only one allowed to do that from now on, frenziedly touching and loving your body like he needed you to breathe and stay alive, like it's only you who can make him be this way.

"ahh— fuck," he gasps into the back of your neck, his hot breath planing across the skin and manifesting a strong shiver down your spine, "i love those earrings on you," as he trails off, your hips twisting and twitching when he finds them with his hands, repeatedly pistoling his thick shaft into you until the lewd, squelching noises of skin on skin were overturning your little whimpers, smack smack smack, it's only getting louder— so alhaitham uses one hand to quickly close one palm around your noisy mouth.

he thinks it's adorable how you forgot that you were still in a library, yet it only showed him that he was doing everything right, only a little more until you're all his.

the scribe has got you covered, okay? alhaitham needs you to realize that from now on, you have nothing to worry about anymore, so please get that into your pretty head! you're far too delicate and pretty to trouble yourself with something such as stress, not anymore— because wether it was intimacy you craved, love you sought after or money you needed,

alhaitham has got you.

©2023 anantaru do not repost, copy, translate, modify

[necromancelena]

Whenever i don't feel like eating i usually trick myself with one of two imaginary scenarios to make it more appealing. So when i make something with steps i pretend I'm the personal chef of a venerable king who is in his final years and eats alone these days and only trusts me to make his food and he's like. Well respected because he's ruled for like 60 years and the first 20 of those were spent away from home being a tactical genius in a devastating war and now he's kind of resentful of palace luxury like I'll pretend a bologna sandwich is like. Artisanal bread and fancy cured meats from the northern provinces and the whole time i resent him because he lives in such luxury that I, the castle chef, could never have, and while everyone worships him i see him at his weakest because he's so private and he knows i hate his ass but he says he knows he's safe because unlike everyone else I can't hide my hatred of him behind a mask like all those scheming nobles at court. And he knows I can't be bought as an assassin because in spite of my hatred for the king i see too much of my own disgust for the world in him.

And then if i make a frozen meal i pretend I'm trapped on an ice planet for years and years in a station where everyone died. There's a great entity at the heart of this planet that i can feel but not see. Its intentions are unknowable to me but sometimes i garner it's interest and it warps reality with its very observation of me. This planet is filled with monsters but I can't even trust my own perception because nothing i know applies here. And I've been alone so long that I wouldn't trust my senses anyway. I talk to the ships computer so my brain doesn't rot but it's just filled with prewritten responses. Or it should be. But sometimes it says things it cannot say, knows things it should not know. And then i crack open a nitrient pack from stasis (frozen mac n cheese) and eat it like I'm starving and can only ration one meal per day but i need to keep up my strength.

And then playing pretend makes the food seem yummier so i eat it safe n sound

[sharoo]

Self-knowledge as a theme in STP messes me up so bad, bros.

This all starts with how little the Princess can tell you if you ask her about herself. How little you can say about yourself, more often than not. Most of the time Quiet doesn't even know what they look like!

The Narrator makes it a point to make the Princess' cluelessness, her lack of self-knowledge, into deception, but really, both the protagonists don't know themselves. How could they?

The concepts of bounds, of something that isn't you, the distinction of "self" and "other", "you" and "I", the concept of something being not like yourself... this is the first time this deity which is now two has ever experienced it.

The Shifting Mound and the Long Quiet did not exist until the Narrator tore a whole into parts.

Now, this deity in twain has to reorient. It has only begun existing, it's not yet known itself. A toddler has to develop a self-concept, and the concepts of others.

Now imagine, for the first time in your solitary existence, that there is something that you are not. Unknowable, foreign.

What are they like, you think? Are they a friend? Should I get to know them? Are they a foe? I do not know them, I cannot trust them... Or can I?

This brings to mind, of all things, Contrapoints' video on Twilight, where she speaks about the concepts of Union and Division in relation to love. And while she speaks of it in terms of eros, it can apply here just as easily, romantically and platonically.

Love is the union of two beings. We love because something outside of us allows us to be more than ourself. In others, many seek that which they lack. We seek out people so that we may develop through our similarities and contrasts with them, to change an be changed.

We seek out people because there can be no I without a You. To exist in a void is not a fulfilling experience.

We cannot discover ourself if he have nothing that allows us to compare ourself. The mirrors elude us throughout the game, always leading to the princess - she is the only way we may know ourselves, the mirrors tease as they disappear. And at the end of the route, only then, can you see yourself, now that you have a complete knowledge of yourself in a given scenario, with a given persona.

Was the princess someone you decided to trust? Or to betray? Was she a foe? A friend? A nightmare? A victim?

You both try to find out who you are through your relationship.

The princess assumes many faces and attitudes in response to you, you assume voices and attitudes in response to her. You're two batches of clay shaping each other at the same time. It's almost like knowing someone your entire life, seeing them go through different phases as they try to find out their identity in the world, their place. The 5 routes, whatever they be, are your "adolescence".

And growing means you will hurt each other, intentionally or not. There will be fights, disagreements, there will be heartache, and comfort and love.

And everything will pass.

Shifty, before she's complete, before she discovers her godhood, makes this point so clear.

How could she not be kind to you? You are the only thing in this place that is not her. What reason could she have to hate you? To make the only friend she could have into an enemy?

That's why, at the end of every route, all hurts are forgiven. All the heartache is acknowledged, understood, and then she moves on. So that you may continue being together, so that she may see what else you do.

Even godhood can become a phase. The Shifting Mound recognises what you both were, but it need not be you unless you accept it. Because self-knowledge is unending. You are always changing, and you can always change.

You can accept being a god, and that becomes you.

You can reject being a god, and that becomes you.

You are by that point an "adult". The figure trying to dictate who both of you are is gone, and you can decide for yourself.

I think this is partially why I love the Leave with Stranger ending the best of all the endings. You begin it by avoiding knowledge of yourself and of another. The self can only exist as far as it is not like the others.

And you meet the Stranger, this being who knows so little about herself, because she too has been deprived of another. The route is quick. It really cannot amount to much, because if you don't know yourself, it's so hard to build a relationship.

But at the end, they've matured. You gave each other time to become fuller beings. You met this person again and they seem so much happier with themself than they were in youth.

I love how they say "We're just a stranger.", and the voices point out how it needn't be sad that you don't know her, unless you make it out to be. You can get to know them, the real them, and they can do that with you.

The way the Stranger speaks if the position of a God only underlines how much the heart of the Shifting Mound can understand self-knowledge.

They speak of how they feel themself be pulled towards taking the position of godhood, of being everything, yet find it confining. Restricting.

"We want more. We want whatever might be on the other side of this door. Something new, that we'll experience together. With someone who exists outside of us. Someone who can see us in a way we can never see ourself."

Self-knowledge through relationships and reflection on how you impact other people.

[after-witch]

Morning Surprises [Yandere Xiao x Reader]

Title: Morning Surprises [Yandere Xiao x reader]

Synopsis: You get your period for the first time with Xiao, and you wake up tied to the bed for your troubles.

Word count: 1500ish

notes: yandere, kidnapped reader, period talk, reader has their period

Despite everything--your captivity, your isolation, the stripping of your freedoms--Xiao does not often frighten you. At least not with intentional actions, as you cannot help the yelps and flinches on the occasions when he returns to his abode and simply watches you, silent as the dead, as you go about what constitutes your “day” in this limited place.

Which is why, when you wake up and find yourself unable to move due to soft yet firmly tied ropes keeping your wrists pinned to the head posts of the wooden bed, there is something that comes before the fear: pure confusion.

It could not be Xiao that has done this to you. Someone must have broken in, somehow. Penetrated what he told you was perfectly safe, his excuse for keeping you here against your will.

And yet, when you look to your side, it is not some unknown stranger that sits on the chair next to the bed. It is Xiao. Looking, despite his seemingly passive expression, like he’s going to simultaneously yell at you or cling to you or throw up. Perhaps all three at once.

“Xiao” you say. If your voice quakes, you can’t be blamed. You press on. “Xiao", you repeat, “why am I tied up?” You try to ask this all important question as if you’re asking what’s for dinner tonight. You hope, whatever is going on inside of his unknowable mind, that will keep him from flipping some switch that leads to more trouble.

For an agonizing long moment, he does not say anything. And then his lips part and he says, voice tight and what must be repressed anger:

“You should know why.”

Oh, archons. 

Anything but this.

“Xiao,” you plead, voice getting higher. Your wrists flex against the ropes and you get nothing for your trouble. “I really don’t know why.” You swallow against your throat and look at him with the most pitiful pleading gaze that you can manage. “Please tell me what’s going on.”

Xiao’s expression pinches together as he watches you, examining you from bound wrist to squirming legs, as if he might find some hidden answer in your body that your mouth won’t give

But then you hear the blissful sound of a soft sigh coming through his nose before he opens his mouth and speaks, still firm with a simmering anger, but at least with a touch of indulgent softness now. He could never resist when you look at him like that, although you don’t always take advantage of it, lest he catch on and take away your sole means of manipulation in this static place.

“You hurt yourself.” A simple phrase. One that spins over and over in your head until you understand what he’s saying, although it doesn’t make any more sense than it did when it was just a jumble of unknowable syllables.

You try to think about the past day or so. Did you enjoy yourself and not tell him? No, because he always throws a fit when you don’t, even if it’s something as silly as a paper cut from a book. Cuts can lead to infections, infections can lead to death. He takes them very seriously, and he doesn’t like it when you mock him for it, either. Spoilsport.

But you didn’t even read a book yesterday, much less cut yourself on one. You didn’t trip or fall or bang your elbow on anything either.There’s nothing that comes to mind and you’re left with one option, which is to look at Xiao like he has five heads.

“I didn’t,” you say, slowly, trying to sound convincing even though you know you’re telling the truth. 

The fingers resting on Xiao’s lap curl up.

“Don’t lie,” he says. “It’s pointless.” 

It’s then that you realize his gaze has been focusing an awful lot on your midsection since you woke up. Maybe even a bit lower, which makes you more worried. He never looks at you like that, at least not that you’ve seen. You wouldn’t put it past him to be watching you with something untoward in his eyes, as long as he knew you couldn’t see him. But you can’t prove it, so you never keep it in the front of your mind.

But it’s only when he points towards an area you never want to associate with him that your stomach squirms. His lips pinch together and he murmurs, quick and anxious and with a touch of hurt, as if you’ve done something wrong--

“You’re bleeding. There.”

There are a few agonizing moments where you’re not quite sure what he means by “there.” And then the adrenaline from waking up like this seems to ebb just enough for you to realize that there is a dull ache in your stomach; no, not your stomach. A bit lower and more deep, carving, like a persistent ache from something inside you. 

Menstrual cramps.

You started your period. For the first time, with Xiao. Your body kept it away for how many months, because of the stress, most likely.

And now…

You’re tied to the bed, bleeding, while your captor looks on in frustrated horror; as if you… what? Does he think you injured yourself somehow? Wild thoughts pass through your mind, ideas of what he must be thinking, ways you could have hurt yourself in such a place. It’s too awful to think about for long and you push it away in favor of trying to raise yourself up despite the bindings.

“It’s not--I didn’t hurt myself.” Your voice comes out too squeaky for your own liking, but how else can you sound, in this circumstance?

Xiao does not look impressed. He folds his arms, slowly, staring down at what must be a red spot on your nightgown.

Mortification blooms through you more warmly than you ever thought possible. Did he spot the telltale red stain while you tossed and turned this morning? Did he--did he look underneath? 

“Xiao,” you try again, trying to calm yourself. “It’s… it’s a natural thing.” Xiao does not even blink while he stares at you. “It’s a human thing,” you try. And then, swallowing thickness so tight it hurts. “A female thing.”

You hear the slightest sigh rush through Xiao’s nose.

“I don’t believe you.” Simple, firm. “I’ve never had a human tell me about this before.”

Your arms ache from where you’ve tried to raise yourself up, and you force yourself to slump back down and spare yourself some slight muscle soreness later on.

“We don’t exactly go around telling people about our menstruation. It’s… it’s a private thing.” When did it start? Last night? This morning? It’s hard to gauge how much you’ve bled already, but when you rub your legs together, you can feel some uncomfortable slickness. Enough to bleed onto your thighs, at least. 

Xiao slowly unfolds his arms, which is a good sign. What is not a good sign is the fact that he hasn’t moved to untie you. Instead, he takes a tentative step closer to the bed. To you. To the red spot he’s been staring at for far too long.

“If it’s natural, why are you bleeding? Humans die if they bleed too much.” There's something quietly agonizing in his tone that makes you feel sick. Although that could just be the cramps.

The ceiling in the abode where Xiao keeps you is too plain. There’s nothing you can hyperfixate on to take you away from this moment, to let you imagine that you are, perhaps, traveling along a crack in the plaster or hopping from stain to stain.

So you’re left with nothing to do but stare at the blank whiteness and mutter out a half-hearted biology lesson, one that you’re not sure Xiao is going to believe, anyway. And so much of it is half-remembered from what your mother told you years ago, and even she was not entirely sure of everything; she had dodged a few of your more, as she put them, impertinent questions on the nitty gritty details of it all.

When you’re finished, you sigh, and slowly look at Xiao--

Who is, for the first time since you’ve seen him, almost completely red in the face. He’s staring at the floor now, and you swear you can hear his throat when he swallows, bobbing.

“I don’t know if I believe you.” You start to protest, when he folds his arms again. “I’m going to ask someone I trust about this.” 

He glances at you, cheeks still ruddy.

“Just… wait here.”

You don’t have time to get his name out before he vanishes, leaving you bound to the bed, bleeding onto the sheet underneath you.

You hadn’t even gotten to the concept of menstrual hygiene yet. You doubted Xiao had any of the wraps that your mother taught you to make for your cycle, strips of fabric that were tied in place to absorb it.

If there is any semblance of mercy in the universe, whoever he talks to will tell him about it. That might be a comforting hope, if you hadn’t long stopped believing the universe had any kind of inherent mercy of fairness in it.

[bi-writes]

it took the end of the world to bring you to where you were supposed to be. (18+, 5.5k words) ghost (+ johnny) x fem!reader (apocalypse au -> dark content ahead)

you know it is luck that you are still alive. in times of anarchy, it isn't the soft and weak hearts that remain. only the unfeeling stay alive. the ones that are willing to do what others are not. the lot that know what isolation feels like. the ones familiar with survival and everything that comes with the wounds it leaves behind.

the loneliness. the paranoia. the heat of hunger and the impossible itch of thirst, on top of the fact that running for your life is second nature to you now.

if it wasn't the sick and dead lurking in the shadows, it was the live ones that would take you. and you have seen what they can do, and you have watched what the opportunities of the unbecoming have given them, and you vow that you will kill yourself with your own dull army knife than let yourself succumb to that kind of death.

you'd rather be eaten alive by the things that don't understand than the ones that do, because they don't know any better, and the others do, and they know what they are doing isn't human, but they don't care.

whether they eat for survival, for pleasure, for power, it is becoming more and more difficult to discern between the sick and the healthy, and in that in-between, you've decided to be on your own.

you know the loneliness will eat at you from the inside. but you are comforted by the fact that you are not being eaten from the outside.

you sleep in the trees tonight. you climb, high enough to be out of sight, and then you use the rope in your pack to anchor yourself to the trunk. as soon as your head falls back, you fall asleep. you have been walking for days now, you think, and with nothing in your belly except for a few scavenged snacks, sleep comes easy.

when you wake up in the morning, you feel the crisp edge of the sky against your face, and you know it will rain soon.

if there is a god above, they will wash you away with it. you hope, at least. you don't know if this is how you imagined noah's ark--the cleansing of the earth, a flood great enough to wipe it of what they deem ugly and unimaginable and irredeemable. and god must be a man, because only a man would unleash something like this that comes with consequences he never intended--the fact that it didn't fucking work. in his effort to eradicate the fucked up pieces of shit he supposedly created by his own hand, he unleashed them.

he set them free.

and like a man, instead of fixing his fucking mistakes, he turns a blind eye. he forgets. he allows it to manifest, and now that it is out of control, he will blame the sins of what he's done on someone else, someone like you. the innocent. the unknowing. the small and the weak, the ones who he said would inherit the earth, where is he now that there is nothing to inherit? how come he's allowed to go back on his promises, and i'm not? what have i done so wrong that this is the lifetime you gave me?

you don't know why you care. you don't know why you've survived and why you keep trying to. you don't know what drives you forward, but there must be something. there has to be something waiting for you, because you don't think your life can fall any lower than this.

but fuck, there are other plans for you.

there's no one to hear you scream. they cut the branch, unravel the rope, and one of them has gotten ahold of your legs, and they're dragging you. you cry, you scream, you thrash, but all your clawing hands do is leave sporadic trails in the dirt. they laugh, you think, but you cannot hear them over the blood that rushes in your ears.

your nails are raw when they flip you over onto your back. they bleed from how you scratched to be let go, and you don't know why you fight this, but you just have this voice inside you that screams that this can't be how this ends. this can't be the way you go--this isn't the what you deserve, this isn't fair--

you vow to leave your mark. when they come closer, you don't let them come easy. you claw at their faces, rip out chunks of their hair, and when another comes close, you use your teeth, biting off chunks of their flesh, tasting blood, because i won't make it easy for you, i won't go silently, i'll leave you worse than you leave me, i'll take you with me if i fucking have to.

and when it stops, you sob. suddenly everything is still, and there are no hands on you anymore, and all you can see through the blood in your eyes is the sky above you, and how it is early morning, and there's a flock of birds passing by overhead. they fly peacefully. they have no idea what they're observing--the struggle of being alive, the humanity of your will to live, the defiance of dying at their hands, they have no idea that they are witnessing the death and rebirth of something fragile, something so delicate.

you sit up on your hands shakily, and you swallow hard as you look around. to your horror, your savior is a man.

bodies surround you. there's blood staining the dead leaves along the forest ground, trickling from sickening wounds in heads. in one hand, the man in front of you holds a dirty stone, large and jagged, and the sharp edge of it is darkened with red and drips on the tips of his boots. he has wild blue eyes, and while his hair is grown out, it is carefully cut along the sides. his dark hair falls in effortless curls along his forehead and at the base of his neck, and when he meets your eyes, he smiles, wickedly.

he wields other methods of killing people, but he chose a fucking rock. and you think he must be crazy.

you shake, and you find your balance, crawling back on your hands to get away from him, but you're only able to crawl a few feet before your back hits an imposing wall.

you gasp, jerking to the side, and you bow your head to cry when there is another man behind you. this one towers, broad and big, and he wears a sickening skull mask that shadows any human part of him. he might not even be human--maybe he's as dead as everyone else.

you hiss when your hair is pulled. crouching at your level now, the one that wears a real face stares down at you, still smiling. he's chuckling now, licking his lips, and you lean forward and spit at him. it lands on his cheek, a mess of saliva and blood, but his eyes seem to only sparkle. his smile widens.

"what do we have 'ere, LT?" he snickers, and you gather the saliva in your mouth and spit it at his feet this time. there's more of a mess of cartilage and blood and spit, but instead of disgusting him, he just grins up at the ghost behind you. "with a will ta live. ever seen anythin' like it?"

"she's dead fuckin' weight." even his voice has you shaking, low and gravelly, and you hold back a whine when you're let go of. the scottish one is yanked backwards by the scruff of his hair by his superior, who bends to growl in his ear. "she'll only hold us back. dunno why y'even had to intervene, she'll not make another fuckin' day."

"fuck you," you snap, wiping at your face with a trembling hand. you wipe at the tears under your eyes, coughing, and you stare back up at him. with the sun in his face, you can see his eyes. they are dark, and they are unforgiving.

he is one of the ones who is free. he is one of the ones that god intended to kill, and yet here he stands, stronger than ever. and even though you know he's a murderer, an undeserving, broken inside and scarred on the outside, he'll outlive you because he thrives in the anarchy of what is left behind, and you are consumed by it all.

"let's go, johnny," he spits, and you close your eyes. you don't know why you were spared your life. you don't know why luck has been on your side, you don't know why men are what punish you and save you, but you cannot escape them. they send you to slaughter, and then they pick you out of the pen, and you wish you had more control.

you want to be more than this. you want to be more than whatever it is you're made of. you are not meant to be here, you're not meant to be alive, but you are, and fuck, you're so tired of it.

johnny belongs to him. it's obvious, in the way that he lets that man pull on him and order him around, even if they are adorned in military fatigues. you imagine there is no authority anymore, but he listens to that beast anyway, because he's getting up onto his feet, letting it guide him away from you.

if you want to live, you'll have to tame that beast.

"i-i can be useful," you say softly. your eyes are wet and big, and you look up at them as they stand over you. johnny turns his head, looking at his handler, who tilts his head to the side and glares at you. he does not believe you, at least that's what it feels like, but you look right into his eyes and take a deep breath. "you'll just kill me if i'm not. w-what do you have to lose?"

the hum he lets out isn't an agreement, but he doesn't say no either. so when he turns to walk away, you stand, brush your bloodied jeans off, and you follow them. johnny trails, putting you between them. you're pretty, but he doesn't trust you yet, but you're also aware of the eyes you feel on you from behind. when you catch him staring at your ass, he doesn't pretend to look anywhere. he simply giggles.

they are a unit. they can speak without words. johnny tells you his handler's name is ghost. his lieutenant, a man of many talents, and you refrain from rolling your eyes at his sergeant's praise. but instead, you look up at him, and you smile, and you nod, and you give him those doe eyes that you can tell make him a little dizzy.

at night, they alternate keeping watch. they carry lots of gear, and while one guards in his sleep, the other stands in the shadows and keeps their head on a swivel. they take efficient rounds of sleep, getting their rest in while keeping their senses on alert. the first night, you aren't able to sleep. you are too afraid of johnny and how he smiles, because he's a dog, and you don't know when ghost will let go of his leash.

and you are too afraid of ghost, because he looks at you like he wants to kill you, and when he does, you'd like to look him in the eyes for it. you want him to know that you might not be strong like them, might not be the kind of survivors that they are, but you aren't a coward.

you aren't a man, and you'll die the way a woman should--with her fucking dignity.

the days pass easier. ghost hunts, and johnny cleans. ghost scavenges, and johnny kills. and when there is food, johnny feeds it to you, and you put on your best face, opening your mouth, letting him spoon you a mouthful of something that warms your belly. johnny eats your lies right up, but one look at ghost, and you know he sees right through you. with each lick of your finger, he snarls, and with each foot you step closer to johnny, he growls.

he doesn't believe you. you need to make him believe you.

you see your opportunity. it crawls towards him on soft hands, flesh spongy and quiet from the weeks of decay and rot. you see its mouth, black teeth sharp and ready to sink into the meat of his calf, and you lunge, pushing the vase off the table and watching the heavy clay fall until it squishes the head into a heap of rotten matter and dead meat.

ghost turns, looks down, and when he looks back up, he sees you gasping for breath, heaving. there's a desperation in your eyes. it trickles between panic and worry, and you don't know how it is you wear it so well, but it manifests into wet tears that gather at the corner of your eyes.

he's not a beast. he's just a man. and when he passes by you, he reaches up and grips your face hard, nearly shaking you, but it isn't like any other time he's touched you. he glares down at you, right into your eyes, and you melt, stepping just that much closer, sinking your nails into fabric of his tactical vest and gripping it tight.

i can be useful. it rings in his ears as he looks down at you, the burden he has been carrying with him, and suddenly he drags you that much closer, until your open mouth touches the front of his mask.

even your determined conscience can't stop your legs from squeezing together when you feel the warmth of his breath.

i can be useful. i can be useful. i can be useful.

you can be the thing that wakes what is dead inside of him. you can be the virus that infects his veins, the dagger straight through his heart, the heat of the sun, the thing that builds back up what he's buried so far down. johnny keeps him human, but you'll keep his blood pumping. johnny satisfies the itch of authority that ghost needs to keep, but you challenge the fire he keeps under his tongue, and fuck, those eyes.

you pretend with johnny. you play the damsel in distress. you fawn, let him coo over your soft eyes, keen at his touch, but it is a game you play, and he sees it, he sees it, but this time, it doesn't make him angry, and he likes it, and fuck, have you always been this pretty?

you swallow your smile. his grips tightens, and you know you have him.

he's yours. and he's going to keep you. the world ends, god doesn't answer your prayers, the salt of the earth runs free, but it doesn't have to be the end for you. you will learn the hymn of what makes monsters move, and you will sing that song until you can't sing anymore.

you will learn their language, and you will convince them of what you are not, and keep what you really are a secret.

the good, the easy, the soft, you'll keep it inside, because that isn't who lives at the end of the world--it's ghosts that remain, and this one belongs to you.

this one belongs to me, this one is mine, this one you can't fucking have.

and maybe it's selfish. maybe it's wrong to think this way, to take from your saviors this way, because that is what they did, they did save you, but this is the only way you can make sure you make it out of here, that you live. a man takes, and a woman gives, but wouldn't it be nice if it wasn't always this way?

because the dead are still moving now, and there isn't humanity in the living; this is what you are owed.

you think it will be difficult to pretend. when it is night again, and you are staring up at the blue of johnny's eyes, you think it will be difficult, but it isn't. despite what you know he doesn't have, even though you know there isn't anything good in him, he still smiles, and he's so pretty, and you let him kiss you.

it's easy because he's warm. his voice low, his breaths heavy, and it feels like love, and it isn't hard to imagine yourself somewhere else. in another place, meeting him in another time, falling in love with him because it is the only thing you really have to worry about. if you lived another life, you wonder if you still end up here.

you wonder if he would eat your cunt this way in that other place. like he'll never have it again. if he's just as aggressive, spreading your thighs, trapping himself between them, slurping at your folds until you are nothing but a wet, leaking mess underneath him. you wonder if he would groan the way he does, gripping you tight enough to bruise, taking his fill because everything that begins has to end, but maybe if i keep making her see fucking stars, she'll let me stay here forever--

johnny's so much easier to control when he's pussy drunk. anything you whisper in his ear, he just nods, licking into your mouth, mumbling incoherently. he'll say yes to anything you say, and when the gruff call of his name pulls him away from you, he struggles to leave. it isn't obvious, the power you have over him, not to him at least. but it's real, and because he watches you even as he goes, you know he'll do anything for you.

he'll do anything for me. he'll live for me. he'll kill for me. but will he do it even if ghost tells him not to?

because that is the only question that matters. if you and ghost stand on either side of him, who will he go to when his name is called?

if i call both of their names, will they come to me?

if he calls my name, will i come to him? am i just the same? do i wear the collar, am i the puppy, is it me that fell and not the men i hate so much? how do i tell the difference between what the fuck is real and what isn't?

you don't know what time it is. it's dark outside, it must be the middle of the night, but you can make out ghost's silhouette in the doorway. you've been holed up here for some days, and he takes turns with johnny covering the perimeter. your legs are tired, and so are they, and the bed in this house gives way to a comfort and peace that you haven't felt in a long time.

you tilt your head to the side as you watch him there. you sit up, your hair falling around you, and you watch the shadow of him shift in the hallway there.

"scared of the dark, ghost?" you ask softly, and the way he stills tells you he didn't realize you could see him. he steps into the room, and the candle that flickers in the corner deepens the shadows that dance along his masked face.

"nothin' scares me," he murmurs, and you find his eyes in the dark. it unnerves you every time you stare at one another--his gaze is always so intense. he always looks in between all the layers you hide, and it's hard to remember what you are doing here when he looks at you this way.

"i don't believe that," you counter, and he narrows his eyes, shuffling closer, and you tilt your head back to look up at him. "you're terrified."

"not of wot y'think," he pushes back, but you shake your head.

"don't lie, simon," you whisper, and at the sound of his name, he reaches for your face--cups the underside of your jaw, grips the base of your throat, bends down to growl against the skin of your cheek. "are you jealous? is that what it is?"

"of wot?" he mutters, and you hold your breath when he grips your neck firmly. "of m'pet 'n his little lamb?"

"yes."

"nothin' to be fuckin' jealous of," he laughs, but it holds no humor. "what's his is mine."

"says who?" you breathe, and he pulls back to look at you again. there it is--the thing in your eyes that he cannot escape. he doesn't know what it is, but there is something there, and he craves it. he wants it more than anything else--more than food, than water, than survival, he wants to have it, to own it, to command whatever it is there because it's what he thinks he deserves.

he saved your fucking life, and this is the price for it--he gets to have the thing that lives in you that makes his fucking head spin, and you will give it to him, so help him god.

you kiss soft. he hasn't taken his mask off in a long while, but you move it up easily and without resistance, and now you're kissing him, and he moves without thinking. he hasn't even let johnny this close--he hasn't let him underneath his skin, not this way, and here you are, sighing against the scars he wears and kissing them anyways.

the ugly and the irredeemable, that is the skin he wears, and you love it anyways, and the ringing he always hears is gone because you don't seem to care. you caress his face, and you tug on the front of his vest, and then he is with you, and--he doesn't know if this is real.

when you pull away to look at him, his eyes flutter open. you don't say anything as you climb into his lap. the look you share, you don't know how to explain it, but you are almost afraid that it is understanding.

because it's the end of the fucking world, and he isn't capable of love, and you are only here to survive, and yet there is something here that you can't explain. god isn't real, he's just a man, but you think for a moment that that man might be simon riley because what the fuck is happening to me?

"simon--"

he kisses you this time. hungry, all-consuming. if there is anything you've learned about him in the weeks you've spent beside him, it's that he does everything with purpose or not at all. he has a will, a will of what you don't know, but of something, and he does everything with his entire chest. you've heard him talk to johnny when they think you're asleep, the pillow talk that you aren't supposed to be privy to, and suddenly you wonder if this is what johnny feels like--like the only person left in the entire world. because to matter to someone like lieutenant simon riley means you must've done something right, because he doesn't care about anything, and he doesn't love anyone, and--fuck.

he fucks like it, too. he fucks like he won't live another day, and maybe he won't. he fucks like it's the last time he'll ever see you, and it could be, and maybe that's why you're crying. you're sweaty, naked under him, and he can't stop kissing you. he breathes you in and swallows your breaths like it's what keeps him alive, and maybe it does.

"simon--" you cry, because it feels good, and he buries his face in the crook of your neck. your hand rises, slipping under the mask, and your nails scratch over his shaved head underneath. god, it feels sacrilegious to feel him this way, to know what's under it, but it doesn't matter.

"know wot y'r doin'," he hums, and you claw at his back when he slows down. your knees try to widen to accommodate the width of him, and he puts two big hands on your thighs and pushes, nestling himself deep and pressing himself right up against your pelvis. "know y'r playin' tricks on johnny, on me--" you cry, and he tsks, shaking his head, "'s pathetic, luv...thinkin' y'could fool us both."

"i-i--"

a particularly rough thrust shuts you up, and you arch your back, pebbled nipples hard against the warmth of his chest as he chuckles, laughing at you, so mean.

he leans down, and all you can do is whine as he mutters into your ear. "johnny's so fuckin' distracted by y'r cunny, swee'eart. and fuck, i get it, 's such a sweet pussy, luv--" you whimper, grinding up against him, needing him to move, but he puts both hands on your hips and squeezes, holding you still. "--such a nice cunt, make a bloke forget all his fuckin' troubles, but i know--"

you yelp when he reaches up and grabs your face. his palm cradles the lower half of your face, squeezing your jaw, and he squeezes your cheeks as he looks down at you and snarls.

"i know wot y'are. wot y'r here for."

"you--" you sob. "'m here for you--"

"can lie to johnny all y'like, luv, but don't you ever--" you whine as he shakes you gently, "--don't y'ever fuckin' lie to me. y'r usin' us. known since we found ya."

you let out an exhale, a deep one. you find his eyes, and he looks down at you, and you swallow hard. because it's true, in a lot of ways--you could never love them, right? this could never be a real thing. the only men that are left are god's mistakes. when man broke off his rib to make a woman, he didn't know a beast like this would come from him someday, did he?

did he know his sons would try to kill each other? in each and every generation? is he watching the dead roam the earth and wondering why those ones died and ones like this one are still living and breathing?

the thing that you don't understand yet is that nothing will kill ghost. his father couldn't kill him, the dark couldn't kill him, the earth he was buried in couldn't kill him, and every bullet that scarred him had missed the vulnerable places of him by just that much. the virus couldn't kill him, and he has an inkling that even if he was bitten, somehow, he would still live because that's his fucking fate.

his fate is to live, to endure, to grieve, no matter what happens around him. the world collapses, and he watches, and he picks up pieces as he goes hoping they will last, but he knows they won't.

he doesn't know how johnny will die, but he will. he doesn't know how you will die, but you will, and he'll be there to watch. for some reason, there's a little comfort, because at least this means they won't be alone. johnny wouldn't handle being alone well, and neither would you, because johnny is a mutt, and you are a leech, and neither survive without a keeper and a host, something else to keep them alive.

"'s olright," he licks over your bottom lip. "'m keepin' you, luv. but let's get one thing straight, aye?" you grunt when he turns you roughly under him, forcing your face into the mattress and caging you underneath him. you can't move much, all you really can do is sit up on your knees a little and push back against him, burying him deep inside you again as he presses his hips flush against your ass. he tangles his hand into your hair, pulling your head back, and he plants a chaste kiss against your throat. "y'r not above me, pet. you can order around m'mutt all y'like. bet he'll like that..." you hum when he cants your hips, the tip of his cock hitting a nice, warm place inside you, "but y'r gonna do as i say. and be a good girl."

you open your eyes, looking up at him over your shoulder. you plant your palms against the mattress and push back against him again, moving just enough to encourage a few slow, wet grinds.

"anything you want, simon," you whisper, pressing your face into his neck, and he grunts as his hand disappears underneath you to cup your mound, hissing as he feels the place where his cock is moving inside you. "can have whatever you want, please--" you whine in his ear. "i won't lie to you! i-i...i won't lie..."

with his other hand, he cups your breast, squeezing, his thumb circling your nipple before he tugs on it gently.

"gonna be a good girl?" he asks. "gonna let johnny fuck ya? let my mutt have his fill?"

you nod, panting.

"are--" you sniffle. "--are you gonna take care of me?"

ghost laughs, as if it's a stupid question. he maneuvers you onto your knees, and as you start to push back against him more eagerly, you start to hear the jangle of the dog tags he wears. you want to turn around and pull on them, want to see his face when he comes, but you tell yourself that's for another time--that right now, you need to get him cumming and agreeable.

he leans over you, picking up the pace, punching his hips into your ass. the sound of your skin against his is wet and quick, and as you press your chest into the mattress, he starts hitting you so deep, the air feels tight in your chest.

"need to see you--!" you gasp, and when you're on your back again, you grab for his face. your knees spread again, welcoming him deep, and you force his eyes to stay on yours as you feel the rough grind of his hips starting to build up that sweet, soft feeling in you.

fuck--he's so big. every part of him, it swallows you, and this isn't any different. you come when you feel him, so much of it that it's leaking down your thighs because he stuffs you so full, and there's tears in your eyes, but he isn't sorry.

looking at him this way is jarring. you have really only ever seen his eyes incredibly dull, nothing in them except a void that you aren't able to understand. but you are using him, and he is using you, and you smile, because now you can read him, read what's reflected there.

when ghost shoves his cum-soaked fingers into your mouth, you don't fight it. you keen, arching your back as you let your tongue swirl around his thick fingers, and he tilts his head to the side as he watches you. he's making sure you're doing as he wants. he's making sure that you will be pliant and good, that you will do as you are told and nothing else because that is what he asks of you.

he's making sure that even though he knows you are not the submissive puppy you pretend to be, that you will be it anyways because if you don't, you won't like how he bites.

you and ghost are the same. you are equals, even if he will never admit it. you trade different parts of yourself, but this isn't about preservation, it's about survival, and you are willing to give yourself for it. you are willing to say yes, ghost, of course, whatever you want, because you aren't supposed to be alive anyways, but you might just have a chance if you hide in his shadow.

you're still on the bed when he dresses himself. he straps his vest back on, zips his pants, and you watch him lick his fingers clean before putting his gloves back on. you reach down, your mouth falling open when a glob of his cum slips out and dampens the sheets, and ghost has a hint of a smirk on before he rolls the mask back down.

"don' worry, luv," he mutters, reaching over and gripping your jaw rough. you pucker your lips, and he snickers. "soap'll fix you right up."

"soap?"

"mmm. the fuckin' thing is useless unless there's a mess to clean up, yeah?"

will you take care of me? will he take care of me when it's time? will he keep the dead out of my eyes and my blood inside?

he never answers your question. and deep down, you're certain it's because he would kill you, and maybe johnny would, too, because johnny does whatever he says, even if it isn't good for him. and you aren't sure if it's because this is his lieutenant or because saying yes is the only thing that make's sense anymore.

i can be useful. i can be useful. i can be useful.

when you are not useful anymore, you'll need to be the first to strike then. because maybe you don't deserve to live, but neither do they. god is a man, and he makes mistakes, and ghost is one of them, and he's eaten johnny's soul, and if you go down, you will take them with you.

god is a man, and he was a fool to think he could've cleansed the earth by himself.

it was the flood that cleansed it the first time, and mother nature always does her fucking job.

[iridescentmirrorsgenshin]

Alhaitham labelling his conversation with kaveh in a ‘secluded’ place as ‘private’ is such a small detail but it’s something deep and profound to me

the fact that we get fragments of Alhaitham and kaveh’s private life in flashback scenes, with their shared domesticity of their home in cyno’s second story quest, and now their conversation where they serendipitously ran into each other, just alludes to this greater intimacy as a whole that is unknowable to the player

I think this is greatly exemplified in sethos’s voice line about Alhaitham and kaveh, where the two are paired together as a set, and any potential eavesdroppers cannot fully overhear, or know, of the conversations between the two, or what the privacy they share consists of – only that Alhaitham and kaveh are inextricably linked, and are integral to the other

I just love the writing for these two and how this voice line is relevant to the progression of their in-game relationship, as always I’m so interested to see future interactions <333

[absoluteocellibehavior]

I saw an ask on @potato-lord-but-not and now I've gone down a rabbit hole. There's currently a trend going on depicting Oscar, Arthur, and John as the Star, Moon, and Sun respectively. Now! What is Noel? He deserves to be in this. I personally interpreted this as tarot and not just the symbols themselves. Due to this, I'm making the pitch that Noel is Judgement! Here's a breakdown of each boi and their corresponding card: Oscar - The Star XVII - The Star is one that comes immediately after some of the roughest cards in the deck. It represents guiding yourself back to your true purpose and finding meaning in it. It's a pouring into both in inner wisdom and outer. I think this fits Oscar really well considering his turbulent spiritual past and finding a new mission through Arthur. Arthur - The Moon XVIII - OUGH! This one is fun! The Moon represents quite literally "being in the dark". It is the unknowable. It is the trusting of instincts and inner voices. There are things that cannot be known, and you are being pulled around by other sources and motives. Now if THAT doesn't sound like Arthur, I don't know what does. John - The Sun XIX - Now this one I struggled the most with relating but I think I've got it. The Sun itself represents overwhelming goodness and things looking up. Now, I think the meaning that it more applicable in this case is the concept of the "inner child". Especially in recent seasons, John is being able to grow into himself as a separate being than the King in Yellow. He's starting to enjoy things, find his likes and dislikes, and find meaning. Maybe there is not a present state of optimism, but John is beginning to display hope and positivity, seating him nicely with The Sun. Noel - Judgement XX - Judgement is the second to last card in the Major Arcana, representing a nearing of completion. It is taking both the past and the present in order to make the right choice and move forward. It is a renewal and a rebirth. Noel was left with mystery and pain from his past. Now, he is confronted with it with Arthur and things are beginning to come full circle. Additionally, Judgement has depictions of vulnerability in it which is present in both Noel's reveal of his alias and the acceptance of John being the King in Yellow. It should be noted that all of these cards are back-to-back in the deck representing their closeness in meaning and reliance on each other. Have fun with it and let me know your thoughts!

[nicollekidman]

buffy knows spike loves her during season five. buffy knows spike loves her when she comes back and seeks comfort/silence in his presence. and as she comes back to herself and tries to make peace with the fact that she’s Here Again, she still knows he loves her. and i think part of the Big Bad Grabbing The Slayer For The Darkness routine they both cling to is that it allows them to pretend this huge thing isn’t between them so they can get what they both want (someone to stay).

and like obviously buffy cannot allow herself to believe that he loves her for many reasons, but she DOES believe it, she can’t make herself unknow it even though she tries so hard. which is partially where the breakdown with tara in 6.13 comes from because the cognitive dissonance of soulless spike loving her as if he has a soul while she is so lost within herself that the only way she can reach for him is to use him (which would be fine if he was the big bad grabbing the slayer for the darkness) which is hurting him! unfathomably! but he’s supposed to be the corruption! how can he??? any of it???

meanwhile spike has watched the woman he loves be brought back as a shell and he wants to see the light in her eyes and he can touch her now and sometimes that’s enough to make her laugh but he can’t linger in those moments or she’ll go away again! so he can play the role he needs to play so she’ll stay, as if he could keep her anywhere she didn’t want to be. as if he wants her to be in the dark instead of bringing him into the light. but how could he ask for anything more when he already got her back and he didn’t even need to kill her afterwards.

and so they hurt each other and he forgets himself and asks her if she even likes him and it’s too honest and he’s asking too much (he asks for nothing) so before she can throw her life away like it’s nothing, he puts the game face on, makes himself a target, and swallows it all. and she can’t unknow. and it would all be fine except he’s a vampire and she’s the slayer and how can he just say it like it’s nothing when she needs to beat his face in just to keep from screaming.

[gin-juice-tonic]

Hello. It's me again. I'm sure you've realized by now what this type of introduction to a post is leading into. I'm going to bring up another page in the bill book. This entry is going to be less about "proving" anything, but rather it's just something I'd like to discuss. (Also just a warning, this one ends up a bit long due to how many photos are included!)

As I have said before. I had many many thoughts, and I am liable to talk about them until they're all talked out. I want to focus on a single page again (Or I guess, a single double page).

Sorry for the kinda small image here, but don't worry. I'll point out the part I want to talk about.

What I find strange about these pages in particular, aside from the fact that it starts to become written like some sort of noir novel and that Bill has chosen to speak like a femme-fatale, is the new idea it suggests to us:

Bill at some point told Ford he was from another dimension.

I say "at some point" because Ford doesn't react to the idea like this is new information here. Why do I find that strange? Well, for one thing, there's never anything that would indicate Ford knew this pre-portal.

To start, we know that Bill introduces himself to Ford as "a Muse"

Notice the way Ford speaks about him. "From a higher plane, divine, otherworldly". He makes some guesses on the second page (spirit, alien, dream, etc), but nothing to indicate they've discussed the whole other-dimension thing yet. Of course, this is still early, so let's skip further ahead.

Here's where we start talking about other dimensions.

Bill has told his "weirdness dimension" lie to Ford, but there's no implication that he himself is from this dimension. And not to mention, this dimension hasn't been destroyed, so naturally it cannot be the one he talks about in the Bill Book pages.

Regardless, Bill is still being referred to as a divine thing, unknowable and even possibly not real. Safe to say he isn't inter-dimensional yet, so let's continue.

(this section has been edited from its original wording)

Here Fiddleford and his idiosyncrasies enter the fray, and Ford debates telling him. Fiddleford is aware they're building a portal to another dimension, so it would not be that far of a stretch in that vein for Ford to also explain that Bill himself is from one. But Ford's attitude toward the situation veers towards the less scientific. Ford still considers Bill to be something divine, and is worried Fiddleford would think black magic is happening.

Worrying that Fiddleford would think he's gone mad is one thing, but the emphasis on black magic and fiddlefords superstitions strike me as odd.

I understand there are likely several varying reasons why Ford wouldn't want to tell Fiddleford about Bill, even if Ford DID know he was from a different dimension, however:

If Ford had something to suggest Bill's essence was more scientific in nature, I.E. him being from another dimension himself, I think he would've put that into consideration in that when deciding whether to reveal him to Fiddleford, or at the very least would've given up the emphasis on his superstitious nature.

I'm not trying to say he would've actually fully revealed it to Fiddleford if this were the case, but I think the thought process around the concept of doing so would be different.

.

We're closing in on the portal test now. Ford refers to him here as a "non corporeal entity". He is non corporeal so long as he exists only in the astral plane... but is that what Ford is talking about? Or does he believe Bill has only ever existed in the mindscape? Does he know yet? I don't think this page actually includes much of an answer, I just figured it should be included.

The next-next page does have Ford cheekily refer to him as "imaginary" though...

Fairly soon after this, the portal incident and the betrayal happens. Could it be possible that somewhere within these pages, Bill spilt his home dimension backstory? I'm still inclined to think not.

These questions have no definitive answer, but I am led to wonder:

1) Bill's whole dynamic with Ford is that of a "Muse" inspiring intelligent minds throughout history, wouldn't the reveal of him being from another dimension call this dynamic into question?

2) If Bill is something from another dimension, wouldn't asking Ford to build a portal to a dimension totally-not-at-all-related-to-him become suspicious? Would Ford not question his motives at that point?

(A later edit: As has been pointed out in the reblogs, some of what I have discussed thus far fails to take into account the mental state Ford could be in due to Bill's abuse/manipulations. Expecting perfect logic and reasoning from him like the two questions above are asking for may not be fair. I am leaving them in this post so the aforementioned reblogs continue to make sense, but again, how his prolonged abuse factors into his logic and decision-making should be taken into consideration.)

.

.

I have just a few more post-portal pages to show to continue my long winded discussion with as well.

The pages about Exwhylia read a bit weirdly, admittedly. The first page Ford states he thought this was Bill's birthplace, the second page he states he believes Bill came from somewhere similar but was mysteriously destroyed.

If Ford thought this 2-D dimension had been reduced to an atom before he got there, how could he have planned to go? And I should hardly call being destroyed by a monster a "mysterious" method of destroying. Whatever the explanation for the way these are written is, I don't think they read like Bill has ever spoken to Ford about his home dimension.

Additionally, he mentions his "quest to defeat Bill" is what led him here, which I feel implies he learned of this place after being portaled.

I wish I had a good closer for this mini-essay, but the questions I asked above the Exwhylia section were originally supposed to be it. I don't believe Bill had told Ford about his dimension. That's the end of the sentence.

MAJOR ADDENDUM:

I can't believe I missed this (I can believe it) but.. In the book of Bill, Ford refers to Bill as "extradimensional" after their very first meeting!

Pinpointing the answer to my timeline question supposedly to this exact moment. In my opinion, if you combine this with everything I've mentioned above, no part of this idea from the book of bill makes any sense at all. You might remember at the beginning of this post, Ford guesses at what type of creature Bill is... two years after this last page here was supposed to have been written.

Additionally, if he had known there was an "extradimensional" creature in gravity falls at this point in time, I should hardly think it would've taken him two whole years after that to think of the idea that the Falls' weirdness may come from out of our dimension! (Not to mention in J3 he tells us the idea was told to him directly from Bill. Two years elapsed between these conversations? Knowing Ford, not likely. Again, even if Bill somehow did avoid telling him that whole time, I think Ford very well could've figured it out on his own by then.)