#but it's still not the perspective i REALLY want to try | Explore Tumblr posts and blogs

muletia · 3 days ago

Note

miniformers is taking over my brain. I need to cuddle mini Starscream, bumblebee, Megatron, and knockout and kiss their little foreheads, Aghdfbsjfhsb I’m going insane

𝐦𝐢𝐧𝐢𝐟𝐨𝐫𝐦𝐞𝐫𝐬 𝐬𝐡𝐞𝐧𝐚𝐧𝐢𝐠𝐚𝐧𝐬 𝐯𝐨𝐥. 𝟑 ༘⋆✿

bumblebee, starscream, knockout

word count: 1250

A little manipulator (affectionate), who has absolutely no objections to using his charm to coax a few kisses or cuddles out of you

Bee knows he's adorable. He’s well aware of the effect his big, puppy-like optics have on you, and if he really wanted to, he could ask for absolutely anything, and you’d agree without hesitation. So it's no surprise that when he gets shrunk down, you find yourself completely incapable of refusing him anything

At first, however, he approaches the idea of using this to his advantage with restraint — at least until he fully accepts that being tiny is his new reality and that he has to learn how to deal with this new perspective. He stays close because he feels most comfortable in your company and can hide behind you whenever Optimus' towering height suddenly becomes overwhelming

Exploiting your bursts of affection comes later when he realizes just how hard it is for you to resist showering his entire face with kisses and scooping him into your arms at every possible opportunity. He enjoys this reversal of roles, especially since he used to be the cuddle-bug in your relationship. Of course, that doesn’t mean he’s going to give up hugging you on his own terms — you often find yourself with a few extra pounds clinging to your leg whenever Bee feels like getting some affection

All it takes is for you to get momentarily distracted — maybe you’re trying to discuss this strange height-changing situation with Ratchet, sharing your observations and thoughts, when Bee is already tightening his servo around the sleeve of your shirt, demanding your attention. It's convenient and much more effective than verbally calling for you because the moment he tugs at your clothing, he’s guaranteed a kiss or a pat on the helm

He follows you everywhere and wants to be a part of all your plans for the day. You could be working, and Bee will still be cuddled up against you, finally able to sit on your lap without worrying about crushing it. I can totally see him crawling under your hoodie too, trying to get even closer to you, to experience a level of closeness he never could before

He won’t mind staying like this forever if it means receiving affection from you at every possible moment <3

He bolts before you can even let out a single coo in his direction

Starscream absolutely despises this new state of affairs. He’s become defenseless, easy to overlook, far too vulnerable to aggression from other bots who, in this form, could wipe him out in a nanoklik. He’s fallen to the very bottom of the food chain, which means that under no circumstances can he let himself be seen

He’d like to hide from you too, and from your untamed need to treat him like a sparkling, but the most he can manage is transforming and flying up to a higher level, where he can observe you safely from above without having to endure your cooing about how "cute" and "adorable" he is

That doesn’t mean he’ll stay silent, oh no. You’re going to hear plenty of complaints and theatrics, dramatic laments about the horror of remaining in this pitiful form forever, and screeching about how humans can possibly function while being tiny all the time. He’ll also expect sympathy, tears even, shed over his misfortune, so don’t think you can just ignore his unproductive, egocentric monologue. The moment you stop paying attention, he’ll call you out for it, accusing you of not caring, of being selfish — do you even want to help him? Or do you secretly hope he’ll stay this pathetic size forever just so you can continue tormenting him?

He just needs some time before he exhausts himself with all the dramatics and the consequences of his sudden size change finally catch up to him. The helplessness, the inability to fend off sudden threats, the need for support, because there’s no one else he can rely on but you. And so, he descends from his safe height and returns to you, warning you that he absolutely refuses to be treated like a sparkling

It’s a shame that his whole independent and self-sufficient facade crumbles the moment you press a kiss to his forehead, right at the base of his red crest, and coo sweetly, murmuring that you just can’t help yourself. Starscream manages one more outburst before another kiss silences him a little. And the next one makes him temporarily abandon all plans of immediately finding a way to return to his normal size

Perhaps he can allow himself to be adored by you for just a little while, can’t he?

That little while seems to stretch into eternity as you pull him close, hugging him tightly, unable to resist with such an adorable mech right in front of you. And maybe, just for a moment, he lets himself feel loved, without having to initiate touch himself, completely absorbed in the affection you pour into the touch-starved void in his spark

Unfortunately, he quickly remembers that while you make him feel safe, he can’t allow himself to stay in this form. No matter how wonderful it is to be wrapped up in your arms, he needs to return to his normal size — not just to match his ego but also to protect you and have any chance at victory

He hates this whole situation just as much as the rest of them — until he realizes you’re much more willing to give him attention in this form

Knockout values compliments from you and absolutely loves receiving them. He relishes every second of your attention, using it to stroke his enormous ego. Especially since, normally, you’re not too eager to spend time with him after he so boldly barged into your life and unilaterally decided that he was the most important part of it

So this sudden shrinking? It’s an unmissable opportunity for him to bask in the attention you now lavish upon him — even if, after a while, your incessant cooing starts to grate on his nerves when it’s not about his attractiveness but rather about how “cute” he is. Could you go back to praising his exquisitely polished finish? He didn’t spend all that time buffing himself to perfection just for you to completely disregard it in favor of fawning over his “adorable” faceplate

And while he drinks in your compliments like the finest energon, your constant, relentless attempts to touch him with your dirty, greasy human hands? Those are much less appreciated. You’re smudging his flawless paint job, leaving fingerprints all over him. Do you really have the patience to keep polishing him over and over again? Surely, at some point, you’ll get bored of trying to hug him and smother his entire faceplate and helm with kisses, right?

But when your wave of affection actually subsides, Knockout suddenly realizes that he appreciates your attention in all its forms. He immediately goes on the offensive, dynamically trying to draw your focus back to him, even if that means sacrificing his freshly polished shine and straddling your stomach just to pin you down and squeeze a few more kisses out of you

Oh, and by the way, he's definitely taking a few selfies with your phone. Just in case he ever needs to blackmail you with his “adorable little face,” as you so fondly called it, should you ever refuse to visit him on the Nemesis

#transformers x reader #bumblebee x reader #obsessed!bumblebee #starscream x reader #obsessed!starscream #knockout x reader #obsessed!knockout

196 notes · View notes

star-41306 · 2 days ago

Text

How do y'all think the duffers are going to go about initiating Byler?

I've been thinking about this a lot lately and would love some thoughts on how everyone thinks Byler will progress. This is my opinion on the matter. (PS: this is a very mike centered analysis as I believe his perspective is the most beneficial to the conversation since he is at the center)

Mike is hiding his feelings for Will, but what benefit does this have for those involved? To us, the viewers, we can see the pain Will, El, and Mike experience through this situation. No party is receiving what they truly need to progress their happiness and growth.

El wants a boyfriend who will tell her that he loves her for who she is as a person, not her capabilities. At the heart of this is a need to be understood, but El herself doesn't really know who she is. Her growth is dependent on finding herself without outside influence.

Mike wants a girlfriend to seem/feel 'normal' and cool. He knows who he is but is repressing it. At the heart of this is a need to be desired. Sure, El wants him, but she does not know the truth about Mike. Mike's growth is dependent on someone finding comfort in the real him.

Will wants someone to treat him normal. He knows he's a freak and while he doesn't necessarily try to hide it, he wants the comfort of not being treated differently for it. Will's growth is dependent on the acceptance of those around him.

The existence of a romantic relationship between Mike and El goes against all of this potential growth. Mike idolizes El, never being able to see past her abilities. El is unable to find herself at the cost of being mikes cover. While doing this, he rejects his true self and affection for Will, because he believes he is doing what's right. Simultaneously, Will is left feeling dejected and alone in the disregard of his feelings.

I think Mike has very low self-esteem. It comes with the territory of being a nerdy queer teenager in the 80's. I also, however, believe that when he has enough faith in himself, or the stakes are high enough, he's good at taking charge of a situation. He is selfless, a kind of selfless where you can't always tell he cares for those around him, but he would sacrifice his own comfort and livelihood for the people he loves.

But if Mike is so selfless, why isn't he fixing the situation for everyone involved? Because of one simple fact: He is clueless. He has no idea what he's doing to El or Will.

He may know Will is upset about something while in the Van with him, but that boy has no idea what's going on in Wills head. He might not even realize the painting he got from Will is the one El was talking about in her letter. With everything going on, he probably still thinks will has a girl he likes back up in Cali and this is a completely different painting.

He senses El is upset and won't talk to him, but he thinks it's because she lost to Vecna. He has not even the slightest clue it's partially due to his conditional and untrue love confession. El believes that mike only said he loved her because she finally got her powers back.

Mike thinks he gave El and Will what they wanted. El wanted a love confession? check. Will wanted mike to move on and fix his relationship with El? check. done and done. At least that's what he thinks.

Now that we have motives and perspective out of the way, here's a general idea of how I think the Milkvan-Byler transition will pan out.

We have already established in the show that Will is too selfless to confess, thinking he's saving a perfectly healthy relationship that just so happens to involve the boy he loves and the girl who saved him. There is no way he would break them up on his own, or he would have done that already. The action relies on Mike and El. They both need to respectively decide a breakup is necessary for this to work.

The breakup cannot be prompted by one or the other, it must be prompted by both. Mike cannot be the only one desiring a breakup, because El needs to take her power back and make that decision by herself. At the same time though, El can't be the only one either, as mike needs to accept his feelings on his own and stop being someone he's not. Mike not initiating would also make Will seem like a second option and completely negate Wills growth of being accepted for simply being.

El will have distanced herself from mike tremendously. They may not have broken up officially, but she's realizing Mike is not what she needs right now. She will probably be spending time with Hopper and Joyce training to fight Vecna, and the reminder that that's the only thing mike seems to like about her will only push her more towards her own sense of self. Maybe she still has hope for her and mike, but that is not her focus right now.

While El is distanced, Mike and Will will fall into the same roles they did in season 2. Will will struggle with the supernatural aspects of the plot, while Mike takes care of him and keeps him safe. This will restore Mike and Wills friendship.

Mike simultaneously will realize how much happier he is away from El, because he can't help but act like someone he's not when he's around her. He will also realize the comfort he finds in being relied on by Will. This won't necessarily prompt him into the breakup, as he still believes dating El is the best way he can support her. He might want Will, but he still feels like he can't have him.

I Because of this, El will be the first to initiate, but it will be mutual. I think they will have a long discussion (maybe starting as a fight) about Mikes lies in his speech and the pressure he felt to conform to this relationship. El will share how his actions have not helped the relationship, but instead made them both feel miserable, trapped, and unappreciated. They will realize that the other is not what they need, and though they will both need platonic support through this journey, they just can't benefit each other this way.

While Mike and Will are reconnecting, El will finally notice... everything. The stares, soft voices, comforting, and everything will click. El might need some help understanding though, because even though she did not have a normal childhood, she is still subjected to heteronormativity even if she joined the game late. She will make the connection that that is how she should have been treated, and though they are both boys, I think a sit down with one of the other characters (Johnathan? Hopper? Joyce?) will help her connect the dots.

I think the painting and mikes feelings for Will may become an entirely different discussion later in the season, and this is what will push mike into feeling allowed to want him. The combined acceptance from El, and the implied reciprocation from Will could be the push mike needs for his own self-acceptance.

This will allow Byler to build up in a healthy way where all parties benefit and are able to build even stronger connections with each other. Through honesty, acceptance, and love, all of which have been lacking.

Thank you if you read all of this. Please let me know if you feel like this will go in an entirely different direction in ST5!!!

137 notes · View notes

unfortunate-brat · 3 days ago

Note

soldier boy can throw me around like a rag doll ‼️

very valid. i too would like to be treated like a blow up sex doll 🤭. for your troubles, i present something very special for you.

Dirty

pairing: soldier boy x latina!reader

synopsis: soldier boy is america’s sweetheart, so its no excuse he wants things done a certain way.

word count: 852

warnings: NO PLOT, smut, sexism, slight racist behavior and vocabulary from soldier boy, degration, no protection, talk of pregnancy, roughness from soldier boy. he’s not the one you wanna take home to your mother.

yazzy's comments: honestly hear me OUT! it is my belief that soldier boy would 100% act this way and i’m entitled to my opinion. if you don’t like, scroll away !!

“¿esto es lo que te gusta? what a fucking freak.” his hot breath fans over your pulse, thrusts hitting you deeply and practically unforgiving with every slap of skin. though the language isn’t his own, he tries and that you can appreciate. the american accent still peaks through with every syllable, which makes it strangely hotter to hear.

your nails dig into his broad shoulders, trying your best to not make so much noise. after all, you were supposed to hate this man. america’s sweetheart was quite the asshole, even borderline sexist. “see? all you’re good for his to take my fucking dick and make me dinner.” no take that back, he was hella sexist.

as you bounce on his cock, your breasts provide a wonderful show for soldier boy. earlier he had taken the time to mark them up so that when you wore those low cut tops, people could see you were accounted for. though now that ben thinks about it, no bitch of his is gonna go out looking like some prostitute on the corner. you’ll be dressed properly, with no part of your chest showing. that’s for his eyes only.

his digits tug and pinch at your swollen buds, smirking as you whimper with every touch. “fucking slut, you really gonna let an american soil that exotic pussy?” ben knew that if this had been just talk, you’d slap him. argue how his perspective was outdated and unacceptable now, yet feeling how hard your walls squeeze him after using such vocabulary was hard to ignore. “hmm, maybe that’s what you need. just pure american made meat.”

you hold onto him for dear life at this point, smothering his face into your bosom. his words should put you in a fit of rage but your damn body betrays you. “solo estás demostrando mi punto.” he can feel your walls tighten again and that only feeds into his already big ego. “so that’s what you want? pathetic.”

the chair creaks under the weight of you both, close to breaking and though ben didn’t care much, he rather not deal with butcher’s bitching about breaking motel furniture. so with one arm, he keeps you steady on his cock while making his way to the bed. sitting down right at the edge so you remain in the same position. cause there were various positions soldier boy could do but cowgirl had to be in his top five. plus who is he to turn down being suffocated by your gorgeous tits?

you have yet to say any coherent words or much of anything aside from the sinful noises. he wonders what’s going on in that pretty little mind of yours. his fingers grab a fistful of hair, forcefully tugging your head back as your eyes meet. “don’t make me speak that dirty language again, this is america.” a harsh slap meets your cheek, making you wince. “we speak english here and if i’m gonna fuck you, i’ll make sure you don’t forget that.”

his piercing gaze makes you squeeze around his shaft again, feeling your orgasm approach closer with each touch from him. “por f-favor,” you manage to choke out, whining when soldier boy stops his thrusts.

“what i fucking say huh?” you groan when he pulls you off his cock, pushing you onto the mattress on all fours. your ass lifted high into the air as he delivers the first slap. “speak english.” his dick is aching to be inside you but he had to hold back for now, you needed to know your place.

your face buried itself into the motel pillows, scratchy fabric brushing against your skin. butcher would be back soon and you knew soldier boy was nowhere near done with you. though you didn’t want him to stop entirely. “no no, who said you could hide that pretty face of yours?” once again, soldier boy grabs a fistful of your hair, looking down at your features. “don’t tell me we need to start with the basics.” you tried shaking your head but that only made his grip on your hair hurt more. “you got a mouth, speak, bitch.”

swallowing the lump in your throat, your eyes meet his, despite your vision blurring a bit. “i’ll speak e-english, promise!” it’s not a real promise, for you couldn’t get rid of a language you loved so much.

soldier boy chuckles, letting go of your hair and shifting down to the globes of your ass. spreading the cheeks apart to see how swollen your pussy was, hole gaping as it was already molded to his shape and size. “hmm, you’ll say anything just to feel me again huh? Qué chica tan sucia.”

he watches as you look back, pushing your ass against him in hopes the teasing might end. you needed him, craved to feel him every second you both were apart. “fine, guess i’ll give you what i want. i was always curious,” without warning, he slides right back in and smirks when you whimper. “if i get you pregnant, is our kid gonna look more like me or you?”

·̩͙།† ͝ ︶ ͝ ⏝ ͝ ︶ ͝ †། ·̩͙

Please note; I do not allow translations or redistributions of my work by anyone else except myself. MDNI, if your account is ageless or empty, I will block you !! Minors are NOT welcome here.

#yazzy's works !!#soldier boy x latina!reader #soldier boy x reader #soldier boy x you #soldier boy fanfiction #soldier boy smut #the boys #soldier boy x y/n #the boys fanfic #smut #pwp #jensen ackles x reader #jensen ackles x you #jensen ackles x y/n #jensen ackles smut #jensen ackles x female!reader #jensen ackles x latina!reader

127 notes · View notes

somnus-lucis-caelum · 14 hours ago

Text

And just like that he held part of Aerith’s soul and heart in his hands. For a moment Somnus wanted to turn this offer down. As if he wasn’t worthy of seeing these paintings. Not yet. They were married, yes. They had lived through… actually. They had lived through a lot in a short time. Even if they were parted again, there was no possibility of them losing each other’s bond once more.

And he never wanted to part from her again, if he was listening to this quiet voice in his mind.

Holding the parchments carefully against his chest, Somnus mustered the painting of her birth father again. His head tilting as if he expected Gast’s spirit to spring forward, if he just looked at it from another perspective. Was she serious? She made it sound like sometimes the late king still walked these halls.

Though he wanted to ask, he barely got the chance to save the bound parchments as Aerith directed him around. The paintings were laid onto the bed in their chambers, before he just… followed along. A little overwhelmed and trying to take in all that was told to him… how could baths be so different here?

Somnus really was a little suspicious at this all. The silence that followed Aerith’s bubbling explanations left him frozen to the spot for a moment. Because he… did not understand. This was their bath? Obviously. It just… looked so small. As if one person could use it. It smelled amazingly. And yet it was made from wood… and a cloth. That did not add up in Somnus’ head and as he carefully stepped closer to look over the edge into the milky water as if he was eyeing a suspicious soup, he considered whether he was supposed to remove the cloth. Maybe use it to wash himself with?

He had half the idea to turn around and ask Aerith for more instructions, but that seemed… embarrassing. So… he made do with what he had at hand.

And the warm flowery water truly was like heaven to his body. He knew warm baths. But this one felt like it had been cooked water. Almost scalding. But oh so good. Somnus wanted to sink into it fully, though he treated this more like a task yet. Because Aerith needed to bathe, too, yet. And the maids and servants would need some time to prepare it for her after he got his turn, right? They needed to be done ahead of dinner to appease the Queen.

Emerging from the bathroom, wrapped in this… robe? Somnus could not but throw a glance down each side of the hall, listing for a moment, before he dared to cross it again and hurry into their chambers as if he was fleeing from something with his hands tightly holding onto the robe around him and the clapping of bare feet on stone echoing after.

Safe. And by the Astrals. He really felt like a whole new person now. Smelled like one, too.

“Well… your baths are a lot stranger than ours. They are so… small and hot.”, he mentioned, though obviously not with ill intent. It was just… new. As new as this whole life would be. He had already been heading for his bag, though then stood still. In his assumption that Aerith would have tow ait for a bit anyway, he outright asked her for more help.

“What should I wear? I… should I wear something more according your lands’ dressing rules?”

That grin was contagious, one glance was all it took for Aerith to mirror the expression with a hint of pride. She wasn't ashamed of her weaknesses so much — perhaps it was a good thing for Somnus to be aware of such things, like her slow descent into chaotic actions when she grew bored of a task.

"... mh. That's a sweet thought." she conceded, gaze lowering to the bound parchment again. Some of the papers were warped from being painted heavily with water strokes. Perfectly imperfect, nothing neat or proper about her soul or true heart. That sounded right. "You are more than welcome to look through them, I'm not precious about guarding my paintings. Though I would rather you look at this one especially." she insisted, giving the bound pages a small wave before passing them to him for safe-keeping. "It's some of the most recent things I have painted, and I find I don't flinch away when I look back at them."

When Aerith lifted her gaze properly to the Prince again, she found herself humming a curious tone as she tilted her head. She followed his own gaze. Her mouth opened around a silent 'ah' of realisation, and for a moment she seemed to gentle in both her expression and her stance.

"This... is my birth father." she answered, captivated by her mother's painting so much so that she continued to look upon it. "He died when I was only a baby. Mum... she did her best. Tried to build a connection to him, I suppose, but... I was so little, I didn't understand that I was missing something, you know?"

Aerith sighed a little, her shoulders melting into a more relaxed posture. Finally she looked back to Somnus again. "I get it now that I'm older. I wish I had gotten the chance to know him in life, but I am blessed to have met his spirit. The one thing I will say is... don't be ashamed of noticing him. For pointing him out, some people are funny about death like that." Though Lucis seemed to honour their dead's memory with great care too.

Amidst their conversation came a gentle knock at the door. Her lady's maid must have heard their voices here. "Princess Aerith, the bath is prepared."

That small announcement made her perk up with a smile. "Thankyou!" she replied, bright-eyed as she looked back to Somnus. "Right. Let's show you how we do bath time here, you're going to need one thing first."

Aerith approached her wardrobe, easily pulling free a couple large robes, one she placed aside and the other she handed to Somnus. "You'll need that. We don't dress ourselves in the same room where we have a bath, the air is steamy, and you're begging for a mess. So, once we're clean, we dry ourselves down as good as we can then we put on that robe. Trust me. They're.. modest." she offered. "It's a little odd, maybe, but we walk like that from the bath, back to our room. It's very uncommon for anyone to just walk a royal wing without good reason, but because it's so obvious among the staff that a bath has been drawn up, I cannot stress enough that no one will see you."

It was her little promise to him.

"Follow me." Aerith offered. She gestured to their shared chamber door. "You will obviously come back and enter through that door. The bath is the first door on the right." She opened up the door and gestured him inside. Inside was a wooden tub, and inside that tub was lined with a white cloth. The water itself was a milky colour and it smelled of flowers, yet another difference from Lucis. "Alright. Sponge there. When you're stepping back out, stand on that folded cloth unless you like to live recklessly, the stone can sometimes be slippery if it's too wet." Then she rolled her wrist. "And enjoy." she offered, smiling as she pulled the door shut behind her, giving him his privacy.

#holyguardian #AU | Star Crossed

292 notes · View notes

fortemelody · 2 days ago

Text

okay so like… imma say something maybe perhaps perchance controversial and hot-takey relating to sonic. and i’ve wanted to say this for awhile but didnt wanna get canceled becus it’s something that’s sorta difficult to convey through text…

i remember seeing a year or two ago that quite a few people thought shadamy was wrong simply becus amy reminded shadow of maria in SA2. so basically implying that like if amy is reminiscent of maria, this “inherently” means that shadow thinks of her also as his sibling of sorts.

but i honestly think this way of thinking isn’t correct. if you think about this in any context rather than this fandom then my point will be simpler to understand. for example, you can think to yourself “wow my partner has similar traits to {insert person here} in my family” WITHOUT thinking of them as the same person. acknowledging a parallel in personality should not be off limits when comparing someone you share romantic love with and someone you share platonic love with in my opinion, unless you’re the one constantly choosing to say/act upon that fact in an intentionally weird way.

we also don’t really know *exactly* what shadow was thinking in this exact moment, other than the fact that amy’s kind words changed his perspective and motives, which was the main point of that cutscene overall. it could very well be possible that shadow is experiencing some form of underdeveloped love for amy in that moment, but even he doesn’t know what kinda of love that may be becus he’s spent his whole life just traumatized and not exposed to relationship and friendship status quo of the outside world.

and may i remind you that shadamy is not the only ship to do this… so that argument really doesn’t even work?!? sonadow, probably the most popular ship ever in sonic, does this too. that official japanese art/story with shadow looking at the blue shoes references the parallels between sonic and maria i believe, along with MANY fan works i see regularly.

i’m glad the shift in shadamy has become apparent after TMOSTH and the twitter takeovers. i honestly change my opinion quite frequently between seeing this ship as more platonic or more romantic, but i wanted to still defend it nonetheless becus i find it quite ridiculous how much backlash it got for the stupidest things.

and in case this wasn’t clear- I DONT SUPPORT INCEST AND THIS POST IS NOT TRYING TO EXCUSE INCEST IN ANY WAY. i really just think that characters can be more complex than some people initially interpret them and so to quickly shame others based on these conclusions feels very odd to me.

#shadamy #sonic ships #sonadow #sonic rant #sonic fandom #sonic the hedgehog #sonic #shadow the hedgehog #amy rose #amy rose the hedgehog

59 notes · View notes

qqueenofhades · 2 days ago

Note

Thank you for sharing your AG letter. I've emailed mine. We're a red state, but I'm hoping that this is a big enough deal that he'll listen. Appreciate your updates without being alarmist. <3

Yay! I'm glad to hear it. As noted, it is especially important for red-state folk to reach out/badger their local GOP, using whatever formulations of language will be the most effective. Pretend to be a conservative or at least couch it in conservative language. Whatever gets the message across.

Also, I made the original post in part because all the other posts about the situation were -- understandably, but still -- very much "the sky is falling NOW and we're all gonna die," and that is part of what I mean about perspective and taking the long view. The first few weeks are exactly when they are going to be pulling out the biggest and most dramatic fascist stops and testing the water to see what they can get away with. Part of that involves "triggering the libs" and whatever else their underdeveloped fascist incel brains think is fun. Playing into the "omg omg we are all doomed NOW" narrative is exactly what they want, deprives you of thinking logically and taking a breath and identifying what you can do to take control, and is going to be repeated a heckuva lot more as they try to bombard you into disassociation. Overall, it is probably a good idea to take 48 hours before really responding to/actually severely freaking out about something, to see what is going to be done and who is taking action on it and if it has already been sued and etc. So yes.

#mad-madam-m #ask #the national nightmare

66 notes · View notes

thatbitchery · 3 days ago

Text

Last night decided to give in to the pressure and watch Love is Blind Habibi 100% for Nour because apparently we are bringing feminine and classy back and now see I know the bar is in hell I really do and I will give credit where credit is du ma'am knows how to hold herself but then she did the dumb girl thing and I had to pause the show and take a walk around town to cool down the second hand embarrassment of someone that seems to have it all just- falling apart but on national TV.

Ladies we DO NOT tell people our standards we live by them and they either match up or fall off. When ma'am said she does not pay the bill she needs to- I had to go take a breather and recollect myself because. Ma'am. 100% of all the crap she went through on that show would have been avoided if she wasn't trying so hard to be this season's IT girl (it worked though, she is. So from a marketing perspective - 10/10). We do NOT tell people what our standards and expectations are we live them and either they are it or they are NOT.

Shut Up and Do You then go home.

EVERYTHING. EVERY single THING that you say not only can but will, as a matter of undeniable and unavoidable fact, WILL BE USED AGAINST YOU in the court of social groups. Learn to SHUT your mouth. This is where therapists and I don't match up, they want you to be open and communicate and I want you to (in real life)

NEVER part with a fact unless you have to

Shut uppppp and observe

After initial outspreading, DO NOT SPEAK UNLESS YOU'RE SPOKEN TO

If you can't do this have an anon account on here and on Instagram or something and yap and say all that and be real so you can satisfy that need/desire and move on be a baddie IRL.

Human and literally animal communication is non verbal/literate. Even before you say anything subconsciously we have you boxed, but we can't quite put a finger on what we already know. Like that weird guy said in that equally weird interview- the thing with Noor is that she's a liar. Her actions do not match her words. She's fake. Because Queens don't tell kings treat me like a queen it just happens. Because queens live like Queens and everyone just automatically fall inro service.

If i had a dollar for every time I was told 'I told him/ her I don't like X and they still did it and now I'm hurt' uh huh and you deserve it. And I pray to God it keeps happening till you learn your lesson and stop being embarrasing.

Human beings- specifically men, are naturally competitive and combative. They want to turn No into Yes. When you tell a man no he automatically wants to make it a yes if they didn't we as a species would have died when the meat said no don't hunt me and they said aight bro bye. It takes combat to be a hunter. It's instinct. Notice how when you tell a man something they do the exact opposite. It's instinct. Outside men it's human and animal instinct to want to survive for longer by preserving energy so people naturally push boundaries & you see it so much in kids when you say don't do that and they do it looking at you to see if they can preserve the energy of not doing that by just overruning you. People are naturally combative we pyush boundaries that's why we have aeroplanes someone pushed the walking boundary.

No oneee wants to be told what to do. No oneeeeee. Not even you. It's degrading. It assumes you have no free will or the comprehension to exercise it and naturally people will fight back to maintain their independence.

You do know you're teaching people how to manipulate you do ypu not? By telling them what you like or dislike from the onset you take away the requirement to work hard to know you and handing them yourself on a platter. You tell a man you like flowers you give him a great path to just manipulate you bc now he can just buy you them whenever you're mad and it's good? If you shut it he'd have had to figure that out which would stress him which would force him to cherish you because he had to work? When you tell a girl 'don't talk to me like that' you teach her how to tick and trigger you but if you'd just walked out or shut her out she'd have had to make her way back?

I don't have standards for men because I have standards for me. Or friends or family. I'm a narcissist so I run everything by me to decide if it's worth it or not and just remove myself? I buy myself flowers sir? I don't talk to myself like that? I don't do that to me why the fuck would you think you can?

Shut. It.

61 notes · View notes

winterspellsfrozenkit · 2 days ago

Text

Adding to this because while I like Idia is my fav and I relate to him a LOT, Trey can pretty uncomfortable for me because it's like looking in a mirror.

To be honest, seeing people blame and mock Trey for not knowing how to handle a very difficult situation that most adults do not know how to handle hurts. I am not going to discuss it in depth, but to give my perspective from my past, when you are in a situation where you watch someone you care about be hurt by people who should be taking care of them and you cannot get them out because you are a child? It's HARD. The guilt you feel in that situation is CRUSHING. I was a child and I did not know what to do. So I tried to be helpful. I tried to soothe. I tried to do what I could to make the moments they were away from their situation happy ones. I didn't have it blow up in my face like 10-year-old Trey did, but I was a teenager and more aware of what could set a situation off. Even so, I knew I was disliked and I still preserved because even though I couldn't do much, I would not abandon them. Because really, those are your only options if adults around you can't or won't act: Be stuck watching someone suffer and all you can do is stay and watch and try to help in these inadequate ways that won't fix it OR you leave.

Back to the dream... Ortho points out the dreams WARP what you really want. Trey has a strong sense of compassion and empathy and that's what was holding him back from stopping Riddle and telling him, "Hey, how you are going about this? It's wrong". He was trying to protect both sides. Trey's been collared by Riddle before and he's most popular in the dorm, given he was voted to be the Vice by majority. He could've led a rebellion, except he wanted not only his dorm members safe: he wanted keep Riddle safe too. Look how fast the rest of dorm turned on Riddle when Ace punched him. They had a MOB MENTALITY.

His desire to keep everyone safe and happy twisted into not stopping the dream Heartslabyul students from basically harming themselves by overeating. Trey's motivation is simple, he wants people safe and happy, but Malleus's dream magic goes for the surface level and short-term fulfilment of the dream. Trey likes to bake and it makes people happy, so in his dream, he bakes a lot and he doesn't tell anyone to stop or to eat better or anything because it would break the "happy" part of "everyone is safe and happy". Looking at Cater, the other person who was trying to keep Riddle contained, Cater wanted to have every day feel like his birthday, but instead his dream made him the Housewarden.

And when I say Trey can be a pretty uncomfy mirror? I: hate being in leadership roles, think I'm pretty unremarkable, like to bake for others, get super uncomfortable with compliments, often try to act as a voice of reason when people around me are upset, am conflict avoidant, get nervous about setting boundaries with people who I know can be volatile, take on stuff I shouldn't to try and help, my get into situations I'd rather avoid because I wanna make sure my loved ones are safe... So, yeah. Trey is a super uncomfortable mirror at times because I see my weaknesses that I am still trying to fix.

This Trey discourse is getting ridiculous.

Tell me you don’t understand the dream without telling you don’t understand the dream. Tell me you don’t like Trey or understand his character without telling me you don’t like Trey or understand his character. For starters, the reason most of the fandom disliked Trey early on- book one. He didn’t stand up to Riddle’s mother or stop Riddle from being a tyrant.

Argument one: he was a child. A ten year old child whose parents were being screamed at for five hours straight (something of which BOTH Idia and Leona are horrified by, and those two had some strict upbringings themselves) while listening to eight year old Riddle wailing and sobbing for his mother to stop. That shit is traumatizing. Have you ever been screamed at unjustly as a kid? It’s terrifying. It haunts you. That kind of memory latches on and never lets go. Not without help.

Argument two: Trey is 18. He is a big brother. Not a parent. He didn’t raise his little siblings either, as his parents have a seemingly good relationship with each other and their children. He hasn’t seen Riddle in years, and while excited to see Riddle at the entrance ceremony he was quickly rebuffed by the now cold and steely Riddle who grew up under his abusive mother’s rule. He and Cater then worked with Riddle to dethrone their horrible then-dorm leader, and Trey was then sacrificed to the position of vice dorm leader because the entire dorm took a vote. Still, he did his best as vice dorm leader- not wanting to lose his head or watch their dorm mates stumble accidentally onto the execution block.

Trey, at the start, wasn’t particularly close to Riddle because Riddle wouldn’t let him be, and as someone who was traumatized by what happened when he WAS A CHILD likely struggled to speak up against Riddle’s harsher rules, and that most likely muddled together with Trey’s wish for Riddle to be happy. Going against Riddle would lead to conflict, and Riddle is short tempered as is. Trey likely believed that standing up to Riddle would make things worse instead of better.

He learns quickly from Adeuce later in book one how wrong he was, but that’s beside the point. The best Trey could do in the position HE DID NOT WANT was to give advice to his dorm mates and attempt to be Riddle’s voice of reason, acting as the peacemaker and struggling to keep any situation from escalating.

Something of note here, that I find particularly fascinating, is that it’s been stated by several characters that Riddle’s reign, though tyrannical, was nowhere near as bad as the last dorm leader- who was chaos incarnate. That plays a part in why Trey and Cater both were so willing to go along with Riddle’s iron ruling, even though both knew he was going about being dorm leader the wrong way.

There was no controlling or manipulating of Riddle- despite what Leona and Idia, who have ZERO CONNECTION AND INTERACTION with Trey and Cater prior to this dream, believed. There was no stopping Riddle, either. The best they could do was appease him and keep him calm.

Now, onto his dream.

We learn that Trey and his family “laugh” about what happened with Mrs. Rosebitch. This isn’t an, “oh they weren’t affected by what happened” situation, it’s an, “oh they were so badly affected by what happened that they can’t even talk about it properly because it’s so fucked up that they just laugh instead”. That’s called a trauma response. That trauma is so deeply rooted in Trey because he’s never learned to process it, that it’s there in his dream instead of being omitted.

Trey is also dreaming of a world in which Riddle has no stressful responsibilities. They’re at school, but his mother can’t reach him there, and Chen’ya- a childhood friend of Trey’s who was THERE when the Clover family got screamed at by Mrs. Rosebitch- is dorm leader instead. Riddle is not held down by what happened, and is seemingly “freed” from his mother’s cruel hand. Heartslabyul has become a safe space.

One built by Trey and Chen’ya, something they had unknowingly tried to do as children for Riddle (as they were unaware of the abuse, but had been a shining light for sweet baby Riddle who lived in the suffocating darkness) but failed- and paid severely for it.

Now, onto Fandom problem number two: the Round Bois.

I’m seeing people call Trey a “feeder” and are behaving harshly towards him because of it. But that literally couldn’t be farther from what’s happening. For example, let us take a look at his conversation with Vil (I brought my freaking receipts; this boy is my FAV of Heartslabyul) during Vil’s lab coat vignette.

We know Trey likes to bake.

He bakes for the Heartslabyul parties, and often gives Adeuce pastries to bring to Ramshackle to share with Yuu. But we learn in his New Years vignette that he bakes as a form of stress relief, too, to work his thoughts out and/or distract himself. It is a comfort to him. A safe space. And he knows whatever makes he will likely bring a smile to someone’s face. He enjoys baking, and he enjoys seeing people enjoy his sweets.

If someone is stressed, he encourages them to eat sweets- or cake with lots fruits, though that’s specific in this vignette because he just made a strawberry cake and was trying to find someone to give it to because it was one cake too many, lol, and Vil happened to be stressed out from something Rook said.

Trey isn’t being a “feeder” here or in his dream. He saw someone stressed and went, “Hey, I have a solution, why not try it? One slice won’t hurt and it’ll make you feel better/put you in a better mood.”

Baking is Trey’s solution, and a reliable source of comfort. He likes seeing how happy people are from the things he bakes, and he knows eating sweets can make other people happy. That’s why he goes out of his way to find someone to give the extra cake he accidentally made to- because it’ll put that person in a good mood and the cake will have a “good home” to go to.

Trey’s dream was basically giving Riddle and their other dorm mates a life where they could be happy and enjoy themselves without fear. A safe space. He could bake to his heart’s content in this massive kitchen his dream Heartslabyul provided, and everyone around him are happy and overall stress-free.

The reason they’re all ROUND BOIS???

It’s not because Trey was a “feeder” and fed them to that point, it’s because the dream-versions of his friends lacked self control and there was no one to stop them from eating sweet after sweet after sweet. They just happily ate whatever it was Trey baked, because he baked a lot- not to “feed” them, but because baking is something he greatly enjoys doing.

#twst #twisted wonderland #trey clover #twst jp #twst jp spoilers #twst spoilers #twst trey #riddle rosehearts #twst book 7 #twst book 7 spoilers

260 notes · View notes

theclownghoul · 3 days ago

Text

Gratuitous

Opinion piece & analysis

I really hate how Jinx’s suicidality is portrayed in S2, largely in Act lll but we’ll talk about all of it.

In S1 we have about three moments (by my count) that show Jinx harming herself or trying to end her life. Hitting herself in episode 3, being careless with the staples in episode 7 and pulling the pin on the bridge also in episode 7. There is also a line she says to Vi “You’re the reason I’m still alive” in episode 9 which given other things she says in that moment could be interpreted as other ideations.

What makes these moments different from S2 episode 9? Well none of the three main writers were credited to those episodes other than the dialogue in S1 episode 9. Most of them are communicated through animation only. They also just feel different, they’re vulnerable, other things are the focus and her doing these things is just a reaction to those feelings. There was something to get from the scene besides a showcase of her pain.

Episode 9 of S2 is not that. It’s gratuitous, it’s a spectacle, it’s gory and somehow losing all its impact. There’s the music which is not what I’d call tasteful or subtle. It’s making an impression, wants to force a feeling or reaction. Make you sad or horrified and oh, I was horrified but not the way they wanted.

Even the way she digs her nails into her cuticles in S2 episode 8 isn’t really meant to show us anything about her. It’s meant to affect the audience.

In comparison I almost appreciate how people have read her pulling the pin in S1 episode 7 as trying to manipulate or take Ekko out too instead of being a completely clear cut attempt. Because it at least shows that there is enough going on with the character’s mindset that we can speculate on her motivations and how she’s reacting to all the emotions that came from fighting her old friend. If you look at her face it’s sadness and regret (S1 is also better at story through facial expressions since there was forethought). You’re free to have your own reaction, not the one that’s set out for you.

I have mixed feelings about her fight with Vi now and telling Vi that she’s okay to go out by her hand. It feels closer to the moments in S1 than later in episode 9. There’s more going on, we’re meant to consider multiple layers of both her and Vi’s feelings in the moment. It’s a non explicit parallel to the Bridge and does show a pattern of behaviour. It’s also not credited to any of the main writers.

The scene from the opening of episode 9 as a whole, is it romanticization? Heard differing opinions on this and I honestly don’t know where I stand. One one hand it shows how empty she feels and how everything has come crashing down despite trying and it communicates her emotions through the images and music. On the other the scene is meant to be visually appealing while also showing her detonating the bomb very explicitly, like you see her blood. I’m sorry but this is some 13 reasons shit. None of this is helped by the fact that Isha was killed purposely to get her in this state.

I had way more emotions about the actual story in the scene with Ekko in S1 and the scene with Vi in episode 3. Originally I liked this scene but I just can’t really remember why exactly, especially when compared to the earlier ones. The other scenes aren’t lacking in any way when it comes to showing her despair so I’m lead to believe it’s a stylistic choice in line with S2’s music video focus.

Then there’s Ekko… what did he do to deserve this? I’ve said before that if he had to he would save her but the reason he had to was because this scene sounded like a good idea. Saw someone say why is it his responsibility to save her and yeah why? He’s her romantic interest? Not from her perspective at this point and that’s a terrible reason anyway. Not only are we shown her blowing herself up in detail, being inflicted with it but he also has to see that, multiple times. Please don’t make me think too long about it… then we don’t see what actually changes her mind and actually see their bond. That also doesn’t give me a lot of faith is what they think is important to show.

Then she sacrifices herself at the end to “break the cycle” which no one is actually clear on what is meant by that and the same damn song is playing. It’s weird.

I’d like to compare it to the Poison sequence from Hazbin Hotel since that scene faced backlash for romanticizing abuse specifically in that scene. If I can describe what makes Poison not exploitative and what makes Wasteland so then I can safely say they are different and there is something deeply sinister about Jinx’s scene.

Poison benefits internally, inside the context of the story from being visually appealing and pretty. That tells part of the story in and of itself and eventually it cracks, mirroring how Angel feels in the scene and in his situation.

Wasteland benefits externally, it’s done for the audience as I’ve been saying. There is nothing about Jinx’s mindset or actions that we get a better insight into from the stylistic choices. We know “she loves a spectacle” but that’s the only internal explanation that I could make. Even if they wanted the cutting of her hair and the burning on the last drop but the framing could have easily been different.

Think about the staple scene for contrast, it has no interest in being something other than what it is, brutal and disorienting, just as she is feeling in that moment. Jinx would behave that way whether there were “eyes” on her or not. Poison is the same, Angel “performs” to keep his thoughts at bay regardless of an audience. Wasteland only exists in its current form to entertain.

The final “sacrifice” also falls into this, solely focusing on eliciting a reaction from the audience and making a spectacle of sadness. There is no resolution to Jinx’s earlier conversation with Ekko, we don’t see her reflect, we don’t see a change. We have no reason to believe she’s in any way in a better place. Her decision to give her life for Vi’s isn’t particularly fleshed out and this as a conclusion to her arc is bizarre at best and offensive at worst, suggesting she had to remove herself from her loved ones lives, something she simultaneously feared and was tempted by.

I probably shouldn’t feel the need to make such a caveat but I am aware that the could be a matter of preference when it comes to how scenes like this are portrayed but the way this scene was done continues to strike me as odd. I can’t help but think it maybe intentionally or unintentionally is playing into the “sacrifice” message where, it may be a sad thing but Jinx had to die. And that’s a horrible thing to say.

#arcane critical #jinx arcane #arcane season 2 #arcane season 1 #season 1 my beloved #mental health #I have had this one in the works for a while and I think I’ve finally got it right #hazbin hotel #hazbin angel dust #disclaimer about using poison I’m only referring to the scene we see in the show and how it comes across #to an average viewer who doesn’t know the bts problems the show uses a music sequence effectively if possible by fluke #Hazbin also suffers from having his recovery be mostly offscreen #And you can bet your ass if they mess up what they do have with him in HHS2 I’ll have something so say #Apparently showing character’s struggles symbolically and considerately is usually a fluke

35 notes · View notes

seiishindraws · 7 hours ago

Note

Hii, I saw your latest post and your art style is so pretty?? What?? I have a question though. How do you do the paint one? Or rendering in general. Like genuinely, I have a problem with rendering and I can't seem to quite understand it on my own. Do you just start with flat colors? Do you do lineart or colors right after the sketch? Is the "lineart" just added later? Painted over? Erased to give thinner and thicker lines?? I'm really curious!!

hi! im not the best painter tbh! though i do have a background in painting but ill try my best to explain

diff artists have different approaches to how they paint but generally yes, you would start out with big shapes first and then go into the details - work big picture first. like, if you squint and the drawing makes sense in terms of value and colour and shape, youre on the right path.

i can kinda show this with a warmup in-class speedpaint exercise we did a couple weeks ago where we were tasked with painting an eye in about 30 minutes (i was late and only had 20 lol)

luckily ive got the layers for this. i start of with a base layer, kind of like a underpaint layer since that's how i personally learned to paint traditionally. i did have a sketch before laying down this base layer under it but i ended up using it for final rendering details lol

after that i started laying down the big blocks of colour. i wasn't necessarily aiming for complete colour accuracy here, i just wanted to match the value. i chose a pink underlayer to influence my colour choices because the underlayer will peak through the blocks of colour i paint over it

and then (forgive me if this seems like "draw the rest of the owl" in terms of progression) but this is where i started going in with finer detail. i did the rest of the render on the sketch layer i had so you can see some of the lines from the sketch here

here's the layers completely seperate from each other

even for the flat colour version of my character, i had an underpaint layer! i used yellow and orange since i wanted her colours to be warm and used a semi-opaque brush to put her colours in rather than using a completely opaque brush

when i wanted to do the painted version, i put the lineart on multiply and reduced the opacity and brushed in some some quick shadows on seperate layer on hard light mode to give me a good base to start painting with

and then i did all the rendering and details on a new layer ontop of everything. i keep the lineart light so i can paint over it easily and also colour pick from it when i want a more distinct line to seperate certain shapes. i unfortunately dont know how to explain this part because a lot of this is intuitive to me and i'm still learning. but you gotta make use of different types of "edges" in painting, and you would generally have more contrast in the focal point of your painting than in other places to draw the eye to that point. i suggest researching the use of edges in painting if you really wanna learn more - because im a terrible teacher haha

for fun here's what the rendering layer for this one looks like on its own and the finished thing for comparison

there's other things you need to learn too, like bounce light, atmospheric perspective, ambient occlusion... and colour theory is always important! i could go on for a long time. there's a lot of pieces to the puzzle and it may seem overwhelming but there's tons of resources online and it will all become second nature to you as you keep practicing

uhh hope that helps!

#ask #poppyflavour #art tips

34 notes · View notes

cripplecharacters · 2 days ago

Note

I write fanfic, and have some concerns about MC's baby. Baby (Hope) was made in lab and has genetic differences. Currently, I consider something like Down Syndrome?

Background:

In canon: character mourning his best friend (an alien), and try to clone him. (Alien later later in story come back to life)

My thoughts: When you clone someone, but use DNA from 2 people, it's actually a baby...

Since they are different species, I consider having their child being either triploid (3x chromosomes) or tetraploid (4x).

Which can be genetic issues. And disabilities. I sort of base on Down Syndrome, but also different.

Things I thought issues:

1. Should I just have the kid have Down Syndrome? At least it's familiar, and unrepresented. But also DS is only 3rd 21 chromosome, not all chromosoms are 3.

2. Issue about the kid being a baby. Since initialisation is a big problem for ppl w disabilities, DS especially.

3. Dad 1 (the scientist) has a "what have I done" moment. It's before the beby is born, and before her differences are showing, but can be problematic. I try make it clear this is problem bc Dad goes 1) my dead friend didn't agree, 2) i shouldn't make a kid, 3) I'M HAVING A BABY!?!?

4. Also, I don't know if there's problem with "made in lab and different"? (Like it's "punishment", or something about mutations? Idk I'm not from USA nor Christian, but I know people who are has weird issues).

To be clear, both dads love their kid. They call her their light and "our little miracle". Though can also be issue?

Thank you!! I hope it make sense?

Hi!

First, I want to clarify some points from a biology perspective:

Humans are really bad at handling the wrong amount of DNA, and really bad at cross breeding with non-hominids.

A cross-breed between two species with different numbers of chromosomes may or may not be viable (best chance is when the species are closely related), but the hybrid is nearly always sterile.

A haploid (1x) from each parent can make a new human. Most organisms also work this way. But some organisms produce sex cells with multiple copies of the genome--for example melons can be made to have 2x seeds.

Aneuploidy (3x or 4x) is lethal to most species. Some (plant) species are more resistant, but still sterile--a normal 2x melon and a 4x melon produce a seedless 3x melon, for example.

Monosomies and trisomies are not always fatal, as evidenced by Down Syndrome among other chromosome disorders.

If you want to follow biological constraints, I think having Hope be a hybrid is not the best choice.

But you can do whatever you want, and model off of any chromosomal disorder you want, since you're dealing with fantasy biology.

I think the most important/constant aspect of chromosomal disorders is intellectual disability. Hearing and vision loss are also very common.

Infantilization is not so much a worry with an infant character. It's okay to have children in a story. It becomes infantilization if the character is routinely treated as far younger than their age.

I don't think being made in a lab is a problem. Genetic disorders happen, whether chromosomes are combined in a lab or in a body.

And I also think it's normal for your character to have all sorts of emotions about having made a new person. Just like when someone is pregnant. You're clearly showing it as his complex emotions regarding his actions, not disdain for baby Hope.

Mod Rock

#mod rock #psychologeek #down syndrome representation #congenital disability representation

30 notes · View notes

nightwingsgypsyrep · 2 days ago

Text

So I definitely feel like I will be adding to this post quite a bit, and this first addition is coming after @jjohnnyutah’s fantastic reply, which kinda summarised the history a bit more.

As I said earlier, I was really umming and aahing about making this post, because I’m still new to a lot of the comics, so this was really inspired by what I have been able to get my hands on (literally… I started out borrowing my friend’s comics last year) whilst I’m slowly making my way through what’s available online. As it is, you can probably see that I was able to read more of the modern stuff than the older stuff so far. I didn’t really want to make a post until I had read more but hey I’m adhd as hell and intended to just make a small one in reply to the tags and it spiralled from there. I did try to find some info of what I missed online but apparently that left out a lot! So this post is gonna have constant updates of me doing a DC and retconning stuff as I learn more.

So, anyway, jjohnnyutah’s reply addressed a couple of things. Firstly was Mary’s origin as a dental hygienist, rather than being from the circus herself originally. Can’t lie, I actually love this for her. Is it super unusual from a how-gypsies-work perspective? Sure. But like I say, a lot of my cousins are Diddakois, and I kinda love the idea of Mary coming into the fold, when just as often, the gypsy partner ends up leaving it. Of course, there’s nothing to say for sure that Mary did not have Romani ancestry (like I say, in the N52 modern stuff, she was friends with other Romani characters, so she wasn’t completely unfamiliar with the Romani sphere) - I, myself, am a gypsy with a degree, so it’s not exactly like getting a different job cancels your Gypsy Card. Although I do really love the idea of Mary being a gypsy and working as a dentist for the simple reason that, although attitudes to education have greatly improved in recent years, my family would have lost their shit if I got my degree twenty years ago, as it would have been seen as ruining my prospects. So from a feminist perspective, I really love the idea of Mary having at least some Romani heritage too.

The other is Dick not knowing much about his heritage and wanting to learn more, and let me tell you, I feel that. Even growing up surrounded by it, my dad’s side of the family never told me anything. I didn’t even get confirmation of how many siblings my grandmother had until she died. My mum’s side was much more forthcoming. Like I say, I’ve had a lot less opportunity to read the (let’s face it) better older stuff so seeing what I have of it, it seemed more of a given that Dick knew something. The reason for this presumption was mostly of how much Romani he’s seen to know even early on?? As I’ve said on previous posts, in the modern day, Romani is a lot less complete for actual use, so how much he knows is impressive. But yeah, this has just made me so much more excited to continue reading. But at the same time, fully expect another post from me six months from now when I’m more caught up calling myself an idiot. Ta x

Ok so I’ve been umming and ahhing about making this post for a while. I’ve always kinda planned on it, but seeing these tags on a previous post of mine (no hate to this user) made me want to post something now. It’s also gone 3am. So it’s not really going to be very clean and tidy, and will probably be a bit rambling, but I can always post a ‘tidy’ version another time.

So! Tackling Dick Grayson’s Romani/GRTSB heritage (warning: it’s a long one)

So, as usual, a few disclaimers: 1) I am not American. 2) I myself fall under the GRTSB umbrella - for clarity, I am from the fairground/circus so a Showman, but my family were simply ‘gypsies’ before getting involved in that in the Victorian period, so I use gypsy/traveller/Showman for myself. I also speak Romani and grew up in the culture and on the grounds. I’m not just talking out of my arse, I promise. 3) I do not pretend to have read every comic. However, this post will be based in things which DC have published (yeah I know it gets retconned every two minutes but hey, I’m working with it), even if some of it is more speculative/Headcanony, it will all be canon-compliant/what makes sense based on my own experiences. 4) That being said, everyone who does in some way fall under the GRTSB acronym will have different experiences and opinions, and all are equally valid and should be respected. 5) I use the term ‘gypsy’ a lot. Where I am from, it is not a slur, but is used almost a catch-all phrase for GRTSB people, by us. We also see Dick use it so I’m going to. I personally don’t mind if people use it (so long as they don’t use it as an insult) but not everyone will feel that way, so it’s always better to ask individuals. 6) this post is intended as a fun exploration of a character whom I relate to based on our shared heritage (when it’s really rare to find characters like that). I’m not trying to dictate to you how you should interpret Dick’s character. You’re welcome to different opinions and interpretations - this is just one of mine! :)

So, first, what is GRTSB? Well, it’s an acronym which covers all aspects of the gypsy/traveller umbrella. It is used in British legislation. It stands for Gypsy Romani Traveller Showman (aka fairground and circus) Boater. Under British legislation, only the first three (Gypsies, Romani, and Travellers) are considered an ethnic identity, whilst Showmen and Boaters are considered a cultural identity.

This is absolutely FULL of problems and has been hotly debated for years, with different people identifying in different ways. People who share the same/very similar ethnic heritage (i.e. siblings, or cousins) can have completely different points of view on what they identify as. As such, don’t take it as gospel - it’s more of a guideline than anything. Especially since a) these groups often intermarry, meaning that someone can be multiple at once; b) if a Showman stops travelling with the fair and settles, they don’t become a non-traveller, because it’s in your blood, not just a job; c) people can trace their heritage back past a particular group - e.g. my own family (circus and fairgrounds aka Showmen) can be traced back to at least the 1600s, before fairs were really a thing - at the time, they simply identified as gypsies. They didn’t stop being gypsies just because they changed their job/founded a circus/fairground. As such, many in my family identify primarily as a gypsy or traveller, and a Showman secondarily, whilst others do the opposite, or identify as just a Showman or just a traveller/gypsy. Like I say, this classification is not perfect, and is hotly debated, especially at the present time.

So, now, onto the subject of Dick Grayson. I included the tags above mostly because of the ‘tell me you don’t know a character without telling me you don’t know a character’, because, firstly, rude. secondly, the poster makes reference to the Golden Age. And yeah, obviously DC aren’t going to make reference to Dick being a gypsy in the Golden Age - do you really expect writers in the 40s to care enough about the nuances of a character’s ethnic heritage, especially a gypsy, at a time when it was still common even in countries like England (where legal segregation wasn’t a thing) to have signs on pubs like ‘no blacks, no Irish, no dogs, no gypsies’ - btw we still get those occasionally? However, if we look at the comics which have been published in the eighty five years since Dick’s debut, we see a lot of references to Dick having Romani/GRTSB heritage. Again, I’m not well read, but in Grayson’s run, at least, we do see Dick speaking Romani and self-identifying as a gypsy (Nightwing #91 btw). So I’m sorry but it is definitely canon that Dick has at least some Romani heritage (since Romani, by culture, is not taught to non-travellers on purpose, and is thus only passed down from parent to child. Hell, even some of my cousins who are half gypsy - Diddakois - don’t know the language!), and the fact that he speaks it and IDs as a gypsy does suggest that this is something important to him and his character. I know that being a gypsy is certainly a big thing to me (with how the world treats us, you have to be proud of it and have it be important to you to make it worth it).

So now we come onto the second part of my rant: wtf is going on with Haly’s Circus.

So, an important bit of context is, what makes a gypsy a gypsy? And the answer to that, in my opinion, is a mix between culture and blood. You can’t be a gypsy (unless in circumstances like adoption) unless you have both. What I mean by that is, if you’ve got one gypsy great great great grandparent, but weren’t bought up with the culture and morals, you have gypsy heritage but are not a gypsy. However, if you are a gypsy and you decide to settle down in a house, work in an office, and never speak Romani again, you are still a gypsy. Similarly, if you suddenly decide to take on the gypsy lifestyle (maybe work on the fairgrounds or in the circus, or go travelling like the New Age lot), you are not a gypsy, because it’s not in your blood - hence why it’s an ethnicity, not a cultural thing really. As such, it is common for there to be a us vs them mentality even with those working on the ground - you have the gypsy/traveller/Showman who tends to own/run things, and then you have hired non-GRTSB staff (traditionally called chaps, but this has fell out of fashion in recent years).

Now, I make this distinction because Haly’s Circus is really odd in that regard.

Most gypsy (or Showmen - like I say, it can be both at the same time) ran circuses and fairs tend to be family affairs. For example, it might be John Doe’s Circus on the tin, but the Smith family (which Mr Doe’s sister married into) will often work with and alongside the Does in the running and operating of the events. Largely, this is on an ownership level, with various relations then owning the surrounding supporting elements (e.g. sideshows, fairground rides and joints, food kiosks). Other family members might then help ‘mind’ the stuff, or you can hire non-GRTSB staff to help.

Now to draw on my own family history: historically, in the Victorian period, etc, it was common for the gypsy family who owned the circus to also perform in it. For example, in my grandfather’s circus, my grandmother was a lion tamer and equestrian performer in parades. They did also hire non-traveller performers, but there wasn’t such a distinct line. However, by the 30s approximately, this had changed to be a more managerial role, with it being more common to have purely hired performers in the main event. The exception here was for sideshows and fairground rides - it is still common today for these to be ran/worked by GRTSB people (e.g. my grandmother did the dookering - fortune telling - and my grandfather did the boxing; today, we still run and operate the rides and kiosks).

However, we know that Haly’s circus was not like that. We honestly don’t know if Haly was a gypsy or not. Also, usually, gypsies have such big families and are surrounded by them, but we know that the Graysons died with no living family (no William Cobb does not count here) and had no relation to anyone at Haly’s. I suppose if you want a canon answer, you could point to how Haly’s was used by the Court of Owls, but it could just be Like That. This is unusual but not unheard of, but still worth pointing out I think. Alternatively, it could originate from one of the non-GRTSB started circuses which were popular around the turn of the 20th century. Since being a gypsy is really tied to your family name and, ethnically, means you have to be born into it - you can’t just start a fair and claim to be one-, even 120 years later, these families are still met with scepticism - they could marry into a 100% gypsy family in 1901, and have all of their descendants do the same, and still the older generation would look at their surname and scoff and say they’re not a real traveller because that one great grandfather 100 years ago was not a born-and-bred traveller. But honestly, I think 100 years is enough to integrate. So, to summarise, Haly’s circus is quite unusual in that it does not appear to be operated by only gypsies/Showmen, even if it still common for circuses not to be performed in by just gypsies.

Now, to answer, how Romani is Dick Grayson?

Like I say, canon does explicitly tell us that he has Romani heritage, placing him firmly within that second category of the GRTSB acronym (and he also identifies with the more general Gypsy identity). However, it’s frankly unlikely that the writers really went in depth with the whole GRTSB thing, so I think we can tentatively suggest that he might have also identified (keyword here being ‘might’ - this is more canon-compliant HC here y’all) as a Showman (called a Carney in the US) because the whole deal with being a Showman is the circus/fairground aspect (but, like I say, it is still a ‘gypsy’ identity as you must be born a Showman, you can’t just sign up, because it is based on a mutual gypsy heritage which predates fairgrounds/circuses, which means it still fits into what we know of Dick in canon. As such, Dick being a Showman is hardly canon, but it is 100% compliant with what we know of Dick in canon). As I’ve said, they are not mutually exclusive. He could ID as both or either, or just prefer the all-encompassing ‘gypsy’.

Now, we also know that Dick is not 100% gypsy (but tbh who is nowadays? I have two non-gypsy great-great grandfathers). Although Dick’s family history is limited, we know that his great grandfather William Cobb was likely not a gypsy (he could be ethnically, it’s not ruled out, he might have just settled, but let’s go for safety’s sake here and just say he’s not). Similarly, his partner was from a wealthy non-gypsy family, meaning that ethnically, their baby (John Grayson’s father) was likely not a gypsy (though could potentially have been a Diddakoi aka a half-gypsy, if we believe William Cobb to be a settled gypsy). However, since this baby still grew up amongst the circus, it is not impossible that he ended up marrying a gypsy, which would make John Grayson half gypsy - aka a Diddakoi. In fact, I would argue that it is even likely, owing to the fact that Dick speaks Romani, and the fact that Romani is only taught to other members of the family, meaning that somewhere in the Grayson family, a Romani speaker had to be introduced. Mary Grayson (formerly Lloyd), on the other hand, probably was Romani/GRTSB herself. I say this, based mostly on her closeness with the OG Richard aka Raptor from Seeley’s run, who was Romani, and the fact that it is really common in gypsy circles to mostly mix with other gypsies, meaning that it would make sense for the pair to meet based on the fact that they were both gypsies/Romani. Therefore, I would argue that even if Dick is not wholly Romani/gypsy ethnically (but, like I say, who is nowadays?), I think there is enough both blood and culturally to make a pretty good case for him IDing as such, and foregoing the need to make any distinction. (Also, especially nowadays when Diddakois are increasingly more common, it’s not even that prejudiced to be a Diddakoi. A lot of my cousins are and you don’t even think to mention it). Aka. He’s a gypsy. Nuff said.

Then, I suppose, the final thing I’ll address is the ‘whitewashing’ issue, or, what I really think is a non-issue.

Sure, a lot of ethnically Romani people are dark skinned. There is a reason why the term gypsy exists. Now, as my grandad will tell you, gypsies originated from Northern India about 2000 years ago, before moving into Europe. However, a lot can happen in 2000 years. There are a lot of people in the UK, at least, who identify as purely Romani who have very pale skin. My family has a real split: my dad’s side of the family is quite dark, and are often mistaken for being South Asian in the summer due to how dark they get when they tan. Meanwhile, he refers to my mother’s side of the family as being ‘poxy and pasty’. My mother is a full-blooded traveller btw, same as my dad (barring their singular non-gypsy great grandad they each had). You just can’t paint everybody with the same brush. Take me for example: I am pale af and take after my mum’s side of the family, but I’ve still got the stereotypical dark curly hair and blue eyes of gypsies (which my boy also shares). Genetics are weird. So whilst I am a big fan of dark skinned Romani Dick Grayson, it’s also still ok and accurate for him to be paler. This does not make him any less Romani. (Like I say, this is all based on my experiences in the UK).

SOOO… TLDR:

Dick definitely has Romani heritage. This has been canon for decades and cannot be taken away from him.

He canonically self-IDs as a ‘gypsy’ (as well as the Romani heritage), and may also be interpreted as being a Showman (even if this is more of a European term) if you want to see him that way, especially since a lot of Showman families (mine included) can trace their families back past the origin of the fairground to when they simply identified as gypsies or Romani (hence why Dick might ID as a gypsy with Romani heritage. Honestly, this is mostly in the realm of canon-compliant Headcanon now)

The GRTSB classification system is a mess y’all and everyone has a different opinion. Just roll with it and don’t get into the debates is my professional opinion.

Being Romani/a gypsy/a traveller/a Showman is something you are born into. You can’t just become one, or stop being one. So, if we presume that William Cobb had no Romani heritage/was not a settled-down Gypsy, even after he joined Haly’s he did not become one. It really is in your blood, and is tied to family.

Haly’s circus is unusual because it’s mostly not a family affair (though points for the Graysons sticking with it and inheriting their roles - that is realistic!). It’s unclear how many of the members of the circus are Romani.

Dick also has non-traveller heritage due to the William Cobb thing. His grandfather, at least, was probably not ethnically Romani (though he might have been half if we want to view William Cobb as having Romani heritage/being a settled gypsy). However, since Dick canonically has Romani heritage, IDs as a gypsy, and speaks Romani (a language which is closely guarded amongst gypsies), it had to come in somewhere. Honestly, I think we can comfortably view him as being at least 3/4 ethnically Romani/a Gypsy, but also since modern Dick Grayson was not born during prohibition, this really isn’t a problem as it’s really common for Diddakois (half gypsies) to be treated as full gypsies nowadays.

As much as I love darker skinned Dick Grayson, it’s not a requirement. A lot of the GRTSB community (especially in Western Europe/Britain/Ireland) are on the pale side. This does not take away from their identity.

So that’s my rant. It’s like 3.30am so it’s probably a complete mess but hopefully it gets down the basics, at least insofar as it relates to my experiences and understanding as a gypsy from the fairground/a circus family. People will probably have different experiences (especially since I’m in the UK). Although I have based all of this on canon, and as such it should all be canon-compliant to my knowledge (I’ve still not read all the comics!), it is also equally based on my experiences, so you may interpret it completely differently. The beauty of Dick’s character is that he has been built up over 85 years, and as such, we have to do our best to interpret what was laid down in the Golden Age by writers with no idea of what Dick’s character would grow to be. As such, canon really is a bit of a sandbox, and this is my own go at it!

If anyone has any questions/wants clarification/notices any obvious contradictions with canon since I’ve not read them all yet, please feel free to point it out! This is not intended to be a lecture/call out post/dictatorship on how you view canon, just a small exploration of my interpretation of a character whom I relate to as a Romani speaking gypsy from the fairground/circus myself.

171 notes · View notes

myokk · 3 days ago

Note

HIIIIIII this is your secret valentines 🥰. Just wanted to say I’m a massive fan of your work and you helped me get into HL. I’ve been a silent follower for AGES.

anyways- enough of that- what’s some cute things about Seb and My Wife™️’s relationship? Like- going through an M&M bag and only picking out idk green ones bc they’re their partners favourite. Or thinking about them whenever they see a colour.

HELLO SECRET VALENTINE♥️♥️♥️♥️

Omg when I find out who you are…🤭🫶 I CANT BELIEVE I AM PART OF WHAT GOT YOU INTO THIS FANDOM😭😭 I am just a humble girl with no chill..😆♥️♥️♥️

Pretend this is a drawing of you and your wife Eloise🥰🥰 SEBASTIAN WHO????😒

ANYWAYS onto your question🫶🫶

Eloise LOVES reading & she’s gotten Sebastian into reading muggle literature. She always laughs at him though bc before they met he considered himself an avid reader but all he was reading was magical non-fiction😆 (SO BORING🥱 WHERE ARE THE BRUTAL CHARACTER STUDIES…THE ADVENTURE…THE ROMANCE ???????) and now they have CRAZY long discussions on Dumas, Dostoyevsky, Shakespeare. She always loves hearing his perspective bc he considers things in a way she NEVER would♥️ (in happy ending land I consider them to be big patrons of the arts in the future)

He ALWAYS saves a slice of lemon tart (Eloise’s favorite food, which Sebastian figured out just by observation 🤭) if he sees that it during meals🫶 and, another food-related thing: at breakfast they work in tandem, Eloise stirring some honey into her oatmeal as she hands the cinnamon to Sebastian, and he’s always reaching across to grab some cherries for her🫶

The two of them just very quickly found themselves comforted and comfortable in each others’ presence, something that they had never experienced before.

If you’ve read my oneshots that are Eloise but not named (😆) (I’ve expanded a bit on her personality in a way I can’t yet with my angst fic) you know she is VERY quick to be flustered but she HATES IT & never wants to show emotions if she can help it (unless of course she is getting her revenge😇). Sebastian LOVES this part of her though, AND he loves the fact that he’s the only one that can truly get her to open up and see her for who she really is.

Sebastián smells like cinnamon in my own little headcanon & it’s because he’s OBSESSED with it…adds it to his coffee, tea, oats, toast, WHATEVER. So there’s always a faint cinnamon scent clinging to him and his clothes and the smell starts to bring Eloise a lot of comfort once she associates it with him. Before, she wasn’t such a big fan of cinnamon but now?🤞💘🤭

I hope these answers make some sense!! My brain is still kind of mushy but I wanted to try my best and answer well🥹♥️♥️ HOPE YOURE HAVING A GREAT DAY !!!!!!!!

#sorry the response was kind of late!!!!!!🥲#when I have the time as well I REALLY want to do some new pictures for these asks as well♥️#I love these two so much but mostly Eloise🥰🥰🥰🥰#hogwarts legacy #hphl #hogwarts legacy fanart #hogwarts legacy mc #hogwarts legacy oc #eloise babbit #sebastian sallow #sebastian sallow fanart #sebastian sallow x mc #ask

30 notes · View notes

cloverapple · 3 days ago

Note

Thank you for posting! Reading your stuff is a lot of help, and your shifting method is awesome sauce i've been using it for the past two nights (the reasons for why I didn't shift i'm self-aware of and will proceed accordingly, not writing it down here because i feel like it's unneccesarry and don't think you can say much abt it) what I was curious if you could give advice about is: fear of shifting? Don't get me wrong i really want to shift. Been on this journey for years for a reason! And i think soon i'll finally do it, as i've never been as consistent, putting in actual work, as I am and as I do now. Last night, when body was truly asleep and it was just only me, I did my thing trying to shift. And suddenly this weight settled on me, as if the world was too big and too heavy, and i immediately thought "I can't do this" and rolled over with the decision to just simply sleep. Today i talked with a friend about this, and he said it's probably "a fear of shifting, a fear of responsibility", and honestly I agree with this take. Of course I will try again tonight, and will keep doing so until I can push through this feeling and actually shift, but i was wondering if you had a word of advice? Thank you <3

• The way I see the fear of shifting is like: that fear you felt right before the shift wasn’t a failure, it was a sign you were right there.

• Think about it: why would your mind suddenly scream "I can’t do this!" and slam the brakes when you were on the edge of what you’ve been working toward? It’s because, on some level, your subconscious knew shifting was about to happen.

• It accepted it as real, as possible, and that’s exactly when the fear kicked in. That fear isn’t about shifting being impossible, it’s your mind clinging to the familiar, trying to protect you from stepping into something that it's your current reality. Our brains are wired to favor what we know, even if what we know isn’t what we want. It’s like standing at the edge of a cliff with a parachute—you know the parachute will open, but the ground beneath your feet still feels safer.

• So, no, you didn’t fail. Don’t look at that fear as a blockage because it’s not. It’s a precedent to progress, a signpost that you're on the brink of success. Fear is just your mind’s way of saying, "This is real."

To work through it: First, understand that fear is just another form of anxiety—and anxiety, at its core, is the same physiological response as excitement. The only difference is the story you tell yourself about it. When you feel that fear creeping in during the day, don’t shove it down. Let yourself feel it, but flip the script. Visualize the moments you’re genuinely excited for in your DR. Happy, comforting, exciting things that make you want to shift. Feel how easily that fear morphs into anticipation. Emotions are malleable, and once you start associating that tension with excitement instead of dread, you’ll find it easier to move forward.

What you really need to do if fear is your issue, is let go. Stop putting shifting on this towering pedestal. Yes, it’s amazing, but it’s also normal. The more you treat it like this huge, mystical event, the more your mind will see it as something to fear. Shift your perspective. Talk about it like it’s just another part of your day, think of it as routine, affirm it as something natural. Trick your brain into seeing shifting as regular and unexciting, and it’ll stop resisting. Because at the end of the day, shifting isn’t some impossible feat. It’s just you becoming aware of another space you already belong in.

• But let’s go even deeper, to stop that freeze response from hijacking you the next time you’re at the doorway to your shift. We’re going to eliminate the fear before it even has a chance to rise. (yes I'm giving you optional homework because I'm the worst 😁)

The "Normalize Your DR" Exercise

1. Document Your CR Routine. Write down your current daily schedule in your CR. What time you wake up, eat, work, study, relax, everything. Create a schedule.

2. Now create a parallel schedule for your DR. You could do this for the day you're going to wake up in your DR, or next day, depends on what you scripted and feels better for you. What are you doing at each hour? How does your morning routine look? Who do you see? Where are you?

3. Sync CR Time with DR Time. Match your CR schedule to your DR schedule. For every hour in your day, mentally check in with what you’d be doing in your DR at that exact time. This repetitive syncing normalizes your DR in your mind. It becomes part of your routine, not some distant, unreachable dream that your mind fears shifting to.

4. Visualize Throughout the Day. As you go through your CR, take moments to pause and visualize your DR. The more your mind gets used to the idea of being in your DR, the less foreign—and therefore less scary—it becomes.

I hope you can take something from this. Good luck! 💚🩷🫂

#reality shifting #shiftblr #shifters #shifting #shifting antis dni #shifting blog #shifting community #shifting methods #shifting reality #reality shifter #reality shift #shifting tips

50 notes · View notes

on-wine-dark-seas · 3 days ago

Note

So what finally convinced you to selfship?

Whew, this might actually net me some disdain, resentment, etc, but...I'm gonna power through this because I have a lot of opinions, and I wanna make it clear why I'm taking on this challenge.

So full disclosure: I don't actually really like Reader fics. It's not that they're not well-written. On the contrary, a majority of them are brilliant, and most of my favorite fics in this fandom are Reader[ish] fic. Now, the reason I don't like this is not because of the second-person perspective. I'm a longtime gamemaster, writing and speaking in second-person doesn't bug me. I've read The Fifth Season by N.K. Jemisin. Second-person can be a rad storytelling element.

What bugs me is the obvious farce of Reader fic.

I know a lot of writers and artists try their best to keep descriptions of the Reader out of their narration, but it almost always manifests and becomes glaringly obvious that the Reader is their OC stripped of name and defining physical characteristics. Even in the art, it's very clear that Y/N is an OC or a generic, skinny, white, feminine body.

Now, here's the issue: I'm a dark skinned Black woman with curly/kinky hair, and I'm not skinny or perceived as delicate [despite my best efforts]. When I see descriptions about my fave supposedly combing their hands through my hair, or my lips being plush and pink, or my CHEEKS TURNING PINK WHEN I BLUSH, I immediately separate myself from the Reader and replace it with what is obviously the writer's OC or self-insert. And there's absolutely no shame in them doing that! I am the CEO of the OC x Canon agenda, and I will always push for people to be fearless in creating OCs.

And so much of the Reader fic is making it painfully obvious that that's what everyone wants to do, and because no one wants to risk losing readers/views/kudos/comments at best, or being labeled the dreaded Mary Sue at worst, we get inundated with a lot of fanfic and fanart that clearly have heavy OC overtones.

I never see myself as the Reader because the writers are never visualizing me when they're writing the Reader. It's not even about the choices Reader makes in a fic, it's the obvious coding of the Reader's appearance, if that makes sense? I'm sure other Black women in fandom can relate.

So, because of this, I can't feel truly immersed in the story as if I'm the protagonist because the Reader is not me.

Does this look like a fragile, delicate, wide-eyed ingenue waiting to be seduced by the big, bad wolf? No. I am a woman of many vibes: I fuck. I fight. I curse. I spit blood and I dance until the sun comes up. I can also be very soft and sweet and affectionate [just ask the polycule], but most importantly: I'm Black as fuck; not just in appearance, but culturally. I come from Nigerian and American parents. I have a very rich cultural background that shapes and influences everything about me. And none of that is ever reflected in the Reader fics I read, and even some of the ones supposedly featuring a Black reader are holding back in significant ways. Yes, even the ones I praise and laud endlessly. Again, it's not about the quality of the writing, it's about the principle at its core.

And how could I ever expect a writer to account for a person like me in their stories? Why would I ever expect them to? Reader fics ring false for me because there's too many unique people out there to settle for generic nondescript details about the literal protagonist. And I have the misfortune of being in a fandom where that is mostly all there is to read. As a result, I have to do some extra mental gymnastics to enjoy reading fic. I would rather be reading about other people's OCs, if we're being honest.

I got tired of reading fic where I still felt like an interloper or outsider in a story that is supposedly about ME. And I decided to take the plunge and write a story that actually features me as the protagonist and love interest. Not the Reader. The Writer. I'm definitely not the first, and I hope I'm not the last. I feel like this is the natural progression for someone who exclusively writes OC x Canon.

On the other side of this, I understand why Reader fic has become so popular in the fandom. It's an easy way for people to get eyes on their work because now the readers feel like they can be invested in the story because the protagonist is them. And for some people, that's enough. But for those of us who are already ostracized, ignored, and even abused in fandom, and treated as Other, this is not always the case. It's not as easy as slipping into a new coat cut exactly to my size, and more like I'm in the writer's closet trying on their clothes and realizing that we're nowhere near the same size for me to be in there at all.

I hope the people who actually rock with me and my writing enjoy The Invitation when I finally release it. It's turning out to be a point of pride for me, and most importantly: the story is about me.

#muse's inbox #muse mail #Anonymous #on writing #on fanfic #gishiri #i have a lot of opinions on reader fic #as well as other stuff #but i hope this explanation is thorough enough #so folks know where i am on the matter #face reveal? i guess.#muse writes #muse gripes #fandom racism #呪術廻戦 #jjk

25 notes · View notes