#but it's similar enough that it has the same limitations

[homosexual-canine]

Been thinking about it for a while, but chosen and victim are like, opposites they both "grew up" in the same situation but one had powers and the other didn't and this made all the difference, victim was a powerless victim that couldn't fight back and so he learnt to run instead of fight and chosen could fight back, and so he did, so one learnt to plan and hide while the other learnt to fight and destroy and this reflects how they both are when they escape, vitcim is skiddish but helpful, building things for people, while chosen is argessive and destructive and destroys things. Now that is not all because we got mitsi and dark to talk about because they both played a similar role just with mitsi being a partner and dark being a brother, vitcim got mitsi, soft caring, she made him comfortable enough for him to grow and be who he wants to be and he suffers and degrades in her absence. Chosen got dark, our favorite war criminal!!! Dark actually helped chosen in a werid way, by being extreme, chosen is fine going and destroying yahoo answers with his bro, angry birds? Well they are just birds, stick page, those are sticks like him, he is unsure about his rage fueled rampage now, new grounds? Near his limit, he uses dark to see what his path is and fights it like always and with dark out of the picture, he cleans up and improves. Victim and chosen are both the same but different because one could fight alan and the other couldn't

Onto the other hollows

Dark, he is just evil, born to destroy, and by god he is going to, now i see dark and chosen's relationship as unintentionally manipulative. Let me explain, i think dark was using chosen's rage and power subconsciously, dark seems to care for his brother but subconsciously there is a voice he wouldn't ever deny that tells him to destroy and that goal mattered to him more subconsciously then chosen did and he had what was coming for him.

Now, second is really the golden child, a mix of the past 3, creative and helpful like victim, strong like chosen, favored by alan like dark was, it started out rough with a fight but, that didn't matter because the fight is a spec in his and alans relationship, he has friends, a good relationship with his creator, games to play, outlits for his creativity, he got everything the other 3 needed but never got from alan, and i think all 3 of them could have been like second if alan was more kind.

[isfjmel-phleg]

Thank you so much for sharing your thoughts!

The musical accompaniment is lovely--a glimpse into what Josiah is planning to hear in performance.

Elystan's difficulty with German comes from his genuinely struggling to master it, but also from a personal grudge against it, since it's not only something his mother is inflicting on him when he could have had his beloved Latin and Greek instead but also the language of his current nemesis and anything pertaining to Josiah is going to be distasteful to him. As you point out, they're not speaking each other's language even though they have a common tongue in English.

Liennese attitudes toward Noriber have influenced other nations, especially since there's a lot of censorship of anything related to Noriberrian patriotism. So all that the rest of the world is hearing is the Liennese propaganda.

Elystan is cognitively aware that Josiah's mother is dead but completely obvious to the fact that he and Josiah are struggling with the same problem: not being allowed to grieve the death of a beloved parent. I'm not sure how he would react if he did know. (And Josiah of course knows about Talfrin, but it's not crossing his mind either that Elystan could be grieving a convicted traitor. A lot of this is the boys' inability to see past their own noses and their assumptions about each other as incapable of anything humanizing.)

...I didn't get the significance of the empty chair in the King's box until you pointed it out, and I'm the one who wrote the line. You're right; Elystan's subconsciously saying something about his deceased father, and it's interesting that he would unintentionally conflate him and Josiah. Completely different people, but both of them Elystan's most vocal critics.

I've thought about writing another Christmas Chapter from Bethira's POV, beginning when the boys arrive at Rhosemore and addressing, among other things, her relationship with Elystan and the start of the surprising bond between her and Josiah. She is absolutely having a hard time in her relationship with Elystan, especially because a lot of the way that Elystan treats her echoes how Talfrin treated her.

Even Elystan isn't quite cruel enough to taunt Josiah with the fact that his mother is dead, but yes, that pause hurt almost as much as if he had.

Schoolboy culture, at least as depicted in what I've read, was so weird about family. They're treated with distance, as if home life happens on another planet in another lifetime, or completely ignored, unless you have a brother at the same school, which is a nuisance. The terminology is distanced--"people" and "pater" and "mater." And that's what's going on here too, but the narrative is intended to be critical of it. This encouraged distance toward family isn't doing these boys any good, and it bleeds over into how they relate to each other. Elystan is in an almost older-brotherly position to Hollock, but school convention prevents them from exhibiting the warmth they're actually feeling when Hollock gives Elystan the gift, which deprives them both of a level of connection that would do them good.

To be fair, Josiah is about twice Elystan's size and Elystan probably couldn't have knocked him over even if he hadn't spent most of the year wasting away in bed, but still--although Elystan is physically doing better than when we saw him in "A Visit from the Murderess," he nonetheless has to be constantly conscious of his physical limitations in a way that most of his schoolmates do not. (If, say, Tamett had had a similar desire to shove Josiah, his main concern would be the consequences of the action, rather than whether he was physically capable of it.)

I love these boys a lot too. Thank you for understanding them so well! It is absolutely delightful.

A Christmas Chapter: Elystan’s POV

Last year I wrote two versions of this story, from Tamett’s and Josiah’s POVs. I had intended to leave it there, but a friend wanted Elystan’s POV, so after a long struggle of trying to find a story I’d never really planned between the lines of the existing pieces, here is the third and final version.

This one runs very long, nearly 17000 words. It’s not perfect, probably has wording issues right and left, and it feels a bit more like a series of random events than a cohesive whole, but I’m sick of fussing with it for now, and you’re very welcome to tell me (politely) what could be improved.

In case you’re unfamiliar with these characters, Elystan is the thirteen-year-old son of a disgraced former king of Corege (one of several nations in this  Edwardianesque world). After circumstances that have resulted in his having a massive grudge against his mother and his half-brother Delclis (the current King), he has been sent to Hollingham, an elite boarding school, where he rooms with Josiah, Crown Prince of Lienne, and has befriended Josiah’s paid companion Tamett. They’re about to reach the end of their first term, and Elystan is faced with the daunting prospect of having to spend the Christmas holidays with his dearly beloathed family.

Keep reading

[duckapus]

Episode Idea: So You Think You Can Rap?

The title's namesake, a somewhat popular televised rapping competition, is coming to the Mushroom Kingdom, and the showrunners have asked Bob to be a judge alongside Girlfriend and PaRappa the Rapper. Characters both relevant and not have come to see if they've got what it takes to win, including a few members of the crew, while the rest are in the live studio audience to support both Bob and their friends onstage.

Unfortunately for everyone, one of the contestants turns out to be a disguised Mr. L, who managed to evade capture when the kids defeated him at the end of the Rosen Thorn storyline. His latest plan involves a hypnotic voice modulator, which he created by analyzing the footage of Lily using her siren powers on Anton. It's up to Lily, who's immune to the device thanks to a previously undiscovered secondary aspect of her power, Luigi, who's immune thanks to it technically being his own voice performing the hypno-rap, and Boopkins, who's immune due to being tone-deaf, to stop him from taking over the Mushroom Kingdom.

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[aria0fgold]

FINALLY DONE WITH THE ISAT OC! SOLEIL!!!

The creature... So first things first is some info about them pre- disappearance of The Country. They're a loyal follower and avid worshipper of The Country. They love the Universe sooo much that they made a wish to be able to read the stars, and the Universe answered. I like to think that the stars are talkative, some can predict what will happen in the near future, some are just "chatting" to each other about the stuff happening in the world they overlook. It's a somewhat useful ability that Soleil used to use to be able to either predict someone's future (rarely though, the stars hold many different futures and it's hard to figure out which is whose) or use it during funeral rites to have a more reassuring experience to the ones mourning that their loved one arrived safely among the stars.

And then they found out about The Cursing of Chateau Castle-- they kiiiinda got Really obsessed with the book series that they wanted to know more about it but there wasn't any more copies of it in the Country's language so what better way to deal with that but teaching itself how to understand the Vaugardian language, and by doing that they got to learn more about the Vaugardian culture and was really amazed by it (considering that they spent most of their life with the Country's culture instead, learning about a different culture is a great feeling). One thing led to the other and it also led Soleil to travelling to Vaugarde (something that their family wasn't all that happy with but they stay silly).

And so we're back at the present time! Now to talk about some details on its appearance.

Its Craft type is Scissors! The eye on the center of its chest and the eye by its nape are in fact EYES and not just accessories (although they did try to make the eye on its chest appear to be like a mix between a star shape and the Change Symbol).

After spending some time in Vaugarde, they learned about Body Craft in which case they decided to experiment with it in regards to its eyes.

Since being in Vaugarde, there wasn't much use to its star sight and there also isn't a way to "turn it off." So instead, they decided to separate its Normal sight from the Star sight by adding another pair of eyes on its body.

The eyes on its face are blind. They can't see through it anymore but they Can still see the stars (they can't read it anymore however cuz of the Country's disappearance).

If they focus on the stars using those eyes, they'd get a REALLY bad headache and a star sign appears on its eyes. Nothing to be afraid of probably, its head just Really hurts.

The glass covering the eye on its nape is a one way mirror. You won't be able to see the eye but the eye can still see you.

With its vision split, it actually took them awhile to get used to that. It takes a lot of concentration and focus to see both from behind and from the front. When Soleil gets tired from doing that, they either close the eye on its nape (if the place is safe enough) or unfocus it enough to the point that most of its vision becomes blurry with only being able to see blobs of shapes and shadows which helps them be alert enough in case something comes running at them from behind.

All the round objects you see on its body are Bombs. They found out about Bomb Craft in Jouvente and was so fascinated by it that their inventor brain (inventing, crafting, and repairing stuff is a special interest of theirs). They now like making bombs and inventing new ones (only they have the recipe of those).

The bombs they invented only detonates via a Craft spell, it's basically as safe as an ordinary ball to handle unless detonated. Also the scissors at the top of their head has a cover on its tip. It's Very Sharp. They mainly use that (either the tip or the scissor blades itself) to cut the bombs dangling on its body.

Despite the multitude of bombs they carry, they aren't actually much of a fighter (they just like bombs). Most of its Craft spells are basic/beginner level. The one and only Powerful Craft spell they have is a shield/defense spell that they practiced several times. It's capable of negating all damage for 2 turns with a 5 turn cooldown, they wanted to master that spell to make it so that bombs won't hurt them no matter the close proximity.

Its hand signs are "broken." They used to mimic the hand signs that the Universe (I'm mainly referring to my design of the Universe) makes. But after forgetting about everything in regards to it, they can't remember what hand signs they used to make but the familiar feeling was still there.

A huge fan of The Cursing of Chateau Castle, to the point of practically making it part of its identity now that a HUGE chunk of its memory is missing. Its outfit is a modified version of what they think Lady Irene-Janine-Karine wears.

Its personality is a mixture of Lord Josephandre, Pierre-Jacques-Erneste, and Lady Irene-Janine-Karine (aka the Chateau Trio!!! Love those three...).

Its name, "Soleil" is just something they found in a book and decided to use for itself. They don't remember its name anymore.

[unproduciblesmackdown]

skinamarble hornets, i was like i hope my favorite skinamascene has been uplomarinked on youtube....reminds me of that season one marble hornets entry that's the First House Visit and how i saw it described somewhere as like "absolutely nothing happens, & it's terrifying" & it reminds me of the torment of watching as the series was released & Every Time something came out, no matter what happened in like setting, atmosphere, plot, scares, there'd be someone going "ugh another Nothing entry" over the most crucial &/or enjoyable shit so long as it didn't feature [& he's cookin hot dogs on the stove???] & didn't feature it like every other minute for good measure. as though a format that is predictable, like the promise of the same kind of scene in the same intervals of timing, would actually be scary or at all interesting. shoutout to these the entries, or even intervals of time within entries, where "absolutely nothing happens" and it's called suspense in knowing it Could, tension in an unsafe, uneasy, unsettling situation in the meantime, & then also potential followup recontextualization that only creates more tension for later similar material. ("absolutely nothing" happens (of course, actually, things happen, but) in the skinamarink scene save for the literal last few seconds when the "jumpscare" is a very brief change in audio & visuals which is neither actually that loud nor like showing anything scary(tm) (technically a la marble hornets i think people say you can like see an arm extend for a nanosecond but i never catch it if so lol) but rather hits at all because of 8 minutes of suspense & tension & Nothing Happening But It Could) (also bravely standing up like "it's fine that skinamarink has some jumpscares, including the obvious few even jumpier than this" like who cares if it's "easy" necessarily & also that Knowing such startlement can happen ramps up the tension even when it didn't, but it could've. like so)

[catboybiologist]

“As a biologist, the terms biological woman and man don’t make any sense to me” okay then you’re an idiot and a terrible biologist. I swear to god, morons like you only become biologists just so you can hold it over others, when in reality, if biology deniers like you can become biologists, then being one really doesn’t mean much anyway. But this probably just gave an autogynophile like you a boner to read, anyway.

Oh fun! Haven't gotten one of these in a while. Disregarding the fact that you somehow think the qualification for being a biologist entirely hinges on defining womanhood, I do need to ask some clarification. I know I'm feeding the trolls here, but here we go: does your definition of "biological woman" mean:

Sociological woman? Eh, context dependent, I'm not fully out of the closet, but oftentimes, I am and present femme. So let's call that one 50/50.

Psychological woman? Because I am one.

Neurological woman? Because I am one [1].

Physical woman? My soft tissue redistribution is handling that well.

Hormonal woman? My blood tests are within cis female ranges.

Transcriptional woman? As a signalling molecule, the downstream effects of estrogen have broad transcriptional effects, completely changing the profile of gene expression and functional genomics of my cells. [2]

Genetic woman? I mean, see my above point- as far as my genes that are actually active, I have all of the same transcripts being produced, controlling which genes are expressed.

Karyotypic woman? I actually have a few signs pre-HRT that might point to a non-XY chromosome pair, but I haven't had a karyotype. We'll put that down as unknown. And hell, even if its XY, there's plenty of cis women who are karyotypically XY, with suppressed sry or complete androgen insensitivity. Interestingly enough, a completely androgen insesitive woman can go her whole life without knowing- and functionally, is very similar to a trans woman, actually. Fancy that. [3]

Reproductive woman? I can't produce an egg cell, but neither can significant fractions of cis women. Also, this is all gonna change soon, which is fun. [4]

There's also a lot of understudied aspects to the biology of HRT and even pre-HRT that are emerging, largely demonstrating widespread cellular and genetic remodeling of trans individuals undergoing hormone therapy. The field is a bit behind due to constant political pressure to revoke funding, but a lot of the results are extremely exciting in both testosterone and estrogen hormone therapies. I'm sure that, as a self professed biology As someone who presumably has a lot of expertise in biology, I'm assuming that you're aware of all of this cutting edge research, and are keeping up with modern papers, including but not limited to these cool findings:

Trans men on HRT exhibit significant genetic and transcriptional changes that make them biochemically male. [5][6]. It's a good hypothesis that the same happens with estrogen treatment, but those studies don't exist yet- I'm sure you're reserving judgment until more publications exist, of course.

Trans men on HRT develop male cell types and tissues. [7]

Trans women experience muscular and blood cell changes that align with cis women moreso than cis men [8]

And many, many more! This is an exciting, underserved, and groundbreaking field of research, and I'm sure you're keeping up with the latest in scientific journals about it.

I'm sure, of course, that you understand that it becomes impossible to draw a distinct line anywhere in here, and that words like "woman" are shorthand for the myriad of traits that invisibly synthesize in our mind and in society to represent a concept? I'm sure you understand that science is fundamentally descriptive, not prescriptive? I'm sure that you understand that these findings, while really cool and interesting, actually don't mean jack shit about what the word "woman" means or not?

As someone who is the ultimate decider in what a biologist is, I'm sure you know that bioessentiallism is a childish mindset that completely ignores and disregards the constantly changing, dynamic nature of biological systems, something that extends well beyond biological sex and its relation to gender.

I'm sure that also, that you understand that beyond just this, that the role of science in society is to advise how to achieve our moral principles, not create moral principles in themselves. And I'm sure that understanding means you know that trans affirming healthcare and supportive societal treatment leads to reduced mortality and increased happiness for everyone, right?

So great to talk to someone who is surely a scientist on this. You are a biologist, if you're talking like this, I assume? I assume you're not going to spit complete misreadings of scientific language from the background sections of these papers that only reveal you've never read a scientific paper in your life if you're thinking this way? I assume you have experience interpreting data like this?

Also, imagining my genitalia while writing this? Ew. Please stop projecting your fetishes into my inbox.

Works cited:

Kurth F, Gaser C, Sánchez FJ, Luders E. Brain Sex in Transgender Women Is Shifted towards Gender Identity. J Clin Med. 2022 Mar 13;11(6):1582. doi: 10.3390/jcm11061582. PMID: 35329908; PMCID: PMC8955456.

Fuentes N, Silveyra P. Estrogen receptor signaling mechanisms. Adv Protein Chem Struct Biol. 2019;116:135-170. doi: 10.1016/bs.apcsb.2019.01.001. Epub 2019 Feb 4. PMID: 31036290; PMCID: PMC6533072.

Gottlieb B, Trifiro MA. Androgen Insensitivity Syndrome. 1999 Mar 24 [Updated 2017 May 11]. In: Adam MP, Feldman J, Mirzaa GM, et al., editors. GeneReviews® [Internet]. Seattle (WA): University of Washington, Seattle; 1993-2024. Available from: https://www.ncbi.nlm.nih.gov/books/NBK1429/

Murakami, K., Hamazaki, N., Hamada, N. et al. Generation of functional oocytes from male mice in vitro. Nature 615, 900–906 (2023). https://doi.org/10.1038/s41586-023-05834-x

Pallotti F, Senofonte G, Konstantinidou F, Di Chiano S, Faja F, Rizzo F, Cargnelutti F, Krausz C, Paoli D, Lenzi A, Stuppia L, Gatta V, Lombardo F. Epigenetic Effects of Gender-Affirming Hormone Treatment: A Pilot Study of the ESR2 Promoter's Methylation in AFAB People. Biomedicines. 2022 Feb 16;10(2):459. doi: 10.3390/biomedicines10020459. PMID: 35203670; PMCID: PMC8962414.

Florian Raths, Mehran Karimzadeh, Nathan Ing, Andrew Martinez, Yoona Yang, Ying Qu, Tian-Yu Lee, Brianna Mulligan, Suzanne Devkota, Wayne T. Tilley, Theresa E. Hickey, Bo Wang, Armando E. Giuliano, Shikha Bose, Hani Goodarzi, Edward C. Ray, Xiaojiang Cui, Simon R.V. Knott, The molecular consequences of androgen activity in the human breast, Cell Genomics, Volume 3, Issue 3, 2023, 100272, ISSN 2666-979X, https://doi.org/10.1016/j.xgen.2023.100272. (https://www.sciencedirect.com/science/article/pii/S2666979X23000320)

Xu R, Diamond DA, Borer JG, Estrada C, Yu R, Anderson WJ, Vargas SO. Prostatic metaplasia of the vagina in transmasculine individuals. World J Urol. 2022 Mar;40(3):849-855. doi: 10.1007/s00345-021-03907-y. Epub 2022 Jan 16. PMID: 35034167.

Harper J, O'Donnell E, Sorouri Khorashad B, McDermott H, Witcomb GL. How does hormone transition in transgender women change body composition, muscle strength and haemoglobin? Systematic review with a focus on the implications for sport participation. Br J Sports Med. 2021 Aug;55(15):865-872. doi: 10.1136/bjsports-2020-103106. Epub 2021 Mar 1. PMID: 33648944; PMCID: PMC8311086.

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. ��Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.

[corkinavoid]

DPxDC De-Aged Triplets and Their Tired Single Sister

Jason has seen the four of them a couple of times in Crime Alley now. They looked like a family, what with similar facial features- err, actually, the kids looked like carbon copies of each other, but their mom/sister/aunt/cousin looked similar enough to be related to them by blood.

Normally, Jason didn't care for each and every family that moved into Crime Alley. Sure, he cared about all of them as a whole, but there were a lot of people, and he couldn't possibly get elbow deep in every life story he came across. So all he knew about them were three things: a) they were on the run from someone or something, b) they trusted each other and no one else, and c) apparently, they have made it their life goal to never make any kind of sense.

The list of shit they have gotten into included but was not limited to:

• one of the kids biting a gun. Not the hand of the attacker who was holding it, no, the actual gun. And he bit a piece of it clean off, which earned him - or her, actually, Jason knew one of the triplets was a girl but he couldn't tell them apart - a lecture from their... mom? sister? parental figure. The lecture was about how chewing metal does not help with iron deficiency.

• getting kidnapped and creeping out their kidnapper to the point of him returning the kids back home. A few witnesses said one of the kids was actually driving, sitting on the kidnappers lap behind the steering wheel and cheerfully commanding the man to speed up or brake. Their mom actually apologized to the kidnapper for the incident and offered him homemade cookies for his troubles. He ran away without them.

• driving a lady at the laundromat insane by repeatedly walking inside and climbing into one of the washing machines. They never got out of it, just one kid walking into the laundromat, climbing into washing machine, then another kid, looking exactly like the previous one, walking inside, climbing into the same washing machine, then another kid walking into the laundromat- well, you get the idea. The lady claimed she's seen at least five kids do that in a row, but when she looked into that washing machine, there was no one inside.

• casually falling out of windows. Or, better, walking out of them like they were doors, at any given opportunity. The witness - an old man who was helping their mom with groceries - said the mom did not care in the slightest, and when he asked her about it, obviously concerned, she just said, tired and exasperated, 'they like the feeling of free fall, don't worry, they'll come back in a minute'. Sure enough, they did, not a scratch on them. The family lived on the sixth floor.

• eating insane amounts of food. Jason personally witnesses their mom give them her wallet, telling the kids, 'eat until you're full', and promptly passing out on the table, her head on her arms. The kids then proceeded to eat four whole pizzas, three burgers each, then seven brownies and at least five cups of soda. What was interesting about it was not only the amount of food they ate but the way they never left their mom unattended, one of the kids always staying beside her sleeping figure as the other two went to order.

And now, all four of them were standing in front of him. Not Jason Todd him, but Red Hood him. And he was... confused.

"I'm sorry, what?"

"I said, can you watch them for a few hours? Three, maybe four," the mom, Jazz as she introduced herself, was looking at him like it was he who was speaking nonsense, not her. Because asking a crime lord to watch three kids in the middle of the night is not something a sane person would do.

"Why?" He asks, bewildered, because what the fuck else is he supposed to say?

"I need to kill a man, and if they come with me, it will take three times longer," Jazz tells him. Is she saying the kids slow her down or what? Jason can admit he's never been this confused in his entire life.

"You could ask me to kill a man, while you stay with them, no?" He tries to reason, but the girl waves him off:

"No, that will take even longer. Besides, no offense, but you kill people to simply end their life, and I need that man to fucking stop existing forever."

What's the difference he almost wants to ask. But instead of that, he just sighs.

"Why me? I'm sure you could find a babysitter-"

"No babysitter will handle them. The last one told me they have been running laps on the ceiling, which is, actually, not that big of a deal. They are kids. Kids like running around," she huffs, and Jason suspects she is missing the point here, but okay. He gets why babysitters are not an option.

"You do understand what they can witness if they stay here?" He asks, as the last attempt to reason with the girl, but she just nods and leans down, making all the kids turn to her.

"Okay, you menaces, tell me what not to do while you're staying with Mr. Red Hood."

"No eating people," one kid starts.

"No driving people insane," the other one continues.

"No, um, stealing eyeballs," the third one finishes, and what the fuck are those ground rules? Is this girl a mother to eldrith horrors? That would explain some shit.

Jazz turns to him, "See? They're all good."

In what world is that good? Jason debates if he should start running now or when she leaves.

"Do they have names?" He asks instead. The girl nods:

"Danny." His surprise must be evident even through the mask because she sighs and points to each kid, "Diane, Daniel, Dante. Dani, Danny, and Dan. Actually, you know what, let's make this easier," she rummages through her bag and gets a marker out before gesturing to the kids, "Come here."

As they do, she proceeds to draw numbers 1, 2, and 3 on their foreheads. Then she nods to Hood and puts the marker away.

"Okay, that's better. Behave, you monsters, I'll be back soon!"

After she leaves, Jason looks down at the kids. They also look at him, eerie and unblinking.

Finally, one of them - number 2, Dani, if he is not mistaken - asks:

"Do you want teeth? We have a lot."

"She doesn't mean her teeth," number 1 clarifies, "She means other teeth."

...This is going to be some very long three hours.

[reasonsforhope]

On her fingers, Chicago’s Chief Sustainability Officer Angela Tovar counted the city buildings that will soon source all of their power from renewable energy: O’Hare International Airport, Midway International Airport, City Hall.

[Note: This is an even huger deal than it sounds like. Chicago O'Hare International Airport is, as of 2023, the 9th busiest airport in the world.]

Chicago’s real estate portfolio is massive. It includes 98 fire stations, 81 library locations, 25 police stations and two of the largest water treatment plants on the planet — in all, more than 400 municipal buildings.

It takes approximately 700,000 megawatt hours per year to keep the wheels turning in the third largest city in the country. Beginning Jan. 1, every single one of them will come solely from clean, renewable energy, mostly sourced from Illinois’ newest and largest solar farm. The move is projected to cut the Windy City’s carbon footprint by approximately 290,000 metric tons of carbon dioxide each year, the equivalent of taking 62,000 cars off the road, the city said.

Chicago is one of several cities across the country that are not only shaking up their energy mix but also taking advantage of their bulk-buying power to spur new clean energy development.

The city — and much of Illinois — already has one of the cleanest energy mixes in the country, with over 50% of the state’s electricity coming from nuclear power. But while nuclear energy is considered “clean,” carbon-free energy, it is not considered renewable.

Chicago’s move toward renewable energy has been years in the making. The goal of sourcing the city’s energy purely from renewable sources was first established by Mayor Rahm Emanuel in 2017. In 2022, Mayor Lori Lightfoot struck a deal with electricity supplier Constellation to purchase renewable energy from developer Swift Current Energy for the city, beginning in 2025.

Swift Current began construction on the 3,800-acre, 593-megawatt solar farm in central Illinois as part of the same five-year, $422 million agreement. Straddling two counties in central Illinois, the Double Black Diamond Solar project is now the largest solar installation east of the Mississippi River. It can produce enough electricity to power more than 100,000 homes, according to Swift Current’s vice president of origination, Caroline Mann.

Chicago alone has agreed to purchase approximately half the installation’s total output, which will cover about 70 percent of its municipal electricity needs. City officials plan to cover the remaining 30 percent through the purchase of renewable energy credits.

“That’s really a feature and not a bug of our plan,” said deputy chief sustainability officer Jared Policicchio. He added that he hopes the built-in market will help encourage additional clean energy development locally, albeit on a much smaller scale: “Our goal over the next several years is that we reach a point where we’re not buying renewable energy credits.”

Los Angeles, Houston, Seattle, Orlando, Florida, and more than 700 other U.S. cities and towns have signed similar purchasing agreements since 2015, according to a 2022 study from World Resources Institute, but none of their plans mandate nearly as much new renewable energy production as Chicago’s.

“Part of Chicago’s goal was what’s called additionality, bringing new resources into the market and onto the grid here,” said Popkin. “They were the largest municipal deal to do this.”

Chicago also secured a $400,000 annual commitment from Constellation and Swift Current for clean energy workforce training, including training via Chicago Women in Trades, a nonprofit aiming to increase the number of women in union construction and manufacturing jobs.

The economic benefits extend past the city’s limits: According to Swift Current, approximately $100 million in new tax revenue is projected to flow into Sangamon County and Morgan County, which are home to the Double Black Diamond Solar site, over the project’s operational life.

“Cities and other local governments just don’t appreciate their ability to not just support their residents but also shape markets,” said Popkin. “Chicago is demonstrating directly how cities can lead by example, implement ambitious goals amidst evolving state and federal policy changes, and leverage their purchasing power to support a more equitable renewable energy future.” ...

Chicago will meet its goal of transitioning all its municipal buildings to renewable energy by 2025, the first step in a broader goal to source energy for all buildings in the city from renewables by 2035 — making it the largest city in the country to do so, according to the Sierra Club.

With the incoming Trump administration promising to decrease federal support for decarbonizing the economy, Dane says it will be increasingly important for cities, towns and states to drive their own efforts to reduce emissions, build greener economies and meet local climate goals. He says moves like Chicago’s prove that they are capable.

“That is an imperative thing to know, that state, city, county action is a durable pathway, even under the next administration, and [it] needs to happen,” said Dane. “The juice is definitely still worth the squeeze.”

-via WBEZ, December 24, 2024

[scuderiahalf]

brother's prejudice — max fewtrell

pairings. max fewtrell x norris!fem!reader, lando norris x twin!fem!reader

summary. you have always been happy to support lando in any way you can but when he can't give that same support back when your relationship with his best friend is revealed, you're left wondering if your relationship with your twin brother will ever be the same. 4.2k, 18+

playlist. "idfc" by blackbear, "the heart wants what it wants" by selena gomez, "our song" by taylor swift, "it will come back" by hozier, "make me like you" by gwen stefani

warnings. lando's a bit of a dick but he makes up for it, censored oral (male receiving)

masterlist.

. . .

"Do you want me to suck your dick or do you want to watch Markiplier?"

"Do you want an honest answer?"

You huffed, and started to get out of bed. "I'm going to take a shower."

"No, baby, I'm just kidding."

Max grabbed hold of your hand before you even fully got to your feet. He tugged you back onto the mattress, pushed you down and hovered over you.

"You're too late. The moment is gone," you said.

"I'm sorry."

He tried to kiss you but only got your cheek when you turned your head to the side.

"Baby, don't be like that. C'mon."

He kissed your neck and your breath caught in your throat because you were just a girl. You were just a weak girl when it came to Max.

"I love you," he said into the skin of your neck.

"Hm," you pretended to consider it, "Apology accepted. Lay down, drama queen."

You pushed at Max's shoulder and he let you get on top of him. You grabbed a hair tie from the nightstand to pull your hair back with.

Max let his hands slide under your shirt—which was actually his shirt, which was why he was only in his sleep shorts at the moment. He freely let himself feel you up as you tied your hair up, squeezing your thighs and hips, your ass and up to your boobs.

"You've got to stop groping me if you want me to give you a blowjob."

"But you know how much I love groping you."

You laughed and pulled his hands out of your shirt. You intertwined your fingers with his, leaned down to kiss his nose.

"You're really making it seem like you don't want me to suck you off."

"I never said that."

You kissed the knuckles on each of Max's hands before shimmying further down the bed, pulling the blankets with you. Soon, the only sounds in the room were Max's sighs of pleasure and the lewd, wet noises coming from your mouth.

Then, someone with the spare keycard to Max's hotel room unlocked the door and entered without knocking.

"Max, mate, the plane's leaving at ten, not eleven, apparently. I tried texting you in the group chat but—what. The. Fuck."

Thank god Lando was a naturally loud individual, giving just enough time for you to sit up and wipe your mouth, for Max to pull his shorts back up. You both faced Lando with similar caught expressions, still tangled up in bed together but thankfully without your lips currently around Max’s dick.

"Are you actually kidding me? My sister? What the fuck, mate?"

You jumped in to try and defuse the situation before it escalated. "Lando, just wait a second. Let me explain—"

Lando cut you a harsh glare. "I'm not fucking talking to you. We can talk about you acting like a slag later."

You drew back, more than a little hurt at your twin's words and the tone in which he said them.

"Don't talk to her like that," Max stood up for you.

"That's really what you're worried about right now?"

"That you're calling your sister a slag? Yeah, it is."

"What the fuck is going on? You get busy with the one girl that has always been off limits and you think you're some sort of knight in shining armor?"

"Let's just all wait a second. Yeah? Let's just take a breath."

“Shut up, Y/N.”

“Lando, if you think—“

“Please don’t argue, Max—“

“He’s being a fucking dick to you, Y/N—“

“I’m being the dick? You’re shagging my sister—“

“That’s no excuse to talk to her like that—“

“It’s not like that—“

“How long has this been going on?”

“Lando, just listen—“

“Ten months.”

You close your eyes.

“TEN MONTHS!”

The flight back home was going to be a long one.

.

“You really don’t have to come.”

“Do you not want me to?”

“No, I do but… Lando is going to be there.”

“And you don’t trust him not to cause a scene?”

“I don’t know if I trust either of you not to get into a shouting match in front of our parents.”

You were already dressed and ready to go to your parents for dinner. You sat on the bathroom counter as Max finished getting ready. He was fixing his hair, the last step before he would be done, also.

You watched as the gentle, concentrated furrow in his brow deepened to one of anger. “He called you a slag, Y/N. I don’t care if he’s your brother; that’s not okay.”

“He said I was acting like a slag—“

“Same difference.”

“—and he didn’t mean it. He was just caught off guard. I did go behind his back…”

“Don’t paint him as the victim. Admittedly, we probably should have told him sooner but that doesn’t mean he gets it be a dick about it.”

Max momentarily abandoned his hair to squeeze your knee.

“You have to stop making excuses for him.”

“He’s my brother.”

“And he has always walked all over you. When was the last time he properly apologized to you for anything?"

“Max…”

This wasn’t the first time Max had brought this up and every time, you deflected or excused everything Max tried to shine a light on. Lando was Max’s best friend but he was your brother, your twin brother. You had never not known him.

Lando was integral in who you were as a person. You were made as a pair. You grew up as a pair. You had always had each other. He was your built in best friend. You always had his back, no matter what.

If you were a pushover, if you let Lando tease you and speak to you in ways you’d never let anyone else, if you tolerated things from him you that you shouldn’t, then that was your decision.

Max didn’t understand that. He didn’t seem capable of understanding the complex workings of your relationship with your twin. You would do anything for Lando, regardless of what it would mean for you, and you were fine with that.

That was how it had always been: Lando, the showman, and you, the supportive sister. Even back when you were karting together, Lando was out front and you were playing defense to protect his position.

You celebrated his victories more than you ever celebrated your own but that was fine. He was your brother and you loved him.

“Okay, fine. Whatever,” Max relented on that front. “But this is a step too far. He doesn’t get to act like a petulant little kid because I’m dating you. Calling you names and running away to Monaco when he’s meant to be filming with Quadrant. He’s being ridiculous.”

Some part of you knew the punishment of Lando ignoring you for the past month didn’t fit the crime of not telling him you were dating Max. The bigger, more conscious part of you felt like carving “traitor” into your forearm with a steak knife and hoping the pain would make your brother forgive you.

Your messages to Lando had become a wall of blue, full of apologies, begging to let you explain, attempts at striking up a conversation like normal, asking if he had meant to cancel your plane ticket to the Azerbaijan Grand Prix followed by even more apologies and then congratulations on a race well done.

You played with your fingers the whole car ride. Max reached over at one point after you had started picking at your cuticles to kiss the back of your hand and hold it the rest of the way, making idle talk that did nothing to distract you from what you were headed towards.

After Lando found you two in Max’s hotel room and the ensuing argument got heated on both of the boys’ sides, Max stayed with you for a few days. When he finally went back to his and Lando’s London flat hoping to talk things out before filming for Quadrant, Lando had cleared out.

He posted a rather passive aggressive Instagram story a few days later about “real friends” featuring some other F1 drivers all holding padel rackets. Max had not been happy when he found you torn up over it, shedding tears over the fear that you had lost your brother.

You had always been sensitive. Quick to cry, quick to care, quick to get attached, quick to get hurt. Lando poked fun at you for it your entire lives but he was also the first to jump in and defend you whenever anyone else said anything to you.

Lando’s distance over the last few weeks hurt. Like, physically hurt. You would see something that you thought he would find funny and go to text him about it just to remember he was giving you the silent treatment and your chest would hurt for the next several hours as you waited on a reply that never came.

Despite it all, when you saw Lando stood in the kitchen with your mom, the first time you had seen him in over three weeks, you couldn't help but smile.

He was halfway to returning it, as if on instinct alone. Then, he noticed Max at your back and his face fell devoid of any sort of pleased emotion. Your own smile fell, chest starting to ache again.

“Y/N darling, there you are.” Your mom came over to hug you and kiss your cheek, then did the same to Max. “And Max! Your best be treating my girl right.”

"Of course, Mrs Norris."

"Stop it with that; I've told you to call me Cisca."

"Mum knows?" Lando said. "You already told mum? Did she know before I did?"

You drew a sharp breath. It was difficult to talk to Lando when his tone was both wounded and accusatory.

"She called me not long after you boys had your spat," your mom explained, "Told me all about her and Max and I couldn't be more pleased. I always knew you fancied him, Y/N, even back in your karting days."

"Muuuum," you groaned, embarrassed even if Max already knew how long you had been crushing on him.

Max laughed and kissed your cheek. "The Shield fancied me."

"Shut up."

“The Shield” was the cringe-worthy nickname that karting media outlets had given you back in the day on account of how difficult it was to overtake you. So much of your karting career had been defense for Lando but you always felt a little victorious whenever you made a boy mad about getting beat by you simply because he couldn't get around you.

You could have gone far in racing if you hadn't quit after a single season of F4.

Lando gagged at Max's display of affection.

Max zeroed in on him, eyes sharp and mouth opening to call him out. You caught his shirt between your fingers, silently reminding him that he had promised not to start a fight. He looked mighty unhappy about it, but Max let his chest deflate and followed you into the dining room to help your other siblings set the table.

Ten minutes later, you all sat down to eat.

This was not the first time Max had dinner with your family. It had become such a common occurrence that it didn't cross any of your minds that your typical seating arrangement had your dad at one head of the table, your mom at the other, your older brother and sisters on one side, and you, Lando, and Max on the other, in that order, always with Lando between you.

Even dating Max, you didn’t think to sit next to him because that was Lando’s seat. It didn’t even cross your mind that it might not have been the best decision to sit your twin next to his best friend who had gone behind his back to date you for months without telling him but it was too late for that.

Lando was the last to sit down after going to retrieve the forgotten napkins. You considered swapping seats last minute as he hesitated over the dining room threshold, then thought better of making a scene and resigned yourself to a torturous dinner without being able to hold Max's hand through it all.

After getting caught by Lando, you had told your mom about you and Max. She had obviously clued your father in but you weren't sure which of your siblings knew the full extent of what went down when Lando found out.

Oliver and Cisca seemed oblivious enough, even if they were casting confused glances at you, Lando and, Max, trying to figure out why the three of you weren't speaking to each other. However, Flo was keeping an awfully watchful eye on your twin and boyfriend, as though waiting for the show to begin.

Table talk was casual and nearly pleasant. With Lando uncharacteristically silent beside you, and Max refusing to so much as look at his best friend, you couldn't fully enjoy spending time with your family while they were all together.

Max caught your eye behind Lando. He gave you a smile, one you couldn't quite return. Lando leaned back and got in the way of your eyeline to Max. You turned back to your food, continuing to pick at the delicious pork your mom had cooked but not able to enjoy it.

"Max, what of you?"

"Sorry?" Max was about as clueless to the conversation at hand as you were.

"Do you have plans to visit Monaco any more this year?"

They must have been talking about the trip your parents and youngest sister would be taking to Monaco during Cisca's summer break. You had planned on taking time off work to go with them, as well as with Max later in the year, closer to the end of the F1 season to attend a few races and help film some Quadrant content.

"Are you and Y/N going sometime together, possibly?"

It was a harmless enough suggestion from your mother. She probably only wanted to try and get Lando and Max to say a word to each other.

Then, despite having already agreed to house both of you later in the year, Lando said, "They haven't mentioned anything."

You really were not enjoying this dinner.

It was getting harder and harder to have all your siblings in the same place as you all got older. Only Cisca lived at home now and she was going off to uni in Manchester next year.

You missed when being with your family was easy, when you didn't even have to think about it. You missed your childhood bedroom that was now the second guest bedroom, your and Lando's bunk beds long gone.

You missed your brother terribly, even if it had only been about three and a half weeks since contact was cut. You didn't want to lose him to something like this but at the same time, you couldn't imagine letting Max go.

Max made you so happy. Couldn't Lando see that? Couldn't he see how in love you were? Couldn't he accept your and Max's relationship for the sake of not wanting to lose his twin sister and best friend?

You would do anything for Lando. You had given up so much for him. You supported him at every twist and turn of your lives. You just wanted things to be okay again.

"Y/N darling, what’s wrong?"

Your mom’s question was quiet, meant to not attract anyone’s attention. But Lando and Max were both quiet, too, in unsettling amounts from the two of them. They both looked at you just in time to see you wiping at your cheek.

"I'm fine."

Except you weren't fine. You were sad and nostalgic and sick of feeling that way and now you were all teary. You just wanted a nice dinner with your family where the two men you loved most in the world acted normal and you didn't start randomly crying at the dining table.

Lando put his hand on your arm. "Y/N/N, are you alright?"

Like his touch finally shook loose something inside you that you had been holding back since the hotel argument or maybe even longer, you rounded on your twin brother.

"No, I'm not alright! How could I be alright when you're acting like this?"

Lando immediately threw his walls back up, going on defense. "You and Max went behind my back."

"And that means you get to throw a month long hissy fit over it?"

"You've been dating for ten months!"

"It's actually eleven, now, mate."

Lando turned to shoot a glare at your boyfriend. "Shut up, Max."

"Stop being a dick, Lando! Just stop! Yes, we should have told you sooner. Yes, I'm sorry you found out like you did. But that doesn't mean you get to treat me, treat us like this."

"How am I supposed to react?"

"You're supposed to get over the initial shock and be happy that two of the people you care about are happy together."

(On the other side of the table, Cisca leaned closer to Oliver. "When did Y/N and Max start dating?"

"I think he said eleven months ago."

"That long and they haven't told us?"

Flo shushed them both. "Shut up; I'm trying to watch.")

"How am I meant to be happy about you two lying to me for the last year?" Lando demanded.

"I have been trying to apologize and talk to you about that for the last month and you haven't let me! You ran off to Monaco, ditched your Quadrant responsibilities, and left me thinking that I'd ruined things forever. That's such a dick move, Lando! Fuck—"

You were crying again. You wiped angrily at your cheeks, wanting to be taken seriously and get your point across but it was difficult when you had tears running down your face.

"You can't just ditch me like that when things get rough. It's not fair when I've been there with you through everything. I have never not supported you. I have always been there for you. I quit racing so that you wouldn't get passed over. But the second I do something you don't like, you can't give me even an ounce of support in return."

"What do you mean you quit racing so I wouldn't get passed over?"

Your chest went still, blood running cold. Shit. Shit shit shit, Lando was never meant to know about that. You had never planned on telling him. Never ever. Not even when you were old and saggy and there would be no consequences. You were meant to take that secret to the grave.

"That's not what's important. I don't understand—"

"What did you mean, Y/N?"

You gulped. "It's nothing. It was a long time ago, anyway. It doesn't matter."

"Y/N."

.

"Me? You want to sign me?"

The Josef Kaufmann Racing representative grinned at your bewilderment. "Yes, you."

"No way. Are you serious?"

"Completely. It obviously won't be set in stone today and we'll need to speak with your parent or guardian but Carlin would be lucky to have you on our roster next season."

"Oh my god. No way!"

You had been worried about next season as all the 2015 series were nearing their ends and you had yet to have been scouted by any teams. Your contract with Mücke Motorsport was coming to an end after this season but now you had been offered a seat in the next level of racing, at the same team your brother was in talks with, no less.

"Oh, this is great! Lando and I will still be on the same team. You know, my brother and I have always walked about being on the same F1 team. That would be crazy, obviously, but this is just like that but on a smaller scale."

"We'd not be giving your brother a seat."

Your excitement was gone in an instant. "Sorry?"

"Lando wouldn't have the seat in Formula Renault. It would be yours, instead."

"You're offering me... my brother's seat."

"That is correct."

Just like that, you let your career die. "I don't want it, then."

The rep blinked at you. "What?"

"Give the seat to Lando. He's who you want. He's the better driver. He has always finished before me."

"He would not have if you were not defending his position. Josef Kaufmann would rather have you driving for them next year."

"I don't want the seat. Give it to Lando. I was planning on quitting racing, anyway. Sign Lando for next year. He'll do well for you."

.

"Y/N, what the actual fuck?"

You ducked your head. "Don't blow it out of proportion."

"You gave away you entire racing career at the drop of a hat because you didn't want to take a seat that I hadn't even been signed for yet? You— Why would you do that?"

"Because you're my brother."

Behind Lando, Max was staring at you, wide-eyed. All around the table, your family openly stared at you in shock, not quite able to believe the real reason you had suddenly dropped out of racing.

The reason you had given was that you had gotten bored of it. That you had only ever gotten into it because of Lando. That you didn’t want to constantly be in competition with your brother. That when Lando got famous, you didn’t want to be his lesser racing counterpart.

There may have been some truth in those excuses but the whole truth was this: you had been offered the seat Lando was negotiating for and you would not take it from him. You loved racing; you did not love it more than you loved your brother.

“Y/N, I… I honestly don’t even know what to say.”

“You could start with an apology,” Max offered.

“To both of us,” you added.

Max leaned back in his chair. “I’m good back here. Worry about me later.”

“No, she’s right,” Lando said. “I’ve been a real dick to both of you over the last few weeks. You guys didn’t deserve that. I’m sorry. It’s just that I’ve always had Max as my chosen best friend and you, Y/N, as my built in best friend but then you guys started getting closer. Then, I found out you’re together and it’s like, what do you need me for if you have each other?”

Any anger you may have been holding onto melted into sympathy. “Aw, Lando—“

“You are so fucking thick, mate,” Max cut in. “You think I’m going to treat my girlfriend the same way I treat your dumbass? I need a platonic best friend just as much as I need a romantic one.”

You laughed at the face Lando pulled.

“If you start referring to us as your platonic and romantic best friends, I’m fleeing to Monaco again.”

“It’s too late. It’s already started, platonic best friend.”

“Eugh, this is terrible. Go back to being awkward acquaintances, please.”

“I love her, mate. There’s no going back from that.”

You loved Max. Wholly and truly you did. How well he got along with Lando was just the icing on the cake, another thing to add onto the list of reasons you were stupidly in love with him.

Your lovesick expression must have been quite obvious because suddenly Lando was shoving your head to the side with a hand over your face.

“Oh my god, don’t look at him like that—I’m gonna barf.”

(Oliver had gone back to his food.

Cisca was still watching, confused. “Wait, so Y/N and Max have been dating for eleven months and not even Lando knew? Why?”

“Apparently, it was an oversight.”

Flo speared an asparagus. “This is better than any TV show I’ve watched all year.”

“You’re enjoying this too much,” Oliver said.

“I’m the only one enjoying this the correct amount. I’ve been waiting for Lando to stop cockblocking Y/N and Max since 2014. I am allowed to be entertained by their drama.”)

“Can we circle back to the whole quit racing because of Lando thing?” Max asked, “Because what the fuck, babe?”

“You quit racing, too!”

“Because I was burnt out, not because I would rather throw my entire career away than make my brother momentarily unhappy while other teams jumped at the opportunity to sign him up.”

“It’s fine! I mean, look at where Lando is now. Season number five of Formula One! It all worked out in the end.”

.

“Are you really okay with us being together?”

You stood outside with Lando and Max after dinner had finished up. Your parents were loading the dishwasher, Oliver was driving off down the street, and Flo was finishing up doing something with Cisca inside. The three of you were finally able to talk privately.

Lando was quiet for a while after your question. He still seemed a little hesitant but it wasn’t anywhere near how he had reacted in the hotel. He glanced down at where you were holding Max’s hand, then looked away, still thinking.

“You’re not allowed to have sex while I’m in the flat,” is what Lando eventually decided on saying.

Max, unimpressed, said, “It’s a bit late for that, mate.”

“Oh my god,” you muttered, covering your face with your hands.

Lando yelled his displeasure quite loudly. Max just laughed at him, not at all apologetic.

Even if your face was burning, at least you knew things would be okay. You had your brother back. Max had his best friend back. And Lando had both of you back.

The three of you were messy and intertwined but you would be okay.

[yesimwriting]

Normalcy

A/n deadpool and wolverine drabble bc the movie was a little too good

Summary: Still reeling from the loss of your powers, you struggle to hold it together inside the TVA's void. Thankfully, you find an uncharacteristically peaceful distraction in your old friend Deadpool and in the wolverine variant who wants nothing to do with you.

Warnings/info: reader is a (former) avenger (bc i love the avengers <3), reader is described as having similar powers to wanda and having trained with her (bc i love wanda), implied beginning of an accidental love triangle if you squint ig, maybe too much lore for a drabble (?), me writing for characters for the first time so be nice 😭

----

The lines etched into your palms do not bend and twist to spell out secrets, there are no messages worth decoding pressed into your skin. Knowing this is not enough to stop you from staring at your hands like if you could just think about it hard enough...

"There you are, Peanut." The words are so warm you're briefly pulled out of your internal angst. You straighten, head lifting slightly and arms crossing in front of your chest. "Thought I lost you."

Wade continues forward until he's directly in front of you. He pauses, watching you with an unabashed openness that you'd only ever allow him to get away with. "Kidding," he tries, "I'd never lose you."

The familiarity of the casual affection eases you further, the corner of your mouth tugging itself upwards. "I was like 15 feet away from you."

"Sorry for caring." It's his go to comeback when it comes to defending the displays of affection you have the audacity to find overdramatic.

You blink, lips parting despite your lack of response. The world has felt a little slower these last few days, moving at a pace that leaves you with no choice but to reflect. Maybe it's the void.

"Hey," his voice feels a little flatter without his usual humor, "Are you okay?"

You let out a breath, shocked by this new low. Sure, you've known Wade for awhile and you've both seen each other through plenty of stages, but he's never felt the need to attempt a genuine pep talk for you. He's never struck you as the pep talk sort...for anyone. Do you really seem that off?

It's bad enough that your identity crisis has stolen the abilities that would have helped your trio pop out of the void with no real fanfare, you can't also make your insecurities everyone else's problem. "Yeah." The response doesn't feel convincing, but with Wade wearing the Deadpool mask, it's hard to be sure. "Just y'know...we're in a void and our reality might be ripped apart, so I've been better."

He's still watching you with a level of focus that's unnerving. You've gotten used to his familiarity, his lack of care for personal space or the social rules around watching people. "You're doing it again."

"Seducing you with my ability to have a heart to heart while looking this good in my suit?"

You sigh in an attempt to dismiss your slight smile. Happy or sad, superhero that once fought Thanos or regular person that can't regulate their emotions, Wade always treats you the same. "The staring thing. You said you'd stop."

"No, you said I'd stop." The correction is a return to what you're used to. He takes a step towards you, his proximity now forcing you to tilt your chin up slightly to look him in the eye. "I'd never promise to look at you less."

"Comforting."

He angles his chin downwards, making the limited distance feel more significant. "I thought so." For a moment, he's quiet in a way that doesn't feel very him. "Are you sure you're...good?" His hesitance is another reminder that this is far out of his element. "I know this is your first..." Wade's rarely careful, only ever treading lightly on the one subject you never want to bring. "Outing, since..."

"I lost my powers."

Wade goes quiet again. If this conversation is as inevitable as it seems, a part of you wishes it could have come up elsewhere. Maybe in your shared apartment, definitely without the mask so you could better interpret his reactions. It's not often you keep secrets from him, but the hollowness you feel knowing the part of yourself you've lost isn't something you can just share.

It's more than just about missing your party tricks, it's about losing a part of yourself. They were all that was left of your time with the Avengers, of what Wanda taught you before Westview.

He lets out a breath. "They're not lost." You raise your eyebrows slightly, giving him a look meant to caution him against sympathetic optimism. "We don't know that."

He seems so happy to be able to tell you that there's no proof that any and all magical abilities have been flushed out of your system, you don't have it in you to remind him that that's mainly because you have no one to ask. What's left of the Avengers and your government connections either barely understand what you were or are untrustworthy.

"Educated wish?"

His mask muffles a slight gasp. You press your lips together in an attempt to resist smiling. "The last one worked out great."

Your eyebrows pull together skeptically, a reminder that the two of you are still technically in the middle of the last educated wish he attempted to speak into existence. "Didn't Wolverine stab you multiple times--"

He cuts you off with a heavy sigh. "If I took getting stabbed personally, do you know where we'd be?"

In a reality where Wade holds grudges over those kinds of things, you wouldn't be anything to each other, except maybe enemies. You've never pulled a knife or sword or anything sharp on him, but when you first met he did startle you before you had a total grip on your abilities, which resulted in him getting thrown through a wall.

"I never stabbed you."

His hand finds your shoulder. You let him drag his thumb against against the fabric of your suit. "And that's how I know you really love me, Peanut."

You roll your eyes in an attempt to dislodge the warmth that settles in the pit of your stomach. The last thing Wade needs is encouragement. "I mean, I do go around stabbing everyone I like less than you."

He lets out a sound that feels like a scoff attempting to mask itself as a dry laugh. "There's the sense of humor that'd hurt me if I knew you less."

"Well--"

He squeezes your shoulder, "I know you." Okay. You'll let him have this one because maybe there's some truth to what he's saying. "I'm going to go check on the car, because a fucking Honda Odyssey would break down on us for no reason before we got to the fight."

"For no reason or because of the bitch fight you and Wolverine had in it?"

There's a beat of silence in which all you can do is try to imagine Wade's expression behind the mask. You'd like to think that he's smiling. "Oh, Pumpkin." He sighs as if you've stumbled onto saying something terribly naive. "It wasn't a bitch fight, it was awesome, and probably turned you on."

You deadpan a flat, "You caught me." He hasn't let go of your shoulder, and a part of you is oddly glad for it. "I'd offer you help with the car, but..."

You're self aware enough to acknowledge your strengths and weaknesses, car maintenance being the latter. Wade doesn't even let you get your oil changed by yourself anymore.

"I've met you." He squeezes your shoulder again, the gesture weirdly stabilizing. "Give me 15 minutes to actually look at the car and then I'm all yours."

Wade lets go of you, his arm falling to his side. "Aren't you always?"

He lets out an exaggerated gasp. "You're making me feel cheaper than my usual rate, Peanut."

You smile as he turns away. Things are always a little easier with Wade. It's more than just distraction, it's his way of making things feel a little lighter. You're not sure what to do with your 15 minutes of solitude to avoid falling back into self pity.

You originally broke away from the group of void trapped heroes under the premise of needing fresh air, but even here, with the expansive, sparsely wooded area at your disposal, the oxygen in your lungs still feels flat. If Wanda were around, you'd be able to ask if she felt the strangeness of this other plane of existence as well. At least then you'd know if your dislike of the void is only mental or an actual sign of life from your abilities.

You begin to walk forward, hoping to shed all thoughts of both your former self and the eeriness of this other world. There are other people you could talk to you. The others have been polite enough, or at the very least, passionate enough to be talked into facing Cassandra.

The trees you've been wandering through grow in their sparsity, the edge of the woods revealing a patch of grassland highlighted by a fire's warm glow. You squint past the tree line, attempting to make out the figure sitting in front of the flames. Wolverine.

Secluded from the group and staring at a campfire. Surprising. Though, you guess it's not fair to judge him too harshly, you left the group to brood as well.

He doesn't like you, doesn't know you well enough to dislike you, but it took him no time to find a way to get around that. Maybe it's your proximity to Wade. You've done your best to take his hostility as un-personally as possible. You've seen enough people you really care about go through the guilt ridden, fallen hero thing to know how deep that kind of hurt runs.

You've never known a Wolverine or Logan Howlett variant, so you have no way of knowing what he was like before. Sure, you've heard stories, but you're also overly aware of how the media can twist and turn those stories to fit their narrative. One day, a superhero is the world's greatest protector, and the next their the greatest menace. Maybe he was always a little dark, or maybe he wasn't.

"Don't just stand there." The gruffness of his voice startles you more than it should.

Heat crawls up your neck, a part of you more embarrassed than you should be. You weren't lurking, or at the very least, you weren't trying to.

You sigh as you abandon the safety of the tree line. "Sorry." He turns his head away from the fire. "I wasn't--I was just walking."

He's quiet for such a long moment you almost expect him to not respond at all. "Without your shadow?"

Wow, only a halfhearted dig at Wade. You must have caught him in a good mood. "Friend, and he's looking at the car. I'd be looking at the car with him, but I figured the odds for tomorrow are bad enough as is."

Another uneasy stretch of silence. "Yeah." There's not much, if anything, to take from the comment. "If you're here to convince me to go with you guys tomorrow--"

"I'm not." It's an honest answer. You had been walking around aimlessly and happened to stumble onto him. "I'm not into the pep talk thing." He scoffs, the sound lacking in genuine aggression. "What?"

He lifts his gaze from the fire, his eyes settling on some point past the horizon. "I thought you were an Avenger."

You're not sure what bugs you more, the fact that he's so sure he has you all figured out or the implication that the Avengers spend their days encouraging each other instead of actually doing things. What the Avengers are--or maybe were--is so much more than that.

You step forward, further separating you from the cluster of trees. "The Avengers are about a lot more than that."

His attention briefly shifts onto you before returning to the flames. If the silence is meant to be dismissive, it doesn't feel that way. There's a patience there that doesn't suit his usual brooding.

"Do you care if I sit?" The question is forced out before you can overthink it. "I promise no inspirational speeches or small talk."

After a beat, he dips his chin downwards in a nod so subtle you would have missed it if you had been watching him any less carefully. You're more relieved by his acceptance than you should be, your feet carrying you towards the campfire.

You sit at a polite distance, knees bent in front of you. His silence seems to push against the void's sluggishness. Maybe the issue has been you fighting this world's momentum.

"Why are you with him?" You're not sure if you're more shocked by the question or the break in silence. When all you can do is blink, he continues, "You seem--" He subtly clears his throat, as if struggling to admit this next part, "Nice, normal."

Oh. If you had been focused, you likely would have got what he meant without the clarification. "I know Wade's a lot--especially to you." You place a hand against your knee, thinking about that very specific safety you only feel with Wade. You don't have to try at being anything, or worry about earning your keep in any capacity. "But once you get to know him, he's a good friend."

You look away from the fire pit in time to see the skeptical look Logan throws in your direction. "I'm serious." His expression doesn't change. "He um--after I stopped being important to everyone else, he still liked me ." This isn't the conversation you wanted to stumble onto, especially not with someone who you barely know and actively dislikes you. "That sounds kind of dumb, but the point is, he's loyal."

He turns his head back towards the fire. "You always call him by his name." The observation is so stiff you'd consider it hesitant if it came from anyone else.

You've never thought much about Wade's name. Part of it is familiarity, and the rest of it is a force of habit. Even when you were with the Avengers, you preferred using actual names when off duty. It's easier to separate the mask from the person beneath it when you make an active effort to.

You shrug. "I'm not into off duty superhero names, Wolverine."

He falls silent again. You concentrate on the flames, the way they illuminate the world around you. "You can--" He cuts himself off, attention never wavering from the fire. "You can call me Logan, if you want."

An unsteady warmth roots itself in your chest. You didn't expect any sort of kinship between you and the wolverine Wade stole from some other timeline beyond him occasionally accepting your attempts at creating peace between him and Wade.

"Okay," you focus on keeping your tone measured, avoiding any emotions that might startle him, "Logan."

There's no tension in the quiet that follows. You let the minutes pass until you're certain that Wade's waiting for an interruption disguised as an attempt to help. "I should go, Wade's probably waiting for me."

You push yourself to stand. You let yourself glance at him one last time before turning towards the trees you emerged from.

[dreadark]

so why is Luka obsessed with Hyuna anyway?

(mostly just trying to get my thoughts on Luka down before blink gone rewires my brain)

every pet human is extremely limited in freedom, but Luka's case is definitely the worst literally even his birth was by Heperu's design... he can't control any aspect of his own life, from his participation of ALNST (twice!) to what he eats on a daily basis

*translations all by whatafruit

humans have no power over segyein, and Luka doesn't even have any power over own his own body so what can he have power over, then?

other humans, of course

most obvious in round 5: Luka would've had an easy win even if he barely tried, but he goes out of his way to provoke Mizi anyway until she finally snaps... and he smiles as he's beaten

because this is his "power." he successfully manipulated Mizi into reacting, proving he has some control over the situation no matter how pointless it is in the grand scheme of things, this is all he can influence, so he makes the absolute most of it and this control is so important to him he doesn't care about his own physical injuries

it's Hyuna talking in this comic, but clearly reflecting Luka's own mentality

while for Hyuna it's likely just her love for singing and performing (whatever happens, they can't take this away from her) for Luka I imagine it's the ability to influence others from the stage (crushing his opponents, but also shaping his fanbase?)

...so back to Luka -> Hyuna

it’s mentioned more than a few times that Hyuna’s a really talented performer, but seeing their respective stat pages really drives it in

(think the “superiority test” Hyuna was put through relates to this also)

Hyuna doesn't seem to have been created in any special way like Luka was… she just has a natural affinity to performing. and that's enough that she’s considered a real rival to Luka—Luka, who was literally made for this, and put through constant hellish training on top (the pain of having your heart stopped...) to mold him into the perfect idol

to Luka… if he can’t dominate Hyuna, he can't even take pride in his own ability (that everything he's forced to go through amounts to something?). and power over other humans is all he has, so he needs to overpower Hyuna (also he likely admires Hyuna’s talents at the same time, which just adds to his twisted feelings)

so since his ability isn't enough... by making someone think of you, only you… that’s another way of having power over someone, isn’t it

“your life is mine” “I told you I only wanted one thing”

whatever exactly happened with Hyunwoo… well that certainly worked. both removing Hyuna's most important person and making Luka someone she can't not think of (oh and he doesn't seem particularly interested in Hyunwoo despite how similar the siblings are in personality? Hyunwoo was even the first to approach Luka, not Hyuna so it's likely because he doesn't have his sister's talents)

but you know how his intimacy(?) value for her is only 70% I figure that's because she escaped, so they could never actually face off onstage... maybe he's disappointed in her "wasting" her ability

what all this amounts to is that she did end up escaping his control, and he never even got to compete against her. so until he can somehow completely overpower her, he'll be obsessed with her

I wonder if this represents his final effort to that... ultimately, he values control over his own well-being, so if he can goad Hyuna into killing him, then doesn't that cement his power over her?

and maybe "saves" him from this hellish life too

kind of a tangent, but I really like how their designs contrast this dynamic Luka looks really angelic and androgynous, so from appearance he seems fragile and like someone to be protected (which even Hyuna seemed to be tricked by when they were younger) and Hyuna obviously looks the stronger one in comparison (very #girlboss (lol...))

but their relationship is one where Luka's trying to control her and Hyuna's trying to escape it... that "beautiful lady" line of ruler of my heart always felt somewhat uncomfortable, and then learning it's actually pitiful (가련한) instead of beautiful is... ...it's a very gendered dynamic, if you get what I mean. despite their surface-level appearances going against what's considered typical

[mollysunder]

Sky and Viktor's relationship is such a horror movie to me. You've got a man who was frustrated by the limitations placed on his life that were out of his control, like his class, mobility, and general health. Despite everything, he manages to rise beyond his station and avoid being an assistant for the rest of his life.

Then you've got a woman from the same background who admires him and all that he's accomplished in spite of the similar class based prejudices they faced all the while she's his assistant. She works up the courage to take leap of faith and reach out to him with her own research to show what's possible if they worked together as equals. And then he gets her killed!

Sky's death isn't the end of it because while it affects Viktor it is in no way meaningful to Sky's life or value as a person whatsoever. Even the pendant he wears in her memory is based on the design of her notebook, but that was just her notebook's cover, she probably bought it from a store and the design itself is probably mass produced. Why not use Sky's signature that was in her letter and in the notebook, the thing part if the notebook with real value?

Then Sky's brought back in s2 and she really only exists to be Viktor's assistant again, who he kills, again! But this time it's different because this time Viktor's making a conscious decision to look Sky in the eye and kill her... to prove he's changed.

In the middle of all this, in no way has Sky's death been mourned by her family or anyone else who could have known her. Jayce wasn't affected by the reveal, he didn't think it was important to tell Heimerdinger, or anyone who knew her. Nothing about her life, death, or disappearance has spurred any emotional reaction or even curiosity about what happened to her.

Sky's new life was also extremely isolated because she became further tied to him (in some ways you could say she was defined by him). Viktor never mentioned Sky to anyone in the material plane during his commune arc, so she only exists to him and she has no way to communicate with others, she's just there for Viktor's sake.

Then in the finale we learn this all a part of a big time loop where Viktor actively set the wheels in motion to have him and Jayce create hextech together, but if everything follows as is, that means Sky is violently killed in those timelines too. That means Viktor weighed the costs and decided over and over and over again that Sky was expendable enough to let her die for his plan to work eventually. How is that not murder at this point?

What's worse is that post-finale Sky's humanity is a point of dispute amongst the fandom, the VAs, and the writers themselves. Sky's the hexcore manipulating Viktor. No, Sky's a manifestion of Viktor's guilt. No, she's actually supposed to represent his humanity/conscious made physical. And in none of these arguments do they discuss Sky as a person, she's just an object meant to serve Viktor both in the narrative sense and literal sense as his assistant.

The most absolutely maddening part is that with Viktor's new bio on the League site, not only have most traces of Viktor had been scrubbed by Piltover's archive, but Sky's life has been completely wiped. Her death was implied to have been swept under the rug, and only described as the "loss of life" consequence from his Hexcore experiment.

Viktor was afraid of dying a senseless death (created by the conditions Piltover condemned his birth to) in obscurity and then he turned it into Sky's destiny.

[14dayswithyou]

no way you dropped the biggest river lore in the tags and moved on like it was nothing 😭 can i ask if this is still your intentions with him? bc it sounds like you changed your mind halfway 🤔

im ngl though i really enjoy how ren and river are similar and different to each other, but does that mean river would hurt his angel but leave our friends alone the same way ren would never hurt his angel but would unalive all of our friends? since they're suppose to be each other opposites. i really hope this makes sense 😬 my final question is what is ren doing on thursday? i want to go on a cute pier date again 🩷🌸

@secretkoa asked: and can i hear more about what unsent memory is suppose to be about or is that off limits? idk if i asked this in my previous question so ignore me if i did! thank yuo and remember to drink lots of water 🐸🌱

⌞♥⌝ For those who haven't seen the original post, I want to quickly clarify once more that while River was originally my OC, he's since been picked up and revamped by my friend Jesse/@unsentmemory!!

However, now that Jesse has stepped away from the yandere community, River's fate (and da fate of Unsent Memories) has kinda been put on the sidelines for the foreseeable future.

‼️ Massive Unsent Memories and River spoilers under the cut ‼️ CW for: mentions of gore, torture, mutilation, self-harm, etc.

With all of that being said, yes, Jesse's original intention for River was for him to be your standard "serial killer-turned-yandere once he accidentally catches feelings for his latest victim (Bunny)". The only main difference is that I originally planned for River to be a generic murderer first, whereas Jesse had him become a yandere right off the bat.

You also asked to know more about Unsent Memories, and I think giving a general synopsis(?) would be fine?? ^^ But basically... After getting involved in a car accident, Bunny wakes up with amnesia and gets tricked into thinking that this random guy — whom they've never met before — is their loving, supportive boyfriend named River. In turn, he convinces Bunny that staying in their shared home would be more beneficial than staying in the hospital as it might rekindle some old memories, he'd be able to take care of them, and it would be easier for them to recover at their own pace. But surprise!! River is actually a frequent patron at the Murderer Motel™ and now has trapped Bunny in his Torture Basement®!!! <3 He also maaaay or may not've been the one who hit them with Ren's car as well... ^^ Oopsie daisy hehe

And yeah!! Similar to what you've said, River was also supposed to share (somewhat of) a narrative foil with Ren!! I personally wanted them both to have similar, complimenting vibes with each other — all while having completely different/separate motives and incentives when it comes to the object of their affection. I'm glad to see it was conveyed well enough; even after Jesse's additions to River's characterisation :3 I know I already shared some examples in the previous tags, but I can share a few more:

Where Ren puts Angel's feelings and opinions above his own, River purposefully ignores Bunny's and does everything for his own personal benefit. Essentially, "I'm doing this for you" vs "I'm doing this for me".

While Ren would never dream about harming Angel in any capacity, he's perfectly happy to kidnap, extort, torture, and kill everyone else... In contrast to River, who's accustomed to torturing and brutalising others for his own twisted enjoyment and sees it as a way to show his interest in Bunny.

Kinda silly how Ren claims to be a freelance programmer (but is actually a hacker) and how River claims to work at a music shop (it's a coverup for his second torture chamber lmaoooo).

[CW: implications of SH] Ren is willing to go as far as mentally and physically hurting himself if Angel asks him to, whereas River is willing to physically mutilate Bunny if it means keeping them by his side. [end CW]

With that being said, you can assume that Ren is easily swayed by Angel's words, opinions, and emotions, whereas River can easily sway and manipulate Bunny due to his own feelings and emotions.

This is something I've actually mentioned before, but Ren always prefers things to be tidy, so he often cleans himself up after disposing of his victims. Compared to River, who casually wears the bloodstains with pride and blames it on getting a bit rough with someone else during a boxing match.

It's no secret that Ren is willing to change every aspect of himself to earn Angel's love, and River is willing to change his serial killer ways to return Bunny's love. Da power of friendship and repressed childhood memories gksdgjh T_T /silly

Ren pretends to be a Normal Guy© with tons of empathy to spare, whereas River pretends to be a Regular Person℗ with the heart of a himbo.

I could go on but you get da point lol

So, yeah!! This is essentially the vibes we had planned for River (and Unsent Memories) before Jesse stepped down /pos ^^ I feel like talking vaguely about UM is fine since River only has a small cameo in 14DWY — and I'm sure that if Jesse ever returns from war (/silly), they'll give River muuuuch more justice than I possibly can :3c

[shiny-jr]

VERY IMPORTANT!

THE INTERACTION.

This announcement pertains to the recent plagiarism incident that I've been dealing with behind the scenes. This announcement will contain the explanation in the form of a timeline, along with evidence (as much as I can provide given that Tumblr has an image limit) of the plagiarism and interactions, as well as what you can do to help. This post will be the interaction post, and you can find the other post of the evidence here:

Evidence post.

If you choose to help, thank you, and please make sure you read the entirety of the two posts for all the information and as I'd like to set some boundaries.

Before I explain the timeline, I would like to make it clear that it was my full intention to solve this privately and quickly. It was what I wanted since the beginning, but that has been made harder and harder, and now it is practically impossible. I did not want to go public, but I was compelled to do so.

Here is the rough timeline to understand the situation.

DECEMBER EIGHTH. I receive a message in my inbox notifying me that my work has been plagiarized. I check it out promptly, despite being busy. Sure enough, I find a story on Quotev that has multiple scenes that are far too similar to mine, with some words even being the same, but of course slightly adjusted probably to go under the radar. What I found even more preposterous, is the user followed me and still had this story posted.

I took some time to skim through the story, comparing scenes with mine. I have different tabs open, looking at each line and recognizing some lines and scenarios. After a bit of comparison, I came to the conclusion that it was indeed plagiarism. This was entirely new territory for me, as I don't remember if I had ever dealt with something like this before. Which is why I took this issue to a small server of writer mutuals where I received advice and feedback.

My main objective was to end the situation as quickly as possible, without any major drama or harsh words. There were no direct messages available on Quotev, so I had to resort to the comment section. I leave a comment on the copied story, detailing an explanation with dates provided and one of many examples being used to further my point. At the end of the comment, I ask them to delete the story.

Unfortunately, I did not think to take a screenshot of the comment I made, but I do have a copy of it from when I was typing it out in my notes. My comment on the copied story went something like this:

"Hello. I really did want did to be a private conversation, but due to the fact that Quotev has disabled private messages, this is the only way my message could get across. My username, as you can see right above this comment, is ShinyJr. My story is Damnation, a Twisted Wonderland yandere series that bears a striking resemblance to yours. I would say it's a coincidence, but I really don't think it is based of the fact alone that you published this series in June of 2023 while I first published scenes of my story in December of 2022 from Tumblr then officially posted it on Quotev in January of 2023. It's an ongoing series of mine, which makes it more disheartening when I find a story such as this one that have blatantly copied both the premise and a vast majority of the scenes. Not only this, but I also noticed several instances of potentially copied scenes from a mutual of mine and their own story, who I won't name as I don't speak for them. This just further proves that you deliberately copied others. If you need more proof of this, I will gladly provide it, as I gathered plenty of side by side comparisons. Just in case though, here are some comparisons I found: 1. MC is trying to think of how to manipulate the story. Up to this point, there are a lot of uncanny similarities, such as the MC waking up as the chieftain of the hyenas, Ruggie being the first one to greet them, climbing a cliffside and being surprising by Leona, the prince of the kingdom. But there's one line in the thought process which particularly caught my eye. My version: The plot was moving forward. Leona needed the hyenas, he couldn’t complete the coup all on his own. So either way, with or without your approval, he would win the majority of the hyena-folk by his false good-will. You could reveal to Ruggie and the others that you weren’t who they thought you were, but that didn’t work before. Even if it did work this time, what then? Would they turn on you? Would they accept you but lower your standing in the ranks? Or would you be banished, die stranded in a hot desert where the vultures would peck at your remains? . . . Your version: The plot was moving forward. Leona needed the hyenas, he couldn’t complete the coup all on his own. So either way, with or without your approval, he would win the majority of the hyena-folk by his false good-will. You could reveal to Ruggie and the others that you weren’t who they thought you were, but that didn’t work before. Even if it did work this time, what then? Would they turn on you? Would they accept you but lower your standing in the ranks? Or would you be banished, die stranded in a hot desert where the vultures would peck at your remains? This is just one example of the many I found. I ask that you please take down the story. Next time, if and when you decide to continue writing, do not copy. It's not a big request, it's just basic decency."

A few hours pass when I get word from a mutual that my comment was gone, and eventually, the user had disabled the entire comment section, leaving no evidence of my message and no way to speak to them. Meaning my comment was never responded to, and the user was trying to avoid responsibility.

With no other choice left, I report the story for plagiarism.

A few hours later, the story is gone completely but the account remained. I do not know if this happened by choice of the user as in they deleted it willingly or the report worked, but the story was gone. This was completely fine with me. I was content, as I thought that it was the end of things. Oh, I was so wrong.

DECEMBER NINTH. A mutual informs me that they found the same exact story under a new profile. Same cover, same notes, same everything. Looking into things, I discover that the user created an entirely new account just to avoid being caught, and put the story back up. Not only that, but they added notes on their account and the story that were clearly meant to be jabs at me. So you can probably understand the stress this was creating.

Here is the note that was found on the second version of the copied story. The username of the other writer is blacked out because I have not spoken to them and I do not want to involve them in drama they may want no part of.

Additionally, here is the second profile the user made just to post the story again. Take note of the words on their profile and how long the account was active, as well as how long ago the story had been posted.

This time, again, I had little choice but to report both the story and the new account. I did not want to comment on anything again in case I would be reported for harassment, so this was the safest option.

At this point, I considering going public with the information, but I really want to avoid this as it just makes the issue that much bigger and problematic. So, ultimately I push the idea aside.

A few hours later, the original account, the secondary account, and the copied story are again, gone. Gone entirely. Again, whether the reports worked or the user decided to call it quits, I have not a single clue. But surely, that must be the end of it, right? You would think so.

That same day, I was informed that this same copied story was on another site. Wattpad. I investigate, and sure enough, there it is. The same user, same story. This version had been up for a while and seemed relatively low activity.

This version is still up. Now, before anyone does anything, I ask you to please finish reading for all the details.

After discovering the profile, I decide to comment directly on the user's profile. This is one I do have screenshots to. My comment was very similar to the one I left on Quotev, but with some changes.

My comment:

Their reply:

My response:

Their answer:

Notice how there is no reply after that? That is because they blocked me before I could say anything else. They also chose to go to my profile on Wattpad and comment on a post I made two years ago. This comment was likely made sometime around the time they blocked me.

This is currently where things stand. Despite the report I have attempted to make, I am unable to do anything more because of the rules of Wattpad.

This is the part where I would ask you, my followers and readers, for help. If you have fully read both this evidence post and interaction post, and you are wondering if there is a way to help, yes, there is.

However, I want to remind everyone that I do not want anyone to spam or send outright hate. That is not what I want nor will it be useful.

If you would like to help, then please report the story and comment discouragement. Especially comment on the story, as I feel that this would be the most efficient method. If you wish to reblog, you may. Again, I stress this, DO NOT send any hate or spam! I am entirely serious on this point. I will block any users I find that are clearly hating or spamming the user on my behalf.

All I want is this to end as quickly as possible, so I can just get back to writing in peace. Please, and thank you for your time.

Where can you find the story and user: Wattpad

The user: kristynaka1

The story: In The Right Time