#but none of them entice him in the way a radio man from the 20s does

[soul-rillo]

Rillo here. I have decided that I will not, in fact, be using a buffer for my new human radiostatic fic because I am simply far too impatient. That being said, expect the first chapter soon ;)

In the meantime, another sneak peek:

[snowdice]

Road Trips and Missing Persons (Part 12)

Fandom: Sanders Sides

Relationships: Patton & Virgil, Virgil & Deceit, Logan & Patton, Emile & Remy, Roman & Remus & Janus

Characters: Patton, Virgil, Deceit, Remus, Roman, Logan, Emile, Remy

Summary: Patton was just getting groceries. The next thing he knew, there was a knife at his throat and he was an unwilling uber driver. Virgil’s on the run after the murder of his dad, and it’s not just his paranoia that’s telling him he’s being chased down. He has to get somewhere safe, somewhere he can trust, and all he has is a couple of stories from his dad and a name: “Green Bellow Foods and Dispensary.”

Notes: Secret Agents AU, knives, carjacking, kidnapping, murder mentioned, guns mentioned, pepper spray, blood mentioned, drugs mentioned, explosions (more to be added)

This is a fic I’ve been writing on study breaks that you have probably all already seen at this point. I’ve affectionately named it the Goblin Brain Fic because it’s helping my brain actually get motivated for studying. I’ve slightly edited it for wording and grammar, but not for content from my previous posts. Feel free to send in asks to direct it because I’m not 100% sure where this is going and you can help decide if you feel so inclined! You can see the process I went through to build this at this link.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 My Master Post

Remus sulked in the back of Roman’s car. It wasn’t fair. His brother and his best friend were both in the front seat and had been mocking him for the past 10 minutes and they wouldn’t even put on an interesting music station. Roman had even told Janus about the time Remus had peed on a wasp sting thinking it would work like it did for jellyfish.

“We should play a car game,” Remus suggested.

“Absolutely not,” Roman said immediately.

“Come on Ro, it’s tradition,” Remus said.

“You kill my cows every time!” Roman said. “You could kill Uncle Patton’s cows since he’s always winning, but you always choose to kill my cows!”

“But RooooOOO.”

“No.”

“Fine,” Remus relented. “No Cow Game.”

“Thank you.”

“I spy with my-”

“No, Remus.”

Remus paused. “I’m thinking of an animal.”

“I’m not playing Remus.”

They sat in silence for about 20 seconds. “There’s a Kentucky driver’s license. One point for me.”

Roman chose to just ignore him now.

“Janus you’ll play with me, won’t you?” he asked.

“Remus, I don’t even know what you’re talking about, and you’re already annoying me,” was the answer.

“Come on if we’re going to listen to stupid music, we should at least play a game. How about we try to find things outside of the car in alphabetical order. I’ll start. Airport sign! Now you find something starting with the letter ‘b’.”

Does the annoying bastard in the backseat count?” Janus grumbled under his breath.

“No,” Remus replied with a grin. “It’s got to be something outside of the car.”

Janus didn’t respond to that and Remus pouted. He went through a bunch of different car games he knew and tried to make some up, but none seemed to entice either his brother or Janus to play. While usually he might just give up after being ignored for so long, he noticed Janus’s hand start tapping a restless pattern on his leg after only about 10 seconds of Remus’s silence. So, Remus decided to drop the car games and instead just focused on being as annoying as possible.

…

“Theeeeeeeeee…. wheels on the bus go round and round!”

“I’m going to kill him,” Janus said blankly.

“That’s what he wants,” Roman said mildly. “Just ignore him.”

Remus kept singing for a long time. Eventually he ran out of verses, so he just started to make some up. “The strippers on the pole…”

“Oh my god,” Janus said. “I can’t handle this anymore.”

“Seriously Jan,” Roman said. “Just pretend he doesn’t exist, and he’ll eventually wear himself out.”

“In how long?” Janus asked, just the slightest edge of hysteria to his voice.

“It depends on if he’s had any caffeine today.”

Remus kept singing, but Janus and Roman remained resolutely silent on the matter until Remus eventually trailed off.

“This is boring,” Remus said.

Nothing.

“At least change the radio station to something not lame.”

Janus reached forward and turned the volume on the radio station up. Remus sat back in his seat and thought for a few minutes which is when he tuned into the radio station.

“So, if you’d like to request a song, you can call in or send a request through our new app,” the man on the radio said. Remus smiled widely and grabbed his phone from his pocket.

When he turned it on, he had a bunch of missed phone calls and text messages from dad. What? He opened the text messages and they all seemed to be asking the same question: ‘Have you seen your brother?’ Remus glanced up at the back of Roman’s head.

‘I’m not his keeper,’ he texted back.

Then, he closed out of the messenger app and pressed the button for the app store. He quickly found what he was looking for and pressed the download button.

It took a couple of minutes to download and about when it was over, he noticed Janus shoot a look back at him. He opened his mouth, doubtlessly to comment on Remus’s silence. Not wanting to be suspicious, Remus opened his mouth and let out his patented ‘banshee scream.’

“Don’t look at him!” Roman yelled over the sound of Remus’s scream.

“Why is your brother a demon from hell?” Janus asked, hands over his ears.

Remus ran out of air after a moment. There was a beat of silence.

“Can I please kill him, Roman?” Janus asked.

“No,” Roman replied. “Really, just ignore him.”

Janus grumbled under his breath and turned the radio station up even more. Satisfied that they were none the wiser, Remus opened the now downloaded app and quickly found the “suggestions” tab in the menu drop down. He didn’t even have to check the given list of suggested songs to know what he wanted was not on it.

So, he tapped on the button to suggest a different song and typed in the details of what he wanted before pressing send. Then it was just a waiting game and no matter what dad (and everyone else) had always said, Remus was good at waiting games. At least, he was when he wanted to be. Both Janus and Roman were looking resolutely ahead and Roman’s fingers were tapping to the beat of the current song on the wheel despite the fact that they were going over the speed limit to a crazy amount.

The song ended and a man came on the air.

“Hello, hello, hello,” the man said. “We’ll be getting right back to your suggestions on KSS-FM 102.9, but before that for anyone on Interstate 26, there was an accident near the Carlson exit involving a semi-truck full of cows. If you’re anywhere near exit 52, I’d suggest you moo-ve right on over to an alternative route.”

“Fantastic,” Janus hissed, slamming his fist against the dash.

“Hey, whoa, it’s fine,” Roman soothed, but Janus didn’t seem to be listening.

“Fuck,” he said.

“Hey, Jan,” Remus said. “You’ve got your map, right?”

“Yeah.”

“So, it’ll be easy to find an alternate route, yeah?” he asked.

“We don’t even know where we’re going!” Janus said. “How the hell are we supposed to find an alternate route?!”

“We know where he was right?” Remus said. “The cows might actually be a good thing. It’ll probably slow everyone down and we can guess what alternate route he might be using.” Janus didn’t say anything. “Here,” he said. “Gimme.” Janus handed over his atlas and Remus peered at it. “Yeah, here, see,” he said, showing it to him. “There are about four likely alternative routes someone might take near where Virgil was the last we knew. Three of them end up funneling into to Lincoln to get back onto the interstate and Lincoln has an ice-cream shop that got burglarized five times one summer, so they put up a security camera facing main street.”

“Please tell me you didn’t burglarize the ice cream shop,” Roman begged.

“You can prove nothing,” Remus said. He hadn’t actually, but he liked the distressed noise Roman gave in answer. “Anyway, I’d say we throw in our lots with that and drive to Lincoln to check the security camera. Even if he didn’t go that way, we can then make another guess based on where the 4th route went.”

“That…” Janus said. “Yeah, that’s actually a good suggestion Remus, thank you.”

“No prob Janny Fanny.”

“And you ruined it,” Janus said.

Remus just gave him the biggest smile he could.

Janus rolled his eyes and turned away from him to look back at the map. He grabbed a pen and circled the location that Remus had suggested. “You’ll want to get off at the next exit,” he told Roman.

Roman nodded. “Got it.”

Remus had actually almost forgotten in the interim about his absolutely fantastic idea until a few minutes later when the radio man announced the next song. Remus could already feel a smile creep up his face as the man snickered a little bit when he started speaking.

“Now,” he said, “we usually wouldn’t play this song, but it does seem… appropriate considering the trucks that crashed on I-26 and the person who suggested it wrote about why he wanted us to play it in the comments.” He broke for another short laugh. “As a sibling myself, I feel sympathy for your plight D-dongmaster-5000. So, here’s for you, stuck in a car while your brother and best friend hog the radio. I hope your road trip goes well.” And then, beautifully, the radio started singing the song of Remus’s soul.

Two trucks having sex

Two trucks having sex

My muscles, my muscles

Involuntarily flex

Remus saw Janus look over at Roman. Roman didn’t look away from the road. Instead, he just said with zero emotion, “Kill him.”

Janus vaulted over into the back seat as the radio crooned:

Two pickup trucks

Making love

American made.

Want to read more? Click below!

Part 13

[oilskirt7-blog]

LISTMANIA 2018: TOP 20 ALBUMS YOU MIGHT’VE MISSED THIS YEAR (FROM SEB PAINCHAUD, TUMBLEWEED DEALER)

(2016 was the year when I discovered Montréal’s Tumbleweed Dealer through their extremely cool third album Tokes, Hatred & Caffeine (and I’m still trying to be patient while waiting for TD4). The band’s main man Seb Painchaud has very expansive and very eclectic musical tastes, and a way with words, and so for a third year I asked him to share a year-end list with us. As before, he pulls us off our usual beaten paths by highlighting some favorite releases that are way outside the usual metal lists… including a lot of very interesting Not-Metal.)

So this year we’re going to call it a Top 20 Albums You Should Check Out. If I were to make a top 20 list, I’d waste a lot of space telling you about albums you’ve already heard and will be present on every other list you read. Do you really need to see me overcompensate for my limited vocabulary with swear words to explain that Frontierer and Sectioned dominated the scene with their amazing albums? If so, then here you go: Fuck a cock on a stick its god damn fuck your mother fucking good.

And when you have every established music website and magazine tripping over themselves to talk to you about The Armed, you don’t really need me adding to it. Do we need to discuss Mol? You either hate it or love it, but you probably know about it. And all the big tech death bands released great records that pushed the limits of the human body this year. Only one remembered to include amazing song writing. Let’s not get into a shouting match over which one it was.

It was Obscura. Those Cynic-like robot vocal hooks had me going back for more all year long, Fight me if you don’t agree.

So here is my ‘Top 20 Albums You Might’ve Missed This Year’ (yes the title changed since the opening line).

20. Idle Hands – Don’t Waste Your Time

To win my friend over on this amazing EP I told him to imagine if Beastmilk had fucked with Eternal Champion to make a gothic ’80s baby that wore fur underwear. If that doesn’t entice you to give it a listen then you are clearly dead inside.

19. Glorior Belli – The Apostates

Why are people sleeping on this amazing record? I was disappointed that their last offering was devoid of their southern charm and consisted mostly of melodic black metal, but this one more than makes up for it. The bluesy vibes now channel an epicness that wasn’t present before in their sound. This is their best work yet. The closing track is the highlight of the album.

18. Weedpecker – III

I think this album isn’t making a lot of lists simply because it was released so early in the year. If you’re like me, you’ve overdosed on by-the-numbers stoner metal bands. This album infused the formula with a touch of psychedelic and prog rock, genres that have been incorporated before into this sound, but not as tastefully as on this album.

17. All Traps On Earth – A Drop Of Light

I’m a huge fan of the Scandinavian Prog Revival sound, so they had me at ex-Anglagard. They kept me because this surpasses that band’s post-reunion record. They basically kept the same sound, but they get to business quicker and stay there, unlike their predecessors who would go into almost ambient-like levels of activity for minutes at a time.

16. JYOCHO – 美しい終末サイクル

Daijiro Nakagawa is one of my favorite guitarists ever. From his work with his former band Uchu Conbini, mixing math rock with j-pop sensibilities, to the insane riffs he posts on Instagram playing both electric and acoustic guitar, the guy encompasses everything I love about math rock riffing. His new band, JYOCHO, picks up where he had left off, infusing post-rock into the mix, keeping the overall atmosphere light and airy, augmented by the female vocals and flute, while he taps away some of the most complex licks you’ve ever heard.

The kind of record you can turn your brain off and just listen and enjoy, or turn it on and notice the disjointed rhythms in odd time signatures and insane guitar work that lurks underneath. You either walk away infused with the courage to face your day, like only an anime closing song can inspire, or depressed at how much practice you need to put in on your instrument to ever aspire to that level of musicianship.

http://jyocho.com/

15. Moss Upon The Skull – In Vengeful Reverence

In a year that was, for me anyways, dominated by OSDM releases, this album stands over all of it. While other releases like Tomb Mold, Outer Heaven, and Genocide Pact are getting all the year-end press, and deservingly so, I find this album mixes all the elements that all these bands brought to the table perfectly, being the only one to touch on all of ’em at once in a cohesive effort. The band manages to mix old school vibes with a bit of technicality, a bit of dissonance, and a lot of get-your-head-banging catchiness and groove.

14. Robohands – Green

This album has a sound that immediately transports me to the early 2000s when I lived in a loft in downtown New York and would stay up to 2 A.M. working on my novel, inspired by nothing but the sounds of the city coming in through my window. Except none of that ever happened and I’ve never been to NY. That’s how powerful this record is.

You’ll be surprised at how often you’re drawn back to this minimalist jazz record that fuses simple jazz melodies over a hip-hop influenced back beat. I was curious enough to look up a video of him (yes, this is a one man project, making it that much more impressive) drumming to see if it was sampled or played live, and seeing this video of his drum work and the ways he emulates a drum machine on a real drum to get that exact sound is what really sold me on this record.

13. Grivo – Elude

This band walks the line between typical MBV worship reverb-drenched shoegaze and the riffier brand of depressed, downtrodden music that True Widow brought us. The way they easily switch between the two sounds is simple yet genius, combining both elements in different quantities in order to make for an album that is varied yet focused. It hits the same spot as Cloakroom’s debut EP and Nothing’s zenith release of Tired Of Tomorrow, yet it seems to do so without the band having an actual influence from heavier music. It sounds like it just ended up being that damn heavy through amazing compositions and production rather than by design, making it a feat in itself that they could do so while not relying on any tropes of the heavier genres.

12. Koenjihyakkei – DHORIMVISKHA

I’ve been a fan of these guys since their album Angherr Shisspa came out in 2005. Their brand of Magma-On-Cocaine Zeuhl (if that reference means nothing to you, then go on YouTube, search Mekanik Destruktiw Kommandoh, and in 38min52sec you’ll be compelled to send me a personalized thank-you note for introducing you to the forefathers of this obscure offshoot of prog rock) walks that fine line where it’s weird for the sake of weird while remaining artistically enjoyable and never crosses into whacky cringy territory. These are complex compositions crafted with precision. No one lays down an odd metered groove with jazz scats like these guys!

11. Wake – Misery Rites

This is one of the two bands on my list that I do see on a lot of other people’s top albums, yet I’ve decided to include them anyway. This album is just a slab of mean with a heavy side of fucking angry. I couldn’t bring into words what exactly sets them apart from any other worthy grind record this year. It’s just better. The riffs, the atmosphere, the production, it all works together in a violent way that none of those other records managed to attain.

10. Murphy Radio – Murphy Radio

This Indonesian math rock band aims for the feel good vibes and hit their mark every time. It’s Midwestern Emo worship at its finest, yet unlike Chinese Football, it’s not all tribute and has substance of its own. Most of it is instrumental, and goes through all the prerequisite Midwestern emo parts like that one gang vocal sung chorus, the obligatory electronic drum and bass influenced part, and tons of twinkling guitar parts, but does them all with enough gusto that it never feels like they are paying tribute to anything, just doing their own version of it and putting everything they have into it.

9. Shake Stew – Rise And Rise Again

Jazz for people who aren’t big jazz fans, these guys go for the catchy back beats of afro beat funk and add fun repetitive melodies and counter-melodies over them. It surges into epic bursts only to disintegrate back into minimalist parts for the saxophone to solo over just so they can build everything back up into another massive burst and bring back the main theme of the song and hit that sweet spot. This album won’t get your head banging but you’ll find yourself nodding back and forth as a show both of appreciation and as a way of saying Do Not Stop This Fucking Song For The Life Of Me.

8. The Aftermath – Vermine

Several years ago (I’m a make an educated guess and say around 2011) I went to Quebec City to see some friends and get hammered to the point of no return. The following day, as a useless mass of hungover flesh, I tagged along as we visited Studio Broil where its owner proceeded to play us a few tracks off this album. I was blown away at the brutality and technicality of the material he was playing us.

Fast Forward about 7 years and I had assumed the project was dissolved and I’d never get to hear the finished product. I was stoked to see it finally released this year, and to be honest, it was better than I remembered. It’s like Cephalic Carnage and Cattle Decapitation had a kid that grew up to resent them and be angrier than either band ever dreamed (or had nightmares) of being.

7. He Was Eaten By Owls – Inchoate With The Light Go I

I had really enjoyed this band’s debut record, a nice and intricate mix of math rock and jazz experimentation. I was sure I’d enjoy the new record as much, but I was blown away at what I got. This album is more of an orchestrated indie rock masterpiece than anything that fits the boundaries set by their first release. I’ve been describing this one as ‘2018 Indie Rock’s version of King Crimson’s Islands’ as it touches on the same orchestral rock that’s experimental yet still very much melody-focused and lyrical. This was a massive undertaking (which I somewhat followed through their Facebook and Instagram posts) that could’ve failed miserably, a huge gamble that could’ve easily turned into a piece of pretentious garbage, but they pulled it off. This is what Arcade Fire fans think they hear when they listen to Arcade Fire.

6. Cypecore – The Alliance

I’m 38, so I grew up in the mid ’90s with the boom of Gothenburg masterpieces coming out. I’ve been an In Flames fan for more than half my life. Of course, at first, I hated their new direction (don’t worry I’m getting there) but grew to love it with time. I now firmly believe that had Reroute To Remain been all killer (“System”, “Trigger”, “Cloud Connected”) and no filler (“Drifter”, “Transparent”), it’d be by far their best release. These guys take that sound and lean into the industrial Rammstein elements, and thankfully leave the emo whiny vocals aside.

This record is better than it has a right to be. It adds nothing new to an existing formula, yet here it sits at number 6 because it’s just that damn fucking good. Every song on this album could’ve been the lead single. Every chorus will have you singing along. Every new riff will have you hitting the person next you in the car and saying ‘Listen, listen, this is the best part of the whole fucking album’ only to repeat this action during the following song.

5. GoGo Penguin – A Humdrum Star

Beautifully sad, melancholic piano-led jazz of the chill-up-your-spine variety. The kind of album you love and recommend yet don’t listen to that often as it is a heavy and laboring undertaking that leaves you emotionally exhausted. Just the opening chords of the second track, “Raven”, will bring a wave of nostalgia on its second listen since you will know the journey you are embarking upon and the roller coaster of emotions you will have therein. I’m not swearing and attempting to put some effort into my description, that’s how good this record is. It’s just that damn fucking good (one can only try so hard…).

4. Monobody – Raytracing

These guys have been on my radar ever since their first release. Midway between jazz and math rock, they had put out an amazing debut record and EP, but nothing could prepare me for the sonic onslaught that would be this new album. The complex unison line and composition work I love so much in ’70s jazz rock gets a modern update and then tossed in there with electronic ambiences and coated in a math rock glazing of sugary goodness. It’s ambitious when it needs to be and laid back when it doesn’t, yet holds the listener’s attention constantly. A very modern take on Yes’ Relayer album is about as close as words can come to summarizing it.

3. Journal – Chrysalis Ordalias

With all the love Frontierer and Rolo Tomassi are getting, this album is getting left behind when people discuss this year’s mathcore offerings. What I love about Journal is that they embrace both sides of the math, going from frenetic chaotic dissonant mathcore passages to major scale upbeat math rock passages and melding the two together masterfully. It creates something pretty so it can shit on it afterwards, and makes darkness so the following light can shine brighter. In the world of brutal progressive music, whether its mathcore or tech death, it’s rare to see a band embrace this contrast. These guys do it, and they pull it off on this insanely long and diverse record.

2. Respire – Dénouement

I mentioned before that there would be a second record on the list that is actually getting recognition, and this is it. I still felt compelled to include it. The line between screamo and post black metal keeps getting thinner, and these guys have taken residence upon that divide and brought horns and strings with them. Every single second of this recording is emotionally engaging yet never manipulative. It’s simply mournfully amazing, taking the best of several genres, from the ones mentioned before to post-rock and post-metal, and puts it all together to pull you in for a heartfelt ride through genuine feelings put into music.

1. Revolting – Monolith Of Madness

Throughout this list I’ve overused the words beautiful, complexity, and composition, as a lot of these albums bring a myriad of different subtleties to the table that I find enjoyable as an artist. If you compare them to surgeons using surgical blades to make precise incisions after years of studying and training, this record is a blunt object to the motherfucking skull. And as is the case with my rankings, getting hit in the face with a sledgehammer leaves more of an impression than any medical intervention can.

This album is just all balls. Old School Swedish Death Metal done right. If you loved Edge Of Sanity before Crimson, then you’ll understand why this album filled a void that had been empty for years. They took Swanö’s melodic and catchy yet still fully death metal approach and mastered it. I could make a compilation of my favorite EoS songs such as “Twilight”, “Hell Is Where the Heart Is”, and “Eternal Eclipse”, compare it to this album, and it would still hold up.

This is the filler-less, all-singles album EoS should’ve given us instead of the uneven Infernal. If you loved them as much as I did, you understand why an album that fills that void that was left inside of me for such a recording deserves the number one spot. And, for all my attempts at using fancy words and metaphors to describe the other albums on this list, this one beats them all out on one important point: I played it twice as much as anything else this year.

I’ll be posting 100+ other albums I enjoyed this year on my instagram so follow me at https://www.instagram.com/tumbleweeddealer/

Source: https://www.nocleansinging.com/2019/01/08/listmania-2018-top-20-albums-you-mightve-missed-this-year-from-seb-painchaud-tumbleweed-dealer/