#but it's true from a platonic pov as well of course. they're such a close unit that jen calls them all 'aunt'

[the-eclectic-wonderer]

Ok. I need to talk about S5E23: The Mangiacavallo Curse Makes a Lousy Wedding Present because it's a) a damn good episode and b) so filled with Blanche/Dorothy (and a good pinch of Golden Wives too) I can feel my gay power level increase minute by minute every time I watch it. Under a cut because I (unsurprisingly) got verbose about it.

First of all: the whole thing with Blanche 'lending' one of her men to Dorothy for the wedding. The concept alone is just -- I've said before, several times, that the Girls treat their men as accessories, and this episode just spells it out.

Dorothy doesn't really want a date per se, she's mostly upset because of social expectations:

"I still don't have a date for Jenny's wedding. My own goddaughter, and I'm gonna show up alone."

She's worried because weddings are events where you typically bring a +1 along, especially if you're closely related (either as family or via friendship) to one of the spouses. She's worried about the social norm! This is a bit of a general thing in the series, especially for Dorothy, I think; there are several instances when she's upset at not having a date for a specific event, rather than not dating in general. Plus, she gets over it fairly quickly! Before Blanche agrees to lend her the judge, she tells Sophia that she's just going to go alone!

Speaking of Blanche, look at how she describes her men! Here's some quotes:

"You can borrow one of my extras. What kind of guy would you like?"

"Oh, Dorothy, come on. Borrow one of my men. One of my many, many, many, many, many, many men!"

"Oh, Dorothy, not Doug! I couldn't possibly. He's on my A-list."

"Oh, Dorothy, let me get you somebody hot off my A-list. Somebody tall, good-looking, goes with everything!"

"Don't you forget, you be careful. This man is on loan from the Blanche Devereaux collection."

I mean -- she might as well be talking about a purse or a pair of shoes! (As a side note: yes, all those lines begin with 'Oh, Dorothy'. I checked.)

Dorothy fully embraces this point of view, too:

"You always do this, Blanche. You always keep all the good guys for yourself and you give us the leftovers."

She complains about Blanche's lack of generosity -- and this might just be my personal opinion, but generosity is usually connected to material things. Once again: she might as well be getting upset because Blanche refuses to let her borrow a purse.

Rose is the only one who's somewhat concerned at not having Miles as a +1, but it seems to me that's essentially because of the 'getting hot at weddings' thing. When she introduces the problem, we get this dialogue between her and Dorothy:

"Miles can't take me to the wedding. He's going to be out of town at a teaching seminar. Now I can't go."

"That shouldn't keep you from going."

"Oh, I have my reasons."

And then she says:

"So now you see why I can't go if Miles is gonna be out of town. I might end up almost going to bed with the caterer again."

It seems to me she's not that upset because of Miles's absence; she would have gone anyway without a care in the world if the event wasn't a wedding. She doesn't necessarily treat Miles like an accessory, but she's not particularly saddened by his absence, either -- just worried about the effect weddings have on her.

And then, with all this established: the toilet scene. When the scene returns on Dorothy keeping Blanche trapped in the toilet, there's already a couple of guests looking at them and whispering among themselves (which isn't strange at all: they're making A Scene™ right there in the ladies' room!). The whole fight has such an incredible Married Couple Quarrel energy:

"Dorothy, let me out of here right now!"

"There's only one way out, Blanche, and I don't think you can hold your breath long enough."

"You're just making a mountain out of a molehill."

"Five years of molehills. They add up."

"I didn't know Doug meant this much to you."

"I'm not talking about Doug, this is about you."

Talking to the small group of guests that gathered at the scene, she then adds:

"She asked me for another chance, I gave it to her. I trusted her. Biggest mistake I ever made."

Tell me those lines aren't the most married thing you've ever heard. I'm almost tempted to make a poll and ask people what they think about this quote; I'm sure at least a good 85% would assume this is being said by someone to their lover (or ex-lover, at least!).

Then the bride (because let's remember, this is all happening at a wedding) appears and likens the situation between Dorothy and Blanche to what's happening between her and the groom -- so we have a clear line drawn between Blanche/Dorothy and a committed romantic relationship. She calls Dorothy 'Aunt Dorothy', as is expected since Dorothy is her godmother, but she also calls Blanche 'Aunt Blanche', because... I don't know, there's no heterosexual explanation for it. Note that this girl invited Dorothy and Sophia to her wedding (no wonder: her godmother and her godmother's mother; they must be close) but she also invited Blanche and Rose, whom she technically has no relation to -- we have to assume they were invited because of their relation to Dorothy (she's possibly close to them too, considering she calls Blanche her 'aunt', but that's still due to their relation to Dorothy, of course). I mean -- would you invite your godmother's roommates to your wedding, as a general rule?

And!! After all this, the whole talking/not talking thing! Dorothy tells Jen:

"Jen, honey, I think you should go and talk to Joey. The best thing to do in any relationship is talk."

She says this right after she found an excuse to speak to Blanche in private and trapped her into a toilet because she wanted to talk:

"Listen, Blanche, we have to talk."

"Not now, Dorothy."

"Suit yourself."

"Dorothy, will you let me out of here?"

"No way, Blanche."

Once they turn to helping Jen and Blanche finally escapes the toilet, Dorothy is understandably upset and refuses to talk to her, and this makes Blanche very upset in turn. I'll let the dialogue speak for me on this one because there's no way I can say it any better:

"Dorothy, I wish you'd talk to me."

"..."

"I really do, 'cause what I need is a good talking-to."

"..."

"I don't care what you say, just so long as you care enough to say it."

"You stink."

"God bless you, Dorothy."

Yeah. Married. Blanche is so relieved and reassured once Dorothy starts talking to her again that she follows the conversation for just a little while after that (just as long as they're talking about Rose) and then immediately zones out again, because she's back in her comfort zone. Dorothy's talking to her! Dorothy forgave her! Everything's fine -- back to your regularly scheduled Blanche Devereaux™ content. (Note that she also pointedly does not dance with Doug after he comes back, even though he's from her A-list. This episode should have ended with a Blanche/Dorothy dance, if only to spite Doug.)

Rose is mostly busy dealing with her own thing in this one, but you all know I love the Golden Wives, so let me point out a couple of things:

Blanche and Dorothy (especially Dorothy) really do take care of Rose at the wedding! ... well, at the beginning of the party, at least. But they do genuinely try to reassure her! It's sweet! "Rose, honey, take it easy. Breathe deeply. It'll be all right." "Don't worry, honey. Nothing to worry about. We're here to look out for you." [...] "We're gonna have to keep an eye on her." "Hmm." We see her flirt with a couple of men during the party, but she only ends up going away with Doug and only while Dorothy and Blanche are having their little moment in the ladies' room, so it seems like they did keep her out of trouble after all! Until they got tangled up in their own thing, that is.

Right after they get out of the ladies' room (i.e., right after Dorothy tells Blanche 'I have nothing to say to you") Dorothy immediately notices that Rose isn't around, and talks to Blanche about it, despite the fact that she's supposedly not talking to her at all.

Blanche manages to keep her attention up as long as she and Dorothy worry about Rose, then gets immediately distracted by a man in the band. This exchange specifically is really touching to me: "Oh, I hope she can forgive us." "She will. That's what she does best." Just -- the complete certainty... my heart...

Blanche is really aggressive to Doug when he comes back! She was using every trick in her book to get him to act as her date earlier on, but as soon as she gets the hint that he took advantage of Rose, she immediately enters Protective Wife Mode™.

This line by Dorothy: "He must really be something." "So is Rose." This line? Said with the most affectionate smile in the world? Yeah. Yeah.

So anyway. I just spent like an hour and a half writing all this down, I love this episode, I adore these ladies and I am going to scream, thank you, goodbye.

[mossy123302]

I am not exactly entirely good with character or relationship analysis (A reason why my dumb fox head is aroace because I am not good w/ navigating romantic relationships)

So this is just my best effort writing the dynamic Q! Philza and Q! Missa have.

I do like to headcanon, like others, that Philza is indeed aroace, but not in a way, that like he doesn't understand what platonic or romantic means. Sure, it's funny to tease Philza about it, but it's also true that close friends could very much do so. I think Philza is quite aware of what is romantic and platonic, he knows the boundaries of it. I mean Philza is literally married to the Goddess of Death (implied) Kristin. It's more or less that Philza doesn't simply care for such labels. (I very much hc that Philza could probably be genderfluid, like me- Peeposmile)

It's something Philza even mentioned in the live stream when talking about the deities in hardcore world. It's something they don't care about and just vibe with whatever they're vibing with. They don't care and I think Philza is the same in that mindset. He just doesn't care, and will be blunt about it, if he needs to actually talk about it.

Philza seems to deeply cherish those that are ... similar to himself from what I can tell. I don't fully watch Fit or other POV to get a clear understanding of Phil's relationship w/ others so I'm sorry if I don't include them, same with Technoblade. I've recently started watching mcyt again and I don't want to talk about something I don't have a full understanding of.

Anyways, Phil deeply connects with those that share similar traits to him in some regard. Techno whose the Blood God, who clearly has an understanding of death, war and loyalty and this clearly shows via Missa too. Missa, while not a fighter, does understand death and how important it is... He literally is a gentle grim reaper. He understands death much clearly, because his mother is also a Goddess tied to Death as well. Missa is also fiercely loyal to Phil and his children, because honestly, he was so busy! He didn't have to return to Quesadilla Island but he did because he cares about Phil and his children, quickly adopted Tallulah and he hadn't even seen her yet.

Whoever Phil trusted and guards with his life, Missa will guard that person with his life as well. Of course, unless, we talk about BadboyHalo then that's another discussion LOL. Such a mess between the demon (?) and grim reaper.

Anyways, we know how much Phil values such loyalty that, I cannot remember what Tubbo said, but he immediately locked Tubbo out of his own home because of what he said about someone and while despite implied flings with others. Philza never spoke about others the way he speaks about Missa.

Their relationship definitely...crosses the line of platonic and romantic. I can see why it would be considered queer platonic relationship, but also at the same time, it's like there is some line being breached which makes everyone raise an eyebrow cause sir, what do you mean platonic-

Philza is clearly...possessive over Missa, because the way he got so defensive when Bagi mentions Antoine (right?) and Missa should date. Philza didn't have to get so defensive, because Missa already immediately denied. Philza could have kissed anyone else, like Fit, but chose Missa instead. He even demanded Tall Missa to the admins, got jealous over any shipping fanart and acts like he's fine and doesn't miss Missa at all. *Coughs in* "I'm going to f*cking off myself. Did Missa log on again?!" (Side eye Philza)

Like he's done lots of things that makes everyone just raise an eyebrow- Philza is fooling no one but himself (& Missa)

I also enjoy the lore Missa has going on with accepting that he is indeed a part of the family and isn't alone. Missa had just lost Spreen, and suddenly, he had no one but the Angel of Death as his assigned partner. Missa must have felt so unmatched compared to Philza because what could he even offer to the family? He had nothing but his music and kind words, which is everyone that Death Family wanted. Missa brought a different change to the family that makes them be vulnerable, to not be so serious all the time and to actually just relax and be like a family that's just on vacation.

I mean, and just talking about loyalty and kindness. Missa never gave up... He fought his way back, despite getting taken away by wolves and suddenly Badboyhalo being so cruel. He always made sure his family was safe and always brought something for them.

Didn't Missa say he got lost because he tried to find a gift for Philza?! Like...the commitment to find a perfect gift for Philza, and still returning (sure, without the gift). While it's hilarious, Missa doesn't run away because of his wet cat behavior. He runs away because he doesn't want to put his family in danger, he cannot fight as well as others can. He relies on others to fight for him and then he jumps in to help, but because the time zone doesn't allow such things. Missa is forced to run.

And Missa is good at it. He will run as far as he can, if it means his family will be safe. He isn't running away from his family, but the danger because at the end of it all, he will return back to his family, no matter how long it takes.

And Missa casually admitted to Chayanne that he needs Philza more than he realized, the same way Philza realizes he needed Missa but didn't dare admit, whether it is out of fear or something else that he couldn't voice it. But Philza clearly showed it through his actions, that he brought/dragged Missa to Rose's Sanctuary before they went to sleep forever. He didn't have to do so, but he did... indicating their bond is much deeper because Rose's Sanctuary is literally a pocket dimension that no one cannot access.

Missa has access. Now he sleeps eternally with his family...

Also their whole dynamic just being Sun/Moon. Fated to never see each other at times, until an eclipse and yet...they still leave signs to let the other know that they're still remembered. This also brought to my attention how Missa is afraid of the sky, while Philza yearns for the sky/to fly.

You think The Sun (Philza) misses the Moon (Missa) so much, because of how far they are, instead of just not seeing each other. The Moon clings to Earth, because they're afraid to go beyond...to something unknown while the Sun cannot stay still, and yearns to burn and be free.

Deathduo/Pissa has me on chokehold.

I do hope this was an interesting analysis, I'm not very good at this..honestly it's probably just me rambling if anything.

[leorai4life]

Analysing Leorai - differentiating rumours from reality (a 3 part analysis)

Introduction

To this day, Leorai (2012) remains a controversial ship as many view it as incestrious and therefore taboo. I understand why many would view it as much - especially if those in question haven't watched the 2012 show - and that without proper analysis the concept of "adoptive brother and sister in love" sounds pretty bad. However, I for one can say with certainty that Leorai is not a ship that is not as simple as revolving around two adopted siblings in love - as characters, be it platonically or romantically, Leo and Karai's relationship has many layers that cannot be dulled down to being one thing or the other.

Before I start this analysis, I just want to say if you're an anti Leorai shipper or just not a big fan of shipping in general, that's cool! I'm not trying to convince you to like this ship or anything - however I do hope that in reading this you can learn to respect those who do ship it.

Aspect Analysis 1 - Siblings? So, a common argument for why Leorai is "wrong" is that it's promoting incest. Well let's look at Leo and Karai's parental relationships and discuss that:

Although they both technically share a father, Splinter is barely granted the chance to form a paternal bond with Karai due to the fact that he didn't get to raise her, nor spend time with her once the truth had been revealed. Even when she was brought back to the lair and reunited with her blood father, she still chose getting vengeance over getting to know and love her blood father. Leo on the other hand was raised by Splinter since he was a child and views him as his beloved father and sensei. He looks up to his adoptive father for guidance and emotional support; he is Leo's role model, and essentially all Leo wishes to be as the new sensei.

When we compare the bond Leo has with Splinter to Karai's, Leo had more experience being Splinter's son/ward than Karai did. Even Splinter's death had more of an impact on Leo than it did Karai; Leo was filled with anger and despair and continued to "talk" to Splinter when seeking guidance, whilst upon hearing of his death Karai's response was more reserved than distraught. This is an understandable reaction, as within a couple of weeks Karai had had her whole life exposed as a lie, became a mutant, got brainwashed and on top of all that didn't even get to form an emotional and parental connection with her one true father before he too was taken from her. So yeah, it's no wonder she wasn't able to emotionally process his death like the others did (heck, even April and Casey are more bonded with Splinter than Karai is).

So to relate back to my initial point of both Leo and Karai technically sharing a father, they each share him for a different reason: Leo is Splinter's son by a lifelong bond, whilst Karai is Splinter's daughter by blood. This difference in reasoning does not make either one of them any less of Splinter's child, but this difference does make them be less seen as siblings from each other's POV. Leo was raised with his blood-brothers by the same father/sensei, under the same roof and with a shared family dynamic - so he of course views them as siblings. This is why something like Raph x Leo differs drastically from Leorai as Raph and Leo have always treated one another as siblings because it's what they're used to - so turning that dynamic romantic would make both of them extremely uncomfortable. However, Karai enters the Turtles' lives when they're well into their teens - aka, when they're beyond extreme (emphasis on extreme) influence. On top of that, her first introduction to them was 'Shredder's daughter'/'a Foot Clan kunoichi' - so taking her home and attempting to accept her as a sister didn't really work as there was an already established family dynamic between the brothers and Splinter which Karai hadn't been around to be a part of. This is why she's mainly viewed as a close friend/distant family by the bois (although bless Mikey for at least ATTEMPTING to give her the opportunity to be their sister).

Karai even distances herself from forming any sort of familial bond with the Turtles by refusing to join their Dojo and rarely instigating missions with them unless absolutely desperate - instead she opts to rebuild the Foot Clan under her rule and take her life into her own hands. And if anything, she builds herself in the image of The Shredder - a powerful leader with an arsenal of ninjas at her disposal - but with the heart and honour of her father. When Mikey queried why Karai didn't come home with them, Leo states "Well, she's not a little kid anymore - she wants to take control of her own life"; in a way, this indicates that Karai doesn't want the burden of being a part of a family. Perhaps after living a life of lies under a tyrannical "father" she just wanted to be her own person on her own - literally (well, aside from Shini).

So to answer the query of "Aren't they technically siblings?" the answer is logically no, as they do not share a sibling bond psychologically or even biologically; Leo is literally a giant talking turtle mutant...she's a human-mutant hybrid...they literally could not be more NOT related lol.

Anyways, onto the next point:

Aspect Analysis 2 - "The Turtles are blood relatives of Splinter"

I see a lot of antis use this point in an argument, saying that the Turtles share blood with Splinter so they are blood relatives.

Now speaking specifically about the 2012 show, we never get an official confirmation that the brothers and Splinter share blood. I've even searched interviews with Ciro Nieli and the most he's said is that "All the turtles share a piece of Splinter" - though he was talking trait-wise...so...yeah.

My personal view is that since they are linked to the last thing they touched (be it the pet store owner, a bunch of curious kids or Splinter himself), I do believe they share a connection with Splinter - but not in the sense that the same blood runs through their veins. I believe that when the Turtles and Splinter mutated, the Turtles humanoid appearance was created by the shared contact of the pet store owner, curious kids, and of course Splinter. The mutagen used the fundamentals of all these humans' DNA to basically ~evolutionise~ the Turtles into their humanoid selves (think of it as though they're a combination of turtle and a dose of general human DNA).

As far as I can tell, the only thing the human interaction with Hamato Yoshi (Splinter) got them is some of his core traits - a sense of honour and leadership for Leo, a fierce and protective fighting spirit for Raph, creativity and ability to improvise when under pressure for Mikey, and ingenuity for Donnie. Physically, it seems only Donnie gained something from Splinter (his reddish-brown eyes and natural tall stature) whilst the other brothers must have gained their distinctive physical traits from the other human contacts; such as Mikey, Raph and Leo having different eye colours than Splinter, Mikey's freckles, and Donnie's overbite and gap tooth. My personal headcanon is that Mikey got his empathic traits and love for pets from the pet shop owner hehe.

So essentially Splinter's foundational pieces of DNA helped to shape their roles on the team (leader, warrior, inventor and creative-and-spontaneous-ball-of-butt-kicking).

I guess a question would be "but if they all did a blood test, would Splinter be found to be related????" - my answer to that is yes, though very distantly, as their main DNA result would be a turtle (duh...) whilst the rest is a jumble of the other humans' DNA. Think of it as though you did a DNA test and got a match with a bunch of random people - it is possible to share a small amount of DNA with someone and not be related. In other words, it's possible to share genetic material and not share a common ancestor or any identifiable genealogical connection.

Aspect Analysis 3 - "INCEST!"?

This relates back to point 1 where I discussed whether Leo and Karai see each other as siblings and whether shipping them should be considered promotion of incestrious behaviours. This answer is actually really simple: no, Leorai does not encourage incest.

Why not? Because incest, by definition means "sexual relations between people classed as being too closely related to marry each other". And guess what? Not only are Leo and Karai not closely related, but they never did the deed, or even kissed. They didn't even become 'official' official in the show, so calling Leorai incest is not a fact.

In all honesty, Leorai is my favourite ship of the show because unlike the other ships they didn't need to be physical with each other (e.g. kissing, arms around each other, tight hugs, carrying in arms) to show the audience that they cared deeply for one another. They showed their love through emotional connection and the "little things". Leorai is much like Zutara for me in this sense; I'm happy with what we got because it felt more like two characters building a genuine connection that would lead to an eventual romantic relationship (be it in show or not) than having to shove it in our faces that "tHEY'rE iN LOve beCaUSe tHEy KisSed!" (*cough* Kataang).

If you as a writer can make two characters have a romantic connection without having to make them get physical then you know you've written a relationship - heck, you know you've written the characters - right. And my personal headcanon is that Leo and Karai would share an asexual relationship eventually; no smut, just wholesome love :3

To conclude: Leorai is not incest. Not biologically, not psychologically, and not even romantically. I know not everyone will agree with this as many prefer to just stick with the most popular opinion so they don't cause controversy and that's fine - but heck, I'm tired of hiding my love for this ship cuz "I'll upset someone". That someone can be offended all they want, but I'm still not gonna change myself to suit their agenda.

I'm too old to keep getting involved in anti-ship nonsense (in ANY fandom, tbh), so if you're an anti reading this I'm not gonna try fight your opinion. You can have it, and I'll respect it cuz it's your opinion. I just hope that one day we as the internet can evolve to a point where we're smart enough to just not actively search for something we despise and only focus on what makes us happy.

As for my fellow Leorai shippers- thank you for reading my ramble! I love and appreciate all of you that continue to stand by this ship, and I hope to give you more Leorai content soon! Hopefully one that isn't a ramble, haha 💙🖤

Thanks again for reading, and have a good day/evening!

[daydreamer11587]

*Dusts off blog*

Well, earlier I didn't think I'd ever write paragraphs for Hospital Playlist as I am already too jaded with the writer and director duo's evil game of stringing the viewers along, making them invested and feeling lulled with their feelings and ships only to break them later. But tonight... yeah I have this urge to write paragraphs of things because at episode 10, I think they have made things more clearer and obvious so I just want to document my finding, lol. So yeah, excuse me. *insert Marge Simpson embarrassed gif*

(Caution: these are purely my own observation and personal interpretations. They are of course prone to be wrong and may be interpreted so differently than others)

HOSPITAL PLAYLIST EPISODE 10 THEME: ONE SIDED LOVES AND CONFESSIONS.

Seeing how the episode panned out and the song they performed - Confession is Not Flashy, I think the theme of the episode is one sided loves and confessions.

The writer director duo has regarded the song "Confession is Not Flashy" as a one-sided love song, based on their usage of the song in Reply 1994, episode 8 when the lights was out because of the rain and the kids were listening to the radio at the living room. The DJ narrated:

"Everyone, this is your chance. If by chance the person you love is next to you and if you are in a one-sided love, you should take advantage of this darkness and stare at the person you love as much as you can. I'll play a song for you. So until the electricity comes back, feel free to imagine being in a relationship with that person. Does it even matter? It's a one-sided love after all. That person doesn't know about it. Although you are in a one-sided love relationship, I hope you'll have a happy date during the 3 minutes of this song. This is a gift for those who are in a one-sided relationship and those who are lonely yet happy. It's 'Confession is Not Flashy' by Lee Seung Hwan. Everyone, end your one-sided love today. When the rain stops tomorrow, confess your love like said in the song. You never know, that person might be in love with you too."

I know this drama and Reply 1994 are totally different dramas, but I believe the writer-director's view on the songs they have chosen must still be the same. So when they use the same song in Hospital Playlist, their view on the song and what they represent should still be the same.

And true to their view about the song, this episode really is filled with one-sided loves and confessions (directly or indirectly) :

1. Chi Hong's one sided love towards Song Hwa, and his indirect confession despite her earlier rejection.

He was enjoying the few minutes alone time with Song Hwa during the NS lunch date and a little bit displeased when Dr. Yong turned up on time, lol. From picking up the strand of hair on her shoulder (which made her uncomfortable), to saying "I'll stay right by your side, Professor".

2. Min Ha's one-sided love towards Seok Hyeong and her direct confession in his car.

Girl got some gusto I like their scene so much I was squealing the whole time ajdjfjf. Her confession and what she said after to him was so cool, my heart fluttered!

3. Gyeo Wool's one-sided love towards Jeong Won and her indirect confession to him via her manager, Ik Jun. Haha.

Ik Jun is campaigning for Jeong Won to accept Gyeo Wool so hard. Why? Not really because of Jeong Won, but because of Gyeo Wool. He adores her as a doctor and as a person that he wants her to be happy and he said this himself. He knows that the thing that would make Gyeo Wool happy is by being with the person she likes, Jeong Won. As how it is, Jeong Won denied Ik Jun's assumption that he likes Gyeo Wool. As Jeong Won was looking at Ik Jun bemusedly for his suggestion, he was probably recalling his conversation with Jun Wan about Ik Jun being a nutcase and how he and Ik Jun are not seeing eye to eye (the Korean phrase can also be translated as "not like minded") and he can't figure Ik Jun's mind at all sometimes.

4. Ik Jun's one-sided love towards Song Hwa and his very smooth indirect confession.

The reason why I see it as one-sided from was because Song Hwa doesn't seem to view him romantically. Most of the time, the affection from her towards him seems to be purely platonic. She always hit him, threatening to punch him and chided him for behaving like a kid. She even refused skinship(?) from his end by kicking him when his feet were touching hers under the cafeteria table. The scene where they look domesticated at his house really is heart fluttering, but when he (so smoothly) indirectly confessed to her, she was startled and looked away. She seems wanting to avoid it, turned her face away, pretending to look outside and then change the subject, asking him to continue eating. It doesn't look like a positive reaction after a confession. But I might be wrong though.

5. Song Hwa's one-sided love(?) towards Jeong Won and her proposal as an indirect confession

(This one is actually so weak and I don't really think it's feasible but somehow there seems to be something, especially from Song Hwa's end that leaves some nagging feeling and suspicions)

Song Hwa doesn't come off as someone who would freely intiate affectionate and excessive skinships with the boys. She would just give them either some friendly touches on their arms, friendly or consolation pats (to Seok Hyeong and Jun Wan) or hitting and kicking them (to Ik Jun). But with Jeong Won, she seems to take the opportunity(?) to lean on his shoulder when he put his arms around her when supporting her purchase decision. But, this could also mean that they're so close that there's no personal boundaries between them. However, both of them were not portrayed to have that kind of dynamic. Song Hwa is a lot closer to the other 3 boys than Jeong Won but she was never shown to initiate such an intimate skinship with them.

After witnessing Jeong Won being so lovable with the little boy (look at how she looks at him) and enthusiastically talking about him and his brother, she proposed to him "Jeong Won, let's get married / marry me" (the right literal translation). He was startled, looking directly at her in surprise and then she backtracked(?), telling him to find a great woman and make babies as she imagined how cute it would be if he has his own children. Her random "proposal" might be brushed off as a joke, but Song Hwa doesn't seem like a person who would freely joke on such a matter either. If her proposal actually wasn't a joke as how she covered it to be, then it can be regarded as a type of confession too, no?

6. Jeong Won's non-romantic one-sided intention towards Song Hwa and his direct confession and proposal.

Jeong Won has one-sidedly intended for Song Hwa to take over his Daddy Long Legs project since spring. He confessed to her than he is in fact Daddy Long Legs (Grandpa Long Legs to her, lol). He proposed for her to take it over, and she accepted it.

Now,

I know Hospital Playlist is not the same as the Reply series as there is no 'who is the husband game' mystery. And it actually has a more similar vibe to Prison Playbook imo. But at the same time, Hospital Playlist is made to share the same formula as the Reply series: apart from the heartwarming small daily stories, the writer and director duo also deliberately hide and witheld certain POVs, make them opague and opening them up for interpretations which leads to people starting guessing games. Then they filled the show with small details and nuances to corroborate the interpretations and fuelling the guessing game.

It is the same as the Reply series where people were made to guess whom did the female lead like, whom would the female lead choose and ends up with.

But this time, the persons whose POV were hidden and making people keep on guessing are not only the female lead Song Hwa, but also Jeong Won. Will he really quit and becomes a priest? Does he like Gyeo Wool or not? Will he end up with Gyeo Wool or not? As for Song Hwa, it's the question of whom does she like? Does she have feelings for Ik Jun or not? Will she change her mind and consider Chi Hong or not?

Those sort of mysteries are established because both Jeong Won's and Song Hwa's insights were deliberately witheld and made to be opague. We have insight to Ik Jun's, Jun Wan's and Seok Hyeong's feelings. But not the other two. This witholding of POVs and insights to their feelings made things open for different interpretations, sparked the guessing games and established ships, just like the Reply series.