#but karma is really doing it for me

[smittyw]

had a category 5 lesbian moment looping midwest princess for the past couple hours so i drew some stills from this vid

[skyefeys]

one thing about ace attorney is it's incredibly adept at doomed siblingism. mia and maya. edgeworth and franziska. lana and ema. iris and dahlia (and valerie). misty and morgan. ini and mimi. apollo and trucy. klavier and kristoph. the list is long and each one is utterly gut-wrenching

[error-in-errors]

Official relationship charts from the new timeline website

There’s also some for the AJ trilogy, Investigations, and TGAA games but I’m focusing on these—the AA2 one especially like ouch … “can’t forgive”

[babygirlificationn]

Ace attorney au where everything is the same except smartphones and social media are a thing that exists.

[azaracyy]

a lesson on good karma digimon survive week 2024 day 4: supporting characters

[absolutefuckingfreak]

pearl + franmaya thoughts

Bridge To The Turnabout is one of absolute favorite ace attorney cases of all time, this isn't really surprising as from what I've seen, its generally considered one of (if not) the best cases. It gives us the best thing that has ever graced this world, assistant Franziska. But also Pearl and Franziska interaction, and this one interaction is basically the foundation for people's interpretations of Pearl's idea of Franziska and Maya being together. And I love it. Some of my favorite plots for Franmaya fics are the ones where Franziska NEEDS to win over the approval of this. Literal child. For the sake of her relationship. Whether it be through Franziska making Pearl think she is so super cool, bonding through hurt/comfort, or Pearl just coming to realize that Franziska makes Maya happy, I absolutely adore when people write and/or make art about it. In canon, Pearl literally just berated Franziska, a grown adult, for being mean to her cousin..and Franziska took that personally. The scene itself is amazing because Franziska would never take criticism like that from anyone. But this 9 year old absolutely tears her apart in a way no one could even DARE to try. But this isn't about that one scene from BTTT that everyone knows about. This is me being stupidly self indulgent over a ship I love. Franziska and Maya being gay for each other aside, I love the dynamic between Franziska and Pearl. In a way, they're just like each other, which leads me to believe that Franziska would truly see herself in Pearl, and want to protect her like she were her own kin. Both prodigies, both destined for something amazing, both having corrupt parents. I feel as though Franziska would look at Pearl and envision a tiny Franziska, wanting to be just like her Papa, incredibly intelligent for being such a young age, and not really knowing any better of the horrors of having to grow up so fast. I think as close as they would become, Pearl would tell Franziska about what her mom was like, to Franziska's horror. I mean, Pearl's autonomy was kind of stripped from her. Maybe that's a stretch but with the way Morgan acted and talked about Pearl, I've always compared them to Rapunzel and Mother Gothel from Tangled. A lot of people hate Manfred Von Karma and believe him to be an abusive father, but I feel like there's reason to believe from multiple sources that he actually loved his kids. But this isn't about him and there's people who have explained this point way better than I ever could. Something I see a lot less is talk about Morgan Fey. Who was willing to kill her own niece so Pearl could take her place. Like her own blood. Back to the Rapunzel and Mother Gothel comparison, Mother Gothel values Rapunzel for her hair and that hair's ability to keep her young. Morgan values Pearl for her absolutely insane psychic abilities, believing she could be the one to put the branch family back on top. She wants to basically live vicariously through her daughter and will absolutely stop at nothing to get her goal achieved. Sucks to suck for her because it doesn't work but it also makes you go what the fuck! Maybe one day I'll make another post after doing a bunch of research on how this could pyschologically fuck up a kid (though I already have some idea). Franziska would absolutely want to protect this kid's innocence. Pearl doesn't know any better, she's a kid. She doesn't fully understand all the adult stuff going on around her and this is touched upon in BTTT. Pearl shouldn't know about all the horrible stuff that goes on in her family. She should literally be playing with dolls and probably learning how to use a whip, this is Franziska after all. This is technically a franmaya post and yet it has mostly been about Franziska and Pearl's friendship because well, I think franmaya needs to be there for Franziska and Pearl to even interact, because it puts that feeling inside of Franziska to have Pearl approve of her like a dad would.

Another thing I wanted to touch on because I cannot form a coherent train of thought even if I tried was the "homophobic Pearl" joke, which is just something I think is funny but also hope people don't actually take as a factual part of her character. Like ironically, yeah that's hilarious. Truly though, Pearl would not be homophobic, obviously?? Like someone could make the argument that Morgan instilled homophobia into her, but also she didn't let her leave the village so I kind of believe Morgan would think she wouldn't have to, if she wanted to even. If she doesn't leave the village how is she gonna learn about different kinds of love. Also Pearl is just, really into romance in general, she believes it to traditionally be between a man and a woman because that's what she's been taught, she's a kid. Also Maya is like, her idol, if she said she liked girls and boys (or just girls depending on how you hc her) then Pearl would gaze at her all starry eyed and go "YOU CAN DO THAT???" and probably think up a bunch of stories about princesses being together. Pearl being included in franmaya sillies is so important to me, Maya watching as two of her favorite people finally get along, Franziska feeling that protective instinct bubble up inside of her at the innocence of this little girl, Pearl coming to terms that Maya loves who she loves, and Franziska isn't as bad as she once was. They are so. Found Family. They matter SO much to me.

[covertblizzard]

Maybe I'm being sensitive but this whole scene just frustrates and annoys me because like

comparing Steph and Tim so callously with comments that he's "better" and a "quick learner" after her death

having Cass lowkey victim blame Steph for her own death "But she chose--" and "She messed up." plus trying to convince Tim that it's not Steph's fault

the "Maybe it's time I gave you a lesson" like I don't really have a good reason for this one it might just be a personal thing but the tone of that whole sentence makes me feel frustrated and talked down to

[starpros-sunshine]

Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope

PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?

I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me

But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.

Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).

Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.

I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line

from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)

kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.

And then dropping this?

I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.

Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?

The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4

And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:

"Lying" implies further intent and an effort. Neither of which exist in this case.

He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.

3. https://en.wikipedia.org/wiki/Joke

And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.

But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.

Do you know what the content of those chapters is? I do. Very well actually :)

(Eichi literally explains why he didn't get it)

So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p

PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game

as well as absolute banger dialogue such as

Among others <33

And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long

And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.

And that concludes my essay :)

[clione16]

idk maybe it just me but it irks me when people say that curly deserves his disability as "payment" for being an enabler

[musashi]

i JUST realized this might be related to one of my other friends in the mvk fandom suddenly hardblocking me so uh

hey y'all! if you frequent the mvk tag, there is a regular blogger there who i will not name, but who has some sort of pathological attachment/obsession with me. they and i were tumblr mutuals but we were not close. we DM'd twice and had scattered interactions here and there.

they are accusing me of:

being abusive toward them

being otherwise cruel to them

being ableist against disabled folks who are high-support???

sending suibait/having my friends send suibait

probably other things.

EDIT: someone's informed me they're accusing me of posting private stuff from their vent account? the only account i know of theirs is the one we were mutuals on

i can't stress enough that none of this is true. there is no proof of it and if you press this person they will have none. all that happened was some time about a year ago when we were mutuals, i feared they might be vagueblogging about me when i was having depressive episodes and i sent them this message about it:

i was being honest here, but they then turned around and said i was spot on--they were vagueblogging about how badly they wanted me to shut the fuck up, stop whining, etc (paraphrasing, but that was the vibe exactly) every time i needed social support. they have since deleted their message admitting to this. i am so sorry i cannot prove it.

since then multiple mutual friends of ours have unfollowed them because they squat on ym blog and, again, pathologically blog about me. they revel and make posts about "justice" and "karma" whenever i am upset on here. they scream and yell and cry whenever i am happy. they have admitted to wanting to convince their mutuals to abandon me:

again, i can't prove this is about me but i have a lot of testimonials from people who noticed this being in both our circles and can vouch for it. initially i was just going to roll my eyes and move on but i think they might be telling other people i'm some horrible fucking abuser who mistreated them when i wasn't even close enough to them to do so.

anyways, sorry to everyone who tracks the tag! i don't know how to prove that i didn't hurt this person. but... like... if they approach you, please do your best to use best judgement and consider the facts in front of you.

again, i will not be naming them. this is not a callout post. this is a preventative measure, because i am a traumatized wreck and i really cannot deal with things of this nature.

[old-skyguy]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete foil to what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[pharawee]

Guide Kantapon Chompupan as MING —I FEEL YOU LINGER IN THE AIR 💮 Episode 7

[mishalikessoundsandcolours]

For some reason this song title reminds me of The Man Who Fell To Earth in a way

Like partially it's because of the word 'subterranean' since Bowie's track Subterraneans from Low was initially written when he tried to do the soundtrack for tmwfte and other than that it's just the feeling of the song ig? I know it's not what it's really about, that was just my first association, it is really beautiful though (me and my piano teacher went on a tangent about Radiohead today so that's what I've been listening to all evening lol)

[blue-mood-blue]

I’ve given it some time and some thought and, while I am not going to call him that, I think I can forgive the name Eustace. It has grown on me (slightly) by positive association. My boy cannot help what they (the world and also his father) have done to him, so I will be strong and also supportive.

“Winner” though.

“Winner” is gonna be a hard sell.

But I was thinking about it, and there is a situation where I would buy that as a last name, particularly in this universe and for this family. This is Blaise we’re talking about, whatever his name will eventually be, and he knows Von Karma. He knows Von Karma and Von Karma’s Perfect, Shiny, No-Loss Record, probably because Manfred has made a point of bringing it up every time they’ve seen each other for the past however-many years, which I’m certain has been plenty. 

Every time there’s a new case, probably.

That’s a lot.

Blaise seems pretty easy going on a day-to-day basis (on the surface) (usually), but that’s got to get annoying eventually and never let it be said that Blaise will miss out on an opportunity to escalate a situation. Also he’s the Chief Prosecutor. Also he keeps waving around that lighter like he’s threatening to burn the office down, do you really think whoever is in charge of legal name changes in the unnamed, unholy conglomeration of a country these games are set in is going to argue against his decision? That paperwork is going through just as soon as it can be processed at the speed of “fast” lest whoever is throwing up red tape finds themself at the wrong end of a little accident.

The next time Manfred Von Karma walks through his office door to brag, Blaise will have the pleasure of tapping his brand-new nameplate and the satisfaction of watching the prosecutor scowl. Winner, right there in the name! Just like it says on the tin! Undeniable! Yes we are just a couple of shining success stories, aren’t we Manfred, just a shame that you have to toil over that reputation to keep the Von Karma name perfect whereas all I have to do is make sure no one makes a typo, am I right! Incredibly, infuriatingly annoying, a constant source of joy until that perfect win record is eventually tarnished.

(Plus, free bonus psychological warfare on his son! Win-win all around. Appropriate, what with the name.)

(I also like to think that later, once all of the dust settles after a tense few years in the legal world, the new Chief Prosecutor helps put through another name-change document: “Sebastian,” with his mother’s maiden last name.)

[feroluce]

When Al Haitham dreams, it's in shades of sandy blonde and red, metallic gold and feather-blue. His nightmares are colored much the same.

Kaveh leisurely strolls ahead of him, shoes leaving deep treads in the soft desert sand. He keeps a careful distance, arms length, and in return Al Haitham keeps an eye on him, the other man's back dead center in his sights.

He curses the sand in his boots and the long line of footprints he steps into, already the exact shape of the soles of his shoes.

They aren't lost. Al Haitham knows where they are. They've been here before. They are still here.

Kaveh doesn't watch their feet. His head is constantly tipped back with his eyes on the stars and their constellations (of which Al Haitham only knows two, Vultur Volans and Paradisaea). He'll walk right into a cactus like that. Al Haitham yells ahead for him to watch where he's going.

Kaveh reaches up to touch the side of his head in a strange motion, but otherwise there's no acknowledgement. They press on into the dark of night.

Something squelches beneath Al Haitham's boot.

It stops him short, pulls his attention like a magnet and as much as he wants to, he can't ignore it. He doesn't want to lose any more ground. But something won't let him move on. Al Haitham watches as red seeps into the golden sand, spills beyond the border of his bootprint until he slides his foot aside.

It's an ear.

It's a human ear, and there's a heavy earring attached, metallic gold, gems red and green, a familiar shape, a familiar shade-

Al Haitham opens his mouth to yell. Chokes. Swallows the lump in his throat as he quickly restarts his pace. Tries again.

"Hey!"

Another squelch under a hurried footstep. He doesn't stop to look. Al Haitham is pretty sure he knows what it is.

"Kaveh, hey!"

The path becomes littered, little slices and small pieces, fingertips and knuckles, Kaveh's arms once held casually behind his back now strewn along the sands. Every time Al Haitham extends his hand to him, reality warps and bends like the twisted image in a broken mirror, lines mismatched and edges jagged. Kaveh flits just beyond his grasp, fleeting fae, no longer able to hear him or to reach out to him. Al Haitham can only grit his teeth and follow.

His right foot marches forward. His left follows. His right again. His left suddenly doesn't follow, and Al Haitham is thrown off balance and pitches forward, swinging his arms outward to land on his palms and keep his face off the ground, because he's been in the desert enough times to know what a foot suddenly being stuck can mean.

Quicksand.

Al Haitham curses and swears in just about every language he knows as he tries to spread his weight as evenly as possible, stay afloat at the top of it because if he sinks, he knows he'll be done for, and shit, Kaveh.

His neck cranes uncomfortably in his search, Kaveh had only been a few feet in front of him, he can't be sunk much further, and he's in the desert much more often than Al Haitham anyway, he'll be familiar with what to do-

Kaveh stands in front of him, empty sleeves fluttering loose. Still just out of his grasp, still watching the stars. The quicksand is already up to his calves.

"Say, Al Haitham..." It's the first he's spoken this whole time. His voice resonates somewhere deeply nostalgic in Al Haitham's chest, produces a ripple that momentarily stuns his heart.

Kaveh is sinking.

Al Haitham stretches out on his belly as far as he's able, it's quickly up to his knees, Kaveh isn't even trying to redistribute his weight or pull himself out, it's at his thighs, Al Haitham sucks in a breath and yells for him, his hips, yells louder, his waist, Al Haitham's trembling fingertips can almost reach, his chest, Kaveh drops level with him, quicksand about his neck like a noose.

Kaveh's head tips back, back, impossibly far back, until it hangs, angle awkward, and he's looking right past Al Haitham with his tired smile and gouged, blinded sockets full of starlight.

"Do you believe in karma?"

The quicksand swallows him entirely and Al Haitham dives, shoves his arms deep and pushes off with the one foot he'd had left on safe ground, because he can't, he can't, it's not the same without Kaveh, not anymore, he needs him, no one else keeps him sharp, no one else challenges him like Kaveh, if he can just grab him, if he can just pull him back up-

Al Haitham thrashes, against the sands, against gravity, against the hardwood of his bedroom floor. Clumsily scrubs the back of his hand across his face to rub the grit of quicksand and sleep out of his eyes.

Sometimes he thinks he preferred it when the Akasha was still harvesting his dreams.

He pops his head out from under his weighted blanket and lays where he'd fallen out of bed for a moment, blinking blearily against the lamplight shining from his desk in the corner. Deep breaths. His consciousness shifts along the blurred line of nightmare and reality, crosses over the slow transition into wakeful awareness.

He's home, Kaveh is home. It's dark out. The house is dead silent.

He's just going to go check, he tells himself as he peels himself out of his sweat-soaked shirt and roots around for a replacement. He's already losing memories of his nightmare, the details spilling away from him like wet ink, but he knows he needs to see Kaveh. It'll feel better to do something, anything, than try to go straight back to sleep.

He's quiet when he slips out of his bedroom door, because they both keep late hours but their bedrooms are right next to each other, and Al Haitham will never hear the end of it if he wakes his roommate up.

Lights off, door shut. Nothing conclusive. He moves out to the main room.

Kaveh sits on one of those ridiculous sofas he'd ordered three of for some reason, back to him as he tucks a lock of hair behind his ear. A mostly-empty wine bottle stands tall on the table, next to the cobbled-together remains of an architectural model that's been picked and fussed over for four days straight now.

"Kaveh? What are you doing?"

This earns him an exaggerated startle, but Kaveh doesn't turn to look at him, preoccupied with whatever new sketch or blueprint he probably has in his hands. "Ohhh, nothing," he slurs cheerfully. "Just working. Just thinking."

Kaveh has always been the world's chattiest drinker. Al Haitham waits for the rest of it.

"Say, I think...I think I asked you this years ago, back then, but you never answered me." Al Haitham feels all the blood drain from his face in ominous familiarity, drip cold down the length of his spine. Kaveh sinks into the couch until he can tip his head over the back of it, looking up at him with a tired smile and exhausted eyes.

"Do you believe in karma?"

[rosalinesurvived]

I still can’t believe Ace killed himself over high card low card. Yeah hi, its me again. I dont care if its been years. I can’t believe he did that.